
Photo: Edward Francis Burney (1760…1848) · Public domain · credits
Claude Le Jeune
Person · male · France · Valenciennes · born 1528 · died 1600 · recording since 1995
French composer
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Also known as Claude Lejeune · 克洛德·勒热纳
Timeline
1520s
1600s
1990s
· Debut release
Debut release: Meslanges : Chanson & fantaisies de violes (Ensemble Clément Janequin & Ensemble Les Éléments)
First documented Album in the MusicBrainz discography.
source: musicbrainz
· Album
Album: Meslanges : Chanson & fantaisies de violes (Ensemble Clément Janequin & Ensemble Les Éléments)
Album
source: musicbrainz
2000s
2010s
2020s
Biography
Biography
Claude Le Jeune (French pronunciation: [klod lə ʒœn]; 1528 to 1530 – buried 26 September 1600) was a Franco-Flemish composer of the late Renaissance. He was the primary representative of the musical movement known as musique mesurée, and a significant composer of the "Parisian" chanson, the predominant secular form in France in the latter half of the 16th century. His fame was widespread in Europe, and he ranks as one of the most influential composers of the time.
Life
He was born in Valenciennes, where he probably received his early musical training. Sometime fairly early in life he became a Protestant. The first record of his musical activity is from 1552, when four chansons attributed to him were published at Leuven, in anthologies of works by several composers. In 1564, he moved to Paris, where he became acquainted with the Huguenots. By this time, he had already acquired some international fame, as evidenced by the appearance of his name in a list of "contemporary composers of excellence" in a manuscript copy of the Penitential Psalms of Orlande de Lassus, which were probably composed in the 1560s in Munich. Lassus may have met Le Jeune in the mid-1550s during a trip to France; however this has not been definitely established.
In 1570, Le Jeune began his association with the Academie de musique et de poésie, headed by Jean-Antoine de Baïf, an association which was to be decisive both on Le Jeune's music and on the direction taken by the Academie. That Baïf was a Catholic, who even wrote a sonnet extravagantly praising the St. Bartholomew's Day Massacre in 1572 (in which somewhere between 5,000 and 30,000 Protestants were murdered) appears not to have dissuaded Le Jeune from working with him, and Le Jeune continued to set his poetry, and follow the ideals of the Academie, into the 1580s. In 1581, in collaboration with Baïf, d'Aubigné and Ronsard, he wrote incidental music for the wedding of the Duke of Joyeuse and the queen's half-sister, Marie de Lorraine.
Unfortunately, Le Jeune was found out to be the author of an anti-Catholic tract in 1589, and was forced to flee Paris during the siege that year: only the intervention of his friend, the composer Jacques Mauduit, at the city's St. Denis gate saved his life and prevented the destruction of the manuscripts he carried with him (according to Marin Mersenne, who wrote extensively about both composers in his Harmonie universelle of 1637). Other Huguenot composers were not so fortunate. Claude Goudimel, a very similar composer whom Le Jeune may have known, was murdered by a Catholic mob in Lyon during the St. Bartholomew's Day massacre in late August 1572.
Next, Le Jeune settled in La Rochelle, a stronghold of the Huguenots, but sometime in the mid-1590s he must have returned to Paris, for his name appears in a list of musicians of the royal household of Henry IV both in 1596 and 1600. Few other details from late in his life are known, but he must have been composing prolifically, judging by the enormous quantity of music which remained in manuscript at his death, most of which was published in the first two decades of the 17th century. He died in Paris, and is buried in the Protestant cemetery of La Trinité.
Music and influence
Le Jeune was the most famous composer of secular music in France in the late 16th century, and his preferred form was the chanson. After 1570, most of the chansons he wrote incorporated the ideas of musique mesurée, the musical analogue to the poetic movement known as vers mesurée, in which the music reflected the exact stress accents of the French language. In musique mesurée, stressed versus unstressed syllables in the text would be set in a musical ratio of 2:1, i.e. a stressed syllable could get a quarter note while an unstressed syllable could get an eighth note. Since the meter of the verse was usually flexible, the result was a musical style which is best transcribed without meter, and which sounds to the modern ear to have rapidly changing meters, for example alternating 2/8, 3/8, etc.
