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Daniel François Esprit Auber
Person · male · France · Caen · born 1782 · died 1871 · recording since 1913
French composer (1782-1871)
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Also known as D. F. E. Auber · Daniel Auber · Daniel Auber · Daniel Francois Auber · Daniel François Esprit Auber · Daniel-Francois Auber · +1 more
Timeline
24 events▣ Album 21◦ Birth 1† Death 1★ Debut release 1
1780s
1870s
1910s
· Debut release
Debut release: Flirtation / Crown Diamonds Overture
First documented Single in the MusicBrainz discography.
source: musicbrainz
1990s
· Album
Album: Fra Diavolo (Orchestre Philharmonique de Monte-Carlo & Ensemble Choral Jean Laforge feat. conductor: Marc Soustrot)
Album
source: musicbrainz
2000s
2010s
2020s
· Album
Album: Zanetta: Overtures and Entr’actes / Zerline: Overture, Entr’actes, Airs de ballet
Album
source: musicbrainz
Biography
English biography2,477 words · 9 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1373448013
Biography
Daniel-François-Esprit Auber (French: [danjɛl fʁɑ̃swa ɛspʁi obɛːʁ]; 29 January 1782 – 12 May 1871) was a French Romantic composer and director of the Paris Conservatoire.
Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, La Muette de Portici (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer.
Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second Empire in 1870 he was director of the imperial chapel in the Louvre, for which he wrote a substantial number of liturgical works and other religious music.
A devotee of Paris, Auber refused to leave the city when the Franco Prussian War led to the siege of Paris and the subsequent rise of the Paris Commune. He died in his house in Paris, aged 89, shortly before the French government regained control of the capital.
Early years
Auber was born on 29 January 1782 in Caen in Normandy, where his mother was visiting. The family was of Norman extraction but was based in Paris. Auber's grandfather had been "peintre du Roi" – the king's painter – responsible for sculpting and gilding the royal coaches, and Auber's father, Jean-Baptiste Daniel, was an officer of the royal hunt, based at the "petites écuries du Roi" – the king's small stables – in the Faubourg Saint-Denis in Paris. He and his wife, Françoise Adelaïde Esprit, née Vincent, had three sons and a daughter. When Auber was seven the French Revolution began, and his father had to find another occupation to allow him to go on providing for his family. He set up as a publisher, and opened a print shop in the rue Saint-Lazare, where he survived the Reign of Terror and prospered under the Directory and the Consulate. He had a salon, attended by artists of all kinds, where the young Auber sometimes performed: he was, by his teens, an accomplished violinist, pianist and singer.
Although his father encouraged his musical talent, Auber expected to go into the family's print-selling business, and after the Treaty of Amiens (1802) ended the war between France and Britain he went to London to study commerce and learn English. In Grove's Dictionary of Music and Musicians, Charles Schneider writes that Auber evidently had some success in London as a performer and as a composer. An earlier biographer, Charles Malherbe, writes that although Auber did not gain any great insight into trade and finance during his sixteen months in London, he admired and emulated British reserve and understatement, which suited his own innate modesty. His shyness became well known. He never appeared before the public as a conductor, and throughout his career he was too nervous to attend his own first nights. He never married.
Return to Paris
In 1803 the fragile peace between France and Britain ended; the Napoleonic Wars began, and Auber left London for Paris, where he remained for the rest of his life. There, he was admitted to the Société académique des Enfants d'Apollon, a prestigious association of musicians and music-loving painters, of which his father had been a member since 1784. Among Auber's compositions from this period were five cello concertos premiered by the soloist Lamare, in whose name at least three of them were originally published, although their real authorship soon emerged. The praise given to Auber's violin concerto (1808) encouraged him to undertake a new setting of an old comic opera, Julie, for an amateur society in 1811. The orchestra consisted of two violins, two violas, cello, and double-bass, but Auber made effective use of the small forces, and the piece was well received. Luigi Cherubini, the dominant figure in Parisian operatic circles, was in the audience, and recognising the powerful though untrained talent of the young composer, he took him as a private pupil.
Accounts differ about Auber's first professionally-staged opera, Le Séjour militaire (1813). Some older sources state that it had an "unfavourable reception", and was "a failure". Schneider (2001) writes that it had "a satisfactory 16 performances, and was revived in 1826 and staged in the provinces". Schneider adds that for the next seven years, Auber lived a carefree life, until a sharp decline in the Aubers' financial circumstances and the death of his father in 1820 obliged him to secure an income to support the family. He devoted himself to composition, particularly of operas. La bergère châtelaine (1820) and Emma (1821), to librettos by Eugène de Planard, did well both in France and in Germany.
Operatic success
In 1822 Auber began a collaboration with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas. Auber's biographer Robert Letellier writes that the names of Scribe and Auber became as linked in French minds as those of Gilbert and Sullivan later were in British ones. The partners' first collaboration was Leicester, ou Le château de Kenilworth, a three-act opéra comique, with a plot derived by Scribe, in collaboration with Mélesville, from Walter Scott's historical romance Kenilworth. It was given by the Opéra-Comique company at the Salle Feydeau in January 1823 with Antoine Ponchard and Antoinette Lemonnier in the leading roles, and received 60 performances over the next five seasons. Schneider writes of the collaboration:
During the rest of the 1820s Auber's collaborations with Scribe were mostly successful, with long runs by the standards of the day. By contrast, his only opera without Scribe from this period ran for seven performances. By 1825 Auber was eminent enough in his profession to be made a chevalier of the Legion of Honour by the government of Charles X.
Although most of Auber's operas from this period were in the established genre of opéra comique – works with spoken dialogue, usually in three acts – in 1825 he wrote the first French grand opera, La Muette de Portici, a five-act piece, with extensive ballet numbers, and recitative instead of spoken dialogue. The original libretto was by Germain Delavigne, adapted and revised by Scribe. After the premiere at the Paris Opéra in February 1828, productions opened in London in May 1829 and New York in November of the same year. By 1882 the piece had been given more than 500 times in Paris, and was performed in translated versions throughout Europe. A spectacular ballet, Masaniello, with the same story, using Auber's music, was popular in London in the later 1820s. Schneider writes that Auber consolidated his international reputation with La Fiancée (1829) and Fra Diavolo (1830), both with Scribe.
Institut and Conservatoire
In 1829 Auber was elected as one of the six members of the Académie des Beaux-Arts of the Institut de France in succession to François-Joseph Gossec, joining the joint doyens, Cherubini and Jean-François Le Sueur, and their colleagues Henri Berton, François-Adrien Boieldieu and Charles Catel. During his 42 years as a member he was joined by composers including Adolphe Adam, Hector Berlioz, Charles Gounod and Ambroise Thomas. Under the government of King Louis-Philippe, Auber was appointed director of court concerts in 1839, and, when Cherubini retired in 1842, director of the Conservatoire. Schneider writes that in the latter post Auber's term of office was marked by:
In the 1830s Auber wrote twelve operas with Scribe, half of them opéras comiques, and half more serious works for the Opéra: Le Dieu et la bayadère (1830), Le Philtre (1831), Le Serment ou les Faux monnayeurs (1832), Gustave III ou le Bal masqué (1833), Le Cheval de bronze (1835) and Le Lac des fées (1839).
