Photo: Wilhelm Arndt · Public domain · credits
Tier 3 · vertical & regionalfull biography
Jan Ladislav Dussek
Person · male · Čáslav · born 1760 · died 1812 · recording since 1987
Czech composer and pianist (1760–1812)
streamingstreamingdatabasedatabasedatabase
Listen on SpotifyYouTube Music
Also known as Dussek · Jan Ladislav Dussek · Jan Ladislav Dusík · Johann L. Dussek · 扬·拉迪斯拉夫·杜舍克
Timeline
35 events▣ Album 32◦ Birth 1† Death 1★ Debut release 1
1760s
1810s
1980s
· Debut release
Debut release: Sonate en fa mineur «L'Invocation» / Les Adieux /rondo/ / Douze études mélodiques nos 3, 5, 11
First documented Album in the MusicBrainz discography.
source: musicbrainz
· Album
Album: Sonate en fa mineur «L'Invocation» / Les Adieux /rondo/ / Douze études mélodiques nos 3, 5, 11
Album
source: musicbrainz
1990s
2000s
2010s
· Album
Album: Piano Concerto in G major, op. 1 no. 3 / Piano Concerto in C major, op. 29 / Piano Concerto in E-flat major, op. 70
Album
source: musicbrainz
· Album
Album: Piano Concerto in E-flat major, op. 3 / Piano Concerto in F major, op. 14 / Piano Concerto in G minor, op. 49
Album
source: musicbrainz
2020s
· Album
Album: Complete Piano Sonatas, Volume 9: Sonatas, op. 14 nos. 1-3 & Sonate pour le clavecin ou le forte-piano in G
Album
source: musicbrainz
· Album
Album: BBC Music, Volume 31, Number 12: Symphony no. 49 “La Passione” Plus Works
Album
source: musicbrainz
Biography
English biography3,358 words · 15 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1379500429
Biography
Jan Ladislav Dussek (baptised Jan Václav Dusík, with surname also written as Duschek or Düssek; 12 February 1760 – 20 March 1812) was a Czech classical period composer and virtuoso pianist. He was an important representative of Czech music abroad in the second half of the 18th century and the beginning of the 19th century. Some of his more forward-looking piano works have traits often associated with Romanticism.
Dussek was one of the first piano virtuosos to travel widely throughout Europe. He performed at courts and concert venues from London to Saint Petersburg to Milan, and was celebrated for his technical prowess. During a nearly ten-year stay in London, he was instrumental (sic) in extending the size of the pianoforte, and was the recipient of one of John Broadwood's first 6-octave pianos, CC-c4. Harold Schonberg wrote that he was the first pianist to sit at the piano with his profile to the audience, earning him the appellation "le beau visage." All subsequent pianists have sat on stage in this manner. He was one of the best-regarded pianists in Europe before Beethoven's rise to prominence.
His music is marked by lyricism interrupted by sudden dynamic contrasts. As well as his many compositions for the piano, he also composed for the harp: his music for that instrument contains a great variety of figuration within a largely diatonic harmony, avoids chromatic passages. His music is considered standard repertoire for all harpists, particularly his Six Sonatas/Sonatinas and especially the Sonata in C minor. Less well known to the general public than that of his more renowned Classical period contemporaries, his piano music is highly valued by many teachers and not infrequently programmed. Franz Liszt has been called an indirect successor of Dussek in the composition and performance of virtuoso piano music. His music remained popular to some degree in 19th-century Great Britain and the USA, some still in print, with more available in period editions online.
Early years
The Dussek family had a long history as professional musicians, starting at least as early as Jan Ladislav's grandfather Jan Josef Dusík (b. 1712), and lasting in the Moravian branch of the family at least into the 1970s. Jan Ladislav's mother, Veronika Dusíková (née Štěbetová), played the harp, an instrument, along with the piano, for which her son went on to write much music. His father, Jan Josef, was also a well-known organist and composer. His sister, Kateřina Veronika Anna Dusíkova, was also a musician and composer.
Jan Ladislav, the oldest of three children, was born on 12 February 1760 in the Bohemian town of Čáslav, where his father taught and played the organ. His first musical instruction came from his father, who began teaching him piano at 5, and organ at age 9. His voice was also found to be good, so he also sang in the church choir.
He studied music at the Jesuit gymnasium in Jihlava, where he studied with Ladislav Špinar, its choir director; his grades were reported to be poor. From 1774 to 1776 he studied at the Jesuit gymnasium in Kutná Hora, where he also served as organist in the Santa Barbara Jesuit church. In 1776 he went to the New City Gymnasium in Prague, where he was again reported to be a lazy student. In 1777 he enrolled in the University of Prague, where he lasted one semester.
Netherlands and Hamburg
After these early studies in Bohemia he entered the services of one Captain Männer, an Austrian military man, in 1778. Dussek traveled with the Captain to what has since become Belgium in 1779, where he was - by some sources - appointed organist at St. Rumbold's cathedral in Mechelen. Georges Van Doorslaer, a well acclaimed musicologist from Mechelen, studied the question in 1911 and refutes that claim: Dusseks name is never mentioned in the city's expense records (i.e. he did not receive payment for the commission), and the position at St. Rumbold's was not vacant at the time of Dusseks stay in Mechelen. However, he did perform there: he gave a harpsichord recital in the Kleerkoper's Hall (Botermarkt) on December 16, 1779. He then travelled to the Dutch Republic, where a well-received concert in Amsterdam brought him to the royalty's attention. He was invited to The Hague, where he gave lessons to the three children of Stadtholder William V. While at the Hague he gave a performance before Kaiser Joseph II of Austria, who acknowledged Dussek's prowess.
By 1782, after leaving Männer's service, he was in Hamburg, where he gave a concert on the "new English fortepiano". While in Hamburg, he may have studied with C. P. E. Bach. He also published his first works, three piano concertos and 3 violin sonatas (C 2–7), all of which were assigned Opus 1.
Eastern and Central Europe
From Hamburg he moved to Saint Petersburg, where he was a favorite of Catherine the Great. While there he was introduced to a technician named Hessel, who had developed a keyboard version of the glass harmonica, an instrument Dussek went on to master. Dussek was forced to leave Russia quite abruptly, just ahead of Catherine's secret police, amid suspicions of his involvement in a plot to assassinate Catherine. In a possibly apocryphal tale surrounding his departure, he was en route to play for Catherine when he found a ring, which he put on. Catherine recognized the ring as belonging to a known conspirator, raising her suspicions about Dussek.
After Dussek left Saint Petersburg, he took a position as music director for Prince Antoni Radziwiłł in Lithuania, where he stayed about a year. His departure from Lithuania may have been prompted by an affair he was rumored to have with the Prince's wife, the Princess of Thurn und Taxis. He toured Germany for the next few years as a virtuoso performer on the piano and on the glass harmonica, eventually arriving in Paris in 1786. The German tour was a significant success for him. One review of a Berlin concert said, "He obtained great distinction as a pianist, and was little less admired for his playing on the [glass] harmonica ... some critics pretend to trace to his skill upon this instrument many of his specialities of style both as a pianist and composer". Another reviewer wrote, of a concert in Kassel, "He entranced all listeners with a slow, harmonic, and studiously modulated prelude and chorale." He may also have been in Ludwigslust in 1786, where he would have performed his Extract from an Easter Canata (C 26) for the Duke of Mecklenburg-Schwerin.
