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Johann Adolf Hasse
Person · male · Holy Roman Empire · Bergedorf · born 1699 · died 1783 · recording since 1993
German composer, singer and teacher (1699-1783)
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Also known as J. A. Hasse · Johann Adolph Hasse · Johann Adolph Hasse · Johann Hasse · 约翰·阿道夫·哈塞
Timeline
28 events▣ Album 25◦ Birth 1† Death 1★ Debut release 1
1690s
1780s
1990s
· Debut release
Debut release: Flute Concertos by Scheibe, Agrell & Hasse
First documented Album in the MusicBrainz discography.
source: musicbrainz
· Album
Album: La conversione di Sant' Agostino (Mitglieder des Rias Kammerchores & Akademie für Alte Musik Berlin, feat. conductor: Marcus Creed, singers Georg, Köhler, Popken, Wörle)
Album
source: musicbrainz
2000s
2010s
2020s
Biography
English biography2,103 words · 8 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1373855718
Biography
Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a considerable quantity of sacred music. Married to soprano Faustina Bordoni and a friend of librettist Pietro Metastasio, whose libretti he frequently set, Hasse was a pivotal figure in the development of opera seria and 18th-century music.
Early career
Hasse was baptised in Bergedorf near Hamburg where his family had been church organists for three generations. His career began in singing when he joined the Hamburg Oper am Gänsemarkt in 1718 as a tenor. In 1719, he obtained a singing post at the court of Brunswick, where in 1721, his first opera, Antioco, was performed; Hasse himself sang in the production.
He is thought to have left Germany during 1722. During the 1720s, he lived mostly in Naples, dwelling there for six or seven years. In 1725, his serenata Antonio e Cleopatra, was performed at Naples; the principal roles were sung by Carlo Broschi, better known as Farinelli, and Vittoria Tesi. The success of this work not only earned Hasse many commissions from Naples's opera houses, but also, according to Johann Joachim Quantz, brought him into contact with Alessandro Scarlatti, who became his teacher and friend; Hasse also altered his style in several respects to reflect that of Scarlatti.
Hasse's popularity in Naples increased dramatically and for several years his workload kept him extremely busy. In this period he composed his only full opera buffa, La sorella amante, in addition to several intermezzi and serenatas. He visited the Venetian Carnival of 1730, where his opera Artaserse was performed at S Giovanni Grisostomo. Metastasio's libretto was heavily reworked for the occasion, and Farinelli took a leading role. Two of his arias from this opera he later performed every night for a decade for Philip V of Spain.
Dresden and Venice
In 1730, Hasse married Faustina Bordoni, and was also appointed Kapellmeister at the Dresden court, though he did not arrive at Dresden until July 1731; earlier in the year, he had been active at Vienna, supervising a performance of his oratorio Daniello at the court of the Habsburgs. Soon after the couple's arrival in Dresden, Faustina performed before the court. In September, Hasse's Cleofide (set to a highly adapted Metastasio text) was given its premiere; it seems possible that J. S. Bach and his eldest son Wilhelm Friedemann Bach attended the performance; certainly C. P. E. Bach claimed that Hasse and his father had become good friends around this time. King Augustus II the Strong of Poland and Saxony granted him the title of the Royal-Polish and Electoral-Saxon Kapellmeister.
In October, Hasse left Dresden to direct premieres of his next operas at Turin and Rome, and he also wrote music for the Venetian theatres at this time. By late 1732, Hasse was in Naples again, though he spent the winter at Venice where his Siroe was first performed in particularly lavish style. In February 1733, Augustus II the Strong, Hasse's early royal patron at Dresden, died. As the court went into a year of mourning, Hasse was permitted to remain abroad. Many of his sacred works, composed for Venice's churches, date to this time.
For much of 1734, Hasse was at Dresden, but from 1735 until 1737, he was in Italy, largely at Naples. Faustina performed in the September 1735 premiere of Tito Vespasiano (another adapted Metastasio libretto) at Pesaro. Returning to the royal court in Dresden, during 1737, Hasse composed five new operas, but when the court moved to Poland in the autumn of 1738, he and Faustina came back to Venice, where both of them were extremely popular. His next stay in Dresden was also his longest, between the first months of 1740 and January 1744. In this time, he revised Artaserse, composing new arias for Faustina, and also wrote a couple of original intermezzi. His general avoidance of comic opera seems to have been due to Faustina, who feared that the style of singing demanded by opera buffa would damage her voice.
Dresden: 1744–1763
Between the winter of 1744 and late summer 1745, Hasse was in Italy, but then returned to Dresden for a year. Frederick the Great, a keen flute player, visited the court in December 1745, and it is likely that many of Hasse's flute sonatas and concertos that date to this time were written for Frederick. The King of Prussia was also present at a performance of one of Hasse's Te Deums, and himself ordered a performance of the composer's opera Arminio. Soon after Hasse visited Venice and Munich, returning to Dresden in June 1747 to stage his opera La spartana generosa, performed to celebrate multiple royal weddings at this time. Also at this time the hierarchy at Dresden was restructured; Nicola Porpora was named Kapellmeister, while Hasse himself was promoted to Oberkapellmeister.
In 1748, Hasse performed two of his operas, Ezio and Artaserse, in Bayreuth in the half finished Markgräfliches Opernhaus, because of the marriage of Elisabeth Fredericka Sophie of Brandenburg-Bayreuth, the daughter of Wilhelmine of Bayreuth. The marriage of princess Maria Josepha of Saxony to the French Dauphin gave Hasse the opportunity to journey to Paris in the summer of 1750, where his Didone abbandonata was performed.
On 28 March 1750, Hasse presented his last oratorio La conversione di Sant' Agostino in the chapel of the royal palace in Dresden. The libretto, penned by the Dresden Electress Maria Antonia Walpurgis (1724–1780), concerns the conversion of a sinner to sainthood and was modeled after and edited by Metastasio. The Dresden premiere was followed by numerous performances of the work in Leipzig, Hamburg, Mannheim, Padua, Rome, Riga, Prague, Potsdam and Berlin which is a testament to the work's popularity in the latter half of the 18th century.
The 1751 Carnival in Dresden saw the retirement of Faustina from operatic performance. Hasse continued to produce new operas throughout the decade, including a setting of Metastasio's Il re pastore, a text later used by Mozart. In 1756, the Seven Years' War compelled the court at Dresden to move to Warsaw, though Hasse himself lived mostly in Italy, travelling to Poland solely to supervise productions of his operas, if at all. In the autumn of 1760, he moved to Vienna, where he stayed for the next two years, returning to Dresden in 1763 to find much of his home destroyed and the musical apparatus of the court opera wrecked. Hasse's main patron at Dresden, king Augustus III of Poland and Saxony died soon after and his successor, who also died quickly, deemed elaborate musical events at the court superfluous. Hasse and Faustina were paid two years' salary but given no pension.
Vienna and Venice: last years
In 1764, Hasse travelled to Vienna, where the coronation of Joseph II was marked by a performance of his festa teatrale Egeria, again set to a libretto by Metastasio. For the most part, he remained at Vienna until 1773. Mozart was present at a performance of his Partenope in September 1767. Most of his operas composed during this period were also successfully produced at Naples. He was the favourite of Maria Theresa, and it can be argued that he took up the job of de facto court Kapellmeister. With the premiere of Piramo e Tisbe (September 1768) Hasse had intended to retire from opera but was compelled by Maria Theresa to compose a further work, Ruggiero (1771), again set to a Metastasian libretto. In 1771, when hearing 15-year-old Mozart's opera Ascanio in Alba, Hasse is reported to have made the prophetic remark: "This boy will cause us all to be forgotten."
At this time, operatic style was undergoing significant change, and the model of opera seria that Hasse and Metastasio had settled found itself assailed by the threat of the reforms of Christoph Willibald Gluck and Ranieri de' Calzabigi, as laid down in the music and libretto for Gluck's opera Orfeo ed Euridice. Charles Burney, visiting Vienna in 1773, reported on the debate.
Party runs as high among poets, musicians and their adherents, at Vienna as elsewhere. Metastasio and Hasse, may be said, to be at the head of one of the principal sects; and Calsabigi and Gluck of another. The first, regarding all innovations as quackery, adhere to the ancient form of the musical drama, in which the poet and musician claim equal attention from an audience; the bard in the recitatives and narrative parts; and the composer in the airs, duos and choruses. The second party depend more on theatrical effects, propriety of character, simplicity of diction, and of musical execution, than on, what they style flowery description, superfluous similes, sententious and cold morality, on one side, with tiresome symphonies, and long divisions, on the other.
Finding his music under siege from an avant-garde surge in a new direction, Hasse left Vienna in 1773 and spent the final ten years of his life in Venice, teaching and composing sacred works. Faustina died in November 1781, and Hasse himself, after a long period of suffering from arthritis, just over two years later. He was almost completely ignored after his death, until F. S. Kandler paid for his gravestone in Venice, where he is buried in San Marcuola, and authored a biography of Hasse in 1820.
