Photo: Leonard Berlin / E. Bieber · Public domain · credits
Tier 2 · legacy legendfull biography
Gustav Mahler
Person · male · Austrian Empire · Kaliště · born 1860 · died 1911 · recording since 1951
Austrian late-Romantic composer (1860–1911)
official homepagestreamingstreamingstreamingstreamingticketsdatabasedatabasedatabasedatabasedatabase
Listen on SpotifyYouTube Music
Also known as Gustavs Mālers · 구스타프 말러 · G. Mahler · G. Malher · Gutav Mahler · Mahler · +4 more
Timeline
243 events▣ Album 240◦ Birth 1† Death 1★ Debut release 1
1860s
1910s
1950s
· Debut release
Debut release: Kindertotenlieder
First documented Album in the MusicBrainz discography.
source: musicbrainz
1960s
1970s
· Album
Album: Symphony no. 5 In C-sharp minor / Lieder eines fahrenden Gesellen
Album
source: musicbrainz
· Album
Album: Bruckner: Symphonie Nr. 4 »Romantische« / Symphonie Nr. 6 / Mahler: Symphonie Nr. 1 »DerTitan« / Symphonie Nr. 9
Album
source: musicbrainz
· Album
Album: Gustav Mahler: Adagio Ze Symfonie Č. 10 / Arnold Schönberg: Zjasněná Noc
Album
source: musicbrainz
1980s
· Album
Album: Symphonic Excerpts Featuring Themes From Visconti’s Film ‘Death in Venice’
Album
source: musicbrainz
· Album
Album: »Welte-Mignon« Digital (Gespielt 1905-1914 / Aufgenommen 1985)
Album
source: musicbrainz
· Album
Album: Lieder eins fahrenden Gesellen / Kindertotenlider / 4 Rückert-Lieder
Album
source: musicbrainz
· Album
Album: Kindertotenlieder / 5 Rückertlieder / Lieder eines fahrenden Gesellen
Album
source: musicbrainz
· Album
Album: Symphonies no. 1 in B-flat, op. 38 “Spring” / No. 2 in C, op. 61
Album
source: musicbrainz
· Album
Album: Symphonies no. 3 in E-flat, op. 97 “Rhenish” / No. 4 in D minor, op. 120
Album
source: musicbrainz
1990s
· Album
Album: The Great Composers 20: Symphonic Excerpts Featuring Themes from Visconti's Film "Death In Venice"
Album
source: musicbrainz
· Album
Album: Schnittke: String Quartet no. 3 / Piano Quintet / Mahler/Schnittke: Piano Quartet
Album
source: musicbrainz
· Album
Album: Lieder eines fahrenden Gesellen / Kindertotenlieder / 5 Rueckert-Lieder
Album
source: musicbrainz
· Album
Album: Der Tod und das Mädchen / 5 German Dances and 7 Trios with Coda
Album
source: musicbrainz
· Album
Album: The Gustav Mahler Re-Orchestration of Beethoven Symphony no. 9
Album
source: musicbrainz
· Album
Album: Mahler: Symphonie no. 7 / Klemperer: Symphonie no. 2 / String Quartet no. 7
Album
source: musicbrainz
Biography
English biography9,704 words · 24 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1379399301
Biography
Gustav Mahler (German: [ˈɡʊstaf ˈmaːlɐ] ; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century.
Born in Bohemia in the village of Kaliště to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising importance in the opera houses of Europe, culminating in his appointment in 1897 as director of the Vienna Court Opera (Hofoper). During his ten years in Vienna, Mahler—who had converted to Catholicism to secure the post—experienced regular opposition and hostility from the anti-Semitic press. Nevertheless, his innovative productions and insistence on the highest performance standards ensured his reputation as one of the greatest of opera conductors, particularly as an interpreter of the stage works of Wagner, Mozart, and Tchaikovsky. Late in his life he was briefly director of New York's Metropolitan Opera and the New York Philharmonic.
Mahler's œuvre is relatively limited; for much of his life composing was necessarily a part-time activity while he earned his living as a conductor. Aside from early works such as a movement from a piano quartet composed when he was a student in Vienna, Mahler's works are generally designed for large orchestral forces, symphonic choruses and operatic soloists. These works were frequently controversial when first performed, and several were slow to receive critical and popular approval; exceptions included his Second Symphony, and the triumphant premiere of his Eighth Symphony in 1910. Some of Mahler's immediate musical successors included the composers of the Second Viennese School, notably Arnold Schoenberg, Alban Berg and Anton Webern. Dmitri Shostakovich and Benjamin Britten are among later 20th-century composers who admired and were influenced by Mahler. The International Gustav Mahler Society was established in 1955 to honour the composer's life and achievements.
Family background
The Mahler family came from eastern Bohemia, now in the Czech Republic, and were of humble circumstances—the composer's grandmother had been a street pedlar. Bohemia was then part of the Austrian Empire; the Mahler family belonged to a German-speaking minority among Bohemians, and was also Jewish. From this background the future composer developed early on a permanent sense of exile, "always an intruder, never welcomed". The pedlar's son Bernhard Mahler, the composer's father, elevated himself to the ranks of the petite bourgeoisie by becoming a coachman and later an innkeeper. He bought a modest house in the village of Kaliště (German: Kalischt), and in 1857 married Marie Herrmann, the 19-year-old daughter of a local soap manufacturer. In the following year Marie gave birth to the first of the couple's 14 children, a son named Isidor, who died in infancy. Two years later, on 7 July 1860, their second son, Gustav, was born.
Childhood
In December 1860, Bernhard Mahler moved with his wife and infant son to the city of Jihlava (German: Iglau), where Bernhard built up a successful distillery and tavern business. The family grew rapidly, but of the 12 children born to the family in the city, only six survived infancy. Jihlava was then a thriving commercial city of 20,000 people, in which Gustav was introduced to music through the street songs of the day, through dance tunes, folk melodies and the trumpet calls and marches of the local military band. All of these elements would later contribute to his mature musical vocabulary.
When he was four years old, Gustav discovered his grandparents' piano and took to it immediately. He developed his performing skills sufficiently to be considered a local Wunderkind and gave his first public performance at the town theatre when he was ten years old. Although Gustav loved making music, his school reports from the Jihlava Gymnasium portrayed him as absent-minded and unreliable in academic work. In 1871, in the hope of improving the boy's results, his father sent him to the New Town Gymnasium in Prague, but Gustav was unhappy there and soon returned to Jihlava. On 13 April 1875 he suffered a bitter personal loss when his younger brother Ernst (b. 18 March 1862) died after a long illness. Mahler sought to express his feelings in music: with the help of a friend, Josef Steiner, he began work on an opera, Herzog Ernst von Schwaben ("Duke Ernest of Swabia"), as a memorial to his lost brother. Neither the music nor the libretto of this work has survived.
Student days
Bernhard Mahler supported his son's ambitions for a music career, and agreed that the boy should try for a place at the Vienna Conservatory. The young Mahler was auditioned by the renowned pianist Julius Epstein, and accepted for 1875–76. He made good progress in his piano studies with Epstein and won prizes at the end of each of his first two years. For his final year, 1877–78, he concentrated on composition and harmony under Robert Fuchs and Franz Krenn. Few of Mahler's student compositions have survived; most were abandoned when he became dissatisfied with them. He destroyed a symphonic movement prepared for an end-of-term competition, after its scornful rejection by the autocratic director Joseph Hellmesberger on the grounds of copying errors. Mahler may have gained his first conducting experience with the Conservatory's student orchestra, in rehearsals and performances, although it appears that his main role in this orchestra was as a percussionist.
Among Mahler's fellow students at the Conservatory was the future song composer Hugo Wolf, with whom he formed a close friendship. Wolf was unable to submit to the strict disciplines of the Conservatory and was expelled. Mahler, while sometimes rebellious, avoided the same fate only by writing a penitent letter to Hellmesberger. He attended occasional lectures by Anton Bruckner and, though never formally his pupil, was influenced by him. On 16 December 1877, he attended the disastrous premiere of Bruckner's Third Symphony, at which the composer was shouted down, and most of the audience walked out. Mahler and other sympathetic students later prepared a piano version of the symphony, which they presented to Bruckner. Along with many music students of his generation, Mahler fell under the spell of Richard Wagner, though his chief interest was the sound of the music rather than the staging. It is not known whether he saw any of Wagner's operas during his student years.
Mahler left the conservatory in 1878 with a diploma but without the silver medal given for outstanding achievement. He then enrolled in the University of Vienna (he had, at his father's insistence, sat and with difficulty passed the Matura, a highly demanding final exam at a Gymnasium, which was a precondition for university studies) and followed courses which reflected his developing interests in literature and philosophy. After leaving the university in 1879, Mahler made some money as a piano teacher, continued to compose, and in 1880 finished a dramatic cantata, Das klagende Lied ("The Song of Lamentation"). This, his first substantial composition, shows traces of Wagnerian and Brucknerian influences, yet includes many musical elements which musicologist Deryck Cooke describes as "pure Mahler". Its first performance was delayed until 1901, when it was presented in a revised, shortened form.
Mahler developed interests in German philosophy, and was introduced by his friend Siegfried Lipiner to the works of Arthur Schopenhauer, Friedrich Nietzsche, Gustav Fechner and Hermann Lotze. These thinkers continued to influence Mahler and his music long after his student days were over. Mahler's biographer Jonathan Carr says that the composer's head was "not only full of the sound of Bohemian bands, trumpet calls and marches, Bruckner chorales and Schubert sonatas. It was also throbbing with the problems of philosophy and metaphysics he had thrashed out, above all, with Lipiner".
First appointments
From June to August 1880, Mahler took his first professional conducting job, in a small wooden theatre in the spa town of Bad Hall, south of Linz. The repertory was exclusively operetta; it was, in Carr's words "a dismal little job", which Mahler accepted only after Julius Epstein told him he would soon work his way up. In 1881, he was engaged for six months (September to April) at the Landestheater in Laibach (now Ljubljana, in Slovenia), where the small but resourceful company was prepared to attempt more ambitious works. Here, Mahler conducted his first full-scale opera, Verdi's Il trovatore, one of 10 operas and a number of operettas that he presented during his time in Laibach. After completing this engagement, Mahler returned to Vienna and worked part-time as chorus-master at the Vienna Carltheater.
From the beginning of January 1883, Mahler became conductor at the Royal Municipal Theatre in Olmütz (now Olomouc) in Moravia. He later wrote: "From the moment I crossed the threshold of the Olmütz theatre I felt like one awaiting the wrath of God." Despite poor relations with the orchestra, Mahler brought nine operas to the theatre, including Bizet's Carmen, and won over the press that had initially been sceptical of him. After a week's trial at the Royal Theatre in the Hessian town of Kassel, Mahler became the theatre's "Musical and Choral Director" from August 1883. The title concealed the reality that Mahler was subordinate to the theatre's Kapellmeister, Wilhelm Treiber, who disliked him (and vice versa) and set out to make his life miserable. Despite the unpleasant atmosphere, Mahler had moments of success at Kassel. He directed a performance of his favourite opera, Carl Maria von Weber's Der Freischütz, and 25 other operas. On 23 June 1884, he conducted his own incidental music to Joseph Victor von Scheffel's play Der Trompeter von Säckingen ("The Trumpeter of Säckingen"), the first professional public performance of a Mahler work. An ardent, but ultimately unfulfilled, love affair with soprano Johanna Richter led Mahler to write a series of love poems which became the text of his song cycle Lieder eines fahrenden Gesellen ("Songs of a Wayfarer").
In January 1884, the distinguished conductor Hans von Bülow brought the Meiningen Court Orchestra to Kassel and gave two concerts. Hoping to escape from his job in the theatre, Mahler unsuccessfully sought a post as Bülow's permanent assistant. However, in the following year his efforts to find new employment resulted in a six-year contract with the prestigious Leipzig Opera, to begin in August 1886. Unwilling to remain in Kassel for another year, Mahler resigned on 22 June 1885, and applied for, and through good fortune was offered, a standby appointment as conductor at the Royal Neues Deutsches Theater in Prague by the theatre's newly appointed director, the famous Angelo Neumann.
Prague and Leipzig
In Prague, the emergence of the Czech National Revival had increased the popularity and importance of the new Czech National Theatre, and had led to a downturn in the Neues Deutsches Theater's fortunes. Mahler's task was to help arrest this decline by offering high-quality productions of German opera. He enjoyed early success presenting works by Mozart and Wagner, composers with whom he would be particularly associated for the rest of his career, but his individualistic and increasingly autocratic conducting style led to friction, and a falling out with his more experienced fellow-conductor, Ludwig Slansky. During his 12 months in Prague he conducted 68 performances of 14 operas (12 titles were new in his repertory), and he also performed Beethoven's Ninth Symphony for the first time in his life. By the end of the season, in July 1886, Mahler left Prague to take up his post at the Neues Stadttheater in Leipzig, where rivalry with his senior colleague Arthur Nikisch began almost at once. This conflict was primarily over how the two should share conducting duties for the theatre's new production of Wagner's Ring cycle. Nikisch's illness, from February to April 1887, meant that Mahler took charge of the whole cycle (except Götterdämmerung), and scored a resounding public success. This did not, however, win him popularity with the orchestra, who resented his dictatorial manner and heavy rehearsal schedules.
In Leipzig, Mahler befriended Captain Carl von Weber (1849–1897), grandson of the composer, and agreed to prepare a performing version of Weber's unfinished opera Die drei Pintos ("The Three Pintos"). Mahler transcribed and orchestrated the existing musical sketches, used parts of other Weber works, and added some composition of his own. The premiere at the Stadttheater, on 20 January 1888, was an important occasion at which several heads of various German opera houses were present. (The Russian composer Tchaikovsky attended the third performance on 29 January.) The work was well-received; its success did much to raise Mahler's public profile, and brought him financial rewards. Mahler's involvement with the Weber family was complicated by Mahler's alleged romantic attachment to Carl von Weber's wife Marion Mathilde (1857–1931) which, though intense on both sides – so it was rumoured by for example English composer Ethel Smyth – ultimately came to nothing. In February and March 1888 Mahler sketched and completed his First Symphony, then in five movements. At around the same time Mahler discovered the German folk-poem collection Des Knaben Wunderhorn ("The Youth's Magic Horn"), which would dominate much of his compositional output for the following 12 years.
On 17 May 1888, Mahler suddenly resigned his Leipzig position after a dispute with the Stadttheater's chief stage manager, Albert Goldberg. However, Mahler had secretly been invited by Angelo Neumann in Prague (and accepted the offer) to conduct the premiere there of "his" Die drei Pintos, and later also a production of Der Barbier von Bagdad by Peter Cornelius. This short stay (July to September) ended unhappily, with Mahler's dismissal following his outburst during a rehearsal. However, through the efforts of an old Viennese friend, Guido Adler, and cellist David Popper, Mahler's name went forward as a potential director of the Royal Hungarian Opera in Budapest. He was interviewed, made a good impression, and was offered and accepted (with some reluctance) the post from 1 October 1888.
Apprentice composer
In the early years of Mahler's conducting career, composing was a spare time activity. Between his Laibach and Olmütz appointments he worked on settings of verses by Richard Leander and Tirso de Molina, later collected as Volume I of Lieder und Gesänge ("Songs and Airs"). Mahler's first orchestral song cycle, Lieder eines fahrenden Gesellen, composed at Kassel, was based on his own verses, although the first poem, "Wenn mein Schatz Hochzeit macht" ("When my love becomes a bride") closely follows the text of a Wunderhorn poem. The melodies for the second and fourth songs of the cycle were incorporated into the First Symphony, which Mahler finished in 1888, at the height of his relationship with Marion von Weber. The intensity of Mahler's feelings is reflected in the music, which originally was written as a five-movement symphonic poem with a descriptive programme. One of these movements, the "Blumine", later discarded, was based on a passage from his earlier work Der Trompeter von Säckingen. After completing the symphony, Mahler composed a 20-minute symphonic poem, Totenfeier "Funeral Rites", which later became the first movement of his Second Symphony.
There has been frequent speculation about lost or destroyed works from Mahler's early years. The Dutch conductor Willem Mengelberg believed that the First Symphony was too mature to be a first symphonic work, and must have had predecessors. In 1938, Mengelberg revealed the existence of the so-called "Dresden archive", a series of manuscripts in the possession of the widowed Marion von Weber. According to the Mahler historian Donald Mitchell, it was highly likely that important Mahler manuscripts of early symphonic works had been held in Dresden; this archive, if it existed, was almost certainly destroyed in the bombing of Dresden in 1945.
Royal Opera, Budapest
On arriving in Budapest in October 1888, Mahler encountered a cultural conflict between conservative Hungarian nationalists who favoured a policy of Magyarisation, and progressives who wanted to maintain and develop the country's Austro-German cultural traditions. In the opera house a dominant conservative caucus, led by the music director Sándor Erkel, had maintained a limited repertory of historical and folklore opera. By the time that Mahler began his duties, the progressive camp had gained ascendancy following the appointment of the liberal-minded Ferenc von Beniczky as intendant. Aware of the delicate situation, Mahler moved cautiously; he delayed his first appearance on the conductor's stand until January 1889, when he conducted Hungarian-language performances of Wagner's Das Rheingold and Die Walküre to initial public acclaim. However, his early successes faded when plans to stage the remainder of the Ring cycle and other German operas were frustrated by a renascent conservative faction which favoured a more traditional "Hungarian" programme. In search of non-German operas to extend the repertory, Mahler visited in spring 1890 Italy where among the works he discovered was Mascagni's recent sensation Cavalleria rusticana (Budapest premiere on 26 December 1890).
On 18 February 1889, Bernhard Mahler died; this was followed later in the year by the deaths both of Mahler's sister Leopoldine (27 September) and his mother (11 October). From October 1889 Mahler took charge of his four younger brothers and sisters (Alois, Otto, Justine, and Emma). They were installed in a rented flat in Vienna. Mahler himself suffered poor health, with attacks of haemorrhoids and migraine and a recurrent septic throat. Shortly after these family and health setbacks the premiere of the First Symphony, in Budapest on 20 November 1889, was a disappointment. The critic August Beer's lengthy newspaper review indicates that enthusiasm after the early movements degenerated into "audible opposition" after the Finale. Mahler was particularly distressed by the negative comments from his Vienna Conservatory contemporary, Viktor von Herzfeld, who had remarked that Mahler, like many conductors before him, had proved not to be a composer.
In 1891, Hungary's move to the political right was reflected in the opera house when Beniczky on 1 February was replaced as intendant by Count Géza Zichy, a conservative aristocrat determined to assume artistic control over Mahler's head. However, Mahler had foreseen that and had secretly been negotiating with Bernhard Pollini, the director of the Stadttheater Hamburg since summer and autumn of 1890, and a contract was finally signed in secrecy on 15 January 1891. Mahler more or less "forced" himself to be sacked from his Budapest post, and he succeeded on 14 March 1891. By his departure he received a large sum of indemnity. One of his final Budapest triumphs was a performance of Mozart's Don Giovanni (16 September 1890) which won him praise from Brahms, who was present at the performances on 16 December 1890. During his Budapest years Mahler's compositional output had been limited to a few songs from the Wunderhorn song settings that became Volumes II and III of Lieder und Gesänge, and amendments to the First Symphony.
Stadttheater Hamburg
Mahler's Hamburg post was as chief conductor, subordinate to the director, Bernhard Pohl (known as Pollini) who retained overall artistic control. Pollini was prepared to give Mahler considerable leeway if the conductor could provide commercial as well as artistic success. This Mahler did in his first season, when he conducted Wagner's Tristan und Isolde for the first time and gave acclaimed performances of the same composer's Tannhäuser and Siegfried. Another triumph was the German premiere of Tchaikovsky's Eugene Onegin, in the presence of the composer, who called Mahler's conducting "astounding", and later asserted in a letter that he believed Mahler was "positively a genius". Mahler's demanding rehearsal schedules led to predictable resentment from the singers and orchestra in whom, according to music writer Peter Franklin, the conductor "inspired hatred and respect in almost equal measure". He found support, however, from Hans von Bülow, who was in Hamburg as director of the city's subscription concerts. Bülow, who had spurned Mahler's approaches in Kassel, had come to admire the younger man's conducting style, and on Bülow's death in 1894 Mahler took over the direction of the concerts.
In the summer of 1892 Mahler took the Hamburg singers to London to participate in an eight-week season of German opera—his only visit to Britain. His conducting of Tristan enthralled the young composer Ralph Vaughan Williams, who "staggered home in a daze and could not sleep for two nights." However, Mahler refused further such invitations as he was anxious to reserve his summers for composing. In 1893 he acquired a retreat at Steinbach, on the banks of Lake Attersee in Upper Austria, and established a pattern that persisted for the rest of his life; summers would henceforth be dedicated to composition, at Steinbach or its successor retreats. Now firmly under the influence of the Wunderhorn folk-poem collection, Mahler produced a stream of song settings at Steinbach, and composed his Second and Third Symphonies there.
Performances of Mahler works were still comparatively rare (he had not composed very much). On 27 October 1893, at Hamburg's Konzerthaus Ludwig, Mahler conducted a revised version of his First Symphony; still in its original five-movement form, it was presented as a Tondichtung (tone poem) under the descriptive name "Titan". This concert also introduced six recent Wunderhorn settings. Mahler achieved his first relative success as a composer when the Second Symphony was well-received on its premiere in Berlin, under his own baton, on 13 December 1895. Mahler's conducting assistant Bruno Walter, who was present, said that "one may date [Mahler's] rise to fame as a composer from that day." That same year Mahler's private life had been disrupted by the suicide of his younger brother Otto on 6 February.
At the Stadttheater Mahler's repertory consisted of 66 operas of which 36 titles were new to him. During his six years in Hamburg, he conducted 744 performances, including the debuts of Verdi's Falstaff, Humperdinck's Hänsel und Gretel, and works by Smetana. However, he was forced to resign his post with the subscription concerts after poor financial returns and an ill-received interpretation of his re-scored Beethoven's Ninth Symphony. Already at an early age Mahler had made it clear that his ultimate goal was an appointment in Vienna, and from 1895 onward was manoeuvring, with the help of influential friends, to secure the directorship of the Vienna Hofoper. He overcame the bar that existed against the appointment of a Jew to this post by what may have been a pragmatic conversion to Catholicism in February 1897. Despite this event, Mahler has been described as a lifelong agnostic.
Hofoper director
As he waited for the Emperor's confirmation of his directorship, Mahler shared duties as a resident conductor with Joseph Hellmesberger Jr. (son of the former conservatory director) and Hans Richter, an internationally renowned interpreter of Wagner and the conductor of the original Ring cycle at Bayreuth in 1876. Director Wilhelm Jahn had not consulted Richter about Mahler's appointment; Mahler, sensitive to the situation, wrote Richter a complimentary letter expressing unswerving admiration for the older conductor. Subsequently, the two were rarely in agreement, but kept their divisions private.
Vienna, the imperial Habsburg capital, had recently elected an anti-Semitic conservative mayor, Karl Lueger, who had once proclaimed: "I myself decide who is a Jew and who isn't." In such a volatile political atmosphere Mahler needed an early demonstration of his German cultural credentials. He made his initial mark in May 1897 with much-praised performances of Wagner's Lohengrin and Mozart's Die Zauberflöte. Shortly after the Zauberflöte triumph, Mahler was forced to take sick leave for several weeks, during which he was nursed by his sister Justine and his long-time companion, the viola player Natalie Bauer-Lechner. Mahler returned to Vienna in late July to prepare for Vienna's first uncut version of the Ring cycle. This performance took place on 24–27 August, attracting critical praise and public enthusiasm. Mahler's friend Hugo Wolf told Bauer-Lechner that "for the first time I have heard the Ring as I have always dreamed of hearing it while reading the score".
On 8 October Mahler was formally appointed to succeed Jahn as the Hofoper's director. His first production in his new office was Smetana's Czech nationalist opera Dalibor, with a reconstituted finale that left the hero Dalibor alive. This production caused anger among the more extreme Viennese German nationalists, who accused Mahler of "fraternising with the anti-dynastic, inferior Czech nation." The Austrian author Stefan Zweig, in his memoirs The World of Yesterday (1942), described Mahler's appointment as an example of the Viennese public's general distrust of young artists: "Once, when an amazing exception occurred and Gustav Mahler was named director of the Court Opera at thirty-eight years old, a frightened murmur and astonishment ran through Vienna, because someone had entrusted the highest institute of art to 'such a young person' ... This suspicion—that all young people were 'not very reliable'—ran through all circles at that time." Zweig also wrote that "to have seen Gustav Mahler on the street [in Vienna] was an event that one would proudly report to his comrades the next morning as if it were a personal triumph." During Mahler's tenure a total of 33 new operas were introduced to the Hofoper; a further 55 were new or totally revamped productions. However, a proposal to stage Richard Strauss's controversial opera Salome in 1905 was rejected by the Viennese censors.
Early in 1902 Mahler met Alfred Roller, an artist and designer associated with the Vienna Secession movement. A year later, Mahler appointed him chief stage designer to the Hofoper, where Roller's debut was a new production of Tristan und Isolde. The collaboration between Mahler and Roller created more than 20 celebrated productions of, among other operas, Beethoven's Fidelio, Gluck's Iphigénie en Aulide and Mozart's Le nozze di Figaro. In the Figaro production, Mahler offended some purists by adding and composing a short recitative scene to Act III.
