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Francesco Maria Veracini
Person · male · Florence · born 1690 · died 1768 · recording since 1990
Italian composer
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Also known as 弗兰切斯科·马里亚·韦拉奇尼
Timeline
25 events▣ Album 22◦ Birth 1† Death 1★ Debut release 1
1690s
1760s
1990s
· Debut release
Debut release: Sonate a violino solo e basso, op. 1 no 12, op. 2 no. 5-6, Volume 1
First documented Album in the MusicBrainz discography.
source: musicbrainz
· Album
Album: Sonate a violino solo e basso, op. 1 no 12, op. 2 no. 5-6, Volume 1
Album
source: musicbrainz
2000s
2010s
2020s
Biography
English biography3,153 words · 6 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1378009679
Biography
Francesco Maria Veracini (1 February 1690 – 31 October 1768) was an Italian composer and violinist, perhaps best known for his sets of violin sonatas. As a composer, according to Manfred Bukofzer, "His individual, if not subjective, style has no precedent in baroque music and clearly heralds the end of the entire era", while Luigi Torchi maintained that "he rescued the imperiled music of the eighteenth century", His contemporary, Charles Burney, held that "he had certainly a great share of whim and caprice, but he built his freaks on a good foundation, being an excellent contrapuntist". The asteroid 10875 Veracini was named after him.
Life
Francesco Maria Veracini was born on 1 February 1690 in the family house on the via Palazzuolo, parish of San Salvatore, Ognissanti, Florence. The second and only surviving son of Agostino Veracini, a pharmacist and undertaker (and ironically one of the few Veracinis who was not a violinist, even as an amateur), he was taught the violin by his uncle, Antonio Veracini, with whom he later often appeared in concert, as well as by Giovanni Maria Casini and his assistant Francesco Feroci. His grandfather, Francesco (di Niccolò) Veracini, had been one of the first violinists of Florence, and ran a music school in the house until ill health forced him to turn the business over to his eldest son, Antonio, in 1708. In addition, the family managed a painting studio and possessed a large collection of art works, including four Ghirlandaios, a Rubens, a Caracci and a dozen other paintings by the three members of the family from two generations, including Francesco's third son, Benedetto. The painter Niccolò Agostino Veracini was Francesco Maria's cousin. Veracini esteemed Carlo Ambrogio Lonati as a great violinist.
He is known to have been a soloist in Venice at the Christmas masses at San Marco, on 24 and 25 December 1711. On 1 February 1712 he performed a violin concerto of his own composition (the first recorded public performance by Veracini playing one of his own compositions), accompanied by trumpets, oboes, and strings as part of the celebrations in honour of the Austrian ambassador to Venice of the newly elected Holy Roman Emperor, Charles VI. The celebration, held in Santa Maria Gloriosa dei Frari included a vocal Te Deum and Mass, as well as motets and concertos performed under the direction of padre Ferdinando Antonio Lazari. The manuscript scores of all the works performed that day, including Veracini's concerto, were bound together in a handsome presentation volume now found in the National Library of Austria. An earlier, now superseded hypothesis, that this concerto was performed in Frankfurt at Charles VI's coronation on 22 December 1711, was offered before the discovery of documentation of Veracini's appearance as a soloist on Christmas Eve of that year, in Venice, two days later and some 800 kilometers to the south, and before the discovery of the payment record for Veracini's performance of this concerto in Venice on 1 February 1712.
In 1714, Veracini went to London and played instrumental pieces ("symphonies" in contemporary parlance) between the acts of operas at the Queen's Theatre. At the court of Johann Wilhelm, Elector Palatine and Anna Maria Luisa de' Medici he performed his oratorio Mosè al Mar Rosso. There is a legend that, when Giuseppe Tartini heard Veracini playing the violin, he was so impressed by his bowing technique, and so dissatisfied with his own skill, that he retreated the next day to Ancona "in order to study the use of the bow in more tranquility, and with more convenience than at Venice, as he had a place assigned him in the opera orchestra of that city".
Veracini wrote a set of violin/recorder sonatas dedicated to Prince Friedrich August, who came to celebrate carnival. The Prince recruited not only singers, as he was told to do by his father, but also musicians for the court in Dresden. He hired an entire opera company under the direction of the Italian composer Antonio Lotti, the librettist Antonio Maria Lucchini, the castrati Senesino and Matteo Berselli, the brothers Mauro architects, two painters, and two carpenters (Charlton 2000). In 1717 the Prince also secured the services of the eccentric Francesco Maria Veracini.
Dresden
To justify his salary, Veracini had to compose chamber music for the court, transferring him to the official payroll as Kapellmeister in August 1717 and not as a violinist. In 1719 Veracini was sent to recruit more Italian singers for the new Dresden opera, "am Zwinger". Whilst in Venice he secured the services of Margherita Durastanti and Vittoria Tesi and in Bologna added Antonia Maria Laurenti. Veracini also took the opportunity to visit his home town where he married Chiara Tesi.
In 1721 Veracini wrote another set of violin sonatas dedicated to the Prince (published in Dresden as his Opus 1). Unfortunately, there was animosity among all these gifted musicians at the court in Dresden. In 1722, the arrogant Veracini was involved in a quarrel, staged according to one source by the composer and violinist Pisendel, which resulted in Veracini leaping out of an upper-story window and breaking his foot in two places and (also) his hip. There are two conflicting accounts of this incident on 13 August, one involving humiliation of Veracini at the hands of the last-desk violinist in the orchestra, who was asked to play the same concerto, replacing Veracini. Pisendel had been rehearsing his composition intensively with this violinist. The braggart Veracini fell into such a rage over this that he did not come out of his room for several days, and out of shame and despair finally publicly threw himself out of a window onto the street in Dresden. According to Veracini the jealous German musicians allegedly plotted to murder him (so he claimed in his writings). He fled Dresden by jumping out a window and apparently broke a leg in the fall. After the incident Veracini walked with a limp for the rest of his life. It is a myth Senesino was involved in the quarrel as he was either dismissed by Heinichen or by the court which ran out of money. G.F. Handel offered the singer a contract for London two years before the alleged incident with Veracini.
These sensational and conflicting reports are further complicated by one more fact, which is actually documented. On 22 March 1723 Veracini's young daughter, Margaretha, died of measles at the composer's house, number 2 Scheffelgasse, in Dresden. The wording of the report seems to imply that Veracini was still in Dresden and employed at the court at that time.
It seems the Dresden musicians, fearing for their position, felt relieved Veracini had left the city. Back in his native Florence in 1723, Veracini played music in a church. During this time he suffered from his bad reputation and was said by Charles Burney to have been "usually qualified with the title of Capo pazzo" ["head lunatic"]. He composed a Te Deum for the coronation of Pope Clement XII in 1730.
His uncle Antonio died in 1733, leaving the bulk of his estate to Francesco Maria. Amongst other things, this included no fewer than eight violins made by Jacob Stainer and three Amatis.
London
Back in London in 1733, Veracini appeared in many concerts. In 1735 he composed an opera for the Opera of the Nobility, Adriano in Siria. Francesca Cuzzoni, Antonio Montagnana, Farinelli and Senesino had a role. George Frederic Handel was present at the premiere in Haymarket Theatre. Charles Jennens liked the opera and ordered a score; Lord Hervey, not known for his musical perception, and Henry Liddell, 1st Baron Ravensworth were bored. However, the work enjoyed a run of twenty performances over six months. Many of the arias were published separately by John Walsh. Veracini composed the fifth version, based on Pietro Metastasio's libretto, written for the Habsburg Emperor Charles VI. The score, which survived in the Newman Flower Collection (or the Henry Watson Music Library?) of the Manchester Central Library was developed by German musicologist Holger Schmitt-Hallenberg along with Fabio Biondi, who composed the recitatives that have not been preserved. It was performed in Kraków December 2013 and in Vienna and Madrid in January 2014.
