
Photo: Joost Evers / Anefo · CC BY-SA 3.0 nl · credits
Pierre Boulez
Person · male · France · Montbrison · born 1925 · died 2016 · recording since 1962
French composer, conductor and writer (1925–2016)
streamingstreamingticketsdatabasedatabasedatabasedatabase
Listen on SpotifyYouTube Music
Also known as Boulez · Boulez, Pierre · 皮埃尔·布莱兹
Timeline
1920s
1960s
· Debut release
Debut release: Pierrot lunaire
First documented Album in the MusicBrainz discography.
source: musicbrainz
· Album
Album: Schoenberg: Transfigured Night / Eloy: Equivalences / Schoenberg, Eloy / Pousseur: Madrigal III
Album
source: musicbrainz
· Album
Album: Boulez Conducts Debussy, Vol. 2 (Images Pour Orchestre / Danses, Sacree Et Profane)
Album
source: musicbrainz
1970s
· Album
Album: Beethoven: Symphony No. 5 in C Minor, Op. 67 & Meeresstille und glückliche Fahrt, Op. 112 - Mahler: Symphony No. 10
Album
source: musicbrainz
· Album
Album: Boulez Conducts Beethoven: Symphony No. 5 / Calm Sea And Prosperous Voyage
Album
source: musicbrainz
· Album
Album: Boulez dirigiert Mahler: Das Klagende Lied (Erste Gesamtaufnahme) / Adagio aus der Sinfonie Nr. 10
Album
source: musicbrainz
· Album
Album: Schoenberg: Pierrot lunaire / Webern: Zwei Lieder, op. 8 / Fünf Canon, op. 16 / Boulez: Improvisation sur Mallarmé
Album
source: musicbrainz
· Album
Album: Messiaen: 7 Haïkaï / Eloy: Équivalences / Pousseur: Madrigal III
Album
source: musicbrainz
1980s
· Album
Album: Orchestral Music: op. 1 / op. 6 / op. 10 / op. 21 / op. 30 / Ricercata
Album
source: musicbrainz
· Album
Album: Chamber Concerto - Ramifications - Aventures - Nouvelles aventures
Album
source: musicbrainz
· Album
Album: Shéhérazade / Trois Poèmes de Stéphane Mallarmé / Chansons madécasses / Don Quichotte à Dulcinée / Cinq Mélodies populaires grecques
Album
source: musicbrainz
· Album
Album: Ecuatorial / Déserts / Intégrales / Hyperprism / Octandre / Offrandes / Density 21.5
Album
source: musicbrainz
· Album
Album: Sergiej Prokofiew: Sonata for Flute and Piano / Pierre Boulez: Sonatina for Flute and Piano
Album
source: musicbrainz
· Album
Album: Wagner - Meistersinger Prelude/Tannhäuser Overture, Faust Overture, Tristan Und Isolde Prelude & Love-Death
Album
source: musicbrainz
· Album
Album: Violin Concerto "To the Memory of an Angel" / Three Orchestral Pieces, op. 6
Album
source: musicbrainz
1990s
· Album
Album: Le Visage nuptial / Le Soleil des eaux / Figures, Doubles, Prismes
Album
source: musicbrainz
· Album
Album: Corale / Chemins II & IV / Ritorno degli snovidenia / Points on the Curve to Find
Album
source: musicbrainz
· Album
Album: Arcana / Amériques / Ionisation / Offrandes / Density 21,5 / Octandre / Intégrales
Album
source: musicbrainz
· Album
Album: The Miraculous Mandarin / Four Orchestral Pieces / Three Village Scenes
Album
source: musicbrainz
· Album
Album: Sonate pour piano n°1 - Sonatine (BBC Singers, Ensemble InterContemporain feat. director: Pierre Boulez)
Album
source: musicbrainz
· Album
Album: Wuorinen: Second Sonata (1976) / Boulez: Troisième Sonate pour Piano (1958; 2 versions)
Album
source: musicbrainz
· Album
Album: Couleurs de la Cité céleste / Et exspecto resurrectionem mortuorum / L'Ascension
Album
source: musicbrainz
· Album
Album: Bartók: The wooden prince / Music for Strings, Percussion and Celesta / Dance Suite / Scriabin: Le Poeme De L’Extase
Album
source: musicbrainz
· Album
Album: Boléro / Ma mère l’Oye / Rapsodie espagnole / Alborada del Gracioso
Album
source: musicbrainz
· Album
Album: Messiaen: Et exspecto resurrectionem mortuorum / Couleurs de la cité céleste / Stravinsky: Symphonies of Wind Instruments
Album
source: musicbrainz
· Album
Album: Chamber Concerto / Three Orchestral Pieces, op. 6 / Violin Concerto
Album
source: musicbrainz
· Album
Album: Carter: A Symphony of Three Orchestras / Varèse: Deserts; Ecuatorial; Hyperprism
Album
source: musicbrainz
· Album
Album: Pulcinella / The Song of the Nightingale / The Nightingale / L'Histoire du Soldat
Album
source: musicbrainz
· Album
Album: La Mer / Nocturnes / Jeux / Rhapsodie pour clarinette et orchestre
Album
source: musicbrainz
· Album
Album: Et exspecto resurrectionem mortuorum / Chronochromie / La Ville d’en Haut
Album
source: musicbrainz
· Album
Album: Secret Theatre / Tragoedia / Five Distances / Three Settings of Celan
Album
source: musicbrainz
· Album
Album: Boulez Conducts Boulez: ...Explosante-fixe... / Notations I–XII / Structures II
Album
source: musicbrainz
· Album
Album: Dukas: La Péri / De Falla: El sombrero de tres picos / Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Violoncello
Album
source: musicbrainz
· Album
Album: The Miraculous Mandarin / Music for Strings, Percussion and Celesta
Album
source: musicbrainz
· Album
Album: Boulez: Troisième sonate / Douze Notations / Barraqué : Sonate pour piano
Album
source: musicbrainz
· Album
Album: Pelleas and Melisande, op. 5 / Variations, op. 31/ Violin Concerto, op. 36 / Piano Concerto, op. 42
Album
source: musicbrainz
· Album
Album: Symphony of Psalms / Symphony in Three Movements / Symphonies of Wind Instruments
Album
source: musicbrainz
2000s
· Album
Album: Boulez: Livre pour quatuor / Webern: Trio, op. 20 / Mouvement pour trio à cordes
Album
source: musicbrainz
· Album
Album: Schoenberg: Piano Concerto / Klavierstücke, op. 11 & op. 19 / Berg: Sonata, op. 1 / Webern: Variations, op. 27
Album
source: musicbrainz
· Album
Album: Boulez conducts Varèse: Amériques / Arcana / Déserts / Ionisation
Album
source: musicbrainz
· Album
Album: Stravinsky: Le Sacre du printemps / Debussy: La Mer / Boulez: Notations VII
Album
source: musicbrainz
· Album
Album: Boulez conducts Stravinsky: Le Chant du rossignol / L’Histoire du soldat (suite) / Scherzo fantastique / Le roi des étoiles
Album
source: musicbrainz
· Album
Album: Ravel: Shéhérazade / Le Tombeau de Couperin / Debussy: Trois ballades de François Villon
Album
source: musicbrainz
· Album
Album: Boulez Conducts Ravel: La Valse / Menuet Antique / Ma Mere l’Oye
Album
source: musicbrainz
· Album
Album: Pli Selon Pli / Le Visage nuptial / Le Soleil des eaux / Figures, Doubles, Prismes
Album
source: musicbrainz
· Album
Album: Bach: Partita, BWV 828 / French Suite, BWV 812 / Boulez: Notations / Incises
Album
source: musicbrainz
2010s
· Album
Album: Pierrot Lunaire: Dreimal sieben Gediche nach Albert Giraud, op. 21
Album
source: musicbrainz
2020s
· Album
Album: Love-Feast Of The Apostles / Siegfried Idyll (Original Chamber Version)
Album
source: musicbrainz
· Album
Album: Royal Fireworks Music / Concerto Grosso In F / Overture To "Berenice"
Album
source: musicbrainz
· Album
Album: Daphnis Et Chloé (Complete Ballet) & The Song Of The Nightingale
Album
source: musicbrainz
Biography
Biography
Pierre Louis Joseph Boulez (French: [pjɛʁ lwi ʒozεf bulɛz]; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war contemporary classical music.
Born in Montbrison, in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism in the 1950s, controlled chance music in the 1960s and the electronic transformation of instrumental music in real time from the 1970s onwards. His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces considered landmarks of twentieth-century music, such as Le Marteau sans maître, Pli selon pli and Répons. His uncompromising commitment to modernism and the trenchant, polemical tone in which he expressed his views on music led some to criticise him as a dogmatist.
Boulez was also one of the most prominent conductors of his generation. In a career lasting more than sixty years, he was music director of the New York Philharmonic, chief conductor of the BBC Symphony Orchestra and principal guest conductor of the Chicago Symphony Orchestra and the Cleveland Orchestra. He made frequent appearances with many other orchestras, including the Vienna Philharmonic and the Berlin Philharmonic. He was known for his performances of the music of the first half of the twentieth century—including Debussy and Ravel, Stravinsky and Bartók, and the Second Viennese School—as well as that of his contemporaries, such as Ligeti, Berio and Carter. His work in the opera house included the production of Wagner's Ring cycle for the centenary of the Bayreuth Festival, and the world premiere of the three-act version of Berg's opera Lulu. His recorded legacy is extensive.
He also founded several musical institutions. In Paris he set up the Domaine musical in the 1950s to promote new music; in the 1970s he established the Institut de Recherche et Coordination Acoustique / Musique (IRCAM), to foster research and innovation in music, and the Ensemble intercontemporain, a chamber orchestra specialising in contemporary music. Later he co-founded the Cité de la musique, a concert hall, museum and library dedicated to music in the Parc de la Villette in Paris and, in Switzerland, the Lucerne Festival Academy, an international orchestra of young musicians, with which he gave first performances of many new works.
1925–1943: Childhood and school days
Pierre Boulez was born on 26 March 1925, in Montbrison, a small town in the Loire department of east-central France, to Léon and Marcelle (née Calabre) Boulez. He was the third of four children: an older sister, Jeanne (1922–2018) and younger brother, Roger (b. 1936) were preceded by another child called Pierre (b. 1920), who died after a few months. Léon (1891–1969), an engineer and technical director of a steel factory, is described by biographers as an authoritarian figure with a strong sense of fairness, and Marcelle (1897–1985) as an outgoing, good-humoured woman, who deferred to her husband's strict Catholic beliefs, while not necessarily sharing them. The family prospered, moving in 1929 from the apartment above a pharmacy, where Boulez was born, to a comfortable detached house, where he spent most of his childhood.
From the age of seven Boulez went to school at the Institut Victor de Laprade, a Catholic seminary where the thirteen-hour school day was filled with study and prayer. By the age of eighteen he had repudiated Catholicism; later in life he described himself as an agnostic.
As a child, Boulez took piano lessons, played chamber music with local amateurs and sang in the school choir. After completing the first part of his baccalaureate a year early, he spent the academic year of 1940–41 at the Pensionnat St. Louis, a boarding school in nearby Saint-Étienne. The following year he took classes in advanced mathematics at the Cours Sogno in Lyon (a school established by the Lazaristes) with a view to gaining admission to the École Polytechnique in Paris. His father hoped this would lead to a career in engineering. Wartime conditions in Lyon were already harsh; they became harsher still when the Vichy government fell, the Germans took over and the city became a centre of the resistance.
In Lyon, Boulez first heard an orchestra, saw his first operas (Mussorgsky's Boris Godunov and Wagner's Die Meistersinger von Nürnberg) and met the soprano Ninon Vallin, who asked him to play for her. Impressed by his ability, she persuaded his father to allow him to apply to the Conservatoire de Lyon. He was rejected but was determined to pursue a career in music. The following year, with his sister's support in the face of opposition from his father, he studied piano and harmony privately with Lionel de Pachmann (son of the pianist Vladimir de Pachmann). "Our parents were strong, but finally we were stronger than they", Boulez later said. In the event, when he moved to Paris in the autumn of 1943, hoping to enroll at the Conservatoire de Paris, his father accompanied him, helped him to find a room (in the 7th arrondissement) and subsidised him until he could earn a living.
1943–1946: Musical education
In October 1943, Boulez auditioned unsuccessfully for the advanced piano class at the Conservatoire, but he was admitted in January 1944 to the preparatory harmony class of Georges Dandelot. He made rapid progress, and by May 1944 Dandelot was describing him as "the best of the class".
Around the same time he was introduced to Andrée Vaurabourg, wife of the composer Arthur Honegger. Between April 1944 and May 1946 he studied counterpoint privately with her. In June 1944 he approached Olivier Messiaen and asked to study harmony with him. Messiaen invited him to attend the private seminars he gave to selected students; in January 1945, Boulez joined Messiaen's advanced harmony class at the Conservatoire.
Boulez moved to two small attic rooms on Rue Beautreillis in the Marais district of Paris, where he lived for the next thirteen years. In February 1945 he attended a private performance of Schoenberg's Wind Quintet, conducted by René Leibowitz, the composer and follower of Schoenberg. The strict use of twelve-tone technique in the Quintet was a revelation to Boulez, who organised a group of fellow students to take private lessons with Leibowitz. It was here that he also discovered the music of Webern. He eventually found Leibowitz's approach too doctrinaire and broke angrily with him in 1946 when Leibowitz tried to criticise one of his early works.