France and Italy
In Paris Dussek became a favorite of Marie Antoinette, who tried to dissuade him from going on a performing tour to Milan in 1788. However, she was unsuccessful, as Dussek wanted to visit his brother František in Milan. Dussek's trip to Milan was quite successful; his performances "produce[d] quite a sensation". He returned to Paris, where he stayed until shortly before the outbreak of the Revolution in 1789. There he published a series of violin sonatas (C 27–29) dedicated to Eugénie de Beaumarchais, daughter of writer Pierre Beaumarchais.
London
Dussek left France for England in May or June 1789, where he settled in London. It is sometimes alleged that he took with him the harpist wife of the composer Jean-Baptiste Krumpholtz, who drowned himself in the Seine as a consequence; however, this is likely untrue, as Anne-Marie Krumpholtz went to London in 1788. It is also uncertain whether he left Paris because of the looming crisis in France, or if it was merely coincidental. Early biographers have generally claimed that he left because of the impending revolution. He is reported to have had a concert engagement in London in early June 1789; this would have required his departure from Paris before some of the critical steps early in the Revolution.
Dussek made London his home until 1799. By 1790 he was well established as a performer and teacher. He was in such demand that Davison, in an 1860 biographic sketch, noted that "he became one of the most fashionable professors of the day, and his lessons were both sought with avidity and remunerated at a rate of payment which knew no precedent except in the instance of John Cramer." He had also established a relationship with pianomaker John Broadwood, taking delivery of one of the first 5½ octave pianos (FF-c4): Broadwood noted in his business journal for 13 November 1793: "We have made some 5 ½ octave grands these three years past, the first to please Dussek, which being liked, Cramer junior had one". His collaboration with Broadwood would continue to bear fruit when, in 1794, he also received the first 6-octave (CC-c4) piano
In the spring of 1791, Dussek appeared in a series of concerts, a number of which featured Sophia, the young daughter of music publisher Domenico Corri. In a concert on 15 June that year, the pair played a piano duet together; they were married in September 1792. Sophia Corri was a singer, pianist, and harpist who became known in her own right. They had a daughter, Olivia, but the marriage was not happy, involving liaisons by both parties.
Some of the concerts in 1791 and 1792 featured both Dussek and Joseph Haydn; the older Haydn wrote quite favorably of Dussek in a letter to the latter's father following one of the 1792 concerts. The other highlights of 1792 (above and beyond his marriage to Sophia) included the beginning of a music publishing venture with Sophia's father Domenico. This business, while successful at first, fared poorly in later years, and the circumstances of its failure spurred Dussek to leave London in 1799, leaving Corri in debtors' prison.
Dussek's business venture apparently had little impact on his performing and composing while in London. Every year, he performed in a series of concerts, at least some of which also featured Sophia, and which frequently featured new works. Some works were so successful they were repeated at later concerts in the series. Of one work, a reviewer wrote in 1798, "Dussek's Military Concerto was repeated. We think it very deserving of encomium." The concerto (C 153), which the reviewer reported as having been a repeat performance, was played again the following week.
In 1796, Dussek and his wife began having serious marital troubles. In an account of uncertain veracity, it was reported that Sophia, who had fallen in love with another man, asked Dussek for money to repair her harp. She then used the money to leave the house, removing her belongings in her harp case, and claiming to have left for dinner with a female friend. A suspicious Dussek went with his father-in-law to the man's house, where Sophia locked herself in. She and Dussek argued, and she cursed him, claiming to be pregnant by the other man. Dussek, relenting, promised her freedom to do what she wanted; this led to a reconciliation of sorts. It seems unlikely that Dussek ever saw Sophia and his daughter Olivia after he left London in 1799; Sophia had to wait until she knew Dussek had died before she could remarry, which she did in 1812.
Some of Dussek's compositions included arrangements of operatic and theatrical overtures for piano. He decided to try his hand at opera in 1798; the result was The Captive of Spilberg, with a libretto by Prince Hoare. The opera opened at Drury Lane on 14 November 1798, and the music was well received, with the European Magazine's critic writing, "the music, by Mr. Dussek, was such as to intitle him to rank with the first composers of the time."
Business failure
In 1799, the business venture with Corri, which had never been very successful, ran into financial difficulties. Dussek and Corri managed to convince the librettist Lorenzo Da Ponte to lend them money to cover their debts. The failure to repay this debt put Corri into Newgate Prison and caused Dussek to flee. Da Ponte believed that Dussek fled to Paris; in fact he returned to Hamburg. The affair ended up bankrupting both Corri and Da Ponte.
Dussek then toured Germany, where he became one of the first "glamour" pianists, preceding Franz Liszt. According to Louis Spohr, Dussek was the first to turn the piano sideways on the stage "so that the ladies could admire his handsome profile." Before long he took up a position with Prince Louis Ferdinand of Prussia, who treated him more as a friend and colleague than as an employee. Together, they sometimes enjoyed what were called "musical orgies." When Prince Louis Ferdinand was killed in the Battle of Saalfeld, Dussek wrote the moving Sonata in F sharp minor, Elégie harmonique, Op. 61 (C 211).
Later years
In 1807, despite his earlier affiliation with Marie Antoinette, Dussek returned to Paris in the employ of Talleyrand, the powerful French foreign minister. Having no doubt made the acquaintance of Sébastien Érard in London, he became closely associated with the Érard brothers' piano-making activities, signing an Érard grand piano of 1808 still to be seen at Talleyrand's château at Valençay, and giving the first public performance on their new stirrup-action grand in 1810. He wrote a powerful sonata (Sonata in A-flat major, Op. 64, C 221) called Le Retour à Paris (The Return to Paris). This imposing sonata also received the nickname Plus Ultra in heated response to a piano sonata by Joseph Woelfl, said to be the last word in pianistic difficulties, entitled Non Plus Ultra. The remainder of his life he spent performing, teaching and composing in Prussia and France. His personal beauty had faded and he became grossly fat. He also developed a fondness for strong drink which probably hastened his death. Dussek died of gout on 20 March 1812, in Saint-Germain-en-Laye.
Style
Dussek was a predecessor of the Romantic composers for piano, especially Chopin, Schumann and Mendelssohn. Many of his works are strikingly at odds with the prevailing late Classical style of other composers of the time like Beethoven, Hummel, and Schubert. The evolution of style found in Dussek's piano writing suggests he pursued an independent line of development, one that anticipated but did not influence early Romanticism.
His more notable works include several large-scale solo piano pieces, piano sonatas, many piano concertos, sonatas for violin and piano, a musical drama, and various works of chamber music, including a Trio for piano, horn and violin, and the highly unusual sonata for piano, violin, cello and percussion entitled The Naval Battle and Total Defeat of the Dutch by Admiral Duncan (1797, C 152), which is an extremely rare example of pre-20th-century chamber music that includes percussion.
