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Josquin des Prez
Person · male · Habsburg Netherlands · Beaurevoir · born 1455 · died 1521 · recording since 1958
composer of the Renaissance (c. 1450–1521)
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Also known as Des Prés · Desprez · Josquin · Josquin Des Prés · Josquin Desprez · Josquin Desprez · +9 more
Timeline
85 events▣ Album 82◦ Birth 1† Death 1★ Debut release 1
1450s
1520s
1950s
· Debut release
Debut release: Missa Pange lingua / motets and instrumental pieces
First documented Album in the MusicBrainz discography.
source: musicbrainz
1960s
1970s
1980s
· Album
Album: De la Rue: Requiem / Des Prez: Mass "Hercules Dux Ferrariae" / Deploration
Album
source: musicbrainz
· Album
Album: Missa Pange lingua / Missa La sol fa re mi / Plainchant: Pange lingua
Album
source: musicbrainz
1990s
· Album
Album: Missa Hercules Dux Ferrariae - Miserere mei Deus - Pater noster - Tu solus qui facis mirabilia
Album
source: musicbrainz
· Album
Album: de la Rue: Requiem / des Prez: Mass Hercules Dux Ferrariae / Deploration
Album
source: musicbrainz
2000s
· Album
Album: Josquin de Prez: Missa Fortuna desperata / Songs. Motets by Isaac / Senfl / Greiter
Album
source: musicbrainz
· Album
Album: Missa Malheur me bat / Motets & Chansons / Liber generationis Jesu Christi
Album
source: musicbrainz
2010s
· Album
Album: Les fantaisies de Josquin: The Instrumental Music of Josquin Desprez
Album
source: musicbrainz
· Album
Album: Missa Ave Maris Stella: Celebrating the Annunciation in Renaissance Rome
Album
source: musicbrainz
2020s
· Album
Album: Masses: Hercules Dux Ferrarie · D'ung aultre amer · Faysant regretz
Album
source: musicbrainz
· Album
Album: Josquin, the Undead: Laments, Deplorations and Dances of Death
Album
source: musicbrainz
Biography
English biography8,781 words · 23 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1371695204
Biography
Josquin Lebloitte dit des Prez (c. 1450 – 1455 – 27 August 1521) was a composer of Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors like Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons.
Josquin's biography has been continually revised by modern scholarship. He was born somewhere in what is now northeastern France or Belgium and by 1477 he was in the choir of René of Anjou, later probably serving under Louis XI of France. In the 1480s Josquin traveled Italy with the Cardinal Ascanio Sforza, may have worked in Vienna for the Hungarian king Matthias Corvinus, and wrote the motet Ave Maria ... Virgo serena, and the popular chansons Adieu mes amours and Que vous ma dame. He served Pope Innocent VIII and Pope Alexander VI in Rome, Louis XII in France, and Ercole I d'Este in Ferrara. Many of his works were printed and published by Ottaviano Petrucci, including the Missa Hercules Dux Ferrariae. In his final years in Condé, Josquin produced some of his most admired works, including the motets Benedicta es, Inviolata, Pater noster–Ave Maria and Praeter rerum seriem, and the chansons Nimphes, nappés and Plus nulz regretz.
Influential both during and after his lifetime, Josquin has been described as the first Western composer to retain posthumous fame. His music was widely performed and imitated in 16th-century Europe, and was highly praised by Martin Luther and the music theorists Heinrich Glarean and Gioseffo Zarlino. In the Baroque era, Josquin's reputation became overshadowed by the Italian composer Giovanni Pierluigi da Palestrina. During the 19th- and 20th-century early music revival, publications by August Wilhelm Ambros, Albert Smijers, Helmuth Osthoff, and Edward Lowinsky culminated in a successful academic conference in 1971. This caused a reevaluation of Josquin as a central figure in Renaissance music, although some scholars have questioned whether he has been unrealistically elevated over his contemporaries. Josquin continues to draw interest in the 21st century and his music is frequently recorded and the subject of continuing scholarship. He was celebrated worldwide on the 500th anniversary of his death in 2021.
Name
Josquin's full name, Josquin Lebloitte dit des Prez, became known in the late 20th century. A pair of 1483 documents found in Condé-sur-l'Escaut identify the composer as the nephew of Gille Lebloitte dit des Prez and the son of Gossard Lebloitte dit des Prez. His first name Josquin is a diminutive form of Josse, the French form of the name of Judoc, a Breton saint of the 7th century. Josquin was a common name in Flanders and Northern France in the 15th and 16th centuries. Other documents indicate that the surname des Prez had been used by the family for at least two generations, perhaps to distinguish them from other branches of the Lebloitte family. At the time, the name Lebloitte was rare and the reason that Josquin's family took up the more common surname des Prez as their dit name remains uncertain.
His name has many spellings in contemporary records: his first name is spelled as Gosse, Gossequin, Jodocus, Joskin, Josquinus, Josse, Jossequin, Judocus and Juschino; and his surname is given as a Prato, de Prato, Pratensis, de Prés, Desprez, des Prés and des Près. In his motet Illibata Dei virgo nutrix, he includes an acrostic of his name, where it is spelled IOSQVIN Des PREZ. Documents from Condé, where he lived for the last years of his life, refer to him as "Maistre Josse Desprez". These include a letter written by the chapter of Notre-Dame of Condé to Margaret of Austria where he is named as "Josquin Desprez". Scholarly opinion differs on whether his surname should be written as one word (Desprez) or two (des Prez), with publications from continental Europe preferring the former and English-language publications the latter. Modern scholarship typically refers to him as Josquin.
Birth and background
Little is known about Josquin's early years. The specifics of his biography have been debated for centuries. The musicologist William Elders noted that "it could be called a twist of fate that neither the year, nor the place of birth of the greatest composer of the Renaissance is known". He is now thought to have been born around 1450, and at the latest 1455, making him "a close contemporary" of composers Loyset Compère and Heinrich Isaac, and slightly older than Jacob Obrecht. Josquin's father Gossart dit des Prez was a policeman in the castellany of Ath, who was accused of numerous offenses, including complaints of undue force, and disappears from the records after 1448. Nothing is known of Josquin's mother, who is absent from surviving documents, suggesting that she was either not considered Josquin's legitimate mother, or that she died soon after, or during, his birth. Around 1466, perhaps on the death of his father, Josquin was named by his uncle and aunt, Gille Lebloitte dit des Prez and Jacque Banestonne, as their heir.
Josquin was born somewhere in what is now northeastern France or Belgium. Despite his association with Condé in his later years, Josquin's own testimony indicates that he was not born there. The only firm evidence for his birthplace is a later legal document in which Josquin described being born beyond Noir Eauwe, meaning 'Black Water'. This description has puzzled scholars, and there are various theories on which body of water is being referred to. L'Eau Noire river in the Ardennes has been proposed, and there was a village named Prez there, though the musicologist David Fallows contends that the complications surrounding Josquin's name make a surname connection irrelevant, and that the river is too small and too far from Condé to be a candidate. Fallows proposes a birthplace near the converging Escaut and Haine rivers at Condé, preferring the latter since it was known for transporting coal, perhaps fitting the "Black Water" description. Other theories include a birth near Saint-Quentin, Aisne, due to his early association with the Collegiate Church of Saint-Quentin, or in the small village of Beaurevoir, which is near the Escaut, a river that may be referred to in an acrostic in his later motet Illibata Dei virgo nutrix.
Youth
There is no documentary evidence covering Josquin's education or upbringing. Fallows associates him with Goseequin de Condent, an altar boy at the collegiate church of Saint-Géry, Cambrai until mid-1466. Other scholars such as Gustave Reese relay a 17th-century account from Cardinal Richelieu's friend Claude Hémeré, suggesting that Josquin became a choirboy with his friend Jean Mouton at the Collegiate Church of Saint-Quentin; this account has been questioned. The collegiate chapel there was an important center of royal patronage and music for the area. All records from Saint-Quentin were destroyed in 1669, and Josquin may have acquired his later connections with the French royal chapel through an early association with Saint-Quentin. There is no evidence that Josquin studied with Johannes Ockeghem, as claimed by later writers such as Gioseffo Zarlino and Lodovico Zacconi. Later commentators probably only have meant that Josquin "learnt from the older composer's example". Josquin wrote a lamentation on the death of Ockeghem, Nymphes des bois, he also musically quoted Ockeghem several times, most directly in his double motet Alma Redemptoris mater/Ave regina caelorum, which shares an opening line with Ockeghem's motet Alma Redemptoris mater.
Josquin was probably associated with Cambrai Cathedral, as there is a "des Prez" among the cathedral's musicians listed in Omnium bonorum plena, a motet by Compère. The motet was composed before 1474 and names many important musicians of the time, including Antoine Busnois, Johannes Tinctoris, Johannes Regis, Ockeghem and Guillaume Du Fay. The motet may refer to the singer Pasquier Desprez, but Josquin is a likelier candidate. Josquin was certainly influenced by Du Fay's music; the musicologist Alejandro Planchart suggests that the impact was not particularly large.
Early career
The first firm record of Josquin's employment is from 19 April 1477 when he was a singer in the chapel of René of Anjou, in Aix-en-Provence. Other evidence may place him in Aix as early as 1475. Josquin remained there until at least 1478, after which his name disappears from historical records for five years. He may have remained in René's service, joining his other singers to serve Louis XI, who sent them to the Sainte-Chapelle of Paris. A further connection to Louis XI may perhaps be inferred from Josquin's early motet Misericordias Domini in aeternum cantabo, which could have been a musical tribute to the king, since it ends with the phrase "In te Domine speravi, non confundar in aeternum", words from Psalm 30:2 that Louis commissioned Jean Bourdichon to write on 50 scrolls in the Château de Plessis-lez-Tours. A less accepted theory for Josquin's activities between 1478 and 1483 is that he had already entered the household of his future employer Ascanio Sforza in 1480. In that case, Josquin would have been with Ascanio in Ferrara and might have written his Missa Hercules Dux Ferrariae at this time for Ercole d'Este. Around this period the Casanatense chansonnier was collected in Ferrara, which includes six chansons by Josquin, Adieu mes amours, En l'ombre d'ung buissonet, Et trop penser, Ile fantazies de Joskin, Que vous ma dame and Une mousque de Biscaye. Adieu mes amours and Que vous ma dame are thought to have been particularly popular, given their wide dissemination in later sources.
In February 1483 Josquin returned to Condé to claim his inheritance from his aunt and uncle, who may have been killed when the army of Louis XI besieged the town in May 1478 and had the population locked and burned in a church. In the same document, the collegiate church of Condé is reported to have given vin d'honneur (lit. 'wine of honor') to Josquin, because "as a musician who had already served two kings, he was now a distinguished visitor to the little town". Josquin hired at least 15 procurators to deal with his inheritance, suggesting he was then wealthy. This would explain how later in his life he was able to travel frequently and did not have to compose greatly demanded mass cycles like contemporaries Isaac and Ludwig Senfl.
Milan and elsewhere
A surviving record indicates that Josquin was in Milan by 15 May 1484, perhaps just after his 1483 trip to Condé. In March 1484 he may have visited Rome. Fallows speculates that Josquin left Condé for Italy so quickly because his inheritance gave him more freedom and allowed him to avoid serving a king who he suspected had caused the deaths of his aunt and uncle. By then, the sacred music of Milan Cathedral had a reputation for excellence. Josquin was employed by the House of Sforza, and on 20 June 1484 came into the service of Cardinal Ascanio Sforza. Josquin's renown as a composer, a strong recommendation from a patron of fellow musician, or the use of his wealth, might have helped him get this prestigious and long-term position. While working for Ascanio, on 19 August Josquin successfully requested a previously rejected dispensation to be rector at the parish church Saint Aubin without having been ordained a priest. Joshua Rifkin dates the well-known motet Ave Maria ... Virgo serena to this time, c. 1485.
Josquin went to Rome with Ascanio in July 1484 for a year, and may have gone to Paris for a litigation suit involving the benefice in Saint Aubin during the later 1480s. Around this time the poet Serafino dell'Aquila wrote his sonnet to Josquin, "Ad Jusquino suo compagno musico d'Ascanio" ("To Josquin, his fellow musician of Ascanio"), which asks him "not to be discouraged if his 'genius so sublime' seemed poorly remunerated". Between 1485 and 1489 Josquin may have served under the Hungarian king Matthias Corvinus in Vienna; an account by the Cardinal Girolamo Aleandro in 1539 recalls the archbishop of Esztergom Pal Varday stating that the court of Matthias included "excellent painters and musicians, among them even Josquin himself". Some scholars suggest Aleandro was repeating a false rumor, or that Varday confused Josquin des Prez for Josquin Dor or Johannes de Stokem. Fallows contends that it is unlikely that Varday, who was well-educated and a musician, would have made such a mistake, but concedes that it is possible. The court of Matthias had a high standard of music and employed numerous musicians, many of them from Italy. Though Fallows asserts that Josquin's presence in the Hungarian king's service is likely, the evidence is circumstantial, and no original documents survive to confirm the claim. Josquin was in Milan again in January 1489, probably until early May, and met the theorist and composer Franchinus Gaffurius there.
Rome
From June 1489 until at least April 1494, Josquin was a member of the papal choir in Rome, under Pope Innocent VIII then the Borgia pope Alexander VI. Josquin may have arrived there due to an exchange of singers between Ludovico Sforza and Pope Innocent, where the latter sent Gaspar van Weerbeke to Milan, presumably in return for Josquin. Josquin's arrival brought much-needed prestige to the choir, as the composers Gaspar and Stokem had left recently and the only other choristers known to be composers were Marbrianus de Orto and Bertrandus Vaqueras. Two months after his arrival, Josquin laid claim to the first of various benefices on 18 August. Holding three unrelated benefices at once, without having residency there or needing to speak that area's language, was a special privilege that Josquin's tenure and position offered; many of his choir colleagues had also enjoyed such privileges. His claims included a canonry at the Notre-Dame de Paris; Saint Omer, Cambrai; a parish in the gift of Saint-Ghislain Abbey; the Basse-Yttre parish church; two parishes near Frasnes, Hainaut; and Saint-Géry, Cambrai. Surviving papal letters indicate that some of these claims were approved, but he does not appear to have taken up any of the canonries. The Sistine Chapel's monthly payment records give the best record of Josquin's career, but all papal chapel records from April 1494 to November 1500 are lost, making it unknown when he left Rome.
After restorations from 1997 to 1998, the name JOSQUINJ was found as a graffito on the wall of the Sistine Chapel's cantoria (choir gallery). It is one of almost four hundred names inscribed in the chapel, around a hundred of which can be identified with singers of the papal choir. They date from the 15th to 18th centuries, and the JOSQUINJ signature is in the style of the former. There is some evidence suggesting the name refers to Josquin des Prez; it may be interpreted as either "Josquin" or "Josquinus", depending on whether the curved line on the far right is read as the abbreviation for "us". Other choristers named Josquin tended to sign their name in full, whereas Josquin des Prez is known to have done so mononymously on occasion. Andrea Adami da Bolsena notes in his 1711 Osservazioni per ben regolare il coro dei cantori della Cappella Pontificia that in his time Josquin's name was visibly 'sculpted' in the Sistine Chapel's choir room. The musicologist Richard Sherr writes that "while this is not a true autograph signature, the possibility that Josquin des Prez actually produced it during his stay in the papal chapel is very high", and Fallows says that "it hardly counts as an autograph, but it may be the closest we can get."
France
Documents found since the late 20th century have shed some light on Josquin's life and works between 1494 and 1503; at some point he was ordained a priest. In August 1494 he went to Cambrai, as attested by a vin d'honneur (lit. 'wine of honor') record, and he may have returned to Rome soon after. From then to 1498 there is no firm evidence for his activities; Fallows suggests he stayed in Cambrai for these four years, citing Johannes Manlius's 1562 book Locorum communium collectanea, which associates Josquin with Cambrai's musical establishment. This assertion would fit with Josquin's possible youthful connections in Cambrai and later vin d'honneur there. Manlius cites the reformer Philip Melanchthon as the source for many of his stories, strengthening the authenticity of his Josquin anecdotes; Melanchthon was close to musical figures of his time, including the publisher Georg Rhau and the composer Adrianus Petit Coclico.
Two letters between members of the House of Gonzaga and Ascanio Sforza suggest that Josquin may have re-entered the service of the Sforza family in Milan around 1498; they refer to a servant Juschino who delivered the hunting dogs to the Gonzagas. Circumstantial evidence suggests Juschino may have been Josquin des Prez, but he is not known to have been qualified for such a task, and it would be unusual to refer to him as a servant rather than a musician or singer. Josquin probably did not stay in Milan long, since his former employers were captured during Louis XII's 1499 invasion. Before he left, he most likely wrote two secular compositions, the well-known frottola El Grillo ("The Cricket"), and In te Domine speravi ("I have placed my hope in you, Lord"), based on Psalm 31. The latter might be a veiled reference to the religious reformer Girolamo Savonarola, who had been burned at the stake in Florence in 1498, and for whom Josquin seems to have had a special reverence; the text was Savonarola's favorite psalm, a meditation on which he left unfinished in prison when he was executed.