In June 1945, Boulez was one of four Conservatoire students awarded premier prix. He was described in the examiner's report as "the most gifted—a composer". Although registered at the Conservatoire for the academic year 1945–46, he soon boycotted Simone Plé-Caussade's counterpoint and fugue class, infuriated by what he described as her "lack of imagination", and organised a petition that Messiaen be given a full professorship in composition. Over the winter of 1945–46 Boulez immersed himself in Balinese and Japanese music and African drumming at the Musée Guimet and the Musée de l'Homme in Paris: "I almost chose the career of an ethnomusicologist because I was so fascinated by that music. It gives a different feeling of time."
1946–1953: Early career in Paris
On 12 February 1946, the pianist Yvette Grimaud gave the first public performances of Boulez's music (Douze Notations and Trois Psalmodies) at the Concerts du Triptyque. Boulez earned money by giving maths lessons to his landlord's son. He also played the ondes Martenot (an early electronic instrument), improvising accompaniments to radio dramas and occasionally deputising in the pit orchestra of the Folies Bergère. In October 1946, the actor and director Jean-Louis Barrault engaged him to play the ondes for a production of Hamlet for the new company he and his wife, Madeleine Renaud, had formed at the Théâtre Marigny. Boulez was soon appointed music director of the Compagnie Renaud-Barrault, a post he held for nine years. He arranged and conducted incidental music, mostly by composers whose music he disliked (such as Milhaud and Tchaikovsky), but it gave him the chance to work with professional musicians, while leaving time to compose during the day.
His involvement with the company also broadened his horizons: in 1947 they toured to Belgium and Switzerland ("absolutely pays de cocagne, my first discovery of the big world"); in 1948 they took Hamlet to the second Edinburgh International Festival; in 1951 they gave a season of plays in London, at the invitation of Laurence Olivier; and between 1950 and 1957 there were three tours to South America and two to North America. Much of the music he wrote for the company was lost after the occupation by students of the Théâtre de l'Odéon during the civil unrest in May 1968.
The period between 1947 and 1950 was one of intense compositional activity for Boulez. New works included the first two piano sonatas and initial versions of two cantatas on poems by René Char, Le Visage nuptial and Le Soleil des eaux. In October 1951, a substantial work for eighteen solo instruments, Polyphonie X, caused a scandal at its premiere at the Donaueschingen Festival, some audience members whistling and hissing during the performance.
Around this time, Boulez met two composers who were to be important influences: John Cage and Karlheinz Stockhausen. His friendship with Cage began in 1949 when Cage was visiting Paris. Cage introduced Boulez to two publishers (Heugel and Amphion) who agreed to take his recent pieces; Boulez helped to arrange a private performance of Cage's Sonatas and Interludes for Prepared Piano. When Cage returned to New York they began an intense, six-year correspondence about the future of music. Their friendship later cooled as Boulez could not accept Cage's increasing commitment to compositional procedures based on chance; he later broke off contact with him. In 1952 Stockhausen arrived in Paris to study with Messiaen. Although Boulez knew no German and Stockhausen no French, the rapport between them was instant: "A friend translated [and] we gesticulated wildly ... We talked about music all the time—in a way I've never talked about it with anyone else."
In July 1952, Boulez attended the International Summer Course for New Music in Darmstadt for the first time. As well as Stockhausen, Boulez was in contact there with other composers who would become significant figures in contemporary music, including Luciano Berio and Luigi Nono. Boulez quickly became one of the leaders of the post-war modernist movement in the arts. As the music critic Alex Ross observed: "at all times he seemed absolutely sure of what he was doing. Amid the confusion of postwar life, with so many truths discredited, his certitude was reassuring."
1954–1959: Le Domaine musical
In 1954, with the financial backing of Barrault and Renaud, Boulez started a series of concerts at the Petit Marigny theatre, which became known as the Domaine musical. The concerts focused initially on three areas: pre-war classics still unfamiliar in Paris (such as Bartók and Webern), works by the new generation (Stockhausen, Nono) and neglected masters from the past (Machaut, Gesualdo)—although the last category fell away in subsequent seasons, in part because of the difficulty of finding musicians with experience of playing early music. Boulez proved an energetic and accomplished administrator and the concerts were an immediate success. They attracted musicians, painters and writers, as well as fashionable society, but they were so expensive that Boulez had to turn to wealthy patrons for support.
Key events in the Domaine's history included a Webern festival (1955), the European premiere of Stravinsky's Agon (1957) and first performances of Messiaen's Oiseaux exotiques (1955) and Sept haïkaï (1963). Boulez remained director until 1967, when Gilbert Amy succeeded him.
On 18 June 1955, Hans Rosbaud conducted the first performance of Boulez's best-known work, Le Marteau sans maître, at the ISCM Festival in Baden-Baden. A nine-movement cycle for alto voice and instrumental ensemble based on poems by René Char, it was an immediate, international success. William Glock wrote: "even at a first hearing, though difficult to take in, it was so utterly new in sound, texture and feeling that it seemed to possess a mythical quality like that of Schoenberg's Pierrot lunaire". When Boulez conducted the work in Los Angeles in early 1957, Stravinsky attended the performance; he later described the piece as "one of the few significant works of the post-war period of exploration". Boulez dined several times with the Stravinskys and (according to Robert Craft) "soon captivated the older composer with new musical ideas, and an extraordinary intelligence, quickness and humour". Relations between the two composers soured the following year over the first Paris performance of Stravinsky's Threni for the Domaine musical. Poorly planned by Boulez and nervously conducted by Stravinsky, the performance broke down more than once.
In January 1958, the Improvisations sur Mallarmé (I et II) were premiered, forming the kernel of a piece which grew over the next four years into a large-scale, five-movement "portrait of Mallarmé", Pli selon pli. It received its premiere in Donaueschingen in October 1962.
Around this time, Boulez's relations with Stockhausen deteriorated as (according to the biographer Joan Peyser) he saw the younger man supplanting him as the leader of the avant-garde.
1959–1971: International conducting career
In 1959, Boulez left Paris for Baden-Baden, where he had an arrangement with the Southwest German Radio Symphony Orchestra to work as composer-in-residence and to conduct some smaller concerts. He also had access to an electronic studio where he could work on a new piece (Poésie pour pouvoir). He moved into, and eventually bought, a large hillside villa, which was his main home for the rest of his life.
During this period, he turned increasingly to conducting. His first engagement as an orchestral conductor had been in 1956, when he conducted the Venezuela Symphony Orchestra while on tour with Barrault. His breakthrough came in 1959 when he replaced the ailing Hans Rosbaud at short notice in demanding programmes of twentieth-century music at the Aix-en-Provence and Donaueschingen Festivals. This led to debuts with the Amsterdam Concertgebouw, Bavarian Radio Symphony and Berlin Philharmonic orchestras.
In 1963 Boulez conducted his first opera, Berg's Wozzeck at the Opéra National de Paris, directed by Barrault. The conditions were exceptional, with thirty orchestral rehearsals instead of the usual three or four; the critical response was favourable and after the first performance the musicians rose to applaud him. He conducted Wozzeck again in April 1966 at the Oper Frankfurt in a new production by Wieland Wagner.
Wieland Wagner had already invited Boulez to conduct Wagner's Parsifal at the Bayreuth Festival later in the season, and Boulez returned to conduct revivals in 1967, 1968 and 1970. He also conducted performances of Wagner's Tristan und Isolde with the Bayreuth company at the Osaka Festival in Japan in 1967, but the lack of adequate rehearsal made it an experience he later said he would rather forget. His conducting of the new production (by Václav Kašlík) of Debussy's Pelléas et Mélisande at Covent Garden in 1969 was praised for its combination of "delicacy and sumptuousness".
In 1965, the Edinburgh International Festival staged the first large-scale retrospective of Boulez as composer and conductor. In 1966, he proposed a reorganisation of French musical life to the minister of culture, André Malraux, but Malraux instead appointed the conservative Marcel Landowski as head of music at the Ministry of Culture. Boulez expressed his fury in an article in the Nouvel Observateur, announcing that he was "going on strike with regard to any aspect of official music in France".
In March 1965, Boulez had made his orchestral debut in the United States with the Cleveland Orchestra. In February 1969 he became its principal guest conductor and, on the death of George Szell in July 1970, assumed the role of music advisor for two years. In the 1968–69 season, he also made guest appearances in Boston, Chicago and Los Angeles.
Apart from Pli selon pli, Boulez's only substantial new work to emerge in the first half of the 1960s was the final version of Book 2 of his Structures for two pianos. Midway through the decade, he produced several new works, including Éclat (1965), a short and brilliant piece for small ensemble, which by 1970 had grown into a substantial half-hour work, Éclat/Multiples.
1971–1977: London and New York
Boulez first conducted the BBC Symphony Orchestra in February 1964, at Worthing, accompanying Vladimir Ashkenazy in a Chopin piano concerto. Boulez recalled: "It was terrible, I felt like a waiter who keeps dropping the plates." His appearances with the orchestra over the next five years included his debuts at the Proms and at Carnegie Hall (1965) and tours to Moscow and Leningrad, Berlin and Prague (1967). In January 1969 William Glock, controller of music at the BBC, announced his appointment as chief conductor. Two months later, Boulez conducted the New York Philharmonic for the first time. His performances so impressed both orchestra and management that he was offered the chief conductorship in succession to Leonard Bernstein. Glock was dismayed and tried to persuade him that accepting the New York position would detract both from his work in London and his ability to compose but Boulez could not resist the opportunity (as Glock put it) "to reform the music-making of both these world cities" and in June the New York appointment was confirmed.
His tenure in New York lasted between 1971 and 1977 and was not an unqualified success. The dependence on a subscription audience limited his programming. He introduced more key works from the first half of the twentieth century and, with earlier repertoire, sought out less well-known pieces. In his first season, he conducted Liszt's The Legend of Saint Elizabeth and Via Crucis. Performances of new music were comparatively rare in the subscription series. The players admired his musicianship but regarded him as dry and unemotional compared to Bernstein, although it was widely accepted that he improved the standard of playing. He returned on only three occasions to the orchestra in later years.
Boulez's time with the BBC Symphony Orchestra was happier. With the resources of the BBC behind him, he could be bolder in his choice of repertoire. There were occasional forays into the classical and romantic repertoire, particularly at the Proms (Beethoven's Missa solemnis in 1972; the Brahms German Requiem in 1973), but for the most part he worked intensively with the orchestra on the music of the twentieth century. He conducted works by the younger generation of British composers—such as Harrison Birtwistle and Peter Maxwell Davies—but Britten and Tippett were absent from his programmes. His relations with the musicians were generally excellent. He was chief conductor between 1971 and 1975, continuing as chief guest conductor until 1977. Thereafter he returned to the orchestra frequently until his last appearance in an all-Janáček programme at a 2008 Prom.
In both cities, Boulez sought out venues where new music could be presented more informally: in New York he began a series of "Rug Concerts"—when the seats in Avery Fisher Hall were taken out and the audience sat on the floor—and a contemporary music series called "Prospective Encounters" in Greenwich Village; in London he gave concerts at the Roundhouse, a former railway turntable shed which Peter Brook had also used for radical theatre productions. His aim was "to create a feeling that we are all, audience, players and myself, taking part in an act of exploration".
In 1972, Wolfgang Wagner, who had succeeded his brother Wieland as director of the Bayreuth Festival, invited Boulez to conduct the 1976 centenary production of Wagner's Der Ring des Nibelungen. The director was Patrice Chéreau. Highly controversial in its first year, according to Barry Millington by the end of the run in 1980 "enthusiasm for the production vastly outweighed disapproval". It was televised around the world.
A few new works emerged during this period, of which perhaps the most important is Rituel in memoriam Bruno Maderna, a large-scale orchestral work, prompted by the death at a relatively young age of Boulez's friend and fellow composer.
1977–1992: IRCAM
In 1970, Boulez was asked by President Pompidou to return to France and set up an institute specialising in musical research and creation at the arts complex—now known as the Centre Georges Pompidou—which was planned for the Beaubourg district of Paris. The Institut de Recherche et Coordination Acoustique / Musique (IRCAM) opened in 1977.
Boulez's model was the Bauhaus, which had been a meeting place for artists and scientists of all disciplines. IRCAM's aims included research into acoustics, instrumental design and the use of computers in music. The original building was constructed underground, partly to isolate it acoustically (an above-ground extension was added later). The institution was criticised for absorbing too much state subsidy, Boulez for wielding too much power. At the same time he founded the Ensemble intercontemporain, a virtuoso ensemble dedicated to contemporary music.
In 1979, Boulez conducted the world premiere of the three-act version of Berg's Lulu at the Paris Opera in Friedrich Cerha's completion of the work, left unfinished at Berg's death. It was directed by Chéreau. Otherwise he scaled back his conducting commitments to concentrate on IRCAM. Most of his appearances during this period were with his own Ensemble intercontemporain—including tours to the United States (1986), Australia (1988), the Soviet Union (1990) and Canada (1991)—although he also renewed his links in the 1980s with the Los Angeles Philharmonic Orchestra.
Boulez composed significantly more during this period, producing a series of pieces which used the potential, developed at IRCAM, electronically to transform sound in real time. The first of these was Répons (1981–1984), a 40-minute work for soloists, ensemble and electronics. He also radically reworked earlier pieces, including Notations I-IV, a transcription and expansion for large orchestra of tiny piano pieces (1945–1980), and his cantata on poems by Char, Le Visage nuptial (1946–1989).
From 1976 to 1995, he held the Chair in Invention, technique et langage en musique at the Collège de France. In 1988 he made a series of six programmes for French television, Boulez XXe siècle, each of which focused on a specific aspect of contemporary music (rhythm, timbre, form etc.)