Later years
Auber was a much-loved and conscientious director of the Conservatoire; he ran a less conservative regime than his predecessor, and introduced changes such as permitting applause at Conservatoire concerts, and giving members of the faculty more freedom in what they taught their students. He enlarged the composition, piano and orchestral instrument departments. His customary modesty extended to banning any of his works from being performed at the Conservatoire during the whole of his directorship. Several winners of the Prix de Rome – France's premier music prize – trained under him, including Georges Bizet,
Ernest Guiraud, Théodore Dubois and Jules Massenet.
Auber's productivity as an opera composer slowed somewhat in the years after his appointment to the Conservatoire, but he completed 13 new operas between 1843 and 1869, including La part du diable (The Devil's Share, 1843), Haydée, ou Le secret (1847), L'enfant prodigue (The Prodigal Son. 1850), Manon Lescaut (1856 – 28 years before Massenet's version and 37 years before Puccini's), and his last collaboration with Scribe, La Circassienne (The Circassian Woman, 1861). After Scribe's death in 1861, Auber composed only two more operas, both with librettos by Adolphe d'Ennery and Eugène Cormon: Le premier jour de bonheur (The First Day of Happiness, 1868) and Rêve d'amour (Dream of Love, 1869).
Le premier jour de bonheur was a considerable success, and reviewers remarked on the freshness of the octogenarian composer's score: "Its music is, for the greater part, as fresh and sparkling as the best gems of Masaniello or The Crown Diamonds". It was an exceptional box-office success, given 167 times in Paris over the next few seasons and staged in Vienna, Berlin, Budapest and other European cities.
Under the Second Empire Auber was appointed director of the chapelle impériale by Napoleon III in 1852, and composed a considerable amount of music for the emperor's chapel in the Louvre. The musical forces there were substantial, the choir and orchestra comprising 40 musicians each. They performed under the direction of conductors from the Opéra, rather than the composer.
By the time of the Franco-Prussian War in 1870, Auber was old and ailing. He refused to leave Paris, and remained there during the siege of Paris and the subsequent rise of the Paris Commune. He resigned as director of the Conservatoire so that the building could be used as a hospital. He was briefly succeeded as director by Francisco Salvador-Daniel – appointed by the Communards and shot by the French government eleven days later – and more permanently by Ambroise Thomas, who held the post from 1871 to 1896.
Auber's health deteriorated and in May 1871 he took to his bed. Two friends – Thomas and his fellow composer Jean-Baptiste Weckerlin – took turns watching over him. In the early hours of 12 May he died at his house in the Rue Saint-Georges, aged 89. He was buried at the Père Lachaise cemetery.
Opera
The total number of operas or other stage works by Auber given by various sources differs slightly, depending on whether collaborations with other composers are included. Grove gives the total as 51, beginning with Julie in 1805 and ending with Rêve d'amour in 1869. Of these, 35 are opéras-comiques, with spoken dialogue. The genre includes some serious or even tragic plots, and some of Auber's such as Manon Lescaut are far from comic, but the majority of his opéras comiques are lighthearted.
The musicologist Hugh Macdonald writes of Auber, "With Adolphe Adam, he took on the mantle of Adrien Boieldieu and Ferdinand Hérold, and passed it on in turn to Ambroise Thomas and Jacques Offenbach". Macdonald judges the finest of the Auber-Scribe collaborations to be La Muette de Portici, "a grand opera that served as a model for the Meyerbeerian genre". He comments that despite the success of that work, Auber rarely essayed serious opera thereafter, confining himself in general to lighter operatic forms. The same writer concludes:
Macdonald considers Fra Diavolo the most successful of Auber's opéras-comiques: "the music has a lively spring, with Auber's abundant melodic gift always in evidence". He adds that although the influence of Rossini is detectable, there are also chromatic touches that anticipate Smetana, who was composing 30 years after Auber. Letellier comments on Auber's sensitivity to the French language "celebrating with wit and piquancy the natural inflections and nuances of the text that Scribe could so effortlessly provide". In his later works, beginning with La Part du diable (1843), Auber developed a more lyrical manner and became less conservative harmonically. Letellier writes that within the confines of the opèra-comique genre Auber "deepened the scope of dramatic expressiveness".
The composer's operatic music is noted for the brilliance of coloratura passages for chorus as well as soloists, and the quantity of ensemble writing, particularly in the finales to acts. Letellier lists the vocal genres the Auber introduced into his scores: the ballad, the barcarolle, the bolero, the canon, the Bourbonnaise (laughing song), the chanson, the couplet, the galop, the nocturne, the round, the Tyrolienne and the waltz song. Auber's orchestration, which reflects the influence of his friend Rossini, became the model for French operatic compositions throughout the 19th century, including those of Bizet and Massenet. In the opéras-comiques Auber's orchestra generally consists of piccolo, two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets or cornets à pistons, trombones, timpani, snare drum, triangle, bass drum, cymbals, harp and strings.
Church music
Although Auber was and is best known for his operas, he wrote a substantial quantity of religious music, beginning with a Messe solennelle, for three solo voices and orchestra in 1812. Among his better-known religious pieces is a Dona nobis pacem (1828) which the composer reused in La Muette de Portici. Most of his liturgical pieces were written after his appointment as director of the chapelle impériale in 1852. The biographer Charles Malherbe notes that Auber's most productive years for religious music were 1854, 1858, 1859. 1860, 1863 and 1865 – years in which he composed no operas. Church works for the imperial chapel include a Pie Jesu, a Stabat Mater and numerous settings of sections of the Mass, including Kyries, Glorias, Benedictuses and Agnus Deis. Other religious works include 12 settings of O salutaris hostia, written between 1854 and 1870.
Most of the pieces Auber wrote for the imperial chapel are, in Schneider's words, "plain in style, homophonic and melody-led". Few have been published, but most survive in manuscript, often in two versions: one with orchestral accompaniment, and one with organ.
Other music
From the 1790s, Auber composed chamber and orchestral works, including a piano sonata, two string quartets, a piano trio, a piano quartet, a violin concerto, the five cello concertos written for Jacques-Michel Hurel de Lamare, and variations on a theme by Handel.
In addition to his liturgical music, Auber wrote a substantial number of secular choral or other vocal works, including cantatas to commemorate the wedding of Napoleon III and other events of imperial or national importance.