Solo piano works
Dussek was one of a number of foreign-born composers, including Muzio Clementi and John Field, who contributed significantly to the development of a distinct "London" school of pianoforte composition. In part, this was due to the particular nature of piano manufacture in England. Joseph Haydn, for instance, composed his famous E-flat sonata after playing a piano of greater range lent to him by Dussek. Much of Dussek's piano writing drew upon the more modulable and powerful tonal qualities and greater keyboard range of English-manufactured pianofortes. The enhanced possibilities offered by the instrument help explain some of his stylistic innovations.
Dussek wrote numerous solo piano works, including 34 Piano Sonatas as well as a number of programmatic compositions. His The Sufferings of the Queen of France (composed in 1793, C 98), for example, is an episodic account of Marie Antoinette with interpolated texts relating to the Queen's misfortunes, including her sorrow at being separated from her children and her final moments on the scaffold before the guillotine.
Along with Clementi, Dussek may have been a source of stylistic inspiration and influence for Beethoven, whose expansion upon the idiomatic innovations of the London school led to their rapid penumbration with the appearance of Beethoven's own keyboard works. Stylistic, melodic, dynamic and even structural similarities have been observed, for instance, between Beethoven's Sonata Opus 10, No. 3 and Dussek's Sonatas Opus 31, No. 2 and Opus 35, No. 2. Similarly, the opening of Beethoven's Sonata Opus 10, No. 1 quotes directly Dussek's Sonata Opus 39, No. 3 (see image).
It is also possible that Dussek's influence can be seen in Beethoven's famous Sonata Opus 81a, les Adieux: "both the program and the realization owed a great deal to Dussek's The Farewell, Opus 44."
Piano concertos
Dussek composed a number of piano concertos between 1779 and 1810, eighteen of which survive. Dussek introduced one noteworthy stylistic innovation to the piano concerto form. In variance with the prevailing classical concerto style, exemplified by Mozart's piano concertos, Dussek eliminated the soloist cadenza in the opening movement in all of his concertos written after 1792. Other individual characteristics are also noteworthy. His Concerto in C major, Op. 29, published in 1795, starts with an introductory Larghetto in 38 time, a solemn thematic declamation that is unique to the classical concerto. His last surviving work in the genre, Opus 70 in E-flat major, was one of the first to lengthen substantially the opening movement: at 570 measures long, it is roughly a third longer than his previous contributions, and foreshadows the practice of a dominant opening movement in concerto writing, found, for example, in the concertos of Chopin and the two minor concerti Opus 85 and Opus 89 by Johann Nepomuk Hummel as well as Beethoven's fifth.
Innovations to the piano
Apart from his own music, Dussek is important in the history of music because of his friendship with John Broadwood, the developer of the "English Action" piano. Because his own music demanded strength and range not available in the then current pianos, he pushed Broadwood into several extensions of the range and sonority of the instrument. It was a Broadwood instrument with Dussek's improvements that was sent to Beethoven.
Dussek was also the first composer to write indications for using piano pedals.
Works list
The vast majority of Dussek's music involves the piano or harp in some way. He wrote 35 sonatas for piano and 11 for piano duet, as well as numerous other works for both configurations. His chamber music output includes 65 violin sonatas, 24 piano (or harp) trios, and a variety of works for harp, harp or piano, or harp and piano. Some sonatas had trio parts added by J. B. Cramer. Orchestral works were limited to concertos, including 16 for piano (one of them is lost and two of them of dubious attribution), six for harp (three of them lost), and one for two pianos. He wrote a modest number of vocal works, include 12 songs, a cantata, a mass, and one opera, The Captive of Spilberg. His compositions also included arrangements of other works, especially opera overtures, for piano.
Cataloging Dussek's compositions has a history of its own. Dussek's oeuvre has historically been difficult to organize, due in part to the number of publishers who originally published his work, and to the fact that some of his works were published by more than one publisher. Some works published by multiple publishers were assigned different opus numbers; sometimes different works were given the same opus number by different publishers. Dussek further complicated this by arranging works for different instrument combinations.
The Artaria Company published a thematic catalog of his works that is incomplete, prompting Howard Craw to develop a new thematic catalog in 1964. Works are numbered in the order they were written prefixed by "C" or "Craw"; works of dubious origin are listed in a separately numbered section prefixed by "Craw D".
Theoretical works
Dussek's Instructions on the Art of Playing the Pianoforte or Harpsichord (London, Corri c. 1796)
Kleine theoretisch-praktische Klavierschule von Pleyel, Dussek und Cramer (Vienna, Haslinger, undated)
Méthode pour le Piano Contenant tous les principes généraux du Doigté, 24 Leçons faciles et graduées des Exercices progressifs ainsi que des passages difficiles, terminée par une Fantaisie et Fugue composée Par I.L. Dussek (Paris, undated)
Dodici lezzioni progress. con arie caratteristiche di diff. nazioni (autograph in the library of the Conservatory in Florence)
Selected discography
J. L. Dussek: Violin Sonatas Vol. 1, 2, 3, Julia Huber (violin), Miriam Altmann (fortepiano), Brilliant Classics (to be continued).
Dussek, Jan Ladislav & Sophia: Harp sonatas by Kyunghee Kim-Sutre (Sonarti records, 2013, RT01)
J.L. Dussek: Sonatas for Harp and Fortepiano by Kyunghee Kim-Sutre and Laure Colladant (Mandala, 1995, MAN4854)
