KRS-One

Biography

Lawrence Parker (born August 20, 1965), known professionally as KRS-One (; a backronym of "Knowledge Reigns Supreme Over Nearly Everyone") and Teacha, is an American rapper and singer from the Bronx. He rose to prominence as part of the hip-hop group Boogie Down Productions, which he formed with DJ Scott La Rock in the mid-1980s. KRS-One is known for his songs "Sound of da Police×Sound of da Police1993 · SingleSpotify (search)YouTube Music (search)Tracklist · 5 tracksA1Sound of da Police (LP version)4:18A2Hip Hop vs. Rap4:43B1Sound of da Police (remix)4:20B2Sound of da Police (remix instrumental)4:20B3Hip Hop vs. Rap (a cappella)2:53", "Love's Gonna Get'cha (Material Love)", and "My Philosophy". Boogie Down Productions received numerous awards and critical acclaim in their early years. Following the release of the group's debut album, Criminal Minded, fellow artist Scott La Rock was shot and killed, but KRS-One continued the group, effectively as a solo project. He began releasing records under his own name in 1993. He is politically active, having started the "Stop the Violence Movement" after La Rock's death. He is also a vegan activist, expressed in songs such as "Beef". He is widely considered an influence on many hip-hop artists.

Early life

Lawrence Parker was born in Brooklyn, New York City, in 1965 to an African American mother. His biological father, who was not involved in his upbringing, was from the Caribbean island of Jamaica. He had a troubled childhood, suffering severe beatings from his American stepfather John Parker when the family lived in Harlem. When his mother left the marriage both he and his younger brother Kenny moved with her to the Bronx, before again moving a year later to Brooklyn. Home life continued to be difficult, including further physical abuse at the hands of his mother's new Jamaican partner, and he ran away from home several times.
At age 16 he left home permanently, and spent a time living homeless in New York, before eventually signing himself into a group home in the Bronx.

Hip Hop

Growing up, Parker had developed a deep love of the emerging Hip Hop culture in New York, and by that time he was honing his craft as an MC, as well as being an active graffiti writer. In 1984, he left the group home and moved into a homeless shelter in the South Bronx. While he was in the homeless shelter, he was dubbed "Krishna" by the residents due to his curiosity about the Hare Krishna spirituality of some of the anti-poverty workers. During his stay at the community shelter he encountered youth counsellor Scott Sterling a.k.a. DJ Scott La Rock and there began a DJ-MC relationship. He also engaged in the street art activity graffiti under the alias KRS-One (Knowledge Reigns Supreme Over Nearly Everyone). Together he and Sterling created Boogie Down Productions, releasing their debut album, Criminal Minded, in 1987.
KRS-One also practices activism in his career and is a leading figure and founder of several Hip Hop groups that worked to promote peace and education, such as the Stop the Violence Movement and Human Education Against Lies (H.E.A.L.). He also founded the Temple of Hip Hop, a group dedicated to preserving and expanding Hip Hop culture and spirituality. Through this, KRS-One intends to decriminalize Hip Hop and "raise [its] identity and self-esteem". In an interview with Aki X in the January 2003 issue of Thrasher, KRS-One observes: "Hip-hop has manifested Martin Luther Kings 'I Have A Dream' speech where he envisioned that the sons and daughters of former slave owners and sons and daughters of former slaves would join hands in brotherhood towards justice and freedom. Hip-hop expresses that through Eminem and Dr. Dre, through Russell Simmons and the Beastie Boys, through MC Serch, Run DMC and Aerosmith. This is what it is to be hip-hoppa."

Early influences

In KRS-One's song "Outta Here×Outta Here1993 · SingleSpotify (search)YouTube Music (search)Tracklist · 5 tracks1Outta Here (LP version)4:282I Can't Wake Up3:403Feel the Vibe, Feel the Beat4:534Outta Here (instrumental)4:285I Can't Wake Up (instrumental)3:40," he reflects on the early days of New York hip-hop, influenced by acts like Run-DMC and Whodini, who he heard on the Awesome Two's radio show on WHBI. KRS-One explains how the release of BDP's Criminal Minded and Eric B. & Rakim's Paid in Full (1987) had the unintended effect of turning both groups into hip-hop pioneers. He also claims that his album By All Means Necessary (1988) and Public Enemy's It Takes a Nation of Millions to Hold Us Back (1988) were a main influence that set off consciousness in rap.