In 1736 he wrote some arias for the pasticcio Orfeo by Nicola Porpora. In 1737, he wrote La Clemenza di Tito, on a libretto by Angelo Maria Cori based on Metastasio. In 1738 Veracini wrote his third opera, Partenio, and returned to Florence where he stayed till 1741. Back in London he composed his last opera, Roselinda, based on Shakespeare's play As You Like It, a most unusual choice of material at that time. In that opera Veracini included the well-known Scots ballad tune The Lass of Paties Mill. It was staged in London in 1744, the same year his oratorio L'errore di Salomone was staged. Burney, scorned the music of Roselinda as "wild, awkward, and unpleasant; manifestly produced by a man unaccustomed to write for the voice, and one possessed of a capo pazzo", and ridiculed the inclusion of the ballad tune as an attempt "to flatter the English" that failed because "few of the North Britons, or admirers of this national and natural Music, frequent the opera, or mean to give half a guinea to hear a Scots tune, which perhaps their cook-maid Peggy can sing better than any foreigner", but confessed that "This opera, to my great astonishment when I examined the Music, ran twelve nights", whereas L'errore di Salomone was given only twice. Veracini left London a little more than a year later.
In 1745 or shortly after, he survived a shipwreck in which he lost two of his Stainer violins (the ones he called St. Peter and St. Paul), "thought to have been the best in the world", and all of his effects. He returned to Florence, where he was appointed maestro di capella of the churches of San Pancrazio and San Gaetano, the latter one at which his uncle had worked, focusing on church music. Though he mostly conducted in his later years, he still sometimes appeared as a violinist. Veracini died in Florence.
Compositions
In his last will and testament of 14 October 1768, Veracini mentions a trunk (baule) full of his musical compositions. As his now-surviving works would not fill a quarter of such a large chest, a full assessment of Veracini's stature as composer is not possible. However, his known music has historical importance and artistic value.
The central works of Veracini's known repertoire are contained in three collections of twelve sonatas, each, for solo violin and basso continuo: (1) the manuscript set dated Venice, 26 July 1716 (Diss 70); (2) the published Op. I sonatas (Dresden, 1721); and (3) the lavishly printed Op. II Sonate accademiche (London, 1744). A few additional early sonatas are preserved individually in manuscript.
Veracini's 1716 sonatas incorporate important stylistic innovations. Given the composer's frequent performance of Arcangelo Corelli's solo sonatas, his occasional paraphrasing of Corelli's themes, his generally plain and unornamented melodic lines, and his late-life compositional revision of Corelli's Op. 5, we might look for a continuation of the Corelli tradition, but we do not find it. Instead, whereas Corelli's violin sonatas, both solo and trio, are divided between chamber sonatas composed of dance movements and church sonatas with fugal movements, Veracini's 1716 sonatas contain neither dances nor fugues. Whereas Corelli never recapitulates themes in his non-fugal movements, Veracini always includes some form of melodic recurrence, except in a few very short, transitional movements. Veracini's binary-form movements frequently include a tonic recapitulation, offen including transposed material which, in the first half, was introduced in the key of the dominant. Thus, Veracini's 1716 sonatas are among the earliest to employ what we now call rounded-binary form, sometimes thought of as embryonic sonata form. Further, whereas Corelli relies on melodic-harmonic sequences as his principal means of expansion, Veracini far more often employs repetition for the same purpose. And while Corelli confines repetition to the concluding phrases of movements, Veracini uses repetition in all parts of his: beginning, middle, and ending phrases. Thus, Veracini's repetitions help to create passages that are melodically and harmonically sable or even static, which tend to contribute to hierarchical, symmetrical phrase structures that stand in contrast to Corelli's discursive formal processes. While Corelli is known for his careful part-writing and dissonance treatment, Veracini often introduces unprepared dissonances, transferred resolutions, leaps by dissonant intervals, cross relations, and very unusual deceptive cadences. Thus, Charles Burney, who heard him play, reported that, although Veracini impressed London audiences in 1714 as a violinist, "His compositions, however, were too wild and flighty for the taste of the English at this time, when they regarded the sonatas of Corelli as the models of simplicity, grace, and elegance in melody, and of correctness and purity in harmony."
Burney, in another place, viewed Veracini's "wild and flighty" music as prophetic: "Veracini and Vivaldi had the honour of being thought mad for attempting in their works and performance what many a sober gentleman has since done uncensured; but both these musicians happening to be gifted with more fancy and more hand than their neighbours, were thought insane; as friar Bacon, for superior science, was thought a magician, and Galileo a heretic." And, comparing these early sonatas by Veracini with those of Giovanni Battista Pergolesi, Burney writes, "They [Pergolesi's] are composed in a style that was worn out when Pergolesi began to write; at which time another [style] was forming by Tartini, Veracini, and Martini [Sammartini] of Milan, which has been since [by 1789] polished, refined, and enriched with new melodies, harmonies, and modulation, and effects."
The six overtures, i.e., orchestral suites for two oboes, bassoon, strings, and basso continuo that Veracini wrote in Venice at about the same time as his first set of twelve violin sonatas, have been described as "wild and flighty". They feature dissonance and accidentals, incessant repetition, short, clearly articulated phrase groups, and melodic recurrence, often in the form of a rondo or da capo. The movements are longer, which may explain the more extensive use of sequence. The first movements that take the format of the French overture include a fugal section.
Veracini dedicated his 1716 sonatas to Prince Friedrich August of Saxony, who was then on a nine-month tour of Italy, during which he and the leader of his chamber music, Johann Georg Pisendel, were recruiting musicians and collecting music thought to be the coming thing. Veracini was among those recruited and collected. Back in Dresden, Pisendel absorbed and digested this new musical style and passed it on to his students, including Franz Benda and Johann Gottlieb Graun. What he passed on to these students was subsequently codified by Joseph Riepel, in his Anfangsgründe zur Musikalischen Setzkunst (1752) and Grundregeln zur Tonordnung insgemein (1755), texts which contributed to the musical education of Wolfgang Amadeus Mozart.
After the sonatas of 1716, one would have expected Veracini to pursue a stylistic path similar to Giuseppe Tartini's. The road he chose instead is indicated by his published Opus 1 of 1721. In some ways these sonatas are more, not less, like Corelli's than were those of 1716. The set is divided into chamber and church sonatas, the latter including fugues with the kind of three-voice exposition familiar from Corelli's Opus 5. There is much imitative writing even in non-fugal movements. Phrase elision is slightly more prevalent. Although repetition is a little more common, there are no complete tonic recapitulations. There is, instead, great variety and experimentation in formal design of a sort not found in the sonatas of Locatelli or Tartini.
In the Opus 2 sonatas (1744), texture and form are even more complicated and the whole style more original than in the earlier sonatas. The most original, complicated, and extended of the unusually long movements that form the Opus 2 sonatas are those entitled capriccio. Veracini defines this term in his treatise, Il trionfo della prattica musicale (manuscript, ca. 1760): "The CAPRICCIO has the same rules as the true fugue and the ricercar, but it supports within it the entry of various bizzarie grafted on by the imagination of the wise composer, because they [the bizzarie] are able to confabulate with the principal subjects of this type of composition." Veracini's capricci are essentially fugues with an unusually large number of independent motives. In some of his capricci, motives are developed by means of interval substitution, sequencing, inversion, and fragmentation. The capricci of Veracini's Opus 2 do not feature binary form but rather a highly original technique of pairing passages, the parallelism between which is usually modified by some small insertion, deletion, or reordering and by either transposition of the whole, contrapuntal inversion, motivic inversion, or exchange of tonic and dominant harmony in the manner of a fugal counter-exposition. Contrapuntal inversion, in particular, is found on nearly every page of the capricci.
