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Baldassare Galuppi
Person · male · Republic of Venice · Burano · born 1706 · died 1785 · recording since 1977
Italian composer (1706-1785)
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Also known as B. 加卢皮 · Baldassarre Galuppi · バルダッサーレ・ガルッピ
Timeline
31 events▣ Album 28◦ Birth 1† Death 1★ Debut release 1
1700s
1780s
1970s
· Debut release
Debut release: Sonaten für Klavier
First documented Album in the MusicBrainz discography.
source: musicbrainz
1980s
1990s
2000s
2010s
2020s
· Album
Album: Wonder in Venice. Galuppi: Sonatas and Concertos for Harpsichord
Album
source: musicbrainz
Biography
English biography3,622 words · 10 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1373517017
Biography
Baldassare Galuppi (18 October 1706 – 3 January 1785) was a Venetian composer, born on the island of Burano in the Venetian Republic. He belonged to a generation of composers, including Johann Adolph Hasse, Giovanni Battista Sammartini, and C. P. E. Bach, whose works are emblematic of the prevailing galant music that developed in Europe throughout the 18th century. He achieved international success, spending periods of his career in Vienna, London and Saint Petersburg, but his main base remained Venice, where he held a succession of leading appointments.
In his early career, Galuppi made a modest success in opera seria, but from the 1740s, together with the playwright and librettist Carlo Goldoni, he became famous throughout Europe for his comic operas in the new dramma giocoso style. To the succeeding generation of composers, he was known as "the father of comic opera". Some of his mature opere serie, for which his librettists included the poet and dramatist Metastasio, were also widely popular.
Throughout his career, Galuppi held official positions with charitable and religious institutions in Venice, the most prestigious of which was maestro di cappella at the Doge's chapel, St Mark's Basilica. In these various capacities, he composed a large amount of sacred music. He was also highly regarded as a virtuoso performer on and composer for keyboard instruments.
In the latter half of the 18th century, Galuppi's music was largely forgotten outside of Italy, and Napoleon's invasion of Venice in 1797 resulted in Galuppi's manuscripts being scattered around Western Europe, and in many cases, destroyed or lost. Galuppi's name persists in the English poet Robert Browning's 1855 poem "A Toccata of Galuppi's", but this has not helped maintain the composer's work in the general repertoire. Some of Galuppi's works were occasionally performed in the 200 years after his death, but it was not until the last years of the 20th century that his compositions were extensively revived in live performance and on recordings.
Early years
Galuppi was born on the island of Burano in the Venetian Lagoon, and from as early as age 22 was known as "Il Buranello", a nickname which even appears in the signature on his music manuscripts, "Baldassare Galuppi, called 'Buranello'." His father was a barber, who also played the violin in theatre orchestras, and is believed to have been his son's first music teacher. Although there is no documentation, oral tradition as related to Francesco Caffi in the nineteenth century says that the young Galuppi was trained in composition and harpsichord by Antonio Lotti, the chief organist at St Mark's Basilica. At the age of 15, Galuppi composed his first opera, Gli amici rivali, which, according to Caffi, was performed unsuccessfully at Chioggia and equally unsuccessfully in Vicenza under the title La fede nell'incostanza.
From 1726 to 1728, Galuppi was harpsichordist at the Teatro della Pergola in Florence. On his return to Venice in 1728, he produced a second opera, Gl'odi delusi dal sangue, written in collaboration with another Lotti pupil, Giovanni Battista Pescetti; it was well received when it was presented at the Teatro San Angelo. The collaborators followed it with an opera seria, Dorinda, the next year. This, too, was modestly successful, and Galuppi began to receive commissions for operas and oratorios.
In 1740, Galuppi was appointed "maestro di coro" at the Ospedale dei Mendicanti in Venice, where his duties ranged from teaching and conducting to composing liturgical music and oratorios. In his first year of service at the Mendicanti, he composed 31 works: 16 motets, 13 settings of the Salve Regina, and two psalm settings. Although he became internationally known as an operatic composer, he maintained a steady output of sacred music throughout his career.
London and return to Venice
In 1741, Galuppi was invited to work in London. He petitioned the Mendicanti authorities for leave of absence, to which they agreed.
He was in England for 18 months, supervising productions for the Italian opera company at the King's Theatre. Of the 11 operas under his direction, at least three are known to have been his own compositions, Penelope, Scipione in Cartagine and Sirbace; a fourth was presented shortly after he left London to return to Venice. Rival composer Handel attended one of these productions. Galuppi also attracted attention as a keyboard virtuoso and composer. His contemporary, the English musicologist Charles Burney, wrote that "Galuppi had had more influence on English music than any other Italian composer". However, in Burney's view Galuppi's skills were still immature during his spell in London. Burney wrote, "He now copied the hasty, light and flimsy style which reigned in Italy at this time, and which Handel's solidity and science had taught the English to despise."
On his return to Venice in May 1743, Galuppi returned to his employment with the Mendicanti, and to composing for the opera houses. The operatic fashion in Venice was on the point of changing from opera seria to a new style of comic opera, dramma giocoso. Full-length comic operas from Naples and Rome were becoming fashionable; Galuppi adapted three of them for Venetian audiences in 1744, and the following year composed one of his own, La forza d'amore, which was only a mild success. He continued to compose serious operas, sometimes in partnership with the librettist Metastasio. The latter believed firmly that the music was there to serve the text rather than vice versa. He grumbled about Galuppi in 1749, "He is, I presume, an excellent composer for violins, for cellos and for voices, but he is an exceedingly bad one for poets. When he writes he thinks as much about the words as you do about being elected Pope ... As far as the public is concerned, he is appreciated by those who judge with their ears but not their souls." Nevertheless, their joint work prospered, and was staged in other countries. In Vienna, their Demetrio and Artaserse were great successes, the former breaking all local box-office records.
In May 1748, Galuppi was appointed vice-maestro of the Doge's chapel, St Mark's. In time this would lead to a large body of religious compositions, but for the present Galuppi was chiefly engaged in operatic work. It is not clear to Denis Arnold why he accepted the post at St Mark's. The musicologist writes, "He was already a very successful opera composer and with his duties at the Mendicanti he must have had enough to do. The salary at St Mark's was only 120 ducats. ... At this time, it was not a very distinguished cappella. The choir probably numbered about 30; but since their posts continued up to death, a fair proportion of the singers were old." However, Daniel Heartz points out that Galuppi's salary eventually increased to 400 ducats per annum, and then to 600 ducats. In addition to the prestige of the position, Galuppi was given a house near the basilica in which he and his family lived rent-free, and as he had very few firm obligations as vice-maestro, the position left him with the flexibility to compose for other venues, including opera houses in Venice, Vienna, London, and Berlin. By the time of his death, Galuppi and Gluck were two of the highest paid composers of the 18th century. (See Heartz, 2003)
Galuppi was fortunate that when he turned once more to comic opera in 1749 he collaborated with Carlo Goldoni. Although an established and eminent playwright by the time he worked with Galuppi, Goldoni was happy for his libretti to be subservient to the music. He was as warm in his regard for Galuppi as Metastasio was cold. Their first collaboration was Arcadia in Brenta followed by four more joint works within a year. They were enormously popular at home and abroad, and to meet the demand for new drammi giocosi and opere serie Galuppi had to resign his post at the Mendicanti in 1751. By the middle of the 1750s he was, in the words of musicologist Dale Monson, "the most popular opera composer anywhere".
For the next ten years, Galuppi remained in Venice, with occasional sorties elsewhere for commissions and premieres, producing a series of secular and religious works. His operas, serious or comic, were in demand across Europe. Of the British premiere of Il filosofo di campagna in 1761 Burney wrote, "This burletta surpassed in musical merit all the comic operas that were performed in England, till the Buona Figliuola."
In April 1762, Galuppi was appointed to the leading musical post in Venice, maestro di capella of St Mark's, and in July of the same year, he was also appointed maestro di coro (choir master) at the Ospedale degli Incurabili. At St Mark's, he set about reforming the choir. He persuaded the Basilica authorities, the Procurators, to be more flexible in payments to singers, allowing him to attract performers with first-rate voices such as Gaetano Guadagni and Gasparo Pacchiarotti.