Boogie Down Productions

KRS-One began his recording career as one third of the hip-hop group Boogie Down Productions (BDP) alongside DJ Scott La Rock and Derrick "D-Nice" Jones. Additionally, KRS-One had taken offense to "The Bridge" (1986), a song by Marley Marl's protege, MC Shan (KRS-One later reconciled with Marley Marl, producing an album with him in 2007 titled Hip Hop Lives×Hip Hop Lives22 May 2007 · Studio albumSpotify (search)YouTube Music (search)Tracklist · 14 tracks1It’s Alive (intro)0:402Hip Hop Lives2:523Nothing New3:164I Was There3:485Musika4:056Rising to the Top3:297Over 303:528M.A.R.L.E.Y. (skit)1:309Kill a Rapper2:5610Teacha’s Back3:4111Victory3:4812This Is What It Is3:5213All Skool4:0614House of Hits4:31). The song could be interpreted as a claim that Queensbridge was the monument of hip-hop, though MC Shan has repeatedly denied this claim. Still, KRS-One "dissed" the song with the BDP single "South Bronx" (1986). A second round of volleys ensued with Shan's "Kill That Noise" and BDP's "The Bridge Is Over" (1987). KRS-One, demonstrating his nickname "The Blastmaster", gave a live performance against MC Shan, and many conceded he had won the battle. Many believe this live performance to be the first MC battle where rappers attack each other, instead of a battle between who can get the crowd more hyped.
Parker and Sterling decided to form a rap group together, initially calling themselves "Scott La Rock and the Celebrity Three". That was short-lived, however, as the two peripheral members quit, leaving Parker (now calling himself KRS-One) and Sterling. They then decided to call themselves "Boogie Down Productions". "Success Is the Word", a 12-inch single produced by David Kenneth Eng and Kenny Beck, was released in 1985 on indie Fresh/Sleeping Bag Records (under the group name "12:41") but did not enjoy commercial success.
Boogie Down Productions released their debut album Criminal Minded in May 1987. KRS-One was the first emcee to be holding a 9mm on the album cover, and Scott La Rock was killed in a shooting later that year after attempting to mediate a dispute between teenager and BDP member D-Nice and local hoodlums.
During this time KRS-One also gained acclaim as one of the first MCs to incorporate Jamaican style into hip-hop, using the Zunguzung melody, originally made famous by Yellowman in Jamaican dance halls earlier in the decade. This is particularly evident in the song titled "Remix for P Is Free". Dancehall influence is also very prominent in the BDP hit "The Bridge Is Over", which uses the same melody as Super Cat's 1986 dancehall hit "Boops", and lyrical inflections in a Jamaican style. KRS-One is credited as one of the more influential figures to bridge the gap between Jamaican music and American hip-hop.
Following the fatal shooting of Scott La Rock in 1987, KRS was determined to continue Boogie Down Productions through the tragedy, releasing the album By All Means Necessary in 1988. He was joined by beatboxer D-Nice, rapper Ramona "Ms. Melodie" Parker (whose marriage to Kris would last from 1988 to 1992), and Kris's younger brother DJ Kenny Parker, among others. However, Boogie Down Productions would remain KRS' show, and the group's content would become increasingly political through the subsequent releases Ghetto Music: The Blueprint of Hip Hop (1989), Edutainment (1990), Live Hardcore Worldwide (1991) and Sex and Violence (1992).
KRS-One was the primary initiator behind the H.E.A.L. compilation and the Stop the Violence Movement; for the latter he would attract many prominent emcees to appear on the 12-inch single "Self Destruction" (1989). As KRS adopted this "humanist", less defensive approach, he turned away from his "Blastmaster" persona and towards that of "The Teacha", although he has constantly used "Blastmaster" throughout his career.