In spite of numerous theatrical triumphs, Mahler's Vienna years were rarely smooth; his battles with singers and the house administration continued on and off for the whole of his tenure. While Mahler's methods improved standards, his histrionic and dictatorial conducting style was resented by orchestra members and singers alike. In December 1903 Mahler faced a revolt by stagehands, whose demands for better conditions he rejected in the belief that extremists were manipulating his staff. The anti-Semitic elements in Viennese society, long opposed to Mahler's appointment, continued to attack him relentlessly, and in 1907 instituted a press campaign designed to drive him out. By that time he was at odds with the opera house's administration over the amount of time he was spending on his own music, and was preparing to leave. In May 1907 he began discussions with Heinrich Conried, director of the New York Metropolitan Opera, and on 21 June signed a contract, on very favourable terms, for four seasons' conducting in New York. At the end of the summer he submitted his resignation to the Hofoper, and on 15 October 1907 conducted Fidelio, his 645th and final performance there. During his ten years in Vienna, Mahler had brought new life to the opera house and cleared its debts, but had won few friends—it was said that he treated his musicians in the way a lion tamer treated his animals. His departing message to the company, which he pinned to a notice board, was later torn down and scattered over the floor. After conducting the Hofoper orchestra in a farewell concert performance of his Second Symphony on 24 November, Mahler left Vienna for New York in early December.
Philharmonic concerts
When Richter resigned as head of the Vienna Philharmonic subscription concerts in September 1898, the concerts committee had unanimously chosen Mahler as his successor. The appointment was not universally welcomed; the anti-Semitic press wondered if, as a non-German, Mahler would be capable of defending German music. Attendances rose sharply in Mahler's first season, but members of the orchestra were particularly resentful of his habit of re-scoring acknowledged masterpieces, and of his scheduling of extra rehearsals for works with which they were thoroughly familiar. An attempt by the orchestra to have Richter reinstated for the 1899 season failed, because Richter was not interested. Mahler's position was weakened when, in 1900, he took the orchestra to Paris to play at the Exposition Universelle. The Paris concerts were poorly attended and lost money—Mahler had to borrow the orchestra's fare home from the Rothschilds. In April 1901, dogged by a recurrence of ill-health and wearied by more complaints from the orchestra, Mahler relinquished the philharmonic concerts conductorship. In his three seasons he had performed around 80 different works, which included pieces by relatively unknown composers such as Hermann Goetz, Wilhelm Kienzl and the Italian Lorenzo Perosi.
Mature composer
The demands of his twin appointments in Vienna initially absorbed all Mahler's time and energy, but by 1899 he had resumed composing. The remaining Vienna years were to prove particularly fruitful. While working on some of the last of his Des Knaben Wunderhorn settings he started his Fourth Symphony, which he completed in 1900. By this time he had abandoned the composing hut at Steinbach and had acquired another, at Maiernigg on the shores of the Wörthersee in Carinthia, where he later built a villa. In this new venue Mahler embarked upon what is generally considered as his "middle" or post-Wunderhorn compositional period. Between 1901 and 1904 he wrote ten settings of poems by Friedrich Rückert, five of which were collected as Rückert-Lieder. The other five formed the song cycle Kindertotenlieder ("Songs on the Death of Children"). The trilogy of orchestral symphonies, the Fifth, the Sixth and the Seventh were composed at Maiernigg between 1901 and 1905, and the Eighth Symphony written there in 1906, in eight weeks of furious activity.
Within this same period Mahler's works began to be performed with increasing frequency. In April 1899 he conducted the Viennese premiere of his Second Symphony; 17 February 1901 saw the first public performance of his early work Das klagende Lied, in a revised two-part form. Later that year, in November, Mahler conducted the premiere of his Fourth Symphony, in Munich, and was on the rostrum for the first complete performance of the Third Symphony, at the Allgemeiner Deutscher Musikverein festival at Krefeld on 9 June 1902. Mahler "first nights" now became increasingly frequent musical events; he conducted the first performances of the Fifth and Sixth Symphonies at Cologne and Essen respectively, in 1904 and 1906. Four of the Rückert-Lieder, and Kindertotenlieder, were introduced in Vienna on 29 January 1905.
Marriage, family, tragedy
During his second season in Vienna, Mahler acquired a spacious modern apartment on the Auenbruggergasse and built a summer villa on land he had acquired next to his new composing studio at Maiernigg. In November 1901, he met Alma Schindler, the stepdaughter of painter Carl Moll, at a social gathering that included the theatre director Max Burckhard. Alma was not initially keen to meet Mahler, on account of "the scandals about him and every young woman who aspired to sing in opera." The two engaged in a lively disagreement about a ballet by Alexander von Zemlinsky (Alma was one of Zemlinsky's pupils), but agreed to meet at the Hofoper the following day. This meeting led to a rapid courtship; Mahler and Alma were married at a private ceremony on 9 March 1902. Alma was by then pregnant with her first child, a daughter Maria Anna, who was born on 3 November 1902. A second daughter, Anna, was born in 1904.
Friends of the couple were surprised by the marriage and dubious of its wisdom. Burckhard called Mahler "that rachitic degenerate Jew", unworthy for such a good-looking girl of good family. On the other hand, Mahler's family considered Alma to be flirtatious, unreliable, and too fond of seeing young men fall for her charms. Mahler was by nature moody and authoritarian—Natalie Bauer-Lechner, his earlier partner, said that living with him was "like being on a boat that is ceaselessly rocked to and fro by the waves." Alma soon became resentful because of Mahler's insistence that there could only be one composer in the family and that she had given up her music studies to accommodate him. "The role of composer, the worker's role, falls to me, yours is that of a loving companion and understanding partner ... I'm asking a very great deal – and I can and may do so because I know what I have to give and will give in exchange." She wrote in her diary: "How hard it is to be so mercilessly deprived of ... things closest to one's heart." Mahler's requirement that their married life be organized around his creative activities imposed strains, and precipitated rebellion on Alma's part; the marriage was nevertheless marked at times by expressions of considerable passion, particularly from Mahler.
In the summer of 1907 Mahler, exhausted from the effects of the campaign against him in Vienna, took his family to Maiernigg. Soon after their arrival both daughters fell ill with scarlet fever and diphtheria. Anna recovered, but after a fortnight's struggle Maria died on 12 July. Immediately following this devastating loss, Mahler learned that his heart was defective, a diagnosis subsequently confirmed by a Vienna specialist, who ordered a curtailment of all forms of vigorous exercise. The extent to which Mahler's condition disabled him is unclear; Alma wrote of it as a virtual death sentence, though Mahler himself, in a letter written to her on 30 August 1907, said that he would be able to live a normal life, apart from avoiding over-fatigue. The illness was, however, a further depressing factor. Mahler and his family left Maiernigg and spent the rest of the summer at Schluderbach. At the end of the summer the villa at Maiernigg was closed and never revisited.
New York
Mahler made his New York debut at the Metropolitan Opera on 1 January 1908, when he conducted Wagner's Tristan und Isolde. In a busy first season Mahler's performances were widely praised, especially his Fidelio on 20 March 1908, in which he insisted on using replicas that were at the time being made of Alfred Roller's Vienna sets. On his return to Austria for the summer of 1908, Mahler established himself in the third and last of his composing studios, in the pine forests close to Toblach in Tyrol. Here, using a text by Hans Bethge based on ancient Chinese poems, he composed Das Lied von der Erde ("The Song of the Earth"). Despite the symphonic nature of the work, Mahler refused to number it, hoping thereby to escape the "curse of the Ninth Symphony" that he believed had affected fellow-composers Beethoven, Schubert and Bruckner. On 19 September 1908 the premiere of the Seventh Symphony, in Prague, was deemed by Alma Mahler a critical rather than a popular success.
For its 1908–09 season the Metropolitan management brought in the Italian conductor Arturo Toscanini to share duties with Mahler, who made only 19 appearances in the entire season. One of these was a much-praised performance of Smetana's The Bartered Bride on 19 February 1909. In the early part of the season Mahler conducted three concerts with the New York Symphony Orchestra. This renewed experience of orchestral conducting inspired him to resign his position with the opera house and accept the conductorship of the re-formed New York Philharmonic. He continued to make occasional guest appearances at the Met, his last performance being Tchaikovsky's The Queen of Spades on 5 March 1910.
Back in Europe for the summer of 1909, Mahler worked on his Ninth Symphony and made a conducting tour of the Netherlands. The 1909–10 New York Philharmonic season was long and taxing; Mahler rehearsed and conducted 46 concerts, but his programmes were often too demanding for popular tastes. His own First Symphony, given its American debut on 16 December 1909, was one of the pieces that failed with critics and public, and the season ended with heavy financial losses. The highlight of Mahler's 1910 summer was the first performance of the Eighth Symphony at Munich on 12 September, the last of his works to be premiered in his lifetime. The occasion was a triumph—"easily Mahler's biggest lifetime success", according to Carr—but it was overshadowed by the composer's discovery, before the event, that Alma had begun an affair with the young architect Walter Gropius. Greatly distressed, Mahler sought advice from Sigmund Freud, and appeared to gain some comfort from his meeting with the psychoanalyst. One of Freud's observations was that much damage had been done by Mahler's insisting that Alma give up her composing. Mahler accepted this, and started to positively encourage her to write music, even editing, orchestrating and promoting some of her works. Alma agreed to remain with Mahler, although the relationship with Gropius continued surreptitiously. In a gesture of love, Mahler dedicated his Eighth Symphony to her.
Illness and death
In spite of the emotional distractions, during the summer of 1910 Mahler worked on his Tenth Symphony, completing the Adagio and drafting four more movements. He and Alma returned to New York in late October 1910, where Mahler threw himself into a busy philharmonic season of concerts and tours. Around Christmas 1910 he began suffering from a sore throat, which persisted. On 21 February 1911, with a temperature of 40 °C (104 °F), Mahler insisted on fulfilling an engagement at Carnegie Hall, with a program of mainly new Italian music, including the world premiere of Busoni's Berceuse élégiaque. This was Mahler's last concert. After weeks confined to bed he was diagnosed with bacterial endocarditis, a disease to which people with defective heart valves were particularly prone and which could be fatal. Mahler did not give up hope; he talked of resuming the concert season, and took a keen interest when one of Alma's compositions was sung at a public recital by the soprano Frances Alda, on 3 March. On 8 April the Mahler family and a permanent nurse left New York on board SS Amerika bound for Europe. They reached Paris ten days later, where Mahler entered a clinic at Neuilly, but there was no improvement; on 11 May he was taken by train to the Löw sanatorium in Vienna, where he developed pneumonia and slipped into a coma. Hundreds had come to the sanatorium during this brief period to show their admiration for the great composer. After receiving treatments of radium to reduce swelling on his legs and morphine for his general ailments, he died on 18 May, aged 50.
On 22 May 1911 Mahler was buried in the Grinzing cemetery, as he had requested, next to his daughter Maria. His tombstone was inscribed only with his name because "any who come to look for me will know who I was and the rest don't need to know." Alma, on doctors' orders, was absent, but among the mourners at a relatively pomp-free funeral were Arnold Schoenberg (whose wreath described Mahler as "the holy Gustav Mahler"), Bruno Walter, Alfred Roller, the Secessionist painter Gustav Klimt, and representatives from many of the great European opera houses. The New York Times, reporting Mahler's death, called him "one of the towering musical figures of his day", but discussed his symphonies mainly in terms of their duration, incidentally exaggerating the length of the Second Symphony to "two hours and forty minutes". In London, The Times obituary said his conducting was "more accomplished than that of any man save Richter", and that his symphonies were "undoubtedly interesting in their union of modern orchestral richness with a melodic simplicity that often approached banality", though it was too early to judge their ultimate worth.
Alma Mahler survived her husband by more than 50 years, dying in 1964. She married Walter Gropius in 1915, divorced him five years later, and married the writer Franz Werfel in 1929. In 1940 she published a memoir of her years with Mahler, entitled Gustav Mahler: Memories and Letters. This account was criticised by later biographers as incomplete, selective and self-serving, and for providing a distorted picture of Mahler's life. The composer's daughter Anna Mahler became a well-known sculptor; she died in 1988. The International Gustav Mahler Society was founded in 1955 in Vienna, with Bruno Walter as its first president and Alma Mahler as an honorary member. The society aims to create a complete critical edition of Mahler's works, and to commemorate all aspects of the composer's life.
Three creative periods
Deryck Cooke and other analysts have divided Mahler's composing life into three distinct phases: a long "first period", extending from Das klagende Lied in 1880 to the end of the Wunderhorn phase in 1901; a "middle period" of more concentrated composition ending with Mahler's departure for New York in 1907; and a brief "late period" of elegiac works before his death in 1911.
The main works of the first period are the first four symphonies, the Lieder eines fahrenden Gesellen song cycle and various song collections in which the Wunderhorn songs predominate. In this period songs and symphonies are closely related and the symphonic works are programmatic. Mahler initially gave the first three symphonies full descriptive programmes, all of which he later repudiated. He devised, but did not publish, titles for each of the movements for the Fourth Symphony; from these titles the German music critic Paul Bekker conjectured a programme in which Death appears in the Scherzo "in the friendly, legendary guise of the fiddler tempting his flock to follow him out of this world."
The middle period comprises a triptych of purely instrumental symphonies (the Fifth, Sixth and Seventh), the "Rückert" songs and the Kindertotenlieder, two final Wunderhorn settings and, in some reckonings, Mahler's last great affirmative statement, the choral Eighth Symphony. Cooke believes that the Eighth stands on its own, between the middle and final periods. Mahler had by now abandoned all explicit programmes and descriptive titles; he wanted to write "absolute" music that spoke for itself. Cooke refers to "a new granite-like hardness of orchestration" in the middle-period symphonies, while the songs have lost most of their folk character, and cease to fertilise the symphonies as explicitly as before.
The three works of the brief final period—Das Lied von der Erde, the Ninth and (incomplete) Tenth Symphonies—are expressions of personal experience, as Mahler faced death. Each of the pieces ends quietly, signifying that aspiration has now given way to resignation. Cooke considers these works to be a loving (rather than a bitter) farewell to life; the composer Alban Berg called the Ninth "the most marvellous thing that Mahler ever wrote". None of these final works were performed in Mahler's lifetime.
Antecedents and influences
Mahler was a "late Romantic", part of an ideal that placed Austro-German classical music on a higher plane than other types, through its supposed possession of particular spiritual and philosophical significance. He was one of the last major composers of a line which includes, among others, Beethoven, Schubert, Liszt, Wagner, Bruckner and Brahms. From these antecedents Mahler drew many of the features that were to characterise his music. Thus, from Beethoven's Ninth Symphony came the idea of using soloists and a choir within the symphonic genre. From Beethoven, Liszt and (from a different musical tradition) Berlioz came the concept of writing music with an inherent narrative or "programme", and of breaking away from the traditional four-movement symphony format. The examples of Wagner and Bruckner encouraged Mahler to extend the scale of his symphonic works well beyond the previously accepted standards, to embrace an entire world of feeling.
Early critics maintained that Mahler's adoption of many different styles to suit different expressions of feeling meant that he lacked a style of his own; Cooke on the other hand asserts that Mahler "redeemed any borrowings by imprinting his [own] personality on practically every note" to produce music of "outstanding originality." The music critic Harold Schonberg sees the essence of Mahler's music in the theme of struggle, in the tradition of Beethoven. However, according to Schonberg, Beethoven's struggles were those of "an indomitable and triumphant hero", whereas Mahler's are those of "a psychic weakling, a complaining adolescent who ... enjoyed his misery, wanting the whole world to see how he was suffering." Yet, Schonberg concedes, most of the symphonies contain sections in which Mahler the "deep thinker" is transcended by the splendour of Mahler the musician.
Genre
Except for his juvenilia, little of which has survived, Mahler composed only in the media of song and symphony, with a close and complex interrelationship between the two. Donald Mitchell writes that this interaction is the backcloth against which all Mahler's music can be considered. The initial connection between song and symphony occurs with the song cycle Lieder eines fahrenden Gesellen and the First Symphony. Although this early evidence of cross-fertilisation is important, it is during Mahler's extended Wunderhorn phase, in which his Second, Third and Fourth Symphonies were written, that the song and symphony genres are consistently intermingled. Themes from the Wunderhorn song Das himmlische Leben ("The Heavenly Life"), composed in 1892, became a key element in the Third Symphony completed in 1896; the song itself forms the finale to the Fourth (1900) and its melody is central to the whole composition. For the Second Symphony, written between 1888 and 1894, Mahler worked simultaneously on the Wunderhorn song, Des Antonius von Padua Fischpredigt ("The Sermon of St Anthony of Padua to the Fishes"), and on the Scherzo based on it which became the symphony's third movement. Another Wunderhorn setting from 1892, Urlicht ("Primal Light"), is used as the Second Symphony's fourth (penultimate) movement.
In Mahler's middle and late periods, the song–symphony relationship is less direct. However, musicologist Donald Mitchell notes specific relationships between the middle period songs and their contemporaneous symphonies—the second Kindertotenlieder song and the Adagietto from the Fifth Symphony, the last Kindertotenlieder song and the Sixth Symphony finale. Mahler's last work employing vocal and orchestral forces, Das Lied von der Erde, is subtitled "A Symphony ..."—Mitchell categorises it as a "song and symphony."
Style
The union of song and symphonic form in Mahler's music is, in Cooke's view, organic; "his songs flower naturally into symphonic movements, being already symphonic in cast." To Sibelius, Mahler expressed the belief that "The symphony must be like the world. It must embrace everything." True to this belief, Mahler drew material from many sources into his songs and symphonic works: bird calls and cow-bells to evoke nature and the countryside, bugle fanfares, street melodies and country dances to summon the lost world of his childhood. Life's struggles are represented in contrasting moods: the yearning for fulfilment by soaring melodies and chromatic harmony, suffering and despair by discord, distortion and grotesquerie. Amid all this is Mahler's particular hallmark—the constant intrusion of banality and absurdity into moments of deep seriousness, typified in the second movement of the Fifth Symphony when a trivial popular tune suddenly cuts into a solemn funeral march. The trite melody soon changes its character, and in due course re-emerges as one of the majestic Brucknerian chorales which Mahler uses to signify hope and the resolution of conflict. Mahler himself recognised the idiosyncrasies in his work, calling the Scherzo in the Third Symphony "the most farcical and at the same time the most tragic piece that ever existed ... It is as though all nature is making faces and sticking out its tongue."
The range of musical moods, Cooke maintains, comes from Mahler's "amazing orchestration" which, in the writer's view, defies analysis—"it speaks for itself." Franklin lists specific features which are basic to Mahler's style: extremes of volume, the use of off-stage ensembles, unconventional arrangement of orchestral forces, and frequent recourse to popular music and dance forms such as the ländler and the waltz. Musicologist Vladimír Karbusický maintains that the composer's Jewish roots had lasting effects on his creative output; he pinpoints the central part of the third movement of the First Symphony as the most characteristically "Yiddish" music in Mahler's work. The Czech composer-journalist Max Brod has also identified Jewish tunes and rhythms in Mahler's music.
A technical device much used by Mahler is that of "progressive tonality", which Deryck Cooke describes as "the procedure of resolving a symphonic conflict in a different key from that in which it was stated", and which is often used "to symbolise the gradual ascendancy of a certain value by progress from one key to another over the whole course of a symphony". This technique was also used by Mahler's Danish contemporary Carl Nielsen. Mahler first employed the device in an early song, Erinnerung ("Memory"), and thereafter used it freely in his symphonies. For example, the predominant key of the First Symphony is D major; at the beginning of the Finale, the "conflict" movement, the key switches to F minor, and only after a lengthy battle gets back to D, near the end. The Second Symphony begins in C minor and ends in E-flat. The movements of the Fifth Symphony progress successively from C-sharp minor to A minor, then D major, F major and finally to D major. The Sixth Symphony, unusually for Mahler, begins and ends in the same key, A minor, signifying that in this case the conflict is unresolved.
Early responses, 1889–1911
Mahler's friend Guido Adler calculated that at the time of the composer's death in 1911 there had been more than 260 performances of the symphonies in Europe, Russia and America, the Fourth Symphony with 61 performances given most frequently (Adler did not enumerate performances of the songs). In his lifetime, Mahler's works and their performances attracted wide interest, but rarely unqualified approval; for years after its 1889 premiere critics and public struggled to understand the First Symphony, described by one critic after an 1898 Dresden performance as "the dullest [symphonic] work the new epoch has produced". The Second Symphony was received more positively, one critic calling it "the most masterly work of its kind since Mendelssohn". Such generous praise was rare, particularly after Mahler's accession to the Vienna Hofoper directorship. His many enemies in the city used the anti-Semitic and conservative press to denigrate almost every performance of a Mahler work; thus the Third Symphony, a success in Krefeld in 1902, was treated in Vienna with critical scorn: "Anyone who has committed such a deed deserves a couple of years in prison."
A mix of enthusiasm, consternation and critical contempt became the normal response to new Mahler symphonies, although the songs were better received. After his Fourth and Fifth Symphonies failed to gain general public approval, Mahler was convinced that his Sixth would finally succeed. However, its reception was dominated by satirical comments on Mahler's unconventional percussion effects—the use of a wooden mallet, birch rods and a huge square bass drum. Viennese critic Heinrich Reinhardt dismissed the symphony as "Brass, lots of brass, incredibly much brass! Even more brass, nothing but brass!" The one unalloyed performance triumph within Mahler's lifetime was the premiere of the Eighth Symphony in Munich, on 12 September 1910, advertised by its promoters as the "Symphony of a Thousand". At its conclusion, applause and celebrations reportedly lasted for half an hour.
Relative neglect, 1911–1950
Performances of Mahler's works became less frequent after his death. In the Netherlands the advocacy of Willem Mengelberg ensured that Mahler remained popular there, and Mengelberg's engagement with the New York Philharmonic from 1922 to 1928 brought Mahler regularly to American audiences. However, much American critical reaction in the 1920s was negative, despite a spirited effort by the young composer Aaron Copland to present Mahler as a progressive, 30 years ahead of his time and infinitely more inventive than Richard Strauss. Earlier, in 1916, Leopold Stokowski had given the American premieres of the Eighth Symphony and Das Lied von der Erde in Philadelphia. The Eighth was a sensationally successful performance that was immediately taken to New York where it scored a further triumph.
An early proponent of Mahler's work in Britain was Adrian Boult, who as conductor of the City of Birmingham Orchestra performed the Fourth Symphony in 1926 and Das Lied von der Erde in 1930. The Hallé Orchestra brought Das Lied and the Ninth Symphony to Manchester in 1931; Sir Henry Wood staged the Eighth in London in 1930, and again in 1938 when the young Benjamin Britten found the performance "execrable" but was nevertheless impressed by the music. British critics during this period largely treated Mahler with condescension and faint praise. Thus Dyneley Hussey, writing in 1934, thought the "children's songs" were delightful, but that the symphonies should be let go. Composer-conductor Julius Harrison described Mahler's symphonies as "interesting at times, but laboriously put together" and as lacking creative spark. Bernard Shaw reported that the younger generation of the 1930s found Mahler (and Bruckner) "expensively second-class".
Before Mahler's music was banned as "degenerate" during the Nazi era, the symphonies and songs were played in the concert halls of Germany and Austria, often conducted by Bruno Walter or Mahler's younger assistant Otto Klemperer, and also by Willem Mengelberg. In Austria, Mahler's work experienced a brief renaissance between 1934 and 1938, a period known today as 'Austrofascism', when the authoritarian regime with the help of Alma Mahler and Bruno Walter, who were both on friendly terms with the new chancellor Kurt Schuschnigg, sought to make Mahler into a national icon (with a status comparable to that of Wagner in Germany). Mahler's music was performed during the Nazi era in Berlin in early 1941 and in Amsterdam during the German occupation of the Netherlands by Jewish orchestras and for Jewish audiences alone; works performed included the Second Symphony (Berlin), the First and Fourth Symphonies, and the Songs of a Wayfarer (Amsterdam).
Modern revival
According to American composer David Schiff, his compatriot Leonard Bernstein used to imply that he had single-handedly rescued Mahler from oblivion in 1960, after 50 years of neglect. Schiff points out that such neglect was only relative—far less than the (incomplete) disregard of Bach in the years after his death. Although Bernstein gave the Mahler revival further impetus, it was well under way before 1960, sustained by conductors such as Stokowski, Dimitri Mitropoulos and John Barbirolli, and by the long-time Mahler advocate Aaron Copland. Mahler himself predicted his place in history, once commenting: "Would that I could perform my symphonies for the first time 50 years after my death!"
Deryck Cooke argues that Mahler's popularity escalated when a new, postwar generation of music lovers arose, untainted by "the dated polemics of anti-romanticism" which had affected Mahler's reputation in the inter-war years. In this more-liberated age, enthusiasm for Mahler expanded even into places—Spain, France, Italy—which had long been resistant to him. Jonathan Carr's simpler explanation for the 1950s Mahler revival is that "it was the long-playing record [in the early 1950s] rather than the Zeitgeist which made a comprehensive breakthrough possible. Mahler's work became accessible and repeatable in the home." In the years following his centenary in 1960, Mahler rapidly became one of the most performed and most recorded of all composers, and has largely remained thus. In Britain and elsewhere, Carr notes, the extent of Mahler performances and recordings has replaced a relative famine with a glut, bringing problems of over-familiarity. Harold Schonberg comments that "it is hard to think of a composer who arouses equal loyalty", adding that "a response of anything short of rapture to the Mahler symphonies will bring [to the critic] long letters of furious denunciation."