Saint Petersburg
Early in 1764, Catherine the Great of Russia made it known through diplomatic channels that she wished Galuppi to come to Saint Petersburg as her court composer and conductor. There were prolonged negotiations between Russia and the Venetian authorities before the Senate of Venice agreed to release Galuppi for a three-year engagement at the Russian court. The contract required him to "compose and produce operas, ballets and cantatas for ceremonial banquets", at a salary of 4,000 rubles and the provision of accommodation and a carriage. Galuppi was reluctant, but Venetian officials assured him that his post and salary as maestro di cappella at St. Mark's were secure until 1768 as long as he supplied a Gloria and a Credo for the Basilica's Christmas mass each year.
In June 1764, the senate granted Galuppi formal leave to go. He resigned his post at the Incurabili, made provision for his wife and daughters (who were to remain in Venice, while his son travelled with him), and set off for Russia. He made detours on his journey, visiting C.P.E. Bach in Berlin and encountering Giacomo Casanova by chance outside of Riga, before arriving in Saint Petersburg on 22 September 1765.
For the empress's court, Galuppi composed new works, both operatic and liturgical, and revived and revised many others. He wrote one opera there, Ifigenia in Tauride (1768), and two cantatas, La virtù liberata (1765) and La pace tra la virtù e la bellezza (1766), the latter to words by Metastasio. In addition to the work for which he had been contracted, Galuppi gave weekly recitals at the harpsichord, and sometimes conducted orchestral concerts. To improve standards he was a hard taskmaster to the court orchestra, but was from the outset enormously impressed by the court choir. He is reported to have exclaimed, "I'd never heard such a magnificent choir in Italy". Galuppi took pride in his prestigious appointments; the title page of his 1766 Christmas mass for St Mark's describes him as: "First Master and Director of all the Music for Her Imperial Majesty the Empress of all the Russias, etc. etc. and First Master of the Ducal Chapel of St. Mark's in Venice." In 1768, as had been agreed, he returned to Venice, detouring again on his journey, this time to visit Johann Adolph Hasse in Vienna.
Later years
On his return to Venice, Galuppi resumed his duties at St Mark's and successfully applied for reappointment at the Incurabili, holding the post until 1776, when financial constraints obliged all the ospedali to cut back their musical activities. In his later years, he wrote more sacred than secular music. His output continued to be considerable in both quantity and quality. Burney, who visited him in Venice, wrote in 1771:
It seems as if the genius of Signor Galuppi, like that of Titian, became more animated by age. He cannot now be less than seventy years old, and yet it is generally allowed here that his last operas and his last compositions for the church abound with more spirit, taste, and fancy, than those of any other period of his life.
Galuppi told Burney his definition of good music: vaghezza, chiarezza, e buona modulazione (beauty, clearness, and good modulation)". Burney commented on Galuppi's prodigious workload that in addition to his duties at St Mark's and the Incurabili, "he has a hundred sequins a year as domestic organist to the family of Gritti, and is organist of another church, of which I have forgotten the name".
The last opera by Galuppi was La serva per amore, premiered in October 1773. In May 1782, he conducted concerts to mark a papal visit to Venice by Pope Pius VI. Thereafter, he continued to compose, despite declining health. His last known completed work is the 1784 Christmas mass for St Mark's.
After a two-month illness, Galuppi died on 3 January 1785. He was buried in the church of San Vitale, and, much mourned, was commemorated by a requiem mass "solemnized in the church of Santo Stefano, paid for by professional musicians, at which the actors of the Teatro S Benedetto sang".
Operas
According to The Musical Times Galuppi, with 109 operas, was the sixth most prolific opera composer. His output was exceeded by his contemporaries Draghi, Piccinni, Paisiello, Guglielmi, and the most prolific of all, with 166 operas, Wenzel Müller; the only composer of later generations who approached his output was Offenbach 100 years later. Like most of his contemporaries, Galuppi did not hesitate to re-use his own music, sometimes simply transplanting it and at other times reworking it substantially.
He was called "the father of comic opera" by musicians of the generation that followed him. The 21st-century editor and musicologist Francesco Luisi writes that although this description is not strictly accurate, the Galuppi–Goldoni operas were "a genuinely new beginning for musical theatre". In Luisi's view these works fundamentally changed the nature of opera by making the music part of the drama and not merely a decoration. Galuppi's contemporary Esteban de Arteaga wrote approvingly that the composer was able to "illumine the personalities of the characters and the situations in which they find themselves by selecting the most appropriate type of voice and style of singing".
As well as his general contribution to the essentials of comic opera, establishing the music as at least as important as the words, Galuppi's (and Goldoni's) more specific legacy to comic opera was the large-scale buffo finale to end the acts. Hitherto acts had ended in short choruses or ensembles, but the elaborate and substantial finales introduced by Galuppi and his librettist set the pattern for Haydn and Mozart.
Galuppi's music for his comic operas is described by Luisi as "largely syllabic … designed to enhance the intelligibility of the text … without impairing the fluidity of the melodic lines." In his opere serie he observed the convention of the da capo aria, but used it sparingly in his comic works. In performances of his serious operas, leading soloists would as a matter of course interpolate arias written by other composers: the "opus integer" – a complete work not to be tampered with – was not the rule in 18th-century opera seria.
Sacred music
Among the corpus of Galuppi's authenticated sacred works are at least 284 works: 52 masses and movements pertaining to the mass, 73 settings of psalms and music for the offices, 8 motets, and 26 uncategorized works, including hymns, versetti, a setting of St. John's Passion for women's voices, and a Baccanale for the church of San Rocco. The largest repository of manuscripts outside of Italy is the Sächsische Landesbibliothek – Staats- und Universitätsbibliothek in Dresden, but manuscripts are also found in collections in Munich, Paris, Prague, Vienna, and New York, among others. In recent years Ines Burde, Franco Passadore, and Franco Rossi have all made progress toward a comprehensive catalogue of Galuppi's sacred music, but a complete inventory is still out of reach due to the large number of lost or missing manuscripts, spurious attributions, and forgeries.
In his religious works, Galuppi mixed modern and antique styles. It was then the custom to incorporate into new church music the stile antico with smooth vocal lines in the tradition of Palestrina and a good deal of counterpoint. However, Galuppi applied the stile antico sparingly, and when he felt constrained to write contrapuntal music for the choir he would balance it with a bright modern style for the orchestral accompaniment. His masses and psalm settings for St Mark's exploit all the resources available to a modern composer in the mid-18th century, with choir supported by an orchestra of strings and some or all of flutes, oboes, bassoons, horns, trumpets, and organ. In his tutti choral writing, Galuppi generally leaned toward syllabic settings, reserving the technically demanding melismatic passages for soloists.
Monson notes that the church music composed by Galuppi in Saint Petersburg had a lasting influence on Russian church music: "His 15 a cappella works on Russian texts for the Orthodox liturgy proved to be a watershed. Their Italian, light contrapuntal style joined with native melodic idioms was continued by Traetta and Sarti and maintained by, among others, D.S. Bortnyans'ky, his pupil." Marina Ritzarev comments that the Italian Vincenzo Manfredini was Galuppi's predecessor as Russian court composer, and may have paved the way for his successor's innovations.
Several works long attributed to Galuppi by publishers were shown to be the work of Vivaldi. In 2003, a Nisi Dominus previously thought to be by Galuppi was reattributed to Vivaldi. The music of the latter, a generation earlier than Galuppi, had gone out of fashion after his death, and unscrupulous copyists and editors found that Galuppi's name on the title page increased a work's appeal. Three other works in the Saxon State Collection have also been reattributed from Galuppi to Vivaldi: a Beatus Vir, a Dixit Dominus and a Laetatus sum.
Instrumental works
Galuppi was much admired for his keyboard music. Few of his sonatas were published in his lifetime, but many survive in manuscript. Some of them follow the Scarlatti single-movement model; others are in the three-movement form later adopted by Haydn, Mozart, Beethoven and others.