Relationship with Metastasio
Hasse's friendship with Metastasio, and his appreciation of the art form the librettist had created, increased over the years. The early Metastasio texts he set were all greatly altered for the purpose, but Frederick the Great and Francesco Algarotti both exerted influence in order to make Hasse pay greater respect to Metastasio's works. In the early 1740s, he began setting new Metastasian libretti unadapted, and his personal relations with the librettist also improved significantly at around this time. In one of his letters, dated to March 1744, Metastasio made the following comments:
...never until now had I happened to see him [Hasse] in all his glory, but always detached from his many personal relationships in such a way that he was like an aria without instruments; but now I see him as a father, husband and friend, qualities which make an admirable union in him with those solid bases of ability and good behaviour, for which I will cherish him so many years...
In the following years, Hasse reset his earlier works based on Metastasio's texts, this time paying great attention to the poet's original intention, and during the 1760s, as Metastasio wrote new texts, Hasse was, as a general rule, the first composer to set them. Burney left the following note: This poet and musician are the two halves of what, like Plato's Androgyne, once constituted a whole; for as they are equally possessed of the same characteristic marks of true genius, taste, and judgement; so propriety, consistency, clearness, and precision, are alike the inseparable companions of both...
Style and reputation
Despite Giovanni Battista Mancini's claim that Hasse was the padre della musica, and despite the composer's massive popularity as a figure at the very forefront of 18th-century serious Italian opera, after his death Hasse's reputation vastly declined and his music lay mostly unperformed (with the exception of some of his sacred works, which were revived now and again in Germany). In particular, his operas sank without trace and revival only began as the 20th century approached its end: Gluck's reforms took opera away from Hasse's style and Metastasio's Arcadian ideals to a new direction from which it would not return.
In his day, Hasse's style was noted primarily for his lyricism and sense of melody. Burney put it this way:
[Hasse] may without injury to his brethren, be allowed to be as superior to all other lyric composers, as Metastasio is to all other lyric poets.
Careful choice of key was also a crucial factor in Hasse's style, with certain emotions usually marked out by certain key choices. Amorous feelings were expressed by A, for instance, while for expressions of aristocratic nobility Hasse used C and B flat; on the other hand, his supernatural and fear-inducing music usually went into the keys of C and F minor. Most of his arias begin in the major, switching only to minor for the B section before returning to major for the da capo. As his career developed his arias grew much longer but a lyrical sense was still his overriding target.
In Hamburg, the Johann Adolph Hasse Museum is dedicated to his life and work.
Notes and references
Notes
References
Sources
Hansell, Sven (2001). "Hasse, Johann Adolf [Adolph]". Grove Music Online (8th ed.). Oxford University Press. doi:10.1093/omo/9781561592630.013.90000380289. ISBN 978-1-56159-263-0. (subscription, Wikilibrary access, or UK public library membership required)
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 38 | 93.9th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 30 | 90.4th |
| Studio albums | 27 | 97.8th |
| Awards recorded | 0 | 0th |
| Timeline events | 28 | 96.4th |
| Recording span (years) | -210 | 3.2th |
| Genres | 7 | 93th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (30 release groups · 27 studio albums)
Albums · 27
Flute Concertos by Scheibe, Agrell & Hasse
1993 · studio album
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Tracklist · 12 tracks · 54:17
1Concerto for Flute, Strings and Basso Continuo in D major: I. Allegro5:402Concerto for Flute, Strings and Basso Continuo in D major: II. Poco andante4:413Concerto for Flute, Strings and Basso Continuo in D major: III. Presto4:354Concerto for Flute, Strings and Basso Continuo in A major: I. Andante6:115Concerto for Flute, Strings and Basso Continuo in A major: II. Adagio5:346Concerto for Flute, Strings and Basso Continuo in A major: III. Presto3:557Concerto for Flute, Strings and Basso Continuo in D major: I. Vivace4:238Concerto for Flute, Strings and Basso Continuo in D major: II. Siciliano3:179Concerto for Flute, Strings and Basso Continuo in D major: III. Vivace4:1710Concerto for Flute, Strings and Basso Continuo in G major: I. Allegro4:5611Concerto for Flute, Strings and Basso Continuo in G major: II. Adagio Staccato3:4212Concerto for Flute, Strings and Basso Continuo in G major: III. Vivace3:06Requiem in C major / Miserere in E minor
1993 · studio album
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Tracklist · 29 tracks · 1:14:12
1Requiem in C major: Introitus - Requiem1:502Requiem in C major: Introitus - Te decet0:483Requiem in C major: Introitus - Exaudi2:434Requiem in C major: Kyrie - Kyrie2:365Requiem in C major: Kyrie - Christe - Kyrie3:236Requiem in C major - Sequentia - Dies irae1:017Requiem in C major - Sequentia - Tuba mirum1:188Requiem in C major - Sequentia - Mors stupebit3:459Requiem in C major - Sequentia - Recordare3:5910Requiem in C major - Sequentia - Quaerens me3:3311Requiem in C major - Sequentia - Juste judex0:4312Requiem in C major - Sequentia - Inter over locum praesto5:5413Requiem in C major - Sequentia - Lacrimosa3:1314Requiem in C major - Offertorium - Domine Jesu Christe2:2115Requiem in C major - Offertorium - Hostias2:2516Requiem in C major - Sanctus - Sanctus1:3417Requiem in C major - Benedictus - Benedictus2:1918Requiem in C major - Benedictus - Osanna0:4219Requiem in C major - Agnus Dei - Agnus Dei3:2420Requiem in C major - Communio - Lux aeterna0:4821Requiem in C major - Communio - Da capo il primo Requiem1:5322Miserere in E minor - Miserere mei Deus4:3423Miserere in E minor - Tibi soli peccavi1:2124Miserere in E minor - Ecce enim6:1825Miserere in E minor - Libera me3:3426Miserere in E minor - Quoniam si voluisses2:4527Miserere in E minor - Benigne fac1:0328Miserere in E minor - Gloria Patri2:4829Miserere in E minor - Sicut erat1:371993 · studio album
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Tracklist · 21 tracks · 1:43:52
