Max Raabe

Biography

Max Raabe (born Matthias Otto, 12 December 1962) is a German jazz singer. He is best known as the founder and leader of the Palast Orchester.

Career

Raabe developed an interest in the sound of German dance and film music of the 1920s and 1930s, such as the songs of the Comedian Harmonists, from seeing old films on television and from his parents' record collection. He formally studied music at the Berlin University of the Arts, intending originally to become a baritone opera singer. He and eleven other students formed the Palast Orchester in 1985. The ensemble initially used music arrangements that Raabe found at various flea markets.
The orchestra practised these arrangements for one year without any public engagements or performances. The orchestra first performed publicly at the 1987 Berliner Theaterball, in the lobby as a secondary act, but with such success that the audience left the ballroom to hear the orchestra's performance in the lobby. Raabe and the Palast Orchester had a hit with his 1992 original, Schlager-styled song "Kein Schwein ruft mich an×Kein Schwein ruft mich an25 May 1999 · SingleSpotify (search)YouTube Music (search)Tracklist · 2 tracks1Kein Schwein ruft mich an (Single Partymix)3:492Kein Schwein ruft mich an (Maxi Partymix)4:47" ("Nobody ever calls me", almost literal translation: "No pig calls me"), a pop song in 1920s style.
In addition to covers of vintage music, Raabe writes original songs and music, including film music. He and the orchestra have also created covers of modern pop songs in a 1920–1930s band style, including songs by ABBA, Britney Spears, Tom Jones, and Salt'n'Pepa.
Raabe has also made a number of cameo appearances as a stereotypical 1920s and 1930s singer and entertainer in a number of films by German directors, such as Der bewegte Mann (1994; English title "Maybe, Maybe Not"), Werner Herzog's Invincible (2001), and Wenzel Storch's Die Reise ins Glück (2004). His live theatre performances include a 1994 appearance as Dr. Siedler in the Berlin "Bar jeder Vernunft" version of The White Horse Inn, and 1999 performances as Mack the Knife in Kurt Weill and Bertolt Brecht's The Threepenny Opera alongside Nina Hagen.
Raabe first performed in the USA in Los Angeles in 2004. In 2005, he performed his first concert in New York City's Carnegie Hall and returned for subsequent engagements with the Palast Orchester in 2007 and 2010. In 2011, Raabe produced an album, Küssen kann man nicht alleine×Küssen kann man nicht alleine28 January 2011 · Studio albumSpotify (search)YouTube Music (search)Tracklist · 12 tracks1Küssen kann man nicht alleine3:002Ich bin nur wegen Dir hier2:373Du weisst nichts von Liebe3:154In geheimer Mission3:335Täglich besser3:206Eifersüchtiger Mann3:077Krise3:238Doktor, Doktor3:089Wenn ich du wär’3:2410Mit Dir möchte ich immer Silvester feiern3:3711Krank vor Liebe2:4112Schlaflied2:57 (You cannot kiss alone), with former new-wave musician and producer Annette Humpe, who also wrote the lyrics. His latest album, also with Humpe, is Für Frauen ist das kein Problem×Für Frauen ist das kein Problem11 January 2013 · Studio albumSpotify (search)YouTube Music (search)Tracklist · 13 tracks1Für Frauen ist das kein Problem3:142Als ich Dich wollte2:533Ist doch nur ein Gefühl2:474Ich bin nur gut, wenn keiner guckt2:075Kleine Lügen2:516Langsam2:347Zwischen zwei Lieben2:598Ich schlaf am besten neben Dir3:119Keine Liebe für mich2:3310Ich bin schuld2:3311Der Sommer ist vorbei2:2012Mir kann nichts passieren3:0913Am Ende kommt immer der Schluss2:37 ("It's no problem for women"), released in 2013.
In 2022, Raabe made an appearance as himself in the 1920s neo-noir series Babylon Berlin, in which he performed a single titled Ein Tag wie Gold.