Galuppi's skill as keyboard player is well documented. Hillers Wöchentliche Nachrichten in 1772 made this mention of Galuppi's reputation in Saint Petersburg: "Chamber concerts were held every Wednesday in the antechamber of the imperial apartments, in order to enjoy the special style and fiery accuracy of the clavier playing of this great artist; thus did the virtuoso earn the overall approval of the court." It is no surprise that a number of Galuppi's keyboard works should make it into print during his lifetime, including two sets of six sonatas, published in London as opus 1 (1756) and opus 2 (1759) respectively. Felix Raabe mentions the round number of 125 "sonatas, toccatas, divertimenti and etudes" for keyboard, based on Fausto Torrefranca's 1909 thematic catalogue of Galuppi's cembalo works. However, given some of the outrageous assertions on this topic that Torrefranca makes elsewhere (such as that the classical sonata form was created by Italian keyboard composers) the accuracy of this figure must be accepted only cautiously.
Galuppi's seven experimental Concerti a quattro are particularly innovative chamber music pieces that foreshadow the development of the classical string quartet. Each of the concerti is a three-movement work for two violins, viola and cello that integrates the counterpoint of the sonata da chiesa with daring chromatic twists and harmonic detours that become more pronounced as the set progresses quartet by quartet. Innovations such as the chromatically raised 5th that Burney singled out in Galuppi's arias of the 1740s appear, and many harmonic features of the late-classical period are foreshadowed, such as the final deceptive cadence in which an augmented sixth chord is substituted before the ultimate resolution.
Among other instrumental compositions by Galuppi, Grove's Dictionary lists sinfonias, overtures, trios and string quartets, and concerti for solo instruments and strings.
Legacy
Robert Browning's poem A Toccata of Galuppi's refers to Galuppi and his work. It is not known whether Browning was thinking of any one piece by Galuppi; in Galuppi's time, the terms "toccata" and "sonata" were less clearly differentiated than they later became, and were used interchangeably. A number of pieces have been suggested as Browning's inspiration, but as Charles van den Borren wrote in The Musical Times, "every poet has the right to evade the prosaic minutiae of fact", and it is impossible to state with confidence that one Galuppi piece has more claim than another to be the inspiration for the poem. The poem inspired a 1989 setting, in modern idiom but with musical quotations from Galuppi's works, by the composer Dominick Argento.
Browning's poem was followed by a few revivals of Galuppi works, and the composer's music was played at memorials for the poet, both in church and in the concert hall. But performances of Galuppi's music remained sporadic. La diavolessa was revived for the first time at the Venice Music Festival in 1952; Il filosofo di campagna was revived in 1959, starring Ilva Ligabue and Renato Capecchi, and was staged at the Buxton Festival in 1985.
Recordings
From the late 20th century onwards, an increasing number of Galuppi's works have been committed to disc. Among the opera recordings on CD or DVD are Il caffè di campagna (2011), La clemenza di Tito (2010), La diavolessa (2004), Didone abbandonata (2007), Il filosofo di campagna (1959 and 2001), Gustavo primo re di Svezia (2005), Il mondo alla roversa (2007), and L'Olimpiade (2009). Three series of recordings of the keyboard sonatas have been launched, by Peter Seivewright on the Divine Art label, Matteo Napoli on Naxos. and Marcella Crudeli on Radio Vatican Studios own label. In addition, Brilliant Classics released, in 2016, a two-CD set of keyboard sonatas performed on the organ by Luca Scandali. Choral works put on CD include the 1766 Messa per San Marco (2007), a cantata, L'oracolo del Vaticano, to words by Goldoni (2004), and motets (2001).
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 43 | 95.3th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 33 | 91.2th |
| Studio albums | 30 | 98.2th |
| Awards recorded | 0 | 0th |
| Timeline events | 31 | 96.9th |
| Recording span (years) | -192 | 3.5th |
| Genres | 5 | 88.3th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (33 release groups · 30 studio albums)
Albums · 30
1977 · studio album
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Tracklist · 7 tracks · 57:19
1Sonate Für Klavier Nr. 38 C-moll: Allegro Moderato / Allegretto8:462Sonate Für Klavier Nr. 10 G-moll: Largo / Allegro / Allegro10:163Sonate Für Klavier Nr. 43 A-moll: Larghetto / Allegro7:064Sonate Für Klavier Nr.59 Fis-moll: Allegro3:155Sonate Für Klavier Nr.34 C-moll: Larghetto / Allegro / Allegro Assai10:326Sonate Für Klavier Nr. 9 F-moll: Andante Spiritoso / Allegretto / Presto9:087Sonate Für Klavier Nr. 55 C-dur: Adagio / Allegro8:161984 · studio album
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Tracklist · 9 tracks · 1:00:43
1Concerto a quattro nr.1 in g-moll - Grave e Adagio - Spiritoso - Allegro11:062Concerto a quattro nr.2 in G-dur - Andante - Allegro - Andante - Allegro Assai5:263Concerto a quattro nr.3 in D-dur - Maestoso - Allegro - Andantino7:344Concerto a quattro nr.4 in c-moll - Grave - Allegro - Andante9:055Konzert für Cembalo und Streicher in F-dur - Allegro, non tanto6:186Konzert für Cembalo und Streicher in F-dur - Grave5:197Konzert für Cembalo und Streicher in F-dur - Presto4:338Sinfonia della Serenata in F-dur - Allegro - Andante - Allegro6:049Sinfonie in D-dur - Andante - Allegro Assai - Largo - Andante - Allegro5:181988 · studio album
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Tracklist · 6 tracks · 52:25
1Sonata I Fa maggiore: Andantino con espressione – Allegro assai – Allegro11:182Sonata II La maggiore: Larghetto – Allegro assai6:563Sonata III do minore: Allegro moderato – Allegretto6:324Sonata IV Re maggiore: Andante grazioso – Allegro moderato8:265Sonata V Si B maggiore: Larghetto – Allegro9:116Sonata VI Mi maggiore: Allegretto moderato – Larghetto con variazioni10:021992 · studio album
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Tracklist · 6 tracks · 57:04
1Sonata n.1 in sol minore: Andante – Presto – Minuetto con variazioni11:012Sonata n.2 in si bemolle maggiore: Andante – Allegro – Allegro molto12:103Sonata n.3 in do minore: Larghetto – Allegro – Allegro assai10:504Sonata n.4 in la maggiore: Andante – Allegro5:585Sonata n.5 in mi maggiore: Andante spiritoso – Spiritoso4:446Sonata n.6 in do maggiore: Andante – Allegro – Allegro assai12:21Motets: Confitebor / Arripe alpestri ad vallem
1994 · studio album