Josquin was probably in France during the early 16th century; documents found in 2008 indicate that he visited Troyes twice between 1499 and 1501. The long doubted account from Hémeré that Josquin had a canonry at Saint-Quentin was confirmed by documentary evidence that he had exchanged it by 30 May 1503. Canonries at Saint-Quentin were almost always gifts from the French king to royal household members, suggesting Josquin had been employed by Louis XII. According to Glarean in the Dodecachordon of 1547, the motet Memor esto verbi tui servo tuo ("Remember thy promise unto thy servant") was composed as a gentle reminder to the king to keep his promise of a benefice to Josquin. Glarean claimed that on receiving the benefice, Josquin wrote a motet on the text Bonitatem fecisti cum servo tuo, Domine ("Lord, thou hast dealt graciously with thy servant") to show his gratitude to the king, either Louis XI or Louis XII. Although such a motet survives and is mentioned with Josquin's Memor esto in many sources, Bonitatem fecisti is now attributed to Carpentras. Some of Josquin's other compositions have been tentatively dated to his French period, such as Vive le roy, and In exitu Israel, which resembles the style of other composers of the French court. The five-voice De profundis, a setting of Psalm 130, seems to have been written for a royal funeral, perhaps that of Louis XII, Anne of Brittany or Philip I of Castile.
Ferrara
Josquin arrived in Ferrara by 30 May 1503, to serve Ercole I d'Este, Duke of Ferrara, an arts patron who had been trying for many years to replace the composer and choirmaster Johannes Martini, who had recently died. No extant documents record Josquin as having worked in Ferrara before, though his earlier associations with Ercole suggest prior employment there; he signed a deed indicating he did not intend to stay there for long. Ercole is known to have met with Josquin's former employer Louis XII throughout 1499 to 1502, and these meetings may have led to his service for the Duke. Two letters survive explaining the circumstances of his arrival, both from courtiers who scouted musical talent in the service of Ercole. The first of these was from Girolamo da Sestola (nicknamed "Coglia") to Ercole, explaining: "My lord, I believe that there is neither lord nor king who will now have a better chapel than yours if your lordship sends for Josquin [...] and by having Josquin in our chapel I want to place a crown upon this chapel of ours" (14 August 1502). The second letter, from the courtier Gian de Artiganova, criticized Josquin and suggested Heinrich Isaac instead:
"To me [Isaac] seems well suited to serve your lordship, more so than Josquin, because he is more good-natured and companionable, and will compose new works more often. It is true that Josquin composes better, but he composes when he wants to and not when one wants him to, and he is asking 200 ducats in salary while Isaac will come for 120—but your lordship will decide."
Around three months later, Josquin was chosen; his salary of 200 ducats was the highest ever for a ducal chapel member. The Artiganova letter is a unique source for Josquin's personality, and the musicologist Patrick Macey interprets it as meaning he was a "difficult colleague and that he took an independent attitude towards producing music for his patrons". Edward Lowinsky connected his purportedly difficult behavior with musical talent, and used the letter as evidence that Josquin's contemporaries recognized his genius. Musicologist Rob Wegman questions whether meaningful conclusions can be drawn from such an anecdote. In a later publication, Wegman notes the largely unprecedented nature of such a position and warns "yet of course the letter could equally well be seen to reflect the attitudes and expectations of its recipient, Ercole d'Este".
While in Ferrara, Josquin wrote some of his most famous compositions, including the austere, Savonarola-influenced Miserere mei, Deus, which became one of the most widely distributed motets of the 16th century. Also probably from this period was the virtuoso motet Virgo salutiferi, set to a poem by Ercole Strozzi, and O virgo prudentissima based on a poem by Poliziano. Due to its stylistic resemblance to Miserere and Virgo salutiferi, the Missa Hercules Dux Ferrariae is also attributed to this time; it was previously thought to have been written in the early 1480s. Josquin did not stay in Ferrara long. An outbreak of the plague in 1503 prompted the evacuation of the Duke and his family, as well as two-thirds of the citizens, and Josquin left by April 1504. His replacement, Obrecht, died of the plague in mid-1505.
Condé
Josquin probably moved from Ferrara to his home region of Condé-sur-l'Escaut, and became provost of the collegiate church of Notre-Dame on 3 May 1504; he may have obtained the post from Philip I's sponsorship. His role gave him political responsibility, and put him in charge of a workforce which included a dean, a treasurer, 25 canons, 18 chaplains, 16 vicars, 6 choir-boys and other priests. This was an appealing place for his old age: it was near his birthplace, had a renowned choir and was the leading musical establishment in Hainaut, besides St. Vincent at Soignies and Cambrai Cathedral. Very few records of his activity survive from this time; he bought a house in September 1504, and sold it (or a different one) in November 1508. The Josquin mentioned may be the Joskin who traveled to present chansons to Charles V, Holy Roman Emperor in Brussels or Mechelen.
In his later years Josquin composed many of his most admired works. They include the masses Missa de Beata Virgine and Missa Pange lingua; the motets Benedicta es, Inviolata, Pater noster–Ave Maria and Praeter rerum seriem; and the chansons Mille regretz, Nimphes, nappés and Plus nulz regretz. The last of these, Plus nulz regretz, is set to a poem by Jean Lemaire de Belges that celebrates the future engagement between Charles V and Mary Tudor. In his last years Josquin's music saw European-wide dissemination through publications by the printer Ottaviano Petrucci. Josquin's compositions were given a prominent place by Petrucci, and were reissued numerous times.
On his deathbed, Josquin left an endowment for the performance of his work, Pater noster, at all general processions when townsfolk passed his house, stopping to place a wafer on the marketplace altar to the Holy Virgin. He died on 27 August 1521 and left his possessions to Condé's chapter of Notre Dame. He was buried in front of the church's high altar, but his tomb was destroyed, either during the French Wars of Religion (1562–1598) or in 1793 when the church was demolished amid the French Revolution.
Music
Josquin was a professional singer throughout his life, and his compositions are almost exclusively vocal. He wrote in primarily three genres: the mass, motet, and chanson (with French text). In his 50-year career, Josquin's body of work is larger than that of any other composer of his period, besides perhaps Isaac and Obrecht. Establishing a chronology of his compositions is difficult; the sources in which they were published offer little evidence, and historical and contextual connections are meager. Few manuscripts of Josquin's music date from before the 16th century, due to, according to Noble, "time, war and enthusiasm (both religious and anti-religious)". Identifying earlier works is particularly difficult, and later works only occasionally offer any more certainty. The musicologist Richard Taruskin writes that modern scholarship is "still nowhere near a wholly reliable chronology and unlikely ever to reach it", and suggests that the current tentative models "tell us more about ourselves, and the way in which we come to know what we know, than they do about Josquin".
After Du Fay died in 1474, Josquin and his contemporaries lived in a musical world of frequent stylistic change, in part due to the movement of musicians between different regions of Europe. A line of musicologists credits Josquin with three primary developments:
The gradual departure from extensive melismatic lines, and emphasis instead on smaller motifs. These "motivic cells" were short, easily recognizable melodic fragments which passed from one voice to another in a contrapuntal texture, giving it an inner unity.
The increasingly prominent use of imitative polyphony, equally between voices, which "combines a rational and homogeneous integration of the musical space with a self-renewing rhythmic impetus".
A focus on the text, with the music serving to emphasize its meaning, an early form of word painting.
The musicologist Jeremy Noble concludes that these innovations demonstrate the transition from the earlier music of Du Fay and Ockeghem, to Josquin's successors Adrian Willaert and Jacques Arcadelt, and eventually to the late Renaissance composers Giovanni Pierluigi da Palestrina and Orlande de Lassus.
Masses
The mass is the central rite of the Catholic Church, and polyphonic settings of the ordinary of the mass—the Kyrie, Gloria, Credo, Sanctus and Agnus Dei—increased in popularity in the 14th century. From the 15th century, composers treated it as a central genre in Western classical music in accordance with greater demand. By Josquin's time, masses were generally standardized into substantial, polyphonic five-movement works, making it difficult for composers to satisfy both liturgical and musical demands. Previous examples in the genre by composers such as Du Fay and Ockeghem were widely admired and emulated.
Josquin and Obrecht led an intensive development of the genre. Josquin's masses are generally less progressive than his motets—though he is credited with numerous innovations in the genre. His less radical approach may be explained by most of the masses being earlier works, or the structural and textual limitations of the genre. Almost all are for four voices.
The Josquin Companion categorizes the composer's masses into the following styles:
Canonic masses, which contains one or more voices derived from another via strict imitation;
Cantus firmus masses, in which a pre-existing tune appears in one voice of the texture, with the other voices being more or less freely composed;
Paraphrase masses, based on a popular monophonic song which is used freely in all voices, and in many variations;
Parody masses, based on a polyphonic song, which appears in whole or in part, with material from all voices in use, not just the tune; and
Solmization masses, named soggetto cavato by Zarlino, in which the base tune is drawn from the syllables of a name or phrase.
Josquin began his career at a time when composers started to find strict cantus firmus masses limiting. He pioneered paraphrase and parody masses, which were not well established before the 16th century. Many of his works combine the cantus firmus style with paraphrase and parody, making strict categorization problematic. Reflecting on Josquin's masses, Noble notes that "In general his instinct, at least in his mature works, seems to be to extract as much variety as possible from his given musical material, sacred or secular, by any appropriate means."
Canonic masses
Josquin's predecessors and contemporaries wrote masses based on canonic imitation. The canonic voices in these masses derive from pre-existing melodies such as the "L'homme armé" song (Faugues, Compère and Forestier), or chant (Fevin and La Rue's Missae de feria). Josquin's two canonic masses are not based on existing tunes, and so stand apart from the mainstream. They are closer to the Missa prolationum written by Ockeghem, and Missa ad fugam by de Orto, both of which use original melodies in all the voices.
Josquin's two canonic masses were published in Petrucci's third book of Josquin masses in 1514; the Missa ad fugam is the earlier of the two. It has a head-motif consisting of the whole first Kyrie which is repeated in the beginning of all five movements. The canon is restricted to the highest voice, and the pitch interval between the voices is fixed while the temporal interval varies between only two values; the two free voices generally do not participate in the imitation. The precise relationship of Josquin's mass to de Orto's is uncertain, as is Josquin's authorship of the mass.
No questions of authenticity cloud the Missa sine nomine, written during Josquin's final years in Condé. In contrast to the inflexibility of the canonic scheme in the Missa ad fugam, the temporal and pitch interval of the canon, along with the voices that participate in it, are varied throughout. The free voices are more fully integrated into the texture, and frequently participate in imitation with the canonic voices, sometimes preemptively.
Cantus firmus masses
Prior to Josquin's mature period, the most common technique for writing masses was the cantus firmus, a technique which had been in use for most of the 15th century. Josquin used the technique early in his career, with the Missa L'ami Baudichon considered to be one of his earliest masses. This mass is based on a secular tune similar to "Three Blind Mice". Basing a mass on such a source was an accepted procedure, as evidenced by the existence of the mass in Sistine Chapel part-books copied during the papacy of Julius II (1503–1513).
Josquin's most famous cantus firmus masses are the two based on the "L'homme armé" (lit. 'the armed man'), a popular tune for mass composition throughout the Renaissance. Though both are relatively mature compositions, they are very different. Missa L'homme armé super voces musicales, is a technical tour-de-force on the tune, containing numerous mensuration canons and contrapuntal display. Throughout the work, the melody is presented on each note of the natural hexachord: C, D, E, F, G and A. The later Missa L'homme armé sexti toni is a "fantasia on the theme of the armed man." While based on a cantus firmus, it is also a paraphrase mass, for fragments of the tune appear in all voices; throughout the work the melody appears in a wide variety of tempos and rhythms. Technically it is almost restrained, compared to the other L'homme armé mass, until the closing Agnus Dei, which contains a complex canonic structure including a rare retrograde canon, around which other voices are woven.
Paraphrase masses
The paraphrase mass differed from the cantus firmus technique in that the source material, though still monophonic, could be (by Josquin's time) highly embellished, often with ornaments. As in the cantus firmus technique, the source tune may appear in many voices of the mass. Several of Josquin's masses feature the paraphrase technique, such as the early Missa Gaudeamus, which also includes cantus firmus and canonic elements. The Missa Ave maris stella, also probably an early work, paraphrases the Marian antiphon of the same name; it is one of his shortest masses. The late Missa de Beata Virgine paraphrases plainchants in praise of the Virgin Mary. As a Lady Mass, it is a votive mass for Saturday performance, and was his most popular mass in the 16th century.
The best known of Josquin's paraphrase masses, and one of the most famous mass settings of the Renaissance, is the Missa Pange lingua, based on a hymn by Thomas Aquinas for the Vespers of Corpus Christi. It was probably the last mass Josquin composed. This mass is an extended fantasia on the tune, using the melody in all voices and all parts of the mass, in elaborate and ever-changing polyphony. One of the high points of the mass is the et incarnatus est section of the Credo, where the texture becomes homophonic, and the tune appears in the topmost voice. Here the portion which would normally set—"Sing, O my tongue, of the mystery of the divine body"—is instead given the words "And he became incarnate by the Holy Ghost from the Virgin Mary, and was made man." Noble comments that "The vigour of the earlier masses can still be felt in the rhythms and the strong drive to cadences, perhaps more so than in the Missa de Beata Virgine, but essentially the two contrasting strains of Josquin's music—fantasy and intellectual control—are so blended and balanced in these two works that one can see in them the beginnings of a new style: one which reconciles the conflicting aims of the great 15th-century composers in a new synthesis that was in essence to remain valid for the whole of the 16th century."
Parody masses
Du Fay was one of the first to write masses based on secular songs (a parody mass), and his Missa Se la face ay pale, dates to the decade of Josquin's birth. By the turn of the 16th century, composers were moving from quoting single voice lines, to widen their reference to all voices in the piece. This was part of the transition from the medieval cantus firmus mass, where the voice bearing the preexisting melody stood aloof from the others, to the Renaissance parody masses, where all the voices formed an integrated texture. In such masses, the source material was not a single line, but motifs and points of imitation from all voices within a polyphonic work. By the time Josquin died, these parody masses had become well established and Josquin's works demonstrate the variety of methods in musical borrowing during this transition period.
Six works are generally attributed to Josquin which borrow from polyphonic pieces, two of which also include canonic features. One of these—the Missa Di dadi, which includes a canon in the "Benedictus"—is based on a chanson by Robert Morton and has the rhythmic augmentation of the borrowed tenor part indicated by dice faces, which are printed next to the staff. Canon can also be found in the "Osanna" of the Missa Faisant regretz which is based on Walter Frye's Tout a par moy. The Missa Fortuna desperata is based on the popular three-voice Italian song Fortuna desperata. In this mass, Josquin used each of the Italian song's voices as cantus firmi, varying throughout the work. A similar variation in the source material's voices is used in the Missa Malheur me bat, based on a chanson variously attributed to Martini or Abertijne Malcourt. The dating of Missa Malheur me bat remains controversial, with some scholars calling it an early composition, and others a later one. The Missa Mater Patris, based on a three-voice motet by Antoine Brumel, is probably the earliest true parody mass by any composer, as it no longer contains any hint of a cantus firmus. Missa D'ung aultre amer is based on a popular chanson of the same name by Ockeghem, and is one of Josquin's shortest masses.
Solmization mass
A solmization mass is a polyphonic mass which uses notes drawn from a word or phrase. The style is first described by Zarlino in 1558, who called it soggetto cavato, from soggetto cavato dalle parole, meaning "carved out of the words". The earliest known mass by any composer using solmization syllables is the Missa Hercules Dux Ferrariae, which Josquin wrote for Ercole I. It is based on a cantus firmus of musical syllables of the Duke's name, 'Ercole, Duke of Ferrara', which in Latin is 'Hercules Dux Ferrarie'. Taking the solmization syllables with the same vowels gives: Re–Ut–Re–Ut–Re–Fa–Mi–Re, which is D–C–D–C–D–F–E–D in modern nomenclature. The Missa Hercules Dux Ferrariae remains the best known work to use this device and was published by Petrucci in 1505, relatively soon after its composition. Taruskin notes that the use of Ercole's name is Josquin's method of memorialization for his patron, akin to a portrait painting.
The other Josquin mass to prominently use this technique is the Missa La sol fa re mi, based on the musical syllables contained in 'laisse faire moy' ("let me take care of it"). Essentially the entire mass's content is related to this phrase, and the piece is thus something of an ostinato. The traditional story, as told by Glarean in 1547, was that an unknown aristocrat used to order suitors away with this phrase, and Josquin immediately wrote an "exceedingly elegant" mass on it as a jab at him. Scholars have proposed different origins for the piece; Lowinsky has connected it to the court of Ascanio Sforza, and the art historian Dawson Kiang connected it to the Turkish prince Cem Sultan's promise to the pope to overthrow his brother Bayezid II.
Motets
Josquin's motets are his most celebrated and influential works. Their style varies considerably, but can generally be divided into homophonic settings with block chords and syllabic text declamation; ornate—and often imitative—contrapuntal fantasias in which the text is overshadowed by music; and psalm settings which combined these extremes with the addition of rhetorical figures and text-painting that foreshadowed the later development of the madrigal. He wrote most of them for four voices, which had become the compositional norm by the mid-15th century, and descended from the four-part writing of Guillaume de Machaut and John Dunstaple in the late Middle Ages. Josquin was also a considerable innovator in writing motets for five and six voices.
Many of the motets use compositional constraint on the process; others are freely composed. Some use a cantus firmus as a unifying device, some are canonic, others use a motto which repeats throughout, and some use several of these methods. In some motets which use canon, it is designed to be heard and appreciated as such; in others a canon is present, but difficult to hear. Josquin frequently used imitation in writing his motets, with sections akin to fugal expositions occurring on successive lines of the text he was setting. This is prominent in his motet Ave Maria ... Virgo serena, an early work where each voice enters by restating the line sung before it. Other early works such as a Alma Redemptoris mater/Ave regina caelorum show prominent imitation, as do later ones such as his setting of Dominus regnavit (Psalm 93) for four voices. Josquin favored the technique throughout his career.
