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Maurice Ravel
Person · male · France · Ciboure · born 1875 · died 1937 · recording since 1930
French composer (1875–1937)
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Also known as Maurice Ravel · Maurice Ravel · ラヴェル · M. Ravel · Marice Ravel · Ravel · +2 more
Timeline
185 events▣ Album 181◦ Birth 1★ Debut release 1† Death 1✦ Award 1
1870s
1930s
· Debut release
Debut release: Daphnis et Chloé symphonic suite
First documented Album in the MusicBrainz discography.
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1950s
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Album: Ravel: Piano Concerto in G / Rachmaninov: Piano Concerto no. 4
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1960s
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Album: Ma mère l'oye / Pavane pour une infante défunte / Noches en los jardines de España
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Album: Ravel: Boléro / La Valse / Honegger: Pacific 231 / Dukas: L’Apprenti sorcier
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Album: Bartók: Piano Concerto no. 3 / Ravel: Piano Concerto in G major
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Album: Prokofiev: Klavierkonzert Nr. 3 C-Dur / Ravel: Klavierkonzert G-Dur
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Album: Falla: El amor brujo / Granados: Intermezzo from "Goyescas" / Ravel: Pavane pour une infante défunte / Alborada del gracioso
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Album: Pictures at an Exhibition: original piano version / orchestral version (orch. Ravel)
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Album: Ravel: Sonatine, M. 40 & Le tombeau de Couperin, M. 68 & Gaspard de la nuit, M. 55
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Album: Bolero / Rapsodie espagnole / Pavane pour une infante défunte / Daphnis et Chloé
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1970s
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Album: Prokofiev: Piano Concerto no. 3 / Gershwin: Rhapsody in Blue / Ravel: Concerto for Left Hand
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Album: Mussorgsky-Ravel: Pictures at an Exhibition / Prokofiev: Piano Concerto No. 3 In C Major, Opus 26
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Album: Gaspard de la Nuit / Sonatine / Valses nobles et sentimentales
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Album: Boléro / Ouverture de féerie (Shéhérazade) / Rapsodie espagnole / Menuet antique / La Valse
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Album: Boléro / La Valse / Rapsodie espagnole / Pavane pour une infante défunte
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Album: Saint-Saens: Introduction & Rondo Capriccioso / Havanaise / Chausson: Poeme / Ravel: Tzigane
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Album: Boléro - La valse - Le tombeau de Couperin - Pavane pour une infante défunte
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Album: Saint-Saëns: Introduction et Rondo Capriccioso / Chausson: Poème / Saint-Saëns: Havanaise / Ravel: Tzigane
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1980s
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Album: Bolero / Daphnis et Chloé - Suite No. 2 / Pavane pour une Infante défunte
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Album: De Falla: L'Amour Sorcier - Le Tricorne / Ravel: Alborada Del Gracioso
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Album: Ravel: Gaspard de la nuit / Fauré: Thème et variations - 6ᵉ Nocturne
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Album: Schéhérazade / Chansons Madécasses / Mélodies Populaires Grecques / Mélodies Hébraïques
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Album: Boléro / La Valse / Pavane pour une infante défunte / Daphnis et Chloé: Suite no. 2
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Album: Concerto For The Left Hand / Alborada Del Gracioso / Rapsodie Espagnole
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Album: Bolero - La Valse - Rapsodie Espagnole - Alborada del gracioso
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Album: Ludwig van Beethoven: Piano concerto N° 4 / Maurice Ravel: Valses nobles et sentimentales
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Album: Ma Mère l’Oye / Pavane pour une infante défunte / Le Tombeau de Couperin / Valses nobles et sentimentales
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Album: Boléro / Pavane pour une infante défunte / Alborada del gracioso / La Valse / Une barque sur l’océan / Menuet antique
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Album: Mussorgsky/Ravel: Pictures at an Exhibition / Respighi: Pines of Rome / Fountains of Rome
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Album: Bizet: Jeux d’enfants / Ravel: Ma Mère l’Oye / Fauré: Dolly Suite
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Album: Bolero / Le Tombeau de Couperin (Suite d’orchestre) / Daphnis et Chloé / Alborada del gracioso
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Album: Lalo: Symphonie espagnole / Chausson: Poème / Ravel: Habanera -
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Album: Boléro / La Valse / Pavane pour une infante défunte / Ma Mère l'oye / Valses nobles et sentimentales
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Album: Mussorgsky: Pictures at an Exhibition / Maurice Ravel: Ma Mère l'Oye / Rapsodie Espagnole
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Album: Mussorgsky: Pictures At An Exhibition / Ravel: Gaspard De La Nuit
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Album: Gaspard de la Nuit / La Valse / Miroirs / Pavane pour un Infante Defunte
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Album: Mussorgsky: Bilder einer Ausstellung / Ravel: Boléro / Rapsodie espagnole
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Album: Boléro / La Valse / Rapsodie espagnole / Menuet antique / Pavane pour une infante défunte / Alborada del gracioso / Une barque sur l’océan
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Album: Boléro / Rapsodie espagnole / Pavan for a Dead Princess / La Valse / "Mother Goose" Suite
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Album: Saint‐Saëns: Introduction & Rondo Capriccioso / Havanaise / Sarasate: Carmen‐Fantasy / Chausson: Poème / Ravel: Tzigane
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Album: Maurice Ravel - Intégrale de l'oeuvre pour piano (piano: Benoña Uriarte, Karl-Hermann Mrongovius)
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Album: Ma mère l'Oye / Le Tombeau de Couperin / Pavane pour une infante defunte / Alborada del gracioso / Une barque sur l'océan
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Album: Ravel: Shéhérazade / 2 Mélodies hébraïques / 5 Mélodies populaires grecques / Vocalise en forme de habanera / Duparc: 6 Mélodies
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Album: Piano Concertos / Menuet antique / Le Tombeau de Couperin / Fanfare
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Album: Boléro / Daphnis et Chloé (Suite no. 1) / Ma mère l'oye / Valses nobles et sentimentales
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Album: Symphony in C / Pavane / Divertissement / Le Tombeau de Couperin
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Album: Ravel: Piano Trio in A Minor / Shostakovich: Piano Trio No. 2 in E Minor
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Album: Piano Music: Gaspard de la nuit / Sonatine / La Tombeau de Couperin / Menuet antique / Pavane pour une infante défunte
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Album: Ravel: Piano Concerto for the Left Hand in D major / Piano Concerto in G major / Fauré: Ballade, op. 19
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Album: Mussorgsky: Pictures at an Exhibition / Ravel: Rapsodie Espagnole / La Valse
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Album: Leonoren-Overture Nr. 3 / Schwanensee / Bolero / Daphnis und Chloé / España
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Album: Rachmaninoff: Rhapsody on a Theme of Paganini / Franck: Symphonic Variations / Ravel: Alborada del Gracioso
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Album: Daphnis et Chloé (Gesamtaufnahme) / Valses nobles et sentimentales
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1990s
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Album: Boléro / Alborada del gracioso / Pavane pour une infante défunte / La Valse / Daphnis et Chloé / Rapsodie espagnole
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Album: Boléro, Rhapsodie Espagnole, La Valse, Daphnis Et Chloé, Valses Nobles Et Sentimentales
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Album: Pictures at an Exhibition / Night on Bald Mountain / Valses nobles et sentimentales
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Album: Ibert: Escales / Ravel: Rapsodie espagnole / Alborada del gracioso / Pavane pour une infante défunte / La Valse / Le Tombeau de Couperin
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Album: Boléro / La Valse / Rapsodie espagnole / Alborada del gracioso
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Album: Daphnis et Chloé, Suite 2 / Boléro / Ma Mère l'oye / Rapsodie espagnole
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Album: Roussel: Symphony no. 3 / Bacchus et Ariane Suite no. 2 / Ravel: La Valse / Bolero
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Album: Mussorgsky / Ravel: Tableaux d’une Exposition / Mussorgsky / Shostakovich: Khovanchtchina
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Album: Boléro / La Valse / Daphnis et Chloé (Suite no. 2) / Pavane pour une infante défunte
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Album: Im Herzen der Klassik 60: Ravel - Ma mère l‘Oye / Daphnis et Chloé, Suite Nr. 1 & Nr. 2
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Album: Gaspard de la nuit / Pavane pour une infante défunte / Le tombeau de Couperin / Jeux d'eau / Sonatine
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Album: Prokofiev: Peter and the Wolf / Britten: Young Person's Guide to the Orchestra / Ravel: Mother Goose
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Album: Ravel's Ravel : recordings directed or supervised by the composer
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Album: Debussy: La Mer / Prelude to the Afternoon of a Faun / Ravel: Pavanne for a Dead Princess
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Album: Kodály : Sonate Opus 8 pour violoncelle seul / Ravel : Sonate pour violon et violoncelle
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Album: Rapsodie espagnole; La Valse; Ma mère l’oye; Valses nobles et sentimentales
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Album: Ravel : L'Enfant et les Sortilèges, l'heure espagnole & Debussy : Le martyre de San Sébastien
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Album: Boléro / La Valse / Prélude à l’après-midi d’un faune / Nocturnes
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Album: Boléro / Rapsodie espagnole / Pavane / Alborada del gracioso / Daphnis et Chloé (Suite No 2)
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Album: Bizet: Sinfonie / Jeux d'enfants / La Jolie Fille de Perth Suite / Ravel: Le Tombeau de Couperin
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Album: Bolero / Rapsodie Espagnole / Pavane / Alborada De Gracioso / Daphnis Et Chloé (Suite No. 2)
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Album: Ma Mère L'oye / Pavane Pour Une Infante Défunte / Le Tombeau De Couperin
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Album: Ravel: Daphnis et Chloé, Suite no. 2 / Boléro / Valses nobles et sentimentales / Debussy: Three Nocturnes / Petite Suite
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Biography
English biography8,280 words · 20 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1375591491
Biography
Joseph Maurice Ravel (7 March 1875 – 28 December 1937) was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer.
Born to a music-loving family, Ravel attended France's premier music college, the Paris Conservatoire; he was not well regarded by its conservative establishment, whose biased treatment of him caused a scandal. After leaving the conservatoire, Ravel found his own way as a composer, developing a style of great clarity and incorporating elements of modernism, baroque, neoclassicism and, in his later works, jazz. He liked to experiment with musical form, as in his best-known work, Boléro (1928), in which repetition takes the place of development. Renowned for his abilities in orchestration, Ravel made some orchestral arrangements of other composers' piano music, of which his 1922 version of Mussorgsky's Pictures at an Exhibition is the best known.
A slow and painstaking worker, Ravel composed fewer pieces than many of his contemporaries. Among his works to enter the repertoire are pieces for piano, chamber music, two piano concertos, ballet music, two operas and eight song cycles; he wrote no symphonies or church music. Many of his works exist in two versions: first, a piano score and later an orchestration. Some of his piano music, such as Gaspard de la nuit (1908), is exceptionally difficult to play, and his complex orchestral works such as Daphnis et Chloé (1912) require skilful balance in performance.
Ravel was among the first composers to recognise the potential of recording to bring their music to a wider public. From the 1920s, despite limited technique as a pianist or conductor, he took part in recordings of several of his works; others were made under his supervision.
Early years
Ravel was born in the Basque town of Ciboure, France, near Biarritz, 18 kilometres (11 mi) from the Spanish border. His father, Pierre-Joseph Ravel, was an educated and successful engineer, inventor and manufacturer, born in Versoix near the Franco-Swiss border. His mother, Marie, née Delouart, was Basque but had grown up in Madrid. In 19th-century terms, Joseph had married beneath his status – Marie was illegitimate and barely literate – but the marriage was a happy one. Some of Joseph's inventions were successful, including an early internal combustion engine and a notorious circus machine, the "Whirlwind of Death", an automotive loop-the-loop that was a major attraction until a fatal accident at Barnum and Bailey's Circus in 1903.
Both Ravel's parents were Roman Catholics; Marie was also something of a free-thinker, a trait inherited by her elder son. He was baptised in the Ciboure parish church six days after he was born. The family moved to Paris three months later, and there a younger son, Édouard, was born. (He was close to his father, whom he eventually followed into the engineering profession.) Maurice was particularly devoted to their mother; her Basque-Spanish heritage was a strong influence on his life and music. Among his earliest memories were folk songs she sang to him. The household was not rich, but the family was comfortable, and the two boys had happy childhoods.
Ravel senior delighted in taking his sons to factories to see the latest mechanical devices, but he also had a keen interest in music and culture in general. In later life, Ravel recalled, "Throughout my childhood I was sensitive to music. My father, much better educated in this art than most amateurs are, knew how to develop my taste and to stimulate my enthusiasm at an early age." There is no record that Ravel received any formal general schooling in his early years; his biographer Roger Nichols suggests that the boy may have been chiefly educated by his father.
When he was seven, Ravel started piano lessons with Henri Ghys, a friend of Emmanuel Chabrier; five years later, in 1887, he began studying harmony, counterpoint and composition with Charles-René, a pupil of Léo Delibes. Without being anything of a child prodigy, he was a highly musical boy. Charles-René found that Ravel's conception of music was natural to him "and not, as in the case of so many others, the result of effort". Ravel's earliest known compositions date from this period: variations on a chorale by Schumann, variations on a theme by Grieg and a single movement of a piano sonata. They survive only in fragmentary form.
In 1888 Ravel met the young pianist Ricardo Viñes, who became not only a lifelong friend, but also one of the foremost interpreters of his works, and an important link between Ravel and Spanish music. The two shared an appreciation of Wagner, Russian music, and the writings of Poe, Baudelaire and Mallarmé. At the Exposition Universelle in Paris in 1889, Ravel was much struck by the new Russian works conducted by Nikolai Rimsky-Korsakov. This music had a lasting effect on both Ravel and his older contemporary Claude Debussy, as did the exotic sound of the Javanese gamelan, also heard during the Exposition.
Émile Decombes took over as Ravel's piano teacher in 1889; in the same year Ravel gave his earliest public performance. Aged fourteen, he took part in a concert at the Salle Érard along with other pupils of Decombes, including Reynaldo Hahn and Alfred Cortot.
Paris Conservatoire
With the encouragement of his parents, Ravel applied for entry to France's most important musical college, the Conservatoire de Paris. In November 1889, playing music by Chopin, he passed the examination for admission to the preparatory piano class run by Eugène Anthiome. Ravel won the first prize in the Conservatoire's piano competition in 1891, but otherwise he did not stand out as a student. Nevertheless, these years were a time of considerable advance in his development as a composer. The musicologist Arbie Orenstein writes that for Ravel the 1890s were a period "of immense growth ... from adolescence to maturity".
In 1891 Ravel progressed to the classes of Charles-Wilfrid de Bériot, for piano, and Émile Pessard, for harmony. He made solid, unspectacular progress, with particular encouragement from Bériot but, in the words of the musicologist Barbara L. Kelly, he "was only teachable on his own terms". His later teacher Gabriel Fauré understood this, but it was not generally acceptable to the conservative faculty of the Conservatoire of the 1890s. Ravel was expelled in 1895, having won no more prizes. His earliest works to survive in full are from these student days: Sérénade grotesque, for piano, and "Ballade de la Reine morte d'aimer", a mélodie setting a poem by Roland de Marès (both 1893).
Ravel was never so assiduous a student of the piano as his colleagues such as Viñes and Cortot were. It was plain that as a pianist he would never match them, and his overriding ambition was to be a composer. From this point he concentrated on composition. His works from the period include the songs "Un grand sommeil noir" and "D'Anne jouant de l'espinette" to words by Paul Verlaine and Clément Marot, and the piano pieces Menuet antique and Habanera (for four hands), the latter eventually incorporated into the Rapsodie espagnole. At around this time, Joseph Ravel introduced his son to Erik Satie, who was earning a living as a café pianist. Ravel was one of the first musicians – Debussy was another – who recognised Satie's originality and talent. Satie's constant experiments in musical form were an inspiration to Ravel, who counted them "of inestimable value".
In 1897 Ravel was readmitted to the Conservatoire, studying composition with Fauré, and taking private lessons in counterpoint with André Gedalge. Both these teachers, particularly Fauré, regarded him highly and were key influences on his development as a composer. As Ravel's course progressed, Fauré reported "a distinct gain in maturity ... engaging wealth of imagination". Ravel's standing at the Conservatoire was nevertheless undermined by the hostility of the Director, Théodore Dubois, who deplored the young man's musically and politically progressive outlook. Consequently, according to a fellow student, Michel-Dimitri Calvocoressi, he was "a marked man, against whom all weapons were good". He wrote some substantial works while studying with Fauré, including the overture Shéhérazade and a single movement violin sonata, but he won no prizes, and therefore was expelled again in 1900. As a former student he was allowed to attend Fauré's classes as a non-participating "auditeur" until finally abandoning the Conservatoire in 1903.
In May 1897 Ravel conducted the first performance of the Shéhérazade overture, which had a mixed reception, with boos mingling with applause from the audience, and unflattering reviews from the critics. One described the piece as "a jolting debut: a clumsy plagiarism of the Russian School" and called Ravel a "mediocrely gifted debutant ... who will perhaps become something if not someone in about ten years, if he works hard". Another critic, Pierre Lalo, thought that Ravel showed talent, but was too indebted to Debussy and should instead emulate Beethoven. Over the succeeding decades Lalo became Ravel's most implacable critic. In 1899 Ravel composed his first piece to become widely known, though it made little impact initially: Pavane pour une infante défunte ("Pavane for a dead princess"). It was originally a solo piano work, commissioned by the Princesse de Polignac.
From the start of his career, Ravel appeared calmly indifferent to blame or praise. Those who knew him well believed that this was no pose but wholly genuine. The only opinion of his music that he truly valued was his own, perfectionist and severely self-critical. At twenty years of age he was, in the words of the biographer Burnett James, "self-possessed, a little aloof, intellectually biased, given to mild banter". He dressed like a dandy and was meticulous about his appearance and demeanour. Orenstein comments that, short in stature, light in frame and bony in features, Ravel had the "appearance of a well-dressed jockey", whose large head seemed suitably matched to his formidable intellect. During the late 1890s and into the early years of the next century, Ravel was bearded in the fashion of the day; from his mid-thirties he was clean-shaven.
Les Apaches and Debussy
Around 1900 Ravel and a number of innovative young artists, poets, critics and musicians joined in an informal group; they came to be known as Les Apaches ("The Hooligans"), a name coined by Viñes to represent their status as "artistic outcasts". They met regularly until the beginning of the First World War, and members stimulated one another with intellectual argument and performances of their works. The membership of the group was fluid, and at various times included Igor Stravinsky and Manuel de Falla as well as their French friends.
Among the enthusiasms of the Apaches was the music of Debussy. Ravel, twelve years his junior, had known Debussy slightly since the 1890s, and their friendship, though never close, continued for more than ten years. In 1902 André Messager conducted the premiere of Debussy's opera Pelléas et Mélisande at the Opéra-Comique. It divided musical opinion. Dubois unavailingly forbade Conservatoire students to attend, and the conductor's friend and former teacher Camille Saint-Saëns was prominent among those who detested the piece. The Apaches were loud in their support. The first run of the opera consisted of fourteen performances: Ravel attended all of them.
Debussy was widely held to be an Impressionist composer – a label he intensely disliked. Many music lovers began to apply the same term to Ravel, and the works of the two composers were frequently taken as part of a single genre. Ravel thought that Debussy was indeed an Impressionist but that he himself was not. Orenstein comments that Debussy was more spontaneous and casual in his composing while Ravel was more attentive to form and craftsmanship. Ravel wrote that Debussy's "genius was obviously one of great individuality, creating its own laws, constantly in evolution, expressing itself freely, yet always faithful to French tradition. For Debussy, the musician and the man, I have had profound admiration, but by nature I am different from Debussy ... I think I have always personally followed a direction opposed to that of [his] symbolism." During the first years of the new century Ravel's new works included the piano piece Jeux d'eau (1901), the String Quartet and the orchestral song cycle Shéhérazade (both 1903). Commentators have noted some Debussian touches in some parts of these works. Nichols calls the quartet "at once homage to and exorcism of Debussy's influence".
The two composers ceased to be on friendly terms in the middle of the first decade of the 1900s, for musical and possibly personal reasons. Their admirers began to form factions, with adherents of one composer denigrating the other. Disputes arose about the chronology of the composers' works and who influenced whom. Prominent in the anti-Ravel camp was Lalo, who wrote, "Where M. Debussy is all sensitivity, M. Ravel is all insensitivity, borrowing without hesitation not only technique but the sensitivity of other people." The public tension led to personal estrangement. Ravel said, "It's probably better for us, after all, to be on frigid terms for illogical reasons." Nichols suggests an additional reason for the rift. In 1904 Debussy left his wife and went to live with the singer Emma Bardac. Ravel, together with his close friend and confidante Misia Edwards and the opera star Lucienne Bréval, contributed to a modest regular income for the deserted Lilly Debussy, a fact that Nichols suggests may have rankled with her husband.
Scandal and success
During the first years of the new century Ravel made five attempts to win France's most prestigious prize for young composers, the Prix de Rome, past winners of which included Berlioz, Gounod, Bizet, Massenet and Debussy. In 1900 Ravel was eliminated in the first round; in 1901 he won the second prize for the competition. In 1902 and 1903 he won nothing: according to the musicologist Paul Landormy, the judges suspected Ravel of making fun of them by submitting cantatas so academic as to seem like parodies. In 1905 Ravel, by now thirty, competed for the last time, inadvertently causing a furore. He was eliminated in the first round, which even critics unsympathetic to his music, including Lalo, denounced as unjustifiable. The press's indignation grew when it emerged that the senior professor at the Conservatoire, Charles Lenepveu, was on the jury, and only his students were selected for the final round; his insistence that this was pure coincidence was not well received. L'affaire Ravel became a national scandal, leading to the early retirement of Dubois and his replacement by Fauré, appointed by the government to carry out a radical reorganisation of the Conservatoire.
Among those taking a close interest in the controversy was Alfred Edwards, owner and editor of Le Matin, for which Lalo wrote. Edwards was married to Ravel's friend Misia; the couple took Ravel on a seven-week Rhine cruise on their yacht in June and July 1905, the first time he had travelled abroad.
By the latter part of the 1900s Ravel had established a pattern of writing works for piano and subsequently arranging them for full orchestra. He was in general a slow and painstaking worker, and reworking his earlier piano compositions enabled him to increase the number of pieces published and performed. There appears to have been no mercenary motive for this; Ravel was known for his indifference to financial matters. The pieces that began as piano compositions and were then given orchestral dress were Pavane pour une infante défunte (orchestrated 1910), Une barque sur l'océan (1906, from the 1905 piano suite Miroirs), the Habanera section of Rapsodie espagnole (1907–08), Ma mère l'Oye (1908–10, orchestrated 1911), Valses nobles et sentimentales (1911, orchestrated 1912), Alborada del gracioso (from Miroirs, orchestrated 1918) and Le Tombeau de Couperin (1914–17, orchestrated 1919).
Ravel was not by inclination a teacher, but he gave lessons to a few young musicians he felt could benefit from them. Manuel Rosenthal was one, and records that Ravel was a very demanding teacher when he thought his pupil had talent. Like his own teacher, Fauré, he was concerned that his pupils should find their own individual voices and not be excessively influenced by established masters. He warned Rosenthal that it was impossible to learn from studying Debussy's music: "Only Debussy could have written it and made it sound like only Debussy can sound." When George Gershwin asked him for lessons in the 1920s, Ravel, after serious consideration, refused, on the grounds that they "would probably cause him to write bad Ravel and lose his great gift of melody and spontaneity". The best-known composer who studied with Ravel was probably Ralph Vaughan Williams, who was his pupil for three months in 1907–08. Vaughan Williams recalled that Ravel helped him escape from "the heavy contrapuntal Teutonic manner ... Complexe mais pas compliqué was his motto."