1992–2006: Return to conducting
In 1992, Boulez gave up the directorship of IRCAM and was succeeded by Laurent Bayle. He was composer in residence at that year's Salzburg Festival. The previous year he began a series of annual residencies with the Cleveland Orchestra and the Chicago Symphony Orchestra. In 1995 he was named principal guest conductor in Chicago, a post he held until 2005, when he became conductor emeritus. His 70th birthday in 1995 was marked by a six-month retrospective tour with the London Symphony Orchestra, taking in Paris, Vienna, New York and Tokyo. In 2001 he conducted a major Bartók cycle with the Orchestre de Paris.
This period also marked a return to the opera house, including two productions with Peter Stein: Debussy's Pelléas et Mélisande (1992, Welsh National Opera and Théâtre du Châtelet, Paris); and Schoenberg's Moses und Aron (1995, Dutch National Opera and Salzburg Festival). In 2004 and 2005 he returned to Bayreuth to conduct a controversial new production of Parsifal directed by Christoph Schlingensief.
His two most substantial compositions from this period are ...explosante-fixe... (1993), which had its origins in 1972 as a tribute to Stravinsky and which again used the electronic resources of IRCAM, and sur Incises (1998), for which he was awarded the 2001 Grawemeyer Award for Music Composition.
Boulez continued to work on institutional organisation. He co-founded the Cité de la musique, which opened in La Villette on the outskirts of Paris in 1995. Consisting of a modular concert hall, museum and mediatheque—with the Conservatoire de Paris on an adjacent site—it became the home to the Ensemble intercontemporain and attracted a diverse audience. In 2004, he co-founded the Lucerne Festival Academy, an orchestral institute for young musicians, dedicated to music of the twentieth and twenty-first centuries. For the next ten years he spent the last three weeks of summer working with young composers and conducting concerts with the academy's orchestra.
2006–2016: Last years
Boulez's last major work was Dérive 2 (2006), a 45-minute piece for eleven instruments. He left several compositional projects unfinished, including the remaining Notations for orchestra.
He remained active as a conductor over the next six years. In 2007 he was re-united with Chéreau for a production of Janáček's From the House of the Dead (Theater an der Wien, Amsterdam and Aix). In April that year, as part of the Festtage in Berlin, Boulez and Daniel Barenboim gave a cycle of the Mahler symphonies with the Staatskapelle Berlin, which they repeated two years later at Carnegie Hall. In late 2007 the Orchestre de Paris and the Ensemble intercontemporain presented a retrospective of Boulez's music and in 2008 the Louvre mounted the exhibition Pierre Boulez, Œuvre: fragment.
His appearances became more infrequent after an eye operation in 2010 left him with severely impaired sight. Other health problems included a shoulder injury resulting from a fall. In late 2011, when he was already quite frail, he led the combined Ensemble intercontemporain and Lucerne Festival Academy, with the soprano Barbara Hannigan, in a tour of six European cities of his own Pli selon pli. His final appearance as a conductor was in Salzburg on 28 January 2012 with the Vienna Philharmonic Orchestra and Mitsuko Uchida in a programme of Schoenberg (Begleitungsmusik zu einer Lichtspielscene and the Piano Concerto), Mozart (Piano Concerto No.19 in F major K459) and Stravinsky (Pulcinella Suite). Thereafter he cancelled all conducting engagements.
In mid-2012 Boulez was diagnosed with a neurodegenerative disease, probably a form of Parkinson's. Later that year, he worked with the Diotima Quartet, making final revisions to his only string quartet, Livre pour quatuor, begun in 1948. In 2013 he oversaw the release on Deutsche Grammophon of Pierre Boulez: Complete Works, a 13-CD survey of all his authorised compositions. He made his last public appearance on 30 May 2013 at the Théâtre des Champs-Élysées in Paris, discussing Stravinsky with Robert Piencikowski, to mark the centenary of the premiere of The Rite of Spring.
From 2014 he scarcely left his home in Baden-Baden. His health prevented him from taking part in the many celebrations held across the world for his 90th birthday in 2015, which included a multi-media exhibition at the Musée de la Musique in Paris, focusing on the inspiration he had drawn from literature and the visual arts.
Boulez died at home on 5 January 2016. He was buried on 13 January in Baden-Baden's main cemetery following a private funeral service at the town's Stiftskirche. At a memorial service the next day at the Saint-Sulpice in Paris, eulogists included Barenboim, Renzo Piano, and Laurent Bayle, then president of the Philharmonie de Paris, whose large concert hall had been inaugurated the previous year, thanks in part to Boulez's influence.
Juvenilia and student works
Boulez's earliest surviving compositions date from his school days in 1942–43, mostly songs on texts by Baudelaire, Gautier and Rilke. Gerald Bennett describes the pieces as "modest, delicate and rather anonymous [employing] a certain number of standard elements of French salon music of the time—whole-tone scales, pentatonic scales and polytonality".
As a student at the Conservatoire Boulez composed a series of pieces influenced first by Honegger and Jolivet (Prelude, Toccata and Scherzo and Nocturne for solo piano (1944–45)) and then by Messiaen (Trois psalmodies for piano (1945) and a Quartet for four ondes Martenot (1945–46)). The encounter with Schoenberg—through his studies with Leibowitz—was the catalyst for his first piece of serial music, the Thème et variations for piano, left hand (1945). Peter O'Hagan describes it as "his boldest and most ambitious work to date".
Douze notations and the work in progress
Boulez completed Douze notations in December 1945. It is in these twelve aphoristic pieces for piano, each twelve bars long, that Bennett first detects the influence of Webern. Shortly after the composition of the piano original, Boulez attempted an (unperformed and unpublished) orchestration of eleven of the pieces. Over a decade later he re-used two of them in instrumental interludes in his Improvisation I sur Mallarmé. Then in the mid-1970s he embarked on a further, more radical transformation of the Notations into extended works for very large orchestra, a project which occupied him to the end of his life.
Notations was only the most extreme example of Boulez's tendency to revisit earlier works: "as long as my ideas have not exhausted every possibility of proliferation they stay in my mind". Robert Piencikowski characterises this in part as "an obsessional concern for perfection" and observes that with some pieces "one could speak of successive distinct versions, each one presenting a particular state of the musical material, without the successor invalidating the previous one or vice versa"—although he notes that Boulez almost invariably vetoed the performance of previous versions.
First published works
The Sonatine for flute and piano (1946–1949) was the first work Boulez allowed to be published. A serial work of great energy, its single-movement form was influenced by Schoenberg's Chamber Symphony No. 1. Bennett finds in the piece a tone new to Boulez's writing: "a sharp, brittle violence juxtaposed against an extreme sensitivity and delicacy". In the Piano Sonata No. 1 (1946–49) the biographer Dominique Jameux highlights the sheer number of different kinds of attack in its two short movements—and the frequent accelerations of tempo in the second movement—which together create a feeling of "instrumental delirium".
There followed two cantatas based on the poetry of René Char. Of Le Visage nuptial Paul Griffiths observes that "Char's five poems speak in hard-edged surrealist imagery of an ecstatic sexual passion", which Boulez reflected in music "on the borders of fevered hysteria". In its original version (1946–47) the piece was scored for small forces (soprano, contralto, two ondes Martenot, piano and percussion). Forty years later Boulez arrived at the definitive version for soprano, mezzo-soprano, chorus and orchestra (1985–1989). Le Soleil des eaux (1948) originated in incidental music for a radio drama by Char. It went through three further versions before reaching its final form in 1965 as a piece for soprano, mixed chorus and orchestra. The first movement (Complainte du lézard amoureux) is a love song addressed by a lizard to a goldfinch in the heat of a summer day; the second (La Sorgue) is a violent, incantatory protest against the pollution of the river Sorgue.
The Second Piano Sonata (1947–48) is a half-hour work which requires formidable technical prowess from the performer. Its four movements follow the standard pattern of a classical sonata but in each of them Boulez subverts the traditional model. For Griffiths the violent character of much of the music "is not just superficial: it is expressive of … a need to obliterate what had gone before". Boulez played the work for Aaron Copland, who asked: "But must we start a revolution all over again?"—"Yes, mercilessly", Boulez replied.
Total serialism
That revolution entered its most extreme phase in 1950–1952, when Boulez developed a technique in which not only pitch but other musical parameters—duration, dynamics, timbre and attack—were organised according to serial principles, an approach known as total serialism or punctualism. Messiaen had already made an experiment in this direction in his Mode de valeurs et d'intensités for piano (1949). Boulez's first sketches towards total serialism appeared in parts of Livre pour quatuor (1948–49, revised 2011–12), a collection of movements for string quartet from which the players may choose at any one performance, foreshadowing Boulez's later interest in variable form.
In the early 1950s Boulez began to apply the technique rigorously, ordering each parameter into sets of twelve and prescribing no repetition until all twelve had sounded. According to the music critic Alex Ross the resulting surfeit of ever-changing musical data has the effect of erasing at any given point previous impressions the listener may have formed: "the present moment is all there is", Ross observed. Boulez linked this development to a desire by his generation to create a tabula rasa after the war.
His works in this idiom are Polyphonie X (1950–51; withdrawn) for 18 instruments, the two musique concrète études (1951–52; withdrawn), and Structures, Book I for two pianos (1951–52). Speaking of Structures, Book I in 2011 Boulez described it as a piece in which "the responsibility of the composer is practically absent. Had computers existed at that time I would have put the data through them and made the piece that way. But I did it by hand...It was a demonstration through the absurd." Asked whether it should still be listened to as music, Boulez replied: "I am not terribly eager to listen to it. But for me it was an experiment that was absolutely necessary."
Le Marteau sans maître and Pli selon pli
Structures, Book I was a turning point for Boulez; from here on he loosened the strictness of total serialism into a more supple, gestural music: "I am trying to rid myself of my thumbprints and taboos", he wrote to Cage. The most significant result of this new freedom was Le Marteau sans maître (1953–1955), described by Griffiths and Bill Hopkins as a "keystone of twentieth-century music". Three short poems by Char are the starting-point for three interlocking cycles. Four movements are vocal settings of the poems (one is set twice), the other five are instrumental commentaries. According to Hopkins and Griffiths the music is characterised by abrupt tempo transitions, passages of broadly improvisatory melodic style and exotic instrumental colouring. The piece is scored for contralto soloist with alto flute, xylorimba, vibraphone, percussion, guitar and viola. Boulez said that the choice of these instruments showed the influence of non-European cultures, to which he had always been attracted.
For the text of his next major work, Pli selon pli (1957–1989), Boulez turned to the symbolist poetry of Stéphane Mallarmé, attracted by its extreme density and radical syntax. At seventy minutes, it is his longest composition. Three Improvisations on individual sonnets are framed by two orchestral movements, into which fragments of other poems are embedded. Boulez's word-setting, which in the first Improvisation is straightforwardly syllabic, becomes ever more melismatic, to the point where the words cannot be distinguished. Boulez's stated aim was to make the sonnets become the music at a deeper, structural level. The piece is scored for soprano and large orchestra, often deployed in chamber groups. Boulez described its sound-world, rich in percussion, as "not so much frozen as extraordinarily 'vitrified'". The work had a complex genesis, reaching its definitive form in 1989.
Controlled chance
From the 1950s Boulez experimented with what he called "controlled chance". In his article "Sonate, que me veux-tu?", he wrote of "the investigation of a relative world, a permanent 'discovering' rather like the state of 'permanent revolution'".
Peyser observes that Boulez's use of chance is different from John Cage's. In Cage's music the performers are often free to create unforeseen sounds, with the aim of removing the composer's intention from the music; in Boulez's music they choose between possibilities that have been written out by the composer. When applied to the order of sections, this is sometimes described as "mobile form", a technique devised by Earle Brown, who was inspired by the mobile sculptures of Alexander Calder, whom Boulez met when he was visiting New York in 1952.
Boulez employed variants of the technique in several works over the next two decades: in the Third Piano Sonata (1955–1957, revised 1963) the pianist chooses different routes through the score and in one movement (Trope) has the option of omitting certain passages altogether; in Éclat (1965), the conductor triggers the order in which each player joins the ensemble; in Domaines (1961–1968) it is the soloist who dictates the order in which the sections are played by his movement around the stage. In later works, such as Cummings ist der Dichter (1970, revised 1986)—a chamber cantata for 16 solo voices and small orchestra using a poem by E. E. Cummings—the conductor chooses the order of certain events but there is no freedom for the individual player. In its original version Pli selon pli also contained elements of choice for the instrumentalists, but much of this was eliminated in later revisions.
By contrast Figures—Doubles—Prismes (1957–1968) is a fixed work with no chance element. Piencikowski describes it as "a great cycle of variations whose components interpenetrate each other instead of remaining isolated in the traditional manner". It is notable for the unusual layout of the orchestra, in which the various families of instruments (woodwind, brass etc.) are scattered across the stage rather than being grouped together.
Middle-period works
Jonathan Goldman identifies a major aesthetic shift in Boulez's work from the mid-1970s onwards, characterised variously by the presence of thematic writing, a return to vertical harmony and to clarity and legibility of form. Boulez himself said: "the envelope is simpler. The contents are not ... I think in my recent work it is true that the first approach is more direct, and the gesture is more obvious, let's say."
For Goldman, Rituel in memoriam Bruno Maderna (1974–75) marks the beginning of this development. Boulez wrote this twenty-five minute work as an epitaph for his friend and colleague, the Italian composer and conductor, who died in 1973 aged 53. The piece is divided into fifteen sections, the orchestra into eight groups. The odd-numbered sections are conducted; in the even-numbered sections the conductor merely sets each group in motion and its progress is regulated by a percussionist beating time. In his dedication Boulez described the work as "a ritual of disappearance and survival"; Griffiths refers to the work's "awesome grandeur".