Few composers before Josquin had written polyphonic psalm settings, and these form a large proportion of his later motets. Josquin's settings include the famous Miserere (Psalm 51); Memor esto verbi tui, based on Psalm 119; and two settings of De profundis (Psalm 130), which are often considered to be among his most significant accomplishments. Josquin wrote several examples of a new type of piece developed in Milan, the motet-chanson. Though similar to 15th-century works based on the formes fixes mold which were completely secular, Josquin's motet-chansons contained a chant-derived Latin cantus firmus in the lowest of the three voices. The other voices sang a secular French text, which had either a symbolic relationship to the sacred Latin text, or commented on it. Josquin's three known motet-chansons are Que vous madame/In pace, A la mort/Monstra te esse matrem and Fortune destrange plummaige/Pauper sum ego.
Secular music
Josquin left numerous French chansons, for three to six voices, some of which were probably intended for instrumental performance as well. In his chansons, he often used a cantus firmus, sometimes a popular song whose origin can no longer be traced, as in Si j'avoye Marion. In other works he used a tune originally associated with a separate text, or freely composed an entire song, using no apparent external source material. Another technique Josquin used was to take a popular song and write it as a canon with itself, in two inner voices, and write new melodic material above and around it, to a new text: he did this in one of his most famous chansons, Faulte d'argent.
Josquin's earliest chansons were probably composed in northern Europe, under the influence of composers such as Ockeghem and Busnois. Unlike them, he never adhered strictly to the conventions of the formes fixes—the rigid and complex repetition patterns of the rondeau, virelai, and ballade—instead he often wrote his early chansons in strict imitation, as with many of his sacred works. He was one of the first to write chansons with all voices equal parts of the texture, and many contain points of imitation, similar to his motets. He also used melodic repetition, especially where the lines of text rhymed, and many of his chansons had a lighter texture and faster tempo than his motets. Some of his chansons were almost certainly designed to be performed with instruments; Petrucci published many of them without text, and some of the pieces (for example, the fanfare-like Vive le roy) contain writing more idiomatic for instruments than voices. Josquin's most famous chansons circulated widely in Europe; some of the better-known include his lament on the death of Ockeghem, Nymphes des bois/Requiem aeternam; Mille regretz, an uncertain attribution to Josquin; Nimphes, nappés; and Plus nulz regretz.
Josquin also wrote at least three pieces in the manner of the frottola, a popular Italian song form which he would have heard during his years in Milan. These songs include Scaramella, El grillo and In te domine speravi. They are even simpler in texture than his French chansons, being almost uniformly syllabic and homophonic, and they remain among his most frequently performed pieces.
Portraits
A small woodcut portraying Josquin is the most reproduced image of any Renaissance composer. Printed in Petrus Opmeer's 1611 Opus chronographicum orbis universi, the woodcut is the earliest known depiction of Josquin and presumably based on an oil painting which Opmeer says was kept in the collegiate church of St. Goedele. Church documents discovered in the 1990s have corroborated Opmeer's statement about the painting's existence. It may have been painted during Josquin's lifetime and was owned by Petrus Jacobi (d. 1568), a cantor and organist at the Church of St. Michael and St. Gudula (now Brussels' cathedral). Following the will's instructions, the altarpiece was placed next to Jacobi's tomb, but it was destroyed in the late 16th century by Protestant iconoclasts. Whether the woodcut is a realistic likeness of the oil painting remains uncertain; Elders notes that comparisons between contemporaneous woodcuts based on original paintings that do survive often show incompetent realizations, putting the accuracy of the woodcut in question.
The Portrait of a Musician, widely attributed to Leonardo da Vinci, depicts a man holding sheet music, which has led many scholars to identify him as a musician. The work is usually dated to the mid-1480s, and numerous candidates have been proposed, including Franchinus Gaffurius and Atalante Migliorotti, though none have achieved wide approval. In 1972, the Belgian musicologist Suzanne Clercx-Lejeune argued the subject is Josquin; she interpreted the words on the sitter's sheet music as "Cont" (an abbreviation of "Contratenor"), "Cantuz" (Cantus) and "A Z" (an abbreviation of "Altuz"), and she identified the music as Josquin's llibata Dei Virgo nutrix. Several factors make this unlikely: the painting does not resemble the Opmeer portrait, the notation is largely illegible, and as a priest in his mid-thirties Josquin does not seem like the younger layman in the portrait. Fallows disagrees, noting that "a lot of new details point to Josquin, who was the right age, in the right place, had already served at least two kings, and was now rich enough to have his portrait painted by the best", but concludes that "we shall probably never know who Leonardo's musician was".
A portrait from the early 16th century kept in the Galleria nazionale di Parma is often related to Josquin. It is usually attributed to Filippo Mazzola, and is thought to depict the Italian music theorist Nicolò Burzio, though neither the attribution nor sitter are certain. The man in the painting is holding an altered version of Josquin's canon Guillaume se va chauffer. Fallows notes that the subject has similar facial features to the portrait printed by Opmeer, but concludes that there is not enough evidence to conclude Josquin is the sitter. Clercx-Lejeune also suggested Josquin was depicted in Jean Perréal's fresco of the liberal arts in Le Puy Cathedral, but this has not achieved acceptance from other scholars. An 1881 painting by Charles-Gustave Housez depicts Josquin; it was created long after the composer's death, but Clercx-Lejeune has contended that it is an older portrait which Housez restored and modified.
Influence
Elders described Josquin as "the first composer in the history of Western music not to have been forgotten after his death", while John Milsom called him "the towering composer of the Renaissance". Fallows wrote that his influence on 16th century European music is comparable to that of Beethoven on the 19th and Igor Stravinsky on the 20th century. Comparisons with Beethoven are particularly common, though Taruskin cautions that:
"Drawing parallels between [Josquin and Beethoven] is easy; doing so has become traditional in music historiography. Unease with this tradition has occasionally been expressed by those who see in it a danger to an unprejudiced view of Josquin and his time [...] To think of Josquin merely as a fifteenth- or sixteenth-century Beethoven would be like placing him behind the nearer figure and thereby obscuring him from view."
His popularity led to imitation by fellow composers, and some publishers (especially in Germany) misattributed works to him after his death to meet the demand for new Josquin compositions. This inspired a well-known remark that "now that Josquin is dead, he is producing more compositions than when he was still alive". Fallows asserts that the issue was more complex than publishers attempting to increase their profits: similar names of composers and compositions caused confusion, as did works which quoted Josquin, or student works which imitated his style. Josquin's pupils may have included Jean Lhéritier and Nicolas Gombert; Coclico claimed to be his student, though his statements are notoriously unreliable.
Numerous composers wrote laments after his death, three of which were published by Tielman Susato in a 1545 edition of Josquin's music. These included works by Benedictus Appenzeller, Gombert, Jacquet of Mantua and Jheronimus Vinders, as well as the anonymous Absolve, quaesumus, while Jean Richafort's requiem musically quoted him. Josquin's compositions traveled widely after his death, more so than those of Du Fay, Ockeghem and Obrecht combined. Surviving copies of his motets and masses in Spanish cathedrals date from the mid-16th century, and the Sistine Chapel is known to have performed his works regularly throughout the late 16th century and into the 17th. Instrumental arrangements of his works were often published from the 1530s to the 1590s. Josquin was described by Taruskin as the "master architect" of High Renaissance music, and his compositions were parodied or quoted throughout Europe by almost every major composer of the later Renaissance, including Arcadelt, Brumel, Bartolomé de Escobedo, Antoine de Févin, Robert de Févin, George de La Hèle, Lupus Hellinck, Pierre Hesdin, Lassus, Jacquet, Claudio Merulo, Philippe de Monte, Pierre Moulu, Philippe Rogier, Palestrina, Cipriano de Rore, Nicola Vicentino and Willaert.
Commendation, decline and reconsideration
There is little information on Josquin's reputation during his lifetime. His composition of masses was commended by Paolo Cortesi, and the poet Jean Molinet and the music theorists Gaffurius and Pietro Aron wrote about his works. Josquin's popularity during his lifetime is also suggested by publications: Petrucci's Misse Josquin of 1502 was the first single-composer mass anthology, and Josquin was the only composer whose masses merited a second and a third volume. Fallows asserts that Josquin gained European renown between 1494 and 1503, since the Petrucci publications and references by Gaffurius and Molinet occurred during this time. After Josquin's death, humanists such as Cosimo Bartoli, Baldassare Castiglione and François Rabelais praised him, with Bartoli describing him as Michelangelo's equal in music. Josquin was championed by the later theorists Heinrich Glarean and Gioseffo Zarlino, and the theologian Martin Luther declared "he is the master of the notes. They must do as he wills; as for the other composers, they have to do as the notes will."
Upon the emergence of Baroque music in the 17th century, Josquin's dominance began to lessen. He was overshadowed by Palestrina, who dominated the pre-common practice period musical narrative, and whose compositions were considered the summit of polyphonic refinement. Until the 20th century, discussion of Josquin's music was mainly limited to music scholars such as the theorists Angelo Berardi in the 1680s–1690s, and Johann Gottfried Walther in 1732. The late 18th century saw a new interest in Netherlandish music: studies from Charles Burney, Johann Nikolaus Forkel, Raphael Georg Kiesewetter and François-Joseph Fétis gave Josquin more prominence. The music historian August Wilhelm Ambros described Josquin in the 1860s as "one of the towering figures of Western music history, not merely a forerunner of Palestrina but his equal", and his research established the foundation for modern Josquin scholarship. In the early 20th century, leading musicologists such as Alfred Einstein and Carl Dahlhaus largely dismissed Josquin. Various publications then began to raise his status, beginning with a new edition of his complete works by Albert Smijers (1920s) and high evaluation by Friedrich Blume in the Das Chorwerk series. The early music revival raised Josquin's status, and brought the first major study on him by Helmuth Osthoff (Vol 1 1962/Vol 2 1965), an influential article by Lowinsky (1964), and debates between the musicologist Joseph Kerman and Lowinsky (1965). The 1971 International Josquin Festival-Conference firmly established Josquin in the center of Renaissance music, a position later cemented by Lowinsky's 1976 monograph. The New Josquin Edition began publication in 1987.
Skepticism and revision
Reflecting on the sentiment that Josquin was "the greatest composer of his generation, and the most important, innovative, and influential composer of the late 15th and early 16th centuries", Richard Sherr notes growing dissent from that position in the early 21st century. Josquin's 2001 article in Grove Music Online lists fewer than 200 works attributed to him, down from more than 370. These revisions of Josquin's oeuvre have compromised some earlier scholarship which analyzed Josquin's style with works now not considered his. Major revision has also occurred in Josquin's biography, with entire portions of it being rewritten due to Josquin having been confused with people with similar names. Controversy has arisen about the extent of Josquin's influence; there is no doubt about his importance in Western music, but some scholars have contended that the extent of his reevaluation has unrealistically apotheosized him over his contemporaries. Wegman asserts that Obrecht was more highly regarded in Josquin's time, to which Noble has noted that Josquin's prestigious positions, publications and employers "scarcely looks like the career of an unregarded composer". Reflecting on the dispute, Sherr has concluded that Josquin's reputation is somewhat lessened, but on the basis of his most admired and firmly attributed works "he remains one of the towering figures in the history of music".
Since the 1950s, Josquin's music has become central to the repertoire of many early music vocal ensembles and has been increasingly featured in recordings, with those by the Hilliard Ensemble, Orlando Consort, and A Sei Voci recommended by critics in the 1001 Classical Recordings You Must Hear Before You Die (2017) survey. The Tallis Scholars have recorded all of Josquin's masses, and won the Gramophone "record of the year" in 1987 for their recording of Missa Pange lingua, the only early music group to do so. Josquin's presence in 21st-century scholarship remains strong; he was the subject of David Fallows's major monograph (2009), which is currently the standard biography for the composer, and he and Machaut were the only pre-Baroque composers to have entire chapters in Taruskin's Oxford History of Western Music (2005). The 500th anniversary of Josquin's death in 2021 was widely commemorated.
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 52 | 96.9th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 92 | 97.6th |
| Studio albums | 84 | 99.7th |
| Awards recorded | 0 | 0th |
| Timeline events | 85 | 99.6th |
| Recording span (years) | -437 | 0.5th |
| Genres | 7 | 93th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (92 release groups · 84 studio albums)
Albums · 84
Missa Pange lingua / motets and instrumental pieces