In a letter to Alma dated 16 February 1902, Mahler wrote, with reference to Richard Strauss: "My day will come when his is ended. If only I might live to see it, with you at my side!" Carr observes that Mahler could conceivably have lived to see "his day"; his near-contemporary Richard Strauss survived until 1949, while Sibelius, just five years younger than Mahler, lived until 1957.
Later influence
Donald Mitchell writes that Mahler's influence on succeeding generations of composers is "a complete subject in itself". Mahler's first disciples included Arnold Schoenberg and his pupils Alban Berg and Anton Webern, who together founded the Second Viennese School. Mahler's music influenced the trio's move from progressive tonalism to atonality (music without a key); although Mahler rejected atonality, he became a fierce defender of the bold originality of Schoenberg's work. At the premiere of the latter's First String Quartet in February 1907, Mahler reportedly was held back from physically attacking the hecklers. Schoenberg's Serenade, Op. 24 (1923), Berg's Three Pieces for Orchestra (1915) and Webern's Six Pieces (1928) all carry echoes of Mahler's Seventh Symphony. Mahler has also influenced the film scores of John Williams and other Hollywood composers.
Among other composers whose work carries the influence of Mahler, Mitchell lists America's Aaron Copland, the German song and stage composer Kurt Weill, Italy's Luciano Berio, Russia's Dmitri Shostakovich and England's Benjamin Britten. The American composers Leonard Bernstein and Samuel Barber were also influenced by Mahler's work. In a 1989 interview the pianist-conductor Vladimir Ashkenazy said that the connection between Mahler and Shostakovich was "very strong and obvious"; their music represented "the individual versus the vices of the world." Mitchell highlights Britten's "marvellously keen, spare and independent writing for the wind in ... the first movement of the Cello Symphony of 1963 [which] clearly belongs to that order of dazzling transparency and instrumental emancipation which Mahler did so much to establish." Mitchell concludes with the statement: "Even were his own music not to survive, Mahler would still enjoy a substantial immortality in the music of these pre-eminent successors who have embraced his art and assimilated his techniques." A 2016 BBC Music Magazine survey of 151 conductors ranked three of his symphonies in the top ten symphonies of all time.
Memorials and museums
In Hamburg, the Gustav Mahler Museum is dedicated to Gustav Mahler's life and work. It is situated in the Composers Quarter. In Altschluderbach, near Toblach in South Tyrol, Italy, there remains a little museum and memorial in the former composer's hut of Mahler. It is situated in the animal park next to the Gustav Mahler Stube. The Stube formerly had a museum on the first floor. There, Mahler and his wife Alma resided from 1907 to 1910.
Two of the other composer's huts used by Mahler still exist; both are equipped as little museums. There is one composing hut at the Attersee, Upper Austria, and one at the Wörthersee in Carinthia. Mount Mahler in the Rocky Mountains of Colorado is named in honour of the composer.
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 152 | 99.9th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 252 | 99.6th |
| Studio albums | 247 | 99.9th |
| Awards recorded | 0 | 0th |
| Timeline events | 243 | 99.9th |
| Recording span (years) | -40 | 7.1th |
| Genres | 14 | 98.6th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (252 release groups · 247 studio albums)
Albums · 247
1951 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks
A1Kindertotenlieder: “Nun will die Sonn’ so hell aufgeh’n”A2Kindertotenlieder: “Nun seh’ ich wohl, warum so dunkle Flammen”A3Kindertotenlieder: “Wenn dein Mütterlein”B1Kindertotenlieder: “Oft denk’ ich, sie sind nur ausgegangen!”B2Kindertotenlieder: “In diesem Wetter, in diesem Braus”1952 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks
A1Symphony no. 4 in G major: First Movement: Bedächtig. Nicht eilenA2Symphony no. 4 in G major: Second Movement: In gemächlicher BewegungB1Symphony no. 4 in G major: Third Movement: RuhevollB2Symphony no. 4 in G major: Fourth Movement: Sehr behaglich1952 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:03:52
1Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde8:432Das Lied von der Erde: II. Der Einsame im Herbst9:483Das Lied von der Erde: III. Von der Jugend3:174Das Lied von der Erde: IV. Von der Schönheit6:535Das Lied von der Erde: V. Der Trunkene im Frühling4:456Das Lied von der Erde: VI. Der Abschied30:26Symphony no. 3 in D‐minor / Fourteen Youth Songs
1952 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:44:59
1Symphony no. 3 in D‐minor: I. Kräftig. Entschieden37:482Symphony no. 3 in D‐minor: II. Tempo di menuetto. Sehr mässig9:093Symphony no. 3 in D‐minor: III. Comodo. Scherzando. Ohne Hast17:584Symphony no. 3 in D‐minor: IV. Sehr langsam. Misteriso9:095Symphony no. 3 in D‐minor: V. Lustig im Tempo und keck im Ausdruck4:506Symphony no. 3 in D‐minor: VI. Langsam. Ruhevoll. Empfunden26:051954 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 47:45
A1Symphony No. 1 In D Major: Langsam12:30A2Symphony No. 1 In D Major: Kräftig bewegt6:25B1Symphony No. 1 In D Major: Feierlich und gemessen11:25B2Symphony No. 1 In D Major: Stümisch bewegt17:251954 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 47:45
A1Symphony no. 1 In D major, "Titan": I. Langsam12:30A2Symphony no. 1 In D major, "Titan": II. Kräftig bewegt6:25B1Symphony no. 1 In D major, "Titan": III. Feierlich und gemessen11:25B2Symphony no. 1 In D major, "Titan": IV. Stürmisch bewegt17:251954 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks
Disc 11Symphonie No. 8: 1st Mov. - Hymnus: Veni, creator spiritus2Symphonie No. 8: 2nd Mov. - Final scene from Goethe's "Faust" (Concl.)Disc 21Symphonie No. 8: 2nd Mov. - Final scene from Goethe's "Faust" (Beginn.)2Symphonie No. 8: 2nd Mov. - Final scene from Goethe's "Faust" (Contin.)1955 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks
Disc 1ASymphonie Nr. 6: 1. Satz: Allegro energico, ma non troppoDSymphonie Nr. 6: 4. Satz: Finale (Allegro moderato) (Schluss)Disc 2BSymphonie Nr. 6: 2. Satz: Andante moderatoC1Symphonie Nr. 6: 3. Satz: ScherzoC2Symphonie Nr. 6: 4. Satz: Finale (Allegro moderato)Kindertotenlieder / Lieder eines fahrenden Gesellen
1955 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 40:45
1Kindertotenlieder: 1. Nun will die Sonn' so hell aufgeh'n5:372Kindertotenlieder: 2. Nun seh' ich wohl, warum so dunkle Flammen4:453Kindertotenlieder: 3. Wenn dien Mütterlein tritt zur Tür herein5:024Kindertotenlieder: 4. Oft denk' ich, sie sind nur ausgegangen3:035Kindertotenlieder: 5. In diesem Wetter, in diesem Braus6:526Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht3:267Lieder eines fahrenden Gesellen: 2. Ging heut' morgen übers Feld4:088Lieder eines fahrenden Gesellen: 3. Ich hab' ein glühend Messer in meiner Brust3:019Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen von meinem Schatz4:511956 · studio album
Search SpotifySearch YouTube Music
Tracklist · 3 tracks · 14:48
1Three Rückert-Lieder: Ich bin der Welt abhanden gekommen5:352Three Rückert-Lieder: Ich atmet' einen linden Duft2:483Three Rückert-Lieder: Um Mitternacht6:251957 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 50:27
1Bedachtig15:283Ruhevoll18:072In Gemachlicher Bewegung Ohne Hast9:194Sehr Behaglich7:33Le Chant de la Terre / Lieder eines fahrenden Gesellen
1957 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:15:29
Disc 1A1Das Lied von der Erde: Das Trinklied vom Jammer der Erde8:34A2Das Lied von der Erde: Der Einsame im Herbst9:20A3Das Lied von der Erde: Von der Jugend3:01B1Das Lied von der Erde: Von der Schönheit6:46B2Das Lied von der Erde: Der Trunkene im Frühling4:10Disc 2A1Das Lied von der Erde: Der Abschied28:08B1Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht3:45B2Lieder eines fahrenden Gesellen: Ging heut’ Morgen über’s Feld3:50B3Lieder eines fahrenden Gesellen: Ich hab’ ein glühend Messer2:50B4Lieder eines fahrenden Gesellen: Die zwei blauen Augen5:05Symphony no. 2 in C minor “Resurrection”
1958 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks
Disc 1ASymphony no. 2 in C minor: I. Allegro MaestosoB1Symphony no. 2 in C minor: II. Andante moderatoB2Symphony no. 2 in C minor: III. In ruhig fliessender BewegungDisc 2C1Symphony no. 2 in C minor: IV. “Urlicht” Sehr feierlich, aber schlichtC2Symphony no. 2 in C minor: V. Im Tempo des Scherzos, Wild herausfahrend (beginning)DSymphony no. 2 in C minor: V. Im Tempo des Scherzos, Wild herausfahrend (conclusion)Symphony no. 5 in C‐sharp minor
1958 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:09:49
Disc 1ASymphony no. 5 in C‐sharp minor, Part I: I. Trauermarsch (Funeral March)12:57BSymphony no. 5 in C‐sharp minor, Part I: II. Stürmisch bewegt; mit großer Vehemenz (Stormily Agitated; With Great Vehemence)14:09Disc 2CSymphony no. 5 in C‐sharp minor, Part II: III. Scherzo: Kräftig, nicht zu schnell (Vigorously, Not Too Fast)18:18D1Symphony no. 5 in C‐sharp minor, Part III: IV. Adagietto: Sehr langsam (Very Slowly)7:35D2Symphony no. 5 in C‐sharp minor, Part III: V. Rondo Finale: Allegro16:50Kindertotenlieder / Lieder eines fahrenden Gesellen
1958 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks
A1Kindertotenlieder: No. 1. Nun will die Sonn' so hell aufgeh'nA2Kindertotenlieder: No. 2. Nun seh' ich wohl, warum so dunkle FlammenA3Kindertotenlieder: No. 3. Wenn dein MütterleinA4Kindertotenlieder: No. 4. Oft denk' ich, sie sind nur ausgegangenB1Kindertotenlieder: No. 5. In diesem WetterB2Lieder eines fahrenden Gesellen: No. 1. Wenn mein Schatz Hochzeit machtB3Lieder eines fahrenden Gesellen: No. 2. Ging heut' morgen übers FeldB4Lieder eines fahrenden Gesellen: No. 3. Ich hab' ein glühend MesserB5Lieder eines fahrenden Gesellen: No. 4. Die zwei blauen Augen1959 · studio album
Search SpotifySearch YouTube Music
Tracklist · 2 tracks
ADas klagende Lied: Part OneBDas klagende Lied: Part TwoKindertotenlieder, Lieder eines fahrenden Gesellen
1959 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks
A1Kindertotenlieder: Nun will die Sonn' so hell aufgeh'nA2Kindertotenlieder: Nun seh' ich wohl, warum so dunkle FlammenA3Kindertotenlieder: Wenn dein MütterleinA4Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangenA5Kindertotenlieder: In diesem WetterB1Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit machtB2Lieder eines fahrenden Gesellen: Ging heut' Morgen über FeldB3Lieder eines fahrenden Gesellen: Ich hab' ein glühend MesserB4Lieder eines fahrenden Gesellen: Die zwei blauen Augen1960 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:02:56
A1Das Lied Von Der Erde (Le Chant de la Terre): 1. La Chanson à boire des gueux8:40A2Das Lied Von Der Erde (Le Chant de la Terre): 2. Solitude en automne10:50A3Das Lied Von Der Erde (Le Chant de la Terre): 3. De la jeunesse3:27A4Das Lied Von Der Erde (Le Chant de la Terre): 4. De la beauté6:36B1Das Lied Von Der Erde (Le Chant de la Terre): 5. L'Enivré du printemps4:32B2Das Lied Von Der Erde (Le Chant de la Terre): 6. L'Adieu28:51Songs Of A Wayfarer / Kindertotenlieder
1960 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 41:58
1Songs of a Wayfarer: Wenn Mein Schatz Hochzeit Macht4:012Songs of a Wayfarer: Ging Heut' Morgen Ubers Feld4:233Songs of a Wayfarer: Ich Hab' Ein Gluhend Messer3:094Songs of a Wayfarer: Die Zwei Blauen Augen5:425Kindertotenlieder: Nun Will Die Sonn' So Hell Aufgeh'n5:176Kindertotenlieder: Nun Seh' Ich Wohl, Warum So Dunkle Flammen4:587Kindertotenlieder: Wenn Dein Mutterlein4:498Kindertotenlieder: Oft Denk' Ich, Sie Sind Nur Ausgegangen3:099Kindertotenlieder: In Diesem Wetter, in Diesem Braus6:301960 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:02:56
A1Le Chant de la Terre: Chanson à boire des Gueux8:40A2Le Chant de la Terre: Solitude en Automne10:50A3Le Chant de la Terre: De la Jeunesse3:27A4Le Chant de la Terre: De la Beauté6:36B1Le Chant de la Terre: L'Enivré du Printemps4:32B2Le Chant de la Terre: L'Adieu28:511960 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks
Disc 11Symphony Nr. 5: I. Abteilung 1. Satz: Trauermarsch. (in gemessenem Schritt. Streng. Wie ein Kondukt)2Symphony Nr. 5: I. Abteilung 2. Satz: Stürmisch bewegt. Mit grösster Vehemenz3Te Deum in C major: I. Te Deum. Allegro moderato.4Te Deum in C major: II. Te ergo. Moderato.5Te Deum in C major: III. Aeterna fac. Allegro. Moderato. Feierlich, mit Kraft.6Te Deum in C major: IVa. Salvum fac: Salvum fac. Moderato.7Te Deum in C major: IVb. Salvum fac: Per singulos dies benedicimus te. Allegro moderato.8Te Deum in C major: Va. In te, Domine, speravi. Mäßig bewegt.9Te Deum in C major: Vb. In te, Domine, speravi. Fuge. Im gleichen gemäßigten Tempo - Alla breve.Disc 21Symphony Nr. 5: II. Abteilung 3. Satz: Scherzo. (Kräftig, nicht zu schnell)2Symphony Nr. 5: III. Abteilung 4. Satz: Adagietto. (Sehr langsam)3Symphony Nr. 5: III. Abteilung 5. Satz: Rondo - Finale. (Allegro giocoso)1960 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks
1Symphony no. 4 in G: First Movement : Moderato non affrettare2Symphony no. 4 in G: Second Movement : Movimento con comodo; Senza fretta3Symphony no. 4 in G: Third Movement : Tranquillo4Symphony no. 4 in G: Fourth Movement : Molto piacevole1961 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:44:13
Disc 11Symphonie N° 3 en ré mineur: Première partie: Premier mouvement (début)28:402Symphonie N° 3 en ré mineur: Première partie: Premier mouvement (fin)8:503Symphonie N° 3 en ré mineur: Deuxième partie: Deuxième mouvement9:004Symphonie N° 3 en ré mineur: Deuxième partie: Troisième mouvement (début)10:35Disc 21Symphonie N° 3 en ré mineur: Deuxième partie: Troisième mouvement (fin)7:332Symphonie N° 3 en ré mineur: Deuxième partie: Quatrième mouvement9:003Symphonie N° 3 en ré mineur: Deuxième partie: Cinquième mouvement4:454Symphonie N° 3 en ré mineur: Deuxième partie: Sixième mouvement25:501961 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks
A1Das Lied von der Erde: Das Trinklied vom Jammer der ErdeA2Das Lied von der Erde: Der Einsame im HerbstA3Das Lied von der Erde: Von der JugendA4Das Lied von der Erde: Von der SchönheitA5Das Lied von der Erde: Der Trunkene im FrühlingB1Das Lied von der Erde: Der Abschied1962 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks
Disc 11Symphony no. 9 in D: 1st mov. Andante comodo2Symphony no. 9 in D: 4th mov. AdagioDisc 21Symphony no. 9 in D: 2nd mov. Im Tempo eines gemächlichen Ländlers2Symphony no. 9 in D: 3rd mov. Rondo; BurleskeDisc 31Two Portraits of Bruno Walter 1876—1962: A Talking Portrait: In Conversation with Arnold Michaelis2Two Portraits of Bruno Walter 1876—1962: A Working Portrait: Recording the Mahler Ninth Symphony1962 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 54:55
A1Symphony no. 4 in G major: I. Heiter, bedächtig. Nicht eilen17:57A2Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast9:58B1Symphony no. 4 in G major: III. Ruhevoll18:09B2Symphony no. 4 in G major: IV. Sehr behaglich8:511963 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks
Disc 1ASymphony No. 2 "Resurrection": I. Allegro maestosoB1Symphony No. 2 "Resurrection": II. Andante moderatoB2Symphony No. 2 "Resurrection": III. In ruhig fliessender BewegungDisc 2A1Symphony No. 2 "Resurrection": IV. Urlicht (Sehr feierlich aber schlicht)A2Symphony No. 2 "Resurrection": V. In Tempo des Scherzos. Wild herausfahrend (part 1)BSymphony No. 2 "Resurrection": V. In Tempo des Scherzos. Wild herausfahrend (part 2)Kindertotenlieder / Lieder eines fahrenden Gesellen
1963 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks
A1Kindertotenlieder: Nun will die Sonn’ hell aufgehnA2Kindertotenlieder: Nun seh ich wohl, warum so dunkle FlammenA3Kindertotenlieder: Wenn dein MütterleinA4Kindertotenlieder: Oft denk ich, sie sind nur ausgegangenA5Kindertotenlieder: In diesem WetterB1Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit machtB2Lieder eines fahrenden Gesellen: Ging heut’ Morgen über’s FeldB3Lieder eines fahrenden Gesellen: Ich hab’ ein glühend MesserB4Lieder eines fahrenden Gesellen: Die zwei blauen AugenB5Des Knaben Wunderhonr: Wo die schönen Trompeten blasen1963 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 58:44
A1Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde8:51A2Das Lied von der Erde: 2. Der Einsame im Herbst8:50A3Das Lied von der Erde: 3. Von der Jugend3:11A4Das Lied von der Erde: 4. Von der Schönheit6:29A5Das Lied von der Erde: 5. Der Trunkene im Frühling4:29B1Das Lied von der Erde: 6. Der Abschied26:541963 · studio album
Search SpotifySearch YouTube Music
Tracklist · 13 tracks · 52:25
A1Des Knaben Wunderhorn: Revelge (Réveil)6:25A2Des Knaben Wunderhorn: Das irdische Leben (La condition terrestre)3:05A3Des Knaben Wunderhorn: Lob des hohen Verstandes (Eloge du bon sens)2:27A4Des Knaben Wunderhorn: Rheinlegendchen (Petite légende rhénane)3:16A5Des Knaben Wunderhorn: Der Schildwache Nachtlied (Chant nocturne de la sentinelle)5:34A6Des Knaben Wunderhorn: Wer hat dies Leidlein erdacht ? (Qui a trouvé cette chanson ?)2:12A7Des Knaben Wunderhorn: Verlorne Müh' (Peine perdue)2:32B1Des Knaben Wunderhorn: Der Tamboursg'sell (Le petit tambour)5:13B2Des Knaben Wunderhorn: Trost im Unglück (Consolation dans le malheur)2:28B3Des Knaben Wunderhorn: Who die schönen Trompeten blasen (Là où sonnent les jolies trompettes)5:58B4Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt (Saint Antoine de Padoue prêche aux poissons)4:12B5Des Knaben Wunderhorn: Lied des Verfolgtem im Turm (Chant du persécuté dans la tour)3:56B6Des Knaben Wunderhorn: Urlicht (Lumière originelle)5:071963 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 53:05
1Symphony no. 1 in D minor “Titan”: I. Langsam. Schleppend15:152Symphony no. 1 in D minor “Titan”: II. Kräftig bewegt. Doch nicht zu schnell7:573Symphony no. 1 in D minor “Titan”: III. Feierlich und gemessen, ohne zu schleppen11:314Symphony no. 1 in D minor “Titan”: IV. Stürmisch bewegt18:22Kindertotenlieder / 4 Rückert-Lieder
1964 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 42:53
A1Kindertotenlieder: I. Nun will die Sonn' so hell aufgehn5:29A2Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen4:46A3Kindertotenlieder: III. Wenn dein Mütterlein tritt zur Tür herein4:28A4Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen!3:20A5Kindertotenlieder: V. In diesem Wetter, in diesem Braus6:41B1Rückert-Lieder: IV. Um Mitternacht hab' ich gewacht6:25B2Rückert-Lieder: II. Ich atmet' einen linden Duft3:07B3Rückert-Lieder: I. Blicke mir nicht in die Lieder!1:37B4Rückert-Lieder: III. Ich bin der Welt abhanden gekommen7:001966 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks
A1Des Knaben Wunderhorn: RevelgeA2Des Knaben Wunderhorn: RheinlegendchenA3Des Knaben Wunderhorn: Lied des Verfolgten im TurmA4Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht?A5Des Knaben Wunderhorn: Lob des hohen VerstandesA6Des Knaben Wunderhorn: Der Schwildwache NachtliedB1Des Knaben Wunderhorn: Wo die schönen Trompeten blasenB2Des Knaben Wunderhorn: Trost im UnglückB3Des Knaben Wunderhorn: Des Antonius von Padua FischpredigtB4Des Knaben Wunderhorn: Verlor’ne Müh’B5Des Knaben Wunderhorn: Das irdische LebenB6Des Knaben Wunderhorn: Der Tamboursg’sell1966 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:26:12
Disc 1A1Symphony no. 6 in A major: I. Allegro energico, ma non troppo18:25B2Symphony no. 6 in A major: II. Scherzo (Wuchtig)11:55B3Symphony no. 6 in A major: III. Andante14:59Disc 2C1Symphony no. 6 in A major: IV. Finale (Allegro moderato)28:33D1Le vin12:201966 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:10:17
Disc 1A1Symphony no. 10: I. Adagio21:44B1Symphony no. 10: II. Scherzo 1: Schnelle Vierteln11:19B2Symphony no. 10: III. Purgatorio: Allegretto Moderato4:11Disc 2C1Symphony no. 10: IV. Scherzo 2: Allegro Pesante11:27D1Symphony no. 10: V. Finale: Lento; Non Troppo; Allegro Moderato21:361967 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks
Disc 1ASymfonie Č. 9: I. Andante comodoBSymfonie Č. 9: IV. AdagioDisc 2CSymfonie Č. 9: II. Im Tempo eines gemächlichen LändlersDSymfonie Č. 9: III. Rondo. Burlesca1967 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:03:45
A1Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde8:03A2Das Lied von der Erde: II. Der Einsame im Herbst10:08A3Das Lied von der Erde: III. Von der Jugend3:42A4Das Lied von der Erde: IV. Von der Schönheit7:46B1Das Lied von der Erde: V. Der Trunkene im Frühling4:41B2Das Lied von der Erde: VI. Der Abschied29:251967 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 53:37
1Symphony no. 4: Bedachtig - Nicht eilen -Recht gemachlich16:332Symphony no. 4: In gemachlicher Bewegung8:413Symphony no. 4: Ruhevoll (Poco adagio)19:354Symphony no. 4: Sehr behaglich8:48Kindertotenlieder / Lieder eines fahrenden Gesellen
1967 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks
A1Lieder eines fahrenden Gesellen: Wein mein Schatz Hochzeit machtA2Lieder eines fahrenden Gesellen: Ging heut' morgen übers FeldA3Lieder eines fahrenden Gesellen: Ich hab ein glühend MesserA4Lieder eines fahrenden Gesellen: Die zwei blauen AugenA5Poème de Rückert: Ich bin der Welt abhanden gekommenB1Kindertotenlieder: Nun will die Sonn' so hell aufgeh'nB2Kindertotenlieder: Nun seh' ich wohl, warum so dunkle FlammenB3Kindertotenlieder: Wenn dein Mütterlein tritt zur Tür hereinB4Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangenB5Kindertotenlieder: In diesem Wetter, in diesem BrausMahler: Symphony no. 6 / Strauss: Metamorphosen
1968 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks
Disc 11Symphonie N° 6 en la mineur: I. Allegro energico, ma non troppo2Symphonie N° 6 en la mineur: II. Scherzo (wuchtig)3Symphonie N° 6 en la mineur: III. AndanteDisc 21Symphonie N° 6 en la mineur: IV. Finale (allegro moderato)2Métamorphoses (pour vingt-trois cordes solo)Symphonie Nr. 1 D-dur »Der Titan«
1968 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 50:03
A1Symphonie Nr. 1 D-dur: I. Langsam, schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich14:37A2Symphonie Nr. 1 D-dur: II. Kraftig bewegt, doch nicht zu schnell7:04B1Symphonie Nr. 1 D-dur: III. Feierlich und gemessen, ohne zu schleppen10:37B2Symphonie Nr. 1 D-dur: IV. Sturmisch bewegt17:451968 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 49:47