Other languages
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 53 | 97th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 27 | 89.5th |
| Studio albums | 22 | 97th |
| Awards recorded | 2 | 92.6th |
| Timeline events | 24 | 95.3th |
| Recording span (years) | -42 | 7th |
| Genres | 6 | 91th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (27 release groups · 22 studio albums)
Albums · 22
1993 · studio album
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Tracklist · 42 tracks · 3:04:35
Disc 11Gustave III: Acte I. Ouverture10:442Gustave III: Acte I. Introduction (Ribbing, Dehorn, Chœur)2:433Gustave III: Acte I. Air (Gustave)7:134Gustave III: Acte I. Récit et chœur (Oscar, Gustave, Dehorn, Armfelt, Kaulbart, Ankastrom, Chœur)3:525Gustave III: Acte I. Duo et récit (Gustave, Ankastrom)8:586Gustave III: Acte I. Récit (Oscar, Gustave, Ankastrom)1:117Gustave III: Acte I. Premier air de danse (Songe : Andantino)4:448Gustave III: Acte I. Premier air de danse (Songe : Allegretto)3:279Gustave III: Acte I. Récit (Oscar, Gustave, Armfelt)1:1410Gustave III: Acte I. Couplets et final (Oscar, Gustave, Ribbing, Dehorn, Armfelt, Ankastrom, Chœur)7:4611Gustave III: Acte II. Entr'acte, couplets, chœur et scène (Arvedson, Gustave, Christian, le valet, Chœur)9:2712Gustave III: Acte II. Trio (Amélie, Arvedson, Gustave)7:28Disc 21Gustave III: Acte II. Chœur et ronde (Oscar, Amélie, Arvedson, Gustave, Ribbing, Dehorn, Chœur)5:042Gustave III: Acte II. Scène et morceau d'ensemble (Oscar, Arvedson, Gustave, Ribbing, Dehorn, Ankastrom, Chœur)5:193Gustave III: Acte II. Final (Oscar, Arvedson, Gustave, Ribbing, Christian, Dehorn, Ankastrom, Chœur)4:574Gustave III: Acte III. Air (Amélie)10:055Gustave III: Acte III. Duo (Amélie, Gustave)8:126Gustave III: Acte III. Récit (Amélie, Gustave, Ankastrom)1:367Gustave III: Acte III. Trio (Amélie, Gustave, Ankastrom)5:478Gustave III: Acte III. Récit (Amélie, Ankastrom)0:569Gustave III: Acte III. Final (Amélie, Ribbing, Dehorn, Ankastrom, Chœur)8:2110Gustave III: Acte IV. Duo (Amélie, Ankastrom)2:4111Gustave III: Acte IV. Cavatine (Amélie)4:2712Gustave III: Acte IV. Récit (Ankastrom)0:2313Gustave III: Acte IV. Trio (Le domestique; Ankastrom, Ribbing, Dehorn)4:2014Gustave III: Acte IV. Scène (Amélie, Ankastrom, Ribbing, Dehorn)1:3015Gustave III: Acte IV. Ensemble (Amélie, Ankastrom, Ribbing, Dehorn)0:5316Gustave III: Acte IV. Récit (Amélie, Ankastrom)0:1217Gustave III: Acte IV. Quintetto (Amélie, Oscar, Ribbing, Dehorn, Ankastrom)6:08Disc 31Gustave III: Acte V. Air (Gustave)8:402Gustave III: Acte V. Récit (Gustave, le chambellan)1:043Gustave III: Acte V. Chœur2:484Gustave III: Acte V. Premier air de danse (Allemande)5:275Gustave III: Acte V. Deuxième air de danse (Pas des Folies)5:326Gustave III: Acte V. Troisième air de danse (Menuet)3:177Gustave III: Acte V. Première marche1:208Gustave III: Acte V. Deuxième marche2:519Gustave III: Acte V. Scène (Ribbing, Dehorn, Ankastrom)2:3410Gustave III: Acte V. Couplets (Oscar)3:3311Gustave III: Acte V. Chœur0:3812Gustave III: Acte V. Duo (Amélie, Gustave)3:1113Gustave III: Acte V. Final (Amélie, Oscar, Gustave, Ribbing, Dehorn, Ankastrom, Chœur)4:021993 · studio album
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Tracklist · 17 tracks · 1:53:07
Disc 11Fra Diavolo: Overture8:022Fra Diavolo: Act I. No. 1 "En bons militaires"9:333Fra Diavolo: Act I. No. 2 "Je voulais bien"2:464Fra Diavolo: Act I. No. 3 "Un landau qui s'arrête"5:515Fra Diavolo: Act I. No. 4 "Voyez sur cette roche"5:046Fra Diavolo: Act I. No. 5 "Oui, je vais commander le punch"6:267Fra Diavolo: Act I. No. 6 "Ecoutez! Ecoutez! Quelle est donc cette marche guerrière?"8:26Disc 21Fra Diavolo: Act II. No. 7 "Ne craignez rien Milord"3:512Fra Diavolo: Act II. No. 8 "Allons ma femme, allons dormir"5:273Fra Diavolo: Act II. No. 9 "Agnès la jouvencelle"3:554Fra Diavolo: Act II. No. 10 "Oui c'est demain qu'enfin l'on nous marie"11:185Fra Diavolo: Act II. No. 11 "N'était-il pas prudent de reconnaître ce qui se passe là-bas?"8:536Fra Diavolo: Act III. Entr'acte1:227Fra Diavolo: Act III. No. 12 "J'ai revu nos amis"7:558Fra Diavolo: Act III. No. 13 "C'est grande fête"7:359Fra Diavolo: Act III. No. 14 "Pour toujours, disait-elle"3:3710Fra Diavolo: Act III. No. 15 "Allons, allons mon capitaine"13:061994 · studio album
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Tracklist · 9 tracks · 56:23
1Voller Becher hebet7:042Dort auf den Felsenhöhen4:433Ich hole nur für Sie, Mylord, das Schlafgetränk5:274Was ist das? Die Muik will mir gar nicht gefallen.6:405O my wife, let's go to bed.4:396Bei Nacht in Sternenscheine3:327Ja, schon morgen ist endlich unsere Hochzeit.10:318Ewig will ich dir angehören3:149Aud, Capitano, laßt uns reiten10:33Le Domino noir / Gustave III - Ballet Music
1995 · studio album
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Tracklist · 43 tracks · 2:23:58