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Tracklist · 16 tracks · 54:27
1Confitebor tibi, Domine: I. Confitebor Tibi, Domine3:482Confitebor tibi, Domine: II. Magna opera Domini3:053Confitebor tibi, Domine: III. Confessio et magnificentia2:554Confitebor tibi, Domine: IV. Memoriam fecit mirabilium2:585Confitebor tibi, Domine: V. Memor erit in saeculorum3:246Confitebor tibi, Domine: VI. Ut det illis haereditatem2:157Confitebor tibi, Domine: VII. Fidelia omnia mandata eius3:348Confitebor tibi, Domine: VIII. Redemptionem misit2:029Confitebor tibi, Domine: IX. Sanctum et terribile2:1010Confitebor tibi, Domine: X. Intellectus bonus1:4211Confitebor tibi, Domine: XI. Gloria3:3812Confitebor tibi, Domine: XII. Sicut erat in principio3:2613Arripe alpestri ad vallem: I. Arripe Alpestri ad Vallem9:3214Arripe alpestri ad vallem: II. Ah! Quo fugio, quo vado?3:1015Arripe alpestri ad vallem: III. Sereni affectus mei5:0116Arripe alpestri ad vallem: IV. Alleluia1:471994 · studio album
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Tracklist · 17 tracks · 1:07:05
1Sonata in C minor: I. Larghetto2:022Sonata in C minor: II. Allegro5:013Sonata in C minor: III. Allegro assai4:344Sonata in Bb major: I. –5:025Sonata in Bb major: II. Allegro assai2:286Sonata in Bb major: III. Giga4:217Sonata in Eb major: I. Cantabile4:178Sonata in Eb major: II. Allegro moderato4:339Sonata in Eb major: III. Allegro3:2310Sonata in G minor: I. Largo3:4811Sonata in G minor: II. Allegro2:3012Sonata in G minor: III. Andante4:0513Sonata in A major: I. –6:5814Sonata in A major: II. Allegro3:2715Sonata in F minor: I. Spiritoso3:0516Sonata in F minor: II. –4:4517Sonata in F minor: III. Giga2:461997 · studio album
1997 · studio album
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Tracklist · 5 tracks · 1:00:56
1Sonata n. 7 in Mi bemolle maggiore: Spiritoso – Allegro – Minuetto10:052Sonata n. 8 in Re maggiore: Largo – Allegro – Allegro10:463Sonata n. 9 in Si bemolle maggiore: Andantino – Allegro – Andante12:264Sonata n. 10 in La maggiore: Andante – Allegro – Presto10:315Sonata n. 11 in Re maggiore: Largo – Allegro – Andantino17:08Complete Harpsichord Concertos
1999 · studio album
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Tracklist · 24 tracks · 1:30:46
Disc 11Concerto in D major: I. Allegro moderato8:092Concerto in D major: II. Andante6:083Concerto in D major: III. Allegro8:104Concerto in C major: I. (Allegro)4:255Concerto in C major: II. Largo2:496Concerto in C major: III. Allegro2:227Concerto in E flat major: I. Allegro ma non presto3:118Concerto in E flat major: II. Largo1:279Concerto in E flat major: III. Allegro3:5010Concerto in G major: I. Allegro3:2111Concerto in G major: II. Andantino con moto2:1612Concerto in G major: III. Allegro3:43Disc 21Concerto in F major: I. Allegro2:592Concerto in F major: II. Andante2:343Concerto in F major: III. Allegro ma non presto2:104Concerto in C minor: I. Allegro assai3:275Concerto in C minor: II. Andantino3:086Concerto in C minor: III. Allegro ma non presto2:517Concerto in A major: I. Non tanto allegro3:228Concerto in A major: II. Andante2:079Concerto in A major: III. Allegro4:1510Concerto in F major: I. Allegro non tanto4:3211Concerto in F major: II. Grave5:4912Concerto in F major: III. Presto3:41Complete Piano Sonatas, Volume 1
1999 · studio album
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Tracklist · 18 tracks · 58:13
1Sonata in A minor: Larghetto cantabile2:522Sonata in A minor: Allegro vivace1:593Sonata in C minor: Adagio molto espressivo e cantabile2:444Sonata in C minor: Allegro2:185Sonata in B-flat major: Andantino4:536Sonata in B-flat major: Allegro2:367Sonata in C minor: Larghetto3:048Sonata in C minor: Allegro2:149Sonata in C minor: Allegro assai1:4910Sonata in A major: Andante3:3211Sonata in A major: Allegro2:0712Sonata in G minor: Largo5:3013Sonata in G minor: Allegro energico2:1414Sonata in G minor: Allegretto grazioso4:3015Sonata in E major: Allegro moderato2:3716Sonata in E major: Variazioni4:1017Sonata in F major: Andantino, e con espressione6:0718Sonata in F major: Allegro assai - Allegro2:572003 · studio album
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Tracklist · 22 tracks · 1:03:21
1Concerto a quattro in re maggiore: I. Maestoso2:042Concerto a quattro in re maggiore: II. Allegro2:173Concerto a quattro in re maggiore: III. Andantino1:284Kyrie a quattro concertato per la Ducal Cappella di San Marco: I. Kyrie eleison2:365Kyrie a quattro concertato per la Ducal Cappella di San Marco: II. Christe eleison3:076Kyrie a quattro concertato per la Ducal Cappella di San Marco: III. Kyrie eleison2:067Gloria: I. Gloria in excelsis Deo4:448Gloria: II. Laudamus te4:219Gloria: III. Gratias agimus tibi2:1310Gloria: IV. Domine Deus4:1511Gloria: V. Domine Fili unigenite3:5612Gloria: VI. Qui tollis peccata mundi3:0813Gloria: VII. Suscipe deprecationem nostram1:1614Gloria: VIII. Qui sedes ad dexteram Patris4:5115Gloria: IX. Quoniam tu sulus Sanctus / X. Cum Sancto Spiritu3:0216Gloria: XI. Cum Sancto Spiritu2:3017Concerto a quattro in sol minore: I. Grave e adagio1:5718Concerto a quattro in sol minore: II. Spiritoso2:0619Concerto a quattro in sol minore: III. Allegro3:0720Credo: I. Credo in unum Deum2:2921Credo: II. Crucifixus etiam pro nobis3:2322Credo: III. Et resurrexit tertia die2:252004 · studio album
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Tracklist · 59 tracks · 2:05:10
Disc 11La Diavolessa, Act 1: Sinfonia4:482La Diavolessa, Act 1: Duetto: Ho rissolto, voglio andar (Doruna e Giannino)1:083La Diavolessa, Act 1: Recitativo: Che c'e, che c'e di nuovo1:414La Diavolessa, Act 1: Cavatina a 3: Se non fossi maritato (Doruna, Falco e Giannino)2:345La Diavolessa, Act 1: Recitativo: Eh ben Signor Consorte2:276La Diavolessa, Act 1: Recitativo: Pretendono i mariti0:187La Diavolessa, Act 1: Aria: S'inganna chi crede (La Contessa)5:548La Diavolessa, Act 1: Recitativo: Oh! Ci mancava adesso2:219La Diavolessa, Act 1: Aria: Una donna che aprezza il decoro (Ghiandina)2:4410La Diavolessa, Act 1: Recitativo: Serva di Don Poppone2:4411La Diavolessa, Act 1: Aria: Si distingue dal nobil il vile (Dorina)3:1212La Diavolessa, Act 1: Recitativo: In questo mi rimetto1:2013La Diavolessa, Act 1: Aria: Chi v'ha detto del tesoro (Don Poppone)3:2914La Diavolessa, Act 1: Recitativo: Io non lo so capire0:3315La Diavolessa, Act 1: Aria: Colle dame, colle dame (Giannino)3:4516La Diavolessa, Act 1: Recitativo: Si puo venir?1:1317La Diavolessa, Act 1: Aria: Il cielo vi precipiti (Falco)3:0618La Diavolessa, Act 1: Recitativo: Messer Falco gentil0:1719La Diavolessa, Act 1: Recitativo: Riverente m'inchino!1:5920La Diavolessa, Act 1: Recitativo: Un simil trattamento0:2021La Diavolessa, Act 1: Aria: Tenta invan