Veracini's compositional revision of Corelli's Op. 5 sonatas, made after 1745, continues the trend toward contrapuntal thoroughness. These "Dissertazioni del sig. Francesco Veracini sopra l'Opera Quinta del Corelli" strive for more imitation and contrapuntal inversion, more intensive use of motives, greater unity and symmetry, and greater logic and consistency, even to the point of pedantry. Symmetrical pairs of passages, of the sort used in Veracini's Op. 2, are created in nine of Corelli's movements by adding contrapuntal inversion or by reshuffling, transposing, and revising phrases of the originals. The musical examples in Veracini's late treatise continue the same pattern.
Of Veracini's five surviving violin concertos, only the earliest, from 1712, hints at his technical prowess as a performer, and, even here, substantial portions of the solo part consist of blank staves bearing the instruction "capriccio del primo violino." Veracini's other four violin concertos make more moderate demands. Their style is somewhat like Vivaldi's with the significant difference that their solo episodes often incorporate thematic elements from the opening ritornellos: a trait often associated with Tartini's concertos and which give rise to the "double exposition" feature of later eighteenth-century keyboard concertos.
Of Veracini's four London operas, only Adriano in Siria (1735) survives. Some arias from his Partenio (1738) and Rosalinda (1744) were printed by Walsh during Veracini's stay in London. In Adriano the arias written for Farinelli are both virtuosic and strongly expressive.
Major works
12 Sonatas for recorder or violin solo and basso (no opus number, dedicated to Prince Friedrich August, before 1716, unpublished in the composer's lifetime)
Opus 1, 12 Sonatas for violin solo and basso (dedicated to Prince Friedrich August 1721)
Opus 2, 12 Sonate Accademiche for violin solo and basso (1744)
Dissertazioni del Sigr. Francesco Veracini sopra l'opera quinta del Corelli [Dissertation by Mr. Francesco Veracini on Corelli's Opus 5] (date of composition uncertain, unpublished until 1961)
Opus 3, Il trionfo della pratica musicale, o sia Il maestro dell'arte scientifica dal quale imparasi non solo il contrapunto ma (quel che più importa) insegna ancora con nuovo e facile metodo l'ordine vero di comporre in musica (music-theory treatise, 1760)
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 24 | 85.8th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 22 | 87.8th |
| Studio albums | 22 | 97th |
| Awards recorded | 0 | 0th |
| Timeline events | 25 | 95.6th |
| Recording span (years) | -222 | 2.9th |
| Genres | 3 | 80.4th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (22 release groups · 22 studio albums)
Albums · 22
Sonate a violino solo e basso, op. 1 no 12, op. 2 no. 5-6, Volume 1
1990 · studio album
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Tracklist · 13 tracks · 1:02:54
1Sonata accademica op. II n. 6 in la maggiore: I. Siciliana. Larghetto3:222Sonata accademica op. II n. 6 in la maggiore: II. Capriccio VII. Allegro, e con affetto6:073Sonata accademica op. II n. 6 in la maggiore: III. Largo8:524Sonata accademica op. II n. 6 in la maggiore: IV. Allegro assai3:175Sonata accademica op. II n. 5 in sol minore: I. Adagio assai - Con grandissima gravità - Adagio assai6:556Sonata accademica op. II n. 5 in sol minore: II. Capriccio VI. Con due soggetti - Allegro assai - Adagio assai5:447Sonata accademica op. II n. 5 in sol minore: III. Allegro assai2:438Sonata accademica op. II n. 5 in sol minore: IV. Giga. Allegro3:369Sonata op. I n. 12 in fa maggiore: I. Cantabile3:0110Sonata op. I n. 12 in fa maggiore: II. Larghetto3:3211Sonata op. I n. 12 in fa maggiore: III. Intermedio. Aria. Affettuoso4:5712Sonata op. I n. 12 in fa maggiore: IV. Aria. Cantabile3:2013Sonata op. I n. 12 in fa maggiore: V. Capriccio. Allegro7:281992 · studio album
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Tracklist · 23 tracks · 1:06:49
1Sonata Prima: I. Largo e nobile2:512Sonata Prima: II. Allegro1:513Sonata Prima: III. Largo3:184Sonata Prima: IV. Allegro3:405Sonata Seconda: I. Largo2:066Sonata Seconda: II. Allegro1:507Sonata Seconda: III. Largo2:308Sonata Seconda: IV. Allegro3:129Sonata Terza: I. Largo3:1410Sonata Terza: II. Allegro2:4611Sonata Terza: III. Largo3:3812Sonata Terza: IV. Allegro2:5613Sonata Quarta: I. Largo e nobile2:3714Sonata Quarta: II. Siciliano, larghetto2:4315Sonata Quarta: III. Largo2:2816Sonata Quarta: IV. Allegro2:5417Sonata Quinta: I. Largo2:0818Sonata Quinta: II. Allegro2:0219Sonata Quinta: III. Largo4:4220Sonata Quinta: IV. Allegro3:0021Sonata Sesta: I. Largo2:0622Sonata Sesta: II. Allegro5:2423Sonata Sesta: III. Allegro2:531994 · studio album
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Tracklist · 24 tracks · 1:10:26
1Ouverture no. 1 B-dur: 1. Largo - Allegro - Largo - Allegro5:042Ouverture no. 1 B-dur: 2. Menuett3:013Ouverture no. 1 B-dur: 3. Sarabande3:544Ouverture no. 1 B-dur: 4. Aire. Allegro1:575Ouverture no. 2 F-dur: 1. Largo - Allegro - Largo - Allegro3:216Ouverture no. 2 F-dur: 2. Gavotte4:417Ouverture no. 2 F-dur: 3. Sarabande. Lento2:278Ouverture no. 2 F-dur: 4. Menuett3:559Ouverture no. 2 F-dur: 5. Gigue3:3410Ouverture no. 2 F-dur: 6. Menuett1:2111Ouverture no. 3 B-dur: 1. Largo - Allegro2:4712Ouverture no. 3 B-dur: 2. Aire. Allegro3:3113Ouverture no. 3 B-dur: 3. Allegro2:1514Ouverture no. 3 B-dur: 4. Sarabande2:1115Ouverture no. 3 B-dur: 5. Gigue2:1316Ouverture no. 4 F-dur: 1. Largo - Allegro3:5017Ouverture no. 4 F-dur: 2. Gavotte. Allegro1:0718Ouverture no. 4 F-dur: 3. (Appoggiata)4:5319Ouverture no. 4 F-dur: 4. Gavotte ou Rondeau. Allegro1:4120Ouverture no. 4 F-dur: 5. Gigue1:5821Ouverture no. 6 B-dur: 1. Allegro3:1922Ouverture no. 6 B-dur: 2. Largo2:2423Ouverture no. 6 B-dur: 3. Allegro3:0124Ouverture no. 6 B-dur: 4. Menuett2:011995 · studio album
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Tracklist · 20 tracks · 57:35