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 28 | 89th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 33 | 91.2th |
| Studio albums | 33 | 98.4th |
| Awards recorded | 0 | 0th |
| Timeline events | 35 | 97.5th |
| Recording span (years) | -175 | 3.8th |
| Genres | 5 | 88.3th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (33 release groups · 33 studio albums)
Albums · 33
Sonate en fa mineur «L'Invocation» / Les Adieux /rondo/ / Douze études mélodiques nos 3, 5, 11
1987 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 46:01
1Sonate en fa mineur “L’Invocation”, op. 77: I. Allegro moderato ma energico10:232Sonate en fa mineur “L’Invocation”, op. 77: II. Tempo di minuetto con moto. / Canone alla seconda5:213Sonate en fa mineur “L’Invocation”, op. 77: III. Adagio no troppo ma solenne6:564Sonate en fa mineur “L’Invocation”, op. 77: IV. Rondo. Allegro moderato8:325Rondo. Les Adieux (Andantino espressivo)5:426Douze études mélodiques, op. 16 no. 5: Air russe varié (Andantino moderato assai)2:037Douze études mélodiques, op. 16 no. 11: Chansonnette (Allegretto con sentimento)4:128Douze études mélodiques, op. 16 no. 3: Rondeau à la Turque (Molto allegro)2:521989 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 1:10:27
1Allegro Moderato E Maestoso11:522Introduzione (A. Staier)1:313Finale. Allegro Non Troppo Ma Con Spirito6:304Allegro9:275Rondo. Molto Allegro Con Espressione5:006Allegro Agitato Assai8:507Adagio Patetico Ed Espressivo10:568Intermezzo. Presto0:349Finale. Allegro Molto3:1010Allegro Non Tanto4:2911Adagio Con Espressione3:4512Pastorale. Allegro Non Troppo4:231995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:00:47
1Fantasia and Fugue for Piano, Op. 55: Fantasia5:522Fantasia and Fugue for Piano, Op. 55: Fugue5:583Piano Sonata, Op. 64 "Le retour à Paris": Allegro non troppo ed espressivo13:254Piano Sonata, Op. 64 "Le retour à Paris": Molto adagio con anima ed espressione7:545Piano Sonata, Op. 64 "Le retour à Paris": Tempo di minuetto - Scherzo quasi allegro - Trio3:306Piano Sonata, Op. 64 "Le retour à Paris": Finale - Scherzo (Allegro con spirito)7:437Piano Sonata in F-sharp minor, Op. 61 "Elégie harmonique": Lento patetico - Tempo agitato11:398Piano Sonata in F-sharp minor, Op. 61 "Elégie harmonique": Tempo vivace e con fuoco quasi presto4:461995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:15:38
1Quintet in F minor, op. 41: Allegro moderato ma con fuoco11:552Quintet in F minor, op. 41: Adagio espressivo5:253Quintet in F minor, op. 41: Allegretto ma espressivo e moderato6:074Sonata in F minor, op. 77 “L’invocation”: Allegro moderato ma energico10:265Sonata in F minor, op. 77 “L’invocation”: Tempo di minuetto con moto4:596Sonata in F minor, op. 77 “L’invocation”: Adagio non troppo ma solenne7:047Sonata in F minor, op. 77 “L’invocation”: Rondo. Allegro moderato7:438Quartet in E-flat major, op. 56: Allegro affettuoso9:019Quartet in E-flat major, op. 56: Larghetto quasi andante6:5010Quartet in E-flat major, op. 56: Allegretto moderatissimo6:081995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 1:06:32
1Piano Concerto in G minor, op. 49 / Craw 187: I. Allegro15:162Piano Concerto in G minor, op. 49 / Craw 187: II. Adagio7:453Piano Concerto in G minor, op. 49 / Craw 187: III. Rondo: Allegro non troppo7:324Piano Concerto in B-flat major, op. 22 / Craw 97: I. Allegro non troppo12:175Piano Concerto in B-flat major, op. 22 / Craw 97: II. Larghetto non tanto6:276Piano Concerto in B-flat major, op. 22 / Craw 97: III. Rondo: Allegro non tanto (Introduction: Andreas Staier)5:357Tableau "Marie Antoinette" / "The Sufferings of the Queen of France" in C minor, op. 23 / Craw 9811:401996 · studio album
Search SpotifySearch YouTube Music
Tracklist · 11 tracks · 1:12:47
1Concerto for Harp, Two Violins and Cello: I. Allegro4:062Concerto for Harp, Two Violins and Cello: II. Andante4:313Concerto for Harp, Two Violins and Cello: III. Vivace5:124Concerto no. 6 for Harp and Orchestra, op. 9: I. Allegro moderato11:105Concerto no. 6 for Harp and Orchestra, op. 9: II. Romanza5:566Concerto no. 6 for Harp and Orchestra, op. 9: III. Vivace6:587Sonata no. 2 for Harp, op. 34: I. Allegro con spirito5:408Sonata no. 2 for Harp, op. 34: II. Rondo4:119Concerto for Harp and Orchestra in E-flat major, op. 15: I. Allegro15:0810Concerto for Harp and Orchestra in E-flat major, op. 15: II. Larghetto teneramente3:5111Concerto for Harp and Orchestra in E-flat major, op. 15: III. Rondo: Allegro molto6:044 Duos For Harp And Piano, Opp. 38 & 69
1999 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 1:13:42
1Duet For Harp And Pianoforte With Two Horns In E-flat Major, Op. 38: Allegro7:102Duet For Harp And Pianoforte With Two Horns In E-flat Major, Op. 38: Adagio Espressivo2:313Duet For Harp And Pianoforte With Two Horns In E-flat Major, Op. 38: Rondo. Allegretto2:584Duo Concertant For Harp And Pianoforte In B-flat Major, Op. 69 No. 1: Allegro Con Fuoco8:575Duo Concertant For Harp And Pianoforte In B-flat Major, Op. 69 No. 1: March Funèbre. Andante Moderato6:006Duo Concertant For Harp And Pianoforte In B-flat Major, Op. 69 No. 1: Menuetto. Tempo Di Ballo Quasi Andante5:387Duo Concertant For Harp And Pianoforte In E-flat Major, Op. 69 No. 2: Allegro Maestoso9:578Duo Concertant For Harp And Pianoforte In E-flat Major, Op. 69 No. 2: Les Souvenirs. Larghetto Affetuoso3:049Duo Concertant For Harp And Pianoforte In E-flat Major, Op. 69 No. 2: Rondo. Allegro Con Brio6:5110Duo Concertant For Harp And Pianoforte In F Major, Op. 69 No. 3: Allegro Moderato7:5111Duo Concertant For Harp And Pianoforte In F Major, Op. 69 No. 3: Larghetto Espressivo6:5512Duo Concertant For Harp And Pianoforte In F Major, Op. 69 No. 3: Rondo. Allegretto Ma Moderato5:502000 · studio album
Search SpotifySearch YouTube Music
Tracklist · 14 tracks · 1:03:02