Solo career

After five largely solo albums under the name "Boogie Down Productions", KRS-One decided to set out on his own. On his first solo album, 1993's Return of the Boom Bap×Return of the Boom Bap28 September 1993 · Studio albumSpotifyYouTube Music (search)Tracklist · 14 tracks · 2 discsDisc 1A1KRS-One AttacksA2Outta HereA3Black CopA4Mortal ThoughtB1I Can’t Wake UpB2Slap Them UpB3Sound of da PoliceDisc 2C1Mad CrewC2Uh OhC3Brown Skin WomanD1Return of the Boom BapD2“P” Is Still FreeD3Stop Frontin’D4Higher Level, he worked together with producers DJ Premier, Kid Capri and Showbiz, the latter providing the track "Sound of da Police×Sound of da Police1993 · SingleSpotify (search)YouTube Music (search)Tracklist · 5 tracksA1Sound of da Police (LP version)4:18A2Hip Hop vs. Rap4:43B1Sound of da Police (remix)4:20B2Sound of da Police (remix instrumental)4:20B3Hip Hop vs. Rap (a cappella)2:53". His second album, 1995's KRS-One, featured Channel Live on "Free Mumia×Free Mumia1995 · SingleSpotify (search)YouTube Music (search)Tracklist · 5 tracksA1Free Mumia (vocal)A2Free Mumia (radio edit)A3Free Mumia (TV Track)B1Free Mumia (a cappella)B2Free Mumia (radio edit)", a song in which they criticize civil rights activist C. Delores Tucker among others. Other prominent guest stars on KRS-One included Mad Lion, Busta Rhymes, Das EFX and Fat Joe.
In 1991, KRS-One appeared on the alternative rock group R.E.M.'s single "Radio Song", which appeared on the band's album Out of Time, released the same year.
In 1992, Bradley Nowell from Sublime featured an acoustic song named "KRS-One" with his voice and DJ's samples.
In 1995, KRS organized a group called Channel Live, whose album Station Identification he produced most of, along with Rheji Burrell and Salaam Remi.
In 1997, KRS surprised many with his release of the album I Got Next×I Got Next20 May 1997 · Studio albumSpotifyYouTube Music (search)Tracklist · 19 tracks11st Quarter - The Commentary0:1822nd Quarter - Free Throws2:063The MC3:164I Got Next / Neva Hadda Gun4:115Heartbeat3:076Step Into a World (Rapture's Delight)4:507A Friend4:138H.I.P.H.O.P.2:119Halftime0:40103rd Quarter - The Commentary0:1711Klassicks0:5912Blowe3:4113Real Hip-Hop, Part II3:0614Come to Da Party2:1015Can't Stop, Won't Stop3:5916Over Ya Head2:1717Just to Prove a Point3:45184th Quarter - Free Throws1:4719Step Into a World (Rapture's Delight) (remix)5:06. The album's lead single, "Step into a World (Rapture's Delight)", containing an interpolation of punk and new wave group Blondie, was accompanied by a remix featuring commercial rap icon Puff Daddy; another track was essentially a rock song. While the record would be his best-selling solo album (reaching number 3 on the Billboard 200), such collaborations with notably mainstream artists and prominent, easily recognizable samples took many fans and observers of the vehemently anti-mainstream KRS-One by surprise.
In August 1997, in an appearance on Tim Westwood's BBC Radio 1, KRS-One criticized the station for not playing underground hip-hop while also crediting Westwood for his promotion of hip-hop over time. KRS-One said that Jive Records and Radio 1 did not support him, but finished by saluting Westwood with "you know you're my man".
In 1999, there were tentative plans to release Maximum Strength; a lead single, "5 Boroughs×5 Boroughs1998 · SingleSpotify (search)YouTube Music (search)Tracklist · 3 tracks15 Boroughs4:4625 Boroughs (instrumental)4:463Temple Tactics3:01", was released on The Corruptor soundtrack. However, KRS apparently decided to abort the album's planned release, just as he had secured a position as a Vice-President of A&R at Reprise Records. The shelved album was again scheduled to be released in 2008, but ultimately an unrelated album entitled Maximum Strength 2008 was released in its place. He moved to southern California, and stayed there for two years, ending his relationship with Jive Records with A Retrospective in 2000.
In 2000, KRS-One and DJ Tomekk made a video for their single "Return of Hip Hop (Ooh, Ooh)×Return of Hip Hop (Ooh, Ooh)2000 · SingleSpotify (search)YouTube Music (search)Tracklist · 4 tracks1Return of Hip Hop (Ooh. Ooh) (radio version)3:382Return of Hip Hop (Ooh. Ooh) (Boulevard Bou remix)3:533Return of Hip Hop (Ooh. Ooh) (DJ Rocky remix)4:314Return of Hip Hop (Ooh. Ooh) (instrumental)2:16" with German rappers Torch and MC Rene, in which hip-hop was revived by hospital staff. The song stayed in the German charts for nine weeks.