1Sonata accademica for Violin & B. C. in D minor, op. 2 no. 12: I. Passagallo. Largo assai e come sta, ma con grazia4:222Sonata accademica for Violin & B. C. in D minor, op. 2 no. 12: II. Capriccio cromatico. Con due soggetti, e Loro Rovesci veri2:503Sonata accademica for Violin & B. C. in D minor, op. 2 no. 12: III. Adagio1:474Sonata accademica for Violin & B. C. in D minor, op. 2 no. 12: IV. Ciacona. Allegro, ma non presto5:555Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: I. Presto3:056Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: II. Largo1:467Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: III. Cantabile, ma un poco Adagio4:228Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: IV. Adagio1:169Sonata for Obbligato Harpsichord & Violin in G major, BWV 1019a: V. Presto3:1410Suite for Solo Violin in A major: I. Prelude1:3511Suite for Solo Violin in A major: II. Allemande1:5412Suite for Solo Violin in A major: III. Courante2:0013Suite for Solo Violin in A major: IV. Sarabande3:2214Suite for Solo Violin in A major: V. Gigue & autre gigue3:1815Sonata for Violin & B. C. in C minor, BWV 1024: I. Adagio2:0716Sonata for Violin & B. C. in C minor, BWV 1024: II. Presto3:1617Sonata for Violin & B. C. in C minor, BWV 1024: III. Affettuoso2:1418Sonata for Violin & B. C. in C minor, BWV 1024: IV. Vivace3:3419Adagio & Allegro for Obbligato Harpsichord & Violin in G major, BWV 1019: I. Adagio2:3620Adagio & Allegro for Obbligato Harpsichord & Violin in G major, BWV 1019: II. Allegro3:02Sonate accademiche a violino solo e basso
1995 · studio album
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Tracklist · 16 tracks · 1:00:54
1Sonata no. 9 in A major: Allegro moderatamente5:572Sonata no. 9 in A major: Scozzese. Un poco andante et affettuoso1:523Sonata no. 9 in A major: Largo2:284Sonata no. 9 in A major: Un poco andante et affetuoso1:515Sonata no. 8 in E minor: Allegro5:066Sonata no. 8 in E minor: Ritornello. Largo e staccato – Cantabile5:027Sonata no. 8 in E minor: Giga3:188Sonata no. 12 in D minor: Passagallo. Largo assai e come sta, ma con grazia4:359Sonata no. 12 in D minor: Capriccio cromatico con due soggeti e loro rovesci veri. Allegro, ma non presto3:2710Sonata no. 12 in D minor: Adagio1:4411Sonata no. 12 in D minor: Ciaccona. Allegro, ma non presto5:4012Capriccio sesto con due soggetti in G minor4:5713Sonata no. 7 in D minor: Entrata. Tempo aggiustato4:2014Sonata no. 7 in D minor: Allemanda. Allegro ma non presto4:2015Sonata no. 7 in D minor: Largo e cantabile2:4316Sonata no. 7 in D minor: Giga. Allegro3:341995 · studio album
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Tracklist · 48 tracks · 2:55:37
Disc 11Sonate Accademiche, Op. 2: Violin Sonata No. 1 in D major: I. Toccata. Adagio, e come stà - Presto - Adagio4:312Sonate Accademiche, Op. 2: Violin Sonata No. 1 in D major: II. Capriccio primo. Allegro ma non presto5:143Sonate Accademiche, Op. 2: Violin Sonata No. 1 in D major: III. Allegro2:144Sonate Accademiche, Op. 2: Violin Sonata No. 1 in D major: IV. Epilogo della Toccata. Largo, e nobile - Presto - Adagio3:275Sonate Accademiche, Op. 2: Violin Sonata No. 1 in D major: V. Capriccio secondo. Allegro, e brillante - Più Allegro3:546Sonate Accademiche, Op. 2: Violin Sonata No. 2 in B flat major: I. Polonese. Tempo giusto5:267Sonate Accademiche, Op. 2: Violin Sonata No. 2 in B flat major: II. Largo, e staccato3:428Sonate Accademiche, Op. 2: Violin Sonata No. 2 in B flat major: III. Capriccio terzo, con due soggetti. Allegro, e grandios3:369Sonate Accademiche, Op. 2: Violin Sonata No. 2 in B flat major: IV. Aria schiavona. Tempo comodo2:0810Sonate Accademiche, Op. 2: Violin Sonata No. 2 in B flat major: V. Giga. Allegro assai1:0811Sonate Accademiche, Op. 2: Violin Sonata No. 3 in G major: I. Ritornello. Allegro3:5012Sonate Accademiche, Op. 2: Violin Sonata No. 3 in G major: II. Largo, e nobile3:1013Sonate Accademiche, Op. 2: Violin Sonata No. 3 in G major: III. Capriccio quarto, con tre soggetti. Allegro5:4014Sonate Accademiche, Op. 2: Violin Sonata No. 3 in G major: IV. Aria rustica. Allegro2:4515Sonate Accademiche, Op. 2: Violin Sonata No. 4 in F major: I. Allegro3:1816Sonate Accademiche, Op. 2: Violin Sonata No. 4 in F major: II. Cotillio. Capriccio quinto. Allegro assai4:4417Sonate Accademiche, Op. 2: Violin Sonata No. 4 in F major: III. Largo2:3518Sonate Accademiche, Op. 2: Violin Sonata No. 4 in F major: IV. Menuet. Affettuoso3:45Disc 21Sonate Accademiche, Op. 2: Violin Sonata No. 5 in G minor: I. Adagio assai5:122Sonate Accademiche, Op. 2: Violin Sonata No. 5 in G minor: II. Capriccio VI, con due soggetti. Allegro assai5:053Sonate Accademiche, Op. 2: Violin Sonata No. 5 in G minor: III. Allegro assai2:334Sonate Accademiche, Op. 2: Violin Sonata No. 5 in G minor: IV. Giga. Allegro2:455Sonate Accademiche, Op. 2: Violin Sonata No. 6 in A major: I. Siciliana. Larghetto2:346Sonate Accademiche, Op. 2: Violin Sonata No. 6 in A major: II. Capriccio VII. Allegro e con affetto4:587Sonate Accademiche, Op. 2: Violin Sonata No. 6 in A major: III. Andante moderato4:358Sonate Accademiche, Op. 2: Violin Sonata No. 6 in A major: IV. Largo4:399Sonate Accademiche, Op. 2: Violin Sonata No. 6 in A major: V. Allegro assai3:3410Sonate Accademiche, Op. 2: Violin Sonata No. 7 in D minor: I. Entrata. Tempo aggiustato3:1111Sonate Accademiche, Op. 2: Violin Sonata No. 7 in D minor: II. Allemanda. Allegro ma non presto2:3912Sonate Accademiche, Op. 2: Violin Sonata No. 7 in D minor: III. Largo e cantabile2:1813Sonate Accademiche, Op. 2: Violin Sonata No. 7 in D minor: IV. Giga. Allegro3:0114Sonate Accademiche, Op. 2: Violin Sonata No. 8 in E minor: I. Allegro4:0215Sonate Accademiche, Op. 2: Violin Sonata No. 8 in E minor: II. Ritornello. Largo, e staccato - Cantabile - Ritornello4:1816Sonate Accademiche, Op. 2: Violin Sonata No. 8 in E minor: III. Giga. Allegro2:33Disc 31Sonate Accademiche, Op. 2: Violin Sonata No. 9 in A major: I. Allegro moderatamente3:542Sonate Accademiche, Op. 2: Violin Sonata No. 9 in A major: II. Adagio0:393Sonate Accademiche, Op. 2: Violin Sonata No. 9 in A major: III. Scozzesse. Un poco andante ed affettuoso - Largo - Un poco andante ed affettuoso5:324Sonate Accademiche, Op. 2: Violin Sonata No. 10 in F major: I. Allegro moderato3:005Sonate Accademiche, Op. 2: Violin Sonata No. 10 in F major: II. Ritornello. Largo e staccato3:106Sonate Accademiche, Op. 2: Violin Sonata No. 10 in F major: III. Allegro moderato4:107Sonate Accademiche, Op. 2: Violin Sonata No. 11 in E major: I. Tempo giusto5:208Sonate Accademiche, Op. 2: Violin Sonata No. 11 in E major: II. Largo e nobile3:509Sonate Accademiche, Op. 2: Violin Sonata No. 11 in E major: III. Capriccio VIII. Allegro mo non presto4:2810Sonate Accademiche, Op. 2: Violin Sonata No. 11 in E major: IV. Menuet, affettuoso - Gavotta. Allegro - Menuet da capo3:5211Sonate Accademiche, Op. 2: Violin Sonata No. 12 in D minor: I. Passagallo. Largo assai e come stà, ma con grazia3:3612Sonate Accademiche, Op. 2: Violin Sonata No. 12 in D minor: II. Capriccio cromatico con due soggetti e loro Rovesci - Allegro ma non presto3:3013Sonate Accademiche, Op. 2: Violin Sonata No. 12 in D minor: III. Adagio1:4314Sonate Accademiche, Op. 2: Violin Sonata No. 12 in D minor: IV. Ciaccona. Allegro ma non presto5:49Complete Overtures and Concertos, Vol. 1
1995 · studio album
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Tracklist · 25 tracks · 1:11:13
1Overture no. 1 in B-flat major: I. Largo - Allegro - Largo - Allegro3:382Overture no. 1 in B-flat major: II. Gavotte (Allegro)1:403Overture no. 1 in B-flat major: III. Menuett3:044Overture no. 1 in B-flat major: IV. Sarabande3:165Overture no. 1 in B-flat major: V. Aire: Allegro2:056Overture no. 2 in F major: I. Largo - Allegro - Largo - Allegro3:487Overture no. 2 in F major: II. Gavotte5:108Overture no. 2 in F major: III. Sarabande2:589Overture no. 2 in F major: IV. Menuett4:2810Overture no. 2 in F major: V. Gigue3:4811Overture no. 2 in F major: VI. Menuett1:5312Overture no. 3 in B-flat major: I. Largo - Allegro3:0713Overture no. 3 in B-flat major: II. Aire (Allegro)3:4214Overture no. 3 in B-flat major: III. Allegro2:1815Overture no. 3 in B-flat major: IV. Sarabande1:2416Overture no. 3 in B-flat major: V. Gigue2:0217Overture no. 4 in F major: I. Largo - Allegro3:5118Overture no. 4 in F major: II. Gavotte (Allegro)1:0619Overture no. 4 in F major: III. Appoggiato4:0620Overture no. 4 in F major: IV. Gavotte & Rondeau: Allegro1:3721Overture no. 4 in F major: V. Gigue2:0222Overture no. 6 in B-flat major: I. Allegro3:4023Overture no. 6 in B-flat major: II. Largo2:0724Overture no. 6 in B-flat major: III. Allegro2:4325Overture no. 6 in B-flat major: IV. Menuett1:40Sonate a violino solo, e basso
1996 · studio album
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Tracklist · 16 tracks · 1:00:02
1Sonata Prima [sol mineur, opus I]: I. Overture (Largo - Allegro - Adagio)4:522Sonata Prima [sol mineur, opus I]: II. Aria (Affettuoso)4:233Sonata Prima [sol mineur, opus I]: III. Paesana (Allegro)1:424Sonata Prima [sol mineur, opus I]: IV. Minuet (Allegro)1:395Sonata Prima [sol mineur, opus I]: V. Giga «Il Postiglione» (Allegro)3:496Sonata VIII [mi mineur, opus II]: I. Allegro4:057Sonata VIII [mi mineur, opus II]: II. Ritornello (Largo, e Staccato - Cantabile)4:428Sonata VIII [mi mineur, opus II]: III. Giga (Allegro)2:279Sonata Sesta [mi mineur, opus I]: I. Fantasia (Largo - Allegro assai - Largo)4:1910Sonata Sesta [mi mineur, opus I]: II. Alemanda (Larghetto)4:3511Sonata Sesta [mi mineur, opus I]: III. Pastorale (Adagio)5:0212Sonata Sesta [mi mineur, opus I]: IV. Giga (Allegro)3:2613Sonata XII [ré mineur, opus II]: I. Passagallo (Largo assai e come sta, ma con grazia - Andante)4:0714Sonata XII [ré mineur, opus II]: II. Capriccio Cromatico (Allegro, ma non presto)3:1815Sonata XII [ré mineur, opus II]: III. Adagio1:4716Sonata XII [ré mineur, opus II]: IV. Ciaccona (Allegro, ma non Presto)5:49Complete Overtures and Concertos, Vol. 2
1999 · studio album
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Tracklist · 14 tracks · 58:50
1Concerto a otto stromenti in D major: I. Allegro moderato8:192Concerto a otto stromenti in D major: II. Largo3:083Concerto a otto stromenti in D major: III. Allegro moderato6:314Overture no. 5 in B-flat major: I. Largo - Allegro6:095Overture no. 5 in B-flat major: II. Menuet4:516Overture no. 5 in B-flat major: III. Gigue3:367Overture no. 5 in B-flat major: IV. Rigaudon2:058Concerto a cinque in A major: I. Allegro4:489Concerto a cinque in A major: II. Grave2:4410Concerto a cinque in A major: III. Presto4:5611Concerto a cinque in D major: I. Allegro3:1112Concerto a cinque in D major: II. Grave2:4413Concerto a cinque in D major: III. Presto2:1414Aria schiavona in B-flat major3:342000 · studio album
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Tracklist · 18 tracks · 1:05:33
1Ouverture nel Partenio: I.1:152Ouverture nel Partenio: II. Allegro assai2:223Ouverture nel Partenio: III. Contadina2:014Concerto a cinque A-Dur: I. Allegro3:155Concerto a cinque A-Dur: II. Largo3:306Concerto a cinque A-Dur: III. Allegro3:347Concerto a otto stromenti: I.8:358Concerto a otto stromenti: II. Largo4:059Concerto a otto stromenti: III.7:1510Concerto a cinque B-Dur: I. Allegro3:5911Concerto a cinque B-Dur: II. Largo3:2812Concerto a cinque B-Dur: III. Allegro3:5013Ouverture Nr. 2 F-Dur: Largo - Allegro - Largo - Allegro3:3814Ouverture Nr. 2 F-Dur: Gavotte (Allegro)4:3215Ouverture Nr. 2 F-Dur: Sarabande, Lento2:3716Ouverture Nr. 2 F-Dur: Menuett3:5817Ouverture Nr. 2 F-Dur: Gigue2:3718Ouverture Nr. 2 F-Dur: Menuett1:022005 · studio album
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Tracklist · 19 tracks · 1:01:44