1Sonata in F major, op. 20 no. 3: I. Allegro vivace7:162Sonata in F major, op. 20 no. 3: II. Cantabile con espressione2:053Sonata in F major, op. 20 no. 3: III. Rondo. Allegretto3:144Sonata in B-flat major, op. 24 no. 3: I. Allegro con spirito7:545Sonata in B-flat major, op. 24 no. 3: II. Larghetto con Variazioni6:346Sonata in B-flat major, op. 31 no. 1: I. Allegro5:177Sonata in B-flat major, op. 31 no. 1: II. Adagio non troppo1:278Sonata in B-flat major, op. 31 no. 1: III. Allegretto moderato, Rondo. allemande3:159Sonata in D major, op. 31 no. 2: I. Allegro non tanto5:4710Sonata in D major, op. 31 no. 2: II. Adagio con Expressione2:1111Sonata in D major, op. 31 no. 2: III. Pastorale. Allegro non troppo. "Could be the Rebels cast Oppressors Base and Bloddy", a Scotch Reel4:4712Sonata in C major, op. 31 no. 3: I. Allegro vivace6:5013Sonata in C major, op. 31 no. 3: II. Scotch Air: "Auld Robin Gray". Larghetto con expressione1:4814Sonata in C major, op. 31 no. 3: III. Allegro Scherzo4:372001 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 1:10:23
1Three Duos Concertants, op. 69: Duo no. 1 in B-flat major: I. Allegro con fuoco7:382Three Duos Concertants, op. 69: Duo no. 1 in B-flat major: II. Marche funebre. Andante moderato5:223Three Duos Concertants, op. 69: Duo no. 1 in B-flat major: III. Menuetto. Tempo di Ballo quasi andante5:424Three Duos Concertants, op. 69: Duo no. 2 in E-flat major: I. Allegro maestoso8:485Three Duos Concertants, op. 69: Duo no. 2 in E-flat major: II. Les Souvenirs. Larghetto affettuoso2:596Three Duos Concertants, op. 69: Duo no. 2 in E-flat major: III. Allegro con brio5:197Three Duos Concertants, op. 69: Duo no. 3 in F major: I. Allegro moderato8:598Three Duos Concertants, op. 69: Duo no. 3 in F major: II. Larghetto espressivo5:459Three Duos Concertants, op. 69: Duo no. 3 in F major: III. Rondo. Allegretto ma moderato4:2210Duo in F major, op. 26: I. Allegro9:0011Duo in F major, op. 26: II. Larghetto2:1412Duo in F major, op. 26: III. Rondo. Allegretto4:152008 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 54:39
1Divertissement A-Dur für Klavier, Flöte und Violoncello, op. 50: 1. Larghetto2:422Divertissement A-Dur für Klavier, Flöte und Violoncello, op. 50: 2. Menuetto. moderato3:003Divertissement A-Dur für Klavier, Flöte und Violoncello, op. 50: 3. Andantino - Allegro - Adagio - Andantino4:544Divertissement A-Dur für Klavier, Flöte und Violoncello, op. 50: 4. Allegretto3:405Sonate D-Dur Nr. 2 für Klavier, Flöte und Violoncello, op. 34: 1. Allegro8:186Sonate D-Dur Nr. 2 für Klavier, Flöte und Violoncello, op. 34: 2. Andante5:017Sonate D-Dur Nr. 2 für Klavier, Flöte und Violoncello, op. 34: 3. Allegro4:528Sonate F-Dur für Klavier, Flöte und Violoncello, op. 65: 1. Allegro espressivo7:439Sonate F-Dur für Klavier, Flöte und Violoncello, op. 65: 2. Larghetto con un poco di moto6:5610Sonate F-Dur für Klavier, Flöte und Violoncello, op. 65: 3. Rondo. Moderato assai7:332008 · studio album
Search SpotifySearch YouTube Music
Tracklist · 22 tracks · 1:17:56
1Songs, op. 31: No. 1. Sognando mi parea1:062Songs, op. 31: No. 4. Un serto di fiori1:393Songs, op. 31: No. 3. Sento amor2:094Songs, op. 31: No. 6. Chi un dolce amor1:415Songs, op. 31: No. 8. Misero to non sei3:016Songs, op. 31: No. 11. Spira pur1:357Songs, op. 31: No. 12. Per pieta. bell'idol mio3:428Or che un istante4:279A che congiuri4:2110Dolce speme, del ciel dono4:2311Leggiarde ninfe2:2712La Verita4:4313Herbstlied3:3814An die Entfernte5:4215Die Natur6:1616Nähe des Geliebten6:4717Das Veilchen im Mai1:1518Die Abschiedsträne4:2019Liebe4:3420An Sie3:0221Das Täubchen4:1622Die Liebeserklärung2:522013 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 1:16:58
1Sonata in F-sharp minor, op. 61: Lento patetico – Tempo agitato11:142Sonata in F-sharp minor, op. 61: Tempo vivace e con fuoco quasi presto5:323Seven Bagatelles, op. 33: Andante grazioso, quasi allegretto in E-flat major3:554Seven Bagatelles, op. 33: Scherzo (Allegro) in C major3:155Seven Bagatelles, op. 33: Allegretto in F major2:036Seven Bagatelles, op. 33: Andante in A major3:377Seven Bagatelles, op. 33: Allegro ma non troppo in C major3:398Seven Bagatelles, op. 33: Allegretto quasi andante in D major3:209Seven Bagatelles, op. 33: Presto in A-flat major2:0510Sonata no. 32 in C minor, op. 111: Maestoso – Allegro con brio ed appassionato9:4211Sonata no. 32 in C minor, op. 111: Arietta: adagio molto, semplice e cantabile16:4812Variations sérieuses in D minor, op. 5411:482014 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:08:19
1Piano Concerto in G major, op. 1 no. 3, C4: Allegro9:142Piano Concerto in G major, op. 1 no. 3, C4: Rondo: Allegro5:053Piano Concerto in C major, op. 29, C125: Larghetto – Allegro maestoso12:024Piano Concerto in C major, op. 29, C125: Larghetto sostenuto4:575Piano Concerto in C major, op. 29, C125: Rondo6:306Piano Concerto in E-flat major, op. 70, C238: Allegro brillante ma non troppo15:017Piano Concerto in E-flat major, op. 70, C238: Adagio ma non troppo lento6:398Piano Concerto in E-flat major, op. 70, C238: Rondo: Allegretto moderatissimo8:51Sonatas, op. 35 nos. 1-3 / Leçons
2015 · studio album
Search SpotifySearch YouTube Music
Tracklist · 13 tracks · 1:14:41
1Rosline Castle, with Variations5:402Leçons, op. 16: No. 32:553Leçons, op. 16: No. 52:184Leçons, op. 16: No. 113:435Leçons, op. 16: No. 125:216Sonata op. 35 no. 1: Allegro moderato e maestoso12:497Sonata op. 35 no. 1: Finale. Allegro non troppo ma con spirito7:208Sonata op. 35 no. 2: Allegro10:249Sonata op. 35 no. 2: Rondo. Molto allegro con espressione5:4110Sonata op. 35 no. 3: Allegro agitato assai8:3211Sonata op. 35 no. 3: Adagio patetico ed espressivo6:0412Sonata op. 35 no. 3: Intermezzo. Presto0:3313Sonata op. 35 no. 3: Finale. Molto allegro3:212016 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 53:35
1Concerto for Fortepiano, Two Flutes, Two Horns and Strings no. 5 in G major: I. Allegro ma non tanto6:112Concerto for Fortepiano, Two Flutes, Two Horns and Strings no. 5 in G major: II. Andante8:123Concerto for Fortepiano, Two Flutes, Two Horns and Strings no. 5 in G major: III. Allegro6:504Concerto for Fortepiano and Strings no. 3 in C major, op. 3: I. Allegro5:575Concerto for Fortepiano and Strings no. 3 in C major, op. 3: II. Grazioso3:546Concerto for Fortepiano and Strings no. 3 in C major, op. 3: III. Rondeau (Allegro)4:097Concerto for Fortepiano, Two Oboes, Two Horns and Strings in E-flat major, op. 26: I. Allegro10:348Concerto for Fortepiano, Two Oboes, Two Horns and Strings in E-flat major, op. 26: II. Larghetto espressivo3:309Concerto for Fortepiano, Two Oboes, Two Horns and Strings in E-flat major, op. 26: III. Rondo (Allegretto)4:18Complete Piano Sonatas Volume 1