In opposition to the chanson style of the Netherlandish composers writing at the same time, Le Jeune's "Parisian" chansons in musique mesurée were usually light and homophonic in texture. They were sung a cappella, and were usually from three to seven voices, though sometimes he wrote for as many as eight. Probably his most famous secular work is his collection of thirty-three airs mesurés and six chansons, all to poems by Baïf, entitled Le printemps. Occasionally he wrote in a contrapuntal idiom reminiscent of the more severe style of his Netherlandish contemporaries, sometimes with a satirical intent; and in addition he sometimes used melodic intervals which were "forbidden" by current rules, such as the expressive diminished fourth; these strictures were codified by contemporary theorists such as Gioseffe Zarlino in Venice, and were well known to Le Jeune.
Le Jeune also was keenly aware of the current humanist research into ancient Greek music theory. Greek use of the modes and the three genera intrigued him, and in his music he used both the diatonic genus (a tetrachord made up of semitone, tone, and tone) and the chromatic genus (a tetrachord made up of semitone, semitone, and an augmented second).
(The enharmonic genus, consisting of quarter tone, quarter tone, and major third, was rarely used in the 16th century, although Italian theorist and composer Nicola Vicentino constructed an instrument allowing it to be used in performance.) His chansons using the chromatic genus are among the most chromatic compositions prior to the madrigals of Gesualdo.
Probably Le Jeune's most famous sacred work is his Dodécacorde, a series of twelve psalm settings which he published in La Rochelle in 1598. Each of the psalms is set in a different one of the twelve modes as given by Zarlino. Some of his psalm settings are for large forces: for example he uses sixteen voices in his setting of Psalm 52. Published posthumously was a collection of all 150 psalms, Les 150 pseaumes, for four and five voices; some of these were extremely popular, and were reprinted in several European countries throughout the 17th century.
His last completed work, published in 1606, was a collection of thirty-six songs based on eight-line poems, divided into twelve groups, each of which contained three settings in each of the twelve modes. The work, Octonaires de la vanité et inconstances du monde (Eight-line Poems on the Vanity and Inconstancy of the World), based on poems by the Calvinist preacher Antoine de Chandieu, was for groups of three or four voices. According to Le Jeune's sister Cecile, who wrote the introduction to the publication, he had intended to complete another set for more voices but died before finishing it. It was one of the last collections of chansons of the Renaissance, of any type; following its publication, the air de cour was the predominant genre of secular song composition in France.
Of Le Jeune's sacred music, a total of 347 psalm settings, thirty-eight sacred chansons, eleven motets, and a mass setting have survived. His secular output included 146 airs, most of which were in the style of musique mesurée, as well as sixty-six chansons, and forty-three Italian madrigals. In addition, three instrumental fantasias were published posthumously in 1612, as well as some works for lute. He was fortunate in that his copious manuscripts were published after his death: his friend, the equally gifted and prolific composer Jacques Mauduit, was fated to have most of his music lost.
Contemporary critics accused Le Jeune of violating some of the rules of good melodic writing and counterpoint, for example using the melodic interval of the major sixth (something Palestrina would never have done), and frequently crossing voices; some of these compositional devices were to become features of the Baroque style, premonitions of which were beginning to appear even in France towards the end of the 16th century.