Notations I–IV (1980) are the first four transformations of piano miniatures from 1945 into pieces for very large orchestra. In his review of the New York premiere, Andrew Porter wrote that the single idea of each original piece "has, as it were, been passed through a many-faceted bright prism and broken into a thousand linked, lapped, sparkling fragments", the finale "a terse modern Rite ... which sets the pulses racing".
Dérive 1 (1984), dedicated to William Glock on his retirement from the Bath Festival, is a short quintet in which the piano takes the lead. The material is derived from six chords and, according to Ivan Hewett, the piece "shuffles and decorates these chords, bursting outwards in spirals and eddies, before returning to its starting point". At the end the music "shivers into silence".
Works with electronics
Boulez compared the experience of listening to pre-recorded electronic music in the concert hall to a crematorium ceremony. His real interest lay in the instantaneous transformation of instrumental sounds but the technology was not available until the founding of IRCAM in the 1970s. Before then he had produced Deux Études (1951) for magnetic tape for Pierre Schaeffer's Groupe Recherche de la Radiodiffusion Française, as well as a large-scale piece for live orchestra with tape, Poésie pour pouvoir (1958). He was dissatisfied with both pieces and withdrew them.
The first piece completed at IRCAM was Répons (1980–1984). In this forty-minute work an instrumental group is placed in the middle of the hall, while six soloists surround the audience: two pianos, harp, cimbalom, vibraphone and glockenspiel/xylophone. It is their music which is transformed electronically and projected through the space. Peter Heyworth described the moment when they enter, some ten minutes into the piece: "it is as though a great window were thrown open, through which a new sound world enters, and with it a new world of the imagination. Even more impressive is the fact that there is no longer a schism between the worlds of natural and electronic sounds, but rather a continuous spectrum."
Dialogue de l'ombre double (1982–1985) for clarinet and electronics grew out of a fragment of Domaines and was a gift for Luciano Berio on his 60th birthday. Lasting around eighteen minutes, it is a dialogue between a solo clarinet (played live, though sometimes reverberated through an offstage piano) and its double (in passages pre-recorded by the same musician and projected around the hall). Boulez approved transcriptions of the piece for bassoon, saxophone, alto flute and recorder.
In the early 1970s he had worked on an extended chamber piece called …explosante-fixe… for eight solo instruments, electronically transformed by a machine called a halophone, but the technology was primitive and he eventually withdrew it. He re-used some of its material in other works, including a later piece with the same name. This definitive version was composed at IRCAM between 1991 and 1993 for MIDI-flute and two accompanying flutes with ensemble and live electronics. By this time the computer could follow the score and respond to triggers from the players. According to Griffiths, "the principal flute is caught as if in a hall of mirrors, its line imitated in what the other flutes play, and then in the contributions of the larger ensemble". Hopkins and Griffiths describe it as "music characteristically caught between thrill and desperation".
Anthèmes II for violin and electronics (1997) grew out of a piece for solo violin Anthèmes I (1991), which Boulez wrote for the Yehudi Menuhin Violin Competition in Paris and which in turn derived from material in the original …explosante-fixe… The virtuoso writing for the instrument is captured by the electronic system, transformed in real time and propelled around the space to create what Jonathan Goldman calls a "hyper-violin". Although this produces effects of speed and complexity which no violinist could achieve, Boulez restricts the palette of electronic sounds so that their source, the violin, is always recognisable.
Last works
In later works Boulez relinquished electronics, although Griffiths suggests that in sur Incises (1996–1998) the choice of like but distinct instruments, spread across the platform, enabled Boulez to create effects of harmonic, timbral and spatial echo for which he previously used electronic means. The piece is scored for three pianos, three harps and three percussionists (including steel drums) and grew out of Incises (1993–2001), a short piece written for a piano competition. In an interview in 2013 he described it as his most important work—"because it is the freest".
Notation VII (1999), marked "hieratic" in the score, is the longest of the orchestral Notations. According to Griffiths: "what was abrupt in 1945 is now languorous; what was crude is now done with a lifetime's experience and expertise; what was simple is fantastically embellished, even submerged."
Dérive 2 started out in 1988 as a five-minute piece, dedicated to Elliott Carter on his 80th birthday; by 2006 it was a 45-minute work for eleven instruments and Boulez's last major composition. According to Claude Samuel, Boulez wanted to explore rhythmic shifts, tempo changes and superimpositions of different speeds, inspired in part by his contact with the music of György Ligeti. Boulez described it as "a sort of narrative mosaic".
Unfinished works
Boulez's unfinished works include several that he was actively progressing, and others which he put to one side despite their potential for further development. In the latter category, the archives contain three unpublished movements of the Third Piano Sonata and further sections of Éclat/Multiples which, if performed, would practically double its length.
As for works Boulez was working on in his later years, partial drafts in short score of three further orchestral Notations were found among his papers after his death, of which the most advanced were Notations VI (59 pages) and V (41 pages). According to Alain Galliari, they are highly developed in terms of notes and rhythm, but with no more than a few indications of orchestration, and no tempi, dynamics, articulation or phrasing.
From the mid-1960s, Boulez also spoke of composing an opera. In the 1960s he exchanged ideas with the radical French playwright and novelist Jean Genet about a work whose subject would be treason. In the 1980s he discussed with Patrice Chéreau an adaptation of Genet's play Les Paravents (The Screens). The German playwright Heiner Müller was working on a version of Aeschylus's Oresteia for Boulez when he died in 1995. In a 1996 interview Boulez said that he was thinking of Edward Bond's The War Plays or Lear, "but only thinking". When news emerged in 2010 that, at the age of 85, he was working on an opera based on Beckett's Waiting for Godot, few believed such an ambitious undertaking could be realised so late in the day. When Boulez's manuscripts were catalogued after his death, it emerged that not a note of any of these projects had been written.
Approach to conducting
Boulez was one of the leading conductors of the second half of the twentieth century. In a career lasting more than sixty years he directed most of the world's major orchestras. He was entirely self-taught, although he said that he learnt a great deal from attending Désormière's and Hans Rosbaud's rehearsals. He also cited George Szell as an influential mentor.
Boulez gave several reasons for conducting as much as he did. He gave his first concerts for the Domaine musical because its financial resources were limited: "I told myself that, being much less expensive, I would have a go myself." He also said that the best possible training for a composer was "to have to play or conduct his own works and to face their difficulties of execution"—yet on a practical level he sometimes struggled to find time to compose given his conducting commitments. The writer and pianist Susan Bradshaw thought this was deliberate and related to a sense of being overshadowed as a composer by Stockhausen, who from the late 1950s was increasingly prolific. The French litterateur and musicologist Pierre Souvchinsky disagreed: "Boulez became a conductor because he had a great gift for it."
Not everyone agreed about the greatness of that gift. According to writer Hans Keller: "Boulez cannot phrase—it is as simple as that...the reason being that he ignores the harmonic implications of any structure he is dealing with, to the extent of utterly disregarding harmonic rhythm and hence all characteristic rhythm in tonal music..." Joan Peyser considered that: "in general Boulez conducts what he loves magnificently, conducts what he likes very well and, with rare exceptions, gives stiff performances of the classic and romantic repertoire". The conductor Otto Klemperer described him as "without doubt the only man of his generation who is an outstanding conductor and musician".
He worked with many leading soloists and had particularly long-term collaborations with Daniel Barenboim and with the soprano Jessye Norman.
According to Peter Heyworth, Boulez produced a lean, athletic sound which, underpinned by his rhythmic exactitude, could generate an electric sense of excitement. The ability to reveal the structure of a score and to clarify dense orchestral textures were hallmarks of his conducting. He conducted without a baton and, as Heyworth observed: "there is no trace of theatre—not even the rather theatrical sort of economy that was practised by Richard Strauss". According to Boulez: "outward excitement uses up inner excitement".
Boulez's ear for sound was legendary: "there are countless stories of him detecting, for example, faulty intonation from the third oboe in a complex orchestral texture", Paul Griffiths wrote in The New York Times. Oliver Knussen, himself a well-known composer-conductor, observed that "his rehearsals are models of clear-headedness and professional courtesy—he effortlessly commands respect".
Work in the opera house
Boulez also conducted in the opera house. His chosen repertoire was small and included no Italian opera. Apart from Wagner, he conducted only twentieth-century works. Of his work with Wieland Wagner on Wozzeck and Parsifal, Boulez said: "I would willingly have hitched, if not my entire fate, then at least a part of it, to someone like him, for [our] discussions about music and productions were thrilling." They planned other productions together, including Richard Strauss's Salome and Elektra, Mussorgsky's Boris Godunov and Mozart's Don Giovanni. However, by the time rehearsals for their Bayreuth Parsifal began Wieland was already gravely ill and he died in October 1966.
When the Frankfurt Wozzeck was revived after Wieland's death, Boulez was deeply disillusioned by the working conditions: "there was no rehearsal, no care taken over anything. The cynicism of the way an opera house like that was run disgusted me. It still disgusts me." He later said that it was this experience which prompted his notorious remarks in an interview the following year in Der Spiegel, in which he claimed that "no opera worth mentioning had been composed since 1935", that "a Beatles record is certainly cleverer (and shorter) than a Henze opera" and that "the most elegant" solution to opera's moribund condition would be "to blow the opera houses up".
In 1967, Boulez, theatre director Jean Vilar and choreographer Maurice Béjart were asked to devise a scheme for the reform of the Paris Opéra, with a view to Boulez becoming its music director. Their plan was derailed by the political fallout from the 1968 student protests. However Bejart used Boulez's music in his ballet "Improvisation sur Mallarme III" in 1973. In the mid-1980s, Boulez became vice president of the planned Opéra Bastille in Paris, working with Daniel Barenboim, who was to be its music director. In 1988 Pierre Bergé was appointed president of the Bastille opera. He dismissed Barenboim and Boulez withdrew in solidarity.
Boulez conducted only specific projects—in productions by leading stage directors—when he could be satisfied that conditions were right. Thanks to his years with the Renaud-Barrault company, the theatrical dimension was as important to him as the musical and he always attended staging rehearsals.
For the centenary Ring in Bayreuth, Boulez originally asked Ingmar Bergman then Peter Brook to direct, both of whom refused. Peter Stein initially agreed but withdrew in 1974. Patrice Chéreau, who was primarily a theatre director, accepted and went on to create one of the defining opera productions of modern times. According to Allan Kozinn the production "helped open the floodgates of directorial reinterpretation of opera" (sometimes known as Regietheater). Chéreau treated the story in part as an allegory of capitalism, drawing on ideas that George Bernard Shaw explored in The Perfect Wagnerite in 1898, and using imagery from the Industrial Age; he achieved an exceptional degree of naturalism in the singers' performances. Boulez's conducting was no less controversial, emphasising continuity, flexibility and transparency over mythic grandeur and weight. In its first year the production met with hostility from the largely conservative audience, and around thirty orchestral musicians refused to work with Boulez in subsequent seasons. Both production and musical realisation grew in stature over the following four years and after the final performance in 1980 there was a 90-minute ovation.
Recording
Boulez's first recordings date from his time with the Domaine musical in the late 1950s and early 1960s and were made for the French Vega label. They include the first of his five recordings of Le Marteau sans maître (with contralto Marie-Thérèse Cahn), as well as pieces to which he did not return in the studio (such as Stravinsky's Renard and Stockhausen's Zeitmaße). In 2015 Universal Music brought these recordings together in a 10-CD set.
Between 1966 and 1989 he recorded for Columbia Records (later Sony Classical). Among the first projects were the Paris Wozzeck (with Walter Berry) and the Covent Garden Pelléas et Mélisande (with George Shirley and Elisabeth Söderström). He made a highly praised recording of The Rite of Spring with the Cleveland Orchestra and supervised a Webern edition, consisting of all the works with opus numbers. He also produced a wide-ranging survey of the music of Schoenberg with the BBC Symphony Orchestra, and recorded the orchestral works of Ravel with the New York Philharmonic and the Cleveland Orchestra. As for Boulez's own music, in 1969 he made the first recording of Pli selon pli (with Halina Łukomska as soprano soloist) and recordings of Rituel and Éclat/Multiples. In 2014 Sony Classical issued Pierre Boulez—The Complete Columbia Album Collection on 67 CDs.