Disc 11Le Domino noir: Act I. Ouverture6:552Le Domino noir: Act I. "Pardon, mon cher ami" (Juliano)4:113Le Domino noir: Act I. "Le trouble et la frayeur" (Angèle)4:034Le Domino noir: Act I. "Voilà le plus joli boléro" (Juliano)1:005Le Domino noir: Act I. "Qui je suis? Une fée, un bon angë (Angèle)4:216Le Domino noir: Act I. "Elle est partie" (Horace)3:227Le Domino noir: Act I. "Et comment cela? Parlez" (Horace)2:268Le Domino noir: Act I. "J'entends la danse" (Angèle)2:329Le Domino noir: Act I. "O ciel! qu'entends-je?" (Angèle)3:5810Le Domino noir: Act II. Entr'acte1:0511Le Domino noir: Act II. "Une heure du matin... S'il est sur terre" (Jacinthe)4:4312Le Domino noir: Act II. "Et demain quand ma nièce" (Jacinthe)2:2313Le Domino noir: Act II. "Réveillons, reveillons l'amour et les belles" (Juliano et ses amis)2:5814Le Domino noir: Act II. "Que vois-je? quel minois charmant!" (Juliano)3:2715Le Domino noir: Act II. "Allons! c'est trop jaser" (Jacinthe)1:3616Le Domino noir: Act II. "Ah! La voilà... C'est lui!" (Horace, Angèle)1:2117Le Domino noir: Act II. "La belle Inès fait florès" (Angèle)4:1518Le Domino noir: Act II. "Je n'y tiens plus" (Juliano et ses amis)2:4319Le Domino noir: Act II. "Madame... Qu'est-ce que c'est, Monsieur?" (Horace, Angèle)1:1620Le Domino noir: Act II. "Nous allons voir, grâce à Dieü (Gil Perez)3:2221Le Domino noir: Act II. "Téméraire! Impie!!" (Angèle)2:5722Le Domino noir: Act II. "L'heure, la nuit, tout m'est propice!" (Angèle)2:1523Le Domino noir: Act II. "Amour, viens finir mon supplice" (Horace)2:0024Le Domino noir: Act II. "La bonne affaire!" (Juliano, Lord Elfort et les amis)5:37Disc 21Le Domino noir: Act III. Entr'acte1:292Le Domino noir: Act III. "J'ai beau essayer de réciter mes prières... Au réfectoire, à la prièrë (Brigitte)4:463Le Domino noir: Act III. "Ave, ma sœur!" (Ursule)1:074Le Domino noir: Act III. "Je suis sauvée enfin!... Ah! quelle nuit!" (Angèle)3:085Le Domino noir: Act III. "Flamme vengeresse" (Angèle)3:096Le Domino noir: Act III. "C'est vous, madame!... Ah! quel malheur pour nous!" (Brigitte, Chœur de nonnes)2:407Le Domino noir: Act III. "Mes chères sœurs" (Angèle)2:048Le Domino noir: Act III. "Ah! madame, combien j'étais inquiétéë (Ursule)4:109Le Domino noir: Act III. "Entrez, entrez, seigneur cavalier" (La tourière)5:3710Le Domino noir: Act III. "Madame l'abbesse!" (Brigitte)1:0711Le Domino noir: Act III. "Mes sœurs, mes chères sœurs" (Angèle)4:3012Gustave III. Allemande4:3813Gustave III. Pas des folies4:4814Gustave III. Pas des paysans4:3115Gustave III. Menuet3:1016Gustave III. 1re marche1:2617Gustave III. 2e marche3:0118Gustave III. Galop3:5819Gustave III. Overture9:531999 · studio album
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Tracklist · 24 tracks · 2:05:49
Disc 11Fra Diavolo. Ouvertüre7:542Fra Diavolo: Erster Aufzug. Introduktion "Auf, Soldaten, trinkt"7:033Fra Diavolo: Erster Aufzug. Quintett "Seht, ein Wagen hält still" (Zerline, Pamella, Marquis, Lord, Matteo)4:464Fra Diavolo: Erster Aufzug. Romanze "Erblickt auf Felsenhöh'n" (Zerline, Marquis)5:085Fra Diavolo: Erster Aufzug. Rezitativ und Terzett "Sogleich wird man den Punsch" (Pamela, Marquis, Lord)5:546Fra Diavolo: Erster Aufzug. Finale "Höret doch! Welch ein Marsch"6:407Fra Diavolo: Zweiter Aufzug. Rezitative und Arie "Nur unbesorgt, Mylord" (Zerline)3:478Fra Diavolo: Zweiter Aufzug. Terzett "Liebe Frau, lass uns schlafen geh'n" (Zerline, Pamella, Lord)5:239Fra Diavolo: Zweiter Aufzug. Barcarole "Dorina, jene Kleine" (Marquis)3:2910Fra Diavolo: Zweiter Aufzug. Arie und Szene "Ja, schon morgen, welches Glück" (Zerline)10:4811Fra Diavolo: Zweiter Aufzug. Finale "Wär's nicht gut gleich zu seh'n"7:59Disc 21Fra Diavolo. Zwischenaktsmusik1:252Fra Diavolo: Dritter Aufzug. Rezitativ und Arie "Meine Freunde sind hier" (Marquis)6:363Fra Diavolo: Dritter Aufzug. Chor "Tanzet dem Frühling fröhlich entgegen"4:364Fra Diavolo: Dritter Aufzug. Romanze "Ewig will ich dir gehören" (Lorenzo)3:385Fra Diavolo: Dritter Aufzug. Finale "Nur fort, nur fort zu neuem Streite!"8:386Fra Diavolo: "Erblickt auf Felsenhöh'n den kühnen Räuber stolz und hehr!"3:247Fra Diavolo: "Nur unbesorgt, Mylord... Welches Glück, ich atme freier"2:548Fra Diavolo: "Or son sola, alfin respiro"4:159Fra Diavolo: "Dorina, jene Kleine, so jung und schön zu sehen2:4410Fra Diavolo: "Meine Freunde sind hier ganz im Stillen versteckt"5:0511Fra Diavolo: "Tanzet dem Frühling fröhlich entgegen"3:4412Fra Diavolo: "Tanzet dem Frühling fröhlich entgegen"6:4313Fra Diavolo: "Ewig will ich dir gehören"3:162002 · studio album
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Tracklist · 20 tracks · 2:29:14
Disc 11La Muette de Portici : Ouverture7:312La Muette de Portici : Acte I. Nº 1 "Du prince objet de notre amour" / "O toi, jeune victime" / "Lorenzo, je te vois"8:183La Muette de Portici : Acte I. Nº 2 "Mais du cortège qui s'avance... Du prince objet de notre amour"2:374La Muette de Portici : Acte I. Nº 3 "Plaisir du rang suprême"8:225La Muette de Portici : Acte I. Ballet "Guarache"1:286La Muette de Portici : Acte I. Nº 4 "Dans ces jardins, quel bruit se fait entendre ?"10:397La Muette de Portici : Acte I. Nº 5 "Ils sont unis !"8:168La Muette de Portici : Acte II. Nº 6 "Amis, le soleil va paraître"5:479La Muette de Portici : Acte II. Nº 7 Barcarolle "Amis, la matinée est belle"6:2010La Muette de Portici : Acte II. Nº 8 "Mieux vaut mourir que rester miseérable"9:1611La Muette de Portici : Acte II. Nº 9 "Venez, amis, venez, venez partager mes transports"6:37Disc 21La Muette de Portici : Acte III. Nº 10 "N'espérez pas me fuir"8:192La Muette de Portici : Acte III. Nº 11 "Au marché qui vient de s'ouvrir"4:113La Muette de Portici : Acte III. Nº 12 "Non, je ne me trompe pas, c'est bien elle" / "Saint bienheureux"7:384La Muette de Portici : Acte IV. Nº 13 "Spectacle affreux... Du pauvre ami seul ami fidèle"11:235La Muette de Portici : Acte IV. Nº 14 "Mais on vient. C'est Peitro"10:596La Muette de Portici : Acte IV. Nº 15 "Des étrangers dans ma chaumière"6:527La Muette de Portici : Acte IV. Nº 16 "Honneur et gloire ! Célébrons ce héros"5:438La Muette de Portici : Acte V. Nº 17 "Voyez de haute de ces rivages"5:109La Muette de Portici : Acte V. Nº 18 "On vient ! Silence, amis !"13:482013 · studio album
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Tracklist · 31 tracks · 2:14:40