Disc 11La conversione di Sant'Agostino: Parte I. Introduzione Recitative "Piu non t'affliger" (Simpliciano, Monica, Agostino, Alipio)7:332La conversione di Sant'Agostino: Parte I. Aria: Piangero, ma figlio amato" (Monica)8:483La conversione di Sant'Agostino: Parte I. Recitativo "Ah, che il mio cor giammar" (Agostino, Simpliciamo, Alipio)4:324La conversione di Sant'Agostino: Parte I. Aria "Sentro orro del tuo delitto" (Alipio)4:175La conversione di Sant'Agostino: Parte I. Recitativo "Ah, tu padre ammutisci?" (Agostino, Simpliciano)2:206La conversione di Sant'Agostino: Parte I. Aria "Non abbandona mai Iddio" (Simpliciano)6:477La conversione di Sant'Agostino: Parte I. Recitativo "Si solo a te mio Dio volger mi" (Agostino)3:398La conversione di Sant'Agostino: Parte I. Aria "Il rimorso opprime il seno" (Agostino)5:599La conversione di Sant'Agostino: Parte I. Recitativo "Caro germano" (Navigio, Agostino, Monica)2:2910La conversione di Sant'Agostino: Parte I. Aria "Come Fra venti insani geme" (Navigio)5:1511La conversione di Sant'Agostino: Parte I. Recitativo "E nessun Io soccore?" (Monica, Alipio, Simpliciano)1:3412La conversione di Sant'Agostino: Parte I. Coro "Inspira o Dio elemente" (Monica, Alipio, Coro)2:54Disc 21La conversione di Sant'Agostino: Parte II. Recitativo "Il figlio ancor non vedo, miscra!" (Monica)1:072La conversione di Sant'Agostino: Parte II. Aria "Ah, veder gia parmi il figlio" (Monica)5:033La conversione di Sant'Agostino: Parte II. Recitativo "Simplician che rechi?" (Monica, Simpliciano, Alipio)2:134La conversione di Sant'Agostino: Parte II. Aria "Piange e quel pianto" (Alipio)7:245La conversione di Sant'Agostino: Parte II. Recitativo "Ecco che giunge a noi" (Simpliciano, Agostino, Monica, Navigio)8:026La conversione di Sant'Agostino: Parte II. Aria "Or mi pento, oh Dio" (Agostino)6:317La conversione di Sant'Agostino: Parte II. Recitativo "Ah figlio" (Simpliciano, Agostino, Monica, Alipio, Navigio)5:198La conversione di Sant'Agostino: Parte II. Aria "A Dio ritornate" (Simpliciano)7:259La conversione di Sant'Agostino: Parte II. Coro "Si lodi il ciel pietoso" (Coro)4:411994 · studio album
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Tracklist · 16 tracks · 1:06:10
1Gentes barbarae, Tartarae turbae: I. Aria: Gentes barbarae5:422Gentes barbarae, Tartarae turbae: II. Recitativo: Gaude cor meum!2:273Gentes barbarae, Tartarae turbae: III. Aria: Vos, o Caeli, aurae serenae7:474Gentes barbarae, Tartarae turbae: IV. Alleluia1:175Alta nubes illustrata: I. Aria: Alta nubes illustrata8:106Alta nubes illustrata: II. Recitativo: Diffulgite, o funestes2:537Alta nubes illustrata: III. Aria: Caelesti incendi amoris6:478Alta nubes illustrata: IV. Alleluia2:429Salve Regina, en la majeur: I. Salve Regina3:5510Salve Regina, en la majeur: II. Ad te clamamus4:2911Salve Regina, en la majeur: III. Eja ergo2:1512Salve Regina, en la majeur: IV. Et Jesum3:2113Salve Regina, en sol majeur: I. Salve Regina4:4414Salve Regina, en sol majeur: II. Ad te clamamus3:3215Salve Regina, en sol majeur: III. Eja ergo2:1816Salve Regina, en sol majeur: IV. Et Jesum3:511994 · studio album
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Tracklist · 27 tracks · 1:44:56
Disc 11Piramo e Tisbe: I. Teil. Nr. 1 Sinfonia5:392Piramo e Tisbe: I. Teil. Nr. 2 "Invan ti struggi in pianto"5:093Piramo e Tisbe: I. Teil. Nr. 3 "Pur ti riveggo al fine"2:424Piramo e Tisbe: I. Teil. Nr. 4 "O gioia, o gioia inaspettata"4:065Piramo e Tisbe: I. Teil. Nr. 5 "Ah non é ver ben mio"5:406Piramo e Tisbe: I. Teil. Nr. 6 "Fuggi, fuggi, ei s'appressa"4:197Piramo e Tisbe: I. Teil. Nr. 7 "Perderò l'amato bene"8:128Piramo e Tisbe: I. Teil. Nr. 8 "Invan t'affani, e preghi"1:009Piramo e Tisbe: I. Teil. Nr. 9 "A' Tuoi sospiri, al pianto"3:5510Piramo e Tisbe: I. Teil. Nr. 10 "Dunque udisti!" / "Oh Dio! mostami il cielo"2:1011Piramo e Tisbe: I. Teil. Nr. 11 "Fuggiam dove sicura il dolce libertà"5:4912Piramo e Tisbe: I. Teil. Nr. 12 "Taci, non più di tanti stimoli"1:1413Piramo e Tisbe: I. Teil. Nr. 13 "Che mai temer potrei"5:01Disc 21Piramo e Tisbe: II. Teil. Nr. 14 "Son pur giunta una volta"2:002Piramo e Tisbe: II. Teil. Nr. 15 "Infelice! In tanto orrore che farò"3:263Piramo e Tisbe: II. Teil. Nr. 16 "Misera! Ancor non viene"2:234Piramo e Tisbe: II. Teil. Nr. 17 "Rendete, eterni Dei, rendetemi il mio ben"9:515Piramo e Tisbe: II. Teil. Nr. 18 "Ma che sento? Chi scuote le selva!"0:236Piramo e Tisbe: II. Teil. Nr. 19 Sinfonia del leone1:117Piramo e Tisbe: II. Teil. Nr. 20 "Grazie al ciel, la prevenni"2:548Piramo e Tisbe: II. Teil. Nr. 21 "Così tranquilla, e cheta serena notte"4:089Piramo e Tisbe: II. Teil. Nr. 22 "Ma s'avanza la notte"5:3510Piramo e Tisbe: II. Teil. Nr. 23 "Già la sento che in flebile accento"6:1711Piramo e Tisbe: II. Teil. Nr. 24 "Misera! ove m'inoltro?"3:4312Piramo e Tisbe: II. Teil. Nr. 25 "Ah che mirar degg'io!"2:4113Piramo e Tisbe: II. Teil. Nr. 26 "Non m'inganna lo sguardo"2:4314Piramo e Tisbe: II. Teil. Nr. 27 "Nella nera ombra di morte"2:451994 · studio album
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Tracklist · 39 tracks · 2:03:37
Disc 11Piramo e Tisbe: Sinfonia6:072Piramo e Tisbe: Parte I. Aria "In van ti strugi in pianto"2:143Piramo e Tisbe: Parte I. Recitativo "Piramo ah dove sie"2:274Piramo e Tisbe: Parte I. Duetto "Pur ti riveggo al fine"2:185Piramo e Tisbe: Parte I. Recitativo "Oh gioia, oh gioia inaspettata"3:276Piramo e Tisbe: Parte I. Aria "Ah, non e ver ben mio"4:327Piramo e Tisbe: Parte I. Recitativo "Fuggi, fuggi, ei s'appressa, misera me!"3:418Piramo e Tisbe: Parte I. Aria "Perdero l'amato bene"7:479Piramo e Tisbe: Parte I. Recitativo "In van t'affani, e preghi"0:5110Piramo e Tisbe: Parte I. Aria "A tuoi sospiri al pianto"2:4011Piramo e Tisbe: Parte I. Duetto "Ah, gie parti"1:1512Piramo e Tisbe: Parte I. Recitativo "Dunque l'udisti"1:5813Piramo e Tisbe: Parte I. Aria "Fuggiam dove sicura"5:1414Piramo e Tisbe: Parte I. Recitativo "Taci, non piu"1:4715Piramo e Tisbe: Parte I. Duetto "Che mai temer potrei"4:5216Piramo e Tisbe: Parte I. Ballo primo Lenoto4:0417Piramo e Tisbe: Parte I. Ballo primo Gavotta1:4218Piramo e Tisbe: Parte I. Ballo primo Andante1:3319Piramo e Tisbe: Parte I. Ballo primo Grave0:5520Piramo e Tisbe: Parte I. Ballo primo Allegro assai0:50Disc 21Piramo e Tisbe: Parte II. Recitativo "Son pur giunta una volta"1:522Piramo e Tisbe: Parte II. Aria "Infelice, in tanto orrore"3:123Piramo e Tisbe: Parte II. Recitativo "Misera, ancor non viene"2:074Piramo e Tisbe: Parte II. Aria "Rendente, eterni Dei"8:355Piramo e Tisbe: Parte II. Recitativo "Ma che sento"0:246Piramo e Tisbe: Parte II. Sinfonia per la comparsa del leone"1:177Piramo e Tisbe: Parte II. Recitativo "Grazie al ciel"3:018Piramo e Tisbe: Parte II. Aria "Cosi tranquilla, e cheta serena notte"5:599Piramo e Tisbe: Parte II. Recitativo "Ma s´avanza la notte "5:5210Piramo e Tisbe: Parte II. Aria "Gia la sento"6:1111Piramo e Tisbe: Parte II. Recitativo "Misera, ove m´inoltro"3:4112Piramo e Tisbe: Parte II. Duetto "Ah che mirar degg´io"3:2713Piramo e Tisbe: Parte II. Recitativo "Non m´inganna lo sguardo"2:5014Piramo e Tisbe: Parte II. Aria "Nella nera ombra di morte"2:4715Piramo e Tisbe: Parte II. Ballo secondo Andante, Grazioso, e moderato1:5716Piramo e Tisbe: Parte II. Ballo secondo Aria, o sia Rigaudon allegro2:2817Piramo e Tisbe: Parte II. Ballo secondo Aria, o sia Gavotta arbitraria3:1218Piramo e Tisbe: Parte II. Ballo secondo Allegro1:3119Piramo e Tisbe: Parte II. Ballo secondo Contradanza3:00Laudate pueri - Psalmen, Antiphonen, Concerto per due flauti
1996 · studio album
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Tracklist · 18 tracks · 1:04:16
1Laudate pueri in A (Psalm 112): I. Laudate pueri (Soli/Coro)4:132Laudate pueri in A (Psalm 112): II. Excelsus super omnes (Duetto)4:563Laudate pueri in A (Psalm 112): III. Quis sicut Dominus (Aria Soprano)4:274Laudate pueri in A (Psalm 112): IV. Suscitans a terra (Coro)2:165Laudate pueri in A (Psalm 112): V. Gloria Patri (Aria Mezzosoprano)4:246Laudate pueri in A (Psalm 112): VI. Sicut erat (Soli/Coro)2:517Concerto in G: I. Allegro3:368Concerto in G: II. Adagio3:019Concerto in G: III. Presto3:1110Domine ad adjuvandum me festina in C2:1411Dixit Dominus in C (Psalm 109)4:5712Salve Regina in A: I. Salve Regina4:1613Salve Regina in A: II. Ad te clamamus3:4914Salve Regina in A: III. Eja ergo2:1115Salve Regina in A: IV. Et Jesum2:5416Regina coeli in D: I. Regina coeli (Solo/Coro)4:0017Regina coeli in D: II. Ora pro nobis (Aria)3:3218Regina coeli in D: III. Regina coeli (come sopra)3:28Miserere: Sacred Choral Pieces of the Dresden Baroque