A1Lieder aus "Des Knaben Wunderhorn": Revelge7:06A2Lieder aus "Des Knaben Wunderhorn": Das irdische Leben2:46A3Lieder aus "Des Knaben Wunderhorn": Verlor'ne Müh2:29A4Lieder aus "Des Knaben Wunderhorn": Rheinlegendchen3:07A5Lieder aus "Des Knaben Wunderhorn": Der Tambourg'sell5:49A6Lieder aus "Des Knaben Wunderhorn": Der Schildwache Nachtlied6:13B1Lieder aus "Des Knaben Wunderhorn": Wer hat dies Liedlein erdacht2:01B2Lieder aus "Des Knaben Wunderhorn": Lob des hohen Verstandes2:48B3Lieder aus "Des Knaben Wunderhorn": Des Antonius von Padua Fischerpredigt4:01B4Lieder aus "Des Knaben Wunderhorn": Lied des Verfolgten im Turm3:43B5Lieder aus "Des Knaben Wunderhorn": Trost im Unglück2:13B6Lieder aus "Des Knaben Wunderhorn": Wo die schönen Trompeten blasen7:311968 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 51:50
A1Symphonie Nr. 4 G-Dur: 1. Bedächtig. Nicht eilen15:52A2Symphonie Nr. 4 G-Dur: 2. In gemächlicher Bewegung. Ohne Hast9:09B1Symphonie Nr. 4 G-Dur: 3. Ruhevoll18:48B2Symphonie Nr. 4 G-Dur: 4. Sehr behaglich8:011969 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks
Disc 1ASymphony no. 6 in A major: 1st Movt: Allegro energico, ma non troppo, heftig aber markigBSymphony no. 6 in A major: 2nd Movt: Scherzo (Wuchtig)Disc 2CSymphony no. 6 in A major: 3rd Movt: Andante moderatoDSymphony no. 6 in A major: 4th Movt: Finale (Allegro moderato)1969 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:34:04
Disc 1A1Symphony no. 5 in C-sharp minor: I. Trauermarsch, In gemessenem Schritt, Streng, Wie ein Konduckt13:48A2Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, Mit größter Vehemenz15:15BSymphony no. 5 in C-sharp minor: III. Scherzo, Kräftig, nicht zu schnell18:05Disc 2C1Symphony no. 5 in C-sharp minor: IV. Adagietto, Sehr langsam9:52C2Symphony no. 5 in C-sharp minor: V. Rondo - Finale, Allegro17:28D15 Rückertlieder: Blicke mir nicht in die Lieder!1:37D25 Rückertlieder: Ich atmet' einen linden Duft!2:42D35 Rückertlieder: Um Mitternacht5:55D45 Rückertlieder: Liebst du um Schönheit (orch. Max Puttmann)2:27D55 Rückertlieder: Ich bin der Welt abhanden gekommen6:551969 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks
A1Symphony no. 1 in D: Langsam, schleppend; im Angang sehr gemächlichA2Symphony no. 1 in D: Andante - Allegretto ("Blumine")A3Symphony no. 1 in D: Kräftig bewegt, doch nicht zu schnellB1Symphony no. 1 in D: Feierlich und gemessen, ohne zu schleppenB2Symphony no. 1 in D: Stürmisch bewegt1969 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks
Disc 11Sinfonie Nr. 9 D-dur: 1. Andante comodoDisc 21Sinfonie Nr. 9 D-dur: 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derbDisc 31Sinfonie Nr. 9 D-dur: 3. Rondo. Burleske: Allegro assai. Sehr trotzigDisc 41Sinfonie Nr. 9 D-dur: 4. AdagioFour Last Songs / Three Rückert Songs
1969 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks
A1Four Last Songs (Vier Letzte Lieder): Beim SchlafengehenA2Four Last Songs (Vier Letzte Lieder): SeptemberA3Four Last Songs (Vier Letzte Lieder): FrühlingA4Four Last Songs (Vier Letzte Lieder): Im AbendrotB1Three Rückert Songs: Ich Bin Der Welt Abhenden GekommenB2Three Rückert Songs: Ich Atmet' Einen Linden DuftB3Three Rückert Songs: Um Mitternacht1969 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 56:52
A1Symphony no. 1 in D major: I. Langsam, schleppend, wie ein Naturlaut16:40A2Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell8:01B1Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen9:57B2Symphony no. 1 in D major: IV. Stürmisch bewegt22:14Symphonie Nr. 2 »Auferstehung«
1969 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:16:32
Disc 1ASymphony No. 2 in C-minor: I. Allegro maestoso19:40B1Symphony No. 2 in C-minor: II. Andande moderato10:35B2Symphony No. 2 in C-minor: III. In ruhig fließender Bewegung10:12Disc 2C1Symphony No. 2 in C-minor: IV. "Urlicht" (Alto solo from "Des Knaben Wunderhorn")4:57C2Symphony No. 2 in C-minor: V. (1st part): Im Tempo des Scherzos: Wild herausfahrend - Allegro energico12:14DSymphony No. 2 in C-minor: V. (2nd part): Langsam. Misteriso18:541970 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 49:38
1Symphony no. 1 in D major: I. Langsam. Schleppend13:272Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell8:103Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen10:374Symphony no. 1 in D major: IV. Stürmisch bewegt17:241970 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 1:37:25
Disc 1A1Symphony no. 3 in D minor: I. Kräftig. Entschieden28:27B1Symphony no. 3 in D minor: I. Kräftig. Entschieden (Schluss)5:06B2Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr mässig9:11Disc 2C1Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast18:31C2Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso8:31D1Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck4:46D2Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden22:53Symphonie No. 7 - Kindertotenlieder
1971 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:44:10
Disc 11Symphony No. 7: Langsam (Adagio) - Allegro Risoluto, Ma Non Troppo19:402Symphony No. 7: Nachtmusik. Allegro Moderato14:473Symphony No. 7: Scherzo. Schattenhaft9:544Symphony No. 7: Nachtmusik. Andante Amoroso17:355Symphony No. 7: Rondo-Finale. Tempo I (Allegro Ordinario) - Tempo II (Allegro Moderato Ma Energico)18:17Disc 2D1Nun Will Die Sonn' So Hell Aufgehn (Langsam Und Schwermütig; Nicht Schleppend)5:22D2Nun Seh' Ich Wohl, Warum So Dunkle Flammen (Ruhig, Nicht Schleppend)4:38D3Wenn Dein Mütterlein (Schwer, Dumpf)4:20D4Oft Denk' Ich, Sie Sind Nur Ausgegangen (Ruhig Bewegt, Ohne Zu Eilen)3:13D5In Diesem Wetter, in Diesem Braus (Mit Ruhelos Schmerzvollem Ausdruck)6:24Symphonie Nr. 5 / Lieder eines fahrenden Gesellen
1971 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 1:24:11
Disc 1A1Symphonie Nr. 5 cis-Moll, erste Abteilung: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt11:35A2Symphonie Nr. 5 cis-Moll, erste Abteilung: II. Stürmisch bewegt. Mit größter Vehemenz13:52BSymphonie Nr. 5 cis-Moll, zweite Abteilung: III. Scherzo. Kräftig, nicht zu schnell17:23Disc 2C1Symphonie Nr. 5 cis-Moll, dritte Abteilung: IV. Adagietto. Sehr langsam – attacca:9:44C2Symphonie Nr. 5 cis-Moll, dritte Abteilung: V. Rondo-Finale. Allegro15:29D1Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht3:51D2Lieder eines fahrenden Gesellen: II. Ging heut' morgens übers Feld3:59D3Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer3:10D4Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen5:081971 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 56:42
1Symphonie N° 1 en Ré majeur « Titan »: I. Langsam - Schleppend — Wie ein Naturlaut16:402Symphonie N° 1 en Ré majeur « Titan »: II. Kräftig bewegt, doch nicht zu schnell7:553Symphonie N° 1 en Ré majeur « Titan »: III. Feierlich und gemessen, ohne zu schleppen11:204Symphonie N° 1 en Ré majeur « Titan »: IV. Stürmisch bewegt20:471971 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:35:21
Disc 1A1Symphony no. 5: 1. Trauermarsch (In Gemessenem Schritt. Streng. 1. Wie Ein Kondukt - Plötzlich Schneller. Leidenschaftlich. Wild - Tempo I)12:15A2Symphony no. 5: 2. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito14:06B1Symphony no. 5: 3. Scherzo (Kräftig, Nicht Zu Schnell)18:00Disc 2C1Symphony no. 5: 4. Adagietto (Sehr Langsam)10:38C2Symphony no. 5: 5. Rondo-Finale (Allegro)15:49D1Symphony no. 10 in F-sharp: Antante - Adagio24:33Symphony no. 8 in E-flat “Symphony of a Thousand”
1971 · studio album
Search SpotifySearch YouTube Music
Tracklist · 21 tracks · 1:15:40
1Symphony no. 8 in E-flat major, “Symphony of a Thousand”: I. Hymnus “Veni, Creator Spiritus”: a. Veni, creator spiritus1:242Symphony no. 8 in E-flat major, “Symphony of a Thousand”: I. Hymnus “Veni, Creator Spiritus”: b. Imple superna gratia3:013Symphony no. 8 in E-flat major, “Symphony of a Thousand”: I. Hymnus “Veni, Creator Spiritus”: c. Infirma nostri corporis3:374Symphony no. 8 in E-flat major, “Symphony of a Thousand”: I. Hymnus “Veni, Creator Spiritus”: d. Infirma nostri corporis2:535Symphony no. 8 in E-flat major, “Symphony of a Thousand”: I. Hymnus “Veni, Creator Spiritus”: e. Accende lumen sensibus5:416Symphony no. 8 in E-flat major, “Symphony of a Thousand”: I. Hymnus “Veni, Creator Spiritus”: f. Qui Paraclitus diceris2:297Symphony no. 8 in E-flat major, “Symphony of a Thousand”: I. Hymnus “Veni, Creator Spiritus”: g. Gloria Patri Domino3:238Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from “Faust II”: a. Poco adagio5:059Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from “Faust II”: b. Più mosso - Allegro moderato3:0010Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from “Faust II”: c. Waldung, sie schwenkt heran3:2311Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from “Faust II”: d. Ewiger Wonnebrand1:2312Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from “Faust II”: e. Wie Felsenabgrund4:3513Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from “Faust II”: f. Gerettet ist das edle Glied1:0414Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from “Faust II”: g. Jene Rosen, aus den Händen2:1415Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from “Faust II”: h. Uns bleibt ein Erdenrest1:5216Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from “Faust II”: i. Ich spür' soeben5:4517Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from “Faust II”: j. Dir, der Underührbaren3:3418Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from “Faust II”: k. Bei der Liebe6:0019Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from “Faust II”: l. Er uberwächst uns schon4:2520Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from “Faust II”: m. Blicket auf zum Retterblick5:4521Symphony no. 8 in E-flat major, “Symphony of a Thousand”: II. Final Scene from “Faust II”: n. Alles Vergängliche5:071972 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 56:14
A1Symphony no. 1 in D major: 1. Langsam. Schleppend16:25A2Symphony no. 1 in D major: 2. Kräftig bewegt8:00B1Symphony no. 1 in D major: 3. Feierlich und gemessen, ohne zu schleppen11:25B2Symphony no. 1 in D major: 4. Stürmisch bewegt20:24Symphony no. 9 / Lieder eines fahrenden Gesellen
1973 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:35:05
Disc 1A1Symphony no. 9 in D: 1st movement: Andante comodo28:46B1Symphony no. 9 in D: 2nd movement: Im Tempo eines gemächlichen Ländlers17:21B2Symphony no. 9 in D: 3rd movement: Rondo: Burleske12:46Disc 2C1Symphony no. 9 in D: 4th movement: Adagio20:44D1Lieder Eines Fahrenden Gesellen15:281973 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks
Disc 1ASinfonie Nr. 10 Fis‐dur: AdagioBSinfonie Nr. 10 Fis‐dur: Scherzo IDisc 2C1Sinfonie Nr. 10 Fis‐dur: PurgatorioC2Sinfonie Nr. 10 Fis‐dur: Scherzo IIDSinfonie Nr. 10 Fis‐dur: Finale1973 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:09:56
Disc 1ASymphony no. 9: I. Andante commodo24:49BSymphony no. 9: II. Im Tempo eines gemächlichen Ländlers15:34Disc 2CSymphony no. 9: III. Rondo. Burleske. Allegro11:17DSymphony no. 9: IV. Adagio18:16Symphony no. 5 In C-sharp minor / Lieder eines fahrenden Gesellen
1974 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks
Disc 1A1Symphony no. 5 In C-sharp minor: 1st Movement: Trauermarsch. In gemessenem Schritt. Streng. Wie ein KonduktA2Symphony no. 5 In C-sharp minor: 2nd Movement: Stürmisch Bewegt, Mit grösster VehemenzB1Symphony no. 5 In C-sharp minor: 3rd Movement: Scherzo. Kräftig, nicht zu schnellDisc 2C1Symphony no. 5 In C-sharp minor: 4th Movement: Adagietto. Sehr langsamC2Symphony no. 5 In C-sharp minor: 5th Movement: Rondo - Finale. AllegroD1Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit machtD2Lieder eines fahrenden Gesellen: Ging heut’ morgen übers Feld"D3Lieder eines fahrenden Gesellen: Ich hab’ ein glühend MesserD4Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz1975 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 57:39
A1Symphonie Nr. 4 G-Dur: 1. Bedächtig. Nicht eilen16:41A2Symphonie Nr. 4 G-Dur: 2. In gemächlicher Bewegung. Ohne Hast9:41B1Symphonie Nr. 4 G-Dur: 3. Ruhevoll (Poco adagio)22:05B2Symphonie Nr. 4 G-Dur: 4. Sehr behaglich (Gedicht aus "Des Knaben Wunderhorn")9:121975 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:05:39
A1Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde8:24A2Das Lied von der Erde: II. Der Einsame im Herbst10:32A3Das Lied von der Erde: III. Von der Jugend3:15A4Das Lied von der Erde: IV. Von der Schönheit7:40B1Das Lied von der Erde: V. Der Trunkene im Frühling4:32B2Das Lied von der Erde: VI: Der Abschied31:161975 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 23:10
Disc 1Side 1Symphony no. 6 in A minor: Allegro energico, ma non troppo. Heftig, aber markig23:10Side2.1Symphony no. 6 in A minor: Scherzo. WuchtigSide 2.2Symphony no. 6 in A minor: Andante moderatoDisc 2Side 3Symphony no. 6 in A minor: Finale. Allegro moderato (first part)Side 4.1Symphony no. 6 in A minor: Finale. Allegro Moderato (concluded)Side 4.2Jascha Horenstein reminisces to Alan Blyth1976 · studio album
Search SpotifySearch YouTube Music
Tracklist · 16 tracks · 1:18:58
Disc 1A1Symphonie Nr. 4 Es-Dur »Romantische«: Bewegt, nicht zu schnellA2Symphonie Nr. 4 Es-Dur »Romantische«: Andante quasi AllegrettoB1Symphonie Nr. 4 Es-Dur »Romantische«: Scherzo: Bewegt, Trio: Nicht zu schnell, keinesfalls schleppendB2Symphonie Nr. 4 Es-Dur »Romantische«: Finale: Bewegt, doch nicht zu schnellDisc 2C1Symphonie Nr. 6 A-dur: MajestosoC2Symphonie Nr. 6 A-dur: Adagio: Sehr feierlichD1Symphonie Nr. 6 A-dur: Scherzo: Nicht zu schnell, Trio: LangsamD2Symphonie Nr. 6 A-dur: Finale: Bewegt, doch nicht zu schnellDisc 3E1Symphonie Nr. 1 D-dur »Der Titan«: Langsam, schleppend: im Anfang sehr gemächlichE2Symphonie Nr. 1 D-dur »Der Titan«: Kräftig bewegt, doch nicht zu schnellF1Symphonie Nr. 1 D-dur »Der Titan«: Feierlich und gemessen, ohne zu schleppenF2Symphonie Nr. 1 D-dur »Der Titan«: Stürmisch bewegtDisc 4G1Symphonie Nr. 9 D-moll: Andante comodo27:20H1Symphonie Nr. 9 D-moll: Im Tempo eines gemächlichen Ländlers Etwas täppisch und sehr derb14:50Disc 5I1Symphonie Nr. 9 D-moll: Rondo - Burleske - Allegro assai - Sehr trotzig12:40J1Symphonie Nr. 9 D-moll: Adagio. Sehr langsam und noch zurückhaltend24:08Lieder aus "Des Knaben Wunderhorn" & mehr
1976 · studio album
Search SpotifySearch YouTube Music
Tracklist · 19 tracks · 1:09:14
1Ablösung im Sommer1:432Rheinlegendchen3:353Der Tamboursg'sell5:464Der Schildwache Nachtlied5:555Das irdische Leben2:366Des Antonius von Padua Fischpredigt4:007Nicht wiedersehen4:588Scheiden und Meiden2:459Wo die sch.nen Trompeten blasen7:0210Revelge6:3311Zu Straßburg auf der Schanz4:0712Lied des Verfolgten im Turm4:0013Wer hat dies Liedlein erdacht2:1414Um schlimme Kinder artig zu machen1:4815Selbstgefühl2:2616Frühlingsmorgen2:3317Blicke mir nicht in die Lieder1:4318Ich atmet' einen linden Duft2:5019Phantasie aus "Don Juan"2:401977 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 53:18
Disc 11Symphony no. 1 in D: 1st mvt. Langsam; Schleppend13:472Symphony no. 1 in D: 2nd mvt. Kräftig bewegt8:163Symphony no. 1 in D: 3rd mvt. Feierlich und gemessen, ohne zu schleppen7:30Disc 21Symphony no. 1 in D: 3rd mvt. (continued). Feierlich und gemessen, ohne zu schleppen3:132Symphony no. 1 in D: 4th mvt. Stürmisch bewegt20:321977 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:28:30
1Andante Comodo31:532Im Tempo Eines Gemachlichen Landlers17:123Rondo-Burleske- Allegro Assai13:574Adagio Sehr Langsam Und Noch Zurückhaltend25:28Gustav Mahler: Adagio Ze Symfonie Č. 10 / Arnold Schönberg: Zjasněná Noc
1977 · studio album
Search SpotifySearch YouTube Music
Tracklist · 2 tracks · 53:40
1Zjasněná Noc (Verklärte Nacht), Op. 4 Podle Básně Richarda Dehmela (Verze Pro Smyčcový Orchestr) 3131:002Adagio Ze Symfonie Č. 1022:401977 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:41:15
Disc 11Symphonie n° 1 en ré majeur "Titan": I. Langsam. Schleppend (Im Anfang sehr gemächlich)14:282Symphonie n° 1 en ré majeur "Titan": II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich6:543Symphonie n° 1 en ré majeur "Titan": III. Feierlich und gemessen, ohne zu schleppen, attaca10:364Symphonie n° 1 en ré majeur "Titan": IV. Stürmisch bewegt17:36Disc 21Symphonie n° 4 en sol majeur: I. Bedächtig. Nicht eilen15:482Symphonie n° 4 en sol majeur: II. In gemächlicher Bewegung. Ohne Hast9:053Symphonie n° 4 en sol majeur: III. Ruhevoll18:504Symphonie n° 4 en sol majeur: IV. Sehr behaglich. "Wir geniessen die himmlischen Freuden"7:581978 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks
Disc 1ASymphony no. 9 In D: Andante comodoDisc 2BSymphony no. 9 In D: Im Tempo eines gemächlichen Landlers. Etwas täppisch und sehr derbDisc 3CSymphony no. 9 In D: Rondo-Burleske - Allegro assai. Sehr trotzigDisc 4DSymphony no. 9 In D: AdagioSymphony no. 5 / Symphony no. 10 – Adagio
1979 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks
Disc 1A1Symphony no. 5: I. Trauermarsch (Im gemessenem Schritt - Streng - Wie ein Kondukt)A2Symphony no. 5: II. Stürmisch bewegt, mit grösster VehemenzB1Symphony no. 5: III. Scherzo (Kräftig, nicht zu schnell)Disc 2C1Symphony no. 5: IV. Adagietto (Sehr langsam)C2Symphony no. 5: V. Rondo - Finale (Allegro)D1Symphony no. 10: AdagioLevine conducts Mahler: Symphony no. 5
1979 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks
1Symphonie no. 5: I. Trauermarsch: In gemessenem Schritt. Streng. Wie ein Kondukt2Symphonie no. 5: II. Stürmisch bewegt, mit grösster vehemenz3Symphonie no. 5: III. Scherzo : Kräftig, nicht zu schnell4Symphonie no. 5: IV. Adagietto : Sehr langsam5Symphonie no. 5: V. Rondo – Finale: AllegroLieder eines fahrenden Gesellen / Rückertlieder / 2 Lieder
1979 · studio album
Search SpotifySearch YouTube Music
Tracklist · 11 tracks · 40:47
A1Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht3:42A2Lieder eines fahrenden Gesellen: Ging heut' Morgen übers Feld4:18A3Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer3:20A4Lieder eines fahrenden Gesellen: Die zwei blauen Augen5:27A5Des Knaben Wunderhorn: Rheinlegendchen2:58A6Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht2:02B1Rückert Lieder: 'Ich atmet' einen linden Duft'2:18B2Rückert Lieder: 'Liebst du um Schönheit'2:31B3Rückert Lieder: Um Mitternacht6:08B4Rückert Lieder: Blicke mir nicht in die Lieder1:40B5Rückert Lieder: Ich bin der Welt abhanden gekommen6:231979 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:00:11
1Symphonie Nr. 4 G-Dur: I. Bedächtig. Nicht eilen17:342Symphonie Nr. 4 G-Dur: II. In gemächlicher Bewegung. Ohne Hast9:433Symphonie Nr. 4 G-Dur: III. Ruhevoll22:464Symphonie Nr. 4 G-Dur: IV. Sehr behaglich10:081979 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:31:54
Disc 11Symphony no. 9 in D major: I. Andante comodo29:412Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb18:02Disc 21Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig14:192Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend29:52Kindertotenlieder / Lieder eines fahrenden Gesellen
1980 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 41:30
A1Kindertotenlieder: Nun will die Sonn’ so hell aufgeh’n5:44A2Kindertotenlieder: Nun seh’ ich wohl, warum so dunkle Flammen4:54A3Kindertotenlieder: Wenn dein Mütterlein4:40A4Kindertotenlieder: Oft denk’ ich, sie sind nur ausgegangen2:54A5Kindertotenlieder: In diesem Wetter6:52B1Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht4:02B2Lieder eines fahrenden Gesellen: Ging heut’ morgen über’s Feld4:38B3Lieder eines fahrenden Gesellen: Ich hab’ ein glühend Messer2:50B4Lieder eines fahrenden Gesellen: Die zwei blauen Augen4:561980 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 1:38:07
Disc 1A1Symphony no. 3 in D minor: I. Kräftig. Entschieden (Beginning)28:30B1Symphony no. 3 in D minor: I. Kräftig. Entschieden (Conclusion)4:40B2Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr mäßig10:51Disc 2C1Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast18:56C2Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus PPP10:03D1Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck4:17D2Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden20:501980 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 54:09
1Symphonie N° 1 en ré majeur "Titan": 1. Langsam. Schleppend. Wie ein Naturlaut / Im Anfgang sehr gemächlich15:402Symphonie N° 1 en ré majeur "Titan": 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich7:283Symphonie N° 1 en ré majeur "Titan": 3. Feierlich und gemessen, ohne zu schleppen11:104Symphonie N° 1 en ré majeur "Titan": 4. Stürmisch bewegt19:511980 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks
Disc 1A1Symphony no. 10: 1st Movement: AdagioB1Symphony no. 10: 2nd Movement: ScherzoB2Symphony no. 10: 3rd Movement: Purgatorio (Allegro moderato)Disc 2C1Symphony no. 10: 4th Movement: ScherzoD1Symphony no. 10: 5th Movement: Finale1981 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks
1Sinfonia n. 4 in sol maggiore: I. Bedachtig, nicht eilend2Sinfonia n. 4 in sol maggiore: II. In gemachlicher bewegung3Sinfonia n. 4 in sol maggiore: III. Ruhevoll (Poco adagio)4Sinfonia n. 4 in sol maggiore: IV. Sehr behaglich1981 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 20:25
A1Sinfonia no. 1 In Re Maggiore "Il Titano": I. Langsam schleppend12:30A2Sinfonia no. 1 In Re Maggiore "Il Titano": II. Kräftig bewegt7:55B1Sinfonia no. 1 In Re Maggiore "Il Titano": III. Feierlich und gemessen, ohne zu schleppenB2Sinfonia no. 1 In Re Maggiore "Il Titano": IV. Stürmisch bewegt1981 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:09:35
1Sinfonia no. 5 in Do diesis minore: Trauermarsch (In gemessenem Schritt)1:09:352Sinfonia no. 5 in Do diesis minore: Stürmisch bewegt3Sinfonia no. 5 in Do diesis minore: Scherzo (Kräftig, nicht zu schnell)4Sinfonia no. 5 in Do diesis minore: Scherzo (Kräftig, nicht zu schnell) conclusione5Sinfonia no. 5 in Do diesis minore: Adagietto (Sehr langsam)6Sinfonia no. 5 in Do diesis minore: Rondò - Finale (Allegro)1981 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 50:11
A1Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich15:04A2Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich7:08A3Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen6:48B1Symphony no. 1 in D major "Titan": III. Wieder etwas bewegter. Wie im Anfang (conclusion)3:11B2Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt18:00Symphony no. 8 "Symphony of a Thousand"
1981 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks
Disc 1A1Symphonie No. 8: I. Hymnus "Veni, Creator Spiritus"B1Symphonie No. 8: II. Schlusszene Aus Goethes Faust - AnfangDisc 2A1Symphonie No. 8: III. Schlusszene Aus Goethes Faust - SuiteB1Symphonie No. 8: IV. Schlusszene Aus Goethes Faust - SchlußMahler: Symphony No.1 In D Major
1982 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 53:09
A1Symphony no. 1 in D: 1st mvt. Langsam; Schleppend13:23A2Symphony no. 1 in D: 2nd mvt. Kräftig bewegt8:30A3Symphony no. 1 in D: 3rd mvt. Feierlich und gemessen, ohne zu schleppen8:17B1Symphony no. 1 in D: 3rd mvt. (continued). Feierlich und gemessen, ohne zu schleppen3:11B2Symphony no. 1 in D: 4th mvt. Stürmisch bewegt19:481982 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:05:34