Disc 11La muette de Portici, S. 16: Overture7:582La muette de Portici, S. 16, Act I: Du prince object de notre amour4:293La muette de Portici, S. 16, Act I: Lorenzo, je te vois2:394La muette de Portici, S. 16, Act I: Mais du cortege qui s'avance1:525La muette de Portici, S. 16, Act I: Plaisier du rang supreme3:206La muette de Portici, S. 16, Act I: O moment enchanteur!3:377La muette de Portici, S. 16, Act I: Dans ces jardins5:348La muette de Portici, S. 16, Act I: O Dieu puissant!4:429La muette de Portici, S. 16, Act I: Il sont unis!4:0710La muette de Portici, S. 16, Act I: Rendez le calme4:0211La muette de Portici, S. 16, Act II: Amis, le soleil va paraître3:3712La muette de Portici, S. 16, Act II: Amis, la matinée est belle4:3113La muette de Portici, S. 16, Act II: Mais j'apercois Pietro1:0414La muette de Portici, S. 16, Act II: Mieux vaut mourir que rester miserable!3:5015La muette de Portici, S. 16, Act II: Que vois-je? Fenella!3:4816La muette de Portici, S. 16, Act II: Venez, amis, venez portager mes transports6:44Disc 21La muette de Portici, S. 16, Act III: N'esperez pas me fur7:112La muette de Portici, S. 16, Act III: Au marche qui vient de s'ouvir2:133La muette de Portici, S. 16, Act III: Non, je ne me trompe pas3:324La muette de Portici, S. 16, Act III: Priere - Saint bienheureux3:425La muette de Portici, S. 16, Act III: Courons a la vengeance!1:246La muette de Portici, S. 16, Act IV: Spectacle affreux6:287La muette de Portici, S. 16, Act IV: Du pauvre seul ami fidèle2:488La muette de Portici, S. 16, Act IV: Mais on vient5:579La muette de Portici, S. 16, Act IV: Arbitre d'une vie4:4710La muette de Portici, S. 16, Act IV: Des strangers dans ma chaumière0:4511La muette de Portici, S. 16, Act IV: Par le peuple conduits5:2012La muette de Portici, S. 16, Act IV: Honneur et gloire!4:4313La muette de Portici, S. 16, Act V: Voyez du haut de ces rivages5:4214La muette de Portici, S. 16, Act V: On vient! Silence, amis!6:3015La muette de Portici, S. 16, Act V: L'Ennemi!7:442016 · studio album
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Tracklist · 8 tracks · 1:03:51
1La circassienne, S. 48: Overture7:592Le cheval de bronze, S. 25: Overture7:283Le domino noir, S. 30: Overture7:414Fra Diavolo, S. 18: Overture8:185La fiancée, S. 17: Overture7:456Les diamants de la couronne, S. 34: Overture7:247Marco Spada, S. 43: Overture9:578L'enfant prodigue, S. 41: Overture7:192019 · studio album
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Tracklist · 12 tracks · 1:09:45
1La sirène, S. 37: Overture (Live)8:332La sirène, S. 37, Act I: Quand vient l’ombre silencieuse (Live)5:023La sirène, S. 37, Act I: Qu’une heureuse rencontre (Live)6:014La sirène, S. 37, Act I: Une idée, à vous Monseigneur - Ô Dieu des flibustiers! - Ô bonheur qui m’arrive (Live)7:165La sirène, S. 37, Act II: Pour étourdir la misère - Qu’est-ce donc, mes amis? (Live)4:486La sirène, S. 37, Act II: Prends garde, Montagnarde! (Live)2:587La sirène, S. 37, Act II: C’est quel qu’ouvrier? (Live)6:508La sirène, S. 37, Act II: Qu’est-ce donc? (Live)3:109La sirène, S. 37, Act II: lllustre Bolbaya, venez, on vous demande - Ah! je n’ose pas (Live)9:3010La sirène, S. 37, Act III: Les chagrins arrière! (Live)4:0911La sirène, S. 37, Act III: Je fais mal, je le sais (Live)6:1312La sirène, S. 37, Act III: Voyez vous là-bas (Live)5:152019 · studio album
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Tracklist · 17 tracks · 52:45
1Le maçon, S. 13 (Sung in German): Ouvertüre3:272Le maçon, S. 13, Act I (Sung in German): Freunde kommt, kommt herein!2:193Le maçon, S. 13, Act I (Sung in German): Arbeiter sieh! Der Tag erwacht1:444Le maçon, S. 13, Act I (Sung in German): Als Roger jüngst mein Haus verließ1:445Le maçon, S. 13, Act I (Sung in German): Seh ich recht, gnäd‘ger Herr!5:476Le maçon, S. 13, Act I (Sung in German): Ich muss gehn, ich muss gehn2:287Le maçon, S. 13, Act I (Sung in German): Eilt herbei, haltet ihn5:268Le maçon, S. 13, Act II (Sung in German): Schwestern lasst uns mäss’gen2:019Le maçon, S. 13, Act II (Sung in German): Ihn traf ich stets auf meinen Wegen3:4010Le maçon, S. 13, Act II (Sung in German): Ohne Ruh’, ohne Rast2:1811Le maçon, S. 13, Act II (Sung in German): Bald soll ich sie sehn1:5112Le maçon, S. 13, Act II (Sung in German): Nun, wohlan! Kommt lasst uns2:4813Le maçon, S. 13, Act II (Sung in German): Haltet ein, bleibet hier5:1614Le maçon, S. 13, Act III (Sung in German): Ach! Ach! An meine Hochzeit, ach2:4115Le maçon, S. 13, Act III (Sung in German): Ach, Madam Bertrand wieder hier2:1316Le maçon, S. 13, Act III (Sung in German): O güt‘ger Gott3:1417Le maçon, S. 13, Act III (Sung in German): Welch’ ein Tumult dort in der Stadt3:482019 · studio album
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Tracklist · 16 tracks · 1:04:50
1Le maçon, S. 13 (Excerpts): Overture6:392Le maçon, S. 13 (Excerpts): Entr'acte to Act III1:193Le maçon, S. 13 (Excerpts): Marche1:414Le timide, ou le nouveau séducteur, S. 14: Overture5:505Leicester, ou le château de Kenilworth, S. 7 (Excerpts): Overture8:476Leicester, ou le château de Kenilworth, S. 7 (Excerpts): Entr'acte to Act III0:547Le séjour militaire, S. 3: Overture6:358Emma, ou la promesse imprudente, S. 6 (Excerpts): Overture6:129Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act II1:4210Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act III1:3711La neige, ou le nouvel Éginhard, S. 8 (Excerpts): Overture6:5212La neige, ou le nouvel Éginhard, S. 8 (Excerpts): Entr'acte to Act III1:4213Le testament et les billets doux, S. 4: Overture6:1214La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act II1:0715La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act III1:1216La bergère châtelaine, S. 5 (Excerpts): Overture6:292020 · studio album