co' suoi vapori (Il Conte)6:0422La Diavolessa, Act 1: Recitativo: Il signor Don Poppone1:5223La Diavolessa, Act 1: Recitativo: Saprebbe dirmi1:0924La Diavolessa, Act 1: Recitativo: Non vorrei che Giannino1:3825La Diavolessa, Act 1: Finale I: Conte mio, per tutti i titoli5:17Disc 21La Diavolessa, Act 2: Recitativo: Strepiti, precipizi?1:012La Diavolessa, Act 2: Recitativo: Che tremore è mai questo?0:513La Diavolessa, Act 2: Aria: Chi son io, pensate prima (La Contessa)2:384La Diavolessa, Act 2: Recitativo: Che diavolo ha con me2:375La Diavolessa, Act 2: Aria: Un tenero affetto (Il Conte)2:376La Diavolessa, Act 2: Recitativo: A me doppia fortuna1:497La Diavolessa, Act 2: Aria: Falco mio, Falco mio (Don Poppone)2:378La Diavolessa, Act 2: Recitativo: Come s'e innamorato2:019La Diavolessa, Act 2: Aria: Se con quell'occhio moro (Falco)3:1210La Diavolessa, Act 2: Recitativo: Signor, la sposa mia0:5511La Diavolessa, Act 2: Recitativo: Chi son questi superbi?0:5212La Diavolessa, Act 2: Aria: M'han lasciato in testamento (Giannino)2:3813La Diavolessa, Act 2: Recitativo: Per esempio0:3514La Diavolessa, Act 2: Aria: Sior como generoso (Dorina)2:2015La Diavolessa, Act 2: Recitativo: La testa non so piu dove1:4116La Diavolessa, Act 2: Recitativo: Pur mi lusingo e spero0:2217La Diavolessa, Act 2: Aria: Donna belle, che bramate (Ghiandina)2:4818La Diavolessa, Act 2: Recitativo: Ritiratevi pur con questo lume0:1619La Diavolessa, Act 2: Recitativo: Siete qui?0:3720La Diavolessa, Act 2: Finale II: Spiriti erranti...6:3721La Diavolessa, Act 3: III. Recitativo: Offerirmi denari!1:0422La Diavolessa, Act 3: Recitativo: Maledetti stregoni1:5923La Diavolessa, Act 3: Aria: Com'e stato dir non so (Don Poppone)2:3524La Diavolessa, Act 3: Recitativo: Il misero e ingannato0:3825La Diavolessa, Act 3: Aria: Piu bel diletto (La Contessa)2:1326La Diavolessa, Act 3: Recitativo: Tant'e, signori miei1:0927La Diavolessa, Act 3: Aria: Si Signori, cosi e (Ghiandina)1:5428La Diavolessa, Act 3: Recitativo: Che bell'amore!0:4229La Diavolessa, Act 3: Recitativo: Siete qui?1:1730La Diavolessa, Act 3: Aria: Veleggiar secondo il vento (Falco)2:0831La Diavolessa, Act 3: Recitativo: Dunque sperar possiamo0:5532La Diavolessa, Act 3: Duetto: Oh povero mio padre (Dorina e Giannino)4:1533La Diavolessa, Act 3: Recitativo: No, non credo mai piu1:1034La Diavolessa, Act 3: Finale III: Spiriti buoni, qua comparite2:14Complete Piano Sonatas, Volume 3
2004 · studio album
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Tracklist · 20 tracks · 59:03
1Piano Sonata in F major, Illy no. 33: I. Largo3:192Piano Sonata in F major, Illy no. 33: II. Allegro2:123Piano Sonata in A-flat major, Illy no. 19: I. Lento3:234Piano Sonata in A-flat major, Illy no. 19: II. Allegro energico2:515Piano Sonata in E major, Illy no. 16: I. Lento espressivo2:406Piano Sonata in E major, Illy no. 16: II. Allegro1:517Keyboard Sonata in C major, Illy no. 30: I. Largo4:578Keyboard Sonata in C major, Illy no. 30: II. Presto1:539Keyboard Sonata in C major, Illy no. 30: III. Allegro ma non troppo2:2010Piano Sonata in D major, Illy no. 31: I. Allegro deciso3:5111Piano Sonata in D major, Illy no. 31: II. Con moto2:5312Piano Sonata in D major, Illy no. 31: III. Andantino2:4913Piano Sonata in G major, Illy no. 29: I. Larghetto6:5014Piano Sonata in G major, Illy no. 29: II. Spiritoso e tenderoso1:5915Keyboard Sonata in B-flat major, Illy no. 23: I. Lento espressivo3:3116Keyboard Sonata in B-flat major, Illy no. 23: II. Allegretto grazioso3:0617Keyboard Sonata in B-flat major, Illy no. 23: III. Spiritoso1:3318Piano Sonata in E-flat major, Illy no. 17: I. Con grazia2:4819Piano Sonata in E-flat major, Illy no. 17: II. Allegro2:2520Piano Sonata in E-flat major, Illy no. 17: III. Menuetto1:522006 · studio album
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Tracklist · 15 tracks · 58:09
1Concerto in C minor no. 4: I. Grave - Allegro7:262Concerto in C minor no. 4: II. Andante1:553Concerto in G major no. 2: I. Andante - Allegro2:244Concerto in G major no. 2: II. Andante2:235Concerto in G major no. 2: III. Allegro assai1:066Concerto in D major no. 3: Maestoso - Allegro - Andantino6:217Concerto in G minor no. 1: I. Grave e sostenuto - Allegro e spiritoso4:598Concerto in G minor no. 1: II. Allegro3:399Concerto in B-flat major no. 6: I. Preludio (Adagio) - Allegro spiritoso6:4410Concerto in B-flat major no. 6: II. Allemanda (Allegro)2:1711Concerto in E-flat major no. 5: I. Largo3:1112Concerto in E-flat major no. 5: II. Allegro - A tempo4:3013Concerto in A major no. 7: I. Largo3:4614Concerto in A major no. 7: II. Allegro4:1515Concerto in A major no. 7: III. Andante3:13Complete Piano Sonatas, Volume 2
2006 · studio album
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Tracklist · 20 tracks · 1:01:58
1Piano Sonata in C major, Illy no. 55: I. Andante2:492Piano Sonata in C major, Illy no. 55: II. Allegro2:263Piano Sonata in G major, Illy no. 5: I. Andantino4:134Piano Sonata in G major, Illy no. 5: II. Presto3:035Piano Sonata in F major, Illy no. 12: I. Andantino6:096Piano Sonata in F major, Illy no. 12: II. Allegro2:217Piano Sonata in F major, Illy no. 12: III. Giga1:438Keyboard Sonata in C minor, Illy no. 38: I. Allegro moderato3:119Keyboard Sonata in C minor, Illy no. 38: II. Allegretto2:4910Piano Sonata in F major, Illy no. 15: I. Introduction2:1411Piano Sonata in F major, Illy no. 15: II. Allegro3:2612Piano Sonata in F major, Illy no. 15: III. Allegro3:0013Keyboard Sonata in D minor, Illy no. 2: I. Allegro2:2814Keyboard Sonata in D minor, Illy no. 2: II. Variations1:1215Piano Sonata in D major, Illy no. 39: I. Andante grazioso3:2416Piano Sonata in D major, Illy no. 39: II. Allegro moderato3:4217Piano Sonata in B flat major, Illy no. 40: I. Larghetto5:1518Piano Sonata in B flat major, Illy no. 40: II. Allegro3:3519Piano Sonata in A major, Illy no. 37: I. Larghetto2:3620Piano Sonata in A major, Illy no. 37: II. Allegro assai2:222008 · studio album
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Tracklist · 13 tracks · 1:09:04
1Sonata I in Fa Maggiore: I. Andantino, e con espressione4:222Sonata I in Fa Maggiore: II. Allegro assai5:433Sonata I in Fa Maggiore: III. Allegro1:474Sonata II in La Maggiore: I. Larghetto4:585Sonata II in La Maggiore: II. Allegro assai5:216Sonata III in Do minore: I. Allegro moderato4:267Sonata III in Do minore: II. Allegretto5:398Sonata IV in Re Maggiore: I. Andante grazioso6:299Sonata IV in Re Maggiore: II. Allegro moderato6:1410Sonata V in Si b Maggiore: I. Larghetto8:3211Sonata V in Si b Maggiore: II. Allegro5:1512Sonata VI in Mi Maggiore: I. Allegro moderato5:2913Sonata VI in Mi Maggiore: II. Variazioni – Larghetto4:492010 · studio album