1958 · studio album
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Tracklist · 12 tracks · 23:18
1Fanfare for Louis XII1:362Heth sold ein meisken1:243Fama malum2:484Dulces exuviae0:065La Bernardina0:556Si j'ai perdu mon ami0:487Tu solus2:038Missa "Pange Lingua" - i. Kyrie3:009Missa "Pange Lingua" - ii. Gloria0:4610Missa "Pange Lingua" - iii. Credo2:1411Missa "Pange Lingua" - iv. Sanctus0:5712Missa "Pange Lingua" - v. Agnus Dei6:41Missa Pange Lingua / 8 Weltlische Werke
1960 · studio album
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Tracklist · 13 tracks · 50:10
A1Missa pange lingua : 1. Kyrie3:41A2Missa pange lingua : 2. Gloria5:22A3Missa pange lingua : 3. Credo7:44A4Missa pange lingua : 4. Sanctus9:41B1Missa pange lingua : 5. Agnus6:28B2N'esse pas ung grant desplaisir1:50B3Déploration de Johannes Okeghem3:51B4Fortuna d'un gran temps1:00B5Bergerette savoyene3:09B6Parfons regretz2:55B7Scaramella1:10B8Faulte d'argent1:28B9Basiez-moy1:51Missa Pange Lingua, Requiem Missa Pro Defunctis
1971 · studio album
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Tracklist · 2 tracks · 54:30
A1Missa Pange Lingua29:57B1Requiem Missa Pro Defunctis24:331977 · studio album
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Tracklist · 8 tracks · 50:20
A1Missa L'Homme Armé Super Voces Musicales: 1. Kyrie4:02A2Missa L'Homme Armé Super Voces Musicales: 2. Gloria6:20A3Missa L'Homme Armé Super Voces Musicales: 3. Credo7:49A4Missa L'Homme Armé Super Voces Musicales: 4. Sanctus8:18B1Missa L'Homme Armé Super Voces Musicales: 5. Agnus Dei7:28B2Motet: Huc Me Sydereo / Plangent Eum7:31B3Musae Jovis / Circumdederunt Me (Josquinum A Prato, Musicorum Principem, Monodia)5:17B4O Mors Inevitabilis / Requiem Aeternam (Lamentatio Super Morte Josquin De Pres)3:35Desprez: Missa «L’Homme arme» / Ockeghem: Requiem
1985 · studio album
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Tracklist · 10 tracks · 1:09:52
1Requiem (Missa pro defunctis): I. Introitus6:122Requiem (Missa pro defunctis): II. Kyrie6:283Requiem (Missa pro defunctis): III. Graduale6:504Requiem (Missa pro defunctis): IV. Tractus8:105Requiem (Missa pro defunctis): V. Offertorium8:136Missa “L'Homme armé super voces musicales”: I. Kyrie4:047Missa “L'Homme armé super voces musicales”: II. Gloria6:228Missa “L'Homme armé super voces musicales”: III. Credo7:479Missa “L'Homme armé super voces musicales”: IV. Sanctus8:2010Missa “L'Homme armé super voces musicales”: V. Agnus Dei7:26De la Rue: Requiem / Des Prez: Mass "Hercules Dux Ferrariae" / Deploration
1986 · studio album
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Tracklist · 13 tracks · 56:36
1Missa pro defunctis: Introit4:492Missa pro defunctis: Kyrie2:413Missa pro defunctis: Tract: Sicut cervus4:014Missa pro defunctis: Offertory5:095Missa pro defunctis: Sanctus4:136Missa pro defunctis: Lux aeterna2:547Missa pro defunctis: Agnus Dei3:508Missa Hercules Dux Ferrariae: Kyrie2:289Missa Hercules Dux Ferrariae: Gloria3:2110Missa Hercules Dux Ferrariae: Credo6:0111Missa Hercules Dux Ferrariae: Sanctus5:1112Missa Hercules Dux Ferrariae: Agnus Dei5:4213La Deploration de Johannes Ockeghem, "Nymphes des bois"6:161986 · studio album
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Tracklist · 11 tracks · 51:30
1Introït5:432Kyrie2:423Gloria4:574Graduel6:045Alleluia4:296Credo7:037Offertoire3:098Sanctus6:339O Salutaris1:0210Agnus7:0411Hymne "Pange Lingua"2:44Missa Pange lingua / Missa La sol fa re mi / Plainchant: Pange lingua
1986 · studio album
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Tracklist · 11 tracks · 1:01:41
1Pange lingua3:362Missa Pange lingua: Kyrie2:543Missa Pange lingua: Gloria4:204Missa Pange lingua: Credo7:045Missa Pange lingua: Sanctus & Benedictus7:586Missa Pange lingua: Agnus Dei7:217Missa La sol fa re mi: Kyrie2:318Missa La sol fa re mi: Gloria4:529Missa La sol fa re mi: Credo9:0810Missa La sol fa re mi: Sanctus & Benedictus6:4211Missa La sol fa re mi: Agnus Dei5:151986 · studio album
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Tracklist · 7 tracks · 54:07
1Ave Maria, gratia plena4:472Stabat Mater dolorosa8:033Salve Regina, mater misericordiae4:064Ave nobilissima creatura, humillima Virgo Maria8:435O bone et dulcissime Jesu, per tuam misericordiam5:426Usquequo, Domine, oblivisceris me in finem7:207Miserere mei Deus15:26Josquin Masses - Missa Pange lingua & Missa La sol fa re mi
1986 · studio album
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Tracklist · 59 tracks · 1:01:38
1Pange lingua: 1. Pange lingua gloriosi0:362Pange lingua: 2. Nobis datus, nobis natus0:343Pange lingua: 3. In supremae nocte coenae0:324Pange lingua: 4. Verbum caro, panem verum0:335Pange lingua: 5. Tantum ergo Sacramentum0:356Pange lingua: 6. Genitori, Genitoque0:457Missa Pange lingua: 1a. Kyrie I0:468Missa Pange lingua: 1b. Christe1:179Missa Pange lingua: 1c. Kyrie II0:5110Missa Pange lingua: 2a. Gloria in excelsis Deo0:3911Missa Pange lingua: 2b. Laudamus te0:4212Missa Pange lingua: 2c. Domine Deus, Rex caelestis0:4613Missa Pange lingua: 2d. Qui tollis peccata mundi, miserere0:4514Missa Pange lingua: 2e. Suscipe deprecationem nostram0:3115Missa Pange lingua: 2f. Quonium tu solus sanctus0:5616Missa Pange lingua: 3a. Credo in unum Deum1:2117Missa Pange lingua: 3b. Et in unum Dominum0:5418Missa Pange lingua: 3c. Genitum, non factum0:3719Missa Pange lingua: 3d. Et incarnatus est de Spiritu Sancto0:5320Missa Pange lingua: 3e. Crucifixus0:4521Missa Pange lingua: 3f. Et ascendit in caelum0:3922Missa Pange lingua: 3g. Et in Spiritum Sanctum0:5323Missa Pange lingua: 3h. Confiteor unum baptisma1:0124Missa Pange lingua: 4a. Sanctus1:1525Missa Pange lingua: 4b. Pleni sunt caeli2:2726Missa Pange lingua: 4c. Hosanna I1:0527Missa Pange lingua: 4d. Benedictus2:0228Missa Pange lingua: 4e. Hosanna II1:0929Missa Pange lingua: 5a. Agnus Dei I1:4030Missa Pange lingua: 5b. Agnus Dei II2:0431Missa Pange lingua: 5c. Agnus Dei III3:3532Missa La sol fa re mi: 1a. Kyrie I0:5333Missa La sol fa re mi: 1b. Christe0:5034Missa La sol fa re mi: 1c. Kyrie II0:4735Missa La sol fa re mi: 2a. Gloria in excelsis Deo1:0136Missa La sol fa re mi: 2b. Domine Deus, Rex caelestis1:0837Missa La sol fa re mi: 2c. Qui tollis peccata mundi, miserere0:5238Missa La sol fa re mi: 2d. Qui sedes ad dexteram Patris0:3239Missa La sol fa re mi: 2e. Quonium tu solus sanctus0:3140Missa La sol fa re mi: 2f. Cum Sancto Spiritu0:4941Missa La sol fa re mi: 3a. Credo in unum Deum0:4442Missa La sol fa re mi: 3b. Et in unum Dominum1:0943Missa La sol fa re mi: 3c. Genitum, non factum1:0444Missa La sol fa re mi: 3d. Et incarnatus est de Spiritu Sancto1:0245Missa La sol fa re mi: 3e. Crucifixus0:4446Missa La sol fa re mi: 3f. Et resurrexit tertia die0:4347Missa La sol fa re mi: 3g. Et iterum venturus est0:4448Missa La sol fa re mi: 3h. Et in Spiritum Sanctum1:0349Missa La sol fa re mi: 3i. Et unam sanctam catholicam0:4750Missa La sol fa re mi: 3j. Et exspecto resurrectionem mortuorum1:0751Missa La sol fa re mi: 4a. Sanctus1:4552Missa La sol fa re mi: 4b. Pleni sunt caeli1:0653Missa La sol fa re mi: 4c. Hosanna I0:5054Missa La sol fa re mi: 4d. Benedictus0:5755Missa La sol fa re mi: 4e. Qui venit1:1256Missa La sol fa re mi: 4f. Hosanna II0:5057Missa La sol fa re mi: 5a. Agnus Dei I1:5558Missa La sol fa re mi: 5b. Agnus Dei II1:1159Missa La sol fa re mi: 5c. Agnus Dei III2:141987 · studio album
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Tracklist · 13 tracks · 50:33
1Motet: Ave Maria, gratia plena (a 4)6:512Motet: Absalon, fili mi (a 4)4:273Motet: Veni Sancte Spiritus (a 6)8:104Motet: De profundis clamavi (a 4)8:245Frotolla: Scaramella va alla guerra (a 4) / Scaramella fa la galla (a 4)1:376Chanson: In te Domine speravi (a 4)2:157Frotolla: El grillo (a 4)1:508Chanson: Milles regretz (a 4)2:039Chanson: Petite camusette (a 6)1:0210Chanson: Je me complains (a 5)2:0811Chanson: En l’ombre d’ung buissonet (a 3)2:1212Chanson: Je ne me puis tenir d’aimer (a 5)3:4713Motet-Chanson: La déploration de la mort de Johannes Ockeghem (a 5)5:471988 · studio album
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Tracklist · 17 tracks · 1:01:47
1Messe "Pange lingua": Kyrie0:492Messe "Pange lingua": Christe Deuxième Kyrie4:193Messe "Pange lingua": Gloria "Et in terra pax"2:164Messe "Pange lingua": Gloria "Qui tollis"2:525Messe "Pange lingua": Credo "Patrem omnipotentem"3:516Messe "Pange lingua": Credo "Crucifixus"3:017Messe "Pange lingua": Sanctus2:198Messe "Pange lingua": Sanctus "Pleni sunt coeli"5:109Messe "Pange lingua": Sanctus "Osanna"1:5310Messe "Pange lingua": Sanctus "Benedictus" - "Osanna"4:4911Messe "Pange lingua": Agnus Dei2:0312Messe "Pange lingua": Agnus Dei5:5713Proch dolor3:3114Plaine de dueil2:3815Cueurs désoléz2:3816Domine, ne in furore tuo8:3417Déploration de la mort de Jehan Ockeghem5:071988 · studio album
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Tracklist · 27 tracks · 59:55
1Douleur me bat2:572Adieu mes amours2:083Plusieurs regretz2:364Petite camusette1:105Mille regretz2:006Mille regretz2:387En non saichant2:278J'ay bien cause1:289Nimphes, nappés2:4110Ile fantazies2:0311La plus des plus1:2412Plus n'estes ma maistresse2:2513Cueurs désolez1:4414Plain de dueil2:0615Fortuna desperata1:4716Faulte d'argent2:0817Cueur langoreulx2:0218Fors seulement1:5919Je me complains1:4720Si congié prens2:5521Tenez moy en vos bras1:5522El Grillo1:3823Si j'ay perdu mon amy2:2724Parfons regretz2:3525Vous l'arez s'il vous plaist1:5226Allégez moy1:0827Déploration sur la mort de Johannes Ockeghem (Nymphes des bois)5:551989 · studio album
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Tracklist · 11 tracks · 1:14:12
1Chanson - L'homme Arme0:412Missa L'homme armé super voces musicales: Kyrie5:013Missa L'homme armé super voces musicales: Gloria7:044Missa L'homme armé super voces musicales: Credo8:245Missa L'homme armé super voces musicales: Sanctus & Benedictus9:286Missa L'homme armé super voces musicales: Agnus Dei10:357Missa L'homme armé sexti toni: Kyrie3:378Missa L'homme armé sexti toni: Gloria6:419Missa L'homme armé sexti toni: Credo9:3410Missa L'homme armé sexti toni: Santus & Benedictus5:0311Missa L'homme armé sexti toni: Agnus Dei8:04Missa Di dadi / Missa Faisant regretz
1989 · studio album
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Tracklist · 10 tracks · 52:18
1Missa Di dadi: Kyrie2:202Missa Di dadi: Gloria6:343Missa Di dadi: Credo8:114Missa Di dadi: Sanctus – Benedictus5:285Missa Di dadi: Agnus Dei7:446Missa Faisant regretz: Kyrie2:267Missa Faisant regretz: Gloria3:508Missa Faisant regretz: Credo5:309Missa Faisant regretz: Sanctus – Benedictus6:0010Missa Faisant regretz: Agnus Dei4:15Missa Gaudeamus & Mariamotetten van Josquin & Ockeghem
1990 · studio album
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Tracklist · 14 tracks · 1:22:42
1Introitus gaudeamus omnus in domino1:262Kyrie / Christe / Kyrie3:293Gloria / Qui tollis6:434Credo / Et incarnatus est / Et in spiritum sanctum / Et unam sanctum12:055Sanctus / Pleni sunt coeli / Osanna / Benedictus / Qui venit / In nomine7:126Agnus dei I / Agnus dei II / Agnus dei III15:597Alma redemptoris mater1:498Alma redemptoris mater5:199Ave regina coelorum1:3310Alma redemptoris mater / Ave regina coelorum6:4011Gaude virgo3:3412Salve regina2:4613Salve regina4:1514Salve regina9:52Missa Hercules Dux Ferrariae - Miserere mei Deus - Pater noster - Tu solus qui facis mirabilia
1990 · studio album
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Tracklist · 10 tracks · 1:07:35
1Missa Hercules Dux Ferrariae: I. Kyrie3:002Missa Hercules Dux Ferrariae: II. Gloria3:513Missa Hercules Dux Ferrariae: III. Credo6:564Missa Hercules Dux Ferrariae: IV. Sanctus3:435Missa Hercules Dux Ferrariae: V. Benedictus2:136Missa Hercules Dux Ferrariae: VI. Agnus Dei6:527Pater noster/Ave Maria. Motet à six voix7:448Lugebat David Absalon. Motet à huit voix9:379Miserere mei Deus. Psaume à dix voix18:5110Tu solus qui facis mirabilia. Motet à quatre voix4:48Missa Mater Patris / Magnificat and Motets
1992 · studio album
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Tracklist · 11 tracks · 58:52
1Mater Patris et filia2:562Missa Mater Patris: Kyrie3:353Missa Mater Patris: Gloria4:004Nobis Sancti Spiritus2:335Missa Mater Patris: Credo5:356Regina coeli3:577Missa Mater Patris: Sanctus8:138O crux ave4:369Missa Mater Patris: Agnus Dei6:3210Domine, non secundum peccata nostra7:4911Magnificat9:061992 · studio album
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Tracklist · 19 tracks · 1:15:42
1Missa Pange lingua: Kyrie3:272Missa Pange lingua: Gloria4:543Missa Pange lingua: Credo8:144Missa Pange lingua: Sanctus5:075Missa Pange lingua: Benedictus3:286Missa Pange lingua: Agnus Dei7:367Planxit autem David: Planxit autem David4:428Planxit autem David: ... Montes Gelboe2:469Planxit autem David: ... sagitta Jonathae4:1610Planxit autem David: ... Doleo super te3:1211Vultum tuum deprecabuntur: Vultum tuum deprecabuntur2:3112Vultum tuum deprecabuntur: Sancta Dei genitrix2:2013Vultum tuum deprecabuntur: Intemerata virgo3:5514Vultum tuum deprecabuntur: Ave Maria2:5915Vultum tuum deprecabuntur: O Maria3:2016Vultum tuum deprecabuntur: Tu lumen1:0217Vultum tuum deprecabuntur: Mente tota4:0918Vultum tuum deprecabuntur: Christe, Fili Dei3:3519Vultum tuum deprecabuntur: Ora pro nobis4:09Messe Ave maris stella / Motets à la vierge
1993 · studio album
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Tracklist · 17 tracks · 1:02:54
1Messe Ave maris stella: Kyrie2:242Messe Ave maris stella: Gloria4:083Messe Ave maris stella: Credo6:174Messe Ave maris stella: Sanctus4:135Messe Ave maris stella: Benedictus2:216Messe Ave maris stella: Agnus Dei4:137Ave maris stella7:418Salve regina3:549Gaude virgo mater Christi3:2310Alma redemptoris mater / Ave regina coelorum5:5711Vultum tuum deprecabuntur: Prima pars2:1112Vultum tuum deprecabuntur: Secunda pars1:3913Vultum tuum deprecabuntur: Tertia pars2:5514Vultum tuum deprecabuntur: Quarta pars2:2415Vultum tuum deprecabuntur: Quinta pars3:1016Vultum tuum deprecabuntur: Sexta pars3:1217Vultum tuum deprecabuntur: Septima pars2:52Missa "Ave maris stella"; Motets & Chansons
1993 · studio album
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Tracklist · 17 tracks · 1:16:41
1Motet: Illibata Dei Virgo nutrix7:502Chanson: Adieu mes amours2:373Chanson: Plaine de dueil5:094Chanson: Je n'ose plus1:525Chanson: Que vous ma dame5:116Chanson: In te Domine speravi2:297Chanson: Regretz sans fin6:428Plainchant: Ave maris stella4:019Missa "Ave maris stella" - Kyrie2:3810Missa "Ave maris stella" - Gloria4:5811Missa "Ave maris stella" - Plainchant: Letabundus3:2912Missa "Ave maris stella" - Credo6:4513Missa "Ave maris stella" - Sanctus4:3814Missa "Ave maris stella" - [Benedictus]2:4715Missa "Ave maris stella" - Agnus Dei4:2016Motet: Gaude Virgo, Mater Christi3:2617Motet: Salve Regina7:49de la Rue: Requiem / des Prez: Mass Hercules Dux Ferrariae / Deploration