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Tracklist · 27 tracks · 1:26:26
Disc 11Le cheval de bronze (Sung in German): Overture7:412Le cheval de bronze, Act I (Sung in German): Klingt, ihr Glöckchen der Pagode0:593Le cheval de bronze, Act I (Sung in German): O Kjo-schangs! Du Blauer1:434Le cheval de bronze, Act I (Sung in German): Mädchen, seit ich jüngst dich erblickt2:425Le cheval de bronze, Act I (Sung in German): Wer kommt denn da?1:586Le cheval de bronze, Act I (Sung in German): Man fängt an zu bangen1:017Le cheval de bronze, Act I (Sung in German): Lieb' und Scherz sind als Begleiter2:278Le cheval de bronze, Act I (Sung in German): Nun wohl, Tsing-Sing2:409Le cheval de bronze, Act I (Sung in German): Oh, warum so in Tränen2:0810Le cheval de bronze, Act I (Sung in German): Am Felsen dort ragt auf der Spitze4:0911Le cheval de bronze, Act I (Sung in German): Welche Schmach!3:3812Le cheval de bronze, Act I (Sung in German): Der mut'ge Renner fliegt2:2313Le cheval de bronze, Act I (Sung in German): Fort! Auf der Ehre Bahn1:20Disc 21Le cheval de bronze, Act II (Sung in German): Mein edler Schwiegersohn1:022Le cheval de bronze, Act II (Sung in German): O Tochter, du mein Stolz1:433Le cheval de bronze, Act II (Sung in German): Als guter Vater wähle ich2:194Le cheval de bronze, Act II (Sung in German): Hört Unvermählte, wie Leid oft Liebeslust vergällt3:185Le cheval de bronze, Act II (Sung in German): Was sehe ich? Ein Wunder der Welt!6:436Le cheval de bronze, Act II (Sung in German): Zu Tische! Zu Tische! Höst du Frau?5:147Le cheval de bronze, Act II (Sung in German): Nun heran mit Bedacht!3:458Le cheval de bronze, Act II (Sung in German): Halt! Was gibt's?5:529Le cheval de bronze, Act III (Sung in German): O Paradieses-Haine, glücksel'ge Gärten ihr!1:0510Le cheval de bronze, Act III (Sung in German): Ach, ohne Leid und Sorgen5:2711Le cheval de bronze, Act III (Sung in German): Worüber magst du dich beklagen?4:4312Le cheval de bronze, Act III (Sung in German): Ruhig schlendert' ich im Garten2:1013Le cheval de bronze, Act III (Sung in German): Welch' Begehr, junger Herr!3:4614Le cheval de bronze, Act III (Sung in German): Streuet Blüten, singet Lieder!4:302020 · studio album
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Tracklist · 15 tracks · 1:01:12
1Le concert à la cour, S. 11: Overture7:232Violin Concerto in D Major, S. 165: I. Allegro ma non troppo9:423Violin Concerto in D Major, S. 165: II. Andante3:484Violin Concerto in D Major, S. 165: III. Presto5:275Fiorella, S. 15: Overture6:286Fiorella, S. 15: Act III Entr'acte1:057Julie, S. 1: Overture8:358Julie, S. 1: Finale1:569Lestocq, S. 24: Act III Entr'acte1:3510Léocadie, S. 12: Overture7:4411Léocadie, S. 12: Act II Entr'acte1:0612Léocadie, S. 12: Act III Entr'acte1:2513Couvin, S. 2: Act I Prelude1:3214Couvin, S. 2: Act II Prelude1:2715La fiancée, S. 17: Act III Entr'acte1:592021 · studio album
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Tracklist · 13 tracks · 1:13:08
1Grande ouverture pour l'inauguration de l'exposition à Londres8:462La barcarolle, ou l'amour et la musique, S. 38 (Excerpts): Overture7:123La barcarolle, ou l'amour et la musique, S. 38 (Excerpts): Act II Entr'acte3:004La barcarolle, ou l'amour et la musique, S. 38 (Excerpts): Air de danse2:545Les chaperons blancs, S. 27 (Excerpts): Overture9:336Les chaperons blancs, S. 27 (Excerpts): Act II Entr'acte0:507Les chaperons blancs, S. 27 (Excerpts): Act III Entr'acte1:338Lestocq, ou l'intrigue et l'amour, S. 24 (Excerpts): Overture8:289Lestocq, ou l'intrigue et l'amour, S. 24 (Excerpts): Act II Entr'acte1:0810La muette de Portici, S. 16: Overture9:4611Rêve d'amour, S. 51 (Excerpts): Overture5:4212Rêve d'amour, S. 51 (Excerpts): Act III Entr'acte3:4813Le serment, ou les faux monnoyeurs: S. 22: Overture10:282021 · studio album
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Tracklist · 13 tracks · 1:18:19
1Le duc d'Olonne, S. 35 (Excerpts): Overture7:442Le duc d'Olonne, S. 35, Act II (Excerpts): Entr'acte et introduction1:143Le duc d'Olonne, S. 35, Act III (Excerpts): Entr'acte2:014Fra Diavolo, S. 18 (Excerpts): Overture8:055Fra Diavolo, S. 18, Act III (Excerpts): Entr'acte1:146Le philtre, S. 20 (Excerpts): Overture7:187Le philtre, S. 20, Act II (Excerpts): Entr'acte2:058La fête de Versailles, S. 29: Divertissement de Versailles26:229La fiancée du roi de Garbe, S. 49 (Excerpts): Overture8:4110La fiancée du roi de Garbe, S. 49, Act I (Excerpts): Final. Danse1:0511La fiancée du roi de Garbe, S. 49, Act II (Excerpts): Entr'acte2:0812La fiancée du roi de Garbe, S. 49, Act III (Excerpts): Mélodrame2:5513Actéon, S. 26: Overture7:27Zanetta: Overtures and Entr’actes / Zerline: Overture, Entr’actes, Airs de ballet
2021 · studio album
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Tracklist · 14 tracks · 1:17:35
1Zanetta: Overture9:102Zanetta, Act II: Entr’acte2:223Zanetta, Act III: Entr’acte1:364Quadrille no. 2 sur l’opéra Zanetta de D.F.E. Auber8:415Zerline: Overture9:166Zerline, Act II: Entr’acte1:187Zerline, Act III: Introduction0:548Zerline, Act III: Airs de ballet: No. 1. La Styrienne6:229Zerline, Act III: Airs de ballet: No. 2. Pas chinois4:4810Zerline, Act III: Airs de ballet: No. 3. Les muses et les grâces8:3711Zerline, Act III: Airs de ballet: No. 4. Quadrilles des fous4:5612Zerline, Act III: Airs de ballet: No. 5. La sentimentale et l’enjouée6:3913Zerline, Act III: Airs de ballet: No. 6. Le bal d’enfants10:0914Zerline, Act III: Airs de ballet: No. 7. Le carnaval de Palerme2:472024 · studio album