Three operatic projects from this period were picked up by other labels: the Bayreuth Ring was released on video and LP by Philips; the Bayreuth Parsifal
ParsifalSpotify (search)YouTube Music (search)Tracklist · 38 tracks · 5 discsDisc 11Parsifal, Act I: Vorspiel2Parsifal, Act I: "He! Ho! Waldhüter ihr"3Parsifal, Act I: "Recht so! — Habt Dank!4Parsifal, Act I: "Nicht Dank!5Parsifal, Act I: "O wunden-wundervoller heiliger Speer!"6Parsifal, Act I: "Titurel, der fromme Held, der kannt' ihn wohl"7Parsifal, Act I: "Weh! Weh!... Wer ist der Frevler?"Disc 21Parsifal, Act I: "Nun sag! Nichts weißt du, was ich dich frage"2Parsifal, Act I: "Vom Bade kehrt der König heim"3Parsifal, Act I: Verwandlungsmusik4Parsifal, Act I: "Nun achte wohl und laß mich seh'n"5Parsifal, Act I: "Mein Sohn Amfortas, bist du am Amt?"6Parsifal, Act I: "Nehmet hin mein Blut"7Parsifal, Act I: "Wein und Brot des letzten Mahles"Disc 31Parsifal, Act II: Prelude "Die Zeit ist da"5:112Parsifal, Act II: "Ach!9:463Parsifal, Act II: "Hier war das Tosen! Hier, hier!"4:064Parsifal, Act II: "Komm, komm, holder Knabe!"4:115Parsifal, Act II: "Parsifal!2:386Parsifal, Act II: "Dies alles3:017Parsifal, Act II: "Ich sah das Kind an seiner Mutter Brust"4:268Parsifal, Act II: "Wehe! Wehe! Was tat ich? Wo war ich?"4:38Disc 41Parsifal, Act II: "Amfortas! — Die Wunde!2Parsifal, Act II: "Grausamer! Fühlst du im Herzen nur and'rer Schmerzen"3Parsifal, Act II: "Vergeh, unseliges Weib!"4Parsifal, Act III: Vorspiel5Parsifal, Act III: "Von dorther kam das Stöhnen"6Parsifal, Act III: "(Parsifal tritt aus dem Walde auf)7Parsifal, Act III: "Heil mir, daß ich dich wiederfinde!"Disc 51Parsifal, Act III: "O Herr! War es ein Fluch, der dich vom rechten Pfad vertrieb"2Parsifal, Act III: "Nicht so!3Parsifal, Act III: "Gesegnet sei, du Reiner, durch das Reine!" ... "Wie dünkt mich doch die Aue heut so schön!"4Parsifal, Act III: "Du siehst, das ist nicht so"5Parsifal, Act III: "Mittag.6Parsifal, Act III: "Geleiten wir im bergenden Schrein den Gral zum heiligen Amte"7Parsifal, Act III: "Ja, Wehe! Wehe! Weh' über mich!"8Parsifal, Act III: "Nur eine Waffe taugt"9Parsifal, Act III: "Höchsten Heiles Wunder!" and Paris Lulu were recorded for Deutsche Grammophon. For EMI in 1984 he recorded several pieces on Frank Zappa's album The Perfect Stranger with the Ensemble intercontemporain.
In the 1980s, Boulez also recorded for the Erato label, mostly with the Ensemble intercontemporain, with a greater emphasis on the music of his contemporaries such as Berio, Ligeti and Carter, as well as a survey of some of his own music, including Le Visage nuptial, Le Soleil des eaux and Figures—Doubles—Prismes. In 2015 Erato issued Pierre Boulez—The Complete Erato Recordings on 14 CDs.
From 1991 onwards, Boulez recorded under an exclusive contract with Deutsche Grammophon. It centred on the orchestras of Chicago and Cleveland in the United States and Vienna and Berlin in Europe. He re-recorded much of his core repertoire and oversaw a second Webern edition, including the unpublished works. His own late music featured prominently, including Répons, ...explosante-fixe... and sur Incises. The most significant addition to his recorded repertoire was the multi-orchestra cycle of the Mahler symphonies and vocal works with orchestra. An 88-disc set of all Boulez's recordings for Deutsche Grammophon, Philips and Decca was issued in 2022.
Many hundreds of concerts conducted by Boulez are held in the archives of radio stations and orchestras. In 2005 the Chicago Symphony Orchestra released a 2-CD set of broadcasts by Boulez, focusing on works which he had not recorded commercially, including Janáček's Glagolitic Mass and Messiaen's L'Ascension.
Writing and teaching
According to Jean-Jacques Nattiez, Boulez was one of two twentieth-century composers who wrote most prolifically about music, the other being Schoenberg. It was with a 1952 article with the inflammatory title "Schoenberg is Dead", published in the British journal The Score shortly after the older composer's death, that Boulez first attracted international attention as a writer. This highly polemical piece, in which he attacked Schoenberg for his conservatism, contrasting it with Webern's radicalism, caused widespread controversy.
Jonathan Goldman points out that, over the decades, Boulez's writings addressed very different readerships: in the 1950s the cultured Parisian attendees of the Domaine musical; in the 1960s the specialised avant-garde composers and performers of the Darmstadt and Basel courses; and, between 1976 and 1995, the highly literate but non-specialist audience of the lectures he gave as Professor of the Collège de France. Much of Boulez's writing was linked to specific occasions, whether a first performance of a new piece, notes for a recording or a eulogy for a lost colleague. Generally he avoided publishing detailed analyses, other than one of The Rite of Spring. As Nattiez points out: "as a writer Boulez is a communicator of ideas rather than of technical information. This may sometimes prove disappointing to composition students, but it is no doubt a peculiarity of his writing that explains its popularity with non-musicians."
Boulez's writings have appeared in English as Stocktakings from an Apprenticeship, Boulez on Music Today, Orientations: Collected Writings and Pierre Boulez, Music Lessons: The Complete Collège de France Lectures. Throughout his career he also expressed himself through long-form interviews, of which perhaps the most substantial are those with Antoine Goléa (1958), Célestin Deliège (1975) and Jean Vermeil (1989). Two volumes of correspondence have been published: with the composer John Cage (from the period 1949–62); and with the anthropologist and ethnomusicologist André Schaeffner (from 1954 to 1970).
Boulez taught at the Darmstadt Summer School most years between 1954 and 1965. He was professor of composition at the Basel Music Academy in Switzerland (1960–63) and a visiting lecturer at Harvard University in 1963. He also taught privately in the early part of his career. Students included the composers Richard Rodney Bennett, Jean-Claude Éloy and Heinz Holliger.
Character and personal life
As a young man Boulez was an explosive, often confrontational figure. Jean-Louis Barrault, who knew him in his twenties, caught the contradictions in his personality: "his powerful aggressiveness was a sign of creative passion, a particular blend of intransigence and humour, the way his moods of affection and insolence succeeded one another, all these had drawn us near to him". Messiaen said later: "He was in revolt against everything." At one point Boulez turned against Messiaen, describing his Trois petites liturgies de la présence divine as "brothel music" and saying that the Turangalîla-Symphonie made him vomit. It was five years before relations were restored.
In a 2000 article in The New Yorker, Alex Ross described Boulez as a bully. Boulez did not disagree: "Certainly I was a bully. I'm not ashamed of it at all. The hostility of the establishment to what you were able to do in the Forties and Fifties was very strong. Sometimes you have to fight against your society." One of the most notorious instances of this is Boulez's declaration in 1952 that "any musician who has not experienced—I do not say understood, but truly experienced—the necessity of dodecaphonic music is USELESS. For his whole work is irrelevant to the needs of his epoch."
Those who knew Boulez well often referred to his loyalty, both to individuals and to organisations. When his mentor, the conductor Roger Désormière, was paralysed by a stroke in 1952 Boulez sent scripts to French Radio in Désormière's name so that the older man could collect the fee. The writer Jean Vermeil, who observed Boulez in the 1990s in the company of Jean Batigne (founder of the Percussions de Strasbourg), discovered "a Boulez asking about the health of a musician in the Strasbourg orchestra, about another player's children, a Boulez who knew everyone by name and who reacted to each person's news with sadness or with joy". In later life, he was known for his charm and personal warmth. Of his humour, Gerard McBurney wrote that it "depended on his twinkling eyes, his perfect timing, his infectious schoolboy giggle, and his reckless compulsion always to say what the other person would not expect".
Boulez read widely and identified Proust, Joyce and Kafka as particular influences. He had a lifelong interest in the visual arts. He wrote extensively about the painter Paul Klee and owned works by Joan Miró, Francis Bacon, Nicolas de Staël and Maria Helena Vieira da Silva, all of whom he knew personally. He also had close links with three of the leading philosophers of the time: Gilles Deleuze, Michel Foucault and Roland Barthes.
He was a keen walker and, when he was at home in Baden-Baden, spent the late afternoons and much of the weekends walking in the Black Forest. He owned an old farmhouse in the Alpes-de-Haute-Provence department of France and built another, modern home on the same land in the late 1970s.
In its obituary, The New York Times reported that "about his private life he remained tightly guarded". Boulez acknowledged to Joan Peyser that there was a passionate affair in 1946, described as "intense and tormented" and which Peyser suggested was the trigger for the "wild, courageous works" of that period. After Boulez's death, his sister Jeanne told the biographer Christian Merlin that the affair was with the actress María Casares, but Merlin concludes that there is little evidence to support this. Merlin acknowledges the speculation that Boulez was gay. He writes that in 1972 Boulez engaged a young German, Hans Messner, as his personal assistant to look after the practicalities of his life. Messner, who called Boulez 'Monsieur' and whom Boulez sometimes introduced as his valet, lived in the Baden-Baden house until the end of Boulez's life and usually accompanied him when he travelled abroad. Although Merlin observes that in later years it was sometimes difficult to tell whether Messner was looking after Boulez or the other way round, his view is that there is no evidence that they were ever life partners. Towards the end of Boulez's life, Messner blocked Boulez's sister Jeanne from visiting the house. He was with Boulez when he died.
In his portrait for The New Yorker, published shortly after Boulez's death under the title The Magus, Alex Ross described Boulez as "affable, implacable, unknowable".
Legacy
In an article published for Boulez's 80th birthday in The Guardian, the composer George Benjamin wrote that "Boulez has produced a catalogue of wondrously luminous and scintillating works. Within them a rigorous compositional skill is coupled to an imagination of extraordinary aural refinement". By contrast, John Adams described Boulez as "a mannerist, a niche composer, a master who worked with a very small hammer". In a piece in The New York Times to mark Boulez's 90th birthday, Nico Muhly emphasised what he called the decadent qualities of Boulez's later music: "You can feel the butter swirling in that pan. And when he conducts it, he teases out these luxurious textures."
In 1986 Boulez entered into an agreement to place his musical and literary manuscripts with the Paul Sacher Foundation in Basel, Switzerland. When he died in January 2016, he left no will. In 2017, the Bibliothèque nationale de France announced that his estate had made a substantial donation of private papers and possessions not covered by the Sacher contract, including 220 metres of books, 50 metres of archives and correspondence, as well as scores, photographs, recordings and about 100 other objects.
In October 2016, the large concert hall of the Philharmonie de Paris, for which Boulez campaigned for many years, was renamed the Grande salle Pierre Boulez. In March 2017, a new concert hall, the Pierre Boulez Saal, designed by Frank Gehry, was opened in Berlin under the auspices of the Barenboim–Said Academy. It is home to a new Boulez Ensemble, made up of members of the West-Eastern Divan Orchestra, the Berlin Staatskapelle and guest musicians from Berlin and around the world.
Boulez's music continues to be taken up by interpreters of the next generation. In September 2018 the first edition of the Pierre Boulez Biennial took place in Paris and Berlin, a joint initiative by the Philharmonie de Paris and the Staatskapelle Berlin under Daniel Barenboim, in which performances of Boulez's music are set in the context of works which influenced him. The second Biennial was disrupted by the Covid-19 pandemic, but a modified version went ahead (online in 2020, in person in 2021), with a particular focus on the piano music. The third iteration took place in April/May 2023.
The centenary in 2025 of Boulez's birth was marked by concerts, exhibitions and other events. The Philharmonie de Paris presented a series of concerts featuring his music; it began with a programme of Répons and other works, played by the Ensemble intercontemporain, joined by former members, the cellist Jean-Guihen Queyras and the pianist Pierre-Laurent Aimard. In its 2024/2025 season, the New York Philharmonic presented two concerts—one of which was a recreation of a Boulez programme from 1974—and an exhibition. On 26 March 2025 (the anniversary date), as part of a 'Total Immersion Day' at the Barbican in London, the BBC Symphony Orchestra performed the complete Pli selon pli, conducted by Martyn Brabbins, interspersed with films and talks with people who worked with Boulez. In May, Esa-Pekka Salonen conducted the Los Angeles Philharmonic Orchestra in programmes which included performances of Rituel, presented in collaboration with LA Dance Project and choreographer Benjamin Millepied. In August, the Lucerne Summer Festival feature a rare performance of Poésie pour pouvoir for tape and three orchestras (conducted by David Robertson), as well as Répons, Figures-Doubles-Prismes and other works. Other series and individual concerts were presented across the year by the Pierre Boulez Saal in Berlin, the Festspielhaus Baden-Baden, the London Symphony Orchestra and the Vienna Philharmonic Orchestra.
Honours and awards
State honours awarded to Boulez included Honorary Commander of the Order of the British Empire (CBE); and Knight Commander's Cross of the Order of Merit of the Federal Republic of Germany. Among his many awards, Boulez listed the following in his Who's Who entry: Grand Prix de la Musique, Paris, 1982; Charles Heidsieck Award for Outstanding Contribution to Franco-British Music, Praemium Imperiale, 1989; Polar Music Prize, Stockholm, 1996; Royal Philharmonic Society Gold Medal, 1999; Wolf Prize, Israel, 2000; Grawemeyer Award for Music Composition, University of Louisville, 2001; Glenn Gould Prize, Glenn Gould Foundation, 2002; Kyoto Prize, Japan, 2009; De Gaulle-Adenauer Prize, 2011; Giga-Hertz Prize, 2011; Golden Lion for Lifetime Achievement, Venice Biennale, 2012; Gold Gloria Artis Medal for Merit to Culture, 2012; Robert Schumann Prize for Poetry and Music, 2012; Karol Szymanowski Prize, Foundation Karol Szymanowski, 2012; Frontiers of Knowledge Award, BBVA Foundation, 2013, and nine honorary doctorates from universities and conservatoires in Belgium, Great Britain, Canada, the Czech Republic and the United States.