1994 · studio album
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Tracklist · 13 tracks · 56:18
1Missa pro defunctis: Introit4:502Missa pro defunctis: Kyrie2:423Missa pro defunctis: Tract 'Sicut servus'4:034Missa pro defunctis: Offertory5:105Missa pro defunctis: Sanctus4:146Missa pro defunctis: Lux Aeterna2:557Missa pro defunctis: Agnus Dei3:528Messe Hercules Dux Ferrariae: Kyrie2:309Messe Hercules Dux Ferrariae: Gloria3:2210Messe Hercules Dux Ferrariae: Credo6:0311Messe Hercules Dux Ferrariae: Sanctus5:1312Messe Hercules Dux Ferrariae: Agnus Dei5:4313La Deploration de Johannes Ockeghem: Nymphes des bois5:41Missa De Beata Virgine - Motets À la Vierge
1995 · studio album
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Tracklist · 29 tracks · 59:01
1Missa de Beata Virgine: Introït2:252Missa de Beata Virgine: Kyrie - Kirie eleison0:453Missa de Beata Virgine: Kyrie - Christe eleison1:074Missa de Beata Virgine: Kyrie - Kyrie eleison1:265Missa de Beata Virgine: Gloria - Gloria in excelcis Deo, et in terra pax3:296Missa de Beata Virgine: Gloria - Qui tollis peccata mundi3:077Missa de Beata Virgine: Gloria - Cum Sancto Spiritu in glorio Dei Patris1:128Missa de Beata Virgine: Credo - Patrem omnipotentem2:399Missa de Beata Virgine: Credo - Crucifixus etiam pro nobis sub Pontio1:2610Missa de Beata Virgine: Credo - Et in Spiritum Sanctum2:1611Missa de Beata Virgine: Offertoire - Ave Maria gratia2:3412Missa de Beata Virgine: Sanctus1:3913Missa de Beata Virgine: Sanctus - Pleni sunt caeli1:2114Missa de Beata Virgine: Sanctus - Hosanna in excelcis0:5015Missa de Beata Virgine: Benedictus - Benedictus qui venit in nomine domini1:0616Missa de Beata Virgine: Benedictus - Hosanna in excelcis0:5117Missa de Beata Virgine: Agnus Dei I1:2818Missa de Beata Virgine: Agnus Dei II1:4519Missa de Beata Virgine: Agnus Dei III1:4820O Virgo Prudentissima - Prima pars2:5821O Virgo Prudentissima - Seconda pars2:3322Stabat Mater Dolorosa - Prima pars3:1823Stabat Mater Dolorosa - Seconda pars3:2224Ave Maria4:3725Inviolata, integra est casta es Maria - Prima pars2:0026Inviolata, integra est casta es Maria - Seconda pars1:2127Inviolata, integra est casta es Maria - Tertia pars1:3028Tu solus - Prima pars2:3229Tu solus - Seconda pars1:36De Vlaamse Polyfonie: Josquin Des Prez
1995 · studio album
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Tracklist · 17 tracks · 1:01:04
1Douleur me bat2:552Plusieurs regretz2:253Fortune destrange plummaige1:384Ile fantazies de Joskin2:265O virgo prudentissima5:446Domine ne in furore7:537Si j'avoye marion1:408Je ne me puis aimer2:449Allegez moy3:4910Entré je suis en grant pensée1:1911Faulte d'argent2:2312Adieu mes amours (Lute)2:4013Adieu mes amours (Choir)3:4414Cueurs desolez par toute nation1:5215A l'eure1:3316Absolve quaesumus6:3217Mirabilia testimonia tua9:471995 · studio album
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Tracklist · 9 tracks · 56:47
1Magnificat (Segovia MS)7:532Missa L'ami baudechon: Kyrie2:363Missa L'ami baudechon: Gloria5:224Missa L'ami baudechon: Credo8:485Missa L'ami baudechon: Sanctus6:256Missa L'ami baudechon: Agnus Dei3:457Credo Sine nomine7:258Credo Sine nomine (canonic)7:429Credo De tous biens playne6:511996 · studio album
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Tracklist · 13 tracks · 51:47
1Lesse faire a mi0:102Introitus: Intret in conspectu tuo4:523Kyrie2:524Gloria5:115Graduale: Gloriosus deus4:266Alleluia: Alleluia, sancti tui2:267Credo8Salve regina a 57:269Offertorium: Letamini in domino2:0310Sanctus7:1911Agnus4:3312Communio: Multitudo languentium1:4413Motet: Illibata dei virgo a 58:45Missa Gaudeamus. Motets à la Vierge
1997 · studio album
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Tracklist · 31 tracks · 1:07:53
1Missa Gaudeamus - Introit: Gaudeamus3:432Missa Gaudeamus - Kyrie, Part I1:043Missa Gaudeamus - Kyrie, Part II0:564Missa Gaudeamus - Kyrie, Part III1:175Missa Gaudeamus - Gloria, Part I3:026Missa Gaudeamus - Gloria, Part II3:427Missa Gaudeamus - Graduel: Timete Dominum2:488Missa Gaudeamus - Alleluia2:579Missa Gaudeamus - Credo, Part I3:1010Missa Gaudeamus - Credo, Part II2:3711Missa Gaudeamus - Credo, Part III3:0112Missa Gaudeamus - Credo, Part IV1:4713Missa Gaudeamus - Sanctus, Part I1:2614Missa Gaudeamus - Sanctus, Part II1:2515Missa Gaudeamus - Sanctus, Part III1:0916Missa Gaudeamus - Benedictus, Part I1:5317Missa Gaudeamus - Benedictus, Part II1:1118Missa Gaudeamus - Agnus Dei, Part I1:3719Missa Gaudeamus - Agnus Dei, Part II1:1920Missa Gaudeamus - Agnus Dei, Part III2:2421Missa Gaudeamus - Antiphonae Ad Communiomen: Beati Mundo1:4222Missa Gaudeamus - Save Regina2:5823Motets a La Vierge - Recordare Vigor Mater ([,Part I))1:4024Motets a La Vierge - Recordare Vigor Mater, Part II2:2925Motets a La Vierge - Regina Caeli, Part I1:5626Motets a La Vierge - Regina Caeli, Part II2:3227Motets a La Vierge - Ave Maris Stella, Part I3:3928Motets a La Vierge - Ave Maris Stella, Part II2:1529Motets a La Vierge - Virgo Salutiferi, Part I3:0030Motets a La Vierge - Virgo Salutiferi, Part II1:4531Motets a La Vierge - Virgo Salutiferi, Part III1:291997 · studio album
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Tracklist · 11 tracks · 1:01:47
1Deus, in nomine tuo salvum me fac4:252Perfunde cœli rore7:243Missa Hercules Dux Ferrariae: Introït1:494Missa Hercules Dux Ferrariae: Kyrie - Christe - Kyrie5:155Missa Hercules Dux Ferrariae: Gloria4:036Missa Hercules Dux Ferrariae: Credo6:517Missa Hercules Dux Ferrariae: Sanctus - Benedictus6:448Missa Hercules Dux Ferrariae: Agnus Dei6:229Inviolata, integra et casta es, Maria3:2710Miserere mei, Deus12:5011Chi à martello dio gl'il togli2:371998 · studio album
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Tracklist · 10 tracks · 55:59
1Ave Maria... virgo serena5:392L'homme armé (Mode 6)0:433Missa L'homme armé sexti toni: Kyrie4:274Missa L'homme armé sexti toni: Gloria7:355Missa L'homme armé sexti toni: Credo10:406Laeta Dies (Mode 6)2:267Missa L'homme armé sexti toni: Sanctus6:178Missa L'homme armé sexti toni: Agnus Dei9:169Absalon, fili mi4:3210O mors inevitabilis (Lament on the death of Josquin des Pres)4:24Missa Ave Maris Stella, Vergil-Motetten
1999 · studio album
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Tracklist · 15 tracks · 50:26
1O virgo virginum: Prima Pars (O virgo virginum)4:322O virgo virginum: Secunda Pars (Filiae Ierusalem)4:023Adsalon fili mi3:304Fama, malum3:245Dulces exuviae3:546Tu solus, qui facis mirabilia4:207Missa ave maris stella: Cantus firmus1:308Missa ave maris stella: Kyrie I - Christe - Kyrie II2:409Missa ave maris stella: Gloria1:5010Missa ave maris stella: Qui tollis - Qui sedes2:1511Missa ave maris stella: Credo - Et incarnatus est - Et resurrexit6:1112Missa ave maris stella: Sanctus1:2613Missa ave maris stella: Pleni sunt coeli2:1514Missa ave maris stella: Hosanna - Benedictus3:4115Missa ave maris stella: Agnus I - Agnus II - Agnus III4:56Missa "l'homme armé sexti toni" / Chansons
2000 · studio album
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Tracklist · 17 tracks · 1:05:47
1Adieu mes amours4:262Missa "L'homme armé" sexti toni: Kyrie2:573Missa "L'homme armé" sexti toni: Gloria6:064Duo sans Titre2:035La tortorella1:436Missa "L'homme armé" sexti toni: Credo9:017La morra1:578Missa "L'homme armé" sexti toni: Sanctus4:319Je ris et si ay larme a l'oeil2:4010Missa "L'homme armé" sexti toni: Agnus Dei5:4611Verlangen thut mich krenken2:5512Illibata Dei virgo nutrix / La mi la7:3413Amor che sospirar3:5114La petit rien, ballo2:0515Fortuna disperata2:4816O mors inevitabilis (Lamentatio super morte Josquin des Pres)2:4117Amor Jesu divino, laude2:432000 · studio album
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Tracklist · 13 tracks · 1:09:31
1Appel0:312Pange lingua3:523Missa Pange Lingua: Kyrie3:064Missa Pange Lingua: Gloria4:345Graduel : Christus factus est2:266Missa Pange Lingua: Credo7:307Missa Pange Lingua: Sanctus7:138Missa Pange Lingua: Agnus Dei7:029Popule meus5:3910Qui velatus facie fuisti11:3011O Domine, Jesu Christe10:2512Christus mortuus est2:1913Nos autem3:242000 · studio album
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Tracklist · 16 tracks · 1:10:51
1Inviolata, integra, et casta es Maria (à 5)5:452Ut Phoebi radiis (à 4)5:333De profundis clamavi (à 5)5:124Christe Fili Dei – J’ay pris amours (à 4)3:005O Virgo virginum (à 6)7:446Vultum tuum deprecabuntur (à 4): Vultum tuum deprecabuntur2:297Vultum tuum deprecabuntur (à 4): Ave Maria, gratia plena2:378Vultum tuum deprecabuntur (à 4): Sancta Dei genitrix2:139Vultum tuum deprecabuntur (à 4): O intemerata Virgo3:3010Vultum tuum deprecabuntur (à 4): O Maria, nullam tam gravem3:0211Vultum tuum deprecabuntur (à 4): Mente tota tibi supplicamus3:4012Vultum tuum deprecabuntur (à 4): Ora pro nobis3:3513La déploration de Johannes Ockeghem: Nymphes des boys (à 5)4:3314O Bone et dulcis Domine Jesus – Pater noster – Ave Maria (à 4)4:0115Huc me sydereo (à 5) / Plangent eum (à 5)7:0716O Virgo prudentissima (à 6) / Beata Mater (à 6)6:50Josquin de Prez: Missa Fortuna desperata / Songs. Motets by Isaac / Senfl / Greiter
2001 · studio album
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Tracklist · 14 tracks · 1:09:08
1Fortuna desperata4:102Missa Fortuna desperata: Kyrie2:483Missa Fortuna desperata: Gloria5:344Missa Fortuna desperata: Credo7:285Missa Fortuna desperata: Sanctus7:426Missa Fortuna desperata: Agnus Dei5:147La Plus de plus7:178Bergerette savoysienne4:009Adieu mes amours7:3410Consideres mes incessantes / Fortuna2:3211Bruder Conrat / Fortuna5:0112Herr durch dein Bluet / Pange lingua / Fortuna5:0613Fortuna zibaldone1:2514Passibus ambiguis / Fortuna3:172001 · studio album
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Tracklist · 12 tracks · 1:13:59
1Plain-chant: Hymne Æterna Christi Munera (Hymne des Martyrs)4:362Missa l’Homme Armé sexti toni: Kyrie3:213Missa l’Homme Armé sexti toni: Gloria6:124Missa l’Homme Armé sexti toni: Credo9:225Missa l’Homme Armé sexti toni: Sanctus4:536Missa l’Homme Armé sexti toni: Agnus Dei7:007Plain-chant: Sanctorum Meritis (Hymne des Martyrs)3:238Missa l’Homme Armé super voces musicales: Kyrie3:559Missa l’Homme Armé super voces musicales: Gloria6:1810Missa l’Homme Armé super voces musicales: Credo8:4311Missa l’Homme Armé super voces musicales: Sanctus8:0812Missa l’Homme Armé super voces musicales: Agnus Dei8:08Missa Malheur me bat / Motets & Chansons / Liber generationis Jesu Christi
2002 · studio album
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Tracklist · 13 tracks · 1:10:38
1Motetti A: Virgo prudentissima2:192Motetti A: Ave Maria … virgo serena4:563Motetti A: Victimae paschali laudes3:394Canti B & C: Baisés moy a41:135Canti B & C: Que vous madame / In pace5:126Canti B & C: Comment peult avoir joye2:217Canti B & C: Baisés moy a62:118Liber generationis Jesu Christi11:459Missa Malheur me bat: Kyrie4:2310Missa Malheur me bat: Gloria5:4011Missa Malheur me bat: Credo7:2712Missa Malheur me bat: Sanctus & Benedictus9:5813Missa Malheur me bat: Agnus Dei9:34Missa "Hercules Dux Ferrariae"
2004 · studio album
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Tracklist · 8 tracks · 59:08
1Salve Regina a cinque voci7:192Missa Hercules Dux Ferrariae - Kyrie2:523Missa Hercules Dux Ferrariae - Gloria3:544Missa Hercules Dux Ferrariae - Credo6:415Missa Hercules Dux Ferrariae - Sanctus-Benedictus6:316Missa Hercules Dux Ferrariae - Agnus Dei7:177Virgo Salutiferi7:408Miserere me, Deus16:542005 · studio album
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Tracklist · 13 tracks · 56:11
1Kyrie2:142Gloria4:313Credo5:504Sanctus5:215Agnus Dei3:556Ave Maria gratia plena4:097Nimphes des bois4:508Qui belles amours a5:599Scaramella3:4310Mille regretz5:1811Faute d'argent3:4612El grillo2:1913Adieu mes amours4:162006 · studio album
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Tracklist · 54 tracks · 3:23:46
Disc 11Missa Gaudeamus: Introït. Gaudeamus3:422Missa Gaudeamus: Kyrie. Kyrie eleison I1:043Missa Gaudeamus: Kyrie. Christe eleison0:564Missa Gaudeamus: Kyrie. Kyrie eleison II1:175Missa Gaudeamus: Gloria. Gloria in excelcis Deo, Et in terra pax3:026Missa Gaudeamus: Gloria. Qui tollis peccata mundi3:417Missa l'homme armé sexti toni: Sanctorum meritis (hymne des martyrs)3:228Missa Gaudeamus: Alleluia. Venite ad me2:579Missa Gaudeamus: Credo. Patrem omnipotentem3:0910Missa Gaudeamus: Credo. Et incarnatus2:3711Missa Gaudeamus: Credo. Et in spiritum3:0012Missa Gaudeamus: Credo. Et unam Sanctam1:4613Missa Gaudeamus: Sanctus. Sanctus1:2514Missa Gaudeamus: Sanctus. Pleni sunt caeli1:2515Missa Gaudeamus: Sanctus. Hosanna I1:0816Missa Gaudeamus: Benedictus. Benedictus I à III1:5317Missa Gaudeamus: Benedictus. Hosanna II1:1118Missa Gaudeamus: Agnus Dei. Agnus Dei I1:3719Missa Gaudeamus: Agnus Dei. Agnus Dei II1:1920Missa Gaudeamus: Agnus Dei. Agnus Dei III2:2321Missa Gaudeamus: Antiphonae ad communiomen. Beati mundo corde1:4122Missa Gaudeamus: Salve Regina. Plain Chant2:5723Motets à la Vierge: Recordare Virgo Mater. Prima pars1:3924Motets à la Vierge: Recordare Virgo Mater. Secunda pars2:2825Motets à la Vierge: Regina Caeli. Prima pars1:5526Motets à la Vierge: Regina Caeli. Secunda pars2:3127Motets à la Vierge: Ave Maris Stella. Prima pars3:3928Motets à la Vierge: Ave Maris Stella. Secunda pars2:1529Motets à la Vierge: Virgo Salutiferi. Prima pars2:5930Motets à la Vierge: Virgo Salutiferi. Secunda pars1:4531Motets à la Vierge: Virgo Salutiferi. Tertia pars1:29Disc 21Deus, in nomine tuo salvum me fac4:242Perfunde caeli rore7:243Missa Hercules Dux Ferrariae: Introït1:494Missa Hercules Dux Ferrariae: Kyrie, Christe, Kyrie5:155Missa Hercules Dux Ferrariae: Gloria4:026Missa Hercules Dux Ferrariae: Credo6:517Missa Hercules Dux Ferrariae: Sanctus, Benedictus6:438Missa Hercules Dux Ferrariae: Agnus Dei6:219Missa Hercules Dux Ferrariae: Inviolata, integra, et casta es Maria3:2710Missa Hercules Dux Ferrariae: Miserere, mei deus12:5011Missa Hercules Dux Ferrariae: Chi a martello dio gl'il toglia2:37Disc 31Hymne aeterna christi munera (Plain-chant)4:352Missa l'homme armé sexti toni: Kyrie3:203Missa l'homme armé sexti toni: Gloria6:124Missa l'homme armé sexti toni: Credo9:215Missa l'homme armé sexti toni: Sanctus4:526Missa l'homme armé sexti toni: Agnus Dei7:007Missa l'homme armé sexti toni: Sanctorum meritis (hymne des martyrs)3:228Missa l'homme armé super voces musicales: Kyrie3:549Missa l'homme armé super voces musicales: Gloria6:1810Missa l'homme armé super voces musicales: Credo8:4211Missa l'homme armé super voces musicales: Sanctus8:0812Missa l'homme armé super voces musicales: Agnus Dei8:07Missa Faisant Regretz / Motetti de Passione … B