2018 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:00:53
1Sonata in A op.10, no.1, Craw 60: I. Allegro Moderato9:132Sonata in A op.10, no.1, Craw 60: II. Adagio Cantabile4:073Sonata in A op.10, no.1, Craw 60: III. Rondo. Allegro Assai3:124Sonata in G Minor op.10, no.2, Craw 61: I. Allegro Moderato5:205Sonata in G Minor op.10, no.2, Craw 61: II. Vivace Con Spirito7:136Sonata in E op.10, no.3, Craw 62: I. Allegro Maestoso Ed Moderato10:367Sonata in E op.10, no.3, Craw 62: II. Presto Con Fuoco7:008Sonata in D op.31, no.2, Craw 133: I. Allegro Non Tanto5:339Sonata in D op.31, no.2, Craw 133: II. Adagio Con Espressione3:5210Sonata in D op.31, no.2, Craw 133: III. Pastorale. Allegro Non Troppo4:47Complete Piano Sonatas Volume 2
2018 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 54:31
1Sonata in D, op.25, no.2, Craw 127, "La Matinée": I. Adagio Maestoso - Presto6:042Sonata in D, op.25, no.2, Craw 127, "La Matinée": II. Larghetto2:393Sonata in D, op.25, no.2, Craw 127, "La Matinée": III. Rondo: Allegremente3:294Sonata in G, op.39, no.1 Craw 166: I. Allegro7:325Sonata in G, op.39, no.1 Craw 166: II. Andantino Ma Moderato E Con Espressione - Allegro Ma Non Troppo5:536Sonata in C, op.39, no.2, Craw 167: I. Allegro Moderato7:397Sonata in C, op.39, no.2, Craw 167: II. Andantino Quasi Larghetto2:278Sonata in C, op.39, no.2, Craw 167: III. Rondo: Allegretto3:549Sonata in B Flat, op.39, no.3, Craw 168, "Tyroler": I. Allegro Con Spirito7:3810Sonata in B Flat, op.39, no.3, Craw 168, "Tyroler": II. Rondo: Andante Sostenuto Cantabile7:16Complete Piano Sonatas Volume 3
2018 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:02:22
1Sonata in E Flat Major, op.44, Craw 178, "The Farewell": I. Introduzione. Grave - Allegro Moderato11:002Sonata in E Flat Major, op.44, Craw 178, "The Farewell": II. Molto Adagio E Sostenuto7:373Sonata in E Flat Major, op.44, Craw 178, "The Farewell": III. Tempo Di Menuetto Piuttoso Allegro3:424Sonata in E Flat Major, op.44, Craw 178, "The Farewell": IV. Rondo: Allegro Moderato Ed Espressivo7:305Sonata in F Minor, op.77, Craw 259, "L' Invocation": I. Allegro Moderato, Ma Energico12:306Sonata in F Minor, op.77, Craw 259, "L' Invocation": II. Tempo Di Menuetto: Con Moto4:377Sonata in F Minor, op.77, Craw 259, "L' Invocation": III. Adagio Non Troppo, Ma Solenne6:018Sonata in F Minor, op.77, Craw 259, "L' Invocation": IV. Rondo: Allegro Moderato9:252018 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 1:13:36
1Piano Concerto in E-flat major, op. 3, C33: Allegro maestoso8:442Piano Concerto in E-flat major, op. 3, C33: Andantino4:003Piano Concerto in E-flat major, op. 3, C33: Allegro5:324Piano Concerto in F major, op. 14, C77: Allegro12:595Piano Concerto in F major, op. 14, C77: Adagio4:566Piano Concerto in F major, op. 14, C77: Rondo: Allegretto moderato6:187Piano Concerto in G minor, op. 49, C187: Allegro ma espressivo15:418Piano Concerto in G minor, op. 49, C187: Adagio8:049Piano Concerto in G minor, op. 49, C187: Rondo: Allegro non troppo7:22Complete Piano Sonatas Volume 4
2018 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:01:18
1Sonata in A Flat, op.5, no.3, Craw 43: I. Allegro12:072Sonata in A Flat, op.5, no.3, Craw 43: II. Rondo. Allegro Non Tanto, Con Spiritoso3:143Sonata in B Flat, op.24 Craw 96: I. Allegro Con Spirito5:564Sonata in B Flat, op.24 Craw 96: II. Rondo. Pastorale, Allegretto Moderato Con Espressione5:535Sonata in A, op.43 Craw 177: II. I. Allegro Moderato Con Espressione11:526Sonata in A, op.43 Craw 177: II. II. Rondo. Allegro4:457Sonata in F Sharp Minor, op.61, "Elégie Harmonique Sur la Mort de Louis Ferdinand", Craw 211: I. Lento Patetico - II. Tempo Agitato Non Presto11:108Sonata in F Sharp Minor, op.61, "Elégie Harmonique Sur la Mort de Louis Ferdinand", Craw 211: II. Tempo Vivace E Con Fuoco Quasi Presto6:21Concerto for Two Pianos / Chamber Works
2018 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:25:04
1Concerto for Two Pianos in B-flat major, op. 63: I. Allegro moderato17:022Concerto for Two Pianos in B-flat major, op. 63: II. Larghetto sostenuto10:043Concerto for Two Pianos in B-flat major, op. 63: III. Allegro moderato8:394Piano Quintet in F minor, op. 41: I. Allegro moderato ma non fuoco12:515Piano Quintet in F minor, op. 41: II. Adagio espressivo7:446Piano Quintet in F minor, op. 41: III. Allegretto ma espressivo e moderato6:187Notturno concertant in E-flat major, op. 68: I. Andantino14:338Notturno concertant in E-flat major, op. 68: II. Tempo di menuetto7:53Complete Piano Sonatas Volume 5
2019 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:04:44
1Sonata in A Minor, op.18, no.2, Craw 80: I. Agitato Assai6:412Sonata in A Minor, op.18, no.2, Craw 80: II. Rondo. Allegretto Moderato5:113Sonata in B-Flat, op.45, no.1, Craw 179: I. Allegro Cantabile9:324Sonata in B-Flat, op.45, no.1, Craw 179: II. Adagio Patetico5:135Sonata in B-Flat, op.45, no.1, Craw 179: III. Rondo Scherzo. Allegro Da Ballo5:296Sonata in G, op.45, no.2, Craw 180: I. Larghetto Sostenuto - Allegro Di Molto9:077Sonata in G, op.45, no.2, Craw 180: II. Rondo. Andantino Con Moto5:568Sonata in D, op.45, no.3, Craw 181: I. Allegro Moderato9:059Sonata in D, op.45, no.3, Craw 181: II. Larghetto Con Moto3:2410Sonata in D, op.45, no.3, Craw 181: III. Rondo. Allegro Moderato Assai5:06Complete Piano Sonatas Volume 6
2019 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:19:07