1996 · studio album
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Tracklist · 25 tracks · 1:09:37
1Miserere in C minor, ZWV 57 - Miserere I: Adagio3:112Miserere in C minor, ZWV 57 - Miserere II: Andante ma non troppo5:113Miserere in C minor, ZWV 57 - Gloria Patri I: Larghetto ma non troppo4:494Miserere in C minor, ZWV 57 - Gloria Patri II: Andante ma non troppo0:365Miserere in C minor, ZWV 57 - Sicut erat: Andante ma non troppo1:226Miserere in C minor, ZWV 57 - Miserere III: Adagio2:087Miserere in C minor - Miserere mei, Deus3:518Miserere in C minor - Tibi soli peccavi1:229Miserere in C minor - Ecce enim in iniquitatibus conceptus sum5:4310Miserere in C minor - Libera me3:0111Miserere in C minor - Quoniam si voluisses2:2212Miserere in C minor - Benigne fac1:1013Miserere in C minor - Gloria Patri2:4914Miserere in C minor - Sicut erat - Amen1:2615Magnificat in A major - Magnificat anima mea2:2616Magnificat in A major - Quia respexit1:4817Magnificat in A major - Quia fecit mihi magna1:5818Magnificat in A major - Fecit potentiam2:1719Magnificat in A major - Suscepit Israel2:0820Magnificat in A major - Gloria Patri / Sicut erat1:5421Cantata "Verwundrung, Mitleid, Furcht und Schrecken" - Chor (Allegro assai): "Verwundrung, Mitleid"6:1822Cantata "Verwundrung, Mitleid, Furcht und Schrecken" - Recitativo accompagnato: "Wie ist mir?"2:3823Cantata "Verwundrung, Mitleid, Furcht und Schrecken" - Aria (Adagio ma non troppo): "Verheertes Land, in deinen Trümmern"7:1824Cantata "Verwundrung, Mitleid, Furcht und Schrecken" - Recitativo: "O sicherer Mensch, was schläfest du"0:5825Cantata "Verwundrung, Mitleid, Furcht und Schrecken" - Choral: "Ei nun, Herre Jesu, schicke unsre Herzen zu"0:531997 · studio album
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Tracklist · 20 tracks · 1:11:51
1Sinfonia D-Dur op. 3, no. 3: I. Allegro assai2:172Sinfonia D-Dur op. 3, no. 3: II. Allegretto, ma poco2:423Sinfonia D-Dur op. 3, no. 3: III. Allegro assai2:534Salve Regina A-Dur: I. A tempo giusto »Salve Regina«4:505Salve Regina A-Dur: II. Adagio »Ad te clamamus«4:106Salve Regina A-Dur: III. Adagio – Allegro »Eja ergo«2:057Salve Regina A-Dur: IV. Andante – Adagio »Et Jesum benedictum«2:598Sinfonia F-Dur op. 3 no. 5: I. Allegro assai1:579Sinfonia F-Dur op. 3 no. 5: II. Andante ma sempre piano3:5310Sinfonia F-Dur op. 3 no. 5: III. Allegro e con spirito1:3111Motette »Chori Angelici Laetantes«: I. Aria: Allegro ma non troppo »Chori angelici maetantes«6:2012Motette »Chori Angelici Laetantes«: II. Rezitativ: Moderato assai – Allegro »Mundi neglecta pompa et vanitate«1:2913Motette »Chori Angelici Laetantes«: III. Arie: Moderato assai – Andante »Bone Jesu, te quaerendo«7:1314Motette »Chori Angelici Laetantes«: IV. Arie: Allegro »Alleluja«2:0615Fuga & Grave g-moll: Fuga. A la breve4:0116Fuga & Grave g-moll: Grave – Fuga5:5917Salve Regina Es-Dur a due voci, soprano e contralto, con stromenti: I. Andantino »Salve Regina« (Sopran, Alt)5:2418Salve Regina Es-Dur a due voci, soprano e contralto, con stromenti: II. Largo »Ad te clamamus« (Alt)3:1219Salve Regina Es-Dur a due voci, soprano e contralto, con stromenti: III. Allegretto »Eja ergo« (Sopran)3:3520Salve Regina Es-Dur a due voci, soprano e contralto, con stromenti: IV. Andante, ma non troppo »Et Jesum Benedictum« (Sopran, Alt)3:151998 · studio album
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Tracklist · 19 tracks · 59:12
1No 1 Concerto in F major: I. Allegro2:062No 1 Concerto in F major: II. Andante3:253No 1 Concerto in F major: III. Minuet – Allegro2:134No 2 Concerto in G major: I. Allegro2:455No 2 Concerto in G major: II. Grave2:456No 2 Concerto in G major: III. Allegro assai2:447No 3 Concerto in G major: I. Allegro2:468No 3 Concerto in G major: II. Adagio2:329No 3 Concerto in G major: III. Spiritoso1:5110No 4 Concerto in D major: I. Allegro4:3611No 4 Concerto in D major: II. Adagio4:3012No 4 Concerto in D major: III. Allegro3:5713No 5 Concerto in F major: I. Allegro3:4414No 5 Concerto in F major: II. Allegro ma non troppo3:2515No 5 Concerto in F major: III. Allegro1:4316No 5 Concerto in F major: IV. Minuet1:3717No 6 Concerto in D major: I. Allegro3:3518No 6 Concerto in D major: II. Andante5:5719No 6 Concerto in D major: III. Allegro non troppo3:011999 · studio album
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Tracklist · 25 tracks · 1:10:31
1Sinfonia2:272Intermezzo primo: Cavatina: Alla vita, al portamento2:273Intermezzo primo: Recitativo: Tieni lo specchio in tasca?1:384Intermezzo primo: Aria: Sul verde praticello2:005Intermezzo primo: Recitativo: È qui Don Tabarano6:446Intermezzo primo: Aria: Più viver non voglio4:357Intermezzo primo: Recitativo: Eh! Va via, pezzo d'asino2:388Intermezzo primo: Duetto: Vorrei, o Dio, ma vedo3:459Intermezzo secondo: Recitativo: Ti dico che qui voglio1:1910Intermezzo secondo: Ballo da Turco2:2711Intermezzo secondo: Recitativo: Cos' è Vengono? Presto!4:4712Intermezzo secondo: Aria: Strappami il core, ô barbaro5:0113Intermezzo secondo: Recitativo: A poco amor scaccia lo sdegno3:1814Intermezzo secondo: Aria: Star allegra, brava, brava3:5215Intermezzo secondo: Recitativo: Decir: conoscer bene ti1:4316Intermezzo secondo: Duetto: Deh, ti placa3:1217Intermezzo secondo: Recitativo: Cos'è, Corbo?1:5718Intermezzo secondo: Balli: Tempo di Minuetto1:2219Intermezzo secondo: Balli: Ballo di Villano0:3620Intermezzo secondo: Balli: Minuetto da Capo0:5421Concerto op. 7 no. 3 a sei stromenti, en sol majeur: I. Vivace3:5522Concerto op. 7 no. 3 a sei stromenti, en sol majeur: II. Largo2:4523Concerto op. 7 no. 3 a sei stromenti, en sol majeur: III. Allegro1:5424Concerto op. 7 no. 3 a sei stromenti, en sol majeur: IV. Largo2:2725Concerto op. 7 no. 3 a sei stromenti, en sol majeur: V. Allegro2:48Miserere / Salve Regina / Te Deum
2003 · studio album
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Tracklist · 20 tracks · 1:11:55
1Miserere c-Moll: I. Miserere mei Deus3:592Miserere c-Moll: II. Tibi soli peccavi1:293Miserere c-Moll: III. Ecce enim6:104Miserere c-Moll: IV. Libera me2:575Miserere c-Moll: V. Quoniam si voluisses2:206Miserere c-Moll: VI. Benigne fac1:077Miserere c-Moll: VII. Gloria patri3:048Miserere c-Moll: VIII. Sicut erat – Amen1:429Salve Regina G-Dur: I. Salve regina5:4710Salve Regina G-Dur: II. Ad te clamamus4:5311Salve Regina G-Dur: III. Eja ergo2:5412Salve Regina G-Dur: IV. Et Jesum3:4913Te Deum G-Dur: I. Te Deum laudamus6:1014Te Deum G-Dur: II. Te per orbem5:2015Te Deum G-Dur: III. Judex ergo4:2216Te Deum G-Dur: IV. Aeterna fac3:4717Te Deum G-Dur: V. Salvum fac3:4318Te Deum G-Dur: VI. Et rege eos2:0319Te Deum G-Dur: VII. Dignare Domine4:5120Te Deum G-Dur: VIII. In te Domine speravi1:282006 · studio album
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Tracklist · 13 tracks · 1:11:56