1Sonate a violino solo e basso, op. 1: Sonata no. 1 in G minor: I. Overtura: Largo – Allegro5:402Sonate a violino solo e basso, op. 1: Sonata no. 1 in G minor: II. Aria: Affettuoso4:413Sonate a violino solo e basso, op. 1: Sonata no. 1 in G minor: III. Paesana: Allegro1:524Sonate a violino solo e basso, op. 1: Sonata no. 1 in G minor: IV. Minuet: Allegro1:205Sonate a violino solo e basso, op. 1: Sonata no. 1 in G minor: V. Giga “Postiglione”: Allegro4:356Sonate a violino, o flauto solo, e basso: Sonata no. 5 in C major: I. Largo2:187Sonate a violino, o flauto solo, e basso: Sonata no. 5 in C major: II. Allegro2:178Sonate a violino, o flauto solo, e basso: Sonata no. 5 in C major: III. Largo2:539Sonate a violino, o flauto solo, e basso: Sonata no. 5 in C major: IV. Allegro3:2310Dissertazioni sopra l’opera quinta del Corelli: Sonata no. 1 in D major: I. Grave – Allegro3:1211Dissertazioni sopra l’opera quinta del Corelli: Sonata no. 1 in D major: II. Allegro2:4212Dissertazioni sopra l’opera quinta del Corelli: Sonata no. 1 in D major: III. Allegro1:0213Dissertazioni sopra l’opera quinta del Corelli: Sonata no. 1 in D major: IV. Adagio2:5214Dissertazioni sopra l’opera quinta del Corelli: Sonata no. 1 in D major: V. Allegro2:1215Sonate accademiche, op. 2: Sonata no. 6 in A major: I. Siciliana: Larghetto3:0716Sonate accademiche, op. 2: Sonata no. 6 in A major: II. Capriccio: Allegro, e con affetto5:0217Sonate accademiche, op. 2: Sonata no. 6 in A major: III. Andante moderato3:2818Sonate accademiche, op. 2: Sonata no. 6 in A major: IV. Largo5:3819Sonate accademiche, op. 2: Sonata no. 6 in A major: V. Allegro assai3:30Dissertazioni sopra l’Opera Quinta del Corelli
2005 · studio album
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Tracklist · 30 tracks · 1:10:49
1Dissertazione I: Grave – Allegro – Adagio – Grave – Allegro3:262Dissertazione I: Allegro – Adagio2:503Dissertazione I: Allegro0:564Dissertazione I: Adagio3:225Dissertazione I: Allegro2:126Dissertazione II: Grave3:067Dissertazione II: Allegro – Fuga di cinque note – Adagio2:028Dissertazione II: Allegro – Vivace1:249Dissertazione II: Adagio2:3910Dissertazione II: Vivace1:5111Dissertazione III: Adagio2:5612Dissertazione III: Allegro2:4713Dissertazione III: Adagio4:0814Dissertazione III: Allegro0:4815Dissertazione III: Allegro2:5416Dissertazione IV: Adagio1:3217Dissertazione IV: Allegro – Adagio2:5318Dissertazione IV: Vivace1:2619Dissertazione IV: Adagio1:5620Dissertazione IV: Allegro2:5421Dissertazione V: Adagio2:5422Dissertazione V: Vivace2:2323Dissertazione V: Adagio2:2324Dissertazione V: Vivace2:0825Dissertazione V: Giga1:4426Dissertazione VI: Grave2:2627Dissertazione VI: Allegro – Adagio2:5328Dissertazione VI: Allegro0:5629Dissertazione VI: Largo2:5230Dissertazione VI: Allegro2:08XII Sonate a violino solo e basso, op. I
2005 · studio album
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Tracklist · 29 tracks · 1:07:36
1Sonata Prime in sol minore: I. Overtura. Largo - Allegro - Adagio1:012Sonata Prime in sol minore: I. Adagio - Allegro4:313Sonata Prime in sol minore: II. Aria. Affettuoso2:544Sonata Prime in sol minore: III. Paesana. Allegro1:035Sonata Prime in sol minore: IV. Minuet. Allegro0:536Sonata Prime in sol minore: V. Giga. Allegro2:487Sonata Seconda in La minore: I. Preludio. Adagio1:288Sonata Seconda in La minore: II. Allemanda. Larghetto2:099Sonata Seconda in La minore: III. Siciliana. Cantabile3:0610Sonata Seconda in La minore: IV. Grave0:2311Sonata Seconda in La minore: V. Aria. Allegro3:5112Sonata Terza in Si minore: I. Preludio. Largo2:5213Sonata Terza in Si minore: II. Allemanda. Larghetto3:3514Sonata Terza in Si minore: III. Largo. Cantabile1:2915Sonata Terza in Si minore: IV. Rondo. Allegro2:1716Sonata Quarta in Do minore: I. Preludio. Largo2:2617Sonata Quarta in Do minore: II. Allegro2:2618Sonata Quarta in Do minore: III. Sarabanda. Largo1:4519Sonata Quarta in Do minore: IV. Allegro3:1320Sonata Quinta in Re minore: I. Preludio. Andante2:5521Sonata Quinta in Re minore: II. Corrente. Allegro2:2222Sonata Quinta in Re minore: III. Aria. Cantabile2:1123Sonata Quinta in Re minore: IV. Giga. Allegro2:2524Sonata Sesta in Mi minore: I. Fantasia. Largo1:0625Sonata Sesta in Mi minore: II. Allegro assai2:2526Sonata Sesta in Mi minore: III. Largo1:2727Sonata Sesta in Mi minore: IV. Allemanda. Larghetto2:4928Sonata Sesta in Mi minore: V. Pastorale. Adagio2:3329Sonata Sesta in Mi minore: VI. Giga. Allegro3:13The Enigmatic Art of Antonio and Francesco Maria Veracini
2007 · studio album
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Tracklist · 26 tracks · 1:10:47
1Violin Sonata no. 1: I. Preludio3:092Sonate accademiche in G minor, op. 2, no. 5: I. Adagio assai4:303Sonate accademiche in G minor, op. 2, no. 5: II. Allegro assai4:424Sonate accademiche in G minor, op. 2, no. 5: III. Allegro assai2:165Sonata a 3, op. 1, no. 1: I. Grave1:366Sonata a 3, op. 1, no. 1: II. Vivace2:047Sonata a 3, op. 1, no. 1: III. Largo1:228Sonata a 3, op. 1, no. 1: IV. Allegro1:289Sonata da camera, op. 2, no. 3: I. Cantabile1:4310Sonata da camera, op. 2, no. 3: II. Vivace1:0711Sonata da camera, op. 2, no. 3: III. Largo1:3812Sonata da camera, op. 2, no. 3: IV. Aria: Largo2:4313Sonata da camera, op. 2, no. 3: V. Vivace2:1914Sonate accademiche in D minor, op. 2, no. 12: I. Passagallo: Largo assai3:5615Sonate accademiche in D minor, op. 2, no. 12: II. Allegro ma non presto2:4116Sonate accademiche in D minor, op. 2, no. 12: III. Adagio1:4817Sonate accademiche in D minor, op. 2, no. 12: IV. Ciaccona: Allegro ma non presto5:3418Violin Sonata in G minor, op. 1, no. 1 (arr. for recorder and continuo): I. Overtura4:4019Violin Sonata in G minor, op. 1, no. 1 (arr. for recorder and continuo): II. Aria: Affetuoso3:4220Violin Sonata in G minor, op. 1, no. 1 (arr. for recorder and continuo): III. Paesana: Allegro1:3421Violin Sonata in G minor, op. 1, no. 1 (arr. for recorder and continuo): IV. Minute: Allegro1:2522Violin Sonata in G minor, op. 1, no. 1 (arr. for recorder and continuo): V. Giga - Postiglione: Allegro3:4923Violin Sonata no. 1: I. Cantabile3:0324Violin Sonata no. 1: II. Andante2:2625Violin Sonata no. 1: III. Adagio2:1926Violin Sonata no. 1: IV. Allegro, ma affetuoso3:132008 · studio album
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Tracklist · 59 tracks · 2:30:40