A1Das Lied von der Erde: Das Trinklied vom Jammer der Erde8:49A2Das Lied von der Erde: Der Einsam im Herbst10:06A3Das Lied von der Erde: Von der Jugend3:20A4Das Lied von der Erde: Von der Schönheit7:15A5Das Lied von der Erde: Der Trunkene im Fruhling4:21B1Das Lied von der Erde: Der Abschied31:431982 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 54:02
A1Symphonie Nr. 1 D‐Dur: I. Langsam. Schleppend. Wie ein Naturlaut – Im Anfang sehr gemächlich16:15A2Symphonie Nr. 1 D‐Dur: II. Kräftig bewegt, doch nicht zu schnell – Trio. Recht gemächlich7:11B1Symphonie Nr. 1 D‐Dur: III. Feierlich und gemessen, ohne zu schleppen10:52B2Symphonie Nr. 1 D‐Dur: IV. Stürmisch bewegt19:44Симфония №6 / Четыре песни на слова Ф. Рюккерта
1982 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:28:41
Disc 1A1Симфония №6 ля минор: Allegro energico, ma non troppo. Heftig, aber markig21:07B1Симфония №6 ля минор: Scherzo. Wuchtig11:43B2Симфония №6 ля минор: Andante moderato11:35Disc 2C1Симфония №6 ля минор: Finale. Allegro moderato. Allegro energico26:30D1Четыре песни на слова Ф. Рюккерта: В полночь6:18D2Четыре песни на слова Ф. Рюккерта: Я вдыхал нежный аромат3:03D3Четыре песни на слова Ф. Рюккерта: Не заглядывай в мои песни1:33D4Четыре песни на слова Ф. Рюккерта: Я потерян для мира6:52Symphony no. 7 in E minor (“Song of the Night”)
1982 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:20:25
Disc 11Symphony no. 7 in E minor (“Song of the Night”): I. Langsam; Allegro21:392Symphony no. 7 in E minor (“Song of the Night”): II. Nachtmusik I: Allegro moderato; Andante15:51Disc 21Symphony no. 7 in E minor (“Song of the Night”): III. Scherzo: Schattenhaft10:202Symphony no. 7 in E minor (“Song of the Night”): IV. Nachtmusik II: Andante amoroso14:493Symphony no. 7 in E minor (“Song of the Night”): V. Finale: Rondo17:461982 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:28:44
Disc 11Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso24:472Symphony No. 2 in C minor "Resurrection": II. Andante moderato11:213Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung10:28Disc 21Symphony No. 2 in C minor "Resurrection": IV. Urlicht (Sehr feierlich, aber schlicht)7:102Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzos (Wild herausfahrend) Langsam34:581982 · studio album
Search SpotifySearch YouTube Music
Tracklist · 3 tracks · 48:11
1Symphony No.1 "The Titan": Langsam, Schleppend / Kraftig Bewegt20:562Symphony No.1 "The Titan": Feierlich Und Gemessen, Ohne Zu Schleppen7:343Symphony No.1 "The Titan": Sturmisch Bewegt19:411982 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 57:57
1Symphony no. 4: I. Bedächtig. Nicht eilen17:292Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast9:183Symphony no. 4: III. Ruhevoll20:534Symphony no. 4: IV. Sehr behaglich10:171983 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:04:42
Disc 11Symphonie N° 7 en mi mineur: Langsam - Allegro22:412Symphonie N° 7 en mi mineur: Nachtmusik (Allegro moderato)16:20Disc 21Symphonie N° 7 en mi mineur: Scherzo12:542Symphonie N° 7 en mi mineur: Nachtmusik (Andante amoroso)12:473Symphonie N° 7 en mi mineur: Rondo-Finale (Allegro ordinario - Allegro moderato ma energico)1983 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:28:19
Disc 1ASymphony no. 6 in A minor: I. Allegro energico, ma non troppo. Heftig aber markig24:42BSymphony no. 6 in A minor: II. Scherzo: Wuchtig13:09Disc 2CSymphony no. 6 in A minor: III. Andante moderato17:22DSymphony no. 6 in A minor: IV. Finale: Allegro moderato33:061983 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:02:56
1Das Lied Von Der Erde: I. Das Trinklied Vom Jammer Der Erde9:332Das Lied von der Erde: II. Der Einsame im Herbst9:533Das Lied von der Erde: III. Von der Jugend3:114Das Lied von der Erde: IV. Von der Schönheit6:475Das Lied von der Erde: V. Der Trunkene im Frühling4:286Das Lied von der Erde: VI. Der Abschied29:041983 · studio album
Search SpotifySearch YouTube Music
Tracklist · 20 tracks · 55:33
A1Hans und Grete2:21A2Winterlied3:17A3Im Lenz2:23A4Serenade aus Don Juan1:24A5Frühlingsmorgen2:08A6Ich ging mit Lust durch einen grünen Wald4:02A7Starke Einbildungskraft1:038AErinnerung2:26A9Selbstgefühl1:32A10Nicht wiedersehen!4:30A11Um schlimme Kinder artig zu machen1:46B1Aus! Aus!2:25B2Zu Strassburg auf der Schanz’3:40B3Scheiden und Meiden2:26B4Phantasie aus Don Juan2:17B5Ablösung im Sommer1:23B6Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht4:12B7Lieder eines fahrenden Gesellen: Ging heut’ morgen über’s Feld4:36B8Lieder eines fahrenden Gesellen: Ich hab’ ein glühend Messer2:58B9Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz4:441983 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 54:53
1Symphony No. 4 in G major: I. Bedächtig. Nicht eilen15:452Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast8:493Symphony No. 4 in G major: III. Ruhevoll21:104Symphony No. 4 in G major: IV. Sehr behaglich9:09Symphony no. 8 "Symphony of a Thousand"
1983 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 1:19:15
Disc 11Symphony No. 8 in E-flat major "Symphony of a Thousand", Part 1: Veni. Creator Spiritus23:07Disc 21Symphony No. 8 in E-flat major "Symphony of a Thousand", Part 2: Poco adagio8:522Symphony No. 8 in E-flat major "Symphony of a Thousand", Part 2: "Waldung, sie schwankt heran..."13:523Symphony No. 8 in E-flat major "Symphony of a Thousand", Part 2: "Uns bleibt ein Erdenrest..."6:204Symphony No. 8 in E-flat major "Symphony of a Thousand", Part 2: "Dir, der Unberührbaren..."15:075Symphony No. 8 in E-flat major "Symphony of a Thousand", Part 2: "Blicket auf..."5:556Symphony No. 8 in E-flat major "Symphony of a Thousand", Part 2: "Alles Vergängliche..."6:021984 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 57:59
1Symphonie No. 4 G-dur: I. Bedächtig. Nicht eilen16:092Symphonie No. 4 G-dur: II. In gemächlicher Bewegung. Ohne Hast9:183Symphonie No. 4 G-dur: III. Ruhevoll23:294Symphonie No. 4 G-dur: IV. Sehr behaglich9:031984 · studio album
Search SpotifySearch YouTube Music
Tracklist · 21 tracks · 1:18:43
Disc 11Symphonie no. 7: 1 Satz. Langsam (Adagio)2:032Symphonie no. 7: 1 Satz. Nicht schleppen1:173Symphonie no. 7: 1 Satz. Allegro risoluto, ma non troppo1:274Symphonie no. 7: 1 Satz. a tempo1:485Symphonie no. 7: 1 Satz. (27:171)3:126Symphonie no. 7: 1 Satz. Subito Allegro I3:427Symphonie no. 7: 1 Satz. Adagio (Tempo der Einleitung)2:298Symphonie no. 7: 1 Satz. Allegro come prima5:279Symphonie no. 7: 2 Satz. Nachtmusik: Allegro moderato3:5510Symphonie no. 7: 2 Satz. Nachtmusik: Sempre l’istesso Tempo (Nicht eilen)6:5711Symphonie no. 7: 2 Satz. Nachtmusik: Tempo1:4512Symphonie no. 7: 2 Satz. Nachtmusik: (110:262)4:00Disc 21Symphonie no. 7: 3 Satz. Scherzo: Schattenhaft. Fließend, aber nicht zu schnell3:022Symphonie no. 7: 3 Satz. Scherzo: Trio2:073Symphonie no. 7: 3 Satz. Scherzo: Wieder zu Anfang3:464Symphonie no. 7: 4 Satz. Nachtmusik: Andante amoroso6:165Symphonie no. 7: 4 Satz. Nachtmusik: (168:197)7:456Symphonie no. 7: 5 Satz. Rondo‐Finale: Allegro ordinario (Tempo I)3:027Symphonie no. 7: 5 Satz. Rondo‐Finale: Gemessen! Nicht schnell! (Tempo II)5:278Symphonie no. 7: 5 Satz. Rondo‐Finale: Tempo I2:579Symphonie no. 7: 5 Satz. Rondo‐Finale: Sempre l’istesso Tempo (Tempo I)6:191984 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:26:55
Disc 1A1Symphony no. 2 in C “Resurrection”: Allegro maestoso24:35B1Symphony no. 2 in C “Resurrection”: Andante moderato10:41B2Symphony no. 2 in C “Resurrection”: Scherzo: In ruhig fliessender Bewegung10:37Disc 2C1Symphony no. 2 in C “Resurrection”: “Urlicht” Sehr feierlich aber schlicht4:57D1Symphony no. 2 in C “Resurrection”: In Tempo des scherzo’s wild herausfahrend36:051984 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 56:27
1Symphony no. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich16:352Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell7:243Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen11:454Symphony no. 1 in D major: IV. Stürmisch bewegt20:431984 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 55:31
1Symphony no. 4 in G: 1. Bedächtig. Nicht eilen - Recht gemächlich17:032Symphony no. 4 in G: 2. In gemächlicher Bewegung8:583Symphony no. 4 in G: 3. Ruhevoll (Poco adagio)20:214Symphony no. 4 in G: 4. Sehr behaglich9:091984 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks
Disc 11Symphonie N° 8 en mi bémol majeur ″des Mille″: 1. Hymnus ″Veni, creator spiritus″2Symphonie N° 8 en mi bémol majeur ″des Mille″: 2. Scène finale de ″Faust″ (I)Disc 21Symphonie N° 8 en mi bémol majeur ″des Mille″: 2. Scène finale de ″Faust″ (II)2Adagio de la Symphonie N° 101984 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:30:34
1Symphony No. 3: I. Kräftig Entschieden31:012Symphony No. 3: II. Tempo di Menuetto. Sehr mässig8:423Symphony No. 3: III. Comodo. Scherzando. Ohne Hast16:274Symphony No. 3: IV. Sehr langsam. Misterioso. Durchaus ppp9:505Symphony No. 3: V. Lustig im Tempo und keck im Ausdruck4:366Symphony No. 3: VI. Langsam. Ruhevoll. Empfunden19:58Symphonic Excerpts Featuring Themes From Visconti’s Film ‘Death in Venice’
1984 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks
A1Symphony no. 5 in C sharp minor: III. Adagietto. Sehr langsamA2Symphony no. 7 in E minor ‘Song of the Night’: II. Nachtmusik. Allegro moderatoB1Symphony no. 3 in D minor ‘A Summer Morning’s Dream’ IV. ‘O Mensch! Gib Acht’ (‘O Man, Pay Heed’) Sehr langsam. MisteriosoB2Symphony no. 3 in D minor ‘A Summer Morning’s Dream’ V.: ‘Bimm Bamm ! Es sungen drei Engel einen süssen Gesang’ (‘Bimm Bamm,Three Angels in Sweet Harmony Sang’) Lustig im tempo und keck im Ausdruck1984 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:04:17
1Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde8:412Das Lied von der Erde: 2. Der Einsame im Herbst9:483Das Lied von der Erde: 3. Von der Jugend3:214Das Lied von der Erde: 4. Von der Schönheit7:385Das Lied von der Erde: 5. Der Trunkene im Frühling4:266Das Lied von der Erde: 6. Der Abschied30:23»Welte-Mignon« Digital (Gespielt 1905-1914 / Aufgenommen 1985)
1985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 58:02
A1Schmetterling (Nr. 1 aus Lyrische Stücke)2:02A2Trauermarsch (1. Satz aus der Sinfonie Nr. 5 Cis‐moll)12:51A3Désir (Nr. 1 aus “Klavierstücke” op. 57)1:29A4Rhapsodie d’Auvergne op. 737:20A5Intermezzo (Nr. 3 aus “Stimmungsbilder” op. 9)3:35B1Intermezzo Es‐Moll (Nr. 3 aus “Intermezzi” op. 45)3:43B2Silhouette Fis‐Dur (Nr. 3 aus “Silhouetten” op. 53)3:28B3Sonatina Fis‐moll, 2. Satz3:03B4D’un cahier d’esquisses3:43B5La Soirée dans Grenade (Nr. 2 aus “Estampes”)5:26B6Tanz der sieben Schleier (Salomes Tanz aus “Salome” op. 54)8:55B7Valse mignonne op. 1042:271985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 28 tracks · 1:25:12
Disc 11Symphony no. 2: I. Allegro maestoso: Andante moderato6:192Symphony no. 2: I. Allegro maestoso: Sehr massig und (allmahlich) Zuruckhaltend5:373Symphony no. 2: I. Allegro maestoso: Sehr langsam beginnend3:304Symphony no. 2: I. Allegro maestoso: Tempo I3:585Symphony no. 2: I. Allegro maestoso: Tempo sostenuto3:286Symphony no. 2: II. Andante moderato1:327Symphony no. 2: II. Andante moderato: Nicht eilen. Sehr gemachlich1:438Symphony no. 2: II. Andante moderato: Tempo I. Zuruckkerhren1:549Symphony no. 2: II. Andante moderato: Tempo I. Energisch bewegt2:3210Symphony no. 2: II. Andante moderato: Wieder in's Tempo zuruckgehen Tempo I3:32Disc 21Symphony no. 2: III. In ruhig fließender Bewegung1:592Symphony no. 2: III. In ruhig fließender Bewegung0:533Symphony no. 2: III. In ruhig fließender Bewegung1:114Symphony no. 2: III. In ruhig fließender Bewegung: Vorwarts2:105Symphony no. 2: III. In ruhig fließender Bewegung: Zum Tempo I. Zuruckkehren2:156Symphony no. 2: III. In ruhig fließender Bewegung: 8 bar before "Unmerklich Drangend"2:577Symphony no. 2: IV. Urlicht. Sehr feierlich, aber schlicht5:508Symphony no. 2: V. Im Tempo des Scherzo1:379Symphony no. 2: V. Im Tempo des Scherzo: Langsam3:1910Symphony no. 2: V. Im Tempo des Scherzo: Im Anfang sehr zuruckgehalten1:2211Symphony no. 2: V. Im Tempo des Scherzo: Wieder sehr breit2:5512Symphony no. 2: V. Im Tempo des Scherzo: Maestoso0:4913Symphony no. 2: V. Im Tempo des Scherzo: Kraftig3:1114Symphony no. 2: V. Im Tempo des Scherzo: Wieder zuruckhalten3:3415Symphony no. 2: V. Im Tempo des Scherzo: Sehr langsam und gedehnt2:3216Symphony no. 2: V. Im Tempo des Scherzo: Langsam. Misterioso6:4117Symphony no. 2: V. Im Tempo des Scherzo: Etwas bewegter3:3118Symphony no. 2: V. Im Tempo des Scherzo: Mit Aufschwung, Aber nicht eilen4:211985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 22 tracks · 54:54
1Symphony no. 1: I. Langsam. Schleppend. Im Anfang sehr gemachlich: Part 13:472Symphony no. 1: I. Langsam. Schleppend. Im Anfang sehr gemachlich: Part 24:103Symphony no. 1: I. Langsam. Schleppend. Im Anfang sehr gemachlich: Part 32:524Symphony no. 1: I. Langsam. Schleppend. Im Anfang sehr gemachlich: Part 45:215Symphony no. 1: II. Kräftig bewegt, doch nicht zu schnell: Part 11:286Symphony no. 1: II. Kräftig bewegt, doch nicht zu schnell: Part 22:117Symphony no. 1: II. Kräftig bewegt, doch nicht zu schnell: Part 33:158Symphony no. 1: II. Kräftig bewegt, doch nicht zu schnell: Part 41:169Symphony no. 1: III. Feierlich und gemessen, ohne zu schleppen: Part 12:2610Symphony no. 1: III. Feierlich und gemessen, ohne zu schleppen: Part 22:5511Symphony no. 1: III. Feierlich und gemessen, ohne zu schleppen: Part 31:5912Symphony no. 1: III. Feierlich und gemessen, ohne zu schleppen: Part 43:2013Symphony no. 1: IV. Stürmisch bewegt: Part 14:0014Symphony no. 1: IV. Stürmisch bewegt: Part 22:4015Symphony no. 1: IV. Stürmisch bewegt: Part 30:3416Symphony no. 1: IV. Stürmisch bewegt: Part 40:3917Symphony no. 1: IV. Stürmisch bewegt: Part 50:3118Symphony no. 1: IV. Stürmisch bewegt: Part 61:1519Symphony no. 1: IV. Stürmisch bewegt: Part 71:1620Symphony no. 1: IV. Stürmisch bewegt: Part 82:1421Symphony no. 1: IV. Stürmisch bewegt: Part 92:1822Symphony no. 1: IV. Stürmisch bewegt: Part 104:271985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:00:57
1Symphony no. 4 in G major: I. Bedächtig, Nicht Eilen18:082Symphony no. 4 in G major: II. In Gemächlicher Bewegung, One Hast9:323Symphony no. 4 in G major: III. Ruhevoll22:354Symphony no. 4 in G major: IV. Sehr Behaglich10:42Symphony no. 1 / Adagietto from Symphony no. 5
1985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:08:29
1Symphony no. 1 in D major: Ia. Langsam, schleppend. Wie ein Naturlaut3:482Symphony no. 1 in D major: Ib. Immer sehr gemachlich12:513Symphony no. 1 in D major: IIa. Kraftig bewegt, doch nicht zu schnell4:264Symphony no. 1 in D major: IIb. Trio: Recht Gemachlich3:045Symphony no. 1 in D major: IIc. Tempo primo1:296Symphony no. 1 in D major: IIIa. Feierlich und gemessen, ohne zu schleppen5:427Symphony no. 1 in D major: IIIb. Sehr einfach und schlicht wie eine Volksweise2:198Symphony no. 1 in D major: IIIc. Wieder etwas bewegter, wie im Anfang3:419Symphony no. 1 in D major: IV. Sturmisch Bewegt-Energisch.20:4010Symphony no. 5: IV. Adagietto10:291985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 53:57
1Symphony no. 1 in D major: I. Langsam Schleppend - Im Anfang sehr gemächlich15:592Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schell7:513Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen10:494Symphony no. 1 in D major: IV. Stürmisch bewegt19:181985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:08:54
1Symphonie no. 5: I. Trauermarsch. In gemessenem Schritt. Streng.Wie ein Kondukt12:092Symphonie no. 5: II. Stürmisch bewegt. Mit größter Vehemenz13:423Symphonie no. 5: III. Scherzo. Kräftig, nicht zu schnell17:264Symphonie no. 5: IV. Adagietto. Sehr langsam10:285Symphonie no. 5: V. Rondo-Finale. Allegro - Allegro giososo. Frisch15:09Symphonies nos. 9 & 10 (Adagio)
1985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:50:33
Disc 11Symphony no. 9: I. Andante comodo29:482Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb16:043Symphony no. 9: III. Rondo-Burleske: Allegro assai: sehr trotzig13:01Disc 21Symphony no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend25:212Adagio From Symphony no. 10 (unfinished): Andante – Adagio26:191985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 16 tracks · 2:01:20
Disc 11Sechs Frühe Lieder - 1. Selbstgefühl2:002Sechs Frühe Lieder - 2. Frühlingsmorgen2:373Sechs Frühe Lieder - 3. Nicht wiedersehen5:464Sechs Frühe Lieder - 4. Zu Straẞburg auf der Schnaz3:595Sechs Frühe Lieder - 5. Ablösung im Sommer1:336Sechs Frühe Lieder - 6. Um Schlimme Kinder artig zu machen1:507Lieder eines fahrbenden Gesellen3:488Lieder eines fahrbenden Gesellen4:239Lieder eines fahrbenden Gesellen3:2010Lieder eines fahrbenden Gesellen6:0011Symphonie Nr. 2 c-moll 1. Allegro maestoso21:4912Symphonie Nr. 2 c-moll 2. Andante moderato9:17Disc 213. [Scherzo.] In ruhig Flieẞender Bewegung12:1124. «Urlicht» Sehr feierlich, aber schlicht5:1135. Im Tempo Des Scherzos. Wild herousfahrend - Langsam14:3445. Im Tempo Des Scherzos. Allegro energico - Langsam, Misterioso23:021985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 52:11
1Symphony no. 1 "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich13:182Symphony no. 1 "Titan": II. Kräftig bewegt, doch nicht zu schnell7:393Symphony no. 1 "Titan": III. Feierlich und gemessen, ohne zu schleppen11:264Symphony no. 1 "Titan": IV. Stürmisch bewegt - Energisch19:481985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 3 tracks · 1:05:10
1Das klagende Lied: I. Waldmärchen28:332Das klagende Lied: II. Der Spielmann17:383Das klagende Lied: III. Hochzeitsstück18:59Lieder eins fahrenden Gesellen / Kindertotenlider / 4 Rückert-Lieder
1985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 13 tracks · 59:28
1Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht3:562Lieder eines fahrenden Gesellen: 2. Ging heut Morgen übers Feld4:033Lieder eines fahrenden Gesellen: 3. Ich hab ein glühend Messer3:154Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen5:155Um Mitternacht6:256Ich atmet’ einem linden Duft3:077Blicke mir nicht in die Lieder1:398Ich bin der Welt abhanden gekommen7:039Kindertotenlieder: 1. Nun will die Sonn’ so hell aufgehn5:3210Kindertotenlieder: 2. Nun seh ich wohl, warum so dunkle Flammen4:4811Kindertotenlieder: 3. Wenn dein Mütterlein4:3212Kindertotenlieder: 4. Oft denk ich, sie sind nur ausgegangen3:2313Kindertotenlieder: 5. In diesem Wetter, in diesem Braus6:30Bruno Walter: Mahler Symphony No. 9
1985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:21:06
Disc 11I – Andante comodo29:202II – Im Tempo eines gemächlichen Ländlers. etwas täppisch und sehr derb17:33Disc 21III – Rondo-Burleske: Allegro assai: sehr trotzig13:092IV – Adagio: Sehr langsam und noch zurückhaltend21:041986 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:09:11
1Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt12:292Stürmisch Bewegt. Mit Größter Vehemenz14:193Scherzo. Kräftig, Nicht Zu Schnell17:404Adagietto. Sehr Langsam11:005Rondo-Finale. Allegro13:431986 · studio album
Search SpotifySearch YouTube Music
Tracklist · 22 tracks · 1:14:13
1Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 1: Hymnus "Veni creator spiritus": "Veni creator spiritus"1:232Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 1: Hymnus "Veni creator spiritus": "Imple superna gratia"3:333Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 1: Hymnus "Veni creator spiritus": "Infirma nostri corporis"2:234Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 1: Hymnus "Veni creator spiritus": Tempo I. (Allegro, etwas hastig)1:145Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 1: Hymnus "Veni creator spiritus": "Infirma nostri corporis"2:396Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 1: Hymnus "Veni creator spiritus": "Accende lumen sensibus"5:027Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 1: Hymnus "Veni creator spiritus": "Qui Paraclitus diceris"2:428Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 1: Hymnus "Veni creator spiritus": "Gloria sit Patri Domino"3:029Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 2: Final Scene From Goethe's "Faust": Poco adagio5:3410Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 2: Final Scene From Goethe's "Faust": Più mosso (Allegro moderato)2:4211Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 2: Final Scene From Goethe's "Faust": "Waldung, sie schwankt heran"3:5412Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 2: Final Scene From Goethe's "Faust": "Ewiger Wonnebrand"1:2113Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 2: Final Scene From Goethe's "Faust": "Wie Felsenabgrund mir zu Füßen"4:1814Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 2: Final Scene From Goethe's "Faust": "Gerettet ist das edle Glied"0:5215Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 2: Final Scene From Goethe's "Faust": "Jene Rosen, aus den Händen"2:0516Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 2: Final Scene From Goethe's "Faust": "Uns bleibt ein Erdenrest"1:3517Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 2: Final Scene From Goethe's "Faust": "Ich spür' soeben"5:3118Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 2: Final Scene From Goethe's "Faust": "Dir, der Unberührbaren"3:1519Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 2: Final Scene From Goethe's "Faust": "Bei der Liebe, die den Fussen"6:1220Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 2: Final Scene From Goethe's "Faust": "Er überwächst uns schon"4:2521Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 2: Final Scene From Goethe's "Faust": "Blicket auf zum Retterblick"5:3322Symphony no. 8 in E-flat major "Symphony of a Thousand": Pt. 2: Final Scene From Goethe's "Faust": "Alles Vergängliche"4:581986 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 57:54
1Symphony no. 1 "Titan": I. Langsam Schelppend3:482Symphony no. 1 "Titan": I. Immer sehr gemachlich12:513Symphony no. 1 "Titan": II. Kraftig bewegt, doch nicht zu schnell4:174Symphony no. 1 "Titan": II. Trio. Recht gemachlich3:135Symphony no. 1 "Titan": II. Tempo primo1:296Symphony no. 1 "Titan": III. Feirlich und gemessen, ohne zu schleppen5:427Symphony no. 1 "Titan": III. Sehr einfach und schlicht wie eine Volksweise2:188Symphony no. 1 "Titan": III. Wieder etwas bewegter, wie am Anfang3:419Symphony no. 1 "Titan": IV. Sturmisch bewegt - Energisch20:35Levine Conducts Mahler: Symphony No. 6
1986 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:21:09
Disc 11Symphony no. 6 in A minor: Allegro energico, ma non troppo. Heftig, aber markig22:302Symphony no. 6 in A minor: Scherzo: Wuchtig13:37Disc 21Symphony no. 6 in A minor: Andante moderato15:022Symphony no. 6 in A minor: Finale: Allegro moderato30:001986 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:38:09