1Orlando: Fammi combattere mostri e tifei3:442Orlando: Ah! Stigie larve… Già latra Cerbero… Vaghe pupille7:203Alcina: Sta nell’Ircana pietrosa tana5:374Splenda l’alba in oriente: Splenda l’alba in oriente5:425Splenda l’alba in oriente: Tu, armonica Cecilia0:336Splenda l’alba in oriente: La virtute è un vero nume4:227Arminio: Ti lascio in ceppi avvinto7:318Arminio: Se mia speranza sola7:479Arminio: Vaghi rai, pupille amate9:5510La scusa: No, perdonami, o Clori0:5811La scusa: Trova un sol10:0012La scusa: Placati, o pastorella2:0213La scusa: Torna in quell’onda chiara6:252008 · studio album
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Tracklist · 25 tracks · 1:12:14
1Concerto h-moll, 1.Allegro ma non troppo4:062Concerto h-moll, 2.Adagio4:313Concerto h-moll, 3.Allegro3:224Sonata A-Dur, 1.Adagio2:085Sonata A-Dur, 2.Allegro2:366Sonata A-Dur, 3.Largo1:407Sonata A-Dur, 4.Vivace2:218Concerto G-Dur a 5, 1.Allegro2:499Concerto G-Dur a 5, 2.Adagio3:0410Concerto G-Dur a 5, 3.Vivace2:2311Trio e-moll, 1.Largo2:0512Trio e-moll, 2.Presto2:5413Trio e-moll, 3.Siciliano1:4514Trio e-moll, 4.Allegro2:4215Concerto C-Dur, 1.Allegro3:3816Concerto C-Dur, 2.Andante4:5717Concerto C-Dur, 3.Allegro3:3118Concerto D-Dur, 1.Allegro4:0219Concerto D-Dur, 2.Adagio3:5720Concerto D-Dur, 3.Allegro3:0521Sinfonia G-Dur a 5, 1.Allegro2:3522Sinfonia G-Dur a 5, 2.Siciliano1:4023Sinfonia G-Dur a 5, 3.Menuett1:3624Sinfonia G-Dur a 5, 4.Polonaise2:3625Sinfonia G-Dur a 5, 5.Plaisanterie2:112011 · studio album
2011 · studio album
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Tracklist · 31 tracks · 1:10:16
1Requiem in C-Dur: Requiem aeternam2:562Requiem in C-Dur: Te decet hymnus0:433Requiem in C-Dur: Exaudi orationem meam2:344Requiem in C-Dur: Kyrie eleison I1:425Requiem in C-Dur: Christe eleison1:376Requiem in C-Dur: Kyrie eleison II1:057Requiem in C-Dur: Dies irae1:078Requiem in C-Dur: Tuba mirum1:339Requiem in C-Dur: Mors stupebit3:3210Requiem in C-Dur: Recordare3:2111Requiem in C-Dur: Quaerens me3:1112Requiem in C-Dur: Juste judex0:5313Requiem in C-Dur: Inter oves5:3014Requiem in C-Dur: Lacrimosa3:0315Requiem in C-Dur: Domine Jesu Christe1:3916Requiem in C-Dur: Hostias et preces1:5217Requiem in C-Dur: Quam olim Abrahae0:3918Requiem in C-Dur: Sanctus1:3119Requiem in C-Dur: Benedictus2:1020Requiem in C-Dur: Hosanna0:4321Requiem in C-Dur: Agnus Dei3:2222Requiem in C-Dur: Lux aeterna0:4723Requiem in C-Dur: Requiem aeternam (da capo)3:0724Miserere in c-Moll: Miserere mei Deus3:5725Miserere in c-Moll: Tibi soli peccavi1:3026Miserere in c-Moll: Ecce enim5:1627Miserere in c-Moll: Libera me3:2428Miserere in c-Moll: Quoniam si voluisses2:0429Miserere in c-Moll: Benigne fac1:1730Miserere in c-Moll: Gloria Patri2:3331Miserere in c-Moll: Sicut erat - Amen1:382012 · studio album
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Tracklist · 10 tracks · 1:02:30
1Didone Abbandonata: Sinfonia6:222Didone Abbandonata: Aria "Tu mi disarmi il fianco"5:023Didone Abbandonata: Aria "Leon ch'errando vada"9:014Didone Abbandonata: Aria "Chiama mi pur così"5:015Didone Abbandonata: Aria "Cadrà fra poco in cenere"11:316La Gelosia: Rec. "Perdono, amata Nice"1:197La Gelosia: Aria "Bei labbri che Amore"9:108La Gelosia: Rec. "Son reo, son reo, non mi difendo"2:349La Gelosia: Aria "Giura il nocchier che al mare"7:4210Artaserse: Aria "Or la nube procellosa"4:482013 · studio album
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Tracklist · 26 tracks · 2:42:53
Disc 11Didone abbandonata: Sinfonia6:132Didone abbandonata, Atto I Scena I: «No principessa» (Enea, Selene, Osmida) – Scena II: «Che a te non pensi» (Didone, Enea) – Scena III: «Parte cosi» (Didone, Selene, Osmida)4:443Didone abbandonata, Atto I Scena III: Aria. «Diro che fida sei» (Selene) – Scena IV: «Didone, il re de’ Mori» (Iarba, Araspe, Osmida, Didone)4:074Didone abbandonata, Atto I Scena V: Aria. «Son regina e sono amante» (Didone) – Scena V: «Araspe, alla vendetta» (Iarba, Osmida, Araspe)3:165Didone abbandonata, Atto I Scena V: Aria. «Tu mi scorgi al gran disegno» (Osmida) – Scena VI: «Gia tel dissi, o Selene» (Selene, Enea) – Scena VII: «Stranier, dimmi; chi sei?» (Iarba, Araspe, Enea, Selene)6:086Didone abbandonata, Atto I Scena VII: Aria. «Quando saprai chi sono si fiero non sarai» (Enea) – Scena VIII: «Non partira se pria…» (Iarba, Selene) – Scena IX: «Non e piu tempo» (Iarba, Araspe, Osmida) – Scena X: «Ecco il rival» (Iarba, Araspe, Enea) – Scena XI: «Siam traditi, o regina» (Osmida, Didone, Araspe, Iarba, Enea)5:177Didone abbandonata, Atto I Scena XI: Aria. «Tu mi disarmi il fianco» (Iarba) – Scena XII: «Enea, salvo gia sei dalla crudel ferita» (Didone, Enea)6:458Didone abbandonata, Atto I Scena XII: Aria. «Non ha ragione, ingrato, un core abbandonato da chi giuro gli fe?» (Didone)5:329Didone abbandonata, Atto I Scena XIII: Recitativo accompagnato e Aria. «A le mie amorose folie… Se resto sul lido» (Enea)7:54Disc 21Didone abbandonata, Atto II Scena I: «Indegno, t’offerisci al mio sdegno e non paventi!» (Iarba, Araspe) – Scena II: «Chi sciolse» (Selene, Araspe, Iarba)1:492Didone abbandonata, Atto II Scena II: Aria. «Leon, ch’errando vada» (Iarba) – Scena III: «Ah contro Enea v’e qualche frode ordita» (Selene, Araspe)7:263Didone abbandonata, Atto II Scena III: Aria. «Ogni amator suppone» (Selene) – Scena IV: «Tu dici ch’io non speri» (Araspe)5:564Didone abbandonata, Atto II Scena IV: Aria. «L’augeletto in lacci stretto perche mai cantar si ascolta?» (Araspe) – Scena V: «Gia so che si nasconde…» (Didone, Osmida, Selene) – Scena VI: «Come! Ancor non partisti?» (Didone, Enea)9:225Didone abbandonata, Atto II Scena VI: Aria. «Ah! Non lasciarmi, no» (Didone)9:32Disc 31Didone abbandonata, Atto II Scena VII: «Fra il dovere e l’affetto» (Enea, Araspe) – Scena VIII: «Risparmia al tuo gran core» (Iarba, Enea)1:522Didone abbandonata, Atto II Scena VIII: Aria. «Vedi nel mio perdono, perfido traditor» (Enea) – Scena IX: «Tanto ardir nella reggia?» (Selene, Enea, Araspe)2:303Didone abbandonata, Atto II Scena IX: Aria. «Tacero, se tu lo brami» (Araspe) – Scena X: «Ah generoso Enea» (Selene, Enea)5:084Didone abbandonata, Atto II Scena X: Aria. «Veggio la sponda, sospiro il lido» (Selene) – Scena XI: «Ad ascoltar di nuovo i rimpoveri tuoi vengo» (Enea, Didone) – Scena XII: «Didone, a che mi chiedi?» (Iarba, Didone, Enea) – Scena XIII: «Senti. – Lascia che parta» (Didone, Iarba)9:535Didone abbandonata, Atto II Scena XIII: Aria. «Chiamami pur cosi» (Iarba) – Scena XIV: «E pure in mezzo all’ire» (Didone)5:346Didone abbandonata, Atto II Scena XIV: Aria. «Va lusingando amore il credulo mio core» (Didone)5:387Didone abbandonata, Atto III Scena I: «Gia di Iarba in difesa» (Osmida, Araspe) – Scena II: «Non son contento» (Iarba, Osmida, Araspe)1:188Didone abbandonata, Atto III Scena II: Aria. «Quando l’onda che nasce dal monte» (Osmida) – Scena III: «Addio Selene» (Enea, Selene)4:579Didone abbandonata, Atto III Scena III: Aria. «A trionfar mi chiama un bel desio d’onore» (Enea) – Scena IV: «O dio, germana!» (Selene, Didone) – Scena V: «Araspe in queste soglie!» (Didone, Araspe)9:4510Didone abbandonata, Atto III Scena V: Aria. «Gia si desta la tempesta» (Araspe) – Scena VI: «Fuggi, o regina» (Selene, Didone)8:5211Didone abbandonata, Atto III Scena VI: Aria. «Ombra Cara, ombra tradita» (Didone) – Scena VII: «Fermati» (Iarba, Didone)8:2812Didone abbandonata, Atto III Scena VII: Aria. «Cadra fra poco in cenere il suo nascente impero» (Iarba) – Scena VIII: «Numi, onde l’ira in sen tutta mi piomba» (Didone, Selene, Araspe) – Scena ultima: «Ah che dissi, infelice!» (Didone)14:572013 · studio album