KRS resigned from his A&R position at Reprise in 2001, and returned to recording with a string of albums, beginning with 2001's The Sneak Attack×The Sneak Attack27 March 2001 · Studio albumSpotify (search)YouTube Music (search)Tracklist · 20 tracks1Intro0:202Ghetto Lifestyles1:593Attendance3:274Hot3:005Why2:386Doth Thou Know0:527The Lessin4:338The Mind3:549Hiphop Knowledge5:1010What Kinda World3:2511I Will Make It2:2612B‐Side Intro0:1613Get Your Self Up4:4614Krush Them3:3815Hush3:5516The Sneak Attack4:1917Shutupayouface3:4418False Pride2:3919The Raptism2:5720Temple Tactics on Koch Records. In 2002, he released a gospel-rap album, Spiritual Minded×Spiritual Minded2002 · Studio albumSpotify (search)YouTube Music (search)Tracklist · 20 tracks1Opening1:302Lord Live Within My Heart3:263Take Your Tyme3:174Take It to God4:105Good Bye3:346South Bronx 20024:297Never Give Up3:208T-Bone Speaks0:359Tears5:4810The Struggle Continues (Choose Your Way)5:5011The Conscious Rapper4:1512T-Bone Speaks Again0:2313Trust2:5914Come to the Temple4:1915Ain't Ready4:0516God Is Spirit4:1417Know Thy Self5:1018G. Simone Speaks0:3319Dayz Ahead4:4620Power3:40, surprising many longtime fans; he had once denounced Christianity as a "slavemaster religion" which African-Americans should not follow. During this period, KRS founded the Temple of Hiphop, an organization to preserve and promote "Hiphop Kulture". Subsequent releases included 2003's Kristyles and Digital, 2004's Keep Right, and 2006's Life.
The only latter-day KRS-One album to gain any significant attention has been Hip Hop Lives×Hip Hop Lives22 May 2007 · Studio albumSpotify (search)YouTube Music (search)Tracklist · 14 tracks1It’s Alive (intro)0:402Hip Hop Lives2:523Nothing New3:164I Was There3:485Musika4:056Rising to the Top3:297Over 303:528M.A.R.L.E.Y. (skit)1:309Kill a Rapper2:5610Teacha’s Back3:4111Victory3:4812This Is What It Is3:5213All Skool4:0614House of Hits4:31, his 2007 collaboration with fellow hip hop veteran Marley Marl, partly attributed to the Bridge Wars between the pair, but also the title's apparent response to Nas' 2006 release Hip Hop Is Dead. While many critics have commented they would have been more excited had this collaboration occurred twenty years earlier, the album was met with positive reviews.
KRS-One has collaborated with other artists including Canadian rap group Hellafactz, Jay-Roc N' Jakebeatz and New York producer Domingo. He and Domingo publicly squashed their beef, which started over financial issues, and released a digital single on iTunes on November 25, 2008. The single, titled "Radio", also featured Utah up-and-comer Eneeone and is dedicated to underground MCs that don't get the radio airplay they deserve. In 2009 KRS-One guest-starred on several albums, including Arts & Entertainment on the song "Pass the Mic" by fellow hip-hop veterans Masta Ace and Ed O.G. KRS-One also featured on the posse cut "Mega Fresh X" by Cormega (alongside DJ Red Alert, Parrish Smith, Grand Puba, and Big Daddy Kane) on his album Born and Raised.