Vaughan Williams's recollections throw some light on Ravel's private life, about which the latter's reserved and secretive personality has led to much speculation. Vaughan Williams, Rosenthal and Marguerite Long have all recorded that Ravel frequented brothels; Long attributed this to his self-consciousness about his diminutive stature, and consequent lack of confidence with women. By other accounts, none of them first-hand, Ravel was in love with Misia Edwards, or wanted to marry the violinist Hélène Jourdan-Morhange. Rosenthal records and discounts contemporary speculation that Ravel, a lifelong bachelor, may have been homosexual. Such speculation recurred in a 2000 life of Ravel by Benjamin Ivry; subsequent studies have concluded that Ravel's sexuality and personal life remain a mystery.
Ravel's first concert outside France was in 1909. As the guest of the Vaughan Williamses, he visited London, where he played for the Société des Concerts Français, gaining favourable reviews and enhancing his growing international reputation.
1910 to First World War
The Société Nationale de Musique, founded in 1871 to promote the music of rising French composers, had been dominated since the mid-1880s by a conservative faction led by Vincent d'Indy. Ravel, together with several other former pupils of Fauré, set up a new, modernist organisation, the Société Musicale Indépendante, with Fauré as its president. The new society's inaugural concert took place on 20 April 1910; the seven items on the programme included premieres of Fauré's song cycle La chanson d'Ève, Debussy's piano suite D'un cahier d'esquisses, Zoltán Kodály's Six pièces pour piano and the original piano duet version of Ravel's Ma mère l'Oye. The performers included Fauré, Florent Schmitt, Ernest Bloch, Pierre Monteux and, in the Debussy work, Ravel. Kelly considers it a sign of Ravel's new influence that the society featured Satie's music in a concert in January 1911.
The first of Ravel's two operas, the one-act comedy L'heure espagnole was premiered in 1911. The work had been completed in 1907, but the manager of the Opéra-Comique, Albert Carré, repeatedly deferred its presentation. He was concerned that its plot – a bedroom farce – would be badly received by the ultra-respectable mothers and daughters who were an important part of the Opéra-Comique's audience. The piece was only modestly successful at its first production, and it was not until the 1920s that it became popular.
In 1912 Ravel had three ballets premiered. The first, to the orchestrated and expanded version of Ma mère l'Oye, opened at the Théâtre des Arts in January. The reviews were excellent: the Mercure de France called the score "absolutely ravishing, a masterwork in miniature". The music rapidly entered the concert repertoire; it was played at the Queen's Hall, London, within weeks of the Paris premiere, and was repeated at the Proms later in the same year. The Times praised "the enchantment of the work ... the effect of mirage, by which something quite real seems to float on nothing". New York audiences heard the work in the same year. Ravel's second ballet of 1912 was Adélaïde ou le langage des fleurs, danced to the score of Valses nobles et sentimentales, which opened at the Châtelet in April. Daphnis et Chloé opened at the same theatre in June. This was his largest-scale orchestral work, and took him immense trouble and several years to complete.
Daphnis et Chloé was commissioned in or about 1909 by the impresario Sergei Diaghilev for his company, the Ballets Russes. Ravel began work with Diaghilev's choreographer, Michel Fokine, and designer, Léon Bakst. Fokine had a reputation for his modern approach to dance, with individual numbers replaced by continuous music. This appealed to Ravel, and after discussing the action in great detail with Fokine, Ravel began composing the music. There were frequent disagreements between the collaborators, and the premiere was under-rehearsed because of the late completion of the work. It had an unenthusiastic reception and was quickly withdrawn, although it was revived successfully a year later in Monte Carlo and London. The effort to complete the ballet took its toll on Ravel's health; neurasthenia obliged him to rest for several months after the premiere.
Ravel composed little during 1913. He collaborated with Stravinsky on a performing version of Mussorgsky's unfinished opera Khovanshchina, and his own works were the Trois poèmes de Mallarmé for soprano and chamber ensemble, and two short piano pieces, À la manière de Borodine and À la manière de Chabrier. In 1913, together with Debussy, Ravel was among the musicians present at the dress rehearsal of The Rite of Spring. Stravinsky later said that Ravel was the only person who immediately understood the music. Ravel predicted that the premiere of the Rite would be seen as an event of historic importance equal to that of Pelléas et Mélisande.
War
When Germany invaded France in 1914 Ravel tried to join the French Air Force. He considered his small stature and light weight ideal for an aviator, but was rejected because of his age and a minor heart complaint. While waiting to be enlisted, Ravel composed Trois Chansons, his only work for a cappella choir, setting his own texts in the tradition of French 16th-century chansons. He dedicated the three songs to people who might help him to enlist. After several unsuccessful attempts to enlist, Ravel finally joined the Thirteenth Artillery Regiment as a lorry driver in March 1915, when he was forty. Stravinsky expressed admiration for his friend's courage: "at his age and with his name he could have had an easier place, or done nothing". Some of Ravel's duties put him in mortal danger, driving munitions at night under heavy German bombardment. At the same time his peace of mind was undermined by his mother's failing health. His own health also deteriorated; he suffered from insomnia and digestive problems, underwent a bowel operation following amoebic dysentery in September 1916, and had frostbite in his feet the following winter.
During the war the Ligue Nationale pour la Defense de la Musique Française was formed by Saint-Saëns, Dubois, d'Indy and others, campaigning for a ban on the performance of contemporary German music. Ravel declined to join, telling the committee of the league in 1916, "It would be dangerous for French composers to ignore systematically the productions of their foreign colleagues, and thus form themselves into a sort of national coterie: our musical art, which is so rich at the present time, would soon degenerate, becoming isolated in banal formulas." The league responded by banning Ravel's music from its concerts.
Ravel's mother died in January 1917, and he fell into a "horrible despair", compounding the distress he felt at the suffering endured by the people of his country during the war. He composed few works in the war years. The Piano Trio was almost complete when the conflict began, and the most substantial of his wartime works is Le Tombeau de Couperin, composed between 1914 and 1917. The suite celebrates the tradition of François Couperin, the 18th-century French composer; each movement is dedicated to a friend of Ravel's who died in the war.
1920s
After the war, those close to Ravel recognised that he had lost much of his physical and mental stamina. As the musicologist Stephen Zank puts it, "Ravel's emotional equilibrium, so hard won in the previous decade, had been seriously compromised." His output, never large, became smaller. Nonetheless, after the death of Debussy in 1918, he was generally seen, in France and abroad, as the leading French composer of the era. Fauré wrote to him, "I am happier than you can imagine about the solid position which you occupy and which you have acquired so brilliantly and so rapidly. It is a source of joy and pride for your old professor." Ravel was offered the Legion of Honour in 1920, and although he declined the decoration, he was viewed by the new generation of composers typified by Satie's protégés Les Six as an establishment figure. Satie had turned against him, and commented, "Ravel refuses the Légion d'honneur, but all his music accepts it." Despite this attack, Ravel continued to admire Satie's early music, and always acknowledged the older man's influence on his own development. Ravel took a benign view of Les Six, promoting their music, and defending it against journalistic attacks. He regarded their reaction against his works as natural, and preferable to their copying his style. Through the Société Musicale Indépendante, he was able to encourage them and composers from other countries. The Société presented concerts of recent works by American composers including Aaron Copland, Virgil Thomson and George Antheil and by Vaughan Williams and his English colleagues Arnold Bax and Cyril Scott.
Orenstein and Zank both comment that, although Ravel's post-war output was small, averaging only one composition a year, it included some of his finest works. In 1920 he completed La valse, in response to a commission from Diaghilev. He had worked on it intermittently for some years, planning a concert piece, "a sort of apotheosis of the Viennese waltz, mingled with, in my mind, the impression of a fantastic, fatal whirling". It was rejected by Diaghilev, who said, "It's a masterpiece, but it's not a ballet. It's the portrait of a ballet." Ravel heard Diaghilev's verdict without protest or argument, left, and had no further dealings with him. Nichols comments that Ravel had the satisfaction of seeing the ballet staged twice by other managements before Diaghilev died. A ballet danced to the orchestral version of Le Tombeau de Couperin was given at the Théâtre des Champs-Elysées in November 1920, and the premiere of La valse followed in December. The following year Daphnis et Chloé and L'heure espagnole were successfully revived at the Paris Opéra.
In the post-war era there was a reaction against the large-scale music of composers such as Gustav Mahler and Richard Strauss. Stravinsky, whose Rite of Spring was written for a huge orchestra, began to work on a much smaller scale. His 1923 ballet score Les noces is composed for voices and twenty-one instruments. Ravel did not like the work (his opinion caused a cooling in Stravinsky's friendship with him) but he was in sympathy with the fashion for "dépouillement" – the "stripping away" of pre-war extravagance to reveal the essentials. Many of his works from the 1920s are noticeably sparer in texture than earlier pieces. Other influences on him in this period were jazz and atonality. Jazz was popular in Parisian cafés, and French composers such as Darius Milhaud incorporated elements of it in their work. Ravel commented that he preferred jazz to grand opera, and its influence is heard in his later music. Arnold Schoenberg's abandonment of conventional tonality also had echoes in some of Ravel's music such as the Chansons madécasses (1926), which Ravel doubted he could have written without the example of Pierrot lunaire. His other major works from the 1920s include the orchestral arrangement of Mussorgsky's piano suite Pictures at an Exhibition (1922), the opera L'enfant et les sortilèges to a libretto by Colette (1926), Tzigane (1924) and the Violin Sonata No.2 (1927).
Finding city life fatiguing, Ravel moved to the countryside. In May 1921 he took up residence at Le Belvédère, a small house on the fringe of Montfort-l'Amaury, 50 kilometres (31 mi) west of Paris, in the Seine-et-Oise département. Looked after by a devoted housekeeper, Mme Revelot, he lived there for the rest of his life. At Le Belvédère Ravel composed and gardened, when not performing in Paris or abroad. His touring schedule increased considerably in the 1920s, with concerts in Britain, Sweden, Denmark, the US, Canada, Spain, Austria and Italy.
After two months of planning, Ravel made a four-month tour of North America in 1928, playing and conducting. His fee was a guaranteed minimum of $10,000 and a constant supply of Gauloises cigarettes. He appeared with most of the leading orchestras in Canada and the US and visited twenty-five cities. Audiences were enthusiastic and the critics were complimentary. At an all-Ravel programme conducted by Serge Koussevitzky in New York, the entire audience stood up and applauded as the composer took his seat. Ravel was touched by this spontaneous gesture and observed, "You know, this doesn't happen to me in Paris." Orenstein, commenting that this tour marked the zenith of Ravel's international reputation, lists its non-musical highlights as a visit to Poe's house in New York, and excursions to Niagara Falls and the Grand Canyon. Ravel was unmoved by his new international celebrity. He commented that the critics' recent enthusiasm was of no more importance than their earlier judgment, when they called him "the most perfect example of insensitivity and lack of emotion".
The last composition Ravel completed in the 1920s, Boléro, became his most famous. He was commissioned to provide a score for Ida Rubinstein's ballet company, and having been unable to secure the rights to orchestrate Albéniz's Iberia, he decided on "an experiment in a very special and limited direction ... a piece lasting seventeen minutes and consisting wholly of orchestral tissue without music". Ravel continued that the work was "one long, very gradual crescendo. There are no contrasts, and there is practically no invention except the plan and the manner of the execution. The themes are altogether impersonal." He was astonished, and not wholly pleased, that it became a mass success. When one elderly member of the audience at the Opéra shouted "Rubbish!" at the premiere, he remarked, "That old lady got the message!" The work was popularised by the conductor Arturo Toscanini, and has been recorded several hundred times. Ravel commented to Arthur Honegger, one of Les Six, "I've written only one masterpiece – Boléro. Unfortunately there's no music in it."
Last years
At the beginning of the 1930s Ravel was working on two piano concertos. He completed the Piano Concerto in D major for the Left Hand first. It was commissioned by the Austrian pianist Paul Wittgenstein, who had lost his right arm during the First World War. Ravel was stimulated by the technical challenges of the project: "In a work of this kind, it is essential to give the impression of a texture no thinner than that of a part written for both hands." Ravel, not proficient enough to perform the work with only his left hand, demonstrated it with both hands. Wittgenstein was initially disappointed by the piece, but after long study he became fascinated by it and ranked it as a great work. In January 1932 he premiered it in Vienna to instant acclaim, and performed it in Paris with Ravel conducting the following year. The critic Henry Prunières wrote, "From the opening measures, we are plunged into a world in which Ravel has but rarely introduced us."
The Piano Concerto in G major was completed a year later. After the premiere in January 1932 there was high praise for the soloist, Marguerite Long, and for Ravel's score, though not for his conducting. Long, the dedicatee, played the concerto in more than twenty European cities, with the composer conducting; they planned to record it together, but at the sessions Ravel confined himself to supervising proceedings and Pedro de Freitas Branco conducted.
In October 1932 Ravel suffered a blow to the head in a taxi accident. The injury was not thought serious at the time, but in a study for the British Medical Journal in 1988 the neurologist R. A. Henson concludes that it may have exacerbated an existing cerebral condition. As early as 1927 close friends had been concerned at Ravel's growing absent-mindedness, and within a year of the accident he started to experience symptoms suggesting aphasia. Before the accident he had begun work on music for a film, Don Quixote (1933), but failed to meet the production schedule, and Jacques Ibert wrote most of the score. Ravel completed three songs for baritone and orchestra intended for the film; they were published as Don Quichotte à Dulcinée. The manuscript orchestral score is in Ravel's hand, but Lucien Garban and Manuel Rosenthal helped in transcription. Ravel composed no more after this. The exact nature of his illness is unknown. Experts have ruled out the possibility of a tumour, and have variously suggested frontotemporal dementia, Alzheimer's disease and Creutzfeldt–Jakob disease. Though no longer able to write music or perform, Ravel remained physically and socially active until his last months. Henson notes that Ravel preserved most or all his auditory imagery and could still hear music in his head.
In 1937 Ravel began to suffer from his condition and was examined by Clovis Vincent, a well-known Paris neurosurgeon. Vincent advised surgical treatment. He thought a tumour unlikely, and expected to find ventriculomegaly from hydrocephalus that surgery might prevent from progressing. Ravel's brother Édouard accepted this advice; as Henson comments, the patient was in no state to express a considered view. After the operation there seemed to be an improvement in his condition, but it was short-lived, and he soon lapsed into a coma. He died on 28 December, at the age of 62.
On 30 December 1937 Ravel was interred next to his parents in a granite tomb at Levallois-Perret cemetery, in north-west Paris. He was an atheist and there was no religious ceremony.
Music
Marcel Marnat's catalogue of Ravel's complete works lists eighty-five works, including many incomplete or abandoned. Though that total is small in comparison with the output of his major contemporaries, it is nevertheless inflated by Ravel's frequent practice of writing works for piano and later rewriting them as independent pieces for orchestra. The performable body of works numbers about sixty; slightly more than half are instrumental. Ravel's music includes pieces for piano, chamber music, two piano concerti, ballet music, opera and song cycles. He wrote no symphonies or church works.
Ravel drew on many generations of French composers from Couperin and Rameau to Fauré and the more recent innovations of Satie and Debussy. Foreign influences include Mozart, Schubert, Liszt and Chopin. He considered himself in many ways a classicist, often using traditional structures and forms, such as the ternary, to present his new melodic and rhythmic content and innovative harmonies. The influence of jazz on his later music is heard within conventional classical structures in the Piano Concerto and the Violin Sonata.
Ravel placed high importance on melody, telling Vaughan Williams that there is "an implied melodic outline in all vital music". His themes are frequently modal, eschewing the familiar major or minor scales. Chords of the ninth and eleventh and unresolved appoggiaturas, such as those in the Valses nobles et sentimentales, are characteristic of Ravel's harmonic language.
Dance forms appealed to Ravel, most famously the bolero and pavane, but also the minuet, forlane, rigaudon, waltz, czardas, habanera and passacaglia. National and regional consciousness was important to him, and although a planned concerto on Basque themes never materialised, his works include allusions to Hebraic, Greek, Hungarian and gypsy themes. He wrote several short pieces paying tribute to composers he admired – Borodin, Chabrier, Fauré and Haydn, interpreting their characteristics in a Ravellian style. Another important influence was literary rather than musical: Ravel said that he learnt from Poe that "true art is a perfect balance between pure intellect and emotion", with the corollary that a piece of music should be a perfectly balanced entity with no irrelevant material allowed to intrude.
Operas
Ravel completed two operas, and worked on three others. The unrealised three were Olympia, La cloche engloutie and Jeanne d'Arc. Olympia was to be based on Hoffmann's "The Sandman"; he made sketches for it in 1898–99, but did not progress far. La cloche engloutie after Hauptmann's The Sunken Bell occupied him intermittently from 1906 to 1912, Ravel destroyed the sketches for Olympia and most of La cloche engloutie, except for a "Symphonie horlogère" which he incorporated into the opening of L'heure espagnole. The third unrealised project was an operatic version of Joseph Delteil's 1925 novel about Joan of Arc. It was to be a large-scale, full-length work for the Paris Opéra, but Ravel's final illness prevented him from writing it.
Ravel's first completed opera was L'heure espagnole (premiered in 1911), described as a "comédie musicale". It is among the works set in or illustrating Spain that Ravel wrote throughout his career. Nichols comments that the essential Spanish colouring gave Ravel a reason for virtuoso use of the modern orchestra, which the composer considered "perfectly designed for underlining and exaggerating comic effects". Edward Burlingame Hill found Ravel's vocal writing particularly skilful in the work, "giving the singers something besides recitative without hampering the action", and "commenting orchestrally upon the dramatic situations and the sentiments of the actors without diverting attention from the stage". Some find the characters artificial and the piece lacking in humanity. The critic David Murray writes that the score "glows with the famous Ravel tendresse."
The second opera, also in one act, is L'enfant et les sortilèges (1926), a "fantaisie lyrique" to a libretto by Colette. She and Ravel had planned the story as a ballet, but at the composer's suggestion Colette turned it into an opera libretto. It is more uncompromisingly modern in its musical style than L'heure espagnole, and the jazz elements and bitonality of much of the work upset many Parisian opera-goers. Ravel was once again accused of artificiality and lack of human emotion, but Nichols finds "profoundly serious feeling at the heart of this vivid and entertaining work". The score presents an impression of simplicity, disguising intricate links between themes, with, in Murray's phrase, "extraordinary and bewitching sounds from the orchestra pit throughout".
Although one-act operas are generally staged less often than full-length ones, Ravel's are produced regularly in France and abroad.
Other vocal works
A substantial proportion of Ravel's output was vocal. His early works in that sphere include cantatas written for his unsuccessful attempts at the Prix de Rome. His other vocal music from that period shows Debussy's influence, in what Kelly describes as "a static, recitative-like vocal style", prominent piano parts and rhythmic flexibility. By 1906 Ravel was taking even further than Debussy the natural, sometimes colloquial, setting of the French language in Histoires naturelles. The same technique is highlighted in Trois poèmes de Mallarmé (1913); Debussy set two of the three poems at the same time as Ravel, and the former's word-setting is noticeably more formal than the latter's, in which syllables are often elided. In the cycles Shéhérazade and Chansons madécasses, Ravel gives vent to his taste for the exotic, even the sensual, in both the vocal line and the accompaniment.
Ravel's songs often draw on vernacular styles, using elements of many folk traditions in such works as Cinq mélodies populaires grecques, Deux mélodies hébraïques and Chants populaires. Among the poets on whose lyrics he drew were Marot, Léon-Paul Fargue, Leconte de Lisle and Verlaine. For three songs dating from 1914 to 1915, he wrote his own texts.
Although Ravel wrote for mixed choirs and male solo voices, he is chiefly associated, in his songs, with the soprano and mezzo-soprano voices. Even when setting lyrics clearly narrated by a man, he often favoured a female voice, and he seems to have preferred his best-known cycle, Shéhérazade, to be sung by a woman, although a tenor voice is a permitted alternative in the score.
Orchestral works
During his lifetime it was above all as a master of orchestration that Ravel was famous. He minutely studied the ability of each orchestral instrument to determine its potential, putting its individual colour and timbre to maximum use. The critic Alexis Roland-Manuel wrote, "In reality he is, with Stravinsky, the one man in the world who best knows the weight of a trombone-note, the harmonics of a 'cello or a pp tam-tam in the relationships of one orchestral group to another."
For all Ravel's orchestral mastery, only four of his works were conceived as concert works for symphony orchestra: Rapsodie espagnole, La valse and the two concertos. All the other orchestral works were written either for the stage, as in Daphnis et Chloé, or as a reworking of piano pieces, Alborada del gracioso and Une barque sur l'ocean, (Miroirs), Valses nobles et sentimentales, Ma mère l'Oye, Tzigane (originally for violin and piano) and Le tombeau de Couperin. In the orchestral versions, the instrumentation generally clarifies the harmonic language of the score and brings sharpness to classical dance rhythms. Occasionally, as in the Alborada del gracioso, critics have found the later orchestral version less persuasive than the sharp-edged piano original.
In some of his scores from the 1920s, including Daphnis et Chloé, Ravel frequently divides his upper strings, having them play in six to eight parts while the woodwind are required to play with extreme agility. His writing for the brass ranges from softly muted to triple-forte outbursts at climactic points. In the 1930s he tended to simplify his orchestral textures. The lighter tone of the G major Piano Concerto follows the models of Mozart and Saint-Saëns, alongside use of jazz-like themes. The critics Edward Sackville-West and Desmond Shawe-Taylor comment that in the slow movement, "one of the most beautiful tunes Ravel ever invented", the composer "can truly be said to join hands with Mozart". The most popular of Ravel's orchestral works, Boléro (1928), was conceived several years before its completion; in 1924 he said that he was contemplating "a symphonic poem without a subject, where the whole interest will be in the rhythm".
Ravel made orchestral versions of piano works by Schumann, Chabrier, Debussy and Mussorgsky's piano suite Pictures at an Exhibition. Orchestral versions of the last by Mikhail Tushmalov, Sir Henry Wood and Leo Funtek predated Ravel's 1922 version, and many more have been made since, but Ravel's remains the best known. Kelly remarks on its "dazzling array of instrumental colour", and a contemporary reviewer commented on how, in dealing with another composer's music, Ravel had produced an orchestral sound wholly unlike his own.
Piano music
Although Ravel wrote fewer than thirty works for the piano, they exemplify his range; Orenstein remarks that the composer keeps his personal touch "from the striking simplicity of Ma mère l'Oye to the transcendental virtuosity of Gaspard de la nuit". Ravel's earliest major work for piano, Jeux d'eau (1901), is frequently cited as evidence that he evolved his style independently of Debussy, whose major works for piano all came later. When writing for solo piano, Ravel rarely aimed at the intimate chamber effect characteristic of Debussy, but sought a Lisztian virtuosity. The authors of The Record Guide consider that works such as Gaspard de la Nuit and Miroirs have a beauty and originality with a deeper inspiration "in the harmonic and melodic genius of Ravel himself".
Most of Ravel's piano music is extremely difficult to play, and presents pianists with a balance of technical and artistic challenges. Writing of the piano music the critic Andrew Clark commented in 2013, "A successful Ravel interpretation is a finely balanced thing. It involves subtle musicianship, a feeling for pianistic colour and the sort of lightly worn virtuosity that masks the advanced technical challenges he makes in Alborada del gracioso ... and the two outer movements of Gaspard de la nuit. Too much temperament, and the music loses its classical shape; too little, and it sounds pale." This balance caused a breach between the composer and Viñes, who said that if he observed the nuances and speeds Ravel stipulated in Gaspard de la nuit, "Le gibet" would "bore the audience to death". Some pianists continue to attract criticism for over-interpreting Ravel's piano writing.