Selected recordings
Missa ad Placitum. Benedicite Dominum. Tristia obsedit me. Magnificat. Ensemble Clément Janequin, dir. Visse (HMC 901607)
Psalms
Dix Psaumes de David (1564) 10 of 10 psalms. Ludus modalis, dir. Bruno Boterf. Ramée 2011
Dodécacorde (1598) – 7 of 12 psalms. Ensemble Vocale Sagittarius, dir. Michel Laplénie. Accord 2003
Psalms – Muze honorons l’illustre et grand Henry inc. Dieu nous te loüons (French Te Deum from Pseaumes en vers mesurez) Les Pages & Les Chantres, dir. Schneebeli (Alpha) 2002
Airs et psaumes mesurés à l'antique. Claudine Ansermet soprano, Paolo Cherici, lute (Symphonia)
Psaumes de la Réforme de Clément Marot et Théodore de Bèze Trio Viva Lux, dir. Houette (SM)
Secular works
Le printemps – 12 of 39 chansons Huelgas Ensemble Paul Van Nevel (Sony)
Le printemps – 39 of 39 chansons (2CD), Feuille (Arion)
Meslanges et fantasies de violes Ensemble Clément Janequin & Ensemble Les Éléments 1995 (HMC)
Octonaires de la vanité du monde 2CD Ensemble Jacques Feuille 1973 (Arion)
Les saisons. 6 Octonaires. La bataille. (on Inconstance et vanité 1601) Anne Quentin (Astree)
Chansons – Autant qu’emport le vent Ensemble Clément Janequin (HM)
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 19 | 79.7th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 11 | 82.8th |
| Studio albums | 11 | 91.9th |
| Awards recorded | 0 | 0th |
| Timeline events | 14 | 90.5th |
| Recording span (years) | -395 | 0.7th |
| Genres | 1 | 56th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (11 release groups · 11 studio albums)
Albums · 11
Meslanges : Chanson & fantaisies de violes (Ensemble Clément Janequin & Ensemble Les Éléments)
1995 · studio album
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Tracklist · 16 tracks · 55:03
1Meslanges : Que je porte d'envie2:152Meslanges : Je ne m'élève icy3:033Meslanges : Première Fantaisie6:204Meslanges : Tu ne l'enten pas2:055Meslanges : Je ne me plain4:156Tablature de leut, premier livre : Susanne un jour2:167Susanne un jour3:078Le printemps : Le chant de l'Alouette3:589Meslanges : Quell'eau quel air4:3910Meslanges : Second Fantasie4:0211Meslanges : Je voulu baiser ma rebelle1:5212Je suis déshéritée2:1813Meslanges : Troisième Fantaisie4:5114Allons, allons gay1:5315Meslanges : Debat la nostre trill' en may2:0116Pseaumes de David : Mais qui es-tu6:081995 · studio album
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Tracklist · 39 tracks · 2:09:45
Disc 11Le printemps : Voicy du gay printemps3:002Le printemps : Revesi venir du Printans2:553Le printemps : La bel' Aronde3:484Le printemps : Quand le soleil se vient lever2:455Le printemps : Ce n'est que fiel, ce n'est qu'amer2:246Le printemps : Bien fol est qui perd le sens1:527Le printemps : Le chant de l'alouette4:338Le printemps : Voici le verd é beau may1:509Le printemps : Brunelette, joliette, m'amourette2:1910Le printemps : Ô rôze reine des flers3:2911Le printemps : Francine, rozine, nimphète2:1112Le printemps : Le chant du rossignol7:2813Le printemps : Ma mignonne, je me plains11:4614Le printemps : Je l'ay, je l'ay la belle fleur5:3415Le printemps : Mes yeux ne cesseront 'i point1:3716Le printemps : Dame je viens fer' homag' à ta beauté2:0617Le printemps : Cigne je suis de candeur1:5818Le printemps : À sa chut' i se va