1Sonata, op.9, no.1 in B Flat: I. Allegro Non Tanto8:322Sonata, op.9, no.1 in B Flat: II. Rondo - Allegretto Grazioso4:193Sonata, op.9, no.2 in G: I. Allegro Con Spirito8:524Sonata, op.9, no.2 in G: II. Larghetto Con Espressione4:145Sonata, op.9, no.2 in G: III. Presto Assai6:306Sonata, op.9, no.3 in D: I. Allegro Maestoso Con Espressione8:377Sonata, op.9, no.3 in D: II. Prestissimo6:308Sonata, op.73, no.3 in E Flat (Grande Sonate): I. Allegro Ma Non Troppo16:329Sonata, op.73, no.3 in E Flat (Grande Sonate): II. Andante Moderato7:0210Sonata, op.73, no.3 in E Flat (Grande Sonate): III. Rondo - Allegro Moderato Grazioso7:59Complete Piano Sonatas Volume 7
2019 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 59:37
1Sonata in D, op.47, no.1: I. Allegro con spirito6:002Sonata in D, op.47, no.1: II. Adagio sostenuto ed espressivo2:363Sonata in D, op.47, no.1: III. Rondo a la Militaire: Allegretto moderato3:564Sonata in G, op.47, no.2: I. Allegro ma moderato ed espressivo7:175Sonata in G, op.47, no.2: II. Rondo con espressivo: Andantino con moto4:456Sonata in A flat, op.64, "Retour à Paris": I. Allegro non troppo ed espressivo14:307Sonata in A flat, op.64, "Retour à Paris": II. Molto Adagio, con anima ed espressione8:208Sonata in A flat, op.64, "Retour à Paris": III. Tempi di Minuetto, Scherzo: Quasi Allegro3:519Sonata in A flat, op.64, "Retour à Paris": IV. Finale: Scherzo, Allegro con spirito8:22Complete Piano Sonatas Volume 8
2020 · studio album
Search SpotifySearch YouTube Music
Tracklist · 18 tracks · 1:16:48
112 Progressive Lessons, Op.32: 1. Allegro Non Troppo in C C. 1062:23212 Progressive Lessons, Op.32: 2. Andante Sostenuto in F C. 1072:17312 Progressive Lessons, Op.32: 3. Rondo a La Turca in F C. 1082:50412 Progressive Lessons, Op.32: 4. Molto Allegro in F C. 1092:55512 Progressive Lessons, Op.32: 5. The Empress of Russia's Favourite Air With Variations in C C, 1102:45612 Progressive Lessons, Op.32: 6. Pollaca in F C. 1114:02712 Progressive Lessons, Op.32: 7. Allegro Vivace in B Flat C. 1125:10812 Progressive Lessons, Op.32: 8. In the Dead of the Night, a Favourite English Song With Variations in G C. 1134:53912 Progressive Lessons, Op.32: 9. Oak Stock. A Scotch Reel Arranged as a Rondo in B Flat C. 1143:341012 Progressive Lessons, Op.32: 10. Con Spirito in G C. 1155:101112 Progressive Lessons, Op.32: 11. Romanella in G minor C. 1164:241212 Progressive Lessons, Op.32: 12. La Retreta, an Original Spanish Quick March Arranged as a Rondo in G C. 1175:2013Six Sonatinas for the Piano Forte, Op.20: Sonatina, No.1 in G C. 883:5814Six Sonatinas for the Piano Forte, Op.20: Sonatina, No.2 in C C. 895:0215Six Sonatinas for the Piano Forte, Op.20: Sonatina, No.3 in F C. 907:1016Six Sonatinas for the Piano Forte, Op.20: Sonatina, No.4 in a C. 915:1417Six Sonatinas for the Piano Forte, Op.20: Sonatina, No.5 in C C. 924:0818Six Sonatinas for the Piano Forte, Op.20: Sonatina, No.6 in E Flat C. 935:332020 · studio album
Search SpotifySearch YouTube Music
Tracklist · 19 tracks · 1:00:20
1Solemn Mass in G Major, C. 256: I. Kyrie I4:272Solemn Mass in G Major, C. 256: II. Christe4:463Solemn Mass in G Major, C. 256: III. Kyrie1:014Solemn Mass in G Major, C. 256: IV. Kyrie II3:255Solemn Mass in G Major, C. 256: V. Gloria4:166Solemn Mass in G Major, C. 256: VI. Qui tollis3:457Solemn Mass in G Major, C. 256: VII. Quoniam6:048Solemn Mass in G Major, C. 256: VIII. Cum sancto3:279Solemn Mass in G Major, C. 256: IX. Credo2:4610Solemn Mass in G Major, C. 256: X. Et incarnatus est2:0111Solemn Mass in G Major, C. 256: XI. Et resurrexit1:3112Solemn Mass in G Major, C. 256: XII. Et in spiritum3:4313Solemn Mass in G Major, C. 256: XIII. Qui locutus est1:0414Solemn Mass in G Major, C. 256: XIV. Et vitam venturi1:5115Solemn Mass in G Major, C. 256: XV. Sanctus2:1516Solemn Mass in G Major, C. 256: XVI. Benedictus3:4217Solemn Mass in G Major, C. 256: XVII. Hosanna0:3418Solemn Mass in G Major, C. 256: XVIII. Agnus Dei1:5919Solemn Mass in G Major, C. 256: XIX. Dona nobis pacem7:432020 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:15:28
1Gratulations-Menuett for Orchestra in E-flat major, WoO 3: Tempo di Menuetto quasi Allegretto4:012Concerto for Two Pianos and Orchestra in B-flat major, op. 45: I. Allegro15:183Concerto for Two Pianos and Orchestra in B-flat major, op. 45: II. Marche. Trio. Marche4:074Concerto for Two Pianos and Orchestra in B-flat major, op. 45: III. Intermezzo. Andante – Rondo. Vivace assai8:355Concerto for Two Pianos and Orchestra in B-flat major, op. 63: I. Allegro moderato15:276Concerto for Two Pianos and Orchestra in B-flat major, op. 63: II. Larghetto sostenuto8:487Concerto for Two Pianos and Orchestra in B-flat major, op. 63: III. Allegro moderato7:498“La Follia di Spagna” With All Instruments After the Violin Sonata, op. 5 no. 12 “La Follia” by Arcangelo Corelli11:232020 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 56:29
1Sonata in C, op. 14 no. 1, C. 71: I. Allegro6:052Sonata in C, op. 14 no. 1, C. 71: II. Andante poco larghetto2:413Sonata in C, op. 14 no. 1, C. 71: III. Air Russe. Rondo: Allegretto non troppo2:594Sonata in G, op. 14 no. 2, C. 72: Larghetto con espressione8:085Sonata in G, op. 14 no. 2, C. 72: Molto allegro6:306Sonata in F, op. 14 no. 3, C. 73: Allegro10:217Sonata in F, op. 14 no. 3, C. 73: Rondo: Allegretto5:028Sonate pour le Clavecin ou le Forte-Piano in G, WoO, C. 40: Larghetto col espressione5:379Sonate pour le Clavecin ou le Forte-Piano in G, WoO, C. 40: Allegro9:062022 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 1:01:05
1Sonata no. 1 in C major, op. 8, CrawD 54: I. Largo maestoso – Allegro molto10:442Sonata no. 1 in C major, op. 8, CrawD 54: II. Andante sostenuto5:323Sonata no. 1 in C major, op. 8, CrawD 54: III. Rondo Cosaque. Allegro moderato4:464Sonata no. 2 in F major, op. 8, CrawD 55: I. Allegro vivace11:185Sonata no. 2 in F major, op. 8, CrawD 55: II. Adagio molto. Cantabile con espressione5:386Sonata no. 2 in F major, op. 8, CrawD 55: III. Rondo. Allegretto3:337Sonata no. 3 in A major, op. 8, CrawD 56: I. Allegro moderato8:408Sonata no. 3 in A major, op. 8, CrawD 56: II. Andante con moto5:239Sonata no. 3 in A major, op. 8, CrawD 56: III. Rondo. Allegro moderato5:312023 · studio album
Search SpotifySearch YouTube Music