Ravel's regard for his predecessors is heard in several of his piano works; Menuet sur le nom de Haydn (1909), À la manière de Borodine (1912), À la manière de Chabrier (1913) and Le tombeau de Couperin all incorporate elements of the named composers interpreted in a characteristically Ravellian manner. Clark comments that those piano works which Ravel later orchestrated are overshadowed by the revised versions: "Listen to Le tombeau de Couperin and the complete ballet music for Ma mère L'Oye in the classic recordings conducted by André Cluytens, and the piano versions never sound quite the same again."
Chamber music
Apart from a one-movement Sonata for Violin and Piano dating from 1899, unpublished in the composer's lifetime, Ravel wrote seven chamber works. The earliest is the String Quartet (1902–03), dedicated to Fauré, and showing the influence of Debussy's quartet of ten years earlier. Like the Debussy, it differs from the more monumental quartets of the established French school of Franck and his followers, with more succinct melodies, fluently interchanged, in flexible tempos and varieties of instrumental colour. The Introduction and Allegro for harp, flute, clarinet and string quartet (1905) was composed very quickly by Ravel's standards. It is an ethereal piece in the vein of the Pavane pour une infante défunte. Ravel also worked at unusual speed on the Piano Trio (1914) to complete it before joining the French Army. It contains Basque, Baroque and far Eastern influences, and shows Ravel's growing technical skill, dealing with the difficulties of balancing the percussive piano with the sustained sound of the violin and cello, "blending the two disparate elements in a musical language that is unmistakably his own," in the words of the commentator Keith Anderson.
Ravel's four chamber works composed after the First World War are the Sonata for Violin and Cello (1920–22), the "Berceuse sur le nom de Gabriel Fauré" for violin and piano (1922), the chamber original of Tzigane for violin and piano (1924) and finally the Violin Sonata (1923–27). The two middle works are respectively an affectionate tribute to Ravel's teacher, and a virtuoso display piece for the violinist Jelly d'Arányi. The Violin and Cello Sonata is a departure from the rich textures and harmonies of the pre-war Piano Trio: the composer said that it marked a turning point in his career, with thinness of texture pushed to the extreme and harmonic charm renounced in favour of pure melody. His last chamber work, the Violin Sonata (sometimes called the Second after the posthumous publication of his student sonata), is a frequently dissonant work. Ravel said that the violin and piano are "essentially incompatible" instruments, and that his Sonata reveals their incompatibility. Sackville-West and Shawe-Taylor consider the post-war sonatas "rather laboured and unsatisfactory", and neither work has matched the popularity of Ravel's pre-war chamber works.
Recordings
Ravel's interpretations of some of his piano works were captured on piano roll between 1914 and 1928, although some rolls supposedly played by him may have been made under his supervision by Robert Casadesus, a better pianist. Transfers of the rolls have been released on compact disc. In 1913 there was a gramophone recording of Jeux d'eau played by Mark Hambourg, and by the early 1920s there were discs featuring the Pavane pour une infante défunte and Ondine, and movements from the String Quartet, Le tombeau de Couperin and Ma mère l'Oye. Ravel was among the first composers who recognised the potential of recording to bring their music to a wider public, and throughout the 1920s there was a steady stream of recordings of his works, some of which featured the composer as pianist or conductor. A 1932 recording of the G major Piano Concerto was advertised as "Conducted by the composer", although he had in fact supervised the sessions while a more proficient conductor took the baton. Recordings for which Ravel actually was the conductor included a Boléro in 1930, and a sound film of a 1933 performance of the D major concerto with Wittgenstein as soloist.
Honours and legacy
Ravel declined not only the Légion d'honneur, but all state honours from France, refusing to let his name go forward for election to the Institut de France. He accepted foreign awards, including honorary membership of the Royal Philharmonic Society in 1921, the Belgian Ordre de Léopold in 1926, and an honorary doctorate from the University of Oxford in 1928.
After Ravel's death, his brother and legatee, Édouard, turned the composer's house at Montfort-l'Amaury into a museum, leaving it substantially as Ravel had known it. The Maison-musée de Maurice Ravel remains open for guided tours.
In his later years, Édouard Ravel declared his intention to leave the bulk of the composer's estate to the city of Paris for the endowment of a Nobel Prize in music, but evidently changed his mind. After his death in 1960, the estate passed through several hands. Despite the substantial royalties paid for performing Ravel's music, the news magazine Le Point reported in 2000 that it was unclear who the beneficiaries were. The British newspaper The Guardian reported in 2001 that no money from royalties had been forthcoming for the maintenance of the Ravel museum at Montfort-l'Amaury, which was in a poor state of repair.
Many musical works have been dedicated to Ravel or composed in his memory, by Satie, Stravinsky and others.
Free scores
Free scores by Maurice Ravel at the International Music Score Library Project (IMSLP)
Free scores by Maurice Ravel in the Choral Public Domain Library (ChoralWiki)
Miscellaneous
Maurice Ravel Frontispice Archived 22 September 2017 at the Wayback Machine
"Discovering Ravel". BBC Radio 3.
Newspaper clippings about Maurice Ravel in the 20th Century Press Archives of the ZBW
Institutions
Maurice Ravel's Friends Society: Les Amis de Maurice Ravel
Other languages
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 106 | 99.5th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 185 | 99.3th |
| Studio albums | 183 | 99.9th |
| Awards recorded | 4 | 96.3th |
| Timeline events | 185 | 99.9th |
| Recording span (years) | 7 | 21th |
| Genres | 15 | 98.8th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (185 release groups · 183 studio albums)
Albums · 183
Daphnis et Chloé symphonic suite
1930 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks
Disc 1A1Daphnis et Chloé (Symphonic suite for Orchestra): I. Lever du jour (Daybreak)B1Daphnis et Chloé (Symphonic suite for Orchestra): II. Pantomime (Beginning)Disc 2C1Daphnis et Chloé (Symphonic suite for Orchestra): II. Pantomime (Conclusion)D1Daphnis et Chloé (Symphonic suite for Orchestra): III. Danse généraleDaphnis et Chloé- Complete Ballet
1953 · studio album
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Tracklist · 2 tracks
A1Daphnis et Chloé - Complete Ballet: Part 1B1Daphnis et Chloé - Complete Ballet: Part 2Ravel : Boléro - Alborada - Pavane
1954 · studio album
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Tracklist · 3 tracks
A1BoleroB1Alborada del graciosoB2Pavane pour une infante défunte1955 · studio album
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Tracklist · 2 tracks · 54:12
ADaphnis et Chloé: Ballet in One Act (Part 1)24:41BDaphnis et Chloé: Ballet in One Act (Concluded)29:31Concerto en sol majeur - Concerto pour la main gauche
1955 · studio album
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Tracklist · 4 tracks
A1Concerto en sol majeur pour piano et orchestre: 1er Mouvt: AllegramenteA2Concerto en sol majeur pour piano et orchestre: 2e Mouvt: Adagio AssaiA3Concerto en sol majeur pour piano et orchestre: 3e Mouvt: PrestoB1Concerto pour la main gauche pour piano et orchestre1956 · studio album
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Tracklist · 2 tracks
ABoleroBLa Valse (poème choréographic)Ravel: Boléro / Dukas: L’apprenti sorcier
1958 · studio album
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Tracklist · 2 tracks
ABoléroBL’Apprenti sorcier1958 · studio album
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Tracklist · 4 tracks
A1BoleroA2La ValseB1Rapsodie EspagnoleB2Prelude To The Afternoon Of A FaunRavel: Piano Concerto in G / Rachmaninov: Piano Concerto no. 4
1958 · studio album
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Tracklist · 6 tracks · 46:32
A1Piano Concerto no. 4 in G minor, op. 40: I. Allegro vivace9:33A2Piano Concerto no. 4 in G minor, op. 40: II. Largo6:01A3Piano Concerto no. 4 in G minor, op. 40: III. Allegro vivace8:58B1Piano Concerto in G major: I. Allegramente8:33B2Piano Concerto in G major: II. Adagio assai9:27B3Piano Concerto in G major: III. Presto4:00Ravel: Bolero / Dukas: The Sorcerer’s Apprentice
1959 · studio album
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Tracklist · 2 tracks
A1BoleroB2The Sorcerer’s Apprentice1959 · studio album
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Tracklist · 2 tracks · 51:03
A1Daphnis Et Chloé - Part One (Scene I)23:41B1Daphnis Et Chloé - Part Two (Scenes II and III)27:22Ravel: String Quartet / Prokofiev: String Quartet no. 2
1960 · studio album
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Tracklist · 7 tracks
A1String Quartet in F: Allegro moderatoA2String Quartet in F: Assez vif (Très rhythmé)A3String Quartet in F: Très lentA4String Quartet in F: Vif et agitéB5String Quartet no. 2 in F major, op. 92: Allegro sostenutoB6String Quartet no. 2 in F major, op. 92: AdagioB7String Quartet no. 2 in F major, op. 92: Allegro1960 · studio album
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Tracklist · 4 tracks
A1Concerto in G Major, M. 83: I. AllegramenteA2Concerto in G Major, M. 83: II. Adagio assaiA3Concerto in G Major, M. 83: III. PrestoB1Concerto For The Left Hand1961 · studio album
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Tracklist · 3 tracks
A1L'Enfant et les Sortilèges: Première PartieB1L'Enfant et les Sortilèges: Fin de la première partieB2L'Enfant et les Sortilèges: Deuxième Partie1961 · studio album
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Tracklist · 5 tracks
A1Danse macabreA2Le Rouet d'OmphaleB1Marche JoyeuseB2Pavane pour une infante défunteB3EspañaMa mère l'oye / Pavane pour une infante défunte / Noches en los jardines de España
1963 · studio album
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Tracklist · 5 tracks
A1Pavane pour une infante defunteA2Ma mère l’oye : La Pavane de la belle au bois dormant / Le Petit Poucet / Laideronette, l'impératice des pagodes / La Belle et la Bête / Le Jardin magiqueB1Noches en los jardines de España : En al generalifeB2Noches en los jardines de España : Danza lejanaB3Noches en los jardines de España : En los jardines de la Sierra de Córdoba1963 · studio album
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Tracklist · 17 tracks
Disc 1A1Daphnis et Chloé - Ballet Part 1B1Daphnis et Chloé - Ballet ConclusionDisc 2C1Boléro Rapsodie EspagnoleC2Prélude à la nuitC3MalaguenaD1Rapsodie EspagnoleDisc 3E1Ma mère l'Oye - Ballet Part 1F1Ma mère l'Oye - Ballet ConclusionF2Valse nobles et sentimentalesDisc 4G1Le Tombeau de Couperin: PréludeG2Le Tombeau de Couperin: ForlaneG3Le Tombeau de Couperin: MenuetG4Le Tombeau de Couperin: RigaudonG5Menuet antiqueH1Alborada Del GraciosoH2Une barque sur l'océanH3Pavane pour une infante défunteBolero / Symphonie Classique Op. 25
1963 · studio album
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Tracklist · 5 tracks
ABolero2Symphonie Classique D-dur Op. 25: 1. Satz: Allegro3Symphonie Classique D-dur Op. 25: 2. Satz: Larghetto4Symphonie Classique D-dur Op. 25: 3. Satz: Gavotte (Non Troppo Allegro)5Symphonie Classique D-dur Op. 25: 4. Satz: Finale: Molto VivaceRavel: Boléro / La Valse / Honegger: Pacific 231 / Dukas: L’Apprenti sorcier
1964 · studio album
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Tracklist · 4 tracks
A1BoléroA2Pacific 231B1L’Apprenti sorcierB2La ValseBoléro / Ma mère l’Oye / La Valse
1965 · studio album
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Tracklist · 3 tracks · 54:44
A1Boléro15:14A2La Valse: Poeme choregraphique11:30B1Ma Mère L'Oye: Ballet28:00Bartók: Piano Concerto no. 3 / Ravel: Piano Concerto in G major
1966 · studio album
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Tracklist · 6 tracks · 47:33
A1Piano Concerto no. 3: I. Allegretto7:14A2Piano Concerto no. 3: II. Adagio religioso10:54A3Piano Concerto no. 3: III. Allegro vivace6:52B1Piano Concerto in G major: I. Allegramente8:06B2Piano Concerto in G major: II. Adagio assai10:16B3Piano Concerto in G major: III. Presto4:11Prokofiev: Klavierkonzert Nr. 3 C-Dur / Ravel: Klavierkonzert G-Dur
1967 · studio album
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Tracklist · 6 tracks · 48:29
1Konzert für Klavier und Orchester Nr. 3 C-Dur, op. 26: I. Andante - Allegro9:012Konzert für Klavier und Orchester Nr. 3 C-Dur, op. 26: II. Tema con variazione9:033Konzert für Klavier und Orchester Nr. 3 C-Dur, op. 26: III. Allegro ma non troppo9:094Konzert für Klavier und Orchester G-Dur: I. Allegramente8:105Konzert für Klavier und Orchester G-Dur: II. Adagio assai9:036Konzert für Klavier und Orchester G-Dur: III. Presto4:031967 · studio album
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Tracklist · 4 tracks · 46:55
AEl amor brujo27:00B1Intermezzo from "Goyescas"5:15B2Pavane pour une infante défunte7:05B3Alborada del gracioso7:35Pictures at an Exhibition: original piano version / orchestral version (orch. Ravel)
1967 · studio album
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Tracklist · 2 tracks
1Pictures At An Exhibition (Original Piano Version): Promenade - The Gnome - Promenade - The Old Castle - Promenade - In The Tuileries Gardens - Bydlo - Promenade - Ballet Of The Unhatched Chicks - Two Polish Jews (Goldenberg & Schmuyle) - The Market Place At Limoges - The Catacombs - The Hut On Fowls' Legs - The Great Gate Of Kiev2Pictures At An Exhibition (Ravel Orchestration): Promenade - The Gnome - Promenade - The Old Castle - Promenade - In The Tuileries Gardens - Bydlo - Promenade - Ballet Of The Unhatched Chicks - Two Polish Jews (Goldenberg & Schmuyle) - The Market Place At Limoges - The Catacombs - The Hut On Fowls' Legs - The Great Gate Of KievRavel: Sonatine, M. 40 & Le tombeau de Couperin, M. 68 & Gaspard de la nuit, M. 55
1968 · studio album
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Tracklist · 12 tracks · 53:46
1Sonatine, M. 40: I. Modéré4:162Sonatine, M. 40: II. Mouvement de menuet3:093Sonatine, M. 40: III. Animé3:094Le Tombeau de Couperin, M. 68: I. Prélude. Vif2:475Le Tombeau de Couperin, M. 68: II. Fugue. Allegro moderato3:066Le Tombeau de Couperin, M. 68: III. Forlane. Allegretto5:287Le Tombeau de Couperin, M. 68: IV. Rigaudon. Assez vif2:528Le Tombeau de Couperin, M. 68: V. Menuet. Allegro moderato4:449Le Tombeau de Couperin, M. 68: VI. Toccata. Vif3:3810Gaspard de la nuit, M. 55: I. Ondine6:1611Gaspard de la nuit, M. 55: II. Le Gibet5:3812Gaspard de la nuit, M. 55: III. Scarbo8:43Bolero / Rapsodie espagnole / Pavane pour une infante défunte / Daphnis et Chloé
1969 · studio album
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Tracklist · 7 tracks · 57:51
1Bolero17:052Rapsodie espagnole: Prélude à la nuit4:563Rapsodie espagnole: Malagueña2:014Rapsodie espagnole: Habañera2:495Rapsodie espagnole: Feria6:256Pavane pour une infante défunte6:367Daphnis et Chloé, fragments symphoniques (deuxième série): Lever du jour - Pantomime - Danse générale17:591970 · studio album
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Tracklist · 20 tracks · 54:09
1Cinq mélodies populaires grecques: I. Le réveil de la mariée1:172Cinq mélodies populaires grecques: II. Là-bas, vers l'église1:363Cinq mélodies populaires grecques: III. Quel galant1:084Cinq mélodies populaires grecques: IV. Chanson des cueilleuses de lentisques2:395Cinq mélodies populaires grecques: V. Tout gai!0:5362 Epigrammes de Clément Marot, M. 21: I. D'Anne qui me jecta de la neige2:2772 Epigrammes de Clément Marot, M. 10: II. D'Anne jouant de l'espinette1:598Histoires naturelles, M. 50: I. Le paon4:429Histoires naturelles, M. 50: II. Le grillon3:0810Histoires naturelles, M. 50: III. Le cygne3:0111Histoires naturelles, M. 50: IV. Le martin-pêcheur2:1912Histoires naturelles, M. 50: V. La pintade3:0613Chansons madécasses: I. Nahandove4:4614Chansons madécasses: II. Aoua! Aoua!3:4315Chansons madécasses: III. Il est doux...3:4916Deux mélodies hébraïques: I. Kaddisch4:4617Deux mélodies hébraïques: II. L'énigme éternelle1:4018Don Quichotte à Dulcinée, M. 84: I. Chanson romanesque2:0719Don Quichotte à Dulcinée, M. 84: II. Chanson épique3:1520Don Quichotte à Dulcinée, M. 84: III. Chanson à boire1:48Prokofiev: Piano Concerto no. 3 / Gershwin: Rhapsody in Blue / Ravel: Concerto for Left Hand
1970 · studio album
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Tracklist · 5 tracks · 1:00:02
A1Piano Concerto no. 3 in C major, op. 26: I. Andante – Allegro8:37A2Piano Concerto no. 3 in C major, op. 26: II. Andantino con variazioni8:44A3Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo9:05B1Rhapsody in Blue15:48B2Concerto for Left Hand17:48Mussorgsky-Ravel: Pictures at an Exhibition / Prokofiev: Piano Concerto No. 3 In C Major, Opus 26
1972 · studio album
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Tracklist · 13 tracks · 28:12
1Pictures at an Exhibition: 1st Promenade - The Gnome2Pictures at an Exhibition: 2nd Promenade - Il vecchio castello3Pictures at an Exhibition: 3rd Promenade - Tuileries4Pictures at an Exhibition: Bydlo5Pictures at an Exhibition: 4th Promenade - Ballet des poussins dans leurs coques6Pictures at an Exhibition: Samuel Goldenberg und Schmuyle - Limoges, le marché7Pictures at an Exhibition: Catacombae (Sepulchrum romanum)8Pictures at an Exhibition: Cum mortuis in lingua mortua9Pictures at an Exhibition: The Hut on Fowl's Legs10Pictures at an Exhibition: The Great Gate of Kiev11Piano Concerto no. 3 in C major, op. 26: I. Andante9:2212Piano Concerto no. 3 in C major, op. 26: II. Tema con variazione9:1913Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo9:311974 · studio album
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Tracklist · 19 tracks · 1:24:25
Disc 1ALe Tombeau de Couperin23:28B1Sonatine10:33B2Pavane Pour Une Infante Défunte6:17B3Jeux D'Eau5:52B4Prélude1:30Disc 2C1Gaspard de La Nuit: OndineC2Gaspard de La Nuit: Le GibetC3Gaspard de La Nuit: ScarboD1La Valse11:21D2À La Manière de Borodine1:25D3Menuet Antique5:29D4À La Manière de Chabrier1:53D5Menuet Sur Le Nom de Haydn1:37Disc 3E1Miroirs: NoctuellesE2Miroirs: Oiseaux TristesE3Miroirs: Un Barque Sur L'OcéanE4Miroirs: Alborada Del GraciosoE5Miroirs: La Vallée Des ClochesFValse Nobles Et Sentimentales15:00Bolero / Rapsodie Espagnole / La Valse
1974 · studio album
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Tracklist · 6 tracks · 40:59
A1Bolero (Tempo Di Bolero Moderato Assai)14:28A2Rapsodie Espagnole: I. Prélude À La Nuit. Très Modéré3:51A3Rapsodie Espagnole: II. Malagueña. Assez Vif — Assez Lent2:02B1Rapsodie Espagnole: III. Habanera. Assez Lent Et D'Un Rythme Las2:31B2Rapsodie Espagnole: IV. Feria. Assez Animé — Très Modéré — De Plus En Plus Animé6:10B3La Valse (Poème Chorégraphique Pour Orchestre - Mouvement de Valse Viennoise — Un Peu Plus Modéré — 1er Mouvement — Assez Animé)11:57Ravel: Piano Concertos / Fauré: Fantaisie
1974 · studio album
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Tracklist · 5 tracks
A1Concerto for Left Hand for Piano and OrchestraA2Fantaisie for Piano and Orchestra, op. 111B1Concerto for Piano and Orchestra in G major: 1st Mov. AllegramenteB2Concerto for Piano and Orchestra in G major: 2nd Mov. Adagio assaiB3Concerto for Piano and Orchestra in G major: 3rd Mov. PrestoGaspard de la Nuit / Sonatine / Valses nobles et sentimentales
1975 · studio album
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Tracklist · 14 tracks · 48:30
1Gaspard de la Nuit: I. Ondine6:182Gaspard de la Nuit: II. Le gibet6:403Gaspard de la Nuit: III. Scarbo9:224Sonatine: I. Modéré3:595Sonatine: II. Mouvement de Menuet2:596Sonatine: III. Animé3:427Valses nobles et sentimentales: I. Modéré - très franc1:198Valses nobles et sentimentales: II. Assez lent - avec une expression intense2:229Valses nobles et sentimentales: III. Modéré1:2210Valses nobles et sentimentales: IV. Assez animé1:0511Valses nobles et sentimentales: V. Presque lent - dans un sentiment intime1:3412Valses nobles et sentimentales: VI. Vif0:4113Valses nobles et sentimentales: VII. Moins vif2:4014Valses nobles et sentimentales: VIII. Epilogue. Lent4:27Ravel: Bolero / Mussorgsky-Ravel: Pictures at an Exhibition