déjeter1:3819Le printemps : Perdre sens devant vous2:33Disc 21Le printemps : Vivre tout pensif, défiant, é dépit2:052Le printemps : Laisse faire, laisse faire1:483Le printemps : Je soupirois, é je plorois3:274Le printemps : À l'aid', à l'aid', élas, élas !2:215Le printemps : Le bandoulier vole l'argent2:536Le printemps : Quiconq' l'amour noma l'amour1:287Le printemps : La brunelette violette reflorit2:078Le printemps : L'un émera le violet3:169Le printemps : Si Jupiter s'avizait2:1410Le printemps : Patourelles joliètes3:3411Le printemps : D'un cœur fier le refus cruel1:4112Le printemps : Que nul' étoile sur nous1:5413Le printemps : Tu peux de moy te paser1:5014Le printemps : Du trist' hyver la rigoureuse glace16:2115Le printemps : Cez amoureux n'ont que douleur1:4016Le printemps : D'une coline m'i promenant3:2117Le printemps : Je ne say qui te meut2:5918Le printemps : Doucète, sucrine, toute de miel2:3819Le printemps : La bèle gloire, le bel honer2:0820Le printemps : Amour, quand fûs-tu né ?4:141996 · studio album
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Tracklist · 12 tracks · 1:03:10
1Le Printans, No. 2: Revecy venir du printans3:492Le Printans, No. 8: Voicy le verd et beau May3:383Le Printans, No. 10: O Rôze reyne dés fleurs5:514Le Printans, No. 14: Ie l’ay, ie l’ay la belle fleur7:305Le Printans, No. 17: Cigne ie suis de candeur3:366Le Printans, No. 19: Perdre le sens devant vous8:087Le Printans, No. 26: La brunelette violette reflorit5:158Le Printans, No. 27: L’un émera le violét7:009Le Printans, No. 30: D’un cœur fier le refus cruél2:4410Le Printans, No. 31: Que null’ étoille sur nous4:3211Le Printans, No. 34: Ces amoureus n’ont que douleur et tourment4:0512Le Printans, No. 38: La béle gloire, le bél honeur doner7:02Missa Ad Placitum / Magnificat
1997 · studio album
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Tracklist · 8 tracks · 53:52
1Missa Ad Placitum: I. Kyrie4:152Missa Ad Placitum: II. Gloria5:223Missa Ad Placitum: III. Credo7:464Missa Ad Placitum: IV. Sanctus4:425Missa Ad Placitum: V. Agnus Dei7:036Benedicite Dominum9:417Tristitia obsedit me5:418Magnificat9:22Airs et psaumes mesurés à l'antique
2000 · studio album
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Tracklist · 26 tracks · 1:08:04
1Vien, belle, vien3:382Fantasia quinta2:003Vers toy, seigneur dous3:194Praeludium noni toni0:505O que je peusse á mon gré1:536Courante1:347Doucette, doux sucre fin2:268Praeludium 1611:189Vous qu’amour tou-bon favorize tel se plaint d’amour5:4510Passomezzo2:0611Voicy le verd et beau may2:1812Praeludium2:1413Las! Je me pleing3:0114Preludium2:1415O doux et beaux yeux3:4516Praeludium tertij toni0:5517Rendons graces á dieu2:1918Praeludium 41:0919Mon coeur que d’ennuis2:5120Courante1:2121Une puce j’ay4:0922Fantasía0:3923Enten de mes plaints4:4924Puisque ne veus me guerir4:4625Pavana2:4326Qu'est devenu ce bel oeil4:02Muze honorons l’ilustre & grand Henry
2002 · studio album
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Tracklist · 9 tracks · 57:52
1Muze honorons…1:472Deum celebrate vocantes5:513Magnificat (à 4, 5, 6 & 7 voix)10:234Adjuro vos filiae Hierusalem9:025Tristitia obsedit me5:286O Seigneur, j’espars (Psaume 88)5:417Quand pour Egipte éloigner (Psaumes 114 & 115)6:458Louë tous ce Dieu qui est dous5:359Dieu, nous te loüons (Te Deum à 6 voix)7:20Le Jeune : Octonaires de la vanité & inconstance du monde
