Peter Westergaard
Person · male · United States · Champaign · born 1931 · died 2019
American composer (1931–2019)
Also known as ピーター・ウェスターガード
Timeline
1930s
2010s
Biography
Biography
Peter Talbot Westergaard (28 May 1931 – 26 June 2019) was an American composer and music theorist. He was Professor Emeritus of music at Princeton University.
Biography
Westergaard was born on 28 May 1931 in Champaign, Illinois. He pursued undergraduate studies at Harvard University, graduating in 1953, and in 1956 obtained an M.F.A. degree from Princeton University. He studied with Roger Sessions, Walter Piston, Darius Milhaud, Edward Cone, Milton Babbitt and Wolfgang Fortner (Pratt 2001) in Freiburg/Germany.
He taught at Columbia University, Amherst College, and Princeton University before retiring in 2001. He continued to be active as a composer, mainly of opera and chamber music. He died in June 2019 at the age of 88.
Composer and theorist
Amongst former pupils of Babbitt, Westergaard stands out for his contributions to serial theory, as well as for his compositions, which are characterized by a delight in symmetry and mirror relationships, together with a concern for the systematic and integrated use of all the parameters of music, producing multileveled, clear, beautiful, and audible patterns.
Operas
Charivari (1953)
Mr. and Mrs. Discobbolos (1966)
The Tempest (1994)
Chicken-Little (1997)
Moby Dick: Scenes from an Imaginary Opera (2004)
Alice in Wonderland (2006)
Film version of Alice in Wonderland published by Albany records.
Vocal music
Cantata I: "The Plot Against the Giant" (text: W. Stevens), for female voices, clarinet, harp, and cello (1956)
Cantata II: "A Refusal to Mourn the Death, by Fire, of a Child in London" (text: Dylan Thomas), for bass and ten instruments (1958)
Cantata III: "Leda and the Swan" (text: William Butler Yeats), for mezzo-soprano, clarinet, viola, vibraphone, and marimba (1961)
Cantata IV: "Spring and Fall: To a Young Child" (text: Gerard Manley Hopkins), for soprano and five instruments (1964)
There Was a Little Man for soprano and violin (1979)
Ariel Music (text: William Shakespeare, from The Tempest), for soprano and ten instruments (1987)
Ode (text: Ben Jonson), for soprano, flute, clarinet, harp, violin, and viola (1989)
anyone lived in a pretty how town (text: E. E. Cummings), for SATB choir (1997)
Cantata V: "'Byzantium' and 'Sailing to Byzantium'" (text: William Butler Yeats), for baritone and percussion quartet (1997)
There Was a Lady Loved a Sow (text: traditional) (1997)
Cantata VI: "To the Dark Lady" (text: William Shakespeare), for soprano, mezzo-soprano, tenor, baritone, and percussion duo (1999)
Instrumental music
String Quartet, 1957;
Five Movements, for small orchestra (1958)
Quartet, for clarinet, vibraphone, violin, and cello (1960)
Trio, for flute, cello, and piano (1962)
Variations for Six Players, for flute, clarinet, piano, percussion, violin, and cello (1963)
Divertimento on Discobbolic Fragments, for flute and piano (1967)
Noises, Sounds, and Sweet Airs, for ensemble (1968)
Tuckets and Sennets (Anon. n.d.), for band (1969)
Moto perpetuo, for flute, oboe, clarinet, bassoon, trumpet, and horn (1976)
Two Fanfares, for brass (1988)
Ringing Changes, for orchestra (1996)
All Fours, for percussion quartet (1997)
Writings
Westergaard, Peter (1975). An Introduction to Tonal Theory. New York: W. W. Norton & Company. ISBN 0-393-09342-5.
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 6 | 38.9th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 0 | 0th |
| Studio albums | 0 | 0th |
| Awards recorded | 1 | 89th |
| Timeline events | 2 | 62.1th |
| Recording span (years) | — | no data |
| Genres | 1 | 56th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (0 release groups)
No discography rows stored yet
MusicBrainz enrichment for this artist is still pending. Release groups appear here once it runs.
Stats & PK
Percentile within all 23,672 published artists.Put Peter Westergaard head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 6 | 38.9th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 0 | 0th |
| Studio albums | 0 | 0th |
| Awards recorded | 1 | 89th |
| Timeline events | 2 | 62.1th |
| Recording span (years) | — | no data |
| Genres | 1 | 56th |
Awards & honours
| Year | Award | Category | Result |
|---|---|---|---|
| — | Guggenheim Fellowship | won |
Where this record comes from
core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q2079003genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q2079003seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Peter_Westergaardbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Peter_Westergaard
Why this artist is in the database
- List of composers by name
Tier rule: curated genre/region list
Image: no portrait (not displayed: the licence credit is missing)
Wikidata: Q2079003 · MusicBrainz: 209fc396-a848-4163-a2f2-cea7e50eafc3
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