1975 · studio album
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Tracklist · 11 tracks
A1Bilder einer Ausstellung: Promenade / 1. GnomusA2Bilder einer Ausstellung: Promenade / 2. Il vecchio castello / PromenadeA3Bilder einer Ausstellung: 3. TuileriesA4Bilder einer Ausstellung: 4. Bydlo / PromenadeA5Bilder einer Ausstellung: 5. Ballet des poussins dans leurs coquesA6Bilder einer Ausstellung: 6. Samuel Goldenberg und SchmuyleA7Bilder einer Ausstellung: 7. Limoges - le marchéA8Bilder einer Ausstellung: 8. Catacombae: Sepulchrum romanum - cum mortuis in lingua mortuaB1Bilder einer Ausstellung: 9. La cabane sur des pattes de pouleB2Bilder einer Ausstellung: 10. La grande porte de kievB3Bolero: Tempo di bolero moderato assaiBoléro / Ouverture de féerie (Shéhérazade) / Rapsodie espagnole / Menuet antique / La Valse
1975 · studio album
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Tracklist · 7 tracks · 57:55
A1Boléro15:05A2Shéhérazade, Ouverture de féerie13:56B1Rapsodie espagnole: I. Prélude à la nuit4:33B2Rapsodie espagnole: II. Malagueña2:16B3Rapsodie espagnole: III. Habanera2:51B4Rapsodie espagnole: IV. Feria6:38B5La Valse12:36Boléro / La Valse / Rapsodie espagnole / Pavane pour une infante défunte
1975 · studio album
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Tracklist · 4 tracks · 52:54
A1Boléro17:19A2Pavane pour une infante défunte6:56B1Rapsode espagnole : Prelude à la nuit / Malageña / Habanera / Feria16:15B2La valse : Poème choréographique12:24Saint-Saens: Introduction & Rondo Capriccioso / Havanaise / Chausson: Poeme / Ravel: Tzigane
1975 · studio album
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Tracklist · 4 tracks · 45:56
1Introduction and Rondo Capriccioso9:152Poème16:373Havanaise10:154Tzigane9:49Daphnis et Chloé / Ma Mère l'Oye
1976 · studio album
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Tracklist · 3 tracks · 1:00:42
A1Daphnis et Chloé (Ballet), Suite no. 1 : Nocturne / Interlude / Danse guerrière12:44A2Daphnis et Chloé (Ballet), Interlude - Suite no. 2 : Lever du jour / Pantomime / Danse générale18:00BMa Mère I'Oye : Prélude / Danse de la Belle au bois dormant / Interlude / Pavane de la Belle et de la Bête / Interlude / Petit Poucet / Interlude / Laideronnette, Impératrice des Pagodes / Interlude / Apothéose : Le Jardin féerique29:58Boléro - La valse - Le tombeau de Couperin - Pavane pour une infante défunte
1977 · studio album
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Tracklist · 7 tracks · 51:05
1Boléro14:482La Valse12:513Le Tombeau de Couperin, M.68a: I. Prélude2:594Le Tombeau de Couperin, M.68a: II. Forlane5:395Le Tombeau de Couperin, M.68a: III. Menuet5:076Le Tombeau de Couperin, M.68a: IV. Rigaudon2:587Pavane pour une infante défunte6:43Le Tombeau de Couperin - Miroirs
1977 · studio album
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Tracklist · 11 tracks · 53:57
1Miroirs, M. 43 I. Noctuelles4:522Miroirs, M. 43 II. Oiseaux tristes4:123Miroirs, M. 43 III. Une barque sur l'océan6:544Miroirs, M. 43 IV. Alborada del gracioso6:125Miroirs, M. 43 V. La vallée des cloches6:006Le Tombeau de Couperin, M. 68 I. Prélude2:497Le Tombeau de Couperin, M. 68 II. Fugue3:328Le Tombeau de Couperin, M. 68 III. Forlane6:379Le Tombeau de Couperin, M. 68 IV. Rigaudon3:0710Le Tombeau de Couperin, M. 68 V. Menuet6:0011Le Tombeau de Couperin, M. 68 VI. Toccata3:42La Valse / Le Tombeau de Couperin
1978 · studio album
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Tracklist · 2 tracks · 37:15
A1Le Tombeau de Couperin25:40B1La Valse11:351978 · studio album
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Tracklist · 4 tracks · 44:41
A1Poeme for Violin and Orchestra, op. 2616:28A2Introduction and Rondo Capriccioso for Violin and Orchestra, op. 289:05B1Havanaise for Violin and Orchestra, op. 838:57B2Tzigane for Violin and Orchestra10:111980 · studio album
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Tracklist · 3 tracks · 44:27
A1Pictures At An Exhibition (Beginning)23:22B1Pictures At An Exhibition (Conclusion)8:35B2La Valse12:30Bolero / Daphnis et Chloé - Suite No. 2 / Pavane pour une Infante défunte
1980 · studio album
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Tracklist · 3 tracks · 38:39
A1Bolero16:16A2Pavene pour une infante défunte6:33BDaphnis et Chloé (Suite No. 2)15:50De Falla: L'Amour Sorcier - Le Tricorne / Ravel: Alborada Del Gracioso
1980 · studio album
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Tracklist · 5 tracks · 40:16
AL'Amour sorcier20:36B1Le Tricorne (2ᵉ Suite): Danse des voisins3:00B2Le Tricorne (2ᵉ Suite): Danse du meunier (Farruca)2:50B3Le Tricorne (2ᵉ Suite): Danse finale6:02B4Alborada Del Gracioso7:48Ravel: Gaspard de la nuit / Fauré: Thème et variations - 6ᵉ Nocturne
1980 · studio album
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Tracklist · 5 tracks · 45:41
A1Gaspard de la nuit: Ondine6:35A2Gaspard de la nuit: Le Gibet6:05A3Gaspard de la nuit: Scarbo9:16B1Thème et variations14:45B26ᵉ Nocturne9:00Schéhérazade / Chansons Madécasses / Mélodies Populaires Grecques / Mélodies Hébraïques
1981 · studio album
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Tracklist · 10 tracks · 39:55
1Shéhérazade for Mezzo-Soprano and Orchestra: I. Asie9:292Shéhérazade for Mezzo-Soprano and Orchestra: II. La flûte enchantée2:573Shéhérazade for Mezzo-Soprano and Orchestra: III. L'indifférent3:374Cinq mélodies populaires grecques: 1. Chanson de la mariée. Modéré1:405Cinq mélodies populaires grecques: 5. Tout gai! Allegro0:586Deux mélodies hébraïques: I. Kaddisch4:387Deux mélodies hébraïques: II. L'énigme éternelle1:468Chansons Madécasses: 1. Nahandove, ô belle Nahandove5:519Chansons Madécasses: 2. Aoua! Aoua! Méfiez-vous des Blancs4:4310Chansons Madécasses: 3. Il est doux de se coucher4:161981 · studio album
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Tracklist · 1 track · 55:57
1Daphnis et Chloé: Part 1 / Part 2 / Part 355:571981 · studio album
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Tracklist · 19 tracks · 39:16
1Histoires naturelles: I. Le Paon4:212Histoires naturelles: II. Le Grillon2:383Histoires naturelles: III. Le Cygne2:514Histoires naturelles: IV. Le Martin-pêcheur2:185Histoires naturelles: V. La Pintade2:556Un grand sommeil noir2:447Ronsard à son âme1:548Rêves0:589Cinq mélodies populaires grecques: I. Le réveil de la mariée1:1110Cinq mélodies populaires grecques: II. Là-bas, vers l'église1:1111Cinq mélodies populaires grecques: III. Quel galant m'est comparable ?0:4612Cinq mélodies populaires grecques: IV. Chanson des cueilleuses de lentisques2:2213Cinq mélodies populaires grecques: V. Tout gai !0:4814Deux mélodies hébraïques: I. Kaddisch4:1915Deux mélodies hébraïques: II. L’Énigme éternelle1:0016Sainte1:5517Don Quichotte à Dulcinée: I. Chanson romanesque1:3918Don Quichotte à Dulcinée: II. Chanson épique1:4619Don Quichotte à Dulcinée: III. Chanson à boire1:40Boléro / La Valse / Pavane pour une infante défunte / Daphnis et Chloé: Suite no. 2
1982 · studio album
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Tracklist · 6 tracks · 55:50
A1Boléro : Tempo di Bolero moderato assai17:38A2Pavane pour une infante défunte : Lent7:49B1La Valse : Poème chorégraphique : Mouvement de valse viennoise – Un peu plus modéré – 1er Mouvement – Assez animé13:20B2Daphnis et Chloé : Fragments symphoniques - 2e série : Lever du jour (Lent)5:48B3Daphnis et Chloé : Fragments symphoniques - 2e série : Pantomime (Lent – Très lent – Vif – Très lent – ♩ = 80)7:06B4Daphnis et Chloé : Fragments symphoniques - 2e série : Danse générale (Lent – Animé)4:09Concerto For The Left Hand / Alborada Del Gracioso / Rapsodie Espagnole
1982 · studio album
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Tracklist · 6 tracks · 42:23
1Concerto For the Left Hand17:392Alborada Del Gracioso8:063Rapsodie espagnole: I. Prélude à la nuit4:334Rapsodie espagnole: II. Malaguena2:135Rhapsodie espagnole: III. Habanera3:056Rapsodie espagnole: IV. Feria6:47Bolero - La Valse - Rapsodie Espagnole - Alborada del gracioso
1982 · studio album
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Tracklist · 4 tracks · 50:16
1Boléro15:072Alborada del gracioso7:253Rapsodie espagnole15:364La valse12:08Ravel Quartet in F major / Bartók Quartet No. 3
1983 · studio album
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Tracklist · 5 tracks · 43:25
1String Quartet in F major: I. Allegro moderato8:352String Quartet in F major: II. Assez vif -- très rythmé6:073String Quartet in F major: III. Très lent8:254String Quartet in F major: IV. Vif et agité5:385String Quartet No. 3 in C sharp major, Sz. 85, BB 9314:401983 · studio album
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Tracklist · 7 tracks · 56:52
1Piano Concerto in G major: I. Allegramente8:152Piano Concerto in G major: II. Adagio assai9:553Piano Concerto in G major: III. Presto3:544Menuet antique6:325Piano Concerto for the Left Hand19:056Une barque sur l’océan7:497Fanfare from l’Éventail de Jeanne1:221983 · studio album
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Tracklist · 10 tracks · 59:21
1Miroirs: I. Noctuelles4:462Miroirs: II. Oiseaux tristes3:473Miroirs: III. Une barque sur l'océan6:344Miroirs: IV. Alborada del gracioso6:245Miroirs: V. Vallée des cloches5:036Jeaux d'eau5:327Pavane pour une infante défunte5:298Gaspard de la Nuit: I. Ondine6:309Gaspard de la Nuit: II. Le Gibet6:1510Gaspard de la Nuit: III. Scarbo9:01Ravel: Gaspard de la Nuit / Prokofiev: Piano Sonata no. 6
1983 · studio album
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Tracklist · 7 tracks · 52:10
1Gaspard de la Nuit: I. Ondine: Lent7:252Gaspard de la Nuit: II. Le Gibet: Très lent.6:523Gaspard de la Nuit: III. Scarbo: Modéré9:324Piano Sonata No. 6 in A major, Op. 82: I. Allegro moderato8:345Piano Sonata No. 6 in A major, Op. 82: II. Allegretto4:466Piano Sonata No. 6 in A major, Op. 82: III. Tempo di valzer lentissimo8:197Piano Sonata No. 6 in A major, Op. 82: IV. Vivace6:421983 · studio album
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Tracklist · 4 tracks · 39:42
A1Boléro13:12A2Pavane pour une Infante défunte6:28B1Alborada del gracioso7:54B2La Valse12:08Ludwig van Beethoven: Piano concerto N° 4 / Maurice Ravel: Valses nobles et sentimentales
1983 · studio album
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Tracklist · 4 tracks · 50:03
A1Concerto pour piano et orchestra N° 4, en sol majeur, op. 58: Allegro moderato19:02A2Concerto pour piano et orchestra N° 4, en sol majeur, op. 58: Andante con moto5:40B1Concerto pour piano et orchestra N° 4, en sol majeur, op. 58: Rondo10:35B2Valses nobles et sentimentales14:461984 · studio album
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Tracklist · 6 tracks · 49:08
1Boléro14:242Pavane Pour Une Infante Defunte5:473Alborada Del Gracioso7:144"Feria" from Rapsodie Espagnole6:015"Riguadon" from Le Tombeau De Couperin3:016La Valse12:41Pictures at an Exhibition; La Valse
1984 · studio album
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Tracklist · 2 tracks · 44:23
1Pictures at an Exhibition31:562La Valse12:271984 · studio album
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Tracklist · 15 tracks · 1:04:12
1Sonatine: I. Modéré4:192Sonatine: II. Mouvement de menuet2:573Sonatine: III. Animé4:094Valses nobles et sentimentales14:095Le tombeau de Couperin: I. Prélude3:016Le tombeau de Couperin: II. Fugue3:207Le tombeau de Couperin: III. Forlane5:548Le tombeau de Couperin: IV. Rigaudon3:209Le tombeau de Couperin: V. Menuet4:5910Le tombeau de Couperin: VI. Toccata4:0411Prélude1:3812À la manière de Borodine1:5313À la manière de Chabrier1:5714Menuet antique6:2515Menuet sur le nom d'Haydn2:07Miroirs / Le Tombeau de Couperin
1984 · studio album
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Tracklist · 11 tracks · 1:00:12
1Mirors: Noctuelles4:512Mirors: Oiseaux tristes5:153Mirors: Une barque sur l’Océan7:314Mirors: Alborada del gracioso7:265Mirors: La vallée des cloches8:176Le tombeau de Couperin: Prélude3:117Le tombeau de Couperin: Fugue3:468Le tombeau de Couperin: Forlane6:099Le tombeau de Couperin: Rigaudon3:4010Le tombeau de Couperin: Menuet5:5511Le tombeau de Couperin: Toccata4:111984 · studio album
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Tracklist · 15 tracks · 1:06:50
1Ma Mère l’Oye: Prélude3:192Ma Mère l’Oye: 1ᵉʳ Tableau. Danse du Rouet et Scène3:293Ma Mère l’Oye: 2ᵉ Tableau. Pavane de la Belle au bois dormant2:284Ma Mère l’Oye: 3ᵉ Tableau. Les entretiens de la Belle et de la Bête5:135Ma Mère l’Oye: 4ᵉ Tableau. Petit Poucet4:246Ma Mère l’Oye: 5ᵉ Tableau. Laideronnette, Impératrice des Pagodes / Apothéose / La jardin féerique9:287Pavane pour une infante défunte6:438Le Tombeau de Couperin: I. Prélude2:489Le Tombeau de Couperin: II. Forlane5:2310Le Tombeau de Couperin: III. Menuet4:3111Le Tombeau de Couperin: IV. Rigaudon2:5912Valses nobles et sentimentales: I. Modéré / II. Assez lent3:5413Valses nobles et sentimentales: III. Modéré / IV. Assez animé3:1114Valses nobles et sentimentales: V. Presque lent / VI. Assez vif2:1315Valses nobles et sentimentales: VII. Moins vif / VIII. Epilogue6:471984 · studio album
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Tracklist · 14 tracks · 56:17
1Sonate fur 2 Klaviere und Schlagzeug Sz 110 - Assai lento12:392Sonate fur 2 Klaviere und Schlagzeug Sz 110 - Lento ma non troppo6:013Sonate fur 2 Klaviere und Schlagzeug Sz 110 - Allegro non troppo6:2047 Stucke aus Mikrokosmos Sz 107 - Bulgarischer Rhythmus (1)1:1057 Stucke aus Mikrokosmos Sz 107 - Akkord und Trillerstudie1:0267 Stucke aus Mikrokosmos Sz 107 - Perpetuum mobile0:4877 Stucke aus Mikrokosmos Sz 107 - Kleiner Kanon und Umkehrung0:5987 Stucke aus Mikrokosmos Sz 107 - Neues ungarisches Volkslied1:1697 Stucke aus Mikrokosmos Sz 107 - Chromatische Invention0:58107 Stucke aus Mikrokosmos Sz 107 - Ostinato2:2711La valse, Poème choreographique13:1312Scaramouche, Suite für 2 Klaviere - Vif2:4513Scaramouche, Suite für 2 Klaviere - Modéré4:3914Scaramouche, Suite für 2 Klaviere - Brasileira2:00Gaspard de la nuit and other piano pieces
1985 · studio album
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Tracklist · 5 tracks · 41:48
1Gaspard de la nuit: I. Ondine6:312Gaspard de la nuit: II. Le Gibet5:113Gaspard de la nuit: III. Scarbo9:434Pavane pour une infante défunte5:595Valses nobles et sentimentales14:241985 · studio album
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Tracklist · 6 tracks · 54:55
A1Bolero (Tempo Di Bolero Moderato Assai)15:03A2Une barque sur I'océan (Très souple de rythme)7:41A3Menuet Antique (Maestoso)6:20B1Alborada Del Graciosa (Assez vif - Plus lent - Au mouvement)7:38B2Pavane pour une infante défunte6:14B3La Valse - Poème symphonique (Mouvement de valse viennoise - Un peu plus modéré - 1er Mouvement - Assez animé)11:591985 · studio album
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Tracklist · 10 tracks · 46:26
1Jeux D'eau6:482Sonatine: Modéré5:263Sonatine: Mouvt de Menuet3:484Sonatine: Animé4:175Le Tombeau De Couperin: Prélude3:166Le Tombeau De Couperin: Fugue3:087Le Tombeau De Couperin: Forlane6:388Le Tombeau De Couperin: Rigaudon3:219Le Tombeau De Couperin: Menuet5:3410Le Tombeau De Couperin: Toccata4:101985 · studio album
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Tracklist · 8 tracks · 1:00:21
1Piano Trio In A Minor: Modéré10:402Piano Trio In A Minor: Pantoum (Assez Vif)4:253Piano Trio In A Minor: Passacaille (Trés Large)8:304Piano Trio In A Minor: Final (Animé)5:235Piano Trio in G Minor: Pas Trop Lent10:176Piano Trio in G Minor: Vite4:057Piano Trio in G Minor: Assez Lent8:288Piano Trio in G Minor: Animé8:33Mussorgsky/Ravel: Pictures at an Exhibition / Respighi: Pines of Rome / Fountains of Rome
1985 · studio album
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Tracklist · 23 tracks · 1:09:52
1Pictures at an Exhibition: Promenade1:482Pictures at an Exhibition: Gnomus2:333Pictures at an Exhibition: Promenade1:054Pictures at an Exhibition: Il Vecchio Castello4:245Pictures at an Exhibition: Promenade0:346Pictures at an Exhibition: Tuileries0:597Pictures at an Exhibition: Bydło3:248Pictures at an Exhibition: Promenade0:449Pictures at an Exhibition: Ballet of the Chicks in Their Shells1:1210Pictures at an Exhibition: Samuel Goldenburg und Schmuyle2:1511Pictures at an Exhibition: The Market Place at Limoges1:1712Pictures at an Exhibition: Catacombæ (Sepulcrum romanum)1:5713Pictures at an Exhibition: Cum mortuis in lingua mortua1:5814Pictures at an Exhibition: The Hut on Fowl's Legs3:2715Pictures at an Exhibition: The Great Gate of Kiev5:2116Pines of Rome: I. The Pines of the Villa Borghese2:4217Pines of Rome: II. The Pines Near a Catacomb6:4618Pines of Rome: III The Pines of the Janiculum6:2819Pines of Rome: IV. The Pines of the Appian Way5:1920Fountains of Rome: I. The Fountain of Valle Giulia at Dawn4:3821Fountains of Rome: II. The Triton Fountain at Morning2:2522Fountains of Rome: III. The Fountain of Trevi at Midday3:1923Fountains of Rome: IV. The Villa Medici Fountian at Sunset5:17Boléro, Alborada Del Gracioso, La Valse, Ma Mère L'Oye
1985 · studio album
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Tracklist · 8 tracks · 51:42
1Boléro14:442Alborada Del Gracioso7:173La Valse13:024Ma Mère L'Oye I. - Pavane De La Belle Au Bois Dormant1:435Ma Mère L'Oye II. - Petit Poucet3:306Ma Mère L'Oye III. - Laideronnette, Impératrice Des Pagodes3:297Ma Mère L'Oye IV. - Les Entretiens De La Belle Et La Bête4:108Ma Mère L'Oye V. - Le Jardin Féérique3:47Bizet: Jeux d’enfants / Ravel: Ma Mère l’Oye / Fauré: Dolly Suite
1985 · studio album
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Tracklist · 23 tracks · 56:09
1Jeux d’enfants, op. 22: I. L’escarpolette2:312Jeux d’enfants, op. 22: II. La toupie1:003Jeux d’enfants, op. 22: III. La poupée2:224Jeux d’enfants, op. 22: IV. Les chevaux de bois1:175Jeux d’enfants, op. 22: V. La volant1:026Jeux d’enfants, op. 22: VI. Trompette et tambour2:087Jeux d’enfants, op. 22: VII. Les bulles de savon1:288Jeux d’enfants, op. 22: VIII. Les quatre coins2:159Jeux d’enfants, op. 22: IX. Colin-maillard1:3510Jeux d’enfants, op. 22: X. Saute-mouton1:1611Jeux d’enfants, op. 22: XI. Petit mari, petite femme3:1712Jeux d’enfants, op. 22: XII. Le bal1:4513Dolly, op. 56: I. Berceuse2:5614Dolly, op. 56: II. Mi-a-ou2:1115Dolly, op. 56: III. Le jardin de Dolly2:5316Dolly, op. 56: IV. Kitty-Valse2:4317Dolly, op. 56: V. Tendresse3:5418Dolly, op. 56: VI. Le pas Espagnol2:1419Ma Mère l’Oye: I. Pavane de la Belle au bois dormant2:0420Ma Mère l’Oye: II. Petit Poucet3:4021Ma Mère l’Oye: III. Laideronnette, Impératrice des Pagodes3:3822Ma Mère l’Oye: IV. Les entretiens de la Belle et de la Bête4:3123Ma Mère l’Oye: V. Le jardin féerique3:29Bolero / Le Tombeau de Couperin (Suite d’orchestre) / Daphnis et Chloé / Alborada del gracioso
1986 · studio album
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Tracklist · 4 tracks · 1:00:46
1Bolero14:442Le Tombeau de Couperin (Suite d’orchestre)19:113Daphnis et Chloé, Suite no. 218:194Alborada del gracioso8:321986 · studio album
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Tracklist · 7 tracks · 1:04:24
1Piano Concerto in G major: I. Allegremente8:112Piano Concerto in G major: II. Adagio assai10:173Piano Concerto in G major: III. Presto3:584Piano Concerto for the Left Hand: Lento - Più lento - Allegro19:045Pavane pour une Infante défunte6:236Jeux d'eaux5:267La Valse11:05Lalo: Symphonie espagnole / Chausson: Poème / Ravel: Habanera -
1986 · studio album
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Tracklist · 8 tracks · 59:22
1Symphonie espagnole en ré mineur, Op. 21: I. Allegro non troppo7:152Symphonie espagnole en ré mineur, Op. 21: II. Scherzando. Allegro molto4:033Symphonie espagnole en ré mineur, Op. 21: III. Intermezzo. Allegro non troppo6:044Symphonie espagnole en ré mineur, Op. 21: IV. Andante7:045Symphonie espagnole en ré mineur, Op. 21: V. Rondo. Allegro7:416Poème15:277Habanera2:588Tzigane8:50Boléro / La Valse / Pavane pour une infante défunte / Ma Mère l'oye / Valses nobles et sentimentales
1986 · studio album