Disc 11Sonata no. 1 in G minor: I. Overtura: Largo – Allegro – Adagio – Allegro1:012Sonata no. 1 in G minor: II. Adagio – Allegro4:313Sonata no. 1 in G minor: III. Aria: Affettuoso2:544Sonata no. 1 in G minor: IV. Paesana: Allegro1:045Sonata no. 1 in G minor: V. Minuet: Allegro0:536Sonata no. 1 in G minor: VI. Giga: Allegro2:497Sonata no. 2 in A minor: I. Preludio: Adagio1:288Sonata no. 2 in A minor: II. Allemanda: Larghetto2:099Sonata no. 2 in A minor: III. Siciliana: Cantabile3:0610Sonata no. 2 in A minor: IV. Grave0:2411Sonata no. 2 in A minor: V. Aria: Allegro3:5112Sonata no. 3 in B minor: I. Preludio: Largo2:5313Sonata no. 3 in B minor: II. Allemanda: Larghetto3:3514Sonata no. 3 in B minor: III. Largo: Cantabile1:2915Sonata no. 3 in B minor: IV. Rondò: Allegro2:1816Sonata no. 4 in C minor: I. Preludio: Largo2:2617Sonata no. 4 in C minor: II. Allegro2:2618Sonata no. 4 in C minor: III. Sarabanda: Largo1:4419Sonata no. 4 in C minor: IV. Allegro3:1420Sonata no. 5 in D minor: I. Preludio: Andante2:5421Sonata no. 5 in D minor: II. Corrente: Allegro2:2222Sonata no. 5 in D minor: III. Aria: Cantabile2:1123Sonata no. 5 in D minor: IV. Giga: Allegro2:2624Sonata no. 6 in E minor: I. Fantasia: Largo1:0725Sonata no. 6 in E minor: II. Allegro assai2:2526Sonata no. 6 in E minor: III. Largo1:2827Sonata no. 6 in E minor: IV. Allemanda: Larghetto2:5028Sonata no. 6 in E minor: V. Pastorale: Adagio2:3429Sonata no. 6 in E minor: VI. Giga: Allegro3:1230Sonata no. 7 in A-flat major: I. Cantabile2:1231Sonata no. 7 in A-flat major: II. Larghetto2:5532Sonata no. 7 in A-flat major: III. Allegro3:1933Sonata no. 7 in A-flat major: IV. Largo1:5334Sonata no. 7 in A-flat major: V. Allegro2:10Disc 21Sonata no. 8 in B-flat major: I. Largo2:402Sonata no. 8 in B-flat major: II. Allegro3:313Sonata no. 8 in B-flat major: III. Allegro1:504Sonata no. 8 in B-flat major: IV. Grave1:505Sonata no. 8 in B-flat major: V. Allegro3:496Sonata no. 9 in C major: I. Largo e staccato1:477Sonata no. 9 in C major: II. Allegro3:228Sonata no. 9 in C major: III. Vivace2:369Sonata no. 9 in C major: IV. Largo1:0210Sonata no. 9 in C major: V. Allegro4:0611Sonata no. 10 in D major: I. Largo2:3812Sonata no. 10 in D major: II. Allegro2:5313Sonata no. 10 in D major: III. Allegro1:3014Sonata no. 10 in D major: IV. Largo2:1515Sonata no. 10 in D major: V. Brillante2:3616Sonata no. 11 in E major: I. Cantabile1:4117Sonata no. 11 in E major: II. Allegro2:1318Sonata no. 11 in E major: III. Allegro0:5719Sonata no. 11 in E major: IV. Largo1:4420Sonata no. 11 in E major: V. Allegro3:0721Sonata no. 12 in F major: I. Cantabile2:0322Sonata no. 12 in F major: II. Larghetto3:0723Sonata no. 12 in F major: III. Aria: Affettuoso3:3924Sonata no. 12 in F major: IV. Aria: Cantabile4:5225Sonata no. 12 in F major: V. Capriccio: Allegro8:392009 · studio album
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Tracklist · 22 tracks · 59:16
1Overture VI in G minor: I. Allegro3:332Overture VI in G minor: II. Largo2:173Overture VI in G minor: III. Allegro2:484Overture VI in G minor: IV. Menuett1:525Sonata VI in A minor: I. Largo1:366Sonata VI in A minor: II. Allegro2:357Sonata VI in A minor: III. Allegro - Adagio - Allegro1:368Sonata VI in A minor: IV. Allegro3:009Violin Concerto in A major: I. Allegro3:5010Violin Concerto in A major: II. Gravo2:2311Violin Concerto in A major: III. Allegro2:5312Sonata VII in A major: I. Cantabile1:4013Sonata VII in A major: II. Larghetto2:0914Sonata VII in A major: III. Allegro2:5115Sonata VII in A major: IV. Largo2:0616Sonata VII in A major: V. Allegro2:0317Overture II in F major: I. Largo - Allegro - Largo - Allegro3:3618Overture II in F major: II. Gavotte4:1419Overture II in F major: III. Sarabande2:2420Overture II in F major: IV. Menuett3:4221Overture II in F major: V. Gigure3:3622Overture II in F major: VI. Menuett2:322010 · studio album
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Tracklist · 22 tracks · 1:12:20
1Sonata in D minor: I. Adagio3:172Sonata in D minor: II. Allegro3:483Sonata in D minor: III. Largo2:234Sonata in D minor: IV. Presto2:505Sonata duodecima in F major, op. 1 no. 12: I. Cantabile3:346Sonata duodecima in F major, op. 1 no. 12: II. Larghetto3:047Sonata duodecima in F major, op. 1 no. 12: III. Intermedio - Aria affettuoso4:348Sonata duodecima in F major, op. 1 no. 12: IV. Aria cantabile3:099Sonata duodecima in F major, op. 1 no. 12: V. Capriccio, Allegro8:3710Sonata in D minor: I. Andante3:0211Sonata in D minor: II. Allegro1:3212Sonata in D minor: III. Cantabile2:0213Sonata in D minor: IV. Allegro2:4314Sonata in A major, op.1 no. 7: I. Cantabile2:0915Sonata in A major, op.1 no. 7: II. Larghetto2:4016Sonata in A major, op.1 no. 7: III. Allegro2:5717Sonata in A major, op.1 no. 7: IV. Largo2:0618Sonata in A major, op.1 no. 7: V. Allegro2:0319Sonata Accademica in D minor, op. 2 no. 12: I. Passagallo - Largo assai e come sta, ma con grazia4:2920Sonata Accademica in D minor, op. 2 no. 12: II. Capriccio cromatico con due soggetti e loro rovesci3:0721Sonata Accademica in D minor, op. 2 no. 12: III. Adagio2:2822Sonata Accademica in D minor, op. 2 no. 12: IV. Ciacona5:462015 · studio album
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Tracklist · 49 tracks · 3:05:42
Disc 11Sonata no. 1 in D major: Toccata3:372Sonata no. 1 in D major: Capriccio Primo4:313Sonata no. 1 in D major: Allegro3:044Sonata no. 1 in D major: Epilogo della Toccata3:325Sonata no. 1 in D major: Capriccio Secondo3:186Sonata no. 2 in B-flat major: Polonese4:507Sonata no. 2 in B-flat major: Largo e staccato - Cantabile4:128Sonata no. 2 in B-flat major: Capriccio Terzo, con Due Soggetti3:119Sonata no. 2 in B-flat major: Aria Schiavona3:2010Sonata no. 2 in B-flat major: Giga1:0311Sonata no. 3 in C major: Ritornello3:5612Sonata no. 3 in C major: Largo, e nobile3:3813Sonata no. 3 in C major: Capriccio Quarto, con Tre Soggetti5:1014Sonata no. 3 in C major: Aria Rustica2:1515Sonata no. 4 in F major: Allegro3:2716Sonata no. 4 in F major: Cottillion, Capriccio Quinto4:2617Sonata no. 4 in F major: Largo2:4518Sonata no. 4 in F major: Menuet. 