Tracklist · 18 tracks · 1:11:11
1Sonata no. 3 in C major, op. 1, CrawD 7: I. Allegro spiritoso8:222Sonata no. 3 in C major, op. 1, CrawD 7: II. Rondo. Allegretto moderato assai5:433Sonata no. 1 in C major, op. 28, CrawD 118: I. Andantino4:014Sonata no. 1 in C major, op. 28, CrawD 118: II. Adagio2:535Sonata no. 2 in F major, op. 28, CrawD 119: I. Larghetto con espressione1:476Sonata no. 2 in F major, op. 28, CrawD 119: II. Allegro0:557Sonata no. 3 in B major, op. 28, CrawD 120: I. Allegro moderato3:008Sonata no. 3 in B major, op. 28, CrawD 120: II. Rondo. Allegretto moderato molto1:599Sonata no. 4 in D major, op. 28, CrawD 121: I. Allegro vivace1:5910Sonata no. 4 in D major, op. 28, CrawD 121: II. Allegretto grazioso2:3111Sonata no. 5 in G minor, op. 28, CrawD 122: I. Lento con espressione2:4512Sonata no. 5 in G minor, op. 28, CrawD 122: II. Allegro0:5313Sonata no. 6 in E-flat major, CrawD 123: I. Larghetto maestoso2:2514Sonata no. 6 in E-flat major, CrawD 123: II. Presto2:0515Sonata no. 1 in B major, op. 1, CrawD 5: I. Vivace8:4116Sonata no. 1 in B major, op. 1, CrawD 5: II. Andantino grazioso con variazioni7:0017Sonata no. 2 in G major, op. 1, CrawD 6: I. Allegro8:4318Sonata no. 2 in G major, op. 1, CrawD 6: II. Rondo. Andante poco adagio5:29BBC Music, Volume 31, Number 12: Symphony no. 49 “La Passione” Plus Works
2023 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 1:14:22
1Orchestral Suite no. 3 in D, BWV 1068: I Ouverture10:082Orchestral Suite no. 3 in D, BWV 1068: II Air4:263Orchestral Suite no. 4 in D, BWV 1069: V Réjouissance2:514Orchestral Suite no.2 in B minor, BWV 1067: I Ouverture11:035Orchestral Suite no.2 in B minor, BWV 1067: VII Badinerie1:486Church Sonata no. 17 in C major, K3364:447Symphony no. 49 in F minor “La Passione”: I Adagio9:168Symphony no. 49 in F minor “La Passione”: II Allegro di molto6:419Symphony no. 49 in F minor “La Passione”: III Menuet e Trio5:4910Symphony no. 49 in F minor “La Passione”: IV Finale: Presto3:0311Sinfonia From Cantata BWV 42, Am Abend aber desselbigen Sabbats6:5412“Dona nobis pacem” From Messe Solemnelle7:39Complete Piano Sonatas Volume 10
2024 · studio album
Search SpotifySearch YouTube Music
Tracklist · 11 tracks · 1:24:17
1Sonata in B Flat, op.35, no.1, Craw 149: I. Allegro Moderato E Maestoso15:202Sonata in B Flat, op.35, no.1, Craw 149: II. Finale: Allegro Non Troppo Ma Con Spirito8:103Sonata in G, op.35, no.2, Craw 150: I. Allegro10:564Sonata in G, op.35, no.2, Craw 150: II. Rondo: Molto Allegro Con Espressione6:435Sonata in C Minor, 'Pathétique', op.35, no.3, Craw 151: I. Allegro Agitato Assai10:386Sonata in C Minor, 'Pathétique', op.35, no.3, Craw 151: II. Adagio Patetico Ed Espressione7:407Sonata in C Minor, 'Pathétique', op.35, no.3, Craw 151: III. Intermezzo0:338Sonata in C Minor, 'Pathétique', op.35, no.3, Craw 151: IV. Finale: Molto Allegro4:259Sonata in D 'La Chasse', op.69, no.3, Craw 242: I. Allegro Maestoso E Brillante9:0910Sonata in D 'La Chasse', op.69, no.3, Craw 242: II. Larghetto Espressivo3:3511Sonata in D 'La Chasse', op.69, no.3, Craw 242: III. Finale: Chasse, Allegro Scherzo7:08— · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks
1Sonata in E-flat major, op. 44, C 178: I. Introduzione (Grave). Allegro moderato2Sonata in E-flat major, op. 44, C 178: II. Molto adagio e sostenuto3Sonata in E-flat major, op. 44, C 178: III. Tempo di minuetto più tosto Allegro, Trio4Sonata in E-flat major, op. 44, C 178: IV. Rondo. Allegro moderato ed espressivo5Sonata in B-flat major, op. 24, C 96: I. Allegro con spirito6Sonata in B-flat major, op. 24, C 96: II. Pastorale. Allegretto moderato con espressione7Sonata in D major, op. 69 "La Chasse": I. Allegro maestoso e brillante8Sonata in D major, op. 69 "La Chasse": II. Larghetto espressivo9Sonata in D major, op. 69 "La Chasse": III. Finale. Chasse (Allegro scherzo)
Stats & PK
Percentile within all 23,672 published artists.Put Jan Ladislav Dussek head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 28 | 89th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 33 | 91.2th |
| Studio albums | 33 | 98.4th |
| Awards recorded | 0 | 0th |
| Timeline events | 35 | 97.5th |
| Recording span (years) | -175 | 3.8th |
| Genres | 5 | 88.3th |
Awards & honours
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Jan_Ladislav_Dussek.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/489c293d-c9bc-4e6a-83d7-660984370cbfdiscography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/489c293d-c9bc-4e6a-83d7-660984370cbfcore—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q357172genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q357172seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Jan_Ladislav_Dussekbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Jan_Ladislav_Dussek
Why this artist is in the database
- List of composers by name
Tier rule: notable long tail (listeners 0, 28 language versions)
Image: Wilhelm Arndt · Public domain · Wikimedia Commons
Wikidata: Q357172 · MusicBrainz: 489c293d-c9bc-4e6a-83d7-660984370cbf
Similar artists
Browse every Tier 3 artist →Ranked from this record's own data: shared genre tags (rarer tags weigh more), era, home country and comparable fame. Every card lists the signals that placed it — no editorial picks.
Kurt Atterberg
Sweden · Person
opera
1 shared genre tag · debut 1988, 1 year apart
24 wikis
Johann Friedrich Agricola
Duchy of Saxe-Gotha-Altenburg · Person
opera
1 shared genre tag · debut 1989, 2 years apart
21 wikis
Tadeusz Baird
Poland · Person
opera
1 shared genre tag · debut 1989, 2 years apart
20 wikis
Anton Arensky
Russian Empire · Person
opera
1 shared genre tag · debut 1986, 1 year apart
38 wikis
Kalevi Aho
Finland · Person
opera
1 shared genre tag · debut 1989, 2 years apart
18 wikis
Thomas Arne
Kingdom of Great Britain · Person
opera
1 shared genre tag · debut 1985, 2 years apart
38 wikis
Samuel Adler
Germany · Person
opera
1 shared genre tag · debut 1990, 3 years apart
16 wikis
Alexander Alyabyev
Russian Empire · Person
opera
1 shared genre tag · debut 1991
29 wikis