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Tracklist · 20 tracks · 1:27:01
1L'ambassadrice, AWV 28: Overture6:402La part du diable, AWV 36: Overture7:573Haydée, ou Le secret, AWV 40: Overture7:144Don Juan, Divertissement (Airs de Ballet): I. Introduction0:465Don Juan, Divertissement (Airs de Ballet): II. Minuetto allegretto - Trio (After Mozart's K. 550)4:516Don Juan, Divertissement (Airs de Ballet): III. Divertissement No. 1 (After Mozart's K. 421)4:237Don Juan, Divertissement (Airs de Ballet): IV. Divertissement No. 2 (After Mozart's K. 421)1:498Don Juan, Divertissement (Airs de Ballet): V. Divertissement No. 3 (After Mozart's K. 421)1:429Don Juan, Divertissement (Airs de Ballet): VI. Divertissement No. 4 (After Mozart's K. 421)1:0910Don Juan, Divertissement (Airs de Ballet): VII. Divertissement No. 52:2711Don Juan, Divertissement (Airs de Ballet): VIII. Divertissement No. 6 (After Mozart's K. 421)1:3212Don Juan, Divertissement (Airs de Ballet): IX. Divertissement No. 7 (After Mozart's K. 421)1:0613Don Juan, Divertissement (Airs de Ballet): X. Divertissement No. 8 (After Mozart's K. 331)3:5014La fiancée du roi de Garbe, AWV 49: Finale5:0115Le premier jour de bonheur, AWV 50: Overture6:5116Le dieu et la bayadère, ou La courtisane amoureuse, AWV 19: Overture8:0417Le dieu et la bayadère, ou La courtisane amoureuse, AWV 19, Act I: Pas de châle6:1618Le dieu et la bayadère, ou La courtisane amoureuse, AWV 19, Act I: Après le pas de châle5:5119Le dieu et la bayadère, ou La courtisane amoureuse, AWV 19, Act II: Danse de Fatmé et Danse de Zoloé4:5020Le dieu et la bayadère, ou La courtisane amoureuse, AWV 19, Act II: Danse de Zoloé4:422024 · studio album
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Tracklist · 19 tracks · 1:08:40
1Le Domino noir, S 30: Overture7:002La Muette de Portici, S 16: Overture8:103Les Diamants de la couronne, S 34: Overture6:594Les Cloches de Corneville: Overture6:135Suite from Mam’zelle Angot: Overture2:286Suite from Mam’zelle Angot: Act I: I. Allegro3:057Suite from Mam’zelle Angot: Act I: II. Allegretto1:198Suite from Mam’zelle Angot: Act I: III. Mazurka1:179Suite from Mam’zelle Angot: Act I: IV. Andantino3:0110Suite from Mam’zelle Angot: Act I: V. Tempo di Marcia1:5711Suite from Mam’zelle Angot: Act I: VI. Allegro vivace2:3312Suite from Mam’zelle Angot: Act I: VII. Allegretto1:4413Suite from Mam’zelle Angot: Act II: VIII. Allegro2:0014Suite from Mam’zelle Angot: Act II: IX. Allegretto1:5215Suite from Mam’zelle Angot: Act II: X. Allegro4:0816Suite from Mam’zelle Angot: Act II: XI. Allegro1:5317Suite from Mam’zelle Angot: Act II: XII. Adagio3:5118Suite from Mam’zelle Angot: Act II: XIII. Allegro moderato6:1919Suite from Mam’zelle Angot: Act II: XIV. Finale2:512024 · studio album
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Tracklist · 11 tracks · 1:15:43
1Le Cheval de bronze, AWV 25: Overture7:142Le Cheval de bronze, AWV 47: Pas de quatre10:083Le Cheval de bronze, AWV 47: Danse6:044Le Cheval de bronze, AWV 47: Pas de deux9:485Le Lac des fées, AWV 32: Overture9:086Le Lac des fées, AWV 32: Marche des rois2:117Le Lac des fées, AWV 32: Valse des étudiants2:428Marco Spada, AWV 43: Overture9:089Marco Spada, AWV 46: Pas de Mme Rosati4:4010Jenny Bell, AWV 44: Overture7:0511Das eherne Pferd, EHWV 214 (After Auber’s AWV 25)7:352025 · studio album
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Tracklist · 16 tracks · 1:17:13
1Vendôme en Espagne, AWV 9: Overture8:042Vendôme en Espagne, AWV 9: Pas de sept5:093Vendôme en Espagne, AWV 9: Divertissement no. 26:534Vendôme en Espagne, AWV 9: Pas de charge4:375Vendôme en Espagne, AWV 9: Pas de trois. Bolero3:336Vendôme en Espagne, AWV 9: Pas de trois. Finale8:207La Fiancée, AWV 17: Overture7:588Les Diamants de la couronne, AWV 34: Overture8:589Les Diamants de la couronne, AWV 34: Act II: Sarabande3:1110L'Enfant prodigue, AWV 41: Overture7:1811L'Enfant prodigue, AWV 41: Act II: Air de ballet no. 14:1112L'Enfant prodigue, AWV 41: Act II: Air de ballet no. 21:2113L'Enfant prodigue, AWV 41: Act II: Air de ballet no. 30:5914L'Enfant prodigue, AWV 41: Act II: Air de ballet no. 41:4315L'Enfant prodigue, AWV 41: Act II: Air de ballet no. 53:3416Partant pour la Syrie1:242026 · studio album
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Tracklist · 15 tracks · 1:15:18
1Le Domino noir, AWV 30: Overture7:422La Gitana: Mazourke3:403La Gitana: Pas pour Mademoiselle Taglioni3:324La Gitana: El Jaleo de Xeres2:435La Sirène, AWV 37: Overture8:256Gustave III, ou Le Bal masqué, AWV 23: Overture8:427Gustave III, ou Le Bal masqué, AWV 23: Act I: Air de Danse I: Andantino6:128Gustave III, ou Le Bal masqué, AWV 23: Act I: Air de Danse II: Pas de Paysans dalécarliens: Andantino con moto4:379Gustave III, ou Le Bal masqué, AWV 23: Act V: Air de Danse I: Allemande: Allegretto6:1410Gustave III, ou Le Bal masqué, AWV 23: Act V: Air de Danse II: Pas de folies: Allegro5:2811Gustave III, ou Le Bal masqué, AWV 23: Act V: Air de Danse III: Menuet: Allegretto3:0112Gustave III, ou Le Bal masqué, AWV 23: Act V: March I: Mouvement de marche1:2813Gustave III, ou Le Bal masqué, AWV 23: Act V: March II (Polonoise): Allegretto3:2014Gustave III, ou Le Bal masqué, AWV 23: Act V: Air de Danse IV: Galop: Allegro4:1615Marche funèbre pour la translation des Cendres de Napoléon, AWV 1915:58— · studio album
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Tracklist · 18 tracks · 2:45:18