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Tracklist · 16 tracks · 1:07:28
1La Valse12:362Boléro14:363Pavane pour une infante défunte6:104Valses nobles et sentimentales : I. Modéré1:215Valses nobles et sentimentales : II. Assez lent2:506Valses nobles et sentimentales : III. Modéré1:457Valses nobles et sentimentales : IV. Assez animé1:238Valses nobles et sentimentales : V. Presque lent1:279Valses nobles et sentimentales : VI. Assez vif0:5910Valses nobles et sentimentales : VII. Moins vif3:0711Valses nobles et sentimentales : VIII. Epilogue4:5212Ma mère l'Oye : I. Pavane de la Belle au Bois Dormant : Lent1:3913Ma mère l'Oye : II. Petit Poucet : Très modéré3:1614Ma mère l'Oye : III. Laideronette, Impératrice des Pagodes : Mouvement de marche3:3415Ma mère l'Oye : IV. Les Entretiens de la Belle et de la Bête : Mouvement de valse modéré4:2016Ma mère l'Oye : V. Le jardin féerique : Lent et grave3:33Mussorgsky: Pictures at an Exhibition / Maurice Ravel: Ma Mère l'Oye / Rapsodie Espagnole
1986 · studio album
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Tracklist · 24 tracks · 1:09:13
1Pictures at an Exhibition: I. Promenade. Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto1:522Pictures at an Exhibition: II. Gnomus. Vivo2:403Pictures at an Exhibition: III. Promenade Moderato comodo e con delicatezza1:074Pictures at an Exhibition: IV. Il vecchio castello. Andante4:315Pictures at an Exhibition: V. Promenade. Moderato non tanto, pesante0:376Pictures at an Exhibition: VI. Tuileries. Allegretto non troppo, capriccioso1:177Pictures at an Exhibition: VII. Bydlo. Sempre moderato, pesante2:398Pictures at an Exhibition: VIII. Promenade. Tranquillo0:489Pictures at an Exhibition: IX. Ballet des Petits Poussins dans leurs Coques. Scherzino: Vivo leggiero1:2110Pictures at an Exhibition: X. Samuel Goldenberg und Schmuyle. Andante2:2411Pictures at an Exhibition: XI. Limoges: Le Marché. Allegretto vivo, sempre scherzando1:3012Pictures at an Exhibition: XII. Catacombae: Sepulchrum Romanum. Largo2:0613Pictures at an Exhibition: XIII. Cum mortuis in lingua mortua. Andante non troppo, con lamento2:0914Pictures at an Exhibition: XIV. La Cabane de Baba-Yaga sur des Pattes de Poule. Allegro con brio, feroce - Andante mosso - Allegro molto3:5415Pictures at an Exhibition: XV. La Grande Porte de Kiev. Allegro alla breve. Maestoso. Con grandezza5:5416Ma Mère l'Oye: I. Pavane de La Belle au Bois Dormant. Lent1:5417Ma Mère l'Oye: II. Petit Poucet. Très modéré3:4318Ma Mère l'Oye: III. Laideronnette, Impératrice des Pagodes. Mouvement de marche3:5919Ma Mère l'Oye: IV. Les Entretiens de la Belle et la Bête. Mouvement de valse modéré4:4620Ma Mère l'Oye: V. Le Jardin Féerique. Lent et grave3:5121Rapsodie Espagnole: I. Prélude à la Nuit. Très modéré4:3922Rapsodie Espagnole: II. Malagueña. Assez vif2:1123Rapsodie Espagnole: III. Habanera. Assez lent et d´un rythme las3:0024Rapsodie Espagnole: IV. Feria. Assez animé6:21Boléro / Rapsodie espagnole / Ma mère l’Oye / Pavane
1986 · studio album
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Tracklist · 13 tracks · 1:04:51
1Boléro : Tempo di Boléro, moderato assai14:312Rapsodie espagnole : Prélude à la nuit. Très modéré4:263Rapsodie espagnole : Malagueña. Assez vif2:034Rapsodie espagnole : Habanera. Assez lent et d’un rythme las2:425Rapsodie espagnole : Feria. Assez animé6:066Ma mère l’oye : Prélude. Très lent3:277Ma mère l’oye : 1ᵉʳ tableau : Danse du rouet et scène. Allegro3:328Ma mère l’oye : 2ᵉ tableau : Pavane de la Belle au bois dormant. Lent - Allegro - Mouvement de valse modéré2:479Ma mère l’oye : 3ᵉ tableau : Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré5:1510Ma mère l’oye : 4ᵉ tableau : Petit Poucet. Très modéré4:4511Ma mère l’oye : 5ᵉ tableau : Laideronnette, Impératrice des pagodes. Mouvement de marche - Allegro Trés modéré4:4812Ma mère l’oye : Apothéose. Le jardin féerique. Lent et grave3:4913Pavane pour une infante défunte6:40Faure: Requiem / Ravel: Pavane pour une infante défunte
1986 · studio album
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Tracklist · 8 tracks · 49:25
1Requiem, op. 48: I. Introït Et Kyrie7:532Requiem, op. 48: II. Offertoire9:453Requiem, op. 48: III. Sanctus3:394Requiem, op. 48: IV. Pie Jesu4:065Requiem, op. 48: V. Agnus Dei7:086Requiem, op. 48: VI. Libera Me5:507Requiem, op. 48: VII. In Paradisum4:048Pavane pour une infante défunte7:001987 · studio album
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Tracklist · 8 tracks · 57:21
1Boléro, ballet14:282Rapsodie espagnole: I. Prélude à la nuit4:323Rapsodie espagnole: II. Malaguena2:024Rapsodie espagnole: III. Habanera2:385Rapsodie espagnole: IV. Feria6:256Alborada del Gracioso (1918)7:557Menuet antique (1928)6:518La Valse, Poème chorégraphique (1919-20)12:30Mussorgsky: Pictures At An Exhibition / Ravel: Gaspard De La Nuit
1987 · studio album
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Tracklist · 19 tracks · 56:03
1Promenade1:192The Gnome/Le Gnome3:123Promenade0:484The Old Castle/Le Vieux Chateau4:335Promenade0:276In the Tuileries Gardens/Les Tuilleries1:067Bydlo2:508Promenade0:399Ballet of the Unhatched Chicks/Ballets Des Poussins Sans Leur Coquille1:1510Two Polish Jews (Goldenberg and Schmuyle)/Deux Juifs Polonais (Goldenberg Et Schmuyle)/2:1911Promenade1:1812The Market Place at Limoges/Limoges; Le Marché1:2113The Catacombs/Les Catacombes1:5214Cum Mortuis in Lingua Morta2:0215The Hut on Fowl's Legs/La Cabane Sur Pattes de Poule3:1716The Great Gate of Kiev/Le Grande Porte de Kiev5:2717Ondine6:3318Le Gibet6:2319Scarbo9:22Saint-Saëns: Piano Trio no. 2 / Ravel: Piano Trio
1987 · studio album
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Tracklist · 9 tracks · 1:01:39
1Piano Trio no. 2 in E minor, op. 92: I. Allegro non troppo11:472Piano Trio no. 2 in E minor, op. 92: II. Allegretto6:473Piano Trio no. 2 in E minor, op. 92: III. Andante con moto4:574Piano Trio no. 2 in E minor, op. 92: IV. Grazioso, poco allegro4:175Piano Trio no. 2 in E minor, op. 92: V. Allegro8:276Piano Trio in A minor: I. Modéré9:047Piano Trio in A minor: II. Pantoum (Assez vif)4:188Piano Trio in A minor: III. Passacaille (Très large)6:589Piano Trio in A minor: IV. Final (Animé)5:04Gaspard de la Nuit / La Valse / Miroirs / Pavane pour un Infante Defunte
1987 · studio album
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Tracklist · 10 tracks · 1:07:54
1Pavane pour une Infante Défunte6:112La Valse12:113Miroirs: I Noctuelles4:564Miroirs: II Oiseaux tristes4:125Miroirs: III Une barque sur l' océan6:086Miroirs: IV Alborada del gracioso6:367Miroirs: V La Vallée des cloches5:408Gaspard de la nuit: I Ondine6:489Gaspard de la nuit: II Le Gibet5:5210Gaspard de la nuit: III Scarbo9:20Orchestral Works, Volume 1: Daphnis et Chloé
1987 · studio album
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Tracklist · 18 tracks · 57:06
1Introduction2:592Danse religieuse5:093Danse Générale1:584Danse Générale0:485Danse de Daphnis0:496Danse grotesque de Dorcon2:017Danse légère et gracieuse de Daphnis4:348Danse de Lyceion3:109Nocturne1:4010Danse des 3 Nymphes3:2311Interlude2:45122e partie0:1613Danse guerrière4:3314Danse suppliante de Chlo5:30153e partie0:2216Lever du jour5:5217Pantomime6:1818Danse Générale4:59Piano Concertos / Gaspard de la Nuit
1987 · studio album
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Tracklist · 7 tracks · 1:00:52
1Piano Concerto in G major: I. Allegramente7:432Piano Concerto in G major: II. Adagio assai8:393Piano Concerto in G major: III. Presto4:024Concerto for the Left Hand18:275Gaspard de la Nuit: I. Ondine7:116Gaspard de la Nuit: II. Le Gibet5:147Gaspard de la Nuit: III. Scarbo9:361987 · studio album
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Tracklist · 2 tracks · 52:59
1Alcyone26:282Alyssa26:312 Concertos pour piano / Tzigane / Sheherazade
1987 · studio album
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Tracklist · 8 tracks · 1:06:41
1Concerto en re majeur “Pour la main gauche” : Lent - Allegro - Tempo 118:322Concerto en sol majeur : Allegramente8:113Concerto en sol majeur : Adagio assai9:244Concerto en sol majeur : Presto4:155Tzigane9:516Sheherazade : Asie9:487Sheherazade : La flûte enchantée2:528Sheherazade : L’indifférent3:48Mussorgsky: Bilder einer Ausstellung / Ravel: Boléro / Rapsodie espagnole
1987 · studio album
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Tracklist · 20 tracks · 1:04:28
1Boléro15:552Rapsodie espagnole: I. Prélude à la nuit: Très modéré4:123Rapsodie espagnole: II. Malagueña: Assez vif2:024Rapsodie espagnole: III. Habanera: Assez lent et d'un rythme las2:195Rapsodie espagnole: IV. Feria: Assez animé6:516Bilder einer Ausstellung: I. Promenade1:447Bilder einer Ausstellung: II. Gnomus2:348Bilder einer Ausstellung: III. Promenade1:049Bilder einer Ausstellung: IV. Il vecchio castello4:0710Bilder einer Ausstellung: V. Promenade0:3711Bilder einer Ausstellung: VI. Tuileries1:0312Bilder einer Ausstellung: VII. Bydlo2:3813Bilder einer Ausstellung: VIII. Promenade0:5414Bilder einer Ausstellung: IX. Ballet des petits poussins dans leur coque1:1115Bilder einer Ausstellung: X. Samuel Goldenberg und Schmuyle2:1016Bilder einer Ausstellung: XI. Limoges: le marché1:2817Bilder einer Ausstellung: XII. Catacombae: Sepulchrum Romanum2:0518Bilder einer Ausstellung: XIII. Cum mortuis in lingua mortua2:0719Bilder einer Ausstellung: XIV. La cabane de Baba-Yaga sur des pattes de poule3:3220Bilder einer Ausstellung: XV. La Grande Porte de Kiev5:551987 · studio album
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Tracklist · 10 tracks · 1:12:22
1Boléro15:332La Valse11:473Rapsodie espagnole: I. Prélude à la nuit4:014Rapsodie espagnole: II. Malaguena2:175Rapsodie espagnole: III. Habanera3:266Rapsodie espagnole: IV. Feria6:187Menuet antique6:378Pavane pour une infante défunte7:059Alborada del gracioso (aus „Miroirs“)7:3910Une barque sur l'océan (aus „Miroirs“)7:391987 · studio album
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Tracklist · 13 tracks · 44:04
1L'enfant et les sortilèges : Première partie. "Je n'ai pas envie de faire ma page"3:182L'enfant et les sortilèges : Première partie. "Ca m'est égal!"1:153L'enfant et les sortilèges : Première partie. "Votre serviteur, humble Bergère"2:034L'enfant et les sortilèges : Première partie. "Ding, Ding, Ding!"1:225L'enfant et les sortilèges : Première partie. "How's your mug?"3:026L'enfant et les sortilèges : Première partie. "Arrière! Je réchauffe les bons"2:387L'enfant et les sortilèges : Première partie. "Adieu, Pastourelle"2:568L'enfant et les sortilèges : Première partie. "Ah, C'est Elle, c'est Elle..."6:289L'enfant et les sortilèges : Première partie. "Deux robinets coulent dans un réservoir..."1:4910L'enfant et les sortilèges : Seconde partie. "Oh! ma tête! oh! ma tête!"2:2511L'enfant et les sortilèges : Seconde partie. "Ké ké ké ké ké Côâc"10:4412L'enfant et les sortilèges : Seconde partie. "C'est l'enfant au couteau! c'est l'enfant au bâton!"3:1813L'enfant et les sortilèges : Seconde partie. "Il est bon, l'Enfant, il est sage"2:46Boléro / Rapsodie espagnole / Pavan for a Dead Princess / La Valse / "Mother Goose" Suite
1987 · studio album
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Tracklist · 12 tracks · 1:05:25
1Boléro15:052Rapsodie espagnole: Prélude à la nuit4:353Rapsodie espagnole: Malagueña1:544Rapsodie espagnole: Habanera2:325Rapsodie espagnole: Feria6:056Pavan for a Dead Princess5:487La Valse11:108"Mother Goose" Suite: Pavan of the Sleeping Beauty1:519"Mother Goose" Suite: Hop-o-My-Thumb3:5910"Mother Goose" Suite: Laideronette, Empress of the Pagodas3:2711"Mother Goose" Suite: Beauty and the Beast Converse4:5312"Mother Goose" Suite: The Fairy Garden4:06Mussorgsky: Pictures at an Exhibition / Ravel: Bolero
1987 · studio album
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Tracklist · 15 tracks · 50:58
1Pictures at an Exhibition: Promenade1:522Pictures at an Exhibition: Gnomus2:253Pictures at an Exhibition: Promenade0:594Pictures at an Exhibition: The Old Castle4:495Pictures at an Exhibition: Promenade0:346Pictures at an Exhibition: Tuleries1:037Pictures at an Exhibition: Bydlo2:468Pictures at an Exhibition: Promenade0:379Pictures at an Exhibition: Ballet of the Chicks in Their Shells1:1910Pictures at an Exhibition: Samuel Goldenberg and Schmuyle2:2411Pictures at an Exhibition: Limoges: The Market Place1:2712Pictures at an Exhibition: Catacombs: Speakinng to de Dead4:2213Pictures at an Exhibition: The Hut of Baba Yaga3:2814Pictures at an Exhibition: The Great Gate at Kiev6:2315Bolero16:301987 · studio album
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Tracklist · 9 tracks · 56:18
1Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: Introduction. Allegro moderato2:462Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: I. Moderato2:043Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: II. Lento assai2:044Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: III. Allegro moderato1:495Fantaisie de Concert sur des Motifs de l'Opéra "Carmen", Op. 25: IV. Moderato2:346Poème, Op. 2516:427Havanaise, Op. 839:458Tzigane9:399Introduction et Rondo Capriccioso, Op. 288:551988 · studio album
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Tracklist · 2 tracks · 55:31
1Daphnis et Chloé : 1. Teil26:082Daphnis et Chloé : Schluß29:23Maurice Ravel - Intégrale de l'oeuvre pour piano (piano: Benoña Uriarte, Karl-Hermann Mrongovius)
1988 · studio album
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Tracklist · 9 tracks · 1:00:07
1Valses nobles et sentimentales15:522La Valse (1919‑20)11:273Prélude (1913)1:264Menuet sur le nom d’Haydn (1909)2:205Jeux d’eau (1901)4:586Frontispice (1918)1:547Gaspard de la Nuit I. Ondine6:588Gaspard de la Nuit II. Le Gibet5:489Gaspard de la Nuit III. Scarbo9:24Orchestral Works, Volume 2: Boléro / La Valse
1988 · studio album
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Tracklist · 8 tracks · 56:44
1Boléro, ballet14:212Rhapsodie Espagnole: I. Prélude a la nuit4:293Rhapsodie Espagnole: II. Malaguena2:024Rhapsodie Espagnole: III. Habanera2:375Rhapsodie Espagnole: IV. Feria6:176Alborada Del Gracioso (1918)7:457Menuet Antique (1928)6:438La Valse, Poèm choréographique (1919-20)12:30Bolero / Alborada del Gracioso / Rapsodie Espagnole
1988 · studio album
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Tracklist · 6 tracks · 37:19
1Bolero14:532Alborada del gracioso7:283Rapsodie espagnole: Prélude a la nuit4:094Rapsodie espagnole: Malagueña2:035Rapsodie espagnole: Habanera2:546Rapsodie espagnole: Feria5:52Sonate / Sonate Posthume / Tzigane / Trio
1988 · studio album
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Tracklist · 9 tracks · 1:09:09
1Sonate pour violon et piano : I. Allegretto8:002Sonate pour violon et piano : II. Blues5:103Sonate pour violon et piano : III. Perpetuum mobile3:284Sonate posthume (1897) pour violon et piano15:455Tzigane, rapsodie de concert pour violon et piano10:416Trio pour piano, violon et violoncelle : I. Modéré9:017Trio pour piano, violon et violoncelle : II. Pantoum4:218Trio pour piano, violon et violoncelle : III. Passacaille7:289Trio pour piano, violon et violoncelle : IV. Final5:151988 · studio album
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Tracklist · 18 tracks · 1:09:17
1Ma mère l'Oye - Ballet en six tableaux - I. Prélude (très lent)3:222Ma mère l'Oye - Ballet en six tableaux - II. 1er Tableau. Danse du Rouet et scène3:393Ma mère l'Oye - Ballet en six tableaux - III. 2ème Tableau. Pavane de la Belle au bois dormant1:424Ma mère l'Oye - Ballet en six tableaux - IV. Interlude0:565Ma mère l'Oye - Ballet en six tableaux - V. 3ème Tableau. Les Entretiens de la Belle et de la Bête4:076Ma mère l'Oye - Ballet en six tableaux - VI. Interlude0:447Ma mère l'Oye - Ballet en six tableaux - VII. 4ème Tableau. Petit Poucet3:398Ma mère l'Oye - Ballet en six tableaux - VIII. Interlude1:329Ma mère l'Oye - Ballet en six tableaux - IX. 5ème Tableau. Laideronnette, Impératrice des pagodes3:4210Ma mère l'Oye - Ballet en six tableaux - X. Interlude1:2611Ma mère l'Oye - Ballet en six tableaux - XI. 6ème Tableau. Le Jardin féerique4:1712Le Tombeau de Couperin - I. Prélude3:2413Le Tombeau de Couperin - II. Forlane5:5714Le Tombeau de Couperin - III. Menuet5:3215Le Tombeau de Couperin - IV. Rigaudon3:1516Pavane pour une infante défunte6:4217Alborada del gracioso (Miroirs - No.4)8:0218Une barque sur l'océan (Miroirs - No.3)7:191988 · studio album
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Tracklist · 17 tracks · 55:28
1Shéhérazade: I. Asie9:292Shéhérazade: II. La Flûte enchantée2:523Shéhérazade: III. L’Indifférent4:054Deux mélodies hébraïques: I. Kaddisch3:445Deux mélodies hébraïques: II. L’Énigme éternelle1:506Cinq mélodies populaires grecques: I. Le Réveil de la mariée1:267Cinq mélodies populaires grecques: II. Là-bas vers l’église1:088Cinq mélodies populaires grecques: III. Quel galant0:429Cinq mélodies populaires grecques: IV. Chanson des cueilleuses de lentisques2:0910Cinq mélodies populaires grecques: V. Tout gai!0:5611Vocalise en forme de habanera2:4512Six mélodies avec orchestre: I. L’Invitation au voyage4:2413Six mélodies avec orchestre: II. Au pays où se fait la guerre4:4814Six mélodies avec orchestre: III. La Vie antérieure4:1915Six mélodies avec orchestre: IV. Le Manoir de Rosemonde2:1616Six mélodies avec orchestre: V. Phidylé5:1417Six mélodies avec orchestre: VI. Chanson triste3:21L’Enfant et les sortilèges / L’Heure espagnole
1988 · studio album
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Tracklist · 24 tracks · 46:12
1L'Heure espagnole : Introduction2:132L'Heure espagnole : Scène I. « Señor Torquemada, horloger de Tolède ? »1:483L'Heure espagnole : Scène II. « Totor ! »2:024L'Heure espagnole : Scène III. « Il reste, voilà bien ma chance ! »2:165L'Heure espagnole : Scène IV. « Il était temps, voici Gonzalve ! »2:546L'Heure espagnole : Scène V. « C'est fait, l'horloge est à sa place »1:317L'Heure espagnole : Scène VI. « Maintenant pas de temps à perdre ! »1:378L'Heure espagnole : Scène VII. « Salut à la belle horlogère ! »1:579L'Heure espagnole : Scène VIII. « Voilà !... Et maintenant à l'autre ! »1:1710L'Heure espagnole : Scène IX. « Évidemment, elle me congédie »2:0311L'Heure espagnole : Scène X. « Voilà ce que j'appelle une femme charmante »1:5212L'Heure espagnole : Scène XI. « Monsieur, ah ! Monsieur ! »0:3013L'Heure espagnole : Scène XII. « Enfin, il part ! »2:5614L'Heure espagnole : Scène XIII. « Voilà l'objet ! »1:0015L'Heure espagnole : Scène XIV. « Ah ! vous, n'est-ce pas, preste ! leste ! »1:3216L'Heure espagnole : Scène XV. « En dépit de cette inhumaine »1:3017L'Heure espagnole : Scène XVI. « Voilà ce que j'appelle une femme charmante ! »2:3618L'Heure espagnole : Scène XVII. « Oh ! la pitoyable aventure ! »2:5119L'Heure espagnole : Scène XVIII. « Voilà !... Et maintenant, Señora »1:2520L'Heure espagnole : Scène XIX. « Mon œil anxieux interroge »2:1021L'Heure espagnole : Scène XIX. « Adieu, cellule, adieu, donjon ! »1:3922L'Heure espagnole : Scène XX. « Il n'est, pour l'horloger »2:0323L'Heure espagnole : Scène XXI. « Pardieu, déménageur, vous venez à propos ! »1:1924L'Heure espagnole : Scène XXI. « Un financier... Et un poète »3:11The Two Piano Concertos / Tzigane
1988 · studio album
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Tracklist · 7 tracks · 52:04
1Concerto for the Left Hand in D major: I. Lento8:232Concerto for the Left Hand in D major: II. Allegro5:033Concerto for the Left Hand in D major: III. Lento5:064Piano Concerto in G major: I. Allegramente8:345Piano Concerto in G major: II. Adagio assai10:566Piano Concerto in G major: III. Presto4:097Tzigane: Lento, quasi cadenza - Moderato9:531988 · studio album
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Tracklist · 15 tracks · 1:06:57
1Alborado del gracioso7:232Rapsodie espagnole: I. Prélude à la nuit4:253Rapsodie espagnole: II. Malagueña2:034Rapsodie espagnole: III. Habañéra2:275Rapsodie espagnole: IV. Fería6:216Valses nobles et sentimentales: I. Modéré1:227Valses nobles et sentimentales: II. Assez lent2:378Valses nobles et sentimentales: III. Modéré1:479Valses nobles et sentimentales: IV. Assez animé1:1710Valses nobles et sentimentales: V. Presque lent1:1811Valses nobles et sentimentales: VI. Assez vif0:5512Valses nobles et sentimentales: VII. Moins vif3:1513Valses nobles et sentimentales: VIII. Epilogue4:0514La Valse12:1015Boléro15:32Piano Concertos / Menuet antique / Le Tombeau de Couperin / Fanfare