2006 · studio album
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Tracklist · 11 tracks · 1:09:05
1Tu solus qui facis mirabilia4:012Domine, non secundum7:443O Domine Jesu Christe8:234Ave verum corpus4:075Christem ducem / Qui velatus15:086Tout a par moy7:157Missa Faisant regretz: Kyrie2:218Missa Faisant regretz: Gloria3:569Missa Faisant regretz: Credo5:5010Missa Faisant regretz: Sanctus & Benedictus5:5711Missa Faisant regretz: Agnus Dei4:232008 · studio album
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Tracklist · 23 tracks · 57:17
1Intrada op L'homme armé1:242L'homme armé1:553Battaglia2:484Introitus : Jubilate deo2:475Missa l'homme armé: Kyrie3:156Missa l'homme armé: Gloria6:087Quis numerare3:188Alleluia qui posuit1:589Evangelium: Sequentia sancti evangelii Joann. 202:2210Missa l'homme armé I: Credo7:0111Offertorium: Populum humilem1:5212Missa l'homme armé sexti toni: Sanctus4:0713Pie jesu0:5614Proch dolor / Pie Jhesu2:1815Missa l'homme armé: Agnus dei4:5216Communio: Pacem meam do vobis1:4217Da pacem1:2118Da pacem0:4819Da pacem1:0120Da pacem0:5321Da pacem1:2122Benedicamus0:3523Benedicamus2:35Missa Sine nomine / Missa Ad fugam
2008 · studio album
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Tracklist · 12 tracks · 1:08:49
1Missa Sine nomine: Kyrie2:552Missa Sine nomine: Gloria6:073Missa Sine nomine: Credo8:194Missa Sine nomine: Sanctus & Benedictus6:225Missa Sine nomine: Agnus Dei I, II & III5:536Missa Ad fugam: Kyrie2:447Missa Ad fugam: Gloria5:348Missa Ad fugam: Credo8:179Missa Ad fugam: Sanctus & Benedictus7:3510Missa Ad fugam: Agnus Dei I, II & III7:2111Missa Ad fugam (revisions attributed to Josquin): Sanctus & Benedictus4:4712Missa Ad fugam (revisions attributed to Josquin): Agnus Dei I, II & III2:55Josquin: Missa Mater patris / Missa d’ung aultre amer
2009 · studio album
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Tracklist · 15 tracks · 53:45
1Mater patris et filia2:522Missa Mater Patris, NJE 10.1: I. Kyrie3:143Missa Mater Patris, NJE 10.1: II. Gloria4:084Missa Mater Patris, NJE 10.1: III. Credo6:215Missa Mater Patris, NJE 10.1: IV. Sanctus8:236Missa Mater Patris, NJE 10.1: V. Agnus Dei5:287Missa d’ung aultre amer, NJE 7.3: I. Kyrie2:088Missa d’ung aultre amer, NJE 7.3: II. Gloria1:579Missa d’ung aultre amer, NJE 7.3: III. Credo4:0510Missa d’ung aultre amer, NJE 7.3: IV. Sanctus1:3911Missa d’ung aultre amer, NJE 7.3: V. Tu solus qui facis mirabilia2:4112Missa d’ung aultre amer, NJE 7.3: VI. Agnus Dei2:1213Sanctus d’ung aultre amer3:0614Tu lumen, tu splendor patris0:5915D’ung aultre amer4:32Masses: Malheur Me Bat, Fortuna Desperata
2009 · studio album
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Tracklist · 10 tracks
1Missa Malheur me bat: I. Kyrie2Missa Malheur me bat: II. Gloria3Missa Malheur me bat: III. Credo4Missa Malheur me bat: IV. Sanctus & Benedictus5Missa Malheur me bat: V. Agnus Dei I, II & III6Missa Fortuna desperata: I. Kyrie7Missa Fortuna desperata: II. Gloria8Missa Fortuna desperata: III. Credo9Missa Fortuna desperata: IV. Sanctus & Benedictus10Missa Fortuna desperata: V. Agnus Dei I & II2011 · studio album
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Tracklist · 13 tracks · 1:01:59
1O virgo virginum Filliae Jerusalem7:022Sit nomen Domini2:563Hymnus Pange Lingua2:504Missa Pange lingua: Kyrie3:245Missa Pange lingua: Gloria4:446Missa Pange lingua: Credo7:207Sanctus7:258Missa Pange lingua: Agnus Dei6:279Hymnus Pange Lingua (version 2)1:1510Ave nobilissima creatura Tibi, Domina gloriosa9:4811Ave virgo sanctissima3:0212Verbum supernum prodiens2:4313Tu solus qui facis mirabilia3:03Josquin: Missa Hercules dux Ferrariæ / Missa La sol fa re mi
2011 · studio album
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Tracklist · 10 tracks · 57:24
1Missa “Hercules dux Ferrariæ”, NJE 11.1: I. Kyrie3:172Missa “Hercules dux Ferrariæ”, NJE 11.1: II. Gloria3:573Missa “Hercules dux Ferrariæ”, NJE 11.1: III. Credo7:184Missa “Hercules dux Ferrariæ”, NJE 11.1: IV. Sanctus5:575Missa “Hercules dux Ferrariæ”, NJE 11.1: V. Agnus Dei6:206Missa “La sol fa re mi”, NJE 11.2: I. Kyrie2:437Missa “La sol fa re mi”, NJE 11.2: II. Gloria5:248Missa “La sol fa re mi”, NJE 11.2: III. Credo9:359Missa “La sol fa re mi”, NJE 11.2: IV. Sanctus7:3910Missa “La sol fa re mi”, NJE 11.2: V. Agnus Dei5:14Masses: De beata virgine / Ave maris stella
2011 · studio album
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Tracklist · 12 tracks · 1:15:55
1Missa De beata virgine: I. Kyrie4:242Missa De beata virgine: II. Gloria9:533Missa De beata virgine: III. Credo9:094Missa De beata virgine: IV. Sanctus & Benedictus7:475Missa De beata virgine: V. Agnus Dei I, II & III6:496Credo quarti toni (Cambrai Credo)9:237Ave maris stella (verse 1)0:368Missa Ave maris stella: I. Kyrie2:499Missa Ave maris stella: II. Gloria5:0610Missa Ave maris stella: III. Credo7:0611Missa Ave maris stella: IV. Sanctus & Benedictus7:5412Missa Ave maris stella: V. Agnus Dei I, II & III4:59Les fantaisies de Josquin: The Instrumental Music of Josquin Desprez
2011 · studio album
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Tracklist · 32 tracks · 1:11:05
1Ile fantazies de Joskin3:072La plus de plus, à 31:533[ohne Titel], à 42:154De tous biens plaine (Monodie)1:315De tous biens, à 32:096De tous biens, à 31:127De tous biens plaine, à 41:138De tous bien, à 41:199Ach hülff mich leid, à 47:5810La spagna, à 32:4211La spagna, à 52:4712[ohne Titel], à 43:0513Fortuna desperata1:4514Fortuna desperata, à 31:0915Fortuna desperata, à 41:1516Une musque de BIscaye, à 42:0417Une mousse de Bisquaye (Monodie)2:1618Je sey bien dire, à 41:2219La bernardina1:2720A l'eure que je vous p.x., à 41:0721Helas madame, à 33:4122Sy je perdoys mon amy (Monodie)2:3223Si j'ay perdu mon amy, à 32:1824Si j'ay perdu mon amy, à 40:5725L'homme armé (Monodie)0:3726L'homme armé, à 43:0527Cela sans plus, à 41:2528A Dieu, mes amours (Monodie)0:4529Adieu mes amours, à 42:0230Adieu mes amours, à 44:2431Sei gelobt, du Baum2:5532Ile fantazies de Joskin, à 32:48Josquin: Missa Pange lingua / Missa N’auray je jamais
2011 · studio album
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Tracklist · 11 tracks · 1:08:36
1Pange lingua0:482Missa “Pange lingua”, NJE 4.3: I. Kyrie3:323Missa “Pange lingua”, NJE 4.3: II. Gloria5:094Missa “Pange lingua”, NJE 4.3: III. Credo7:485Missa “Pange lingua”, NJE 4.3: IV. Sanctus8:376Missa “Pange lingua”, NJE 4.3: V. Agnus Dei7:067Missa “N’auray je jamais”: I. Kyrie2:508Missa “N’auray je jamais”: II. Gloria8:159Missa “N’auray je jamais”: III. Credo8:5810Missa “N’auray je jamais”: IV. Sanctus7:5611Missa “N’auray je jamais”: V. Agnus Dei7:37Missa Ave maris stella / Marian Motets
2011 · studio album
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Tracklist · 12 tracks · 1:08:12
1Ave Maria6:182Missa Ave Maris Stella: Kyrie2:423Missa Ave Maris Stella: Gloria4:404Virgo prudentissima a 42:285Virgo salutiferi genitrix a 57:346Missa Ave Maris Stella: Credo6:507Alma Redemptoris mater - Ave regina caelorum6:248Illibata Dei virgo nutrix - La mi la a 56:589Missa Ave Maris Stella: Sanctus7:2010Benedicta es, caelorum regina6:2111Missa Ave Maris Stella: Agnus Dei4:0912Salve regina6:28Josquin: Missa Fortuna desperata / Missa Malheur me bat
2012 · studio album
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Tracklist · 10 tracks · 1:12:45
1Missa “Fortuna desperata”: I. Kyrie3:432Missa “Fortuna desperata”: II. Gloria7:323Missa “Fortuna desperata”: III. Credo9:284Missa “Fortuna desperata”: IV. Sanctus9:015Missa “Fortuna desperata”: V. Agnus Dei5:006Missa “Malheur me bat”, NJE 9.1: I. Kyrie4:037Missa “Malheur me bat”, NJE 9.1: II. Gloria5:538Missa “Malheur me bat”, NJE 9.1: III. Credo7:599Missa “Malheur me bat”, NJE 9.1: IV. Sanctus11:2810Missa “Malheur me bat”, NJE 9.1: V. Agnus Dei8:382012 · studio album
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Tracklist · 7 tracks · 1:10:25
1De profundis, "Psalm 129"4:552In exitu Israel de Aegypto, "Psalm 113"13:033Domine ne in furore tuo… Quoniam, "Psalm 37"8:094Miserere mei Deus secundum, "Psalm 50"13:525Memor esto verbi tui, "Psalm 118"10:426Qui habitat in adiutorio Altissimi, "Psalm 90"10:047Misericordias Domini9:402013 · studio album
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Tracklist · 29 tracks · 1:16:03
1Se congie prens3:412Adie mezamours1:443Cueur langoreulx2:144Vous ne laurez pas1:205Faulte d'argent2:516Canzon sopra faltd'argen2:377Douleur me bat2:388Petite camusette1:439Petite camusette à 61:5910Tribulacio et angustia2:4211Nympes des bois / Requiem aeternam (Déploration sur la mort d'Ockeghem)4:5412Nesse pas ung grand deplaisir1:1713Si vous navez1:4214Parfons regret2:4615Plus ne regres2:3616Plusieurs regretz2:2917Plaine de deuil2:0618Incessamment livre2:3019Plus mille regres2:5320Baisez moy2:5721En non saichant2:2922Pour souhaitter1:4423Adieu mes amours2:0424Allegez moy1:1725Je me complains2:1226Nymphes nappes / Circundererunt me3:0627O mors inevitabilis / Requiem aeternam (Déploration sur Josquin)2:3828Recercar terzo4:5729Musae Jovis / Circundererunt me (Déploration sur Josquin)5:57Missa Ave Maris Stella: Celebrating the Annunciation in Renaissance Rome
2014 · studio album
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Tracklist · 15 tracks · 1:00:28
1Hymnus: Ave maris stella7:052Introitus: Rorate Celi2:203Missa Ave Maris Stella: I. Kyrie2:414Missa Ave Maris Stella: II. Gloria4:525Graduale: Tollite Portas4:126Alleluia: Ave Maria2:277Missa Ave Maris Stella: III. Credo7:048Offertorium: Ave Maria1:599Motet: Mittit ad Virginum7:3310Prefatio3:3411Missa Ave Maris Stella: IV. Sanctus7:3012Pater Noster1:1213Missa Ave Maris Stella: V. Agnus Dei4:0814Communio: Ecce virgo0:4215Motet: Missus est Gabriel angelus3:09Josquin: Missa De beata virgine / Missa Ave maris stella
2015 · studio album
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Tracklist · 10 tracks · 1:05:32
1Missa “De Beata Virgine”, NJE 3.3: I. Kyrie4:092Missa “De Beata Virgine”, NJE 3.3: II. Gloria9:383Missa “De Beata Virgine”, NJE 3.3: III. Credo9:244Missa “De Beata Virgine”, NJE 3.3: IV. Sanctus7:585Missa “De Beata Virgine”, NJE 3.3: V. Agnus Dei6:076Missa “Ave Maris Stella”, NJE 3.1: I. Kyrie2:567Missa “Ave Maris Stella”, NJE 3.1: II. Gloria5:148Missa “Ave Maris Stella”, NJE 3.1: III. Credo7:299Missa “Ave Maris Stella”, NJE 3.1: IV. Sanctus8:0510Missa “Ave Maris Stella”, NJE 3.1: V. Agnus Dei4:32Musique à la chapelle Sixtine autour de 1490
2015 · studio album
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Tracklist · 28 tracks · 2:29:43
Disc 11Nardi maria pistici1:502Missa la sol fa re mi : I. Crucifixus4:463Missa la sol fa re mi : II. Agnus dei4:544Missa fortuna desperata : I. Gloria6:085Missa fortuna desperata : II. Sanctus i2:196Missa fortuna desperata : III. Agnus dei i2:167Dulcis amica dei / Da pacem domine8:058Ave regina caelorum6:449Missa "Princesse d'amourettes" : Agnus dei6:1210Credo8:4511Lucis creator optime4:1812Missa ad fugam : Gloria5:1613Domine non secundum peccata nostra i6:0414Domine non secundum peccata nostra II7:09Disc 21Il sera par vous - l'homme armé2:122L'homme armé0:373Missa l'homme armé : I. Kyrie4:024Missa l'homme armé : II. Gloria5:525Missa l'homme armé : III. Credo8:096Missa l'homme armé : IV. Sanctus6:487Missa l'homme armé : V. Agnus dei6:558Ave maria mater gratie6:179Factum est silentium1:3710Missa l'homme armé super voces musicales : I. Kyrie3:5611Missa l'homme armé super voces musicales : II. Gloria6:0312Missa l'homme armé super voces musicales : III. Credo7:1513Missa l'homme armé super voces musicales : IV. Sanctus8:0714Missa l'homme armé super voces musicales : V. Agnus dei7:07Missa Di dadi; Missa Une mousse de Biscaye
2016 · studio album
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Tracklist · 34 tracks · 1:11:19
1Missa Di dadi, i. Kyrie, Kyrie I1:112Missa Di dadi, i. Kyrie, Christe0:573Missa Di dadi, i. Kyrie, Kyrie II0:534Missa Di dadi, ii. Gloria, Gloria in excelsis Deo1:475Missa Di dadi, ii. Gloria, Domine Deux, Rex caelestis1:136Missa Di dadi, ii. Gloria, Domine Fili unigenite0:467Missa Di dadi, ii. Gloria, Domine Deus, Agnus Dei1:088Missa Di dadi, ii. Gloria, Qui tolls peccata mudi, miserere2:339Missa Di dadi, iii. Credo, Credo in unum Deum3:2010Missa Di dadi, iii. Credo, Crucifixus5:2211Missa Di dadi, iv. Sanctus & Benedictus, Sanctus1:4112Missa Di dadi, iv. Sanctus & Benedictus, Pleni sunt caeli1:5313Missa Di dadi, iv. Sanctus & Benedictus, Hosanna I1:0714Missa Di dadi, iv. Sanctus & Benedictus, Benedictus1:5015Missa Di dadi, iv. Sanctus & Benedictus, Hosanna II1:1216Missa Di dadi, v. Agnus Dei, Agnus Dei I3:2817Missa Di dadi, v. Agnus Dei, Agnus Dei II2:2018Missa Di dadi, v. Agnus Dei, Agnus Dei III4:0419Missa Une mousse de Biscaye, i. Kyrie, Kyrie I1:0320Missa Une mousse de Biscaye, i. Kyrie, Christe1:3621Missa Une mousse de Biscaye, i. Kyrie, Kyrie II1:1822Missa Une mousse de Biscaye, ii. Gloria, Gloria in excelsis Deo2:5723Missa Une mousse de Biscaye, ii. Gloria, Qui tolls peccata mudi, miserere1:0024Missa Une mousse de Biscaye, ii. Gloria, Qui tsedes ad dexteram Patris2:2425Missa Une mousse de Biscaye, iii. Credo, Credo in unum Deum5:5226Missa Une mousse de Biscaye, iii. Credo, Et iterum venturus est3:5827Missa Une mousse de Biscaye, iv. Sanctus & Benedictus, Sanctus2:3228Missa Une mousse de Biscaye, iv. Sanctus & Benedictus,Pleni sunt caeli2:0129Missa Une mousse de Biscaye, iv. Sanctus & Benedictus, Hosanna I1:1930Missa Une mousse de Biscaye, iv. Sanctus & Benedictus, Benedictus2:3431Missa Une mousse de Biscaye, iv. Sanctus & Benedictus, Hosanna II1:2132Missa Une mousse de Biscaye, v. Agnus Dei, Agnus Dei I1:0733Missa Une mousse de Biscaye, v. Agnus Dei, Agnus Dei II1:4534Missa Une mousse de Biscaye, v. Agnus Dei, Agnus Dei III1:47Messes Pange Lingua & de Beata Virgine
2016 · studio album
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Tracklist · 10 tracks · 1:06:31
1Messe Pange lingua: Kyrie3:332Messe Pange lingua: Gloria4:473Messe Pange lingua: Credo6:424Messe Pange lingua: Sanctus9:155Messe Pange lingua: Agnus Dei7:576Messe de beata Virgine: Kyrie4:327Messe de beata Virgine: Gloria8:278Messe de beata Virgine: Credo7:359Messe de beata Virgine: Sanctus7:3110Messe de beata Virgine: Agnus Dei6:12Josquin: Missa L’ami Baudichon / Missa Une mousse de Biscaye
2017 · studio album
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Tracklist · 10 tracks · 1:04:50
1Missa “L’ami Baudichon”, NJE 5.1: I. Kyrie2:412Missa “L’ami Baudichon”, NJE 5.1: II. Gloria7:033Missa “L’ami Baudichon”, NJE 5.1: III. Credo10:464Missa “L’ami Baudichon”, NJE 5.1: IV. Sanctus7:055Missa “L’ami Baudichon”, NJE 5.1: V. Agnus Dei4:056Missa “Une mousse de Biscaye”, NJE 5.2: I. Kyrie3:477Missa “Une mousse de Biscaye”, NJE 5.2: II. Gloria6:028Missa “Une mousse de Biscaye”, NJE 5.2: III. Credo9:499Missa “Une mousse de Biscaye”, NJE 5.2: IV. Sanctus9:4110Missa “Une mousse de Biscaye”, NJE 5.2: V. Agnus Dei3:512018 · studio album