Other languages
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 62 | 98.1th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 286 | 99.8th |
| Studio albums | 191 | 99.9th |
| Awards recorded | 64 | 100th |
| Timeline events | 210 | 99.9th |
| Recording span (years) | 54 | 94.2th |
| Genres | 10 | 96.5th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (286 release groups · 191 studio albums)
Albums · 191
1962 · studio album
Search SpotifySearch YouTube Music
Tracklist · 21 tracks
A1Pierrot lunaire: MondestrunkenA2Pierrot lunaire: ColombineA3Pierrot lunaire: Der DandyA4Pierrot lunaire: Eine blasse WäscherinA5Pierrot lunaire: Valse de ChopinA6Pierrot lunaire: MadonnaA7Pierrot lunaire: Der kranke MondA8Pierrot lunaire: Die NachtA9Pierrot lunaire: Gebet an PierrotA10Pierrot lunaire: RaubA11Pierrot lunaire: Rote MesseA12Pierrot lunaire: GalgenliedA13Pierrot lunaire: EnthauptungA14Pierrot lunaire: Die KreuzeB1Pierrot lunaire: HeimwehB2Pierrot lunaire: GemeinheitB3Pierrot lunaire: ParodieB4Pierrot lunaire: Der MondfleckB5Pierrot lunaire: SerenadeB6Pierrot lunaire: HeimfahrtB7Pierrot lunaire: O alter Duft1964 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 32:32
A1Le Marteau sans maître : I. Avant "l'artisanat furieux"1:29A2Le Marteau sans maître : II. Commentaire I de "bourreaux de solitude"3:41A3Le Marteau sans maître : III. "l'artisanat furieux"2:08A4Le Marteau sans maître : IV. Commentaire II de "bourreaux de solitude"4:15A5Le Marteau sans maître : V. "Bel édifice et les pressentiments", version première3:24B1Le Marteau sans maître : VI. "Bourreaux de solitude"3:19B2Le Marteau sans maître : VII. Après "l'artisanat furieux"1:05B3Le Marteau sans maître : VIII. Commentaire III de "bourreaux de solitude"5:43B4Le Marteau sans maître : IX. "Bel édifice et les pressentiments", double7:28Schoenberg: Transfigured Night / Eloy: Equivalences / Schoenberg, Eloy / Pousseur: Madrigal III
1967 · studio album
Search SpotifySearch YouTube Music
Tracklist · 3 tracks · 49:35
AVerklaerte Nacht, op. 428:52B1Equivalences8:35B2Madrigal III12:081968 · studio album
Search SpotifySearch YouTube Music
Tracklist · 3 tracks · 36:48
A1Sonatine for Flute and Piano13:03A2Interpolation: Mobile for Flute (1, 2 and 3)4:53B1Concerto no. 1 for Oboe and Chamber Orchestra18:52Boulez Conducts Debussy, Vol. 2 (Images Pour Orchestre / Danses, Sacree Et Profane)
1969 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 45:39
1Images pour orchestre: II. Iberia. Par les rues et par les chemins7:082Images pour orchestre: II. Iberia. Les Parfums de la nuit8:113Images pour orchestre: II. Iberia. Le matin d'un jour de fête4:244Images pour orchestre: I. Gigues7:385Images pour orchestre: III. Rondes de printemps8:096Danses: I. Danse sacrée5:097Danses: II. Danse profane5:001970 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:08:14
1Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio9:202Symphony No. 5 in C Minor, Op. 67: II. Andante con moto10:143Symphony No. 5 in C Minor, Op. 67: III. Allegro9:524Symphony No. 5 in C Minor, Op. 67: IV. Finale. Allegro9:245Cantata “Calm Sea and Prosperous Voyage”, Op. 1128:216Symphony No. 10: I. Adagio21:03Boulez Conducts Beethoven: Symphony No. 5 / Calm Sea And Prosperous Voyage
1970 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 46:57
A1Symphony No. 5 In C Minor, Op. 67: I. Allegro Con Brio9:14A2Symphony No. 5 In C Minor, Op. 67: II. Andante Con Moto10:08B1Symphony No. 5 In C Minor, Op. 67: III. Allegro9:52B2Symphony No. 5 In C Minor, Op. 67: IV Allegro9:24B3"Calm Sea And Prosperous Voyage", Op. 1128:191970 · studio album
Search SpotifySearch YouTube Music
Tracklist · 15 tracks · 2:34:29
Disc 1A1Pelléas et Mélisande: Act I, Scène 1: Une forêt12:27A2Pelléas et Mélisande: Act I, Scène 2: Un appartement dans le château10:18A3Pelléas et Mélisande: Act I, Scène 3: Devant le château6:49B1Pelléas et Mélisande: Act II, Scène 1: Une fontaine dans le parc10:10B2Pelléas et Mélisande: Act II, Scène 2: Un appartement dans le chateau13:32B3Pelléas et Mélisande: Act II, Scène 3: Devant une grotte4:34Disc 2C1Pelléas et Mélisande: Act III, Scène 1: Une des tours du château14:05C2Pelléas et Mélisande: Act III, Scène 2: Les souterrains du château4:33C3Pelléas et Mélisande: Act III, Scène 3: Une terrasse au sortir des souterrains5:08D1Pelléas et Mélisande: Act III, Scène 4: Devant le château9:53D2Pelléas et Mélisande: Act IV, Scène 1: Un appartement dans le château3:16D3Pelléas et Mélisande: Act IV, Scène 216:07Disc 3E1Pelléas et Mélisande: Act IV, Scène 3: Une fontaine dans le parc4:00E2Pelléas et Mélisande: Act IV, Scène 414:46FPelléas et Mélisande: Act V, Scène 1: Une chambre dans le château24:51Boulez dirigiert Mahler: Das Klagende Lied (Erste Gesamtaufnahme) / Adagio aus der Sinfonie Nr. 10
1971 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:31:27
Disc 1A1Das klagende Lied: II. Der Spielmann19:39B1Das klagende Lied: III. Hochzeitsstück20:49Disc 2C1Das klagende Lied: I. Waldmärchen30:00D1Adagio aus der Sinfonie Nr. 1020:591971 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 50:14
A1Pierrot lunaire, op. 21: I. Mondestrunken / Colombine / Der Dandy / Eine blasse Wäscherin / Valse de Chopin / Madonna / Der kranke Mond10:36A2Pierrot lunaire, op. 21: II. Die Nacht / Gebet an Pierrot / Raub / Rote Messe / Galgenlied / Enthauptung / Die Kreuze9:41A3Pierrot lunaire, op. 21: III. Heimweh / Gemeinheit / Parodie / Der Mondfleck / Serenade / Heimfahrt/ O alter Duft11:07B1Zwei Lieder, op. 81:46B2Fünf Canons, op. 162:53B3Improvisation sur Mallarmé: I. Le vierge, le vivace et le bel aujourd'hui4:42B4Improvisation sur Mallarmé: II. Une dentelle s'abolit9:29Pierre Boulez Conducts Berlioz: Lélio (The Return to Life)
1971 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 52:33
A1Lélio, ou le Retour à la Vie, op. 14b: I. Le pêcheur, Ballade de Goethe9:17A2Lélio, ou le Retour à la Vie, op. 14b: II. Chœur d'ombres9:39A3Lélio, ou le Retour à la Vie, op. 14b: III. Chanson de brigands3:48B1Lélio, ou le Retour à la Vie, op. 14b: IV. Chant de bonheur8:51B2Lélio, ou le Retour à la Vie, op. 14b: V. La harpe éolienne — Souvenirs5:50B3Lélio, ou le Retour à la Vie, op. 14b: VI. Fantaisie sur la Tempête de Shakespeare15:081971 · studio album
Search SpotifySearch YouTube Music
Tracklist · 2 tracks
ADomainesBDomainesMessiaen: 7 Haïkaï / Eloy: Équivalences / Pousseur: Madrigal III
1971 · studio album
Search SpotifySearch YouTube Music
Tracklist · 3 tracks · 40:23
A7 Haïkaï19:42B1Équivalences8:46B2Madrigal III11:551973 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 36:55
A1Concerto for Orchestra: Introduzione9:56A2Concerto for Orchestra: Giuoco delle coppie6:39B1Concerto for Orchestra: Elegia7:25B2Concerto for Orchestra: Intermezzo interrotto4:17B3Concerto for Orchestra: Finale8:38“Wozzeck” Act III / Seven Early Songs
1973 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 39:05
A17 frühe Lieder: Nacht3:41A27 frühe Lieder: Schilflied2:27A37 frühe Lieder: Die Nachtigall2:20A47 frühe Lieder: Traumgekrönt2:30A57 frühe Lieder: Im Zimmer1:14A67 frühe Lieder: Liebesode1:45A77 frühe Lieder: Sommertage1:48B1Wozzeck: Act III, Scene 1. Marie’s room5:00B2Wozzeck: Act III, Scene 2. Forest path by a pool5:15B3Wozzeck: Act III, Scene 3. A tavern3:02B4Wozzeck: Act III, Scene 4. Forest path by a pool4:48B4Wozzeck: Act III. Orchestral Epilogue5:151973 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 36:58
A1Benevenuto Cellini: Overture10:20A2Les Troyens: Royal Hunt and Storm8:39B1Beatrice and Benedict: Overture7:40B2Beatrice and Benedict: Entr'acte1:27B3Roman Carnival: Overture8:521978 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks
A1Kammerkonzert für Klavier und Geige mit 13 Bläsern: I. Thema scherzoso con variazioniA2Kammerkonzert für Klavier und Geige mit 13 Bläsern: II. AdagioA3Kammerkonzert für Klavier und Geige mit 13 Bläsern: III. Rondo ritmico con introduzioneB1Vier Stücke für Klarinette und Klavier, op. 5: I. MäßigB2Vier Stücke für Klarinette und Klavier, op. 5: II. Sehr langsamB3Vier Stücke für Klarinette und Klavier, op. 5: III. Sehr raschB4Vier Stücke für Klarinette und Klavier, op. 5: IV. LangsamB5Sonate für Klavier, op. 1: Mässig bewegt1979 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks
Disc 1ALulu: Prolog / I. Akt, 1. Szene / InterludiumBLulu: I. Akt, 2. SzeneDisc 2CLulu: I. Akt: Verwandlung / 3. SzeneDLulu: II. Akt, 1. SzeneDisc 3ELulu: II. Akt: Filmmusik / 2. SzeneFLulu: III. Akt, 1. SzeneDisc 4GLulu: III. Akt: Variationen / 2. SzeneH1BiographischesH2Zum III. Akt von Alban Bergs LuluH3Zur Interpretation1980 · studio album
Search SpotifySearch YouTube Music
Tracklist · 15 tracks · 1:34:39
Disc 11Wozzeck: Act I, Scene 1. The Captain’s room9:032Wozzeck: Act I, Scene 2. An open field outside the town7:343Wozzeck: Act I, Scene 3. Marie’s room8:404Wozzeck: Act I, Scene 4. The Doctor’s study7:485Wozzeck: Act I, Scene 5. Street before Marie’s door2:586Wozzeck: Act II, Scene 1. Marie’s room5:37Disc 21Wozzeck: Act II, Scene 2. Street in town10:072Wozzeck: Act II, Scene 3. Street before Marie’s door4:403Wozzeck: Act II, Scene 4. Tavern garden10:304Wozzeck: Act II, Scene 5. Guard room in the barracks4:225Wozzeck: Act III, Scene 1. Marie’s room5:006Wozzeck: Act III, Scene 2. Forest path by a pool5:157Wozzeck: Act III, Scene 3. A tavern3:028Wozzeck: Act III, Scene 4. Forest path by a pool4:489Wozzeck: Act III. Orchestral Epilogue5:15Orchestral Music: op. 1 / op. 6 / op. 10 / op. 21 / op. 30 / Ricercata
1980 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 50:11
A1Passacaglia für Orchester, op. 110:04A2Sechs Stücke für Orchester, op. 612:20A3Fünf Stücke für Orchester, op. 104:17B1Symphonie, op. 219:17B2Variationen für Orchester, op. 307:12B3Bach Fuge (Ricercata) aus dem Musikalischen Opfer für Orchester gesetzt7:01Symphony of Three Orchestras / A Mirror on Which to Dwell
1980 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 35:21
A1Symphony of Three Orchestras15:42B1A Mirror on Which to Dwell - Six Poems of Elizabeth Bishop: I. Anaphora3:51B2A Mirror on Which to Dwell - Six Poems of Elizabeth Bishop: II. Argument2:54B3A Mirror on Which to Dwell - Six Poems of Elizabeth Bishop: III. Sandpiper2:30B4A Mirror on Which to Dwell - Six Poems of Elizabeth Bishopl: IV. Insomnia3:19B5A Mirror on Which to Dwell - Six Poems of Elizabeth Bishopl: V. View of the Capitol From the Library of Congress3:04B6A Mirror on Which to Dwell - Six Poems of Elizabeth Bishop: VI. O Breath4:011981 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 55:19
A1Première sonate pour piano : I. Lent4:31A2Première sonate pour piano : II. Assez large, Rapide4:30A3Troisième sonate pour piano : formant 3 — constellation‐miroir : Points 1 — Blocs I — Points 2 — Blocs II — Points 311:34A4Troisième sonate pour piano : formant 2 — tropes : Textes — Paranthèse — Glose — Commentaire6:46B1Deuxième sonate pour piano : I. Extrêmement rapide5:48B2Deuxième sonate pour piano : II. Lent10:25B3Deuxième sonate pour piano : III. Modéré, presque vif2:12B4Deuxième sonate pour piano : IV. Vif9:331981 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 3:33:11
