Albert Grisar

Biography

Albert Grisar (25 December 1808 – 15 June 1869) was a Belgian composer, mainly active in Paris.

Career

Born in Antwerp, Grisar's family had intended for him to pursue a tradesman's career, but he defied their wishes to devote himself to music. He studied in Antwerp with Joseph Janssens, in Paris under Anton Reicha, and in the mid-1840s in Naples with Saverio Mercadante. Grisar was a successful comic opera composer, first winning success in Brussels in 1833 and in Paris later in the decade. He collaborated with Flotow on L'Eau merveilleuse (1839), with Flotow and Auguste Pilati in Le Naufrage de la Méduse (1839), and with François-Adrien Boieldieu on L'Opéra à la cour (1840). When he received a grant from the Belgian government in 1840 to study music of Belgian composers in Italy, he instead used his time in Rome and Naples to study compositional techniques of the comic opera. His Parisian works of the late 1840s and early 1850s were particularly well received by audiences.
He died in Asnières near Paris.

Operas

Le Mariage impossible, premiere: Théâtre de la Monnaie, Brussels 1833
Sarah, ou L'Orpheline de Glencoé, premiere: Opéra-Comique, Paris 1836
L'An mil, premiere: Opéra-Comique, Paris 1837
Lady Melvil / Le Joallier de Saint-James, premiere: Théâtre de la Renaissance, Paris 1838
La Suisse à Trianon, Paris 1838
L'Eau merveilleuse, premiere: Théâtre de la Renaissance, Paris 1839
Le Naufrage de la Méduse, premiere: Théâtre de la Renaissance, Paris, 31 May 1839
Les Travestissements, Paris 1839
Gille ravisseur, premiere: Opéra-Comique, Paris 1848
Les Porcherons, premiere: Opéra-Comique, Paris 1850
Bonsoir, monsieur Pantalon, premiere: Opéra-Comique, Paris 1851
Le Carillonneur de Bruges, premiere: Opéra-Comique, Paris 1852
Les Amours du diable (libretto by Jules-Henri Vernoy de Saint-Georges), premiere: Théâtre Lyrique, Paris 1853
Le Chien du jardinier, premiere: Opéra-Comique, Paris 1855
Voyage autour de ma chambre, Paris 1859
La Chatte merveilleuse (libretto by Philippe Dumanoir and Adolphe d'Ennery), premiere: Théâtre Lyrique, Paris 1862
Les Bégaiements d'amour, Paris 1864
Les Douze Innocentes, Paris 1865
Le Procès, 1867