KRS-One and Buckshot announced that they would be collaborating on an album set to be released in 2009. The first single, "Robot", was released on May 5, 2009. The music video was directed by Todd Angkasuwan and debuted as the New Joint of the Day on 106 & Park on September 4, 2009. The album itself, called Survival Skills×Survival Skills15 September 2009 · Studio albumSpotify (search)YouTube Music (search)Tracklist · 14 tracks1Survival Skills3:532Robot4:063The Way I Live3:584Clean Up Crew3:565Oh Really3:136Connection5:227Runnin Away4:398Think of All the Things4:039One Shot3:4610Amazin3:4611Hear No Evil3:2012Murder 13:5813We Made It4:2414Past*Present*Future4:35, leaked on the Internet on September 9, 2009, and the album was officially released on September 15, 2009. It debuted at number 62, making it onto the Billboard 200. It sold around 8,500 copies its first week and was met with generally positive reviews. Steve Juon of RapReviews.com gave the album a flawless 10 out of 10, claiming, "Buckshot and KRS have achieved something rather remarkable here – an album I can't find a single fault with. There's not a bad beat, there's not a whack rhyme, there's not a collaborator on a track that missed the mark, and the disc itself is neither too short nor too long."
In 2010 KRS-One was honored, along with Buckshot, by artists Ruste Juxx, Torae and Skyzoo, Sha Stimuli, Promise, J.A.M.E.S. Watts and Team Facelift, on their mixtape Survival Kit, an ode to the 2009 album Survival Skills. The mixtape was released for free download on Duck Down's official website. The album features new versions of KRS classics "South Bronx", "Sound of da Police" and "MC's Act Like They Don't Know", as well as new versions of well-known Buckshot songs and "Past Present Future" from the Survival Skills album. The MC Fashawn said in his verse on "MC's Act Like They Don't Know", "I did it to make Kris smile / I figured he'd appreciate it".
KRS-One was featured as the voice of Chris Cringle in Nike's Most Valuable Puppets commercials. KRS-One performed in May 2010 at SUNY New Paltz at their annual "Rock Against Racism" concert. He narrated the 2011 film Rhyme and Punishment, a documentary about hip-hop artists who have done jail time. The same year, KRS-One was featured in the title song for the film You Got Served: Beat the World. The song is entitled "Hip Hop Nation", and features K'naan and Lina. It was produced for the film by Frank Fitzpatrick.
In 2012, KRS-One toured Australia for the first time. He travelled there by cruise ship, as he hates flying.
In December 2020, KRS-One released his 23rd solo album Between da Protests×Between da Protests21 December 2020 · Studio albumSpotify (search)YouTube Music (search)Tracklist · 15 tracks1Opening Remarks2:402Tight3:583Don’t Fall for It3:374Black Black Black3:325Boom Bye Bye3:076Murder She Just Saw3:037Turn the Volume Up3:528Stay Real3:579Medu Neter3:1710We Are the Gods3:4111Organize2:5212Free (The Book List)4:3013See the Exit4:0414Open Your (((I)))3:3215Who You Are4:41. In February 2022 he released his 24th one: I M A M C R U 1 2.