Disc 1AI. Aufzug: Vorspiel - 1. Szene - 2. Szene31:36BI. Aufzug: 2. Szene (Schluzz) - 3. Szene30:22Disc 2CII. Aufzug: Vorspiel - 1. Szene - 2. Szene27:32DII. Aufzug: 2. Szene (Schluss) - 3. Szene30:18Disc 3EII. Aufzug: 4. Szene - 5. Szene28:13FIII. Aufzug: 1. Szene - 2. Szene21:25Disc 4GIII. Aufzug: 2. Szene (Schluss) - 3. Szene20:12HIII. Aufzug: 3. Szene (Schluss)23:33Chamber Concerto - Ramifications - Aventures - Nouvelles aventures
1983 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 50:31
1Chamber Concerto for 13 instrumentalists: I. Corrente5:032Chamber Concerto for 13 instrumentalists: II. Calmo, sostenuto5:503Chamber Concerto for 13 instrumentalists: III. Movimento preciso e meccanico4:014Chamber Concerto for 13 instrumentalists: IV. Presto3:365Ramifications for string orchestra or 12 solo strings8:416Aventures for 3 singers and 7 instrumentalists11:587Nouvelles Aventures for 3 singers and 7 instrumentalists: I. Sostenuto6:158Nouvelles Aventures for 3 singers and 7 instrumentalists: II. Agitato molto5:071983 · studio album
Search SpotifySearch YouTube Music
Tracklist · 2 tracks · 52:11
AEclat Multiples26:53BRituel: In Memory of Bruno Maderne25:181984 · studio album
Search SpotifySearch YouTube Music
Tracklist · 17 tracks · 57:07
1Shéhérazade: I. Asie9:312Shéhérazade: II. La Flûte enchantée2:493Shéhérazade: III. L’indifférent3:364Trois Poèmes de Stéphane Mallarmé: I. Soupir4:265Trois Poèmes de Stéphane Mallarmé: II. Placet futile4:356Trois Poèmes de Stéphane Mallarmé: III. Surgi de la croupe et du bond3:427Chansons Madécasses: I. Nahandove6:008Chansons Madécasses: II. Aoua!3:479Chansons Madécasses: III. Il est doux3:5610Don Quichotte à Dulcinée: I. Chanson romanesque2:2711Don Quichotte à Dulcinée: II. Chanson épique3:0812Don Quichotte à Dulcinée: III. Chanson à boire1:5513Cinq Mélodies populaires grecques: I. Le Réveil de la mariée1:2714Cinq Mélodies populaires grecques: II. Là-bas vers l’église1:2215Cinq Mélodies populaires grecques: III. Quel galant!0:5016Cinq Mélodies populaires grecques: IV. Chanson des cueilleuses de lentisques2:3917Cinq Mélodies populaires grecques: V. Tout gai!0:57Ecuatorial / Déserts / Intégrales / Hyperprism / Octandre / Offrandes / Density 21.5
1984 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 1:00:14
A1Ecuatorial12:03A2Déserts16:11B1Intégrales10:33B2Hyperprism4:11B3Octandre6:25B4Offrandes6:43B5Density 21.54:08Verklärte Nacht, op. 4 / Suite, op. 29
1985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 58:47
A1Suite, op. 29: I. Ouverture. Allegretto8:35A2Suite, op. 29: II. Tanzschritte. Moderato7:25A3Suite, op. 29: III. Thema mit Variationen6:04A4Suite, op. 29: IV. Gigue7:26BVerklärte Nacht, op. 429:17La Mer / L'après-midi d'un faune / Jeux
1985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 50:37
1La mer: I. De l'aube à midi sur la mer8:502La mer: II. Jeux de vagues7:193La mer: III. Dialogue du vent et de la mer7:394Prélude à l'après-midi d'une faune9:455Jeux17:04Sergiej Prokofiew: Sonata for Flute and Piano / Pierre Boulez: Sonatina for Flute and Piano
1985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 35:50
A1Sonata for flute and piano in D Major op. 94 no. 2 : I. Moderato8:30A2Sonata for flute and piano in D Major op. 94 no. 2 : II. Presto4:30A3Sonata for flute and piano in D Major op. 94 no. 2 : III. Andante3:05B1Sonata for flute and piano in D Major op. 94 no. 2 : IV. Allegro con brio6:50B2Sonatina for flute and piano12:551985 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 52:35
1Prelude to Act I From "Die Meistersinger Von Nürnberg"10:522Overture to "Tannhäuser"14:123Faust Overture11:254Prelude & Love-Death From "Tristan Und Isolde"16:06Violin Concerto "To the Memory of an Angel" / Three Orchestral Pieces, op. 6
1986 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 47:02
1Concerto for Violin & Orchestra "To the Memory of an Angel": I. Andante; Allegretto11:372Concerto for Violin & Orchestra "To the Memory of an Angel": II. Allegro; Adagio15:283Three Orchestral Pieces, op. 6: I. Praeludium4:494Three Orchestral Pieces, op. 6: II. Reigen5:225Three Orchestral Pieces, op. 6: III. Marsch9:46Concerto pour violon, op. 36 / Concerto pour piano, op. 42
1986 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 54:56
1Concerto pour violon et orchestre, op. 36: Poco allegro - Vivace12:312Concerto pour violon et orchestre, op. 36: Andante grazioso8:563Concerto pour violon et orchestre, op. 36: Finale: Allegro12:274Concerto pour piano et orchestre, op. 4221:021986 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:08:06
1Pli selon pli: Don15:362Pli selon pli: Improvisation I sur Mallarmé5:353Pli selon pli: Improvisation II sur Mallarmé12:254Pli selon pli: Improvisation III sur Mallarmé18:295Pli selon pli: Tombeau16:011986 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 44:49
1Sinfonia: I.6:202Sinfonia: II. O King5:013Sinfonia: III. In ruhig fliessender Bewegung12:274Sinfonia: IV.3:255Sinfonia: V.7:206Eindrücke10:161988 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:01:16
1Entré Des Musiciens0:202Sept Haikai21:003Couleurs De La Cité Céleste16:104Un Vitrail Et Des Oiseaux - Création Mondiale8:205Oiseaux Exotiques15:26The Wooden Prince / Dance Suite
1988 · studio album
Search SpotifySearch YouTube Music
Tracklist · 23 tracks · 1:11:02
1Dance Suite, Sz. 77, BB 86b: I. Moderato4:012Dance Suite, Sz. 77, BB 86b: II. Allegro molto2:113Dance Suite, Sz. 77, BB 86b: III. Allegro Vivace3:074Dance Suite, Sz. 77, BB 86b: IV. Molto Tranquillo3:195Dance Suite, Sz. 77, BB 86b: V. Comodo1:006Dance Suite, Sz. 77, BB 86b: VI. Finale4:107The Wooden Prince, Op. 13, Sz. 60: I. Molto Moderato3:598The Wooden Prince, Op. 13, Sz. 60: II. Allegretto Scherzando3:069The Wooden Prince, Op. 13, Sz. 60: III. Andante2:2010The Wooden Prince, Op. 13, Sz. 60: IV. Allegro2:1211The Wooden Prince, Op. 13, Sz. 60: V. Moderato3:0312The Wooden Prince, Op. 13, Sz. 60: VI. Allegro4:2213The Wooden Prince, Op. 13, Sz. 60: VII. Allegro2:4014The Wooden Prince, Op. 13, Sz. 60: VIII. Allegro2:1415The Wooden Prince, Op. 13, Sz. 60: IX. Allegretto2:1916The Wooden Prince, Op. 13, Sz. 60: X. Allegro2:4117The Wooden Prince, Op. 13, Sz. 60: XI. Allegretto Capriccioso2:2618The Wooden Prince, Op. 13, Sz. 60: XII. Poco Sostenuto8:4319The Wooden Prince, Op. 13, Sz. 60: XIII. (Without Tempo Indication)2:5720The Wooden Prince, Op. 13, Sz. 60: XIV. Allegretto Grazioso1:3021The Wooden Prince, Op. 13, Sz. 60: XV. Moderato5:0422The Wooden Prince, Op. 13, Sz. 60: XVI. Allegro Molto1:4923The Wooden Prince, Op. 13, Sz. 60: XVII. Moderato1:49Le Visage nuptial / Le Soleil des eaux / Figures, Doubles, Prismes
1990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:01:39
1Le visage nuptial: Conduite3:182Le visage nuptial: Gravité (L'emmuré)6:063Le visage nuptial: Le Visage nuptial12:474Le visage nuptial: Evadne2:315Le visage nuptial: Post-Scriptum5:506Le soleil des eaux: Complainte du Lézard amoureaux4:217Le soleil des eaux: La Sorgue (Chanson pour Yvonne)6:058Figures, Doubles, Prismes20:411990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 1:15:14
1Sonatine pour flûte et piano12:042Premiere sonate pour piano9:173Livre pour quatuor24:524Polyphonie X (1 parte)15:395Proporzioni per flauto solo3:596Aleatorio per quartetto d'archi4:567Ordini per 16 strumenti4:27Corale / Chemins II & IV / Ritorno degli snovidenia / Points on the Curve to Find
1990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:08:04
1Il ritorno degli snovidenia18:172Chemins II (su Sequenza VI)12:413Chemins IV (su Sequenza VII)9:344Corale (su Sequenza VIII)16:005Points on the Curve to Find…11:32Lulu-Suite / Der Wein / Lyric Suite
1990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 58:05
1Lulu-Suite: Rondo. Andante (Introduzione) - Hymne. Sostenuto13:022Lulu-Suite: Ostinato. Allegro3:143Lulu-Suite: Lied der Lulu. Comodo2:344Lulu-Suite: Variationen. Moderato3:235Lulu-Suite: Adagio sostenuto8:156Der Wein: Einleitung1:327Der Wein: Die Seele des Weines4:508Der Wein: Der Wein der Liebenden2:399Der Wein: Der Wein des Einsamen3:3510Lyrische Suite: Andante amoroso5:3611Lyrische Suite: Allegro misterioso - Trio estatico3:3012Lyrische Suite: Adagio appassionato5:551990 · studio album
Arcana / Amériques / Ionisation / Offrandes / Density 21,5 / Octandre / Intégrales
1990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:17:01
1Ionisation5:592Ameriques24:133Density 21.54:114Offrandes: I. Chanson de La-haut (Vincente Huidobro)3:125Offrandes: II. La Croix du Sud (Jose Juan Tablada)3:286Arcana18:437Octandre: I. Assez lent2:338Octandre: II. Tres vif et nerveux1:439Octandre: III. Grave2:2410Integrales10:351991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 3 tracks · 1:10:48
1Das klagende Lied: I. Waldmärchen30:152Das klagende Lied: II. Der Spielmann19:453Das klagende Lied: III. Hochzeitsstück20:48The Miraculous Mandarin / Four Orchestral Pieces / Three Village Scenes
1991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 19 tracks · 1:05:39
14 Orchestral Pieces, op. 12 (Sz. 51): I. Preludio7:4624 Orchestral Pieces, op. 12 (Sz. 51): II. Scherzo6:0134 Orchestral Pieces, op. 12 (Sz. 51): III. Intermezzo4:2744 Orchestral Pieces, op. 12 (Sz. 51): IV. Marcia funebre4:4853 Village Scenes (Sz. 79): I. Wedding3:5563 Village Scenes (Sz. 79): II. Lullaby4:5073 Village Scenes (Sz. 79): III. Lad’s Dance2:508The Miraculous Mandarin, op. 19 (Sz. 73): I. Prelude1:189The Miraculous Mandarin, op. 19 (Sz. 73): II. The curtain rises1:3910The Miraculous Mandarin, op. 19 (Sz. 73): III. First seduction game3:4411The Miraculous Mandarin, op. 19 (Sz. 73): IV. Second seduction game3:0412The Miraculous Mandarin, op. 19 (Sz. 73): V. Third seduction game2:2513The Miraculous Mandarin, op. 19 (Sz. 73): VI. General consternation…1:1414The Miraculous Mandarin, op. 19 (Sz. 73): VII. The girl is undecided…4:3315The Miraculous Mandarin, op. 19 (Sz. 73): VIII. The girl sinks down…2:2916The Miraculous Mandarin, op. 19 (Sz. 73): IX. The tramps leap out…2:0517The Miraculous Mandarin, op. 19 (Sz. 73): X. Suddenly the Mandarin’s head appears3:0018The Miraculous Mandarin, op. 19 (Sz. 73): XI. The terrified tramps…1:2119The Miraculous Mandarin, op. 19 (Sz. 73): XII. The lamp falls to the floor…4:101991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 1:03:13
1Sonatine for flute and piano11:382Sonata No. 1 for piano: Lent4:153Sonata No. 1 for piano: Assez large4:404Dérive6:165Mémoriale (...Explosante-fixe...Originel)5:116Dialogue de l'ombre double17:507cummings ist der Dichter13:23Violin Concerto no. 1 / Viola Concerto / 2 Rhapsodies
1991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 1:07:10
1Violin Concerto no. 1, op. Posth.: I. Andante sostenuto8:472Violin Concerto no. 1, op. Posth.: II. Allegro giocoso12:523Viola Concerto, op. Posth. (ed. Serly): I. Moderato12:504Viola Concerto, op. Posth. (ed. Serly): II. Adagio religioso4:375Viola Concerto, op. Posth. (ed. Serly): III. Allegro vivace4:086Rhapsody no. 1: Lassú (Moderato) - Friss (Allegretto moderato)11:267Rhapsody no. 2 (Revised 1944 version): Lassú (Moderato) - Friss (Allegro moderato)12:30Pelleas and Melisande, op. 5 / Variations, op. 31