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Tracklist · 10 tracks · 54:36
1String Quartet in F minor, op. 80: Allegro vivace assai6:462String Quartet in F minor, op. 80: Allegro assai4:283String Quartet in F minor, op. 80: Adagio7:424String Quartet in F minor, op. 80: Finale5:125Mille regretz1:566String Quartet no. 3, op. 14: Presto7:307String Quartet no. 3, op. 14: Andante sostenuto8:088String Quartet no. 3, op. 14: Allegretto4:519Two Pieces for String Quartet: Elegy4:5210Moro Lasso3:11Miserere mei Deus: Sacred Motets
2018 · studio album
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Tracklist · 17 tracks · 1:06:02
1Déploration sur la mort d’Ockeghem. Nymphes des bois / Requiem æternam3:302Nimphes, nappés / Circumdederunt me2:193In principio erat Verbum: I. In principio erat Verbum2:414In principio erat Verbum: II. Fuit homo missus a Deo4:355In principio erat Verbum: III. Et verbum caro factum est1:466Absolve quæsumus, Domine3:407Absalon, fili mi3:308Planxit autem David: I. Planxit autem David3:549Planxit autem David: II. Montes Gelboe2:1710Planxit autem David: III. Sagitta Jonathae3:2411Planxit autem David: IV. Doleo super te2:4212De Profundis / Requiem æternam4:3313Miserere mei, Deus: I. Miserere mei, Deus5:3314Miserere mei, Deus: II. Auditui meo dabis gaudium4:1315Miserere mei, Deus: III. Domine, labia mea aperies5:0016Miserere mei, Deus: IV. Pater noster / Ave Maria7:0517Musæ Jovis5:20Josquin Masses: Gaudeamus, L'ami Baudichon
2018 · studio album
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Tracklist · 36 tracks · 1:06:45
1Gaudeamus Omnes1:132Missa Gaudeamus: 1. Kyrie I0:573Missa Gaudeamus: 2. Christe0:574Missa Gaudeamus: 3. Kyrie II1:035Missa Gaudeamus: 4. Gloria in excelsis Deo2:416Missa Gaudeamus: 5. Qui tollis peccata mundi, miserere3:567Missa Gaudeamus: 6. Credo in unum Deum3:468Missa Gaudeamus: 7. Et incarnatus est3:289Missa Gaudeamus: 8. Et in Spiritum Sanctum2:5610Missa Gaudeamus: 9. Et unam sanctam1:3511Missa Gaudeamus: 10. Sanctus1:3912Missa Gaudeamus: 11. Pleni sunt caeli1:3113Missa Gaudeamus: 12. Hosanna I0:5514Missa Gaudeamus: 13. Benedictus2:1115Missa Gaudeamus: 14. Hosanna II1:0116Missa Gaudeamus: 15. Agnus Dei I2:0717Missa Gaudeamus: 16. Agnus Dei II1:4218Missa Gaudeamus: 17. Agnus Dei III3:3019Missa L'ami Baudichon: 1. Kyrie I0:4120Missa L'ami Baudichon: 2. Christe1:1521Missa L'ami Baudichon: 3. Kyrie II0:5022Missa L'ami Baudichon: 4. Gloria in excelsis Deo3:0423Missa L'ami Baudichon: 5. Qui tollis peccata mundi, miserere1:2624Missa L'ami Baudichon: 6. Qui sedes ad dexteram Patris2:0725Missa L'ami Baudichon: 7. Credo in unum Deum3:4226Missa L'ami Baudichon: 8. Et incarnatus est0:5827Missa L'ami Baudichon: 9. Crucifixus0:5328Missa L'ami Baudichon: 10. Et resurrexit3:5229Missa L'ami Baudichon: 11. Sanctus2:0630Missa L'ami Baudichon: 12. Pleni sunt caeli1:2431Missa L'ami Baudichon: 13. Hosanna I0:4332Missa L'ami Baudichon: 14. Benedictus1:2133Missa L'ami Baudichon: 15: Hosanna II0:4734Missa L'ami Baudichon: 16. Agnus Dei I1:0335Missa L'ami Baudichon: 17. Agnus Dei II2:0536Missa L'ami Baudichon: 18. Agnus Dei III1:202019 · studio album
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Tracklist · 10 tracks · 1:12:32
1Missa “L'homme armé” super voces musicales, NJE 6.3: I. Kyrie4:292Missa “L'homme armé” super voces musicales, NJE 6.3: II. Gloria7:203Missa “L'homme armé” super voces musicales, NJE 6.3: III. Credo8:304Missa “L'homme armé” super voces musicales, NJE 6.3: IV. Sanctus9:125Missa “L'homme armé” super voces musicales, NJE 6.3: V. Agnus Dei8:356Missa “L'homme armé” sexti toni, NJE 6.2: I. Kyrie3:417Missa “L'homme armé” sexti toni, NJE 6.2: II. Gloria7:168Missa “L'homme armé” sexti toni, NJE 6.2: III. Credo11:169Missa “L'homme armé” sexti toni, NJE 6.2: IV. Sanctus5:4310Missa “L'homme armé” sexti toni, NJE 6.2: V. Agnus Dei6:302019 · studio album
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Tracklist · 22 tracks · 1:02:49
1Ave Maria3:262Praeambulum I (Improvisation)0:333Mille Regretz2:294La Canción del Emperador2:355Regretz sans fin5:536La plus des plus9:227Praeambulum II (Improvisation)0:378Nimphes napées2:509Fortuna desperata3:5410Praeambulum III (Improvisation)0:3511Adieu mes amours2:1612La Bernardina1:2413En l'ombre d'ung buissonnet3:5914Praeambulum IV (Improvisation)0:2015Ricercar1:4116In te, domine speravi2:4017Praeambulum V (Improvisation)0:3618Douleur me bat4:3019Ile fantazies de Joskin2:1020Quant de vous seul5:5221Praeambulum VI (Improvisation)0:2822Nymphes des bois4:39Josquin: Missa Mater Patris / Bauldeweyn: Missa Da pacem
2019 · studio album
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Tracklist · 40 tracks · 1:12:27
1Mater Patris: 1. Mater Patris et filia1:022Mater Patris: 2. Audi nostra suspiria1:043Mater Patris: 3. Bone Jesu, Fili Dei0:334Mater Patris: 4. Et precibus nostris0:515Missa Mater Patris: 1a. Kyrie I1:216Missa Mater Patris: 1b. Christe1:017Missa Mater Patris: 1c. Kyrie II1:028Missa Mater Patris: 2a. Gloria in excelsis Deo2:139Missa Mater Patris: 2b. Qui tollis peccata mundi, miserere1:2410Missa Mater Patris: 2c. Cum Sancto Spiritu0:4311Missa Mater Patris: 3a. Credo in unum Deum2:5712Missa Mater Patris: 3b. Crucifixus1:3413Missa Mater Patris: 3c. Et in Spiritum Sanctum2:2414Missa Mater Patris: 4a. Sanctus1:5115Missa Mater Patris: 4b. Pleni sunt caeli1:2916Missa Mater Patris: 4c. Hosanna I1:3417Missa Mater Patris: 4d. Benedictus2:1418Missa Mater Patris: 4e. Hosanna II1:3819Missa Mater Patris: 5a. Agnus Dei I1:2920Missa Mater Patris: 5b. Agnus Dei II1:3821Missa Mater Patris: 5c. Agnus Dei III4:3722Da pacem, Domine0:4323Missa Da pacem: 1a. Kyrie I1:2824Missa Da pacem: 1b. Christe0:5025Missa Da pacem: 1c. Kyrie II1:1826Missa Da pacem: 2a. Gloria in excelsis Deo3:0227Missa Da pacem: 2b. Qui tollis peccata mundi, miserere2:5328Missa Da pacem: 3a. Credo in unum Deum3:1629Missa Da pacem: 3b. Et incarnatus est1:2930Missa Da pacem: 3c. Crucifixus0:5731Missa Da pacem: 3d. Et resurrexit tertia die0:4632Missa Da pacem: 3e. Et iterum venturus est3:0633Missa Da pacem: 4a. Sanctus2:2034Missa Da pacem: 4b. Pleni sunt caeli1:5635Missa Da pacem: 4c. Hosanna I1:3836Missa Da pacem: 4d. Benedictus2:2037Missa Da pacem: 4e. Hosanna II1:4438Missa Da pacem: 5a. Agnus Dei I2:2239Missa Da pacem: 5b. Agnus Dei II2:4540Missa Da pacem: 5c. Agnus Dei III2:55Le septiesme livre de chansons
2020 · studio album
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Tracklist · 19 tracks · 1:01:11
1Regretz sans fin il me fault endurer6:052Allegez moy doulce plaisant brunette2:013Douleur me bat3:134Je me complains de mon amy1:425Cueur langoreulx2:496Mille regretz3:107Musae Jovis5:438Petite Camusette a la mort mavez mis1:059Plus nulz regretz3:1510Du mien amant6:0211La Bernardina2:4112Faulte dargent1:5613Baises moy ma doulce’ amye3:4214Ma bouche rit et mon cueur pleure3:0015O mors inevitabilis2:5716Mille regretz3:0017Parfons regretz et lamentable joye2:2718Tenez moy en voz bras2:0019Nymphes des bois4:232020 · studio album
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Tracklist · 17 tracks · 1:05:08
1Ave Maria… virgo serena8:572Inviolata, integra et casta es: I. Inviolata, integra et casta es4:003Inviolata, integra et casta es: II. Nostra ut pura pectora2:404Inviolata, integra et casta es: III. O benigna2:395Missa de Beata Virgine: Kyrie I (glosa)3:066Missa de Beata Virgine: Christe1:447Missa de Beata Virgine: Kyrie II2:088Missa de Beata Virgine: Fantastia on Kyrie II3:119Missa de Beata Virgine: Prelude on Mariam coronans0:5110Missa de Beata Virgine: Cum sancto spiritu (glosa)2:5711Missa de Beata Virgine: Cum sancto spiritu2:3612Salve Regina: I. Salve Regina5:3013Salve Regina: II. Eia ergo, advocata nostra1:4814Salve Regina: III. Et Jesum benedictum3:5115Ut Phoebi radiis/Ut re mi fa sol la5:2616Stabat Mater: I. Stabat Mater6:4917Stabat Mater: II. Eia Mater6:55Masses: Hercules Dux Ferrarie · D'ung aultre amer · Faysant regretz
2020 · studio album
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Tracklist · 47 tracks · 1:11:44
1Missa Hercules Dux Ferrarie: Kyrie I1:072Missa Hercules Dux Ferrarie: Christe0:453Missa Hercules Dux Ferrarie: Kyrie II0:554Missa Hercules Dux Ferrarie: Gloria1:555Missa Hercules Dux Ferrarie: Qui tollis2:056Missa Hercules Dux Ferrarie: Credo2:547Missa Hercules Dux Ferrarie: Et incarnatus1:468Missa Hercules Dux Ferrarie: Et in Spiritum2:229Missa Hercules Dux Ferrarie: Sanctus1:2410Missa Hercules Dux Ferrarie: Pleni1:2811Missa Hercules Dux Ferrarie: Hosanna I1:0612Missa Hercules Dux Ferrarie: Benedictus1:0513Missa Hercules Dux Ferrarie: Hosanna II1:0814Missa Hercules Dux Ferrarie: Agnus I2:2615Missa Hercules Dux Ferrarie: Agnus II2:0616Missa Hercules Dux Ferrarie: Agnus III2:5817Missa D'ung aultre amer: Kyrie I0:5618Missa D'ung aultre amer: Christe0:3919Missa D'ung aultre amer: Kyrie II0:4020Missa D'ung aultre amer: Gloria1:5921Missa D'ung aultre amer: Credo2:2422Missa D'ung aultre amer: Et resurrexit1:5423Missa D'ung aultre amer: Sanctus1:4624Tu solus qui facis mirabilia1:4725Tu solus qui facis mirabilia: Ad te solum0:4026Tu solus qui facis mirabilia: Ad te preces0:3827Tu solus qui facis mirabilia: D'ung aultre amer0:4428Tu solus qui facis mirabilia: Audi nostra1:0029Missa D'ung aultre amer: Agnus I0:5830Missa D'ung aultre amer: Agnus II0:4631Missa D'ung aultre amer: Agnus III1:0432Missa Faysant regretz: Kyrie I0:5333Missa Faysant regretz: Christe1:0334Missa Faysant regretz: Kyrie II0:5035Missa Faysant regretz: Gloria2:1036Missa Faysant regretz: Qui tollis2:0837Missa Faysant regretz: Credo2:0838Missa Faysant regretz: Et incarnatus1:3539Missa Faysant regretz: Et in Spiritum2:2840Missa Faysant regretz: Sanctus1:4641Missa Faysant regretz: Pleni1:2742Missa Faysant regretz: Hosanna I1:0243Missa Faysant regretz: Benedictus1:5244Missa Faysant regretz: Hosanna II1:0545Missa Faysant regretz: Agnus I1:1046Missa Faysant regretz: Agnus II1:3047Missa Faysant regretz: Agnus III3:122021 · studio album
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Tracklist · 10 tracks · 58:31
1Missa “Ad fugam”, NJE 12.1: I. Kyrie3:012Missa “Ad fugam”, NJE 12.1: II. Gloria6:273Missa “Ad fugam”, NJE 12.1: III. Credo9:114Missa “Ad fugam”, NJE 12.1: IV. Sanctus5:405Missa “Ad fugam”, NJE 12.1: V. Agnus Dei3:116Missa “Sine nomine”: I. Kyrie3:007Missa “Sine nomine”: II. Gloria6:418Missa “Sine nomine”: III. Credo8:569Missa “Sine nomine”: IV. Sanctus6:5010Missa “Sine nomine”: V. Agnus Dei5:34Josquin, the Undead: Laments, Deplorations and Dances of Death
2021 · studio album
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Tracklist · 18 tracks · 1:18:07
1Musae Jovis Ter Maximi7:352Baises Moy5:383Parfons Regretz Et Lamentable Joye6:224Cueur Langoreulx3:125Faulte D'argent3:286Petite Camusette2:207Douleur Me Bat4:468N'esse Pas Ung Grant Desplaisir1:209Si Vous N'avez Aultre Desir1:3210Nymphes Des Bois8:3011O Mors Inevitabilis5:0812Se Congié Prens2:2313Plusieurs Regretz3:0614Je Me Complains1:3615Pour Souhaitter2:2816Nimphes Nappès4:4617Regretz Sans Fin6:3518Musae Jovis7:222021 · studio album
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Tracklist · 21 tracks · 1:18:34
1Mittit ad virginem: Mittit ad virginem5:142Mittit ad virginem: Accede nuntia2:423Alma redemptoris mater / Ave regina caelorum: Alma redemptoris mater / Ave regina caelorum3:044Alma redemptoris mater / Ave regina caelorum: Tu quae genuisti / Gaude gloriosa3:265Huc me sydereo a 6: Huc me sydereo5:316Huc me sydereo a 6: Felle sitim magni regis3:257Stabat mater a 6: Stabat mater dolorosa4:208Stabat mater a 6: Eia mater, fons amoris4:409O bone et dulcissime Jesu a 6: O bone et dulcissime Jesu6:2610O bone et dulcissime Jesu a 6: Si ergo commisi3:5711Domine, ne in furore tuo … miserere: Domine, ne in furore tuo4:5712Domine, ne in furore tuo … miserere: Turbatus est a furore oculus meus4:2713Usquequo, Domine, oblivisceris me?: Usquequo, Domine, oblivisceris me?4:1914Usquequo, Domine, oblivisceris me?: Illumina oculos meos6:0215Homo quidam fecit coenam magnam: Homo quidam fecit coenam magnam2:3016Homo quidam fecit coenam magnam: Venite, comedite panem meam1:3617Gloria de beata virgine: Gloria in excelsis Deo4:0418Gloria de beata virgine: Qui tollis peccata mundi, suscipe4:0819Sanctus de Passione: Sanctus1:4520Sanctus de Passione: Honor et benedictio0:5721Sanctus de Passione: Benedictus1:04The Golden Renaissance: Josquin des Prez
2021 · studio album
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Tracklist · 14 tracks · 1:22:56
1Salve Regina a57:322Pange, lingua, gloriósi0:513Missa Pange lingua : Kyrie3:214Ave Maria, Virgo Serena5:565Missa Pange lingua : Gloria5:106Inviolata, integra, et casta es7:327Missa Pange lingua : Credo8:338Vivrai je tousjours3:099El grillo1:4110Missa Pange lingua : Sanctus - Benedictus9:4511Virgo salutiferi8:1012Missa Pange lingua : Agnus Dei8:3413O mors inevitabilis3:2314Dum vastos Adriae fluctus9:19Giosquino: Josquin Desprez in Italia
2021 · studio album
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Tracklist · 18 tracks · 1:17:06
1Praeter rerum seriem: I. Prima pars3:352Praeter rerum seriem: II. Secunda pars3:363Missa Hercules dux Ferrariae: I. Kyrie2:594Missa Hercules dux Ferrariae: II. Gloria4:265Missa Hercules dux Ferrariae: III. Credo7:396Tu solus qui facis mirabilia: I. Prima pars3:057Tu solus qui facis mirabilia: II. Secunda pars1:558Missa Hercules dux Ferrariae: IV. Sanctus6:309Missa Hercules dux Ferrariae: V. Agnus Dei7:3210Fortuna d’un gran tempo1:2611O Virgo prudentissima: I. Prima pars3:5612O Virgo prudentissima: II. Secunda pars3:3013Inviolata, integra et casta6:1514La Bernardina1:2215Salve Regina7:4916Huc me sydereo: I. Prima pars4:4317Huc me sydereo: II. Secunda pars3:0118Inviolata, integra et casta3:472021 · studio album
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Tracklist · 20 tracks · 1:02:34
1Baisiez moy1:092Fama malum1:593Dulces exuviae2:514Belle, pour l'amour de vous1:165La Bernardina (lute)1:286En l'ombre d'ung buissonnet1:007Qui belles amours a5:438Ri(cerca)da2:059Ecce tu pulchra es4:0210Bergerette savoisienne4:4111Guillaume se va chauffer / El grillo2:3912Unisono 25:5513Nymphes des bois (Déploration sur la mort de Jean Ockeghem)4:3114Je ris2:4415Ut Phoebi radiis4:4616Tant vous aimme1:2117Mille regretz3:3918Adieu mes amours3:4519Plus nulz regretz5:4220La Bernardina, a 3 (ondes Martenot)1:182021 · studio album
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Tracklist · 30 tracks · 1:08:18