Stop the Violence Movement

The Stop the Violence Movement was formed by KRS-One in 1988/1989 in response to violence in the hip-hop and black communities.
During a concert by Boogie Down Productions and Public Enemy, a young fan was killed in a fight. Coming soon after the shooting death of his friend and fellow BDP member Scott La Rock, KRS-One was galvanized into action and formed the Stop the Violence Movement. Composed of some of the biggest stars in contemporary East Coast hip-hop, the movement released a single, "Self Destruction", in 1989, with all proceeds going to the National Urban League. A music video was created, and a VHS cassette entitled Overcoming Self-Destruction – The Making of the Self-Destruction Video was also released.
"Self-Destruction" was produced by KRS-One and D-Nice of Boogie Down Productions (Hank Shocklee of the Bomb Squad is credited as an associate producer).

Temple of Hip Hop

The Temple of Hip Hop is a ministry, archive, school, and society (M.A.S.S.) founded by KRS-One. Its goal is to maintain and promote Hip Hop Kulture. Another goal of the Temple of Hip Hop is to finance educational centers which store archives and host lectures devoted to hip-hop culture.
The Temple of Hip Hop maintains that hip-hop is a genuine political movement, religion, and culture. It calls on all fans to celebrate Hip Hop Appreciation Week on the third week of May each year. It encourages DJs and MCs to teach people about the culture of hip-hop and to write more socially conscious songs, and radio stations to play more socially conscious hip-hop.
KRS-One describes hip-hop as a metaphysical principle, "an energy, a consciousness, it is an awareness, it is a behavior, it is an attitude, that's what hip-hop is.
KRS-One asserted that due to hip-hop's intangible nature, it cannot be documented using conventional historical methods. He argued that approaching history from a physical perspective confines individuals to their color, ethnicity, and race. Instead, he advocated for examining history from the standpoint of first causes and origins, allowing for a departure from physical constraints and a focus on ideas rather than tangible matter.
Hip Hop History Month (November), founded by the Universal Zulu Nation, is also recognized.

Gospel of Hip Hop comments

In an interview with AllHipHop about his book The Gospel of Hip Hop, KRS-One said:

I'm suggesting that in 100 years, this book will be a new religion on the earth ... I think I have the authority to approach God directly, I don't have to go through any religion [or] train of thought. I can approach God directly myself and so I wrote a book called The Gospel of Hip Hop to free from all this nonsense garbage right now. I respect the Christianity, the Islam, the Judaism but their time is up.
... In a hundred years, everything that I'm saying to you will be common knowledge and people will be like, 'Why did he have to explain this? Wasn't it obvious?'
These comments have been referred to by numerous media outlets such as The A.V. Club, which commented that "KRS-One writes 600-page hip-hop bible; blueprint for rap religion", and "KRS-One has never been afraid to court controversy and provoke strong reactions. Now the Boogie Down Productions legend has topped himself by writing The Gospel of Hip Hop: The First Instrument, a mammoth treatise on the spirituality of hip-hop he hopes will some day become a sacred text of a new hip-hop religion."

Personal life

Parker is a vocal supporter of veganism.
Parker's stepson, Randy Parker, was found dead in his Atlanta, Georgia, apartment on July 6, 2007. The Medical Examiner's office stated that Parker had died of a gunshot wound to the head, and listed the cause of death as suicide.
His son, Kris Parker (born 1992), is an aspiring music producer and DJ known as Predator Prime.

Political views

In 2004, Parker said during a panel discussion hosted by The New Yorker magazine that "we cheered when 9/11 happened". His comment was criticized by many sources, including the New York Daily News, which called him an "anarchist" and said that "If Osama bin Laden ever buys a rap album, he'll probably start with a CD by KRS-One." On April 29, 2007, Parker defended his statements on the September 11 attacks when asked about them during an appearance on Hannity's America on the Fox News network. He stated that he meant that people cheered that the establishment had taken a hit, not that people were dying or had died.
Parker supported Republican Ron Paul during his 2012 presidential campaign. Parker criticized then-President Barack Obama on Alex Jones' radio show, stating "[T]hey put a black face on the New World Order and now we all happy. KRS ain’t buying it."
During the 2016 United States presidential election, Parker indicated he was hesitant to support Democratic candidates Hillary Clinton or Bernie Sanders, arguing he was unconvinced by their professed support for ending police brutality. He stated that Republican candidate Jeb Bush had "some pretty cool" ideas, but added "they're not our ideas". On Donald Trump, Parker stated the Republican candidate "was a friend to hip hop in his early days", but cautioned that, "When we say, look, Donald Trump was a friend to hip hop back in the day, so was Bill Clinton."

Break the Chain

In 1994, KRS-One and illustrator Kyle Baker created a 32-page comic book titled Break the Chain about a hero named Big Joe Krash that was published by Marvel Comics. The comic book was sold with an accompanying 4-song cassette by KRS-One. The original idea was pitched to KRS-One from Marshall Chess, who wanted an educationally oriented tape and comic book combo. In an interview with Vibe magazine, KRS-One says: "People say the chain was taken off our feet and hands and put onto our minds. Break that chain of slave mentality." KRS-One also released an animated music video, featuring himself as Big Joe Krash.