1988 · studio album
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Tracklist · 10 tracks · 1:04:34
1Concerto for Piano and Orchestra in G major: I. Allegramente8:462Concerto for Piano and Orchestra in G major: II. Adagio assai9:343Concerto for Piano and Orchestra in G major: III. Presto4:044Concerto for the Left Hand in D major: Lento - Andante - Allegro - Tempo I17:275Fanfare for the Ballet "L'éventail de Jeanne": Allegro moderato1:586Menuet antique: Maestoso6:277Le Tombeau de Couperin: I. Prelude. Vif3:028Le Tombeau de Couperin: II. Forlane. Allegretto5:359Le Tombeau de Couperin: III. Menuet. Allegro moderato4:3910Le Tombeau de Couperin: IV. Rigaudon. Assez vif3:02The Complete Works for Solo Piano
1989 · studio album
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Tracklist · 31 tracks · 2:24:24
Disc 11Pavane pour une Infante défunte6:302A la manière de Chabrier1:593A la manière de Borodine1:234Sonatine: I. Modéré4:115Sonatine: II. Mouvement de menuet3:346Sonatine: III. Animé3:377Miroirs, No. 1: Noctuelles4:278Miroirs, No. 2: Oiseaux tristes4:059Miroirs, No. 3: Une Barque sur l'océan6:4410Miroirs, No. 4: Alborada del gracioso6:4511Miroirs, No. 5: La Vallée des cloches6:1812Ma mère l'oye, for piano four-hands, No. 1: Pavane de la Belle au bois dormant1:2813Ma mère l'oye, for piano four-hands, No. 2: Petit Poucet3:4214Ma mère l'oye, for piano four-hands, No. 3: Laideronnette, Impératrice des pagodes3:1515Ma mère l'oye, for piano four-hands, No. 4: Les Entretiens de la Belle et de la Bête4:0116Ma mère l'oye, for piano four-hands, No. 5: Le jardin féerique (feat. piano: Dennis Lee)3:3217Habanera (feat. piano: Dennis Lee)2:4218Jeux d'eau4:53Disc 21Gaspard de la nuit, No. 1: Ondine6:372Gaspard de la nuit, No. 2: Le Gibet7:013Gaspard de la nuit, No. 3: Scarbo8:594Menuet antique5:235Le tombeau de Couperin: I. Prelude2:546Le tombeau de Couperin: II. Fugue3:537Le tombeau de Couperin: III. Forlane5:548Le tombeau de Couperin: IV. Rigaudon3:059Le tombeau de Couperin: V. Menuet5:0110Le tombeau de Couperin: VI. Toccata3:5011Valses nobles et sentimentales15:3312Prelude in A minor1:1513Menuet sur le nom d'Haydn1:53Bolero / Daphnis et Chloé (Suite no. 1)
1989 · studio album
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Tracklist · 17 tracks · 1:02:27
1Ma mère l'oye (Pavane de la belle au bois dormant)1:372Ma mère l'oye (Petit poucet)3:173Ma mère l'oye (Laideronette, impératrice des pagodes)3:344Ma mère l'oye (Les entretiens de la belle et de la bête)4:125Ma mère l'oye (Le jardin féerique)3:596Valses nobles et sentimentales (Modéré)1:187Valses nobles et sentimentales (Assez lent)2:348Valses nobles et sentimentales (Modéré)1:389Valses nobles et sentimentales (Assez animé)1:2510Valses nobles et sentimentales (Presque lent)1:2111Valses nobles et sentimentales (Assez vif)0:5812Valses nobles et sentimentales (Moins vif)3:0013Valses nobles et sentimentales (Epilogue)4:3514Bolero16:2215Daphnis et Chloé Suite 1 (Nocturne)5:1816Daphnis et Chloé Suite 1 (Interlude)3:0417Daphnis et Chloé Suite 1 (Danse guerrière)4:151989 · studio album
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Tracklist · 16 tracks · 1:12:43
1Gaspard de la nuit: I. Ondine6:362Gaspard de la nuit: II. Le Gibet6:363Gaspard de la nuit: III. Scarbo8:504Menuet antique6:075Menuet sur le nom de Haydn2:056A la manière de... Borodine1:227A la manière de... Chabrier1:588Prélude1:129Miroirs: I. Noctuelles4:3110Miroirs: II. Oiseaux tristes3:5411Miroirs: III. Une barque sur l'océan6:4312Miroirs: IV. Alborada del gracioso6:3213Miroirs: V. La Vallée des cloches5:2014Sonatine: I. Modéré4:0015Sonatine: II. Mouvement de Menuet3:0716Sonatine: III. Animé3:501989 · studio album
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Tracklist · 12 tracks · 1:04:12
1Symphony in C: Allegro vivo7:332Symphony in C: Adagio9:533Symphony in C: Allegro vivace6:514Symphony in C: Finale: Allegro vivace6:205Mother Goose: Prélude3:246Mother Goose: Danse du rouet3:357Mother Goose: Pavane de la Belle au Bois dormant1:448Mother Goose: Les Entretiens de la Belle et de la Bête5:019Mother Goose: Petit Poucet4:0910Mother Goose: Laideronnette, Impératrice des Pagodes4:3411Mother Goose: La Jardin féerique5:0112Pavane pour une Infante défunte6:07Boléro / Daphnis et Chloé (Suite no. 1) / Ma mère l'oye / Valses nobles et sentimentales
1989 · studio album
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Tracklist · 17 tracks · 1:02:27
1Ma mère l'oye: Pavane de la belle au bois dormant1:372Ma mère l'oye: Petit poucet3:173Ma mère l'oye: Laideronette, impératrice des pagodes3:344Ma mère l'oye: Les entretiens de la belle et de la bête4:125Ma mère l'oye: Le jardin féerique3:596Valses nobles et sentimentales: Modéré1:197Valses nobles et sentimentales: Assez lent2:348Valses nobles et sentimentales: Modéré1:389Valses nobles et sentimentales: Assez animé1:2510Valses nobles et sentimentales: Presque lent1:2011Valses nobles et sentimentales: Assez vif0:5812Valses nobles et sentimentales: Moins vif3:0113Valses nobles et sentimentales: Epilogue4:3514Bolero16:2215Daphnis et Chloé (Suite No. 1): Nocturne5:1816Daphnis et Chloé (Suite No. 1): Interlude3:0417Daphnis et Chloé (Suite No. 1): Danse guerrière4:14Symphony in C / Pavane / Divertissement / Le Tombeau de Couperin
1989 · studio album
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Tracklist · 15 tracks · 1:11:56
1Symphony In C Major, WD 33: I. Allegro Vivo10:232Symphony In C Major, WD 33: II. Adagio9:343Symphony In C Major, WD 33: III. Scherzo: Allegro Vivace5:224Symphony In C Major, WD 33: IV. Finale: Allegretto Vivace8:205Pavane in F-sharp Minor, Op. 50 (orchestral version): Andante molto moderato6:236Le Tombeau De Couperin, M. 68a Suite for Orchestra: I. Prélude (vif)3:127Le Tombeau De Couperin, M. 68a Suite for Orchestra: II. Forlane (allegretto)5:518Le Tombeau De Couperin, M. 68a Suite for Orchestra: III. Menuet (allego moderato)4:429Le Tombeau De Couperin, M. 68a Suite for Orchestra: IV. Rigaudon (assez vif)3:1310Divertissement for Chamber Orchestra: I. Introduction (allego vivo)1:1111Divertissement for Chamber Orchestra: II. Cortège (moderato molto - animato subito - allego moderato)5:0412Divertissement for Chamber Orchestra: III. Nocturne (lento)2:1513Divertissement for Chamber Orchestra: IV. Valse (animato assai - temp di valse - vio molto)2:5114Divertissement for Chamber Orchestra: V. Parade (tempo di marcia)1:4815Divertissement for Chamber Orchestra: VI. Finale (quasi cadenza)1:471989 · studio album
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Tracklist · 8 tracks · 49:20
1Miroirs: Noctuelles4:322Miroirs: Oiseaux tristes4:093Miroirs: Une barque sur l'océan5:544Miroirs: Alborada del gracioso6:445Miroirs: La valée des cloches5:376Gaspard de la Nuit: Ondine6:347Gaspard de la Nuit: La gibet6:138Gaspard de la Nuit: Scarbo9:371989 · studio album
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Tracklist · 8 tracks · 51:25
1La Valse13:532Ma Mère l’Oye: I. Pavane de la Belle au bois dormant. Lent.1:303Ma Mére l’Oye: II. Petit poucet. Très modéré.3:204Ma Mére l’Oye: III. Laideronette, impératrice des Pagodes. Mouvement de marche.3:365Ma Mére l’Oye: IV. Les entretiens de la belle et de la Bete. Mouvement de valse très modéré4:026Ma Mére l’Oye: V. Le jardin Féerique. Lent et grave.3:267Pavane pour une Infante défunte6:228Bolero15:16Ravel: Piano Trio in A Minor / Shostakovich: Piano Trio No. 2 in E Minor
1989 · studio album
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Tracklist · 8 tracks · 57:00
1Piano Trio in A minor: I. Modere assez vif10:422Piano Trio in A minor: II. Pantoum4:343Piano Trio in A minor: III. Passacaglia - tres large7:554Piano Trio in A minor: IV. Finale - anime5:455Piano Trio in E minor I. Andante-moderato7:366Piano Trio in E minor II. Allegro con brio3:157Piano Trio in E minor III. Largo6:138Piano Trio in E minor IV. Allegretto11:001989 · studio album
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Tracklist · 14 tracks · 1:10:03
1Sonatine: Modéré3:562Sonatine: Mouvement de Menuet2:533Sonatine: Animé3:544Pavane pour une infante défunte (Assez doux, mais d'une sonorité large)6:005Le tombeau de Couperin: Prelude. Vif3:176Le tombeau de Couperin: Fugue. Allegro moderato3:167Le tombeau de Couperin: Forlane. Allegretto6:288Le tombeau de Couperin: Rigaudon. Assez vif3:169Le tombeau de Couperin: Menuet. Allegro moderato4:3710Le tombeau de Couperin: Toccata. Vif4:2811Menuet antique: Majestueusement6:0812Gaspard de la nuit: Ondine: Lent6:1813Gaspard de la nuit: Le gibet. Très lent5:4314Gaspard de la nuit: Scarbo. Modéré9:491989 · studio album
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Tracklist · 5 tracks · 56:55
1Piano Concerto for the Left Hand in D major19:492Piano Concerto in G major: I. Allegramente8:423Piano Concerto in G major: II. Adagio assai10:444Piano Concerto in G major: III. Presto4:135Ballade for Piano and Orchestra, op. 1913:271989 · studio album
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Tracklist · 8 tracks · 1:07:14
1Alborada del gracioso7:162Tzigane9:533Miroirs: Une barque sur l'océan7:154Shéhérazade: I. "Asie"9:475Shéhérazade: II. La Flûte enchantée2:546Shéhérazade: III. "L'indifférent"4:117Ouverture de féérie "Shéhérazade"13:328La Valse: Poème chorégraphique12:26Danses nobles et sentimentales
1989 · studio album
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Tracklist · 24 tracks · 1:05:35
1Valse from "Cinderella"5:022Gavotte from "Cinderella"2:243Passepied from "Cinderella"1:574Winter Fairy from "Cinderella"4:035Mazurka from "Cinderella"2:246Slavonic Dance in E minor, op. 72 no. 24:207Hungarian Dance no. 6 in G major3:228Romanian Folk Dances: I. Joc cu bâtă1:259Romanian Folk Dances: II. Brâul0:2710Romanian Folk Dances: III. Pe loc1:1811Romanian Folk Dances: IV. Buciumeana1:4212Romanian Folk Dances: V. Poarga Românească0:3213Romanian Folk Dances: VI. Mărunțel0:5514Kujiwiak3:1515Polonaise in D major, op. 45:4016Liebesfreud3:2917Liebeslied3:3818Schön Rosmarin2:1519Spanish Dance3:4920Malagueña, op. 71 no. 64:1821Valses nobles et sentimentales: no. 60:5922Valses nobles et sentimentales: no. 73:0823Gayaneh: Aisha's Dance2:5624Gayaneh: Sabre Dance2:171989 · studio album
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Tracklist · 22 tracks · 1:09:42
1Acis and Galatea: "O Ruddier Than the Cherry"6:042In questa tomba oscurra3:033Amarilli2:444Dein Wachstum sei feste und lache vor Lust (Cantata no. 212 "Bauer")4:315O del mio amato ben4:056Nel giardino1:577Canto popolare2:188Canto di primavera2:299Les Berceaux3:1010Chanson à Boire2:0011Madrigal2:2412Agnus Dei3:3513Tell Me, Oh Blue, Blue Sky2:5814An Old Song Re-Sung1:5415Colorado Trail2:5016O That It Were So2:1617Faust: "Avant de quitter ces lieux" (Valentin's Aria)4:1218Falstaff: "È sogno? O realtà?" (Ford's Monologue)4:3919Andrea Chénier: "Nemico della patria"4:0620Mattinata2:0121L'ultima canzone4:2922Blow the Man Down1:571989 · studio album
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Tracklist · 18 tracks · 1:06:29
1Pavane pour une infante défunte6:252Le Tombeau de Couperin : I. Prélude3:023Le Tombeau de Couperin : II. Fugue3:014Le Tombeau de Couperin : III. Forlane6:085Le Tombeau de Couperin : IV. Rigaudon3:066Le Tombeau de Couperin : V. Menuet4:587Le Tombeau de Couperin : VI. Toccata4:038Sérénade grotesque3:219Jeux d'eau5:5510Valses nobles et sentimentales : I. Adélaïde: Modéré - très franc1:1911Valses nobles et sentimentales : II. Assez lent - avec une expression intense2:2012Valses nobles et sentimentales : III. Modéré1:1713Valses nobles et sentimentales : IV. Assez animé1:0814Valses nobles et sentimentales : V. Presque lent - dans un sentiment intime1:3415Valses nobles et sentimentales : VI. Vif0:4016Valses nobles et sentimentales : VII. Moins vif2:3917Valses nobles et sentimentales : VIII. Epilogue: Lent4:1918La Valse11:14Mussorgsky: Pictures at an Exhibition / Ravel: Rapsodie Espagnole / La Valse
1989 · studio album
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Tracklist · 20 tracks · 1:08:11
1Pictures at an Exhibition: Promenade1:472Pictures at an Exhibition: I. Gnomus2:243Pictures at an Exhibition: Promenade1:034Pictures at an Exhibition: II. Il vecchio castello4:225Pictures at an Exhibition: Promenade0:336Pictures at an Exhibition: III. Tuileries1:057Pictures at an Exhibition: IV. Bydło3:168Pictures at an Exhibition: Promenade0:459Pictures at an Exhibition: V. Ballet des petits poussins dans leur coques1:1310Pictures at an Exhibition: VI. Samuel Goldenberg et Schmuyle2:0711Pictures at an Exhibition: VII. Limoges. Le Marché1:1512Pictures at an Exhibition: VIII. Catacombae. Sepulchrum Romanum - Cum mortuis in lingua mortua3:5813Pictures at an Exhibition: IX. La Cabane de Baba-Yaga sur des pattes de poule3:3014Pictures at an Exhibition: X. La Grande Porte de Kiev5:5015Rapsodie espagnole: I. Prélude à la nuit. Très modéré4:2516Rapsodie espagnole: II. Malagueña. Assez vif2:0317Rapsodie espagnole: III. Habanera. Assez lent e d'un rythme las2:4218Rapsodie espagnole: IV. Feria. Assez animé6:0519Une barque sur l'océan7:1920La Valse12:29Leonoren-Overture Nr. 3 / Schwanensee / Bolero / Daphnis und Chloé / España
1989 · studio album
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Tracklist · 8 tracks · 1:07:12
1Leonoren Ouvertüre nr.3 c-dur, op. 72a14:082Der schwanensee, op. 20: Walser6:373Der schwanensee, op. 20: Mazurka4:374España6:135Daphnis et Chloé suite nr.2: Lever du jour6:336Daphnis et Chloé suite nr.2: Pantomime7:377Daphnis et Chloé suite nr.2: Danse générale4:198Bolero17:081989 · studio album
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Tracklist · 25 tracks
1Promenade21. Gnomus3Promenade42. Il Vecchio Castello5Promenade63. Tuileries74. Bydlo8Promenade95. Ballet Des Poussins Dans Leurs Coques106. Samuel Goldenberg Und Schmuyle117. Limoges - Le Marché128. Catacombae: Sepulchrum Romanum13Cum Mortuis In Lingua Mortua149. La Cabane Sur Des Pattes De Poule1510. La Grande Porte De Kiev16Tarantelle Styrienne17Pour Le Piano18Modere19Assez Lent20Modere21Anime22Presque Lent23Assez Vif24Moins Vif25Epilogue; LentFranck / Ravel : String Quartets
1989 · studio album
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Tracklist · 8 tracks · 1:15:34
1String Quartet in D major: I. Poco lento - Allegro17:172String Quartet in D major: II. Scherzo: Vivace4:563String Quartet in D major: III. Larghetto11:144String Quartet in D major: IV. Allegro molto14:225String Quartet in F major: I. Allegro moderato8:006String Quartet in F major: II. Assez vif (très rhythmé)6:317String Quartet in F major: III. Très lent8:478String Quartet in F major: IV. Vif et agité4:271989 · studio album
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Tracklist · 14 tracks · 1:07:58
1Ma Mere L'oye - Prelude3:352Ma Mere L'oye - I Danse du rouet et Scene3:393Ma Mere L'oye - II Pavane de la Belle au bois dormant3:034Ma Mere L'oye - III Les Entretiens de la Belle et de la Bete6:145Ma Mere L'oye - IV Petit Poucet4:546Ma Mere L'oye - V Laideronnette, Imperatrice des Pagodes4:527Ma Mere L'oye - VI Le Jadin feerique4:028Fanfare, from ballet L'Eventail de Jeanne1:449Rapsodie Espagnole - I Prelude a la nuit5:1410Rapsodie Espagnole - II Malaguena2:0711Rapsodie Espagnole - III Habanera3:1412Rapsodie Espagnole - IV Feria6:3813Piece En Forme De Habanera3:1914Bolero15:231989 · studio album
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Tracklist · 26 tracks · 42:30
1Rhapsody on a Theme of Paganini, Op. 43: I. Introduction and Variation 10:272Rhapsody on a Theme of Paganini, Op. 43: II. Theme and Variation 20:373Rhapsody on a Theme of Paganini, Op. 43: III. Variation 30:244Rhapsody on a Theme of Paganini, Op. 43: IV. Variation 40:285Rhapsody on a Theme of Paganini, Op. 43: V. Variation 50:276Rhapsody on a Theme of Paganini, Op. 43: VI. Variations 60:547Rhapsody on a Theme of Paganini, Op. 43: VII. Variation 70:598Rhapsody on a Theme of Paganini, Op. 43: VIII. Variation 80:329Rhapsody on a Theme of Paganini, Op. 43: IX. Variation 90:3010Rhapsody on a Theme of Paganini, Op. 43: X. Variation 100:4911Rhapsody on a Theme of Paganini, Op. 43: XI. Variation 111:2812Rhapsody on a Theme of Paganini, Op. 43: XII. Variation 121:1813Rhapsody on a Theme of Paganini, Op. 43: XIII. Variation 130:3014Rhapsody on a Theme of Paganini, Op. 43: XIV. Variation 140:4315Rhapsody on a Theme of Paganini, Op. 43: XV. Variation 151:0416Rhapsody on a Theme of Paganini, Op. 43: XVI. Variation 161:2817Rhapsody on a Theme of Paganini, Op. 43: XVII. Variation 171:3618Rhapsody on a Theme of Paganini, Op. 43: XVIII. Variation 182:5019Rhapsody on a Theme of Paganini, Op. 43: XIX. Variation 190:2720Rhapsody on a Theme of Paganini, Op. 43: XX. Variation 200:3621Rhapsody on a Theme of Paganini, Op. 43: XXI. Variation 210:2522Rhapsody on a Theme of Paganini, Op. 43: XXII. Variation 221:3623Rhapsody on a Theme of Paganini, Op. 43: XXIII. Variation 230:4724Rhapsody on a Theme of Paganini, Op. 43: XXIV. Variation 241:1125Symphonic Variations14:3626Alborada del Gracioso5:48Daphnis et Chloé (Gesamtaufnahme) / Valses nobles et sentimentales
1989 · studio album
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Tracklist · 32 tracks · 1:09:51
1Daphnis Et Chloé - Première Partie. Lent - Très Modéré3:312Daphnis Et Chloé - Première Partie. Modéré2:343Daphnis Et Chloé - Première Partie. Un Peu Plus Lent3:124Daphnis Et Chloé - Première Partie. Vif0:505Daphnis Et Chloé - Première Partie. A Ce Moment...0:566Daphnis Et Chloé - Première Partie. Beaucoup Moins V0:437Daphnis Et Chloé - Première Partie. Vif - Plus Modéré - Très Modéré2:378Daphnis Et Chloé - Première Partie. Assez Lent - Animé - Vif2:549Daphnis Et Chloé - Première Partie. Lent - Moins Lent - Très Libre1:4210Daphnis Et Chloé - Première Partie. Très Modéré1:3511Daphnis Et Chloé - Première Partie. Modérémant Animé - Très Animé1:3512Daphnis Et Chloé - Première Partie. Modéré1:5313Daphnis Et Chloé - Première Partie. Lent Et Très Souple de Mesure3:3014Daphnis Et Chloé - Deuxième Partie. Même Mouvement2:5215Daphnis Et Chloé - Deuxième Partie. Animé Et Très Rude2:0016Daphnis Et Chloé - Deuxième Partie. Un Peu Moins Animé1:5417Daphnis Et Chloé - Deuxième Partie. Très Rude - Modéré - Animé - Assez3:3118Daphnis Et Chloé - Deuxième Partie. Assez Animé0:2919Daphnis Et Chloé - Deuxième Partie. Lent - Plus Animé2:0920Daphnis Et Chloé - Troisième Partie. Lent4:4921Daphnis Et Chloé - Troisième Partie. Le Vieux Berger...2:0122Daphnis Et Chloé - Troisième Partie. Très Lent4:0823Daphnis Et Chloé - Troisième Partie. Lent - Animé - Lent - Animé1:0124Daphnis Et Chloé - Troisième Partie. Danse Générale3:4425Valses Nobles Et Sentimentales - Modéré1:1826Valses Nobles Et Sentimentales - Assez Lent1:5227Valses Nobles Et Sentimentales - Modéré1:3128Valses Nobles Et Sentimentales - Assez Animé1:1029Valses Nobles Et Sentimentales - Presque Lent0:5930Valses Nobles Et Sentimentales - Assez Vif0:4331Valses Nobles Et Sentimentales - Moins Vif2:5332Valses Nobles Et Sentimentales - Épilogue: Lent3:151990 · studio album
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Tracklist · 12 tracks · 1:04:44
1Ma Mère l'Oye : I. Pavane de la belle au bois dormant1:332Ma Mère l'Oye : II. Petit Poucet2:513Ma Mère l'Oye : III. Laideronnette, impératrice des pagodes3:074Ma Mère l'Oye : IV. Les entretiens de la belle et de la bête3:505Ma Mère l'Oye : V. Le jardin féerique3:336Rapsodie espagnole : I. Prélude à la nuit4:087Rapsodie espagnole : II. Malagueña1:558Rapsodie espagnole : III. Habanera2:509Rapsodie espagnole : IV. Feria5:5310Introduction et Allegro11:0011Bolero12:4112La Valse11:231990 · studio album
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Tracklist · 9 tracks · 1:12:03
1Boléro15:152Alborada del gracioso6:563Pavane pour une infante défunte5:464La Valse12:415Daphnis et Chloé Suite no. 215:486Rapsodie espagnole: I. Prélude à la nuit4:017Rapsodie espagnole: II. Malagueña2:108Rapsodie espagnole: III. Habanera2:419Rapsodie espagnole: IV. Feria6:45Boléro, Rhapsodie Espagnole, La Valse, Daphnis Et Chloé, Valses Nobles Et Sentimentales
1990 · studio album
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Tracklist · 12 tracks · 1:14:39