1Marco Spada - Ballet Version: Scene 114:552Marco Spada - Ballet Version: Scene 217:123Marco Spada - Ballet Version: Act 213:134Marco Spada - Ballet Version: Act 320:405Concerto no. 1 for cello & orchestra: 1. Allegro ma non troppo6:356Concerto no. 1 for cello & orchestra: 2. Adagio - quasi andante4:197Concerto no. 1 for cello & orchestra: 3. Vivace5:278Marco Spada: Overture9:019Lestocq: Overture7:4010La Neige: Overture5:1611Pas classique8:2512Les Rendezvous (Arr. Lambert)18:5613Le cheval de bronze: “Ah pour un jeune coeur…O tourment du veuvage”5:5014La Muette de Portici: “Ferme tes yeux”4:3815Manon Lescaut: C’est l’histoire amoureuse4:1216Fra Diavolo / Act 2: Non temete milord… Or son sola8:2117Fra Diavolo: “Du village voisin… Dès l’enfance”7:3318L’Ambassadrice: “Buvons tous au Sultan Misapouf”3:05
Single · 1
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1913 | Flirtation / Crown Diamonds OvertureSearch SpotifySearch YouTube MusicTracklist · 2 tracksRFlirtation LCrown Diamonds Overture | 1913 |
Album · 4
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1974 | French OverturesSearch SpotifySearch YouTube MusicTracklist · 6 tracks · 47:29A1Benvenuto Cellini10:32 A2Fra Diavolo8:02 A3Le Cheval de Bronze6:54 B1Zampa7:27 B2Calif of Bagdad6:53 B3La Dame blanche7:41 | Compilation | 1974 | |
| 1992 | OverturesSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 1:05:481The Beautiful Galatea6:23 2Pique Dame7:28 3Light Cavalry6:27 4Poet and Peasant9:24 5Morning, Noon and Night in Vienna7:32 6Boccaccio6:48 7The Bronze Horse6:50 8Fra Diavolo7:32 9Masaniello7:24 | Compilation | 1992 | |
| 2000 | OverturesSearch SpotifySearch YouTube MusicTracklist · 7 tracks · 55:281Overture to Il viaggio a Reims7:03 2Overture to La scala di seta6:29 3Overture to L'Italiana in Algeri7:47 4Overture to Il Turco in Italia8:46 5Overture to La gazza ladra9:22 6Overture to Fra Diavolo7:39 7Roman Carnival Overture, Op. 98:22 | Compilation | 2000 | |
| 2023 | Le PhiltreSearch SpotifySearch YouTube MusicTracklist · 28 tracks · 2:04:10Disc 1 1Le Philtre, S. 20 - Overture (Live)6:55 2Le Philtre, S. 20, Act I Scene 1 - Amis, sous cet épais feuillage (Live)3:50 3Le Philtre, S. 20, Act I Scene 1 - La reine Yseult, aux blanches mains (Live)4:52 4Le Philtre, S. 20, Act I Scene 1 - Ah ! Qu'un philtre pareil me serait nécessaire ! (Live)0:22 5Le Philtre, S. 20, Act I Scene 2 - Marche (Live)1:01 6Le Philtre, S. 20, Act I Scene 2 - Aria. Je suis sergent (Live)4:29 7Le Philtre, S. 20, Act I Scene 2-3 - Je suis fière d'un tel hommage ! - Un mot, Térézine (Live)4:27 8Le Philtre, S. 20, Act I Scene 3 - La coquetterie fait mon seul bonheur (Live)4:48 9Le Philtre, S. 20, Act I Scene 4 - Guéris-toi, me dit-elle ! (Live)1:08 10Le Philtre, S. 20, Act I Scene 4 - Est-il possible d'être insensible (Live)3:31 11Le Philtre, S. 20, Act I Scene 5 - Quel brillant équipage ! (Live)6:20 12Le Philtre, S. 20, Act I Scene 5 - Messieurs, pour vous prouver (Live)5:43 13Le Philtre, S. 20, Act I Scene 6 - Philtre divin ! (Live)5:36 14Le Philtre, S. 20, Act I Scene 6-7 - Quel délire nouveau ! - C'est Guillaume ! (Live)1:17 15Le Philtre, S. 20, Act I Scene 7 - Je sais d'avance son langage (Live)6:34 16Le Philtre, S. 20, Act I Scene 8 - Que vois-je ? (Live)0:45 17Le Philtre, S. 20, Act I Scene 8 - Dedans le cours de mes conquêtes (Live)4:52 18Le Philtre, S. 20, Act I Scene 9 - C'est un ordre du capitaine (Live)11:45 Disc 21Le Philtre, S. 20, Act II Scene 1 - Chantons ce mariage (Live)2:46 2Le Philtre, S. 20, Act II Scene 1 - Habitants du bord de l'Adour (Live)3:57 3Le Philtre, S. 20, Act II Scene 1 - Je suis riche, vous êtes belle (Live)3:57 4Le Philtre, S. 20, Act II Scene 1-2 - Ô doux aspect ! - Voici le soir ! (Live)4:20 5Le Philtre, S. 20, Act II Scene 3 - De désespoir je reste anéanti (Live)8:10 6Le Philtre, S. 20, Act II Scene 3 - Signe ! Ou bien fais ta croix (Live)0:18 7Le Philtre, S. 20, Act II Scene 4-6 - Grands dieux! - Il ne sait rien encor! - Mais que vois-je ? (Live)11:30 8Le Philtre, S. 20, Act II Scene 7-8 - Comme il a l'air heureux ! - Effet miraculeux! (Live)2:55 9Le Philtre, S. 20, Act II Scene 8 - Je voulais partir pour la guerre (Live)6:00 10Le Philtre, S. 20, Act II Scene 8 - Je lui dois ma maîtresse (Live)2:02 | Live | 13 January 2023 |
Stats & PK
Percentile within all 23,672 published artists.Put Daniel François Esprit Auber head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 53 | 97th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 27 | 89.5th |
| Studio albums | 22 | 97th |
| Awards recorded | 2 | 92.6th |
| Timeline events | 24 | 95.3th |
| Recording span (years) | -42 | 7th |
| Genres | 6 | 91th |
Awards & honours
| Year | Award | Category | Result |
|---|---|---|---|
| — | Grand Officer of the Legion of Honour | won | |
| — | Pour le Mérite for Sciences and Arts order | won |
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Postcard-1910_Daniel_Fransois_Auber.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/7c08bc24-bcd9-47d5-819e-bbbf6e87fa9fdiscography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/7c08bc24-bcd9-47d5-819e-bbbf6e87fa9fcore—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q157672genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q157672seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Daniel_Auberbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Daniel_Auberbiography—wikipedia-fr · CC BY-SA 4.0 · retrieved 10 October 2026
https://fr.wikipedia.org/wiki/Daniel-Fran%C3%A7ois-Esprit_Auber
Why this artist is in the database
- List of composers by name
Tier rule: historic figure (53 language versions, career ended)
Image: Unknown Unknown Photograf · Public domain · Wikimedia Commons
Wikidata: Q157672 · MusicBrainz: 7c08bc24-bcd9-47d5-819e-bbbf6e87fa9f
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