Disc 11I - Kräftig. Entschieden32:32Disc 21II - Tempo di Menuetto. Sehr mäßig9:572III - Comodo. Scherzando. Ohne Hast18:063IV - Sehr langsam. Misterioso. Durchaus PPP9:344V - Lustig im Tempo und keck im Ausdruck4:035VI - Langsam. Ruhevoll. Empfunden23:571986 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 56:21
1Symphony no. 4: I. Bedächtig. Nicht eilen16:262Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast10:033Symphony no. 4: III. Ruhevoll20:474Symphony no. 4: IV. Sehr behaglich9:051986 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:12:42
1Symphony No. 5: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt13:292Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz14:143Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell18:574Symphony No. 5: IV. Adagietto. Sehr langsam11:355Symphony No. 5: V. Rondo - Finale. Allegro14:27Symphony no. 5 in C-sharp minor
1987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:05:18
1Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt)11:262Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz12:533Symphony no. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell)17:144Symphony no. 5 in C-sharp minor: IV. Adagietto (Sehr langsam)9:395Symphony no. 5 in C-sharp minor: V. Rondo-Finale (Allegro)14:061987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 11 tracks · 1:25:42
Disc 11Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso23:52Disc 21Symphony no. 2 in C minor “Resurrection”: II. Andante moderato10:162Symphony no. 2 in C minor “Resurrection”: III. In ruhig fliessender Bewegung11:183Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht5:074Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzo. Wild herausfahrend6:485Symphony no. 2 in C minor “Resurrection”: V. Wieder sehr breit3:076Symphony no. 2 in C minor “Resurrection”: V. Ritardando… Maestoso4:367Symphony no. 2 in C minor “Resurrection”: V. Wieder zurückhaltend5:598Symphony no. 2 in C minor “Resurrection”: V. Langsam. Misterioso6:349Symphony no. 2 in C minor “Resurrection”: V. Etwas bewegter3:2310Symphony no. 2 in C minor “Resurrection”: V. Mit Aufschwung aber nicht eilen4:42Sinfonie Nr. 1 D-dur "Der Titan"
1987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 48:05
1Sinfonie Nr. 1 D-dur "Der Titan": I. Langsam, schleppend, wie ein Naturlaut12:252Sinfonie Nr. 1 D-dur "Der Titan": II. Kräftig bewegt, doch nicht zu schnell6:483Sinfonie Nr. 1 D-dur "Der Titan": III. Feierlich und gemessen, ohne zu schleppen10:144Sinfonie Nr. 1 D-dur "Der Titan": IV. Stürmisch bewegt18:38Kindertotenlieder / 5 Rückertlieder / Lieder eines fahrenden Gesellen
1987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 14 tracks · 1:03:22
1Kindertotenlieder: 1. Nun will die Sonn' so hell aufgeh'n5:542Kindertotenlieder: 2. Nun seh' ich wohl, warum so dunkle Flammen5:083Kindertotenlieder: 3. Wenn dein Mütterlein tritt zur Tür herein5:174Kindertotenlieder: 4. Oft denk' ich, sie sind nur ausgegangen3:055Kindertotenlieder: 5. In diesem Wetter, in diesem Braus7:3365 Rückertlieder: Blicke mir nicht in die Lieder1:3075 Rückertlieder: Ich atmet' einen linden Duft2:3785 Rückertlieder: Um Mitternacht5:5095 Rückertlieder: Liebst du um Schönheit2:22105 Rückertlieder: Ich bin der Welt abhanden gekommen6:4311Lieder eines fahrenden Gesellen: 1. Wein mein Schatz Hochzeit macht4:1312Lieder eines fahrenden Gesellen: 2. Ging heut' morgen übers Feld4:4013Lieder eines fahrenden Gesellen: 3. Ich hab ein glühend Messer3:2814Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen von meinem Schatz5:021987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:20:37
Disc 11Symphony no. 2 “Resurrection”: I. Allegro maestoso20:542Symphony no. 2 “Resurrection”: II. Andante moderato10:08Disc 21Symphony no. 2 “Resurrection”: III. In ruhig fließender Bewegung10:292Symphony no. 2 “Resurrection”: IV. “Urlicht”: Sehr feierlich, aber schlicht5:263Symphony no. 2 “Resurrection”: V. Finale: Wild herausfahrend – Langsam – Allegro energico – Langsam33:401987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 18 tracks · 1:22:34
Disc 11Sinfonie Nr. 8: Veni, Creator Spiritus1:272Sinfonie Nr. 8: Imple superna gratia4:213Sinfonie Nr. 8: Infirma nostri corporis6:374Sinfonie Nr. 8: Accende lumen sensibus4:335Sinfonie Nr. 8: Veni, Creator Spiritus5:106Sinfonie Nr. 8: Gloria Patri Domino2:30Disc 21Sinfonie Nr. 8: Poco adagio: I. "Waldung sie schwankt heran"14:312Sinfonie Nr. 8: Poco adagio: II. "Ewiger Wonnebrand"1:283Sinfonie Nr. 8: Poco adagio: III. "Wie Felsenabgrund mir zu Fussen"4:224Sinfonie Nr. 8: Allegro deciso: I. "Gerettet ist das edle Glied"3:225Sinfonie Nr. 8: Allegro deciso: II. "Uns bleibt ein Erdenrest"2:226Sinfonie Nr. 8: Allegro deciso: III. "Hier ist die Aussicht frei"0:387Sinfonie Nr. 8: Allegro deciso: IV. "Hochste Herrscherin der Welt"4:118Sinfonie Nr. 8: Ausserst langsam. Adagissimo: I. "Dir, der Unberuhrbaren"3:559Sinfonie Nr. 8: Ausserst langsam. Adagissimo: II. "Bei der Liebe, die den Fussen"5:3210Sinfonie Nr. 8: Ausserst langsam. Adagissimo: III. "Neige, neige, du Ohnegleiche"5:5511Sinfonie Nr. 8: Ausserst langsam. Adagissimo: IV. "Blicket auf zum Retterblick"5:5212Sinfonie Nr. 8: Ausserst langsam. Adagissimo: V. "Alles Vergangliche"5:48Kindertotenlieder / Rückert-Lieder
1987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 45:25
A1Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n6:10A2Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen5:41A3Kindertotenlieder: Wenn dein Mütterlein5:04A4Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen!3:24A5Kindertotenlieder: In diesem Wetter, in diesem Braus5:34B15 Lieder nach Gedichten von Friedrich Rückert (Rückert-Lieder): Ich bin der Welt abhanden gekommen7:00B25 Lieder nach Gedichten von Friedrich Rückert (Rückert-Lieder): Liebst du um Schönheit2:29B35 Lieder nach Gedichten von Friedrich Rückert (Rückert-Lieder): Blicke mir nicht in die Lieder1:30B45 Lieder nach Gedichten von Friedrich Rückert (Rückert-Lieder): Ich atmet' einen linden Duft2:35B55 Lieder nach Gedichten von Friedrich Rückert (Rückert-Lieder): Um Mitternacht5:581987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:23:50
Disc 11Symphony no. 6 in A minor "Tragic": I. Allegro energico, ma non troppo. Scherzo24:242Symphony no. 6 in A minor "Tragic": II. Scherzo14:46Disc 21Symphony no. 6 in A minor "Tragic": III. Andante14:372Symphony no. 6 in A minor "Tragic": IV. Finale (Allegro moderato)30:031987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 54:23
1Symphony No. 4 in G: I. Bedachtig. Nicht eilen - Recht gemachlich16:202Symphony No. 4 in G: II. In gemachlicher Bewegung. Ohne Hast9:043Symphony No. 4 in G: III. Ruhevoll (Poco Adagio)20:244Symphony No. 4 in G: IV. Sehr behaglich8:351987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:17:38
Disc 11Symphony no. 7: I. Langsam - Allegro22:412Symphony no. 7: II. Nachtmusik I14:42Disc 21Symphony no. 7: III. Scherzo10:152Symphony no. 7: IV. Nachtmusik II13:133Symphony no. 7: V. Rondo: Finale16:47Kindertotenlieder / Rückert Lieder / Des Knaben Wunderhorn
1987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 59:23
1Des Knaben Wunderhorn: Revelge6:592Des Knaben Wunderhorn: Tamboursg'sell6:563Rückert-Lieder: Liebst du um Schönheit2:374Rückert-Lieder: Blicke mir nicht in die Lieder!1:465Rückert-Lieder: Um Mitternacht6:226Rückert-Lieder: Ich atmet' einen Linden Duft2:437Rückert-Lieder: Ich bin die Welt abhanden gekommen6:528Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n5:559Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen5:0110Kindertotenlieder: Wenn dein Mütterlein4:5411Kindertotenlieder: Oft denk'ich, sie sind nur ausgegangen3:0312Kindertotenlieder: In diesem Wetter, in diesem Braus6:15Symphonies no. 1 in B-flat, op. 38 “Spring” / No. 2 in C, op. 61
1987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:12:24
1Symphony no. 1 in B-flat major, op. 38 “Spring”: Andante un poco maestoso – Allegro molto vivace12:272Symphony no. 1 in B-flat major, op. 38 “Spring”: Larghetto6:483Symphony no. 1 in B-flat major, op. 38 “Spring”: Scherzo. Molto vivace5:354Symphony no. 1 in B-flat major, op. 38 “Spring”: Allegro animato e grazioso9:495Symphony no. 2 in C major, op. 61: Sostenuto assai – Allegro ma non troppo12:486Symphony no. 2 in C major, op. 61: Scherzo. Allegro vivace6:457Symphony no. 2 in C major, op. 61: Adagio espressivo10:348Symphony no. 2 in C major, op. 61: Allegro molto vivace7:38Symphony no. 3 / Kindertotenlieder
1987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 29 tracks · 2:17:46
Disc 11Symphony No. 3 in D Minor: I. Kräftig. Entschieden.7:222Symphony No. 3 in D Minor: I. Langsam. Schwer3:093Symphony No. 3 in D Minor: I. Tempo I.5:174Symphony No. 3 in D Minor: I. a tempo6:205Symphony No. 3 in D Minor: I. Immer dasselbe Tempo (Marsch)3:576Symphony No. 3 in D Minor: I. Allegro moderato5:247Symphony No. 3 in D Minor: I. Tempo I.5:288Symphony No. 3 in D Minor: II. Tempo di Menutto. Sehr massig3:269Symphony No. 3 in D Minor: II. a tempo4:2010Symphony No. 3 in D Minor: II. Ganz plötzlich gemächlich. Tempo di Menuetto.3:5911Symphony No. 3 in D Minor: III. Comodo. Scherzando. Ohne Hast2:4812Symphony No. 3 in D Minor: III. Wieder sehr gemächlich, wie zu anfang.3:1213Symphony No. 3 in D Minor: III. Sehr gemächlich.4:5414Symphony No. 3 in D Minor: III. Tempo I.3:1415Symphony No. 3 in D Minor: III. Wieder sehr gemächlich, beinahe langsam.4:20Disc 21Symphony No. 3 in D Minor: IV. Sehr langsam, Misterioso, Durchaus ppp (O Mensch)4:402Symphony No. 3 in D Minor: IV. Piu mosso subito4:413Symphony No. 3 in D Minor: V. Lustig im Tempo und keck um Ausdruck (Es sungen drei Engel)4:224Symphony No. 3 in D Minor: VI. Langsam, Ruhevoll, Empfunden4:235Symphony No. 3 in D Minor: VI. Nicht mehr so breit3:426Symphony No. 3 in D Minor: VI. Tempo 1, Rehevoll!4:397Symphony No. 3 in D Minor: VI. a tempo (Etwas bewegter)5:158Symphony No. 3 in D Minor: VI. Tempo I3:439Symphony No. 3 in D Minor: VI. Langsam, Tempo I.8:1310Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n7:0111Kindertotenlieder: II. Nun seh' ich sohl, warum so dunkle Flammen5:2712Kindertotenlieder: III. Wenn dein Mutterlein4:2713Kindertotenlieder: IV. Oft denk' ich , sie sind nur ausgegangen!3:0314Kindertotenlieder: V. In diesem Wetter7:001987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:44:18
Disc 11Symphony No. 9: I. Andante comodo28:212Symphony No. 9: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb16:33Disc 21Symphony No. 9: III. Rondo-Burleske; Allegro assai sehr trotzig12:372Symphony No. 9: IV. Adagio23:513Symphony No. 10: I. Adagio22:561987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 2 tracks · 1:17:57
Disc 11Symphony No. 8: I. Teil, Hymnus. Veni, creator spiritus23:19Disc 21Symphony No. 8: II. Teil. Schlußszene aus “Faust”54:381988 · studio album
Search SpotifySearch YouTube Music
Tracklist · 42 tracks · 1:23:13
Disc 11Symphony no. 2, "Resurrection": I. Allegro Maestoso2:212Symphony no. 2, "Resurrection": I. Im Tempo Nachgeben0:573Symphony no. 2, "Resurrection": I. Wie Zu Anfang2:274Symphony no. 2, "Resurrection": I. Sehr Maessig Und Zurueckhaltend0:515Symphony no. 2, "Resurrection": I. English Horn1:216Symphony no. 2, "Resurrection": I. Ausdrucksvoll (English Horn & Bass Clarinet)2:197Symphony no. 2, "Resurrection": I. Etwas Draengend1:088Symphony no. 2, "Resurrection": I. Schnell0:339Symphony no. 2, "Resurrection": I. Sehr Langsam Beginnend0:2810Symphony no. 2, "Resurrection": I. Sehr Getragen (Trumpet & Trombone)2:2211Symphony no. 2, "Resurrection": I. Molto Pesante0:1912Symphony no. 2, "Resurrection": I. Tempo I1:3113Symphony no. 2, "Resurrection": I. Zuruckhalten2:2914Symphony no. 2, "Resurrection": I. Tempo Sostenuto3:15Disc 21Symphony no. 2, "Resurrection": II. Andante moderato1:252Symphony no. 2, "Resurrection": II. Nicht eilen. Sehr gemächlich1:283Symphony no. 2, "Resurrection": II. In Tempo I. zurückkehren1:444Symphony no. 2, "Resurrection": II. Tempo I. Engergisch bewegt2:245Symphony no. 2, "Resurrection": II. 3 Bars Before Wieder in's Tempo zurückgehen Tempo I3:156Symphony no. 2, "Resurrection": III. In ruhig fliessender bewegung1:457Symphony no. 2, "Resurrection": III. Bassoon & Violas0:488Symphony no. 2, "Resurrection": III. Piccolo0:419Symphony no. 2, "Resurrection": III. Cellos & Basses0:2310Symphony no. 2, "Resurrection": III. Vorwäerts0:5811Symphony no. 2, "Resurrection": III. Sehr getragen und gesangvoll1:2212Symphony no. 2, "Resurrection": III. Zum Tempo I. zurückkehren2:0113Symphony no. 2, "Resurrection": III. Trumpets & Trombones1:2414Symphony no. 2, "Resurrection": III. Violas, Cellos & Basses1:1715Symphony no. 2, "Resurrection": IV. Sehr feierlich, aber schlicht (Choralmaessig)5:3416Symphony no. 2, "Resurrection": V. Im Tempo des Scherzo. Wild herausfahrend1:3317Symphony no. 2, "Resurrection": V. Langsam1:2718Symphony no. 2, "Resurrection": V. Langsam0:2619Symphony no. 2, "Resurrection": V. Trombone1:4020Symphony no. 2, "Resurrection": V. Im Anfang sehr zurüeckgehalten1:1121Symphony no. 2, "Resurrection": V. Wieder sehr breit3:0322Symphony no. 2, "Resurrection": V. Ritenuto4:0523Symphony no. 2, "Resurrection": V. Wieder zurückhaltend3:5224Symphony no. 2, "Resurrection": V. Sehr langsam und gedehnt ("Der grosse Appell")2:5225Symphony no. 2, "Resurrection": V. Langsam. Misterioso (Chorus: "Aufersteh'n")6:2626Symphony no. 2, "Resurrection": V. Etwas bewegter (Solo: "O Glaube")3:1527Symphony no. 2, "Resurrection": V. Mit Aufschwung, aber nicht eilen (Duet: "O Schmerz")2:1428Symphony no. 2, "Resurrection": V. Pesante2:191988 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 54:03
1Symphonie No. 1: I. Langsam. Schleppend15:582Symphonie No. 1: II. Kräftig bewegt7:293Symphonie No. 1: III. Feierlich und gemessen, ohne zu schleppen10:354Symphonie No. 1: IV. Stürmisch bewegt20:011988 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 57:02
1Symphony no. 1 in D major: I. Langsam. Schleppend16:372Symphony no. 1 in D major: II. Kräftig bewegt7:533Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen11:204Symphony no. 1 in D major: IV. Stürmisch bewegt21:121988 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 57:26
1Symphony no. 4: I. Bedächtig. Nicht eilen16:252Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast10:083Symphony no. 4: III. Ruhevoll21:444Symphony no. 4: IV. Sehr behaglich9:091988 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:01:41
A1Symphony No.4 In G Major; First Movement: Bedachtig. Nicht Eilen17:50A2Symphony No.4 In G Major; Second Movement: In Gemachlicher Bewegung. Ohne Hast9:55B1Symphony No.4 In G Major; Third Movement: Ruhevoll24:14B2Symphony No.4 In G Major; Fourth Movement: Sehr behaglich ("Wir Geniessen Die Himmlischen Freuden" Words From "Des Knaben Wunderhorn")9:421988 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 56:42
1Symphonie Nr. 1 "Der Titan": I. Langsam, schleppend - Im Angfang sehr gemächlich16:212Symphonie Nr. 1 "Der Titan": II. Kräftig bewegt, doch nicht zu schnell8:283Symphonie Nr. 1 "Der Titan": III. Feierlich und gemessen, ohne zu schleppen11:144Symphonie Nr. 1 "Der Titan": IV. Stürmisch bewegt20:39Symphony no. 3 / Rückert-Lieder
1988 · studio album
Search SpotifySearch YouTube Music
Tracklist · 29 tracks · 2:04:01
Disc 11Symphony no. 3: I. Kräftig. Entschieden.7:092Symphony no. 3: I. Langsam. Schwer.2:453Symphony no. 3: I. Tempo I.4:534Symphony no. 3: I. a Tempo.6:225Symphony no. 3: I. Immer Dasselbe Tempo. (Marsch.)3:126Symphony no. 3: I. Allegro Moderato.5:047Symphony no. 3: I. Tempo I.4:398Symphony no. 3: II. Tempo di Menuetto2:569Symphony no. 3: II. a Tempo.3:3210Symphony no. 3: II. Ganz Plötzlich Gemächlich. Tempo di Menuetto.3:2711Symphony no. 3: III. Comodo. Scherzando. Ohne Hast.2:2212Symphony no. 3: III. Wieder Sehr Gemächlich, Wie Zu Anfang.2:4713Symphony no. 3: III. Sehr Gemächlich.5:1314Symphony no. 3: III. Tempo I.2:5215Symphony no. 3: III. Wieder Sehr Gemächlich, Beinahe Langsam.5:05Disc 21Symphony no. 3: IV. Sehr Langsam. Misterioso. Durchaus Ppp.5:132Symphony no. 3: IV. Più Mosso Subito.4:563Symphony no. 3: V. Lustig Im Tempo Unk Keck Im Ausdruck4:254Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden.3:515Symphony no. 3: VI. Nicht Mehr So Breit.3:266Symphony no. 3: VI. Tempo I. Ruhevoll!3:527Symphony no. 3: VI. a Tempo (Etwas Bewegter) .3:598Symphony no. 3: VI. Tempo I3:099Symphony no. 3: VI. Langsam. Tempo I.8:0710Rückert-Lieder: Ich Atmet' Einen Linden Druft2:3011Rückert-Lieder: Blicke Mir Nicht in Die Lieder1:2412Rückert-Lieder: Um Mitternacht6:3913Rückert-Lieder: Liebst du Um Schönheit2:5814Rückert-Lieder: Ich Bin der Welt Abhanden Gekommen7:141988 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks
A1Movement IA2Movement IIA3Movement III: Scherzo (Beginning)B1Movement III: Scherzo (Conclusion)B2Movement IV: Adagietto / Movement V: Rondo-Finale: AllegroSymphonies no. 3 in E-flat, op. 97 “Rhenish” / No. 4 in D minor, op. 120
1988 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 1:02:01
1Symphony no. 3 in E-flat major, op. 97 “Rhenish”: Lebhaft9:412Symphony no. 3 in E-flat major, op. 97 “Rhenish”: Scherzo. Sehr mässig6:203Symphony no. 3 in E-flat major, op. 97 “Rhenish”: Nicht schnell5:254Symphony no. 3 in E-flat major, op. 97 “Rhenish”: Feierlich6:045Symphony no. 3 in E-flat major, op. 97 “Rhenish”: Lebhaft6:056Symphony no. 4 in D minor, op. 120: Ziemlich langsam – Lebhaft9:527Symphony no. 4 in D minor, op. 120: Romanze. Ziemlich langsam4:268Symphony no. 4 in D minor, op. 120: Scherzo. Lebhaft5:319Symphony no. 4 in D minor, op. 120: Langsam – Lebhaft8:371988 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 53:10
1Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich16:042Symphony no. 1 in D major “Titan”: II. Kräftig bewegt, doch nicht zu schnell8:223Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen10:124Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt – Energisch18:32Symphonie No. 6 / Rückert-Lieder
1988 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 1:43:39
Disc 11Symphonie No. 6 in A minor "Tragische": I. Allegro energico, ma non troppo. Heftig, aber markig23:352Symphonie No. 6 in A minor "Tragische": II. Scherzo. Wuchtig13:193Symphonie No. 6 in A minor "Tragische": III. Andante moderato15:53Disc 21Symphonie No. 6 in A minor "Tragische": IV. Finale. Allegro moderato - Allegro energico30:572Rückert-Lieder No. 1: Blicke mir nicht in die Lieder1:323Rückert-Lieder No. 2: Liebst du um Shönheit2:154Rückert-Lieder No. 3: Ich bin der Welt abhanden gekommen7:045Rückert-Lieder No. 4: Ich atmet' einen linden Duft2:556Rückert-Lieder No. 5: Um Mitternacht6:091989 · studio album
Search SpotifySearch YouTube Music
Tracklist · 18 tracks · 3:09:30
Disc 11Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde8:362Das Lied von der Erde: II. Der Einsame im Herbst10:123Das Lied von der Erde: III. Von der Jugend3:224Das Lied von der Erde: IV. Von der Schönheit6:435Das Lied von der Erde: V. Der Trunkene im Frühling4:296Das Lied von der Erde: VI. Der Abschied29:48Disc 21Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde8:362Das Lied von der Erde: II. Der Einsame im Herbst10:123Das Lied von der Erde: III. Von der Jugend3:224Das Lied von der Erde: IV. Von der Schönheit6:435Das Lied von der Erde: V. Der Trunkene im Frühling4:296Das Lied von der Erde: VI. Der Abschied29:48Disc 31Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde8:362Das Lied von der Erde: II. Der Einsame im Herbst10:123Das Lied von der Erde: III. Von der Jugend3:224Das Lied von der Erde: IV. Von der Schönheit6:435Das Lied von der Erde: V. Der Trunkene im Frühling4:296Das Lied von der Erde: VI. Der Abschied29:481989 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 58:40
1Symphonie N° 4: I. Bedächtig. Nicht eilen (Circonspect. Ne pas presser)18:192Symphonie N° 4: II. In gemächlicher Bewegung, Ohne Hast (A l’aise. Sans précipitation)9:173Symphonie N° 4: III. Ruhevoll (Tranquillement)21:144Symphonie N° 4: IV. Sehr behaglich (Très à l’aise)9:501989 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:11:28
11. Marcia Funebre. A Passo Misurato. Come Un Corteo (Parte Prima)12:5122. Tempestosamente Mosso. Con La Più Grande Veemenza (Parte Prima)15:0933. Scherzo. Con Forza, Non Troppo Veloce (Parte Seconda)17:3244. Adagietto. Molto Lento (Parte Terza)11:1655. Rondò-Finale. Allegro-Allegro Giocoso. Fresco (Parte Terza)14:401989 · studio album
Search SpotifySearch YouTube Music
Tracklist · 19 tracks · 59:57
1Mignon I: Heiß mich nicht reden3:402Mignon II: Nur wer die Sehnsucht kennt2:483Mignon III: So laßt mich scheinen3:514Mignon: Kennst du das Land7:035Frühling übers Jahr1:586Frage nicht3:227Die Spröde1:588Der Schäfer2:009Gesang Weylas1:5410Verlorne Müh’2:4311Rheinlegendchen3:0012Aus! Aus!2:1213Lob des hohen Verstands2:4814Frühlingsmorgen2:1215Phantasie2:2516Ich ging mit Lust durch einen grünen Wald3:5817Erinnerung3:0818Serenade1:3319Wo die schönen Trompeten blasen7:241989 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 54:29
1Symphony no. 1: I. Langsam, schleppend16:052Symphony no. 1: II. Kräftig bewegt7:533Symphony no. 1: III. Feierlich und gemessen, ohne zu schleppen10:574Symphony no. 1: IV. Stürmisch bewegt19:341989 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:05:21
1Symphony no. 5: I. Trauermarsch12:132Symphony no. 5: II. Stürmisch bewegt: Mit größter Vehemenz13:003Symphony no. 5: III. Scherzo: Kräftig, Nicht zu Schnell15:384Symphony no. 5: IV. Adagietto: Sehr langsam10:205Symphony no. 5: V. Rondo-Finale: Allegro14:101989 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 57:11
1Symphony No. 4 in G major: I. Bedächtig, nicht eilen17:282Symphony No. 4 in G major: II. In gemächlicher Bewegung, ohne Hast8:223Symphony No. 4 in G major: III. Ruhevoll, poco adagio21:274Symphony No. 4 in G major: IV. Sehr behaglich9:541989 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:18:42
1Symphony No. 5: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plotzlich schneller. Leidenschaftlich. Wild13:342Symphony No. 5: II. Stürmisch bewegt. Mit größter Vehemenz - bedeutend langsamer - Tempo I subito15:543Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell)19:254Symphony No. 5: IV. Adagietto (Sehr langsam)13:565Symphony No. 5: V. Rondo - Finale (Allegro)15:531989 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:17:15
1Symphony No. 5: Part I: Trauermarsch14:282Symphony No. 5: Part I: Stürmisch bewegt17:233Symphony No. 5: Part II: Scherzo20:104Symphony No. 5: Part III: Adagietto8:135Symphony No. 5: Part III: Rondo-Finale, Allegro17:011989 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 52:12
1Symphony no. 1 in D major "Titan": I. Langsam. Schleppend. Wie ein Naturlaut. Im Anfang sehr gemächlich13:272Symphony no. 1 in D major "Titan": II. Kräftig bewegt, doch nicht zu schnell7:493Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen10:524Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt - Energisch20:041989 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:12:28