1Boléro - Tempo di Boléro moderato assai)13:532La Valse, Poème chorégraphique - Mouvement de Valse viennoise - Un peu plus modéré - 1er Mouvement - Assez animé12:513Rhapsodie Espagnole - Prélude à la nuit (Très modéré)4:144Rhapsodie Espagnole - Malagueña (Assez vif)2:165Rhapsodie Espagnole - Habanera (Assez lent et d'un rythme las)2:346Rhapsodie Espagnole - Feria (Assez animé)6:197Daphnis Et Chloé - Fragments symphoniques - 2me série - Lever du jour (Lent) - Pantomime (Lent - Très lent - Vif - Très lent) - Danse générale (Lent - Animé)16:108Valses nobles et sentimentales - Modéré1:259Valses nobles et sentimentales - Assez Lent3:0410Valses nobles et sentimentales - Modéré - Assez animé - Presque lent4:2111Valses nobles et sentimentales - Assez vif - Moins vif3:3312Valses nobles et sentimentales - Epilogue: Lent3:591990 · studio album
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Tracklist · 14 tracks · 1:11:18
1Bolero16:482Concerto for Piano and Orchestra in G major - Allegramente8:513Concerto for Piano and Orchestra in G major - Adagio assai9:124Concerto for Piano and Orchestra in G major - Presto4:205Shéherezade for Soprano and Orchestra - Asie10:136Shéherezade for Soprano and Orchestra - La Flute enchantée2:507Shéherezade for Soprano and Orchestra - L'Indeferent4:138Cinq Mèlodies populaieres greques - Le Réveil de la Mariéc1:389Cinq Mèlodies populaieres greques - Là-bas vers l'église1:3110Cinq Mèlodies populaieres greques - Quel galant m'est comparable0:5711Cinq Mèlodies populaieres greques - Chanson des cueilleuses de lentisques3:0612Cinq Mèlodies populaieres greques - Tout gai1:0613Deux Mélodies hébraiques - Kaddish4:5314Deux Mélodies hébraiques - L'Enigme éternelle1:401990 · studio album
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Tracklist · 8 tracks · 1:03:01
1Concert for Piano, Violin and String Quartet, op. 21: I: Décidé13:222Concert for Piano, Violin and String Quartet, op. 21: II. Sicilienne4:063Concert for Piano, Violin and String Quartet, op. 21: III. Grave10:084Concert for Piano, Violin and String Quartet, op. 21: IV. Très animé9:535Trio for Piano, Violin and Cello: I. Modéré9:106Trio for Piano, Violin and Cello: II. Pantoum: Assez vif4:017Trio for Piano, Violin and Cello: III. Passacaille: Très large7:258Trio for Piano, Violin and Cello: IV. Final: Animé4:56Valses nobles et sentimentales
1990 · studio album
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Tracklist · 19 tracks · 1:08:38
1Valses nobles et sentimentales: 1. Modéré, très franc1:222Valses nobles et sentimentales: 2. Assez lent, avec une expression intense2:263Valses nobles et sentimentales: 3. Modéré1:184Valses nobles et sentimentales: 4. Assez animé1:105Valses nobles et sentimentales: 5. Presque lent, dans un sentiment intime1:216Valses nobles et sentimentales: 6. Assez vif0:397Valses nobles et sentimentales: 7. Moins vif2:478Valses nobles et sentimentales: 8. Epilogue (Lent)4:199Jeux d'eau5:3110Menuet sur le nom d'Haydn1:5011Sonatine: I. Modéré4:0612Sonatine: II. Mouvement de menuet2:5013Sonatine: III. Animé3:4514Pavane pour une infante défunte6:2515Miroirs: 1. Noctuelles4:5816Miroirs: 2. Oiseaux tristes4:1417Miroirs: 3. Une barque sur l'océan7:3518Miroirs: 4. Alborada del gracioso6:3719Miroirs: 5. La Vallée des cloches5:251990 · studio album
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Tracklist · 10 tracks · 1:00:21
1Bolero14:312Gaspard de la nuit Ondine6:333Gaspard de la nuit Le gibet5:304Gaspard de la nuit Scabro10:165Ma mère l'oye Pavane de la Belle au bois dormant1:466Ma mère l'oye Petit poucet3:327Ma mère l'oye Laideronnette, impératrice des pagodes3:308Ma mère l'oye Les entretiens de la Belle et la Bête4:149Ma mère l'oye Le Jardin Féerique4:1710Pavane pour une infante défunte6:121990 · studio album
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Tracklist · 11 tracks · 1:09:47
1Trio no. 1 in F major, op. 18: I. Allegro vivace6:592Trio no. 1 in F major, op. 18: II. Andante8:313Trio no. 1 in F major, op. 18: III. Scherzo3:554Trio no. 1 in F major, op. 18: IV. Allegro8:295Piano Trio: I. Modéré8:426Piano Trio: II. Pantoum4:237Piano Trio: III. Passacaille7:348Piano Trio: IV. Final5:239Piano trio sur des mélodies populaires irlandaises: I. Allegro moderato4:3610Piano trio sur des mélodies populaires irlandaises: II. Adagio5:5411Piano trio sur des mélodies populaires irlandaises: III. Gigue5:21Pictures at an Exhibition / Night on Bald Mountain / Valses nobles et sentimentales
1990 · studio album
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Tracklist · 24 tracks · 1:07:04
1Pictures at an Exhibition: Promenade1:532Pictures at an Exhibition: I. Gnomus2:503Pictures at an Exhibition: Promenade1:064Pictures at an Exhibition: II. Il vecchio castello5:275Pictures at an Exhibition: Promenade0:346Pictures at an Exhibition: III. Tuileries1:027Pictures at an Exhibition: IV. Bydlo2:578Pictures at an Exhibition: Promenade0:499Pictures at an Exhibition: V. Ballet des poussins dans leurs coques1:1410Pictures at an Exhibition: VI. Samuel Goldenberg und Schmuyle2:3311Pictures at an Exhibition: VII. Limoges - Le Marché1:2012Pictures at an Exhibition: VIII. Catacombae: Sepulchrum Romanum2:0913Pictures at an Exhibition: Cum mortuis in lingua mortua2:3314Pictures at an Exhibition: IX. La Cabane sur des pattes de poule3:4015Pictures at an Exhibition: X. La Grande Porte de Kiev6:3516Night on Bald Mountain11:2417Valses nobles et sentimentales: I. Modéré1:2118Valses nobles et sentimentales: II. Assez lent3:0719Valses nobles et sentimentales: III. Modéré1:5320Valses nobles et sentimentales: IV. Assez animé1:4421Valses nobles et sentimentales: V. Presque lent1:2322Valses nobles et sentimentales: VI. Assez vif1:0123Valses nobles et sentimentales: VII. Moins vif3:3224Valses nobles et sentimentales: VIII. Epilogue: Lent4:571990 · studio album
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Tracklist · 14 tracks · 1:07:42
1Escales: I. Rome – Palermo5:362Escales: II. Tunis – Nefta2:433Escales: III. Valencia5:284Rapsodie espagnole: I. Prélude à la nuit3:425Rapsodie espagnole: II. Malagueña2:096Rapsodie espagnole: III. Habanera2:547Rapsodie espagnole: IV. Feria5:568Alborada del gracioso6:389Pavane pour une infante défunte5:5910La Valse11:4111Le Tombeau de Couperin: I. Prélude2:5512Le Tombeau de Couperin: II. Forlande5:0513Le Tombeau de Couperin: III. Menuet4:0714Le Tombeau de Couperin: IV. Rigaudon2:49The Great Composers: 39 - Ravel Orchestral Works
1990 · studio album
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Tracklist · 5 tracks · 1:01:35
1Boléro, Op. 8117:262Miroirs: Alborada Del Gracioso8:173Pavane Pour Une Infante Defunte7:024Rapsodie Espagnole16:205La valse, un poème choréographique pour orchestre12:30Boléro / La Valse / Rapsodie espagnole / Alborada del gracioso
1990 · studio album
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Tracklist · 7 tracks · 51:30
1Boléro13:572La valse13:003Rapsodie espagnole: I - Prélude à la nuit4:194Rapsodie espagnole: II - Malagueña2:125Rapsodie espagnole: III - Habanera2:386Rapsodie espagnole: IV - Feria6:447Alborada del gracioso8:401990 · studio album
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Tracklist · 13 tracks · 1:11:23
1Daphnis et Chloé, part 1: Introduction et Daphnis religieuse8:152Daphnis et Chloé, part 1: Danse générale2:443Daphnis et Chloé, part 1: Danse de Daphnis et Danse grotesque de Dorcon5:224Daphnis et Chloé, part 1: Danse gracieuse et légeére de Daphnis4:545Daphnis et Chloé, part 1: Nocturne et Danse des Nymphes5:076Daphnis et Chloé, part 1: Interlude2:497Daphnis et Chloé, part 2: Danse querrière3:508Daphnis et Chloé, part 2: Danse de Chloé6:469Daphnis et Chloé, part 3: Lever du Jour5:1010Daphnis et Chloé, part 3: Pantomime6:3011Daphnis et Chloé, part 3: Danse générale4:3912Une barque sur l'océan7:5713Alborada del gracioso7:20Franck / Saint-Saëns: Violin Sonatas / Ravel: Tzigane
1990 · studio album
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Tracklist · 7 tracks · 1:00:53
1Sonata for Violin and Piano no. 1, op. 75: I. Allegro agitato - Adagio12:542Sonata for Violin and Piano no. 1, op. 75: II. Allegretto moderato - Allegro molto9:473Sonata for Violin and Piano in A major: I. Allegretto moderato6:124Sonata for Violin and Piano in A major: II. Allegro8:065Sonata for Violin and Piano in A major: III. Recitative - Fantasia. Ben moderato7:496Sonata for Violin and Piano in A major: IV. Allegretto poco mosso6:227Tzigane9:43Daphnis et Chloé, Suite 2 / Boléro / Ma Mère l'oye / Rapsodie espagnole
1990 · studio album
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Tracklist · 11 tracks · 1:05:27
1Daphnis et Chloé, fragments symphoniques (Deuxième série)15:452Ma Mère l'oye: I. Pavane de la Belle au bois dormant1:283Ma Mère l'oye: II. Petit Poucet2:574Ma Mère l'oye: III. Laideronette, Impératrice des pagodes3:195Ma Mère l'oye: IV. Les Entretiens de la Belle et de la Bête4:176Ma Mère l'oye: V. Le Jardin féerique3:597Rapsodie espagnole: I. Prelude a la nuit4:298Rapsodie espagnole: II. Malagueña2:089Rapsodie espagnole: III. Habanera3:1710Rapsodie espagnole: IV. Feria7:2611Boléro16:22French Music for Flute and Harp
1991 · studio album
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Tracklist · 13 tracks · 52:21
1Sonata: Allegro7:332Sonata: Andantino con variazioni9:233Pavane pour une infante défunte5:314Intermezzo from Carmen2:095Cinque piccoli duetti: Preludio1:146Cinque piccoli duetti: Pastorale2:007Cinque piccoli duetti: Canzonetta1:148Cinque piccoli duetti: Sogno2:569Cinque piccoli duetti: Rondo2:0610Sonata: Allegro moderato6:1111Sonata: Andante con moto5:4412Sonata: Allegro vivace2:5513Sonata: Adagio presto3:251991 · studio album
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Tracklist · 9 tracks · 53:32
1Bolero14:572Rhapsodie espagnole: Prelude a la nuit4:223Rhapsodie espagnole: Malaguena2:104Rhapsodie espagnole: Habanera2:325Rhapsodie espagnole: Feria6:466'Daphnis et Chloe' - Suti No. 2: Lever du jour5:507'Daphnis et Chloe' - Suti No. 2: Pantomime6:418'Daphnis et Chloe' - Suti No. 2: Danse generale3:339Pavane pour une infante defunte6:41Roussel: Symphony no. 3 / Bacchus et Ariane Suite no. 2 / Ravel: La Valse / Bolero
1991 · studio album
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Tracklist · 7 tracks · 1:06:55
1Symphony no. 3 in G minor, op. 42: I. Allegro vivo5:182Symphony no. 3 in G minor, op. 42: II. Adagio - Andante - Adagio molto7:553Symphony no. 3 in G minor, op. 42: III. Vivace3:004Symphony no. 3 in G minor, op. 42: IV. Allegro con spirito5:505La Valse12:076Bacchus et Ariane, op. 43: Second Orchestral Suite18:367Bolero14:09Dvořák: Symphony No. 8 / Ravel: Ma Mère L'oye
1991 · studio album
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Tracklist · 9 tracks · 1:01:33
1Symphony No. 8 In G Major, Op.88: I. Allegro Con Brio11:182Symphony No. 8 In G Major, Op.88: II. Adagio11:423Symphony No. 8 In G Major, Op.88: III. Allegretto Grazioso – Molto Vivave7:194Symphony No. 8 In G Major, Op.88: IV. Allegro Ma Non Troppo11:425Ma Mère L'Oye (Cinq Pièces Enfantines): I. Pavane De La Belle Au Bois Dormant1:576Ma Mère L'Oye (Cinq Pièces Enfantines): II. Petit Poucet3:577Ma Mère L'Oye (Cinq Pièces Enfantines): III. Laideronnette, Impératrice Des Pagodes4:128Ma Mère L'Oye (Cinq Pièces Enfantines): IV. Les Entretiens De La Belle Et La Bête5:269Ma Mère L'Oye (Cinq Pièces Enfantines): V. Le Jardin Féerique4:00Grosse Komponisten und ihre Musik 39: Ravel - Orchesterwerke
1991 · studio album
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Tracklist · 5 tracks · 1:01:35
1Boléro, Op. 8117:262Miroirs: Alborada Del Gracioso8:173Pavane Pour Une Infante Defunte7:024Rapsodie Espagnole16:205La valse, un poème choréographique pour orchestre12:301991 · studio album
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Tracklist · 6 tracks · 50:24
1Alborada del Gracioso7:352La Valse12:153Daphins et Chloé, Suite No.2: Lever du jour5:414Daphins et Chloé, Suite No.2: Pantomime7:035Daphins et Chloé, Suite No.2: Danse generale3:396Boléro14:111991 · studio album
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Tracklist · 11 tracks · 1:05:38
1Violin Sonata: I. Allegro vivo5:222Violin Sonata: II. Intermède (Fantasque et léger)4:113Violin Sonata: III. Finale (Très animé)4:364Violin Sonata: I. Allegretto8:165Violin Sonata: II. Blues (Moderato)5:336Violin Sonata: III. Perpetuum mobile (Allegro)3:537Violin Sonata: I. Con moto5:328Violin Sonata: II. Ballada (Con moto)5:289Violin Sonata: III. Allegretto2:4010Violin Sonata: IV. Adagio4:5511Sonate posthume15:12Mussorgsky / Ravel: Tableaux d’une Exposition / Mussorgsky / Shostakovich: Khovanchtchina
1991 · studio album
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Tracklist · 18 tracks · 51:32
1Tableaux d'une Exposition: Promenade1:382Tableaux d'une Exposition: I-Gnomus2:313Tableaux d'une Exposition: Promenade1:004Tableaux d'une Exposition: II-Il Vecchio Castello4:395Tableaux d'une Exposition: Promenade0:336Tableaux d'une Exposition: III-Tuileries1:047Tableaux d'une Exposition: IV-Bydlo2:308Tableaux d'une Exposition: Promenade0:569Tableaux d'une Exposition: V-Ballet des poussins dans leur coques1:1910Tableaux d'une Exposition: VI-Deux juifs polonais2:2311Tableaux d'une Exposition: VII-Limoges Le Marche1:2512Tableaux d'une Exposition: VIII-Catacombae sepulchrum Romanum2:1313Tableaux d'une Exposition: VIII-Cum mortuis in lingua mortua2:0914Tableaux d'une Exposition: IX-La cabane sur des pattes de poule3:1915Tableaux d'une Exposition: X-La grande porte de Kiev5:5616Khovanchtchina I5:4217Khovanchtchina IV7:4318Khovanchtchina Deuxieme Tableau4:32Boléro / La Valse / Daphnis et Chloé (Suite no. 2) / Pavane pour une infante défunte
1991 · studio album
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Tracklist · 6 tracks · 50:24
1Boléro15:112La Valse12:143Daphnis et Chloé, Suite no. 2: I. Lever du jour5:104Daphnis et Chloé, Suite no. 2: II. Pantomime7:335Daphnis et Chloé, Suite no. 2: III. Danse générale3:356Pavane pour une infante défunte6:411991 · studio album
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Tracklist · 14 tracks · 1:15:27
1Rapsodie espagnole: I. Prélude à la nuit4:402Rapsodie espagnole: II. Malagueña2:083Rapsodie espagnole: III. Habanera2:304Rapsodie espagnole: IV. Feria6:125Le gibet5:456Five o'clock Foxtrot4:327Piano Concerto in G: I. Allegramente8:218Piano Concerto in G: II. Adagio assai9:109Piano Concerto in G: III. Presto3:5810Pavane pour une infante défunte6:5511Pièce en forme de habanera3:3312Daphnis et Chloé, Suite II: I. Lever du jour6:2013Daphnis et Chloé, Suite II: II. Pantomime6:3214Daphnis et Chloé, Suite II: III. Danse générale4:51Im Herzen der Klassik 60: Ravel - Ma mère l‘Oye / Daphnis et Chloé, Suite Nr. 1 & Nr. 2
1991 · studio album
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Tracklist · 13 tracks · 1:00:44
1Ma mère l‘Oye: Prélude4:002Ma mère l‘Oye: Danse da Rouet et Scène3:443Ma mère l‘Oye: Pavane de la Belle au bois dormant2:484Ma mère l‘Oye: Les Entretiens de la Belle et de la Bête4:535Ma mère l‘Oye: Petit Poucet4:526Ma mère l‘Oye: Laideronnett, Impèratice des Pagodes5:157Ma mère l‘Oye: Apothéose: Le jardin féerique4:258Daphnis et Chloé, Suite Nr. 1: I. Nocturne5:449Daphnis et Chloé, Suite Nr. 1: II. Interlude3:1110Daphnis et Chloé, Suite Nr. 1: III. Danse guerrière3:5011Daphnis et Chloé, Suite Nr. 2: I. Lever du jour7:1712Daphnis et Chloé, Suite Nr. 2: II. Pantomime6:1113Daphnis et Chloé, Suite Nr. 2: III. Danse générate4:341991 · studio album
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Tracklist · 29 tracks · 2:36:23
Disc 11Tzigane9:152Sonate pour violon et piano: I. Allegretto8:263Sonate pour violon et piano: II. Blues5:224Sonate pour violon et piano: III. Perpetuum mobile4:035Trio pour piano violon et violoncelle: I. Modéré9:476Trio pour piano violon et violoncelle: II. Pantoum (assez vif)4:257Trio pour piano violon et violoncelle: III. Passacaille (très large)7:558Trio pour piano violon et violoncelle: IV. Final (animé)5:319Ma Mère l'Oye: I. Pavane de la Belle au bois dormant1:1310Ma Mère l'Oye: II. Le petit Poucet2:5011Ma Mère l'Oye: III. Laideronnette, impératrice des pagodes2:5012Ma Mère l'Oye: IV. Les entretiens de la Belle et de la Bête3:5913Ma Mère l'Oye: V. Le jardin féerique2:28143 Poèmes de Stéphane Mallarmé: I. Soupir3:43153 Poèmes de Stéphane Mallarmé: II. Placet futile4:06163 Poèmes de Stéphane Mallarmé: III. Surgi de la croupe et du bond3:06Disc 21Quatuor à cordes en fa majeur: I. Moderato très doux8:252Quatuor à cordes en fa majeur: II. Assez vif; Très rythmé6:103Quatuor à cordes en fa majeur: III. Très lent8:494Quatuor à cordes en fa majeur: IV. Vif et agité5:135Introduction et Allegro pour harpe, avec accompagnement de quatuor à cordes, flûte et clarinette11:026Sonate pour violon et violoncelle: I. Allegro5:177Sonate pour violon et violoncelle: II. Très vif3:338Sonate pour violon et violoncelle: III. Lent7:019Sonate pour violon et violoncelle: IV. Vif, avec entrain5:5610Pièce en forme de Habanera2:51113 Chansons madécasses: I. Nahandove5:17123 Chansons madécasses: II. Aoua3:55133 Chansons madécasses: III. Il est doux3:55Ravel: Boléro / Rhapsodie espagnole / Debussy: Iberia
1991 · studio album
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Tracklist · 8 tracks · 48:52
1Boléro: Tempo di boléro moderato assai13:512Rhapsodie espagnole: Prélude à la nuit (Très modéré)4:103Rhapsodie espagnole: Malaguena (Assez vif)2:134Rhapsodie espagnole: Habanera (Assez lent et d'un rythme las)2:285Rhapsodie espagnole: Feria (Assez animé)6:116Iberia Nr. 2 aus 'Images' für Orchester: Par les rues et par les chemins7:337Iberia Nr. 2 aus 'Images' für Orchester: Les parfums de la nuit8:098Iberia Nr. 2 aus 'Images' für Orchester: Le matin d'un jour de fête4:171991 · studio album
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Tracklist · 14 tracks · 1:11:14
1Le Tombeau de Couperin, M. 68: I. Prélude2:552Le Tombeau de Couperin, M. 68: II. Fugue3:273Le Tombeau de Couperin, M. 68: II. Forlane5:504Le Tombeau de Couperin, M. 68: III. Rigaudon2:485Le Tombeau de Couperin, M. 68: IV. Menuet5:056Le Tombeau de Couperin, M. 68: V. Toccata3:527Jeux d'eau, M. 306:058Sonatine, M. 40:: I. "Modéré"5:029Sonatine, M. 40:: II. "Mouvement de menuet"3:0610Sonatine, M. 40:: III. "Animé"3:3711Pavane pour une infante défunte, M. 196:4612Gaspard de la nuit, M. 55: I. Ondine6:5413Gaspard de la nuit, M. 55: II. Le Gibet6:2614Gaspard de la nuit, M. 55: III. Scarbo9:21Prokofiev: Peter and the Wolf / Britten: Young Person's Guide to the Orchestra / Ravel: Mother Goose
1991 · studio album
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Tracklist · 3 tracks · 50:49
1Peter and the Wolf, op. 6726:102Young Person's Guide to the Orchestra, op. 3416:333Ma Mere L'Oye Suite (Mother Goose): Prelude / Danse de Ronet et Scene / Interlude / Pavane de la Belle au bois dormant8:061991 · studio album
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Tracklist · 8 tracks · 56:33
1Sonate pusthume pour violon et piano17:212Sonate pour violon et piano : I. Allegretto7:573Sonate pour violon et piano : II. Blues (moderato)5:314Sonate pour violon et piano : III. Perpetuum mobile (allegro)3:515Kaddish5:076Tzigane10:267Habanera3:258Berceuse sur le nom de Gabriel Fauré2:551991 · studio album
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Tracklist · 31 tracks · 2:10:09
Disc 11Pavane pour une infante defunte la maniere de Emanuel Chabrier (Paraphrase on an air from Gounod's "Faust"?Act II)5:352A la maniere de Borodine?valse2:163A la maniere de Borodine?valse1:354Sonatine - Modere3:495Sonatine - Menuet2:376Sonatine - Anime3:177Miroirs - Noctuelles4:218Miroirs - Oiseaux tristes3:539Miroirs - Une Barque sur I'ocean6:4910Miroirs - Alborada del gracioso6:0711Miroirs - La Vallee des cloches5:0512Ma Mere l'Oye - Pavane de la Belle au bois dormant1:1313Ma Mere l'Oye - Petit Poucet2:4914Ma Mere l'Oye - Laideronnette, imperatrice des pagodes3:0915Ma Mere l'Oye - Les Entretiens de la Belle et de la Bete3:3116Ma Mere l'Oye - Le Jardin feerique2:5117Ma Mere l'Oye - Habanera2:3418Ma Mere l'Oye - Jeux d'eau4:34Disc 21Gaspard de la nuit - Ondine5:572Gaspard de la nuit - Le Gibet5:073Gaspard de la nuit - Scarbo9:144Menuet antique5:265Le Tombeau de Couperin - Prelude2:496Le Tombeau de Couperin - Fugue3:187Le Tombeau de Couperin - Forlane4:548Le Tombeau de Couperin - Rigaudon3:109Le Tombeau de Couperin - Menuet4:2210Le Tombeau de Couperin - Toccata3:5511Valses nobles et sentimentales12:5112Prelude in A Minor/a?moll/en la mineur1:2313Menuet sur le nom d'Haydn1:38Ravel's Ravel : recordings directed or supervised by the composer
1991 · studio album
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Tracklist · 5 tracks · 1:10:38