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Tracklist · 19 tracks · 1:07:44
1Sonata in B-flat major, Illy 14: Andantino5:152Sonata in B-flat major, Illy 14: Allegro assai2:543Sonata in B-flat major, Illy 14: Giga (Presto)2:544Sonata in D minor, Illy 2: Allegro3:325Sonata in D minor, Illy 2: Giga (Allegro)1:416Sonata in C minor, Illy 34: Larghetto2:217Sonata in C minor, Illy 34: Allegro sostenuto3:058Sonata in C minor, Illy 34: Allegro assai2:309Sonata in C major, Illy 27: Andante6:5310Sonata in C major, Illy 27: Allegro3:2811Sonata in C major, Illy 27: Allegro assai2:3212Sonata in E-flat major, Illy 24: Cantabile4:0513Sonata in E-flat major, Illy 24: Allegro moderato5:0114Sonata in E-flat major, Illy 24: Allegro2:4415Sonata in D minor, Illy 56: Andantino4:2216Sonata in D minor, Illy 56: Presto3:0217Sonata in D major, Illy 1: Adagio2:3318Sonata in D major, Illy 1: Allegro assai3:1119Sonata in D major, Illy 1: Variations (Allegro)5:41Complete Harpsichord Concertos
2011 · studio album
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Tracklist · 30 tracks · 1:59:24
Disc 11Harpsichord Concerto in C: I. Allegro4:022Harpsichord Concerto in C: II. Largo2:473Harpsichord Concerto in C: III. Allegro2:134Harpsichord Concerto in E flat: I. Allegro Ma Non Presto3:135Harpsichord Concerto in E flat: II. Largo1:336Harpsichord Concerto in E flat: III. Allegro3:437Harpsichord Concerto in G: I. Allegro3:258Harpsichord Concerto in G: II. Andantino Con Moto2:179Harpsichord Concerto in G: III. Allegro3:4510Harpsichord Concerto in F: I. Allegro3:0711Harpsichord Concerto in F: II. Andante2:2412Harpsichord Concerto in F: III. Allegro Ma Non Presto2:1013Harpsichord Concerto in C minor: I. Allegro Assai2:5814Harpsichord Concerto in C minor: II. Andantino3:1915Harpsichord Concerto in C minor: III. Allegro Ma Non Presto2:3616Harpsichord Concerto in A: I. Non Tanto Allegro3:4217Harpsichord Concerto in A: II. Andante3:1218Harpsichord Concerto in A: III. Allegro4:00Disc 21Concerto For Flute, Strings And Basso Continuo: I. Allegro3:452Concerto For Flute, Strings And Basso Continuo: II. Adagio4:373Concerto For Flute, Strings And Basso Continuo: III. Allegro Assai3:134Concerto in D: I. Allegro Moderato9:585Concerto in D: II. Andante6:376Concerto in D: III. Allegro5:437Concerto in G For Flute, Harpsichord And Strings: I. Allegro5:198Concerto in G For Flute, Harpsichord And Strings: II. Andante5:279Concerto in G For Flute, Harpsichord And Strings: III. Allegretto6:0410Harpsichord Concerto in F: I. Allegro Non Tanto5:1711Harpsichord Concerto in F: II. Grave4:2512Harpsichord Concerto in F: III. Presto4:332011 · studio album
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Tracklist · 20 tracks · 1:01:38
1Sonata in F major, Illy 28: Andante6:542Sonata in F major, Illy 28: Allegretto2:243Sonata in F major, Illy 28: Allegro molto2:374Sonata in F minor, Illy 9: Andante spiritoso2:355Sonata in F minor, Illy 9: Allegretto2:326Sonata in F minor, Illy 9: Presto1:377Sonata in C minor: Andantino, Illy 183:338Sonata in C minor: Allegro, Illy 43:009Sonata in C major, Illy 57: Allegro3:0810Sonata in C major, Illy 57: Andantino3:3211Sonata in C major, Illy 57: Presto3:2312Sonata in B-flat major, Illy 32: Andantino3:5913Sonata in B-flat major, Illy 32: Presto3:2014Sonata in G major, Illy 53: Andantino3:4415Sonata in G major, Illy 53: Allegro assai2:5416Sonata in D major, Illy 45: Adagio2:2317Sonata in D major, Illy 45: Allegro2:3418Sonata in D major, Illy 45: Largo e maestoso3:1319Sonata in D major, Illy 45: Giga: Allegro1:4520Sonata in C major, Illy 98: Allegro2:312012 · studio album
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Tracklist · 41 tracks · 4:00:12
Disc 11Sonata No.1 in G minor: Andante – Presto – Minuetto con variazioni11:052Sonata No.2 in F major: Andante – Allegro – Allegro molto12:143Sonata No.3 in C minor: Larghetto – Allegro – Allegro assai10:544Sonata No.4 in A major: Andante – Allegro6:025Sonata No.5 in E major: Andante spiritoso – Spiritoso4:486Sonata No.6 in C major: Andante – Allegro – Allegro assai12:21Disc 21Sonata No.7 in E flat major: Spiritoso – Allegro – Minuetto10:072Sonata No.8 in D major: Largo – Allegro – Allegro10:483Sonata No.9 in B flat major: Andantino – Allegro – Andante12:284Sonata No.10 in A major: Andante – Allegro – Presto10:335Sonata No.11 in D major: Largo – Allegro – Andantino17:08Disc 31Sonata No.12 in D major: Spiritoso – Allegro – Allegro10:122Sonata No.13 in F minor: Andante – Allegro – Presto10:183Sonata No.14 in G minor: Andante – Allegro – Allegro10:534Sonata No.15 in F major: Andantino – Presto – Giga (Presto)13:205Sonata No.16 in E major: Andantino – Grazioso – Allegro12:14Disc 41Sonata No.17 in B flat major: I. Andantino3:422Sonata No.17 in B flat major: II. Allegro assai4:423Sonata No.17 in B flat major: III. Giga3:144Sonata No.18 in D minor: Allegro5:235Sonata No.19 in A major: I. Allegro non presto2:526Sonata No.19 in A major: II. Largo1:467Sonata No.19 in A major: III. Allegro2:058Sonata No.20 in B flat major: I. Allegro ma non presto2:489Sonata No.20 in B flat major: II. Andante2:0010Sonata No.20 in B flat major: III. Allegro2:0211Sonata No.21 in G minor: I. Allegro2:2612Sonata No.21 in G minor: II. Andante1:2213Sonata No.21 in G minor: III. Allegro1:3414Sonata No.22 in C major: I. Andante3:0915Sonata No.22 in C major: II. Allegro3:0416Sonata No.22 in C major: III. Minuetto1:2817Sonata No.23 in D major: I. Allegro moderato2:3018Sonata No.23 in D major: II. Andante1:4919Sonata No.23 in D major: III. Allegro2:1420Sonata No.24 in E major: I. Andante1:3121Sonata No.24 in E major: II. Allegro2:4722Sonata No.24 in E major: III. Minuetto1:2523Sonata No.25 in E flat major: I. Cantabile3:1224Sonata No.25 in E flat major: II. Allegro moderato3:4225Sonata No.25 in E flat major: III. Allegro2:002012 · studio album
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Tracklist · 21 tracks · 1:05:41
1Sonata in D minor, Illy 66: Andante3:242Sonata in D minor, Illy 66: Allegro, Illy 733:013Sonata in D minor, Illy 66: Largo, Illy 742:474Sonata in D minor, Illy 66: Allegro e spiritoso2:155Allegro in C major, Illy 303:396Sonata in C minor, Illy 38: Allegro moderato3:267Sonata in C minor, Illy 38: Allegretto2:308Sonata in F major, Illy 36: Andantino, e con espressione5:299Sonata in F major, Illy 36: Allegro assai3:1810Sonata in F major, Illy 36: Allegro1:5511Sonata in B-flat major, Illy 23: Andantino2:0612Sonata in B-flat major, Illy 23: Allegro moderato3:5713Sonata in B-flat major, Illy 23: Andante spiritoso2:2714Sonata in A minor: Siciliana2:3415Sonata in A minor: Allegro, Illy 683:0916Sonata in F major, Illy 50: Largo1:4517Sonata in F major, Illy 50: Allegro2:0018Sonata in A minor, Illy 43, Walsh op. 1 no. 3: Largo3:3519Sonata in A minor, Illy 43, Walsh op. 1 no. 3: Allegro3:1120Sonata in E major, Illy 41: Allegro moderato2:4421Sonata in E major, Illy 41: Larghetto con 6 variazioni6:292016 · studio album