2010 · studio album
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Tracklist · 36 tracks · 1:01:42
11-1 Quand on arrestera la course coustumière1:1621-2 Qui ne s’esbahira, levant en haut les yeux1:3131-3 Plustot on poura faire1:1742-1 Le feu, l’air, l’eau, la terre, ont toujours changement1:2752-2 Y a t‐il rien si fort si rude et indomtable1:3062-3 Le beau du monde s’éface1:4873-1 Comme de l’aigle en l’air, l’aisle vite et hautaine2:1883-2 L’eau va vite en s’écoulant0:5593-3 Vous fleuves et ruisseaux, et vous claires fontaines1:54104-1 C’est un grand mal que l’extrême avarice1:59114-2 Qu’as‐tu pauvre amoureux, dont l’âme demy morte2:40124-3 C’est un arbre que le monde1:40135-1 Mon âme, ou sont les grands discours1:34145-2 Quand le jour, fils du soleil1:51155-3 Le rocher orgueilleux1:44166-1 Quand la face noire des cieux1:49176-2 Mondain qui vis et meurs au monde périssable2:00186-3 As‐tu mis en oubliance1:40197-1 Quel monstre voy‐je la qui tant de testes porte1:43207-2 Areste, atens, O mondain ou cours‐tu ?1:38217-3 Plustot les yeux du firmament1:29228-1 L’ambitieux veut toujours en haut tendre1:24238-2 J’ay de l’avare et de l’ambitieux1:36248-3 Pauvre ver travaille, tracasse1:06259-1 Quand la terre au printemps prend sa verte couleur1:13269-2 L’este ralumant ses feux1:37279-3 La glace est luysante et belle1:182810-1 Lors que la feuille va mourant1:232910-2 Vois‐tu l’hyver accroupi, hérisse2:173010-3 Celuy qui pense pouvoir1:363111-1 Le mondain se nourrit toujours1:073211-2 Quelle est ceste beauté que je voy tant extrême2:023311-3 C’est folie et vanité2:053412-1 Ambition, volupté, avarice1:443512-2 Orfèvre taille moy une boule bien ronde2:203612-3 Ce mond’est un pélerinage3:112013 · studio album
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Tracklist · 16 tracks · 1:07:13
1Tout Ce Qui Est Be Plus Beau Dans Les Cieux7:482Une Puce3:233Perdre Rien2:504Je File Quand On Me Donne De Quoy1:585Monsieur L'abbé2:036Quand Vous Seriés Quelque Fille3:117L'aute Joun Jou M'en Anabi De Tholoze A Montrejau7:008O Feux Sacrez3:339Povre Coeur Entourné4:2710Autant En Emporte Le Vent1:3111D'un Oeil Fardé2:5512Qu'est Devenu Ce Bel Oeil2:1313Je Suis Desheritée3:3014Nostre Vicaire Un Jour De Feste2:0515Je Boy À Toy Mon Compagnon1:5816La Guerre16:48The Treasures of Claude Le Jeune
2014 · studio album
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Tracklist · 12 tracks · 55:17
1Emendeus in melius à 56:402Quell’eau, quel air, quel feu à 44:383Sta costante cor mio à 45:264Tu ne l’enten pas à 42:225Philomena praevia à 64:466Mille affanni à 55:257Debat la noste trille à 42:218Viv’ in dolor à 55:419Arreste un peu mon cœur à 85:0310Ergo nos supplicantes tibi à 53:1311Quando lo gallo à 64:4512Povre cœur à 54:57Mon Dieu Me Paist: Psalms by Claude Le Jeune
2018 · studio album
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Tracklist · 28 tracks · 58:25