1Symphonie Nr, 5: I. Trauermarsch (In gemessenem Schritt - Streng - Wie ein Kondukt)12:542Symphonie Nr, 5: II. Stürmisch bewegt, mit größter Vehemenz15:183Symphonie Nr, 5: III. Scherzo. Kräftig, nicht zu schnell17:404Symphonie Nr, 5: IV. Adagietto. Sehr langsam11:555Symphonie Nr, 5: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch14:411989 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:18:25
1Symphony no. 9: I. Andante comodo26:542Symphony no. 9: II. Im Tempo eines gemächlichen Ländlers (Etwas täppisch und sehr derb)14:543Symphony no. 9: III. Rondo – Burleske13:394Symphony no. 9: IV. Adagio22:58Symphony No.1 "Der Titan", Symphony No.5
1989 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 2:09:11
Disc 11交響曲第１番 ニ長調「巨人」: 第１楽章 ゆっくりと、ひきずるように15:572交響曲第１番 ニ長調「巨人」: 第２楽章 力強く、動きをもって、しかし速すぎずに7:513交響曲第１番 ニ長調「巨人」: 第３楽章 厳粛に、そして荘厳に、引きずらずに10:484交響曲第１番 ニ長調「巨人」: 第４楽章 嵐のようにはげしく19:205交響曲第５番 嬰ハ短調: 第１楽章 葬送行進曲13:44Disc 21交響曲第５番 嬰ハ短調: 第２楽章 嵐のようにはげしく15:142交響曲第５番 嬰ハ短調: 第３楽章 スケルツォ18:073交響曲第５番 嬰ハ短調: 第４楽章 アダージェット11:544交響曲第５番 嬰ハ短調: 第５楽章 ロンド（アレグロ・コモド）16:161990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 54:47
1Symphony no. 1 in D major: I. Langsam, schleppend16:232Symphony no. 1 in D major: II. Kräftig, bewegt6:533Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen10:564Symphony no. 1 in D major: IV. Stürmisch bewegt20:351990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 55:43
1Symphony no. 1 in D major: I. Langsam. Schleppend16:182Symphony no. 1 in D major: II. (Scherzo): Kräftig bewegt, doch nicht zu schnell7:423Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen11:284Symphony no. 1 in D major: IV. Stürmisch bewegt20:15Symphony no. 6 / Rückert Lieder / Kindertotenlieder
1990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 14 tracks · 2:09:12
Disc 11Symphonie no. 6 a-moll: I. Allegro energico, ma non troppo. Heftig, aber markig22:202Symphonie no. 6 a-moll: II. Scherzo (Wuchtig)13:243Symphonie no. 6 a-moll: III. Andante Moderato17:10Disc 21Symphonie no. 6 a-moll: IV. Finale. Allegro moderato - Allegro energico30:132Kindertotenlieder: Nun will die Sonn’ so hell aufgeh’n6:143Kindertotenlieder: Nun seh’ Ich wohl, warum so dunkle Flammen5:454Kindertotenlieder: Wenn dein Mütterlein5:065Kindertotenlieder: Oft denk’ ich, sie sind nur ausgegangen3:276Kindertotenlieder: In diesem Wetter5:457Rückert-Lieder: Ich bin der Welt abhanden gekommen7:048Rückert-Lieder: Liebst du um Schönheit2:319Rückert-Lieder: Blicke mir nicht in die Lieder1:3110Rückert-Lieder: Ich atmet’ einen linden Duft2:3811Rückert-Lieder: Um Mitternacht6:041990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:05:26
1Symphonie No. 5 C-sharp minor: I. Trauermarsch (In gemessenem Schritt)11:232Symphonie No. 5 C-sharp minor: II. Stürmisch bewegt13:193Symphonie No. 5 C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell)16:224Symphonie No. 5 C-sharp minor: IV. Adagietto (Sehr langsam)9:395Symphonie No. 5 C-sharp minor: V. Rondo-Finale (Allegro)14:431990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:26:19
Disc 11Symphony No. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig25:362Symphony No. 6 in A minor: II. Andante moderato16:52Disc 21Symphony No. 6 in A minor: III. Scherzo: Wuchtig13:182Symphony No. 6 in A minor: IV. Finale. Allegro moderato30:33Lieder eines fahrenden Gesellen / Des Knaben Wunderhorn
1990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 16 tracks · 1:05:38
1Des Knaben Wunderhorn: I. Wo die schönen Trompeten blasen7:112Des Knaben Wunderhorn: II. Der Schildwache Nachtlied6:003Des Knaben Wunderhorn: III. Tambourg'sell5:494Des Knaben Wunderhorn: IV. Rheinlegendchen3:155Des Knaben Wunderhorn: V. Lob des hohen Verstandes2:266Des Knaben Wunderhorn: VI. Trost im Unglück2:167Des Knaben Wunderhorn: VII. Das irdische Leben2:398Des Knaben Wunderhorn: VIII. Des Antonius von Padua Fischpredigt4:079Des Knaben Wunderhorn: IX. Verlor'ne Müh2:4510Des Knaben Wunderhorn: X. Lied des Verfolgten im Turm3:4411Des Knaben Wunderhorn: XI. Wer hat dies Liedlein erdacht2:0312Des Knaben Wunderhorn: XII. Revelge6:4713Lieder eines fahrenden Gesellen I. Wenn mein Schatz Hochzeit macht4:0114Lieder eines fahrenden Gesellen II. Ging heut morgen übers Feld4:1815Lieder eines fahrenden Gesellen III. Ich hab ein glühend Messer3:0616Lieder eines fahrenden Gesellen IV. Die zwei blauen Augen5:11Sinfonia n.9 / Kindertotenlieder
1990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 2:17:58
Disc 11Maurerische Trauermusik, in Do minore, K4776:042Sinfonia n.9 in Re Maggiore: Andante comodo28:073Sinfonia n.9 in Re Maggiore: Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb17:554Sinfonia n.9 in Re Maggiore: Rondo, Burleske, Allegro assai, sehr trotzig14:15Disc 21Sinfonia n.9 in Re Maggiore: Adagio, sehr langsam und noch zurückhaltend24:582Kindertotenlieder: Nun will die Sonn’ so hell aufgeh’n5:033Kindertotenlieder: Nun seh’ ich wohl4:114Kindertotenlieder: Wenn dein Mütterlein tritt zur Tür herein4:105Kindertotenlieder: Oft denk’ ich, sie sind nur ausgegangen3:036Kindertotenlieder: In diesem Wetter, in diesem Braus6:237Tristan und Isolde: Vorspiel Akt 112:288Die Meistersinger von Nürnberg: Ouverture11:211990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:12:06
1Sinfonia no. 5: I. Marcia Funebre. A passo misurato. Come un corteo12:512Sinfonia no. 5: II. Tempestosamente mosso. Con la più grande veemenza15:093Sinfonia no. 5: III. Scherzo. Con forza, non troppo veloce17:324Sinfonia no. 5: IV. Adagietto. Molto lento11:545Sinfonia no. 5: V. Rondò finale. Allegro - Allegro giocoso. Fresco14:401990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 57:08
1Symphony no. 1 in D major: I. Langsam. Schleppend - Im Anfang sehr gemächlich16:302Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell8:113Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen11:554Symphony no. 1 in D major: IV. Stürmisch bewegt20:32The Great Composers 20: Symphonic Excerpts Featuring Themes from Visconti's Film "Death In Venice"
1990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:03:28
1Symphony No. 6 "Tragic": II. Andante moderato17:202Symphony No. 7 in E Minor "Song of the Night": II. Nachtmusik, Allegro moderato17:523Symphony No. 1 in D Major "The Titan": II. Kräeftig Bewegt8:144Symphony No. 3 in D Minor "A Summer Morning's Dream": IV. Misterioso10:055Symphony No. 5 in C-sharp minor: IV. Adagietto. Sehr langsham9:571990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:04:45
1Symphony no. 5: I. Trauermarsch: In gemeßenem Schritt. Streng. Wie ein Kondukt11:362Symphony no. 5: II. Stürmisch bewegt. Mit größter Vehemenz13:043Symphony no. 5: III. Scherzo: Kraftig, nicht zu schnell17:284Symphony no. 5: IV. Adagietto: Sehr langsam8:305Symphony no. 5: V. Rondo-Finale: Allegro14:07Symphony No. 4 / Lieder und Gesänge aus der Jugendzeit
1990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 1:06:56
1Symphony no. 4 in G major: I. Bedächtig16:142Symphony no. 4 in G major: II. In gemächlicher Bewegung8:343Symphony no. 4 in G major: III. Ruhevoll. Poco adagio17:284Symphony no. 4 in G major: IV. Sehr behaglich7:2558 Songs: I. Erinnerung2:2868 Songs: II. Scheiden und Meiden2:1978 Songs: III. Nicht wiedersehen!3:3288 Songs: IV. Ich ging mit Lust durch einen grünen Wald3:1498 Songs: V. Ablösung im Sommer1:20108 Songs: VI. Hans und Grete1:45118 Songs: VII. Frühlingsmorgen1:34128 Songs: VIII. Starke Einbildungskraft1:031990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:23:28
Disc 11Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso22:272Symphony no. 2 in C minor “Resurrection”: II. Andante moderato9:53Disc 21Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung10:412Symphony no. 2 in C minor “Resurrection”: IV. Urlicht. Sehr feierlich, aber schlicht5:373Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzos34:50Mahler 6 / Zemlinsky: 6 Maeterlinck-Lieder
1990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:44:21
Disc 116 Gesänge nach Maeterlinck, op. 13: Die drei Schwestern4:0226 Gesänge nach Maeterlinck, op. 13: Die Mädchen mit den verbundenen Augen3:0436 Gesänge nach Maeterlinck, op. 13: Lied der Jungfrau2:3846 Gesänge nach Maeterlinck, op. 13: Und kehrt er einst heim3:0556 Gesänge nach Maeterlinck, op. 13: Als ihr Geliebter schied2:2066 Gesänge nach Maeterlinck, op. 13: Sie kam zum Schloß gegangen4:357Symphony no. 6 in A minor: I. Allegro energico, ma non troppo25:35Disc 21Symphony no. 6 in A minor: II. Scherzo: Wuchtig13:202Symphony no. 6 in A minor: III. Andante moderato14:433Symphony no. 6 in A minor: IV. Finale: Allegro moderato30:591990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:10:06
1Symphony No. 5: I. Trauermarsch (In gemessenem Schritt - Streng - Wie ein Kondukt)13:472Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz14:433Symphony No. 5: III. Scherzo (Kräftig, nicht zu schnell)16:234Symphony No. 5: IV. Adagietto (Sehr langsam)10:025Symphony No. 5: V. Rondo-Finale (Allegro)15:111990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:09:38
1Symphonie No. 9 D-Dur: I. Andante comodo21:152Symphonie No. 9 D-Dur: II. Im Tempo eines gemächlichen Ländlers16:053Symphonie No. 9 D-Dur: III. Rondo Burleske12:114Symphonie No. 9 D-Dur: IV. Adagio20:071990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:19:05
1Sinfonie Nr. 9 D-dur: Andante comodo27:132Sinfonie Nr. 9 D-dur: Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb16:463Sinfonie Nr. 9 D-dur: Rondo. Burleske. Allegro assai. Sehr trotzig13:374Sinfonie Nr. 9 D-dur: Adagio. Sehr langsam und noch zurückhaltend21:291990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:10:16
1Symphony no. 5 in C-sharp minor: Part I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt13:042Symphony no. 5 in C-sharp minor: Part I. Stürmisch bewegt. Mit größter Vehemenz14:083Symphony no. 5 in C-sharp minor: Part II. Scherzo. Kräftig, nicht zu schnell18:114Symphony no. 5 in C-sharp minor: Part III. Adagietto. Sehr langsam10:465Symphony no. 5 in C-sharp minor: Part III. Rondo-Finale. Allegro - Allegro giocoso. Frisch14:071990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:08:15
1Symphonie Nr. 5: Erster Teil: Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt11:432Symphonie Nr. 5: Erster Teil: Stürmisch bewegt. Mit größter Vehemenz13:583Symphonie Nr. 5: Zweiter Teil: Scherzo. Kräftig, nicht zu schnell17:224Symphonie Nr. 5: Dritter Teil: Adagietto. Sehr langsam – attacca:9:455Symphonie Nr. 5: Dritter Teil: Rondo-Finale. Allegro – Allegro giocoso. Frisch15:271990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 32 tracks · 1:29:37
Disc 11Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 1. "Veni, Creator Spiritus!"1:352Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 2. "Imple superna gratia"4:473Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 3. "Infirma nostri corporis"2:114Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 4. Tempo I. (Allegro, etwas hasig.)1:535Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 5. "Infirma nostri corporis"3:016Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 6. "Accende lumen sensibus"6:397Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 7. "Qui Paraclitus diceris"3:368Symphony No. 8 in E-flat major, Symphony of a Thousand, I. Teil. Hymnus: Veni, Creator Spiritus: 8. "Gloria Patri Domino"3:03Disc 21Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 1. Poco adagio6:462Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 2. Più mosso. (Allegro moderato.)3:413Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 3. "Waldung, sie scheankt heran"4:484Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 4. "Ewiger Wonnebrand"1:525Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 5. "Wie Felsenabgrund mir zu Füßen"4:256Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 6. "Gerettet ist das edle Glied"1:337Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 7. "Jene Rosen, aus den Händen"2:288Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 8. "Uns bleibt ein Erdenrest"2:149Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 9. "Ich spür’ soeben"0:3310Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 10. "Hier ist die Aussicht frei"0:4711Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 11. "Höchste Herrscherin der Welt"2:2412Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 12. "Jungfrau, rein im schönsten Sinne"2:1913Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 13. Äußerst langsam. Adagissimo1:1814Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 14. "Dir, der Unberührbaren"2:5615Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 15. "Bei der Liebe, die den Füßen"1:0716Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 16. "Bei dem Bronn, zu dem schon weiland"2:0317Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 17. "Bei dem hochgeweihten Orte"1:2218Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 18. "Die du großen Sünderinnen"1:4819Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 19. "Neige, neige, du Ohnegleiche"0:5720Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 20. "Er überwächst uns schon"1:3221Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 21. "Vom edlen Geisterchor umgeben"2:2022Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 22. "Komm! Komm! Hebe dich zu höheren Sphären!"1:1023Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 23. "Blicket auf zum Retterblick"6:3224Symphony No. 8 in E-flat major, Symphony of a Thousand, II. Teil. Schlußszene aus "Faust": 24. "Alles Vergängliche5:57Mahler: Symphony no. 10 / Schoenberg: Verklarte Nacht
1990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:49:34
Disc 11Symphony no. 10: I. Adagio25:552Symphony no. 10: II. Scherzo11:543Symphony no. 10: III. Purgatorio4:43Disc 21Symphony no. 10: IV. Scherzo11:322Symphony no. 10: V. Finale25:243Verklärte Nacht30:061991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:01:51
1Symphony no. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt11:492Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit grösster Vehemenz12:493Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell15:214Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam7:435Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro14:09Symphony no. 5 in C sharp minor
1991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 1:01:16
Disc 11Symphony no. 5: Trauermarsch; In gemessenem Schritt; Streng; Wie ein Kondukt10:482Symphony no. 5: Stürmisch bewegt. Mit größter Vehemenz12:303Symphony no. 5: Scherzo; Kräftig, nicht zu schnell15:454Symphony no. 5: Adagietto; Sehr langsam8:035Symphony no. 5: Rondo-Finale; Allegro14:10Disc 21Entire Album in 5.1 Multichannel Surround and Stereo2Maurice Abravanel Memorial Tribute Video3"Transferring & Restoring a Lagacy" Behind-The-Scenes Video4"Remembering Abravanel's Utah Symphony Orchestra" Video Interview5Photographs and Performance Memorabilia6Composer Biography7ROM contentSymphony no. 4 / Lieder eines fahrenden Gesellen
1991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:16:00
1Symphony no. 4 in G major: I. Bedächtig16:542Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast10:023Symphony no. 4 in G major: III. Ruhevoll20:424Symphony no. 4 in G major: IV. Sehr behaglich9:225Lieder eines fahrenden Gesellen: Nr. 1. Wenn mein Schatz Hochzeit macht4:336Lieder eines fahrenden Gesellen: Nr. 2. Ging heut' Morgen über's Feld4:277Lieder eines fahrenden Gesellen: Nr. 3. Ich hab' ein gluhend Messer3:378Lieder eines fahrenden Gesellen: Nr. 4. Die zwei blauen Augen von meinem Schatz6:231991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:05:47
1Symphony No. 5: I. Trauermarsch12:142Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz13:533Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell16:334Symphony No. 5: IV. Adagietto. Sehr langsam9:565Symphony No. 5: V. Rondo-Finale. Allegro13:111991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:44:11
Disc 11Symphony no. 3 in D minor: Part I. I. Kräftig. Entschieden34:332Symphony no. 3 in D minor: Part II. II. Tempo di Menuetto. Sehr mäßig11:163Symphony no. 3 in D minor: Part II. III. Comodo. Scherzando19:06Disc 21Symphony no. 3 in D minor: Part II. IV. Sehr langsam. Misterioso10:482Symphony no. 3 in D minor: Part II. V. Lustig im Tempo und keck im Ausdruck4:233Symphony no. 3 in D minor: Part II. VI. Langsam. Ruhevoll. Empfunden24:051991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 58:55
1Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich17:112Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast9:573Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio22:034Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. Wir genießen die himmlischen Freuden9:44Schnittke: String Quartet no. 3 / Piano Quintet / Mahler/Schnittke: Piano Quartet
1991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:06:00
1String Quartet no. 3: I. Andante5:562String Quartet no. 3: II. Agitato8:133String Quartet no. 3: III. Pesante8:274Piano Quartet in A minor: I. Allegro11:345Piano Quartet in A minor: II. Scherzo6:226Piano Quintet: I. Moderato6:047Piano Quintet: II. In tempo di valse5:208Piano Quintet: III. Andante5:399Piano Quintet: IV. Lento4:1510Piano Quintet: V. Moderato pastorale4:10Symphony No. 5 in C-sharp minor
1991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:09:48
1Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt)11:422Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz14:123Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell)18:094Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam)10:515Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)14:54Mahler - Symphony No. 1 - Lieder eines fahrenden Gesellen
1991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:10:59
1Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht"4:502Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld"4:183Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer"3:124Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz"5:215Symphony no. 1 in D major, “Titan”: Langsam, schleppend. Im Anfang sehr gemächlich15:466Symphony no. 1 in D major “Titan”: II. Kräftig bewegt, doch nicht zu schnell – Trio. Recht gemächlich8:007Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen10:218Symphony no. 1 in D major “Titan”: IV. Sturmisch bewegt19:111991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:13:34
1Sinfonia n. 6 in La minore: Allegro energico, ma non troppo. Heftig, aber marking18:572Sinfonia n. 6 in La minore: Andante moderato13:443Sinfonia n. 6 in La minore: Scherzo: Wuchtig11:544Sinfonia n. 6 in La minore: Finale: Allegro moderato. Allegro energico28:591991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:01:08
1Das Lied von der Erde: I. Das Trinklied vom jammer der Erde8:502Das Lied von der Erde: II. Der Einsame im Herbst9:143Das Lied von der Erde: III. Von der Jugend3:194Das Lied von der Erde: IV. Von der Schönheit7:305Das Lied von der Erde: V. Der Trunkene im Frühung4:406Das Lied von der Erde: VI. Der Abschied27:35Symphony No. 9 / Symphony No. 10 Adagio
1991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:48:25
Disc 11Symphony No. 9 in D major: I. Andante comodo29:062Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers16:013Symphony No. 9 in D major: III. Rondo burleske14:05Disc 21Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend25:402Symphony No. 10: Adagio23:331991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:13:41
1Symphony No. 6 "Tragic": I. Allegro energico, ma non troppo. Heftig, aber markig17:532Symphony No. 6 "Tragic": II. Scherzo. Wuchtig13:153Symphony No. 6 "Tragic": III. Andante moderato13:354Symphony No. 6 "Tragic": IV. Finale. Allegro moderato - Allegro energico28:58Lieder eines fahrenden Gesellen / Kindertotenlieder / 5 Rueckert-Lieder
1991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 14 tracks · 1:08:13
1Lieder eines fahrenden Gesellen: No. 1, "Wenn mein Schatz Hochzeit macht"4:252Lieder eines fahrenden Gesellen: No. 2, "Ging heut' morgen über's Feld"4:073Lieder eines fahrenden Gesellen: No. 3, "Ich hab' ein glühend Messer"3:204Lieder eines fahrenden Gesellen: No. 4, "Die zwei blauen Augen"5:425Kindertotenlieder: No. 1, "Nun will die Sonn' so hell aufgehn"5:586Kindertotenlieder: No. 2, "Nun seh' ich wohl, warum so dunkle Flammen"5:117Kindertotenlieder: No. 3, "Wenn dein Mütterlein"6:038Kindertotenlieder: No. 4, "Oft denk' ich, sie sind nur ausgegangen"3:319Kindertotenlieder: No. 5, "In diesem Wetter"7:32105 Rückert-Lieder: "Ich atmet' einen linden Duft"2:44115 Rückert-Lieder: "Liebst du um Schoenheit"1:30125 Rückert-Lieder: "Blicke mir nicht in die Lieder"3:00135 Rückert-Lieder: "Um Mitternacht"7:23145 Rückert-Lieder: "Ich bin der Welt abhanden gekommen"7:471991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:56:26
Disc 11Symphony no. 6 in A minor: I. Allegro energico, ma non troppo25:012Symphony no. 6 in A minor: II. Scherzo: Wuchtig14:373Symphony no. 6 in A minor: III. Andante moderato16:42Disc 21Symphony no. 6 in A minor: IV. Finale: Allegro moderato31:322Todtenfeier28:341991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:11:11
1Symphony No. 5 in C sharp minor: I. Trauermarsch12:382Symphony No. 5 in C sharp minor: II. Sturmisch bewegt14:133Symphony No. 5 in C sharp minor: III. Scherzo17:464Symphony No. 5 in C sharp minor: IV. Adagietto11:205Symphony No. 5 in C sharp minor: V. Rondo-Finale15:141991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:19:23
1Symphonie No. 7: I. Langsam (Adagio) - Allegro risoluto ma non troppo21:452Symphonie No. 7: II. Nachtmusik I (Allegro moderato)16:043Symphonie No. 7: III. Scherzo. Schattenhaft (Fliebend aber nicht schnell; in den Anfangstakten noch etwas zögernd)9:524Symphonie No. 7: IV. Nachtmusik II (Andante amoroso)13:405Symphonie No. 7: V. Rondo - Finale (Allegro ordinario)18:02Der Tod und das Mädchen / 5 German Dances and 7 Trios with Coda
1991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 1:05:25
1String Quartet in D minor (D. 810) “Death and the Maiden”: I. Allegro17:042String Quartet in D minor (D. 810) “Death and the Maiden”: II. Andante con moto17:133String Quartet in D minor (D. 810) “Death and the Maiden”: III. Scherzo: Allegro molto– Trio4:164String Quartet in D minor (D. 810) “Death and the Maiden”: IV. Presto10:295Dance no. 1 in C major - Trio I - Trio II3:376Dance no. 2 in G major - Trio I - Trio II3:597Dance no. 3 in D major - Trio2:008Dance no. 4 in F major0:579Dance no. 5 in C major - Trio I - Trio II - Coda5:501991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 54:43
1Symphonie No. 1 in D: I. Langsam. Schleppend. Wie ein Naturlaut – Im Anfang sehr gemächlich16:132Symphonie No. 1 in D: II. Kräftig bewegt, doch nicht zu schnell – Trio. Recht gemächlich7:233Symphonie No. 1 in D: III. Feierlich und gemessen, ohne zu schleppen10:324Symphonie No. 1 in D: IV. Stürmisch bewegt20:35Symphony no. 4 / Songs of a Wayfarer