17113:34Disc 21Sonata no. 5 in G minor: Adagio assai3:422Sonata no. 5 in G minor: Capriccio VI, con Due Soggetti4:293Sonata no. 5 in G minor: Allegro assai2:374Sonata no. 5 in G minor: Giga3:315Sonata no. 6 in A major: Siciliana2:456Sonata no. 6 in A major: Capriccio VII4:257Sonata no. 6 in A major: Andante moderato5:368Sonata no. 6 in A major: Largo4:359Sonata no. 6 in A major: Allegro assai3:0610Sonata no. 7 in D minor: Entrata5:0411Sonata no. 7 in D minor: Allemanda3:3812Sonata no. 7 in D minor: Largo e Cantabile3:0413Sonata no. 7 in D minor: Giga3:4114Sonata no. 8 in E minor: Allegro5:0815Sonata no. 8 in E minor: Ritornello3:5716Sonata no. 8 in E minor: Giga3:31Disc 31Sonata no. 9 in A major: Allegro moderatamente5:152Sonata no. 9 in A major: Adagio0:243Sonata no. 9 in A major: Scozzese7:244Sonata no. 10 in F major: Allegro moderato6:145Sonata no. 10 in F major: Ritornello3:396Sonata no. 10 in F major: Allegro moderato3:147Sonata no. 11 in E minor: Tempo giusto4:468Sonata no. 11 in E minor: Largo e nobile4:069Sonata no. 11 in E minor: Capriccio VIII3:3610Sonata no. 11 in E minor: Menuet e Gavotta4:5111Sonata no. 12 in D minor: Passagallo3:1912Sonata no. 12 in D minor: Capriccio Cromatico con Due Soggetti, e Loro Rovesci veri etc.2:5713Sonata no. 12 in D minor: Adagio -1:3514Sonata no. 12 in D minor: Ciaccona4:5115Canone: Ut relevet miserum2:532019 · studio album
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Tracklist · 22 tracks · 56:17
1Overture I in B-flat major: I. Largo3:052Overture I in B-flat major: II. Allegro1:333Overture I in B-flat major: III. Menuet2:534Overture I in B-flat major: IV. Sarabande. Andante e staccato2:585Overture I in B-flat major: V. Aire. Allegro2:066Sonata I in G major: I. Overtura5:187Sonata I in G major: II. Aria. Affetuoso3:578Sonata I in G major: III. Paesana. Allegro1:449Sonata I in G major: IV. Minuet. Allegro1:1110Sonata I in G major: V. Giga. Allegro4:0311Violin Concerto in D major: I. Allegro1:4612Violin Concerto in D major: II. Grave2:3113Violin Concerto in D major: III. Presto1:1914Sonata V in C major: I. Largo2:1615Sonata V in C major: II. Allegro2:0316Sonata V in C major: III. Largo2:2317Sonata V in C major: IV. Allegro3:0518Overture III in B-flat major: I. Largo. Allegro2:4619Overture III in B-flat major: II. Aire. Allegro3:0820Overture III in B-flat major: III. Allegro2:1321Overture III in B-flat major: IV. Sarabande. Largo1:3922Overture III in B-flat major: V. Gigue2:202021 · studio album
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Tracklist · 17 tracks · 57:39
1Overture V in B-flat major: Largo, Allegro6:172Overture V in B-flat major: Menuet3:253Overture V in B-flat major: Gigue3:414Overture V in B-flat major: Rigadon1:205Sonata VI in E minor: Fantasia. Largo, Allegro assai, Largo5:416Sonata VI in E minor: Allemanda. Larghetto4:357Sonata VI in E minor: Pastorale. Adagio4:108Sonata VI in E minor: Giga. Allegro5:079Sonata III in D minor: Largo2:3410Sonata III in D minor: Allegro3:0611Sonata III in D minor: Largo2:4012Sonata III in D minor: Allegro3:2113Overture IV in F major: Largo, Allegro3:4514Overture IV in F major: Aire – Gavotte. Allegro1:0415Overture IV in F major: Appoggiato3:0816Overture IV in F major: Gavotte en rondeau1:4217Overture IV in F major: Gigue2:03Sonate a flauto solo e basso, vol. 1
2022 · studio album
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Tracklist · 24 tracks · 59:47
1Sonata prima: I. Largo e nobile1:452Sonata prima: II. Allegro1:563Sonata prima: III. Largo2:434Sonata prima: IV. Allegro3:545Sonata seconda: I. Largo2:196Sonata seconda: II. Allegro1:587Sonata seconda: III. Largo1:528Sonata seconda: IV. Allegro3:229Sonata terza: I. Largo2:3110Sonata terza: II. Allegro2:4211Sonata terza: III. Largo2:4012Sonata terza: IV. Allegro3:0913Sonata quarta: I. Largo e nobile2:1614Sonata quarta: II. Larghetto siciliana2:5815Sonata quarta: III. Largo1:4816Sonata quarta: IV. Allegro1:5517Sonata quinta: I. Largo2:2618Sonata quinta: II. Allegro2:0019Sonata quinta: III. Largo3:2520Sonata quinta: IV. Allegro2:4921Sonata sesta: I. Largo1:2722Sonata sesta: II. Allegro1:5723Sonata sesta: III. Allegro2:3224Sonata sesta: IV. Allegro3:23Sonate Accademiche - An Anthology
2025 · studio album
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Tracklist · 14 tracks · 1:05:23
1Sonata XII accademiche a Violino solo e Basso op. 2: I. Passagallo4:182Sonata XII accademiche a Violino solo e Basso op. 2: II. Capriccio cromatico3:103Sonata I accademiche a Violino solo e Basso op. 2: V. Capriccio secondo4:114Sonata IV accademiche a Violino solo e Basso op. 2: III. Largo3:345Sonata IV accademiche a Violino solo e Basso op. 2: IV. Menuet 17113:416Sonata III accademiche a Violino solo e Basso op. 2: I. Ritornello4:117Sonata III accademiche a Violino solo e Basso op. 2: II. Largo, e nobile3:428Sonata III accademiche a Violino solo e Basso op. 2: III. Capriccio quarto5:309Sonata VIII accademiche a Violino solo e Basso op. 2: I. Allegro5:3510Sonata VIII accademiche a Violino solo e Basso op. 2: II. Ritornello4:5311Sonata VIII accademiche a Violino solo e Basso op. 2: III. Giga3:4112Sonata XI accademiche a Violino solo e Basso op. 2: III. Capriccio4:1613Sonata IX accademiche a Violino solo e Basso op. 2: II. Scozzese6:5714Sonata XII accademiche a Violino solo e Basso op. 2: III. Adagio, Ciaccona7:44
Stats & PK
Percentile within all 23,672 published artists.Put Francesco Maria Veracini head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 24 | 85.8th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 22 | 87.8th |
| Studio albums | 22 | 97th |
| Awards recorded | 0 | 0th |
| Timeline events | 25 | 95.6th |
| Recording span (years) | -222 | 2.9th |
| Genres | 3 | 80.4th |
Awards & honours
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Veracini.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/11c6ae78-13e1-4785-9db5-474ac2e93538discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/11c6ae78-13e1-4785-9db5-474ac2e93538core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q713268genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q713268seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Francesco_Maria_Veracinibiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Francesco_Maria_Veracini
Why this artist is in the database
- List of composers by name
Tier rule: curated genre/region list
Image: Franz Ferdinand Richter · Public domain · Wikimedia Commons
Wikidata: Q713268 · MusicBrainz: 11c6ae78-13e1-4785-9db5-474ac2e93538
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