1Or sus serviteurs du Seigneur (Psalm 134)2:202Mon Dieu me paist (Psalm 23)1:113Mon Dieu me paist (Psalm 23): I. Mon Dieu me paist2:214Mon Dieu me paist (Psalm 23): II. Si seurement, que quand au val viendroye2:585Mon Dieu me paist (Psalm 23): III. Tu oins mon chef d’huiles1:466Propos exquis (Psalm 45)1:027Propos exquis (Psalm 45): I. Propos exquis2:168Propos exquis (Psalm 45): II. O le plus fort2:479Propos exquis (Psalm 45): III. Tes dards luisans3:2610Propos exquis (Psalm 45): IV. De tes habits les plis1:4711Propos exquis (Psalm 45): V. Escoute fille en beauté2:1212Propos exquis (Psalm 45): VI. Peuples de Tyr3:3613Propos exquis (Psalm 45): VII. Ne plain donc point2:5614C’est un Judée (Psalm 76)0:5615C’est un Judée (Psalm 76): I. C’est un Judée proprement2:3116C’est un Judée (Psalm 76): II. La void‐on par lui fracassez1:2717C’est un Judée (Psalm 76): III. On a pillé comme endormis1:5418C’est un Judée (Psalm 76): IV. Tu es terrible et plein d’effroi1:2819C’est un Judée (Psalm 76): V. Alors ô Dieu!2:1020C’est un Judée (Psalm 76): VI. Quelque jour tu viendras trouser1:5821C’est un Judée (Psalm 76): VII. Offrez vos dons à lui1:2922Dés qu’adversité (Psalm 46)1:0023Dés qu’adversité (Psalm 46): I. Dés qu’adversité nous offense2:2324Dés qu’adversité (Psalm 46): II. Voire deusent les eaux profondes2:0025Dés qu’adversité (Psalm 46): III. Il est certain qu’au milieu d’elle2:4426Dés qu’adversité (Psalm 46): IV. Venez, contemplez en vous‐mesmes3:1327Dés qu’adversité (Psalm 46): V. Conclusion le Dieu des armes1:1028Le cantique de Simeon1:242020 · studio album
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Tracklist · 14 tracks · 1:04:15
1O Rôze, reyne des fleurs (Le Printemps X)5:292Voicy le verd et beau may (Le Printemps VIII)4:013Brunelette, joliette (Le Printemps IX)4:044Mes yeus ne cesseront i' point (Le Printemps XV)3:385La bel' aronde (Le Printemps III)3:416Perdre le sens devant vous (Le Printemps XIX)4:107Le chant du rossignol (Le Printemps XII)9:308Quinconq' l'amour noma l'amour (Le Printemps XXV)1:419Je l'ay, je l'ay la belle fleur (Le Printemps XIV)5:0410Francine, Rôzine (Le Printemps XI)3:3611Première fantaisie à 4 (instrumental version)8:0312La béle gloire, le bél honeur doner (Le Printemps XXXVIII)2:5713Ces amoureus n'ont que douleur et tourment (Le Printemps XXXIV)2:5214Amour, quand fus-tu né ? (Le Printemps XXXIX)5:29
Stats & PK
Percentile within all 23,672 published artists.Put Claude Le Jeune head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 19 | 79.7th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 11 | 82.8th |
| Studio albums | 11 | 91.9th |
| Awards recorded | 0 | 0th |
| Timeline events | 14 | 90.5th |
| Recording span (years) | -395 | 0.7th |
| Genres | 1 | 56th |
Awards & honours
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:%D0%9A%D0%BB%D0%BE%D0%B4_%D0%9B%D0%B5%D0%B6%D0%B5%D0%BD.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/f502b5e1-545f-4c23-9174-af74e7247993discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/f502b5e1-545f-4c23-9174-af74e7247993core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q493688seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Claude_Le_Jeunebiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Claude_Le_Jeune
Why this artist is in the database
- List of composers by name
Tier rule: curated genre/region list
Image: Edward Francis Burney (1760…1848) · Public domain · Wikimedia Commons
Wikidata: Q493688 · MusicBrainz: f502b5e1-545f-4c23-9174-af74e7247993
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