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Tracklist · 11 tracks · 1:07:02
1Lusinghe più care (from Alessandro, HWV 21)6:142Qual di voi... Piange quel fonte (from Numa Pompilio)13:413Overture (from Il Ciro riconusciuto)5:044Padre ingiusto (from Cajo Fabricio)6:425Quel nome se ascolto (from Il Ciro riconusciuto)4:446Parmi che giunta in porto (from Radamisto, HWV 12)6:377Overture (from Didone abbandonata)6:238Ti pentirai, crudel (from Tolomeo, Rè d'Egitto, HWV 25)3:469Va tra le selve ircane (from Artaserse"4:5710Overture (from Zenobia)2:1911Ah! Che mancar mis sento (Aria)6:352014 · studio album
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Tracklist · 14 tracks · 1:04:17
1Il cantico de’ tre fanciulli: Notte amica9:452Arminio: Cadro ma qual si mira5:433Il Siroe: La sorte mia tiranna6:224Tito Vespasiano: Opprimete I contumaci4:135L’olimpiade: Siam navi all’onde3:056Impermestra: Ma rendi pur contento7:507Mandolin concerto in G major: I. Allegro2:208Mandolin concerto in G major: II. Largo3:319Mandolin concerto in G major: III. Allegro2:1610Il trionfo di Clelia: De’ folgori di Giove4:2011La spartana generosa: Se un tenero affetto2:5512Il trionfo di Clelia: Dei di Roma4:1513Tigrane: Solca il mar4:1114Tito Vespasiano: Vo disperato a morte3:312014 · studio album
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Tracklist · 50 tracks · 2:46:27
1Siroe, Re di Persia - Dresden Version, 1763: Sinfonia Part 1 - Vivace e staccato2:022Siroe, Re di Persia - Dresden Version, 1763: Sinfonia Part 2 - Un poco lento2:123Siroe, Re di Persia - Dresden Version, 1763: Sinfonia Part 31:524Siroe, Re di Persia - Dresden Version, 1763 / Act 1: 'Figli, di voi non meno che del regno son padre'3:575Siroe, Re di Persia - Dresden Version, 1763 / Act 1: 'Se il mio paterno amore Cosroe'4:426Siroe, Re di Persia - Dresden Version, 1763 / Act 1: 'E puoi senza arrossirti fissar, Medarse?...Parti; non l’irritar; lasciami seco...Bell’Emira adorata...A consolar, Laodice, un cor'2:147Siroe, Re di Persia - Dresden Version, 1763 / Act 1: 'D’ogni amator la fede'4:548Siroe, Re di Persia - Dresden Version, 1763 / Act 1: 'Siroe, non parli?...Di te, germana, in traccia sollecito ne vengo'1:449Siroe, Re di Persia - Dresden Version, 1763 / Act 1: 'O placido il mare lusinghi la sponda'5:0110Siroe, Re di Persia - Dresden Version, 1763 / Act 1: 'Non tradirò per lei l’amicizia e il dover'0:4911Siroe, Re di Persia - Dresden Version, 1763 / Act 1: 'Contente non siete d’un povero core'5:5012Siroe, Re di Persia - Dresden Version, 1763 / Act 1: 'Dall’insidie d’Emira si tolga il genitor...Che da un superbo figlio prenda leggi il mio cor..Un foglio!...Dunque perché non scopri l’insidiator?'3:5413Siroe, Re di Persia - Dresden Version, 1763 / Act 1: 'La sorte mia tiranna'6:1414Siroe, Re di Persia - Dresden Version, 1763 / Act 1: 'Olà, s’osservi il prence...Avresti mai creduto in Siroe un traditor?...Senza mistero o Prence così non parla Idaspe...Gran cose io tento'1:4715Siroe, Re di Persia - Dresden Version, 1763 / Act 1: 'Fra l’orror della tempesta'5:4716Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Alfin, Laodice, sei vendicata'1:3717Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Mi lagnerò tacendo'7:4518Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Tutto si soffra in pace...Che fai, superbo?'1:5219Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Mi credi infedele'3:3920Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Pensoso è il re...Signore — (Oh dei!)'1:2221Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Sgombra dall’anima tutto il timor'4:2022Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Non è picciola sorte'1:2923Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Tu decidi del mio fato...Più dubitar non posso, è Siroe l’infedel'8:5024Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Mi basta di morir noto a me stesso'0:2725Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Se pugnar non sai col fato'7:2926Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Veglia all’ingresso...Eccomi a’ cenni tuoi'3:1327Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Tu di pietà mi spogli'3:1028Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Che risolver degg’io?'1:1629Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Fra dubbi affetti miei'4:5830Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'A costei che dirò?'2:3531Siroe, Re di Persia - Dresden Version, 1763 / Act 2: 'Non vi piacque, ingiusti dei'6:2232Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'No no; voglio che mora...Mio re, che fai?'1:4933Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'Se il caro figlio vede in periglio'3:2334Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'Rendi, o signore...Arasse! Oh cieli!'3:4935Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'Che furia, che mostro'3:0436Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'Ah, che ristoro invano io cerco al mio dolor'0:4637Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'Gelido in ogni vena scorrer mi sento il sangue'8:0038Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'Che fai, d’un re tiranno più barbaro ministro?'0:5639Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'L’alma a goder prepara'5:0440Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'Tutto è in tumulto'0:4341Siroe, Re di Persia HWV 24 / Act 3: 'Son stanco, ingiusti Numi di soffrir'1:2542Tito Vespassiano / Act 3: 'Vo disperato a morte'3:3643Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'Ad insultarmi ancora qui vien Medarse?...Numi! Ognun m’abbandona...Siroe, già so qual sorte sovrasti a un traditor'1:5044Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'Se l’amor tuo mi rendi'3:4045Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'Ah con mio danno imparo che la più certa guida'0:4946Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'Torrente cresciuto per torbida piena'4:1347Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'Vinto ancor non son io...Padre — Signor'1:3348Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'Di tuo amor, mio cor è indegno'6:2149Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'Ecco, Persia, il tuo re'0:4950Siroe, Re di Persia - Dresden Version, 1763 / Act 3: 'I suoi nemici affetti'1:142016 · studio album
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Tracklist · 16 tracks · 1:02:31
1Recorder Sonata in B-Flat Major: I. Allegro4:282Recorder Sonata in B-Flat Major: II. Adagio4:593Recorder Sonata in B-Flat Major: III. Allegro3:404The Well-Tempered Clavier, Book 2: Prelude No. 14 in F-Sharp Minor, BWV 8832:455Ihr werdet weinen und heulen, BWV 103: No. 3, Kein Arzt ist außer dir zu finden3:536Bella, mi parto, oh Dio: No. 1, Bella, mi parto, oh Dio1:547Bella, mi parto, oh Dio: No. 2, Nel pensar ch'io sarò privo5:498Bella, mi parto, oh Dio: No. 3, Ma di cara beltà1:189Bella, mi parto, oh Dio: No. 4, S'hai pietà del mio timore3:4810Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande (Arr. S. Temmingh for Recorder)4:5811Preise, Jerusalem, den Herrn, BWV 119: No. 5, Die Obrigkeit ist Gottes Gabe3:0712Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande (Arr. D. Marincic in G Minor)2:1013Himmelskönig, sei willkommen, BWV 182: No. 5, Leget euch dem Heiland unter7:0314Scrivo in te l'amato nome: No. 1, Scrivo in te6:2315Scrivo in te l'amato nome: No. 2, Oh pianta avventurosa1:1216Scrivo in te l'amato nome: No. 3, Per te di lieto aprile5:042018 · studio album