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Tracklist · 14 tracks · 53:44
1Sonata no. 1 in C, R.A.I.1.03: Adagio6:342Sonata no. 1 in C, R.A.I.1.03: Allegro3:423Sonata no. 2 in D minor, R.A.I.4.02: Allegro8:374Sonata no. 3 in A minor, R.A.II.5.01: Largo3:385Sonata no. 3 in A minor, R.A.II.5.01: Allegro3:286Sonata no. 4 in D, R.A.I.3.06: Adagio2:367Sonata no. 4 in D, R.A.I.3.06: Allegro4:078Sonata no. 4 in D, R.A.I.3.06: Spiritoso e staccato1:529Sonata no. 4 in D, R.A.I.3.06: Giga. Allegro2:4310Sonata no. 5 in F, R.A.I.8.07: Largo1:3211Sonata no. 5 in F, R.A.I.8.07: Allegro3:2612Sonata no. 6 in A-flat, R.A.I.13.01: Andantino2:3713Sonata no. 6 in A-flat, R.A.I.13.01: Allegro assai3:1914Sonata in G, R.A.I.11.06: Andantino5:332016 · studio album
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Tracklist · 36 tracks · 2:09:13
1Sonata I in F Major: I. Andante8:472Sonata I in F Major: II. Allegretto3:123Sonata I in F Major: III. Allegro molto3:004Sonata II in C Minor: I. Larghetto3:075Sonata II in C Minor: II. Allegro4:116Sonata II in C Minor: III. Allegro assai2:477Sonata III in A Major: I. Andante2:418Sonata III in A Major: II. Allegro2:569Sonata III in A Major: III. Allegro1:1510Sonata IV in E Major: I. Andante spiritoso1:3111Sonata IV in E Major: II. Spiritoso1:5912Sonata IV in E Major: III. Presto1:1713Sonata V in C Major: I. Andante6:5114Sonata V in C Major: II. Allegro2:5015Sonata V in C Major: III. Allegro assai2:4316Sonata VI in E-flat Major: I. Spiritoso2:5517Sonata VI in E-flat Major: II. Allegro3:1918Sonata VI in E-flat Major: III. Minuè2:2719Sonata VII in G Minor: I. Largo3:5820Sonata VII in G Minor: II. Presto2:1221Sonata VII in G Minor: III. Allegretto5:5722Sonata VIII in B-flat Major: I. Andantino5:2223Sonata VIII in B-flat Major: II. Allegro assai2:5824Sonata VIII in B-flat Major: III. Giga (Presto)3:0325Sonata IX in E Major: I. Andante5:2326Sonata IX in E Major: II. Allegro3:4627Sonata IX in E Major: III. Grazioso1:4428Sonata X in F Major: I. Andantino8:3829Sonata X in F Major: II. Allegro4:0930Sonata X in F Major: III. Giga. Presto3:3031Sonata XI in D Major: I. Spiritoso2:3732Sonata XI in D Major: II. Allegro3:4733Sonata XI in D Major: III. Allegro3:0734Sonata XII in F Minor: I. Andante spiritoso5:1135Sonata XII in F Minor: II. Allegretto3:0636Sonata XII in F Minor: III. Presto (Giga)2:57Complete Piano Sonatas, Volume 4
2019 · studio album
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Tracklist · 19 tracks · 49:55
1Keyboard Sonata in D major: I. Poco allegretto2:132Keyboard Sonata in D major: II. Spiritoso - III. Tema e sei variazioni7:313Keyboard Sonata in D minor: I. Lento non troppo2:144Keyboard Sonata in D minor: II. Vigoroso1:205Keyboard Sonata in F major: I. Moderato1:046Keyboard Sonata in F major: II. Allegro1:437Keyboard Sonata in G major: I. Lento con felicita2:068Keyboard Sonata in C major, Illy no. 55: I. Andante4:199Keyboard Sonata in C major, Illy no. 55: II. Allegro1:5110Keyboard Sonata in E‐Flat major, Illy no. 24: I. Cantabile3:5011Keyboard Sonata in E‐Flat major, Illy no. 24: II. Allegro moderato2:3212Keyboard Sonata in E‐Flat major, Illy no. 24: III. Allegro1:1513Keyboard Sonata in G major: II. Allegro2:5914Keyboard Sonata in F major: I. Andante3:1315Keyboard Sonata in F major: II. Allegro assai1:3716Keyboard Sonata in F major: III. Allegro assai1:5317Keyboard Concerto in G major: I. Allegro2:5118Keyboard Concerto in G major: II. Andantino con moto1:3619Keyboard Concerto in G major: III. Allegro (Cadenza by P. Seivewright)3:482021 · studio album
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Tracklist · 18 tracks · 1:07:42
1Piano Sonata no. 2 in C minor: I. Larghetto2:232Piano Sonata no. 2 in C minor: II. Allegro (però non troppo)4:033Piano Sonata no. 2 in C minor: III. Allegro assai3:104Piano Sonata no. 3 in A: I. Andante3:015Piano Sonata no. 3 in A: II. Allegro3:276Piano Sonata no. 3 in A: III. Allegro1:237Piano Sonata no. 6 in E‐flat: I. Spiritoso3:338Piano Sonata no. 6 in E‐flat: II. Allegro3:209Piano Sonata no. 6 in E‐flat: III. Minué2:2710Piano Sonata no. 7 in G minor: I. Largo4:0211Piano Sonata no. 7 in G minor: II. Presto (Allegro vivacissimo)1:5312Piano Sonata no. 7 in G minor: III. Allegretto4:0113Piano Sonata no. 9 in E: I. Andante6:0414Piano Sonata no. 9 in E: II. Allegro3:4515Piano Sonata no. 9 in E: III. Grazioso2:3116Piano Sonata no. 10 in F: I. Andantino11:4217Piano Sonata no. 10 in F: II. Allegro4:0218Piano Sonata no. 10 in F: III. Giga. Presto2:558 Sonatas for Harpsichord and Organ
2022 · studio album
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Tracklist · 11 tracks · 1:01:04
1Sonata in D minor, R.A. 1.04.026:352Sonata in B-flat major, R.A. 1.16.06: I. Andante4:593Sonata in B-flat major, R.A.1.16.06: II. Allegro molto3:574Sonata in D minor, R.A. 1.04.04: I. Andante5:135Sonata in D minor, R.A. 1.04.04: II. Allegro2:016Sonata in F major, R.A. 1.8.103:257Sonata in C minor: I. Allegro moderato4:548Sonata in C minor: II. Allegretto4:439Sonata in G major, R.A. 1.11.0311:3210Sonata in G minor, R.A. 1.12.058:5211Sonata in E minor, R.A. 1.6.024:532023 · studio album
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Tracklist · 16 tracks · 1:08:05
1Keyboard Sonata in F minor, Illy 9: I. Andante spiritoso3:292Keyboard Sonata in F minor, Illy 9: II. Allegretto3:433Keyboard Sonata in F minor, Illy 9: III. Giga (Presto)2:024Keyboard Sonata in C major, Illy 27: I. Andante6:145Keyboard Sonata in C major, Illy 27: II. Allegro4:246Keyboard Sonata in C major, Illy 27: III. Allegro assai3:007Keyboard Sonata in C minor, Illy 34: I. Larghetto2:398Keyboard Sonata in C minor, Illy 34: II. Allegro sostenuto3:209Keyboard Sonata in C minor, Illy 34: III. Allegro assai3:5310Keyboard Sonata in B-flat major, Illy 32: I. Andantino7:3211Keyboard Sonata in B-flat major, Illy 32: II. Allegro5:5812Keyboard Sonata in C minor, Illy 18: I. Andantino4:3413Keyboard Sonata in C minor, Illy 18: II. Allegro4:1814Keyboard Sonata in F major, Illy 12: I. Andantino6:2315Keyboard Sonata in F major, Illy 12: II. Allegro3:5916Keyboard Sonata in F major, Illy 12: III. Giga (Presto)2:37Wonder in Venice. Galuppi: Sonatas and Concertos for Harpsichord
2025 · studio album
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Tracklist · 16 tracks · 1:09:31