1Intemerata Dei mater: Intemerata Dei mater2:282Intemerata Dei mater: Nec sine te manet2:043Intemerata Dei mater: Aspiciat facito2:234Nymphes des bois / Requiem aeternam: Nymphes des bois2:355Nymphes des bois / Requiem aeternam: Acoutrez vous0:556Nymphes des bois / Requiem aeternam: Requiescat in pace0:407Quis numerare queat: Quis numerare queat1:338Quis numerare queat: Audivit ipse2:169Quis numerare queat: Fundant preces2:1710Tous les regretz2:0211Absalon fili mi4:3312Illibata Dei virgo nutrix: Illibata Dei virgo nutrix3:5013Illibata Dei virgo nutrix: Ave virginum decus hominum1:4714Illibata Dei virgo nutrix: Ave Maria, mater virtutum1:3415Nesciens mater: Nesciens mater2:1716Nesciens mater: Virgo hodie1:5917Qui ne regrettoit1:3518Infelix ego: Infelix ego4:3019Infelix ego: Ad te igitur3:4120Esto mihi: Esto mihi2:4921Esto mihi: In te, Domine, speravi0:5022O virgo prudentissima: O virgo prudentissima3:1723O virgo prudentissima: Audi virgo puerpera2:5824Tu solus qui facis mirabilia: Tu solus qui facis mirabilia1:3825Tu solus qui facis mirabilia: Ad te solum confugimus0:3826Tu solus qui facis mirabilia: Ad te preces effundimus0:3827Tu solus qui facis mirabilia: D’ung aultre amer0:3228Tu solus qui facis mirabilia: Audi nostra suspiria1:0829Miserere mei, Domine: Miserere mei, Domine4:0330Miserere mei, Domine: Ne proiicias me4:48The Josquin Songbook: Music for Two Voices and Vihuela
2021 · studio album
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Tracklist · 12 tracks · 58:59
1Nymphes, nappés / Circumdederunt me4:272Praeter rerum seriem8:163Missa fortuna desperata: Kyrie3:544Mille regretz (Canción del Emperador)3:205Missa Mille regretz: Benedictus1:586Missa L’homme armé: Confiteor2:157Missa adieu mes amours: Kyrie2:558Pater noster5:099Ave Maria4:2010Stabat Mater dolorosa9:5511Vultum tuum deprecabuntur: O intemerata virgo6:4512Nymphes des bois / Requiem5:452023 · studio album
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Tracklist · 10 tracks · 1:07:37
1Missa Malheur me bat: Kyrie3:212Douleur me bat3:433Missa Malheur me bat: Gloria5:434Nymphes des bois : Déploration sur la mort de Johannes Ockeghem5:285Missa Malheur me bat: Credo7:526Miserere mei, Deus15:427Missa Malheur me bat: Sanctus9:388Mille regretz2:289Missa Malheur me bat: Agnus Dei7:1610Preter rerum seriem6:26Josquin : I. Motets & chansons
2023 · studio album
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Tracklist · 16 tracks · 1:02:56
1Ave Maria…virgo serena à 44:102Virgo salutiferi / Ave Maria à 56:113Ave verum corpus à 2-33:494Miserere mei, deus à 513:165Ut Phebi radiis / Ut re mi fa sol la à 44:266Stabat mater / Comme femme desconfortée à 56:197Pater noster - Ave Maria à 66:368Une musque de Biscaye à 43:559Si j’ay perdu mon amy à 32:1110Parfons regretz à 52:2711Faulte d’argent à 52:1112Baisiez moy à 41:2113En l’ombre d’ung buissonet, tout au long à 31:1714Petite camusette à 61:2115Scaramella à 41:0016Nimphes, nappés / Circumdederunt me à 62:262024 · studio album
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Tracklist · 14 tracks · 1:02:31
1Piano Sonata No. 30 in E Major, Op. 109: I. Vivace, ma non troppo, sempre legato - Adagio espressivo3:472Piano Sonata No. 30 in E Major, Op. 109: II. Prestissimo2:303Piano Sonata No. 30 in E Major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo11:594Ave Christe5:115Shadowlines, 6 Canonic Preludes for Piano: I. Cantabile1:076Shadowlines, 6 Canonic Preludes for Piano: II. Wild1:237Shadowlines, 6 Canonic Preludes for Piano: III. Scherzando1:188Shadowlines, 6 Canonic Preludes for Piano: IV. Tempestoso2:309Shadowlines, 6 Canonic Preludes for Piano: V. Very Freely - Faster but Calm - Spacious and Solemn6:1410Shadowlines, 6 Canonic Preludes for Piano: VI. Gently Flowing, Flexible2:4511Pavane Lachrymae, MB 54 (After John Dowland's Lachrimae, Pavan for Lute, P.15)4:3412Piano Sonata No. 31 in A-Flat Major, Op. 110: I. Moderato cantabile molto espressivo6:4213Piano Sonata No. 31 in A-Flat Major, Op. 110: II. Allegro molto2:1614Piano Sonata No. 31 in A-Flat Major, Op. 110: III. Adagio ma non troppo-Arioso dolente–Fuga-Allegro ma non troppo10:152024 · studio album
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Tracklist · 8 tracks · 1:09:08
1Missa l'homme armé super voces musicales: 1. Kyrie4:582Missa l'homme armé super voces musicales: 2. Gloria7:233Missa l'homme armé super voces musicales: 3. Credo8:354Missa l'homme armé super voces musicales: 4. Sanctus-Benedictus9:065Missa l'homme armé super voces musicales: 5. Agnus Dei9:516Mottetto: Tu solus qui facis mirabilia5:327Mottetto: Miserere mei Deus17:378Mottetto: Inviolata, integra et casta6:062025 · studio album
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Tracklist · 10 tracks · 1:12:14
1Praeter rerum seriem - Motet à 6 voix7:442Benedicta es caelorum regina- Motet à 6 voix7:113Musae Jovis - Motet à 4 voix5:544Missa Benedicta es: Kyrie à 5 voix4:555Magnificat secundi toni super Praeter rerum seriem à 6 voix12:136Missa Benedicta es: Sanctus à 6 voix8:327Missa Benedicta es: Agnus Dei à 4 voix6:168Dum vastos Adriae - Motet à 5 voix8:079Benedicta es caelorum regina - Motet à 12 voix7:2710Premier chant contre le cours des choses á 14 voix3:552025 · studio album
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Tracklist · 16 tracks · 1:20:23
1Ave Maria5:332Ave Maria - Sequenz3:293Missa de Beata Virgine: Kyrie4:114Missa de Beata Virgine: Gloria9:455Petite et accipietis1:356Miserator et misericors4:157Missa de Beata Virgine: Credo8:468Sana me Domine2:509Gaude Maria - Sequenz3:5210Missa de Beata Virgine: Sanctus6:5811Delevi ut nubem3:1012Imperatrix angelorum - Supplicatio3:3313Pater noster - Ave Maria7:5514Missa de Beata Virgine: Agnus Dei5:4015Ego sum ipse3:2016Verbum incarnatum5:31— · studio album
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Tracklist · 27 tracks · 59:55
1Douleur me bat2:572Adieu mes amours2:083Plusieurs regretz2:364Petite camusette1:105Mille regretz2:006Mille regretz2:387En non saichant2:278J'ay bien cause de lamenter1:289Nimphes, nappés2:4110Ile fantazies2:0311La plus des plus1:2412Plus n'estes ma maistresse2:2513Cueurs désolez1:4414Plain de dueil2:0615Fortuna desperata1:4716Faulte d'argent2:0817Cueur langoreulx2:0218Fors seulement1:5919Je me complains1:4720Si congié prens2:5521Tenez moy en vos bras1:5522El grillo1:3823Si j'ay perdu mon amy2:2724Parfons regretz2:3525Vous l'arez s'il vous plaist1:5226Allégez moy1:0827Déploration sur la mort de Johannes Ockeghem (Nymphes des bois)5:55Missa "La sol fa re mi" & Motetten
— · studio album
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Tracklist · 12 tracks · 1:13:20
1Missa "La sol fa re mi": Kyrie, Christe, Kyrie2:232Missa "La sol fa re mi": Golria4:213Missa "La sol fa re mi": Credo8:094Missa "La sol fa re mi": Sanctus, Benedictus5:465Missa "La sol fa re mi": Agnus Dei3:586Tu solus, qui facis mirabilia3:307Sanctus de passione3:338Miserere mei, Deus12:309Qui velatus facie fuisti10:4810Absalon, fili mi3:0011Planxit autem David10:5112Inviolata, integra et casta es Maria4:31
Album · 7
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1992 | Desprez: Missa Pange Lingua / Allegri: Missa Vidi Turbam Magnam / Titelouze: Three Versets on Pange LinguaSearch SpotifySearch YouTube MusicTracklist · 16 tracks · 1:03:321Pange lingua gloriosi: Verset 12:14 2Missa Pange lingua: I. Hymn: Pange Lingua0:49 3Missa Pange lingua: II. Kyrie3:44 4Missa Pange lingua: III. Gloria4:32 5Missa Pange lingua: IV. Credo7:52 6Pange lingua gloriosi: Verset 22:53 7Missa Pange lingua: V. Sanctus5:01 8Missa Pange lingua: VI. Benedictus3:37 9Missa Pange lingua: VII. Agnus Dei 1, 2, 38:11 10Pange lingua gloriosi: Verset 33:22 11Missa Vidi Turbam Magnam: I. Kyrie3:10 12Missa Vidi Turbam Magnam: II. Gloria3:48 13Missa Vidi Turbam Magnam: III. Credo7:35 14Missa Vidi Turbam Magnam: IV. Sanctus2:04 15Missa Vidi Turbam Magnam: V. Benedictus2:05 16Missa Vidi Turbam Magnam: VI. Agnus Dei2:35 | Compilation | 1992 | |
| 1995 | Josquin Desprez: Missa de Beata Virgine, Jean Mouton: MotetsSearch SpotifySearch YouTube MusicTracklist · 10 tracks · 53:311Nesciens mater5:07 2Missa de Beata Virgine: Kyrie3:47 3Missa de Beata Virgine: Gloria8:07 4Ave Maria virgo serena6:56 5Missa de Beata Virgine: Credo7:20 6Ave sanctissima Maria3:50 7Missa de Beata Virgine: Sanctus & Benedictus5:52 8O Maria piissima5:19 9Missa de Beata Virgine: Agnus Dei4:57 10Ave Maria gemma virginum2:16 | Compilation | 23 April 1995 | |
| 1997 | The Art of the NetherlandsSearch SpotifySearch YouTube MusicTracklist · 37 tracks · 2:12:11Disc 1 1Scaramella va alla guerra2:09 2Allegez moy, doulce plaisant brunette à 62:06 3Allegez moy, doulce plaisant brunette (two lutes version)2:14 4El grillo è buon cantore1:46 5Quodlibet “Donna di dentro” / “Dammene un pocho” / “Fortuna d’un gran tempo”1:39 6De tous biens plaine à 3 (original)6:45 7De tous biens plaine à 4 (instrumental)1:39 8De tous biens plaine à 3 (instrumental, version 1)1:15 9De tous biens plaine à 3 (instrumental, version 2)1:27 10Du tout plongiet / Fors seulement I’attente10:32 11Mijn morken gaf mij een jonck wijff1:40 12Ghy syt die wertste boven al2:08 13Ein fröhlich wesen à 32:32 14Ein fröhlich wesen (solo keyboard version)1:36 15Ein fröhlich wesen à 43:42 16Prenez sur moi vostre exemple amoureux1:57 17Ma bouche rit5:49 18Guillaume se va chaufer1:05 19Adieu mes amours à 42:03 20Adieu mes amours (solo keyboard version)2:19 21Fortuna desperata à 31:38 22Fortuna desperata à 61:50 23Fortuna desperata à 3 (instrumental)1:13 Disc 21Missa sine nomine (i) a 3: Kyrie4:31 2Missa ‘Et ecce terrae motus’: Gloria8:03 3Credo super ‘De tous biens’6:38 4Missa ‘Ave sanctissima Maria’: Sanctus4:16 5Missa ‘La bassadanza’: Agnus Dei4:35 6Haec Deum caeli1:31 7O bone Jesu3:16 8De profundis a 55:02 9Benedicta es caelorum regina5:38 10Nesciens mater virgo virum4:19 11Inviolata integra et casta es Maria3:27 12Intermerata Dei mater7:53 13Laudemus nunc Dominum / Non est hic aliud8:03 14Ave sanctissima Maria3:55 | Compilation | 1997 | |
| 1998 | Ockeghem: Missa L'Homme armé / Ave Maria / Alma redemptoris mater / Josquin: Memor esto verbi tuiSearch SpotifySearch YouTube MusicTracklist · 11 tracks · 56:421Ave Maria, gratia plena3:07 2Alma redemptoris mater1:55 3Alma redemptoris mater5:44 4L’homme armé0:45 5Missa L’homme armé: Kyrie2:20 6Missa L’homme armé: Gloria5:20 7Missa L’homme armé: Credo7:19 8Immittet angelus Domini2:00 9Missa L’homme armé: Sanctus8:22 10Missa L’homme armé: Agnus Dei6:28 11Memor esto verbi tui13:22 | Compilation | March 1998 | |
| 2004 | Missa Hercules Dux Ferrariae / MotetsSearch SpotifySearch YouTube MusicTracklist · 23 tracks · 1:58:08Disc 1 1Ave Maria. Motet à quatre voix6:51 2Absalon fili mi. Motet à quatre voix4:27 3Veni Sancte Spiritus. Motet à six voix8:10 4De profundis clamavi. Motet à quatre voix8:24 5Scaramella va alla guerra (a 4) / Loyset Compère (c1445-1518): Scaramella fa la galla (a 4)1:37 6In te Domine speravi (a 4)2:15 7El grillo (a 4)1:50 8Milles regretz. Chanson à quatre voix2:03 9Petite camusette. Chanson à six voix1:02 10Je me complains. Chanson à cinq voix2:08 11En l’ombre d’ung buissonet. Chanson à trois voix2:12 12Je ne me puis tenir d’aimer. Chanson à cinq voix3:47 13La déploration de la mort de Johannes Ockeghem (a 5) (Nymphes des bois)5:47 Disc 21Missa Hercules Dux Ferrariae: I. Kyrie3:00 2Missa Hercules Dux Ferrariae: II. Gloria3:51 3Missa Hercules Dux Ferrariae: III. Credo6:56 4Missa Hercules Dux Ferrariae: IV. Sanctus3:43 5Missa Hercules Dux Ferrariae: V. Benedictus2:13 6Missa Hercules Dux Ferrariae: VI. Agnus Dei6:52 7Pater noster/Ave Maria. Motet à six voix7:44 8Lugebat David Absalon. Motet à huit voix9:37 9Miserere mei Deus. Psaume à dix voix18:51 10Tu solus qui facis mirabilia. Motet à quatre voix4:48 | Compilation | 2004 | |
| 2006 | The Tallis Scholars Sing JosquinSearch SpotifySearch YouTube MusicTracklist · 24 tracks · 2:29:30Disc 1 1Pange lingua3:45 2Missa "Pange Lingua": Kyrie2:56 3Missa "Pange Lingua": Gloria4:23 4Missa "Pange Lingua": Credo7:07 5Missa "Pange Lingua": Sanctus & Benedictus8:01 6Missa "Pange Lingua": Agnus Dei7:20 7Missa "La Sol Fa Re Mi": Kyrie2:32 8Missa "La Sol Fa Re Mi": Gloria4:56 9Missa "La Sol Fa Re Mi": Credo9:11 10Missa "La Sol Fa Re Mi": Sanctus & Benedictus6:44 11Missa "La Sol Fa Re Mi": Agnus Dei5:20 12Praeter rerum seriem7:22 13Ave Maria5:29 Disc 21L'homme armé0:47 2Missa "L'homme armé" super voces musicales: Kyrie5:00 3Missa "L'homme armé" super voces musicales: Gloria7:05 4Missa "L'homme armé" super voces musicales: Credo8:24 5Missa "L'homme armé" super voces musicales: Sanctus & Benedictus9:28 6Missa "L'homme armé" super voces musicales: Agnus Dei10:37 7Missa "L'homme armé" sexti toni: Kyrie3:37 8Missa "L'homme armé" sexti toni: Gloria6:41 9Missa "L'homme armé" sexti toni: Credo9:34 10Missa "L'homme armé" sexti toni: Sanctus & Benedictus5:03 11Missa "L'homme armé" sexti toni: Agnus Dei8:08 | Compilation | 9 May 2006 | |
| 2007 | The Essential Josquin des PrezSearch SpotifySearch YouTube MusicTracklist · 13 tracks · 1:15:111Tu Solus Qui Facis4:00 2Salve Regina a56:43 3Domine, Non Secundum7:43 4Illibata Dei Virgo Nutrix6:53 5Bergerette Savoysienne4:00 6Adieu Mes Amours7:36 7Baises Moy a62:10 8Kyrie (from Missa Malheur Me Bat)4:23 9Gloria (from Missa De beata Virgine)8:22 10Credo (from Chascun Me Crie)6:20 11Sanctus/Benedictus (from Missa Fortuna desperata)7:42 12Agnus Dei (from Miss Faisant Regretz)4:24 13Ave Maria...Virgo Serena4:55 | Compilation | 2007 |
Single · 1
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| — | Adieu des Bergers / Ave Vera VirginitasSearch SpotifySearch YouTube MusicTracklist · 2 tracks · 7:371Adieu des Bergers4:18 2Ave Vera Virginitas3:19 | — |
Stats & PK
Percentile within all 23,672 published artists.Put Josquin des Prez head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 52 | 96.9th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 92 | 97.6th |
| Studio albums | 84 | 99.7th |
| Awards recorded | 0 | 0th |
| Timeline events | 85 | 99.6th |
| Recording span (years) | -437 | 0.5th |
| Genres | 7 | 93th |
Awards & honours
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Josquin_des_Prez.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/bd941ba5-703b-44ec-8f56-1028cb0e30b3discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/bd941ba5-703b-44ec-8f56-1028cb0e30b3core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q143100genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q143100seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Josquin_des_Prezbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Josquin_des_Prez
Why this artist is in the database
- List of composers by name
Tier rule: historic figure (52 language versions, career ended)
Image: Original uploader was Clattuc at en.wikipedia · Public domain · Wikimedia Commons
Wikidata: Q143100 · MusicBrainz: bd941ba5-703b-44ec-8f56-1028cb0e30b3
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