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Tracklist · 23 tracks · 1:01:01
1Concerto in B-flat major, RV 548/764: I. Allegro3:412Concerto in B-flat major, RV 548/764: II. Largo3:193Concerto in B-flat major, RV 548/764: III. Allegro2:184Trio in G minor, RV 85: I. Andante molto4:275Trio in G minor, RV 85: II. Larghetto3:456Trio in G minor, RV 85: III. Allegro1:497Trio in E minor: I.1:348Trio in E minor: II. (Canzona)1:259Trio in E minor: III. (Courante. Allegro)3:0410Trio in E minor: IV.1:2711Concerto in C major: I.2:1812Concerto in C major: II. (Mandolino Solo con Violoncello)1:2213Concerto in C major: III. (Tutti unisoni)2:2114Sonata VIII in E minor: I. Largo2:1815Sonata VIII in E minor: II. Allegro assai2:1116Sonata VIII in E minor: III. Affetuoso4:5217Sonata VIII in E minor: IV. Allegro assai2:1318Trio in C major, RV 82: I. Allegro con molto4:0319Trio in C major, RV 82: II. Larghetto4:3620Trio in C major, RV 82: III. Allegro2:0821Concerto in G major: I. Allegro2:2222Concerto in G major: II. Largo1:4723Concerto in G major: III. Allegro1:41Hasse at Home: Cantatas and Sonatas
2019 · studio album
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Tracklist · 27 tracks · 1:11:06
1Dite almeno (aria)6:412Clori mio ben: I. Clori mio ben (recitativo)1:073Clori mio ben: II. Si penerò crudele (aria)4:254Clori mio ben: III. Oh voi ch’Amor seguite (recitativo)0:575Clori mio ben: IV. Augelletto prigioniero (aria)5:186Flute Sonata in D minor, op. 1, no. 11: I. Un poco vivace1:517Flute Sonata in D minor, op. 1, no. 11: II. Allegro4:078Flute Sonata in D minor, op. 1, no. 11: III. Arioso1:269Flute Sonata in D minor, op. 1, no. 11: IV. Vivace3:5710Perché leggiadra Irene: I. Perché leggiadra Irene (recitativo)1:0011Perché leggiadra Irene: II. Quando la bianca aurora (aria)4:1612Perché leggiadra Irene: III. Ma oimè tu fuggi intanto (recitativo)1:5813Perché leggiadra Irene: IV. Al tuo bel foco (aria)4:2114Cello Sonata in C major: I. Adagio1:2515Cello Sonata in C major: II. Allegro1:2616Cello Sonata in C major: III. Adagio1:1217Cello Sonata in C major: IV. Allegro0:5618Cello Sonata in C major: V. Allegro1:2519Cello Sonata in C major: VI. Allegro assai0:2920Della noiosa estate (aria)5:5221Harpsichord Sonata in G major: I. Allegro3:2222Harpsichord Sonata in G major: II. Sarabanda1:3723Harpsichord Sonata in G major: III. Menuet1:3224Pallido il volto: I. Pallido il volto (recitativo)2:0025Pallido il volto: II. Quando sarà quell’ora (aria)4:3026Pallido il volto: III. Tirsi, amico (recitativo)0:5827Pallido il volto: IV. Vedrai che amore (aria)2:582024 · studio album
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Tracklist · 22 tracks · 1:31:17
Disc 11Serpentes ignei in deserto: Introduzione: I. Grave1:092Serpentes ignei in deserto: Introduzione: II. Fugue1:573Serpentes ignei in deserto: Introduzione: III. Adagio0:204Serpentes ignei in deserto: Recitativo. “Longo labore oppressi” (Eliab, Eleazar)2:115Serpentes ignei in deserto: Aria. “Incerta vivendo” (Eliab)6:166Serpentes ignei in deserto: Recitativo accompagnato. “Ergo semper, ingrati!” (Moyses)1:047Serpentes ignei in deserto: Aria. “Cœlo turbido et irato cadant fulmina” (Moyses)5:188Serpentes ignei in deserto: Recitativo. “Tandem cessent clamores” (Josue)0:549Serpentes ignei in deserto: Aria. “Spera, o cor” (Josue)8:3710Serpentes ignei in deserto: Recitativo accompagnato. “Magis semper protervus” (Angelus, Moyses)3:2911Serpentes ignei in deserto: Aria. “Cæli, audite, deplorate” (Angelus)12:00Disc 21Serpentes ignei in deserto: Recitativo. “O portenta” (Nathanael)1:082Serpentes ignei in deserto: Aria. “Furit grando procellosa” (Nathanael)4:543Serpentes ignei in deserto: Recitativo accompagnato. “Tu, qui a cœlo dilectus” (Eliab, Eleazar, Moyses)3:054Serpentes ignei in deserto: Aria. “Dolore pleni” (Eleazar)7:525Serpentes ignei in deserto: Recitativo. “Tandem ultionis” (Angelus, Moyses)1:376Serpentes ignei in deserto: Aria. “Aura beata, plaude jucunda” (Angelus)5:497Serpentes ignei in deserto: Recitativo. “Ecce placatum cœlum nobis levamen præbuit” (Josue, Eleazar)0:508Serpentes ignei in deserto: Duetto. “Moesto corde suspirantes” (Josue, Eleazar)8:239Serpentes ignei in deserto: Recitativo accompagnato. “Ecce Israel, tu vides omnipotentiam Dei” (Moyses)1:1610Serpentes ignei in deserto: Aria. “Ara excelsa, ara pretiosa” (Moyses)9:3111Serpentes ignei in deserto: Recitativo accompagnato. “Ecce conversus Israel meruit peccati veniam” (Angelus)3:372025 · studio album
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Tracklist · 43 tracks · 1:41:48
Disc 11Piramo e Tisbe, Sinfonia: No. 1, Più tosto grave e maestoso0:522Piramo e Tisbe, Sinfonia: No. 2, Molto allegro1:413Piramo e Tisbe, Sinfonia: No. 3, Andantino2:234Piramo e Tisbe, Sinfonia: No. 4, Allegro assai1:175Piramo e Tisbe, Act I, Scene 1: Aria. Invan ti struggi in pianto - Recitativo. Piramo! ah dove sei?2:536Piramo e Tisbe, Act I, Scene 1: Presto. Oh! fra mostri d'Averno1:477Piramo e Tisbe, Act I, Scene 1: Duetto. Pur ti riveggo al fine2:218Piramo e Tisbe, Act I, Scene 1: Recitativo. Oh gioia, oh gioia inaspettata3:549Piramo e Tisbe, Act I, Scene 1: Aria. Ah! non è ver, ben mio1:3810Piramo e Tisbe, Act I, Scene 1: Lento. È troppo bello il pianto2:4711Piramo e Tisbe, Act I, Scene 1: Recitativo. Fuggi, fuggi, ei s'appressa. Misera me! – Act I Scene 2: Recitativo. Tisbe... Posso sperar che al padre3:5312Piramo e Tisbe, Act I, Scene 2: Aria. Perderò l'amato bene3:5113Piramo e Tisbe, Act I, Scene 2: Andante. Tanta forza al cor non sento3:0714Piramo e Tisbe, Act I, Scene 2: Recitativo. Invan t'affanni e preghi0:4915Piramo e Tisbe, Act I, Scene 2: Aria. A tuoi sospiri, al pianto2:3416Piramo e Tisbe, Act I, Scene 2: Duetto. Ah, già parti?1:0717Piramo e Tisbe, Act I, Scene 3: Recitativo. Dunque l'udisti?2:1118Piramo e Tisbe, Act I, Scene 3: Aria. Fuggiam dove sicura5:3519Piramo e Tisbe, Act I, Scene 3: Recitativo. Taci, non più1:5620Piramo e Tisbe, Act I, Scene 3: Duetto. Che mai temer potrei2:0221Piramo e Tisbe, Act I, Scene 3: Lento. Vanne. Ti lascio3:04Disc 21Piramo e Tisbe, Act II, Scene 1: Recitativo. Son pur giunta una volta2:082Piramo e Tisbe, Act II, Scene 1: Aria. Infelice! in tanto orrore1:223Piramo e Tisbe, Act II, Scene 1: Un poco lento una poco ad andantino. Freddo il sangue1:074Piramo e Tisbe, Act II, Scene 1: Andantino come prima ed amoroso. Infelice! In tanto orrore0:555Piramo e Tisbe, Act II, Scene 1: Recitativo. Misera! ancor non viene2:066Piramo e Tisbe, Act II, Scene 1: Aria. Rendete, eterni Dei4:037Piramo e Tisbe, Act II, Scene 1: Lento. Son pieni i voti miei1:558Piramo e Tisbe, Act II, Scene 1: Tempo di prima, da capo. Rendete, eterni Dei3:219Piramo e Tisbe, Act II, Scene 1: Recitativo. Ma che sento - Sinfonia per la comparsa del leone: No. 1, Coll' istessa prestezza0:5810Piramo e Tisbe, Act II, Scene 1: Sinfonia per la comparsa del leone: No. 2, Un poco lento0:2911Piramo e Tisbe, Act II, Scene 2: Recitativo. Grazie al ciel0:5712Piramo e Tisbe, Act II, Scene 2: Andantino amoroso. Arioso. Che puro ciel!2:0413Piramo e Tisbe, Act II, Scene 2: Aria. Così tranquilla, e cheta serena notte3:0114Piramo e Tisbe, Act II, Scene 2: Allegretto. Così d'Ida selvosa0:3815Piramo e Tisbe, Act II, Scene 2: Tempo di prima, da capo. Così tranquilla1:5716Piramo e Tisbe, Act II, Scene 2: Recitativo. Ma s'avanza la notte5:3117Piramo e Tisbe, Act II, Scene 2: Aria. Già la sento2:2718Piramo e Tisbe, Act II, Scene 2: Largo. Non sdegnarti bell'ombra diletta2:3419Piramo e Tisbe, Act II, Scene 3: Recitativo. Misera! Ove m'inoltro!3:4520Piramo e Tisbe, Act II, Scene 3: Duetto. Ah, che mirar degg'io!3:2121Piramo e Tisbe, Act II, Scene 4: Recitativo. Non m'inganna lo sguardo2:3322Piramo e Tisbe, Act II, Scene 4: Aria. Nella nera ombra di morte2:54— · studio album