1991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:15:10
1Symphony no. 4 in G major: I. Bedächtig. Nicht eilen17:282Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast9:183Symphony no. 4 in G major: III. Ruhevoll20:534Symphony no. 4 in G major: IV. Sehr behaglich10:245Songs of a Wayfarer: I. Wenn mein Schatz Hochzeit macht3:486Songs of a Wayfarer: II. Ging heut morgen übers Feld4:247Songs of a Wayfarer: III. Ich hab ein glühend Messer3:268Songs of a Wayfarer: IV. Die zwei blauen Augen von meinem Schatz5:291991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:00:53
1Symphonie no. 1 D-dur "Titan": I. Langsam. Schleppend - Im Anfang sehr gemächlich18:122Symphonie no. 1 D-dur "Titan": II. Kräftig bewegt, doch nocht zu schnell8:273Symphonie no. 1 D-dur "Titan": III. Feierlich und bemessen, ohne zu schleppen11:344Symphonie no. 1 D-dur "Titan": IV. Stürmisch bewegt22:40Symphony No. 8 in E flat major "Symphony of a Thousand"
1991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:19:39
1Symphony no. 8: I. Hymnus: Veni Creator Spiritus23:252Symphony no. 8: II. Final Scene from Faust: Orchestral Introduction (Poco Adagio)18:523Symphony no. 8: II. Final Scene from Faust: Gerettet ist das edle Glied8:264Symphony no. 8: II. Final Scene from Faust: Junfrau, rein im schönsten Sinne28:561992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 3 tracks · 1:04:58
1Das klagende Lied: I. Waldmärchen27:402Das klagende Lied: II. Der Spielmann17:453Das klagende Lied: III. Hochzeitsstück19:33Symphony No. 5 in C-sharp minor
1992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:17:05
1Symphony No. 5 in C-sharp minor, Part I: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Konduct13:432Symphony No. 5 in C-sharp minor, Part I: II. Stürmisch gewegt. Mit grösster Vehemenz15:423Symphony No. 5 in C-sharp minor, Part II: III. Scherzo. Kräftig, nicht zu schnell18:524Symphony No. 5 in C-sharp minor, Part III: IV. Adagietto. Sehr langsam12:255Symphony No. 5 in C-sharp minor, Part III: V. Rondo - Finale. Allegro16:231992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 55:48
1Symphonie Nº 4: I. Bedächtig. Nicht eilen16:442Symphonie Nº 4: II. In gemächlicher Bewegung. Ohne Hast9:283Symphonie Nº 4: III. Ruhevoll20:354Symphonie Nº 4: IV. Sehr behaglich9:011992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:13:16
1Langsam (Adagio) - Allegro19:412Nachtmusik 1 (Allegro Moderato)14:063Scherzo9:454Nachtmusik 2 (Andante Amoroso)13:105Rondo. Finale16:341992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:43:17
Disc 11Symphony No. 3 in D minor: I. Kraftig, Entschieden34:592Symphony No. 3 in D minor: II. Tempo di menuetto, Sehr mabig10:163Symphony No. 3 in D minor: III. Comodo, Scherzando, Ohne Hast17:59Disc 21Symphony No. 3 in D minor: IV. Sehr langsam. Misterioso: <<O Mensch! Gib acht!>>9:442Symphony No. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: <<Bimm bamm. Es sungen drei Engel>>4:193Symphony No. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden26:001992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:06:49
1Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde9:482Das Lied von der Erde: II. Der Einsame im Herbst9:593Das Lied von der Erde: III. Von der Jugend3:124Das Lied von der Erde: IV. Von der Schönheit7:345Das Lied von der Erde: V. Der Trunkene im Frühling4:506Das Lied von der Erde: VI. Der Abschied31:261992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 24 tracks · 1:23:12
Disc 11Symphonie no. 8: Veni, creator spiritus1:242Symphonie no. 8: "Imple superna gratia"3:583Symphonie no. 8: "Infirma nostri corporis"2:424Symphonie no. 8: Tempo I. (Allegro, etwas hastig)1:295Symphonie no. 8: "Infirma nostri corporis"3:176Symphonie no. 8: "Accende lumen sensibus"4:577Symphonie no. 8: "Veni, Creator...Da gaudiorum praemia"3:528Symphonie no. 8: "Gloria sit Patri Domino"3:30Disc 21Symphonie no. 8: Poco adagio5:492Symphonie no. 8: Più mosso (Allegro moderato)3:343Symphonie no. 8: "Waldung, sie schwankt heran"4:074Symphonie no. 8: "Ewiger Wonnebrand"1:285Symphonie no. 8: "Wie Felsenabgrund mir zu Füßen"4:506Symphonie no. 8: "Gerettet ist das edle Glied" - "Hände verschlinget"0:537Symphonie no. 8: "Jene Rosen, aus den Händen"1:438Symphonie no. 8: "Uns bleibt ein Erdenrest"2:249Symphonie no. 8: "Ich spür' soeben" - "Freudig empfangen wir"1:1010Symphonie no. 8: "Höchste Herrscherin der Welt"5:0711Symphonie no. 8: "Dir, der Unberührbaren" - "Du schwebst zu Höhen"3:2912Symphonie no. 8: "Bei der Liebe" - "Bei dem Bronn" - Bei dem hochgeweihten Orte"4:2113Symphonie no. 8: "Neige, neige, du Ohnegleiche"0:5814Symphonie no. 8: "Er überwächst uns schon" - "Vom edlen Geisterchor umgeben"3:4615Symphonie no. 8: "Komm! hebe dich zu höhern Sphären" - "Blicket auf zum Retterblick"8:0316Symphonie no. 8: "Alles Vergängliche"6:21Symphony no. 3 / Kindertotenlieder
1992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 11 tracks · 2:03:07
Disc 11Symphony no. 3 in D minor: I. Kräftig. Entschiden34:102Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mäßig9:053Symphony no. 3 in D minor: III. Comodo. Scherzando17:54Disc 21Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso9:202Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck4:323Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden24:084Kindertotenlieder: I. Nun will die Sonn' so hell aufgeh'n5:015Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen4:516Kindertotenlieder: III. Wenn dein Mütterlein4:327Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen!2:548Kindertotenlieder: V. In diesem Wetter, in diesem Braus6:40Bruno Walter Conducts Music By Gustav Mahler
1992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:16:47
1Das Lied von der Erde: Das Trinklied vom Jammer der Erde8:302Das Lied von der Erde: Der Einsame im Herbst8:373Das Lied von der Erde: Von der Jugend3:044Das Lied von der Erde: Von der Schönheit6:225Das Lied von der Erde: Der Trunkene im Frühling4:136Das Lied von der Erde: Der Abschied27:017Rückert Lieder: Ich bin der Welt abhanden gekommen5:548Rückert Lieder: Ich atmet' einen linden Duft2:519Symphony no. 5: Adagietto7:5910Bruno Walter On Mahler: Beginning of spoken reminiscence2:161992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:05:03
1String Quartet in D Minor, D. 810 "Death and the Maiden": I. Allegro14:172String Quartet in D Minor, D. 810 "Death and the Maiden": II. Andante con moto14:563String Quartet in D Minor, D. 810 "Death and the Maiden": III. Scherzo - Allegro molto3:504String Quartet in D Minor, D. 810 "Death and the Maiden": IV. Presto9:065String Quartet No. 11 in F Minor, Op. 95 "Serioso": I. Allegro con brio4:536String Quartet No. 11 in F Minor, Op. 95 "Serioso": II. Allegretto ma non troppo7:307String Quartet No. 11 in F Minor, Op. 95 "Serioso": III. Allegro assai vivace ma serioso - Più allegro5:358String Quartet No. 11 in F Minor, Op. 95 "Serioso": IV. Larghetto espressivo - Allegretto agitato - Allegro4:561992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 3 tracks · 1:04:24
1Das klagende Lied: Erster Teil. Waldmärchen28:112Das klagende Lied: Zweiter Teil. Der Spielmann17:413Das klagende Lied: Dritter Teil. Hochzeitsstück18:321992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 55:31
1Symphony no. 4 in G: 1. Bedächtig. Nicht eilen - Recht gemächlich17:032Symphony no. 4 in G: 2. In gemächlicher Bewegung8:583Symphony no. 4 in G: 3. Ruhevoll (Poco adagio)20:214Symphony no. 4 in G: 4. Sehr behaglich9:091992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 2:59:36
Disc 11Symphony no. 7 in E minor: I. Langsam (Adagio) - Allegro con fuoco25:072Symphony no. 7 in E minor: II. Nachtmusik. Allegro moderato17:243Symphony no. 7 in E minor: III. Scherzo. Schattenhaft - Trio - Wieder wie zu Anfang10:59Disc 21Symphony no. 7 in E minor: IV. Nachtmusik. Andante amoroso15:522Symphony no. 7 in E minor: V. Rondo-Finale. Allegro ordinario19:153Symphony no. 9 in D major: I. Andante comodo31:30Disc 31Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb17:402Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig14:523Symphony no. 9 in D major: IV. Adagio26:571992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:03:22
1Das Trinklied vom Jammer der Erde8:142Der Einsame im Herbst9:523Von der Jugend3:234Von ders Schonheit7:185Der Trunkene im Fruhling4:596Der Abschied29:36Symphony no. 1 / Lieder eines fahrenden Gesellen
1992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:09:47
1Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend. Wie ein Naturlaut15:302Symphony no. 1 in D major “Titan”: II. Kräftig bewegt, doch nicht zu schnell7:403Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen10:474Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt19:195Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht4:116Lieder eines fahrenden Gesellen: II. Ging heut’ Morgen über’s Feld4:027Lieder eines fahrenden Gesellen: III. Ich hab’ ein glühend Messer3:068Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen5:12The Gustav Mahler Re-Orchestration of Beethoven Symphony no. 9
1992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:04:01
1Symphony No. 9 in D minor, Op. 125: I. Allegro ma non troppo, un poco maestoso14:492Symphony No. 9 in D minor, Op. 125: II. Molto vivace - Presto11:473Symphony No. 9 in D minor, Op. 125: III. Adagio molto e cantabile - Andante moderato12:494Symphony No. 9 in D minor, Op. 125: IV. Presto - Recitativo Etc.24:361992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:11:09
1Symphony No. 10 (D. Cooke): I. Adagio22:552Symphony No. 10 (D. Cooke): II. Scherzo. Schnelle Vierteln11:093Symphony No. 10 (D. Cooke): III. Purgatorio. Allegretto moderato4:044Symphony No. 10 (D. Cooke): IV. [Scherzo] Allegro pesante. Nicht zu schnell11:045Symphony No. 10 (D. Cooke): V. Finale21:571992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:01:10
1Symphony no. 1: I. Langsam. Schleppend15:462Symphony no. 1: II. Kräftig bewegt8:003Symphony no. 1: III. Feierlich und gemessen10:214Symphony no. 1: IV. Stürmisch bewegt19:215Blumine7:42Mahler: Symphonie no. 7 / Klemperer: Symphonie no. 2 / String Quartet no. 7
1992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 13 tracks · 2:29:08
Disc 11Symphony no. 7 in B minor: I. Adagio27:482Symphony no. 7 in B minor: II. Nachtmusik (Allegro moderato)22:083Symphony no. 7 in B minor: III. Scherzo (Schattenhaft)10:284Symphony no. 7 in B minor: IV. Nachtmusik (Andante amoros)15:46Disc 21Symphony no. 7 in B minor: V. Rondo (Finale)24:252Symphony no. 2: I. Allegro5:333Symphony no. 2: II. Adagio9:594Symphony no. 2: III. Scherzo5:045Symphony no. 2: IV. Finale4:396String Quartet no. 7: I. Fuga (Moderato)6:077String Quartet no. 7: II. Scherzo (Vivace)3:178String Quartet no. 7: III. Intermezzo (Alla marcia)3:529String Quartet no. 7: IV. Adagio10:021992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:14:45
1Symphony no. 5 in C-sharp minor: Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt13:032Symphony no. 5 in C-sharp minor: Stürmisch bewegt, mit größter Vehemenz15:023Symphony no. 5 in C-sharp minor: Scherzo19:394Symphony no. 5 in C-sharp minor: Adagietto12:055Symphony no. 5 in C-sharp minor: Rondo-Finale: Allegro14:561992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:13:29
1Sinfonie Nr. 10 Fis-Dur: I. Adagio23:122Sinfonie Nr. 10 Fis-Dur: II. Scherzo13:053Sinfonie Nr. 10 Fis-Dur: III. Purgatorio. Allegretto moderato4:054Sinfonie Nr. 10 Fis-Dur: IV. (Scherzo) Allegro pesante11:155Sinfonie Nr. 10 Fis-Dur: V. Finale21:521992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 58:08
1Symphony no. 4: I. Bedächtig. Nicht eilen17:022Symphony no. 4: II. In gemälicher Bewegung. Ohne Hast9:423Symphony no. 4: III. Ruhevoll22:024Symphony no. 4: IV. Sehr behaglich (Soprano Solo: “Wir genießen die himmlischen Freuden”; from Des Knaben Wunderhorn)9:221992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 55:46
1Symphony No. 4 in G major: I. Bedächtig. Nicht eilen16:062Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast9:203Symphony No. 4 in G major: III. Ruhevoll (Poco adagio)20:584Symphony No. 4 in G major: IV. Sehr behaglich9:22Bruckner: 8th / Mahler: 6th & 9th
1993 · studio album
1993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:09:10
1Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde9:432Das Lied von der Erde: II. Der Einsame im Herbst10:283Das Lied von der Erde: III. Von der Jugend3:364Das Lied von der Erde: IV. Von der Schönheit7:575Das Lied von der Erde: V. Der Trunkene im Frühling5:246Das Lied von der Erde: VI. Der Abschied32:021993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:15:23
1Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck19:042Symphony No. 2 in C minor "Resurrection": II. Andante moderato. Sehre gemächlich. Nicht eilen8:553Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung10:444Symphony No. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht5:175Symphony No. 2 in C minor "Resurrection": V. In Tempo des Scherzo. Wild herausfahrend31:231993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:18:30
1Symphony No. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig22:012Symphony No. 6 in A minor: II. Scherzo. Wuchtig11:563Symphony No. 6 in A minor: III. Andante moderato14:054Symphony No. 6 in A minor: IV. Finale. Sostenuto30:281993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:16:59
1Symphony No. 9 in D major: I. Andante comodo25:112Symphony No. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb15:063Symphony No. 9 in D major: III. Rondo. Burleske. Allegro assai. Sehr trotzig13:254Symphony No. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend23:17Symphonies no. 1 "Titan" / Symphony no. 10 /Adagio/
1993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:13:33
1Symphony No. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut12:572Symphony No. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell8:253Symphony No. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen10:374Symphony No. 1 in D major: IV. Stürmisch bewegt18:525Symphony No. 10 in F-sharp major: I. Adagio22:421993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 3:05:30
Disc 11Symphonie No.3 in D minor: I. Kräftig; Entschieden32:472Symphonie No.3 in D minor: II. Tempo di Menuetto: sehr mässig9:553Symphonie No.3 in D minor: III. Comodo; Scherzando; Ohne Hast18:40Disc 21Symphonie No.3 in D minor: IV. Sehr langsam; Misterioso11:422Symphonie No.3 in D minor: V. Lustig im Tempo und Keck im Ausdruck4:033Symphonie No.3 in D minor: VI. Langsam; Ruhevoll; Empfunden27:004Symphonie No.6 in A minor: I. Allegro energico ma non troppo: Heftig, aber markig22:33Disc 31Symphonie No.6 in A minor: II. Scherzo: Wuchtig13:412Symphonie No.6 in A minor: III. Andante moderato15:083Symphonie No.6 in A minor: IV. Finale: Allegro moderato30:011993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 56:56
1Symphony no. 4 in G major: Bedachtig, nicht eilen16:402Symphony no. 4 in G major: In gemächlicher Bewegung, ohne Hast9:393Symphony no. 4 in G major: Ruhevoll, poco adagio21:094Symphony no. 4 in G major: Sehr behaglich9:281993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 24 tracks · 1:08:54
1Stille Tränen3:082Der Nussbaum2:553Märzveilchen1:284Aus den hebräischen Gesängen3:475Der Himmel hat eine Träne geweint2:116Die Stille1:427Mondnacht3:368Rheinlegendchen3:029Das irdische Leben2:4210Ich bin der Welt abhanden gekommen6:2411Um Mitternacht5:1212Dein blaues Auge1:5413An eine Äolsharfe3:3214Immer leiser wird mein Schlummer3:2815Mädchenlied1:5116Der Schmied1:0917Ständchen1:5118Vergebliches Ständchen2:0219Gefunden2:1120Begegnung1:5721Du meines Herzens Krönelein2:0222Nacht2:2523Ruhe, meine Seele3:4224Morgen!4:43Mahler Plays Mahler, the Welte-Mignon Piano Rolls
1993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:06:23
1Lieder eines fahrenden Gesellen: "Ging heut' morgens übers Feld" In gemächlicher Bewegung2:562Lieder und Gesänge: "Ich ging mit Lust durch einen grünen Wald" Träumerisch, durchaus zart3:143Symphony no. 4 in G major: IV. Sehr behaglich7:224Symphony no. 5 in C-sharp minor: I. Trauermarsch12:525Lieder eines fahrenden Gesellen: "Ging heut' morgens übers Feld" In gemächlicher Bewegung2:566Lieder und Gesänge: "Ich ging mit Lust durch einen grünen Wald" Träumerisch, durchaus zart3:147Symphony no. 4 in G major: IV. Sehr behaglich7:198Remembering Mahler26:301993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:09:28
1Symphony No. 5 in C-sharp minor: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt11:032Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz13:393Symphony No. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell18:364Symphony No. 5 in C-sharp minor: IV. Adagietto. Sehr langsam10:025Symphony No. 5 in C-sharp minor: V. Rondo-Finale. Allegro16:08Symphony no. 6 in A minor "Tragic"
1993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:24:07
Disc 11Symphony no. 6 in A minor "Tragic": I. Allegro energico, ma non Troppo. Heftig, aber markig23:482Symphony no. 6 in A minor "Tragic": II. Scherzo. Wuchtig12:54Disc 21Symphony no. 6 in A minor "Tragic": III. Andante moderato16:112Symphony no. 6 in A minor "Tragic": IV. Finale. Allegro moderato - Allegro energico31:14Mahler: Symphony No. 5: Adagietto. Symphony No.1
1993 · studio album
Other · 5
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1974 | Greatest HitsSearch SpotifySearch YouTube MusicTracklist · 6 tracks · 40:07A1Adagietto (Symphony No 5 in C-sharp minor) (Theme From "Death in Venice")11:00 A2Life in Heaven (Finale - Symphony No 4 in G major)10:14 A3Scherzo (Symphony No 2 in C minor "Reaurrection")10:48 B1Message of the Bells (Symphony No 3 in D minor)4:10 B2Purgatorio (Symphony No 10 in F-sharp minor) B3Three Songs From " the Magic Horn of Youth": Revelge / St. Anthony of Padua Preaches to the Fish / All in Vain / Scherzo (Symphony No 7 in B minor)3:55 | Compilation | 1974 | |
| 1991 | Music For The Millions Vol. 29Search SpotifySearch YouTube MusicTracklist · 5 tracks · 1:03:131Symphony No. 5, C Sharp Minor: I. In Gemessenem Schritt, Streng Wie Ein Kondukt11:49 2Symphony No. 5, C Sharp Minor: II. Stürmisch Bewegt, Mit Grösster Vehemenz13:11 3Symphony No. 5, C Sharp Minor: III. Scherzo Kräftig, Night Zu Schnell15:28 4Symphony No. 5: Adagio9:02 5Symphonie N°5 En Ut Dièse Mineur - 5e Mouvement: Rondo - Finale: Allegro Giocoso13:43 | 1991 | ||
| 1998 | Mahler: Adagio dalla Sinfonia n. 10 / Strauss: Eine AlpensinfonieSearch SpotifySearch YouTube MusicTracklist · 2 tracks · 1:27:03Disc 1 1Sinfonia n. 10: Adagio31:16 Disc 21Eine Alpensinfonie55:47 | 1998 | ||
| 2009 | Mahler: Symphony No. 1Search SpotifySearch YouTube MusicTracklist · 4 tracks · 57:401Langsam - Schleppend - Im Anfang sehr gemächlich16:47 2Kräftig bewegt, doch nicht zu schnell8:34 3Feierlich und gemessen, ohne zu schleppen11:11 4Stürmisch bewegt - Energisch21:08 | 2009 | ||
| 2012 | Kerner Lieder op. 35 / Songs by Wolf, Korngold & MahlerSearch SpotifySearch YouTube MusicTracklist · 26 tracks · 1:10:301Six songs from the Italienisches Liederbuch: Gesegnet sei, durch den die Welt entstund1:25 2Six songs from the Italienisches Liederbuch: Schon streckt’ ich aus im Bett1:46 3Six songs from the Italienisches Liederbuch: Geselle, wolln wir uns in Kutten hüllen2:15 4Six songs from the Italienisches Liederbuch: Und willst du deinen Liebsten sterben sehen2:05 5Six songs from the Italienisches Liederbuch: Sterb’ ich, so hüllt in Blumen meine Glieder2:23 6Six songs from the Italienisches Liederbuch: Ein Ständchen Euch zu bringen kam ich her1:45 7Vier Lieder des Abschieds Op. 14: Sterbelied4:10 8Vier Lieder des Abschieds Op. 14: Dies eine kann mein Sehnen nimmer fassen2:44 9Vier Lieder des Abschieds Op. 14: Mond, so gehst du wieder auf3:33 10Vier Lieder des Abschieds Op. 14: Gefaßter Abschied4:34 11Um schlimme Kinder artig zu machen1:58 12Erinnerung2:27 13Ich ging mit Lust4:22 14Aus! Aus!2:29 15Kerner Lieder op. 35: Lust der Sturmnacht1:31 16Kerner Lieder op. 35: Stirb, Lieb’ und Freud’!5:21 17Kerner Lieder op. 35: Wanderlied2:45 18Kerner Lieder op. 35: Erstes Grün2:01 19Kerner Lieder op. 35: Sehnsucht nach der Waldgegend2:15 20Kerner Lieder op. 35: Auf das Trinkglas eines verstorbenen Freundes3:52 21Kerner Lieder op. 35: Wanderung1:17 22Kerner Lieder op. 35: Stille Liebe2:56 23Kerner Lieder op. 35: Frage1:09 24Kerner Lieder op. 35: Stille Tränen3:25 25Kerner Lieder op. 35: Wer machte dich so krank?2:18 26Kerner Lieder op. 35: Alte Laute3:44 | 24 September 2012 |
Stats & PK
Percentile within all 23,672 published artists.Put Gustav Mahler head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 152 | 99.9th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 252 | 99.6th |
| Studio albums | 247 | 99.9th |
| Awards recorded | 0 | 0th |
| Timeline events | 243 | 99.9th |
| Recording span (years) | -40 | 7.1th |
| Genres | 14 | 98.6th |
Awards & honours
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Gustav-Mahler-Kohut.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/8d610e51-64b4-4654-b8df-064b0fb7a9d9discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/8d610e51-64b4-4654-b8df-064b0fb7a9d9core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q7304genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q7304seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Gustav_Mahlerbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Gustav_Mahler
Why this artist is in the database
- List of Austrian musicians
- List of composers by name
Tier rule: global reach (152 language versions)
Image: Leonard Berlin / E. Bieber · Public domain · Wikimedia Commons
Wikidata: Q7304 · MusicBrainz: 8d610e51-64b4-4654-b8df-064b0fb7a9d9
Similar artists
Browse every Tier 2 artist →Ranked from this record's own data: shared genre tags (rarer tags weigh more), era, home country and comparable fame. Every card lists the signals that placed it — no editorial picks.
Dmitri Shostakovich
Russian Empire · Person
chamber music · symphony
2 shared genre tags · debut 1952, 1 year apart
106 wikis
Georges Enescou
Romania · Person
chamber music · symphony
2 shared genre tags · debut 1948, 3 years apart
54 wikis
Alexander Borodin
Russian Empire · Person
chamber music · symphony · classical music
3 shared genre tags
92 wikis
Wolfgang Amadeus Mozart
Archduchy of Austria · Person
chamber music · symphony
2 shared genre tags · debut 1950, 1 year apart
8.2M listeners · 274 wikis
Aram Khachaturian
Soviet Union · Person
chamber music · symphony
2 shared genre tags · debut 1946
80 wikis
Igor Stravinsky
France · Person
chamber music · symphony
2 shared genre tags
166 wikis
Antonio Vivaldi
Republic of Venice · Person
chamber music
1 shared genre tag · debut 1950, 1 year apart
168 wikis
Dmitry Borisovich Kabalevsky
Russian Empire · Person
chamber music · symphony · classical music
3 shared genre tags
51 wikis