1Bolero16:112Introduction and Allegro9:333String Quartet in F major26:484Pavane pour une infante défunte6:195La valse11:47Debussy: La Mer / Prelude to the Afternoon of a Faun / Ravel: Pavanne for a Dead Princess
1991 · studio album
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Tracklist · 5 tracks · 40:19
1La Mer: From Dawn Till Noon on the Sea8:532La Mer: Play of the Waves6:263La Mer: Dialogue of the Wind and the Sea8:054Prelude to the Afternoon of a Faun10:205Pavanne for a Dead Princess6:351991 · studio album
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Tracklist · 8 tracks · 56:18
1String Quartet in F major: I. Allegro Moderato. Très Doux8:042String Quartet in F major: II. Assez Vif. Très Rythmé6:183String Quartet in F major: III. Très Lent8:514String Quartet in F major: IV. Vif Et Agité5:065String Quartet in G minor, Op.10: I. Animé Et Très Décidé8:526String Quartet in G minor, Op.10: II. Assez Vif Et Bien Rythmé3:467String Quartet in G minor, Op.10: III. Andantino, Doucement Expressif8:008String Quartet in G minor, Op.10: IV. Très Modéré - Très Mouvementé Et Avec Passion7:21Complete Works for Orchestra, Vol. I
1991 · studio album
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Tracklist · 13 tracks · 2:04:11
Disc 11Piano Concerto in G major: I. Allegramente8:092Piano Concerto in G major: II. Adagio assai8:493Piano Concerto in G major: III. Presto3:544Rapsodie espagnole (Prèlude à la nuit - Malagueña - Habanera)16:145Alborada del gracioso8:106Bolero17:20Disc 21Valses nobles et sentimentales18:092Menuet antique7:513Pavane pour une infante défunte7:034String Quartet in F major: I. Allegro moderato8:175String Quartet in F major: II. Assez vif - Très rythme6:296String Quartet in F major: III. Très lent8:507String Quartet in F major: IV. Vif et agité4:56Kodály : Sonate Opus 8 pour violoncelle seul / Ravel : Sonate pour violon et violoncelle
1991 · studio album
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Tracklist · 8 tracks · 54:27
1Sonate Opus 8 pour violoncelle seul: I. Allegro maestoso ma appassionato8:062Sonate Opus 8 pour violoncelle seul: II. Adagio10:333Sonate Opus 8 pour violoncelle seul: III. Allegro molto vivace9:434Sonate pour violon et violoncelle : I. Allegro4:345Sonate pour violon et violoncelle : II. Très vif3:166Sonate pour violon et violoncelle : III. Lent5:447Sonate pour violon et violoncelle : IV. Vif avec entrain5:448Passacaille en sol mineur pour violon et violoncelle6:471991 · studio album
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Tracklist · 6 tracks · 1:00:31
1Introduction et Rondo capriccioso, Op. 289:502Méditation de Thaïs5:203Zigeunerweisen, Op. 209:084Poème, Op. 2517:285Caprice d'après l'Étude en forme de valse de Saint-Saëns8:156Tzigane10:301991 · studio album
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Tracklist · 8 tracks · 54:20
1String Quartet in F major: I. Allegro moderato8:052String Quartet in F major: II. Assez vif - Très rythmé6:203String Quartet in F major: III. Très lent8:524String Quartet in F major: IV. Vif et agité5:185String Quartet in G minor, op. 10: I. Animé et très décidé6:346String Quartet in G minor, op. 10: II. Assez vif et bien rythmé3:497String Quartet in G minor, op. 10: III. Andantino, doucement expressif8:018String Quartet in G minor, op. 10: IV. Très modéré - Très mouvementé et avec passion7:211991 · studio album
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Tracklist · 14 tracks · 1:14:34
1Fanfare (L’Éventail de Jeanne)2:192Shéhérazade: I. Asie10:063Shéhérazade: II. La Flûte enchantée3:104Shéhérazade: III. L’indifférent4:225Alborada del gracioso7:416La Vallée des cloches5:387Ma Mère l’Oye: Prélude –3:218Ma Mère l’Oye: Danse du Rouet et Scène –3:399Ma Mère l’Oye: Pavane de la Belle au bois dormant –1:4810Ma Mère l’Oye: [Interlude] – Les entrietiens de la Belle et de la Bête –5:0611Ma Mère l’Oye: [Interlude] – Petit poucet –4:1112Ma Mère l’Oye: [Interlude] – Laideronnette, Impératrice des Pagodes –5:0313Ma Mère l’Oye: [Interlude] – Le Jardin féerique5:3714La Valse: Poème chorégraphique12:33Rapsodie espagnol / La Valse / Daphnis
1991 · studio album
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Tracklist · 7 tracks · 52:07
1Rapsodie espagnole: I. Prelude a la nuit4:092Rapsodie espagnole: II. Malaguena2:143Rapsodie espagnole: III. Habanera2:514Rapsodie espagnole: IV. Feria6:405Pavane pour une infante defunte6:286La Valse13:177Daphnis et Chloe Suite No. 216:28Rapsodie espagnole; La Valse; Ma mère l’oye; Valses nobles et sentimentales
1991 · studio album
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Tracklist · 20 tracks · 1:07:12
1Rapsodie espagnole, M.54: 1. Prélude à la nuit3:482Rapsodie espagnole, M.54: 2. Malagueña2:033Rapsodie espagnole, M.54: 3. Habanera2:234Rapsodie espagnole, M.54: 4. Feria6:215Ma mère l’oye, M.60: Prélude2:516Ma mère l’oye, M.60: Danse du rouet et scène - Interlude3:147Ma mère l’oye, M.60: Pavane de la Belle au bois dormant - Interlude2:148Ma mère l’oye, M.60: Les entretiens de la Belle et de la Bête - Interlude4:299Ma mère l’oye, M.60: Petit Poucet - Interlude4:1810Ma mère l’oye, M.60: Laideronnette, Impératrice des Pagodes - Interlude4:4411Ma mère l’oye, M.60: Apothéose: Le jardin féerique3:1712Valses nobles et sentimentales, M.61 - for Orchestra: 1. Modéré - très franc1:1713Valses nobles et sentimentales, M.61 - for Orchestra: 2. Assez lent2:0814Valses nobles et sentimentales, M.61 - for Orchestra: 3. Modéré1:3815Valses nobles et sentimentales, M.61 - for Orchestra: 4. Assez animé1:2016Valses nobles et sentimentales, M.61 - for Orchestra: 5. Presque lent - dans un sentiment intime1:2917Valses nobles et sentimentales, M.61 - for Orchestra: 6. Assez vif0:4918Valses nobles et sentimentales, M.61 - for Orchestra: 7. Moins vif3:0119Valses nobles et sentimentales, M.61 - for Orchestra: 8. Epilogue (Lent)4:0120La Valse, M. 72 - Choreographic Poem11:47Ravel : L'Enfant et les Sortilèges, l'heure espagnole & Debussy : Le martyre de San Sébastien
1992 · studio album
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Tracklist · 19 tracks · 2:20:26
Disc 11L'enfant et les sortilèges : Introduction - j'ai pas envie de faire ma page (l'enfant)4:302L'enfant et les sortilèges : Votre serviteur humble, bergère (le fauteuil)5:383L'enfant et les sortilèges : Oh! ma belle tasse chinoise! (l'enfant)5:534L'enfant et les sortilèges : Ah! c'est elle! c'est elle! (l'enfant)7:235L'enfant et les sortilèges : Deux robinets coulent dans un réservoir! (le petit vieillard)3:576L'enfant et les sortilèges : Ah! quelle joie de te retrouver, jardin! (l'enfant)4:527L'enfant et les sortilèges : Danse des rainettes (les bêtes & les arbres)4:238L'enfant et les sortilèges : Ah! c'est l'enfant au couteau! (les bêtes & les arbres)5:199Le Martyre de St Sébastien : I. La cour des lys15:2710Le Martyre de St Sébastien : II. La chambre magique9:58Disc 21Le Martyre de St Sébastien : III. Le concile des faux dieux11:542Le Martyre de St Sébastien : IV. Le Laurier blessé8:093Le Martyre de St Sébastien : V. Le paradis7:184L'heure espagnole : Senor torquemada, horloger de tolède_ (ramiro)6:185L'heure espagnole : (il reste, voilà bien ma chance!...) conception8:206L'heure espagnole : Salut à la belle horlogère! (inigo)7:047L'heure espagnole : Monsieur, ah! monsieur! (conception)9:388L'heure espagnole : Oh! la pitoyable aventure! (conception)7:449L'heure espagnole : Il n'est pour l'horloger, de joie égale à celle... (torqu...6:41Bolero / Daphnis et Chloé / Pavane
1992 · studio album
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Tracklist · 3 tracks · 39:45
1Daphnis et Chloé: Suite No. 217:362Boléro15:343Pavane pour une infante defunte6:35Ravel: Daphnis et Chloé (Complete Ballet) / Diamond: Elegy
1992 · studio album
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Tracklist · 4 tracks · 1:04:28
1Daphnis et Chloé: Pt. I31:032Daphnis et Chloé: Pt. II9:403Daphnis et Chloé: Pt. III16:284Elegy in the memory of Maurice Ravel7:17Boléro / La Valse / Prélude à l’après-midi d’un faune / Nocturnes
1992 · studio album
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Tracklist · 6 tracks · 1:01:42
1Nocturnes: Triptyque symphonique pour orchestre et chœurs: Nuages: Modéré - Un peu animé7:502Nocturnes: Triptyque symphonique pour orchestre et chœurs: Fêtes: Animé et très rythmé - Modéré mais toujours très rythmé - De plus en plus sonore et en serrant le mouvement6:053Nocturnes: Triptyque symphonique pour orchestre et chœurs: Sirènes: Modérément animé10:534Prélude à l’après-midi d’un faune: Très modéré9:535La Valse: Poème chorégraphique: Mouvement de valse viennoise12:386Boléro: Tempo di Boléro moderato assai14:23Boléro / Rapsodie espagnole / Pavane / Alborada del gracioso / Daphnis et Chloé (Suite No 2)
1992 · studio album
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Tracklist · 8 tracks · 1:02:55
1Daphnis et Chloé: Deuxième suite16:422Rapsodie espagnole: I. Prélude5:193Rapsodie espagnole: II. Malagueña2:104Rapsodie espagnole: III. Habanera2:465Rapsodie espagnole: IV. Feria6:116Pavane pour une infante défunte6:127Alborada del gracioso7:468Boléro15:491992 · studio album
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Tracklist · 10 tracks · 1:13:29
1Quartet in G minor: I. Animé et très décidé6:402Quartet in G minor: II. Assez vif et bien rythmé3:533Quartet in G minor: III. Andantino, doucement expressif8:024Quartet in G minor: IV. Très modéré7:465Quartet in F major: I. Allegro moderato – Très doux7:566Quartet in F major: II. Assez vif – Très rythmé6:217Quartet in F major: III. Très lent8:258Quartet in F major: IV. Vif et agité5:429‘Ainsi la nuit…’: I. ( ): I. Nocturne, Parenthese 1 / II. Miroir d’espace, Parenthese 2 / III. Litanies8:1110‘Ainsi la nuit…’: I. ( ): II. Parenthese 3: IV. Litanies 2, Parenthese 4 / V. Constellations / VI. Nocturne 2 / VII. Temps suspendu10:33Gaspard de la nuit / Jeux d'eaux / Menuet antique
1992 · studio album
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Tracklist · 18 tracks · 59:24
1Pavane pour une infante défunte5:532Jeux d'eau5:333Menuet antique6:184Valses nobles et sentimentales: Modèré.Trés franc1:165Valses nobles et sentimentales: Assez lent. Avec une expression intense1:586Valses nobles et sentimentales: Moderé1:137Valses nobles et sentimentales: Assez animé1:008Valses nobles et sentimentales: Presque lent. Dans un sentiment intime1:259Valses nobles et sentimentales: Vif0:3510Valses nobles et sentimentales: Moins vif2:3611Valses nobles et sentimentales: Epilogue. Lent3:3512Menuet sur le nom de Haydn1:3913Prélude1:3014A la manière de... Borodine1:2315A la manière de... Chabrier1:5016Gaspard de la nuit: Ondine6:3317Gaspard de la nuit: Gibet6:1418Gaspard de la nuit: Scarbo8:531992 · studio album
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Tracklist · 11 tracks · 1:13:41
1Piano Trio in A minor: I. Modéré9:352Piano Trio in A minor: II. Pantoum: Assez vif4:303Piano Trio in A minor: III. Passacaille: Très large6:374Piano Trio in A minor: IV. Final: Animé5:495Piano Trio in G major, L. 3: I. Andantino con moto allegro11:046Piano Trio in G major, L. 3: II. Scherzo-Intermezzo: Moderato con allegro3:237Piano Trio in G major, L. 3: III. Andante espressivo4:328Piano Trio in G major, L. 3: IV. Finale. Appassionato6:469Piano Trio in D minor, op. 120: I. Allegro, ma non troppo6:4510Piano Trio in D minor, op. 120: II. Andantino9:4611Piano Trio in D minor, op. 120: III. Allegro vivo4:541992 · studio album
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Tracklist · 33 tracks · 2:10:16
Disc 11Sérénade grotesque3:142Menuet antique6:313Pavane pour une infante défunte6:104Jeux d'eau5:335Sonatine: I. Modéré4:066Sonatine: II. Mouvement de Menuet3:127Sonatine: III. Animé3:388Miroirs: I. Noctuelles4:439Miroirs: II. Oiseaux tristes4:3110Miroirs: III. Une barque sur l'océan7:3711Miroirs: IV. Alborada del gracioso6:3712Miroirs: V. La Vallée des cloches6:16Disc 21Gaspard de la nuit: I. Ondine6:292Gaspard de la nuit: II. Le Gibet7:153Gaspard de la nuit: III. Scarbo8:354Menuet sur le nom de Haydn1:505Valses nobles et sentimentales: I. Modéré1:116Valses nobles et sentimentales: II. Assez lent2:277Valses nobles et sentimentales: III. Modéré1:248Valses nobles et sentimentales: IV. Assez animé1:039Valses nobles et sentimentales: V. Presque lent1:3110Valses nobles et sentimentales: VI. Vif0:3911Valses nobles et sentimentales: VII. Moins vif2:3012Valses nobles et sentimentales: VIII. Epilogue: Lent4:2913Prélude1:2914A la manière de Borodine1:2415A la manière de Charbrier1:2816Le Tombeau de Couperin: I. Prélude2:4917Le Tombeau de Couperin: II. Fugue3:1818Le Tombeau de Couperin: III. Forlane5:5519Le Tombeau de Couperin: IV. Rigaudon3:0420Le Tombeau de Couperin: V. Menuet5:1921Le Tombeau de Couperin: VI. Toccata3:59Bizet: Sinfonie / Jeux d'enfants / La Jolie Fille de Perth Suite / Ravel: Le Tombeau de Couperin
1992 · studio album
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Tracklist · 17 tracks · 1:07:37
1Symphonie en ut Allegro vivo7:332Symphonie en ut Adagio8:183Symphonie en ut Allegro vivace4:274Symphonie en ut Allegro vivace6:545Jeux d'enfants Marche (Trompette et tambour)2:166Jeux d'enfants Berceuse (La poupee)2:287Jeux d'enfants Impromptu (La toupie)1:028Jeux d'enfants Duo (Petit mari, petite femme)3:249Jeux d'enfants Galop (Le bal)1:5110La Jolie Fille de Perth --- suite Prelude3:5711La Jolie Fille de Perth --- suite Serenade2:0912La Jolie Fille de Perth --- suite Marche3:1013La Jolie Fille de Perth --- suite Danse bohemienne3:0714Le Tombeau de Couperin Prelude3:3615Le Tombeau de Couperin Forlane5:3216Le Tombeau de Couperin Menuet4:5317Le Tombeau de Couperin Rigaudon3:00Bolero / Rapsodie Espagnole / Pavane / Alborada De Gracioso / Daphnis Et Chloé (Suite No. 2)
1992 · studio album
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Tracklist · 8 tracks · 1:02:53
1Daphnis et Chloé: Deuxième suite16:392Rapsodie espagnole: I. Prélude5:193Rapsodie espagnole: II. Malagueña2:104Rapsodie espagnole: III. Habanera2:465Rapsodie espagnole: IV. Feria6:116Pavane pour une infante défunte6:137Alborada del gracioso7:468Boléro15:49Ma Mère L'oye / Pavane Pour Une Infante Défunte / Le Tombeau De Couperin
1992 · studio album
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Tracklist · 18 tracks · 1:01:23
1Le Tombeau De Couperin: Prélude3:042Le Tombeau De Couperin: Forlane6:103Le Tombeau De Couperin: Menuet4:324Le Tombeau De Couperin: Rigaudon3:085Sarabande4:536Danse5:267Pavane Pour Une Infante Défunte6:578Ma Mère L'oye (Ballet Version): Prélude3:009Ma Mère L'oye (Ballet Version): Tableau I: Danse Du Rouet Et Scène3:2810Ma Mère L'oye (Ballet Version): Tableau II: Pavane De La Belle Au Bois Dormant1:2911Ma Mère L'oye (Ballet Version): Interlude0:4712Ma Mère L'oye (Ballet Version): Tableau III: Les Entretiens De La Belle Et De La Bête4:1713Ma Mère L'oye (Ballet Version): Interlude0:4514Ma Mère L'oye (Ballet Version): Tableau IV: Petit Poucet3:2415Ma Mère L'oye (Ballet Version): Interlude1:2016Ma Mère L'oye (Ballet Version): Tableau V: Laideronnette, Impératrice Des Pagodes3:2117Ma Mère L'oye (Ballet Version): Interlude1:1618Ma Mère L'oye (Ballet Version): Apothéose. Le Jardin Féerique4:061992 · studio album
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Tracklist · 19 tracks · 1:14:15
1Daphnis et Chloé, Suite no. 2: I. Lever du joir6:042Daphnis et Chloé, Suite no. 2: II. Pantomime6:103Daphnis et Chloé, Suite no. 2: III. Danse générale3:334Valses nobles et sentimentales: I. Modéré1:155Valses nobles et sentimentales: II. Assez lent2:176Valses nobles et sentimentales: III. Modéré1:207Valses nobles et sentimentales: IV. Assez anime1:128Valses nobles et sentimentales: V. Presque lent1:029Valses nobles et sentimentales: VI. Assez vif0:4310Valses nobles et sentimentales: VII. Moins vif2:2611Valses nobles et sentimentales: VIII. Épilogue lent3:3212Boléro13:2513Nocturnes for Orchestra: I. Nuages6:1614Nocturnes for Orchestra: II. Fêtes5:4715Nocturnes for Orchestra: III. Sirènes7:4716Petite Suite: I. En Bateau3:0217Petite Suite: II. Cortège2:5218Petite Suite: III. Menuet2:5019Petite Suite: IV. Ballet2:421992 · studio album
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Tracklist · 8 tracks · 51:33
1String Quartet in G minor, op. 10, L. 85: 1. Animé et très décidé6:182String Quartet in G minor, op. 10, L. 85: 2. Scherzo (Assez vif et bien rythmé)3:533String Quartet in G minor, op. 10, L. 85: 3. Andantino doucement expressif7:094String Quartet in G minor, op. 10, L. 85: 4. Très modéré - Très mouvementé - Très animé6:555String Quartet in F major, M.35: 1. Allegro moderato. Très doux7:406String Quartet in F major, M.35: 2. Assez vif. Très rythmé6:177String Quartet in F major, M.35: 3. Très lent8:278String Quartet in F major, M.35: 4. Vif et agité4:54The Complete Solo Piano Music, Vol. 1
1992 · studio album
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Tracklist · 18 tracks · 1:11:00
1Valses nobles et sentimentales: Modéré – tres franc1:362Valses nobles et sentimentales: Assez lent2:173Valses nobles et sentimentales: Modéré1:304Valses nobles et sentimentales: Assez animé1:225Valses nobles et sentimentales: Presque lent1:226Valses nobles et sentimentales: Vif0:557Valses nobles et sentimentales: Moins vif3:048Valses nobles et sentimentales: Épilogue – Lent4:319Gaspard de la nuit: Ondine6:5210Gaspard de la nuit: Le gibet5:3111Gaspard de la nuit: Scarbo9:3712Jeux d’eau6:0013Le tombeau de Couperin: Prélude3:2214Le tombeau de Couperin: Fugue3:1515Le tombeau de Couperin: Forlane6:5016Le tombeau de Couperin: Rigaudon3:3717Le tombeau de Couperin: Menuet5:1418Le tombeau de Couperin: Toccata4:05Debussy: La Mer / Printemps / Ravel: Trio
1992 · studio album
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Tracklist · 9 tracks · 1:05:00
1La Mer: 1. De l'aube à midi sur la mer8:232La Mer: 2. Jeux de vagues6:263La Mer: 3. Dialogue du vent et de la mer7:204Printemps: I. Très modéré9:395Printemps: II. Modéré6:326Piano Trio in A minor: I. Modéré9:167Piano Trio in A minor: II. Pantoum4:398Piano Trio in A minor: III. Passacaille6:289Piano Trio in A minor: IV. Finale6:17
Other · 2
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1961 | Iberia (Complete) / Rapsodie EspagnoleSearch SpotifySearch YouTube MusicTracklist · 13 tracks · 43:28Disc 1 A1Iberia: Evocación5:03 A2Iberia: El Puerto4:25 A3Iberia: El corpus en Sevilla8:20 A4Iberia: Rondeña6:23 B1Iberia: Triana4:51 B2Iberia: Almeria7:40 B3Iberia: Lavapies6:46 Disc 2C1Iberia: El polo C2Iberia: El albaicin C3Iberia: Malaga C4Iberia: Eritana D1Iberia: Jerez D2Rapsodie espagnole | 1961 | ||
| 1991 | Classic Gala - Bolero - Klavierkonzert In G-DurSearch SpotifySearch YouTube Music | Compilation | 1991 |
Stats & PK
Percentile within all 23,672 published artists.Put Maurice Ravel head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 106 | 99.5th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 185 | 99.3th |
| Studio albums | 183 | 99.9th |
| Awards recorded | 4 | 96.3th |
| Timeline events | 185 | 99.9th |
| Recording span (years) | 7 | 21th |
| Genres | 15 | 98.8th |
Awards & honours
| Year | Award | Category | Result |
|---|---|---|---|
| 1991 | Grammy Hall of Fame | lifetime | |
| — | Honorary Member of the International Society for Contemporary Music | won | |
| — | Knight of the Legion of Honour | won | |
| — | Prix de Rome | won |
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Maurice_Ravel_1925.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/6fdd3b3e-1ea6-4da9-8d6f-8f8de01c133adiscography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/6fdd3b3e-1ea6-4da9-8d6f-8f8de01c133acore—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q1178genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q1178seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Maurice_Ravelbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Maurice_Ravelbiography—wikipedia-fr · CC BY-SA 4.0 · retrieved 10 October 2026
https://fr.wikipedia.org/wiki/Maurice_Ravel
Why this artist is in the database
- List of composers by name
Tier rule: global reach (106 language versions)
Image: Unknown author Unknown author The image holder, the Bibliothèque nationale de France has not identified a photographer. (Follow link and click on "Detailed information".) · Public domain · Wikimedia Commons
Wikidata: Q1178 · MusicBrainz: 6fdd3b3e-1ea6-4da9-8d6f-8f8de01c133a
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