1Harpsichord Sonata in F Major, R.A.1.8.06: I. Andantino e con espressione7:362Harpsichord Sonata in F Major, R.A.1.8.06: II. Allegro assai4:573Harpsichord Sonata in F Major, R.A.1.8.06: III. Allegro1:364Harpsichord Sonata in D Minor, R.A.1.04.02: Allegro6:245Harpsichord Sonata in D Major, R.A.1.03.01: Allegro assai3:486Harpsichord Sonata in G Minor, R.A.1.12.01: I. Andante3:327Harpsichord Sonata in G Minor, R.A.1.12.01: II. Allegro2:128Harpsichord Sonata in G Minor, R.A.1.12.01: III. Allegro4:029Harpsichord Sonata in B-Flat Major, R.A.1.16.05: I. Larghetto7:3910Harpsichord Sonata in B-Flat Major, R.A.1.16.05: II. Allegro4:4911Concerto for Harpsichord and Strings in C Minor: I. Allegro assai3:0012Concerto for Harpsichord and Strings in C Minor: II. Andantino3:2013Concerto for Harpsichord and Strings in C Minor: III. Allegro ma non presto2:3714Concerto for Harpsichord and Strings in F Major: I. Allegro non tanto4:3515Concerto for Harpsichord and Strings in F Major: II. Grave5:3516Concerto for Harpsichord and Strings in F Major: III. Presto3:49Un Musicien au temps de Casanova - Galuppi Concertos
— · studio album
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Tracklist · 18 tracks · 1:02:42
1Concerto en ré m pour 2 flûtes 1 Non Tanto Allegro3:582Concerto en ré m pour 2 flûtes 2 Largo4:463Concerto en ré m pour 2 flûtes 3 Presto3:594Concerto en ré M pour flûte 1 Allegro3:325Concerto en ré M pour flûte 2 Adagio5:156Concerto en ré M pour flûte 3 Allegro Grossi2:437Concerto en do m pour clavecin 1 Allegro Assa3:028Concerto en do m pour clavecin 2 Andante2:449Concerto en do m pour clavecin 3 Allegro Ma Non Tanto2:2910Concerto en mib M à Quattro n°5 1 Largo3:1911Concerto en mib M à Quattro n°5 2 Allegro2:0212Concerto en mib M à Quattro n°5 3 a Tempo2:2013Concerto ensol M pour flûte 1 Allegro Moderato4:1514Concerto ensol M pour flûte 2 Andante 13:2715Concerto ensol M pour flûte 3 Allegro2:4016Concerto mi m pour 2 flûtes 1 Andante4:2117Concerto mi m pour 2 flûtes 2 Largo Sordinato5:0918Concerto mi m pour 2 flûtes 3 Allegro 12:41Sonate per Clavicembalo e per Organo
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Tracklist · 21 tracks · 1:06:27
1Toccata in fa maggiore: I. Arpeggio2:002Toccata in fa maggiore: II. Allegro4:073Toccata in fa maggiore: III. Allegro2:394Sonata in do minore: I. Allegro moderato3:245Sonata in do minore: II. Allegretto2:556Sonata in re maggiore: I. Spiritoso1:177Sonata in re maggiore: II. Allegro2:528Sonata in re maggiore: III. Allegro2:289Sonata in re maggiore: I. Largo6:3610Sonata in re maggiore: II. Allegro3:5711Sonata in re maggiore: III. Andantino3:2312Sonata in si bemolle maggiore: I. Andantino spiccato affettuoso4:0913Sonata in si bemolle maggiore: II. Presto3:1914Sonata in la minore: I. Siciliana2:1215Sonata in la minore: II. Allegro2:0916Sonata in re minore: Allegro6:0017Sonata in sol maggiore: I. Allegro3:3618Sonata in sol maggiore: II. Larghetto3:0119Sonata in sol maggiore: III. Allegro1:1420Sonata per flauto in si bemolle maggiore: Allegro3:2721Sonata in sol maggiore: Andante1:42
Other · 1
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1994 | Motets: Confitebor; Arripe alpestri ad vallenSearch SpotifySearch YouTube MusicTracklist · 16 tracks · 54:271Confitebor tibi, Domine: I. Confitebor Tibi, Domine3:48 2Confitebor tibi, Domine: II. Magna opera Domini3:05 3Confitebor tibi, Domine: III. Confessio et magnificentia2:55 4Confitebor tibi, Domine: IV. Memoriam fecit mirabilium2:58 5Confitebor tibi, Domine: V. Memor erit in saeculorum3:24 6Confitebor tibi, Domine: VI. Ut det illis haereditatem2:15 7Confitebor tibi, Domine: VII. Fidelia omnia mandata eius3:34 8Confitebor tibi, Domine: VIII. Redemptionem misit2:02 9Confitebor tibi, Domine: IX. Sanctum et terribile2:10 10Confitebor tibi, Domine: X. Intellectus bonus1:42 11Confitebor tibi, Domine: XI. Gloria3:38 12Confitebor tibi, Domine: XII. Sicut erat in principio3:26 13Arripe alpestri ad vallem: I. Arripe Alpestri ad Vallem9:32 14Arripe alpestri ad vallem: II. Ah! Quo fugio, quo vado?3:10 15Arripe alpestri ad vallem: III. Sereni affectus mei5:01 16Arripe alpestri ad vallem: IV. Alleluia1:47 | 1994 |
Album · 2
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 2004 | Vivaldi / Galuppi: Salve Regina / MotetsSearch SpotifySearch YouTube MusicTracklist · 23 tracks · 2:00:59Disc 1 1Salve Regina, RV 61613:44 2Non in pratis aut in hortis, RV 64117:07 3Violin Concerto in C major "per la Santissima Assenzione di Maria Vergine", RV 581: I. Adagio e staccato - Allegro5:29 4Violin Concerto in C major "per la Santissima Assenzione di Maria Vergine", RV 581: II. Largo2:58 5Violin Concerto in C major "per la Santissima Assenzione di Maria Vergine", RV 581: III. Allegro5:00 6Cur sagittas, cur tela, cur faces, RV 6378:48 7Salve Regina, RV 61813:26 Disc 21Confitebor tibi: I. Confitebor Tibi, Domine3:48 2Confitebor tibi: II. Magna opera Domini3:05 3Confitebor tibi: III. Confessio et magnificentia2:55 4Confitebor tibi: IV. Memoriam fecit mirabilium2:58 5Confitebor tibi: V. Memor erit in saeculorum3:24 6Confitebor tibi: VI. Ut det illis haereditatem2:15 7Confitebor tibi: VII. Fidelia omnia mandata eius3:34 8Confitebor tibi: VIII. Redemptionem misit2:02 9Confitebor tibi: IX. Sanctum et terribile2:10 10Confitebor tibi: X. Intellectus bonus1:42 11Confitebor tibi: XI. Gloria3:38 12Confitebor tibi: XII. Sicut erat in principio3:26 13Arripe alpestri ad vallem: I. Arripe Alpestri ad Vallem9:32 14Arripe alpestri ad vallem: II. Ah! Quo fugio, quo vado?3:10 15Arripe alpestri ad vallem: III. Sereni affectus mei5:01 16Arripe alpestri ad vallem: IV. Alleluia1:47 | Compilation | 2004 | |
| 2007 | Arturo Benedetti MichelangeliSearch SpotifySearch YouTube Music | Compilation | 16 February 2007 |
Stats & PK
Percentile within all 23,672 published artists.Put Baldassare Galuppi head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 43 | 95.3th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 33 | 91.2th |
| Studio albums | 30 | 98.2th |
| Awards recorded | 0 | 0th |
| Timeline events | 31 | 96.9th |
| Recording span (years) | -192 | 3.5th |
| Genres | 5 | 88.3th |
Awards & honours
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Galuppi.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/76d25975-0fc8-4709-abb5-0da114daf674discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/76d25975-0fc8-4709-abb5-0da114daf674core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q208338genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q208338seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Baldassare_Galuppibiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Baldassare_Galuppi
Why this artist is in the database
- List of composers by name
Tier rule: historic figure (43 language versions, career ended)
Image: Driante70 · Public domain · Wikimedia Commons
Wikidata: Q208338 · MusicBrainz: 76d25975-0fc8-4709-abb5-0da114daf674
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