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Tracklist · 20 tracks · 1:02:31
1Messe g-moll (1783): I. Kyrie: Kyrie eleison2:582Messe g-moll (1783): I. Kyrie: Christe eleison4:313Messe g-moll (1783): I. Kyrie: Kyrie eleison1:554Messe g-moll (1783): II. Gloria: Gloria in excelsis Deo3:325Messe g-moll (1783): II. Gloria: Gratias agimus tibi1:536Messe g-moll (1783): II. Gloria: Domine Deus, Rex coelestis2:227Messe g-moll (1783): II. Gloria: Domine Fili unigenite4:098Messe g-moll (1783): II. Gloria: Domine Deus2:419Messe g-moll (1783): II. Gloria: Qui tollis peccata mundi7:5810Messe g-moll (1783): II. Gloria: Quoniam tu solus sanctus2:1111Messe g-moll (1783): II. Gloria: Cum Sancto Spiritu2:5012Messe g-moll (1783): III. Credo: Credo in unum Deum2:2413Messe g-moll (1783): III. Credo: Et incarnatus est1:0414Messe g-moll (1783): III. Credo: Crucifixus etiam pro nobis2:2915Messe g-moll (1783): III. Credo: Et resurrexit tertia die3:0516Messe g-moll (1783): IV. Motetto: Ad te levavi animam meam5:3017Messe g-moll (1783): V. Sanctus1:1518Messe g-moll (1783): V. Sanctus: Benedictus3:3619Messe g-moll (1783): V. Sanctus: Hosanna in excelsis1:0420Messe g-moll (1783): VI. Agnus Dei5:04
Album · 3
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1998 | PortraitSearch SpotifySearch YouTube MusicTracklist · 17 tracks · 1:09:221Matthäus-Passion, BWV 244: No. 1: Chor: Kommt, ihr Töchter helft mir klagen6:48 2Messe in H-Moll, BWV 232: Chor: Gloria in excelsis / Et in terra pax5:46 3Die Kindheit Jesu: Hirtenlied: Holde, hohe Wundernacht2:11 4Lasset uns ablegen die Werke der Finsternis: I. Chor: Lasset uns ablegen die Waffen der Finsternis4:41 5Trauermusik: Duett: Ich suche nur das Himmelleben2:49 6Trauermusik: Choral: Herr Jesu Christ1:43 7Motetten: Wir wissen, so unser irdisches Haus6:51 8Die Donnerode: Chor: Wie ist dein Name so groß5:18 9Die Tageszeiten: II. Der Mittag: Chor: Auf, folget dem feurigen Wagen der Sonne1:14 10Die Tageszeiten: III. Der Abend: Aria: Senke dich von Purpurwolken5:12 11Der Herr ist König: Choral: Mit unsrer Macht ist nichts getan1:07 12Die Auferstehung und Himmelfahrt Jesu: Duetto: Ihr Tore Gottes, öffnet euch5:41 13Der Tag des Gerichts: Coro: Es rauscht4:39 14Miserere C-Moll: Miserere I (Adagio)3:17 15Messe in D-Moll: Gloria in excelsis3:49 16Requiem Es-Dur: Lacrimosa dies illa1:40 17Johannes-Passion: Coro: Ruhet wohl, ihr heiligen Gebeine6:36 | Compilation | 1998 | |
| 2006 | Missa ultima in gSearch SpotifySearch YouTube MusicTracklist · 16 tracks · 1:03:271Kyrie I (Coro)3:02 2Christe eleison (Soli Sa)4:34 3Kyrie II (Coro)1:48 4Gloria (Coro)3:35 5Gratias agimus (Coro)2:04 6Domine Deus (Solo B)2:35 7Domine Fili (Solo S)4:16 8Domine Deus (Soli SATB)2:57 9Qui tollis (Solo S, Coro)7:41 10Quoniam (Coro)2:19 11Cum Sancto Spiritu (Coro)2:46 12Credo (Solo T, Coro) - Et incarnatus est (Coro) - Crucifixus (Soli SA) - Et resurrexit (Coro)9:13 13Motetto: Ad te levavi (Soli SA)5:28 14Sanctus (Coro)1:22 15Benedictur (Solo S) - Hosanna (Coro)5:03 16Agnus Dei (Soli SA, Coro)4:44 | Live | 1 January 2006 | |
| 2023 | L’OlimpiadeSearch SpotifySearch YouTube MusicTracklist · 41 tracks · 2:10:431L’Olimpiade: Overture6:20 2L’Olimpiade: Atto I, scena 2. “Prence. Amico”1:14 3L’Olimpiade: Atto I, scena 2. “Superbo di me stesso”7:28 4L’Olimpiade: Atto I, scena 3. “Quanto importuno è questo”0:21 5L’Olimpiade: Atto I, scena 4. “Quel destrier”6:02 6L’Olimpiade: Atto I, scena 4. “O care selve”4:18 7L’Olimpiade: Atto I, scena 5. “Figlia, tutto è compito”1:51 8L’Olimpiade: Atto I, scena 7. “Dunque Licida ingrato già di me si scordò!”1:09 9L’Olimpiade: Atto I, scena 7. “Più non si trovano”5:51 10L’Olimpiade: Atto I, scena 8. “Licida. Amico. Eccomi a te”2:57 11L’Olimpiade: Atto I, scena 8. “Mentre dormi”2:37 12L’Olimpiade: Atto I, scena 9. “Che intesi, eterni dèi!”3:21 13L’Olimpiade: Atto I, scena 10. “Chi mi sorprende?”1:04 14L’Olimpiade: Atto I, scena 10. “Ne’ giorni tuoi felici”7:36 15L’Olimpiade: Atto II, scena 3. “Ah dimmi, Principessa”0:46 16L’Olimpiade: Atto II, scena 3. “Grandi, è ver, son le tue pene”6:06 17L’Olimpiade: Atto II, scena 4. “Che non mi disse un di?”5:40 18L’Olimpiade: Atto II, scena 5. “Insana gioventù!”1:07 19L’Olimpiade: Atto II, scena 5. “Siam navi all’onde algenti”3:57 20L’Olimpiade: Atto II, scena 6. “Del forte Licida, nome maggiore”2:02 21L’Olimpiade: Atto II, scena 7. “All’ odiose nozze”1:46 22L’Olimpiade: Atto II, scena 9. “Come? Già m’abbandoni?”3:23 23L’Olimpiade: Atto II, scena 10. “Licida, dov’è mai?”0:48 24L’Olimpiade: Atto II, scena 10. “Se cerca, se dice”4:12 25L’Olimpiade: Atto II, scena 11. “Che labirinto è questo!”2:00 26L’Olimpiade: Atto II, scena 11. “Tu me da me dividi”3:47 27L’Olimpiade: Atto II, scena 12. “A me barbaro! Oh Numi!”0:52 28L’Olimpiade: Atto II, scena 12. “Nò! La Speranza, più non m’alletta”3:40 29L’Olimpiade: Atto II, scena 15. “Con questo ferro”2:00 30L’Olimpiade: Atto II, scena 15. “Gemo in un punto, e fremo”5:32 31L’Olimpiade: Atto III, scena 3. “Deh secondate, o Numi”1:06 32L’Olimpiade: Atto III, scena 3. “Placa lo sdegno ormai”6:02 33L’Olimpiade: Atto III, scena 6. “I tuoi strali terror de’ mortali”1:14 34L’Olimpiade: Atto III, scena 6. “Giovane sventurato, ecco vicino”1:59 35L’Olimpiade: Atto III, scena 6. “Non so donde viene”4:58 36L’Olimpiade: Atto III, scena 7. “Signor trascorre”0:45 37L’Olimpiade: Atto III, scena 7. “Consola il genitore”2:49 38L’Olimpiade: Atto III, scena 7. “I tuoi strali, terror de’ mortali”2:34 39L’Olimpiade: Atto III, scena 7. “Ah numi, ecco Filinto”2:31 40L’Olimpiade: Atto III, finale. “Viva, viva il figlio delinquente”2:57 41L’Olimpiade: Atto I, scena 5. “Del destin non vi lagnate”4:01 | Live | 6 October 2023 |
Stats & PK
Percentile within all 23,672 published artists.Put Johann Adolf Hasse head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 38 | 93.9th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 30 | 90.4th |
| Studio albums | 27 | 97.8th |
| Awards recorded | 0 | 0th |
| Timeline events | 28 | 96.4th |
| Recording span (years) | -210 | 3.2th |
| Genres | 7 | 93th |
Awards & honours
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Johann_Adolf_Hasse.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/ee697e05-ffdb-4f94-a280-5b0887287342discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/ee697e05-ffdb-4f94-a280-5b0887287342core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q164732genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q164732seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Johann_Adolph_Hassebiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Johann_Adolph_Hasse
Why this artist is in the database
- List of composers by name
Tier rule: historic figure (38 language versions, career ended)
Image: uploader Phrood~commonswiki · Public domain · Wikimedia Commons
Wikidata: Q164732 · MusicBrainz: ee697e05-ffdb-4f94-a280-5b0887287342
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