1992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 13 tracks · 1:00:22
1Pelleas und Melisande, op. 540:202Variations for Orchestra, op. 31: I. Introduction1:363Variations for Orchestra, op. 31: II. Theme1:044Variations for Orchestra, op. 31: III. Variation I1:135Variations for Orchestra, op. 31: IV. Variation II1:316Variations for Orchestra, op. 31: V. Variation III0:427Variations for Orchestra, op. 31: VI. Variation IV1:288Variations for Orchestra, op. 31: VII. Variation V1:479Variations for Orchestra, op. 31: VIII. Variation VI1:2810Variations for Orchestra, op. 31: IX. Variation VII2:0911Variations for Orchestra, op. 31: X. Variation VIII0:3512Variations for Orchestra, op. 31: XI. Variation IX1:0213Variations for Orchestra, op. 31: XII. Finale5:271992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 33:27
1Structures pour deux pianos: Premier livre: 1. Stück3:242Structures pour deux pianos: Premier livre: 2. Stück8:313Structures pour deux pianos: Premier livre: 3. Stück2:124Structures pour deux pianos: Deuxième livre: 1. Stück8:375Structures pour deux pianos: Deuxième livre: 2. Stück10:431992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 44 tracks · 4:04:12
Disc 11Götterdämmerung: Prolog. "Welch Licht leuchtet dort?"9:572Götterdämmerung: Prolog. "Wisset ihr noch, so windet von neuem das Seil"6:043Götterdämmerung: Prolog. Orchesterzwischenspiel3:064Götterdämmerung: Prolog. "Zu neuen Taten, teurer Helde"8:545Götterdämmerung: Prolog. "O, heilige Götter! Hehre Geschlechter!"2:336Götterdämmerung: Prolog. Orchesterzwischenspiel (Siegfrieds Rheinfahrt)4:527Götterdämmerung: Act I, Scene I. "Nun hör, Hagen, sage mir, Held"5:508Götterdämmerung: Act I, Scene I. "Brächte Siegfried die Braut dir heim"6:149Götterdämmerung: Act I, Scene II. "Heil! Siegfried, teurer Held"6:1210Götterdämmerung: Act I, Scene II. "Willkommen, Gast, in Gibichs Haus"3:15Disc 21Götterdämmerung: Act I, Scene II. "Deinem Bruder bot ich mich zum Mann"4:222Götterdämmerung: Act I, Scene II. "Blühenden Lebens labendes Blut"5:453Götterdämmerung: Act I, Scene II. "Hier sitz' ich zur Wacht"3:484Götterdämmerung: Act I, Scene II. Orchesterzwischenspiel5:495Götterdämmerung: Act I, Scene III. "Altgewohntes Geräusch raunt meinem Ohr die Ferne"7:286Götterdämmerung: Act I, Scene III. "Höre mit Sinn, was ich dir sage"9:397Götterdämmerung: Act I, Scene III. "Welch banger Träume Mären"8:318Götterdämmerung: Act I, Scene III. "Brünnhild'! Ein Freier kam"8:27Disc 31Götterdämmerung: Act II. Orchestervorspiel3:032Götterdämmerung: Act II, Scene I. "Schläfst du, Hagen, mein Sohn?"7:423Götterdämmerung: Act II, Scene I. Orchesterzwischenspiel1:554Götterdämmerung: Act II, Scene II. "Hoiho, Hagen! Müder Mann!"4:375Götterdämmerung: Act II, Scene III. "Hoiho! Ihr Gibichsmannen"8:276Götterdämmerung: Act II, Scene IV. "Heil dir, Gunther!"1:007Götterdämmerung: Act II, Scene IV. "Brünnhild', die hehrste Frau"3:318Götterdämmerung: Act II, Scene IV. "Was müht Brünnhildes Blick?"3:179Götterdämmerung: Act II, Scene IV. "Ha! Dieser war es, der mir den Ring entriß"6:5810Götterdämmerung: Act II, Scene IV. "Helle Wehr! Heilige Waffe!"7:2611Götterdämmerung: Act II, Scene V. "Welches Unholds List liegt hier verhohlen?"7:3212Götterdämmerung: Act II, Scene V. "Dir hilft kein Hirn"5:51Disc 41Götterdämmerung: Act III. Orchestervorspiel - "Frau Sonne sendet lichte Strahlen"6:472Götterdämmerung: Act III, Scene I. "Siegfried!"6:053Götterdämmerung: Act III, Scene I. "Ihr listigen Frauen, laßt das sein!"5:444Götterdämmerung: Act III, Scene II. "Hoiho!"4:055Götterdämmerung: Act III, Scene II. "Trink, Gunther, trink!"2:226Götterdämmerung: Act III, Scene II. "Mime hieß ein mürrischer Zwerg"8:487Götterdämmerung: Act III, Scene II. "Brünnhilde, heilige Braut"3:238Götterdämmerung: Act III, Scene II. Trauermarsch6:219Götterdämmerung: Act III, Scene III. "War das sein Horn?"7:0710Götterdämmerung: Act III, Scene III. "Schweigt eures Jammers jauchzenden Schwall"3:1211Götterdämmerung: Act III, Scene III. "Starke Scheite schichtet mir dort"8:1712Götterdämmerung: Act III, Scene III. "Mein Erbe nun nehm' ich zu eigen"3:5013Götterdämmerung: Act III, Scene III. "Grane, mein Roß, sei mir gegrüßt"2:0614Götterdämmerung: Act III, Scene III. "Zurück vom Ring!"4:00Phlegra / Jalons / Keren / Nomos Alpha / Thalleïn
1992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:04:51
1Phlegra13:252Jalons14:403Keren6:414Nomos Alpha12:415Thalleïn17:241992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 54 tracks · 3:44:54
Disc 11Siegfried: Act I. Prelude3:522Siegfried: Act I, Scene I. "Zwangvolle Plage!"5:433Siegfried: Act I, Scene I. "Nun tobst du wieder"2:334Siegfried: Act I, Scene I. "Vieles lehrtest du, Mime"4:405Siegfried: Act I, Scene I. "Wo hast du nun, Mime"5:006Siegfried: Act I, Scene I. "So starb meine Mutter an mir?"2:457Siegfried: Act I, Scene I. "Das gab mir deine Mutter"3:408Siegfried: Act I, Scene II. "Heil dir, weiser Schmied!"3:139Siegfried: Act I, Scene II. "Hier sitz' ich am Herd"5:3410Siegfried: Act I, Scene II. "Viel, Wanderer, weisst du mir"3:3211Siegfried: Act I, Scene II. "Was zu wissen dir frommt"5:0412Siegfried: Act I, Scene II. "Notung heisst ein neidliches Schwert"2:1113Siegfried: Act I, Scene II. "Nach eitlen Fernen forschtest du"1:5714Siegfried: Act I, Scene III. "Verfluchtes Licht!"4:0715Siegfried: Act I, Scene III. "Fühltest du nie im finstren Wald"4:4616Siegfried: Act I, Scene III. "Her mit den Stücken"3:2017Siegfried: Act I, Scene III. "Notung! Notung! Neidliches Schwert!"7:1218Siegfried: Act I, Scene III. "Hoho! Hoho! Hohei!"3:0319Siegfried: Act I, Scene III. "Den der Bruder schuf"2:53Disc 21Siegfried: Act II. Vorspiel5:362Siegfried: Act II, Scene I."In Wald und Nacht"5:133Siegfried: Act II, Scene I."Durch Vertrages Treuerunen"6:154Siegfried: Act II, Scene I."Fafner! Fafner! Erwache, Wurm!"2:125Siegfried: Act II, Scene I."Ich lieg' und besitz"3:546Siegfried: Act II, Scene II."Wir sind zur Stelle"3:417Siegfried: Act II, Scene II."He, du Alter!"2:338Siegfried: Act II, Scene II."Dass der mein Vater nicht ist"1:279Siegfried: Act II, Scene II."Aber wie sah meine Mutter wohl aus?"2:4510Siegfried: Act II, Scene II."Du holdes Vöglein"3:1611Siegfried: Act II, Scene II."Es schweigt und lauscht"3:0812Siegfried: Act II, Scene II."Siegfrieds Hornruf"1:4113Siegfried: Act II, Scene II."Haha! Da hätte hein Lied..."2:2314Siegfried: Act II, Scene II."Da lieg, neidischer Kerl"5:2415Siegfried: Act II, Scene II."Zur Kunde taugt kein Toter"2:1016Siegfried: Act II, Scene III."Wohin schleichst du"4:5817Siegfried: Act II, Scene III."Willkommen, Siegfried!"3:0418Siegfried: Act II, Scene III."Das sagt' ich doch nicht?"3:5219Siegfried: Act II, Scene III."Neides Zoll zahlt Notung"6:3620Siegfried: Act II, Scene III."Hei! Siegfried erschlug nun den schlimmen Zwerg!"4:01Disc 31Siegfried: Act III. Vorspiel2:072Siegfried: Act III, Scene I. "Wache, Wala!"2:023Siegfried: Act III, Scene I. "Stark ruft das Lied"9:474Siegfried: Act III, Scene I. Dir Unweisen ruf' ich ins Ohr"3:285Siegfried: Act III, Scene II. Dort seh' ich Siegfried nahn"1:006Siegfried: Act III, Scene II. Mein Voglein schwebte mir fort!"5:367Siegfried: Act III, Scene II. "Kenntest Du Mich"5:368Siegfried: Act III, Scene II. Orchesterzwischenspiel2:489Siegfried: Act III, Scene III. Vorspiel2:0610Siegfried: Act III, Scene III. "Selige Ode auf wonniger Höh'"3:5211Siegfried: Act III, Scene III. "Das ist kein Mann!"6:4312Siegfried: Act III, Scene III. "Heil dir, Sonne!"5:2613Siegfried: Act III, Scene III. "O Siegfried!"5:5814Siegfried: Act III, Scene III. "Dort seh' ich Grane"7:5615Siegfried: Act III, Scene III. Ewig war ich"11:151992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 38 tracks · 2:22:08
Disc 11Das Rheingold: Vorspiel3:572Das Rheingold: Szene I. Weia! Waga! Woge du Welle!2:273Das Rheingold: Szene I. Garstig glatter glitschiger Glimmer!5:004Das Rheingold: Szene I. Wallala! Lalaleia! Leialalei!2:165Das Rheingold: Szene I. Lugt, Schwestern! Die Weckerin lacht in den Grund5:596Das Rheingold: Szene I. Der Welt Erbe gewänn' ich zu eigen durch dich?1:507Das Rheingold: Szene I. Orchesterzwischenspiel2:498Das Rheingold: Szene II. Wotan! Gemahl! erwache!3:039Das Rheingold: Szene II. Nur Wonne schafft dir, was mich erschreckt?5:5710Das Rheingold: Szene II. Sanft schloß Schlaf dein Aug'7:0711Das Rheingold: Szene II. Zu mir, Freia!1:4412Das Rheingold: Szene II. Endlich, Loge!3:4513Das Rheingold: Szene II. Immer ist Undank Loges Lohn!5:5114Das Rheingold: Szene II. Taugte wohl des goldnen Tandes4:2915Das Rheingold: Szene II. Hör', Wotan, der Harrenden Wort!4:5116Das Rheingold: Szene II. Jetzt fand ich's5:0417Das Rheingold: Szene II. Verwandlungsmusik1:4818Das Rheingold: Szene III. Hehe! hehe! hieher! hieher! Tückischer Zwerg!4:11Disc 21Das Rheingold: Szene III. Wer hälfe mir?3:522Das Rheingold: Szene III. Mit eurem Gefrage2:393Das Rheingold: Szene III. Was woolt ihr hier?4:414Das Rheingold: Szene III. Habt acht! Habt acht!4:595Das Rheingold: Szene III. Riesen-Wurm winde sich ringelnd!3:166Das Rheingold: Szene III. Verwandlumgsmusik3:407Das Rheingold: Szene IV. Da, Vetter, sitze du fest!2:358Das Rheingold: Szene IV. Wohlan, die Nibelungen rief ich mir nah3:279Das Rheingold: Szene IV. Zu deiner Lösung mußt du ihn lassen4:2510Das Rheingold: Szene IV. Bin ich nun frei?4:1311Das Rheingold: Szene IV. Lauschtest du seinem Liebesgruß?2:4912Das Rheingold: Szene IV. Halt! Nicht sie berürth!2:4413Das Rheingold: Szene IV. Nicht so leicht und locker gefügt!2:1814Das Rheingold: Szene IV. Freia, die schöne, schau´ ich nicht mehr2:2815Das Rheingold: Szene IV. Weiche, Wotan, weiche!5:1316Das Rheingold: Szene IV. Hört, ihr Riesen!3:2617Das Rheingold: Szene IV. Furchtbar nun erfind´ ich des Fluches Kraft!2:4318Das Rheingold: Szene IV. Schwüles Gedünst schwebt in der Luft2:2219Das Rheingold: Szene IV. Zur Burg führt die Brücke4:4420Das Rheingold: Szene IV. Rheingold! Rheingold! Reines Gold!3:26Images / Prélude à l’après‐midi d’un faune / Printemps
1992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 59:41
1Prélude à l’après‐midi d’un faune : Très modéré8:552Images pour orchestre : N° 1. Gigues : Modéré7:223Images pour orchestre : N° 2. Iberia : I. Par les rues et par les chemins: Assez animé6:584Images pour orchestre : N° 2. Iberia : II. Les Parfums de la nuit : Lent et réveur7:305Images pour orchestre : N° 2. Iberia : III. Le Matin d’un jour de fête : Dans un rythme de March lointaine, alerte et joyeuse4:236Images pour orchestre : N° 3. Rondes de printemps : Modérément animé7:507Printemps, suite symphonique : I. Très modéré10:188Printemps, suite symphonique : II. Modéré6:25The Wooden Prince / Cantata Profana
1992 · studio album
Search SpotifySearch YouTube Music
Tracklist · 11 tracks · 1:13:16
1Cantata Profana "The Enchanted Stags", Sz. 94: I. There Was Once an Old Man7:002Cantata Profana "The Enchanted Stags", Sz. 94: II. But Their Father Grew Impatient8:003Cantata Profana "The Enchanted Stags", Sz. 94: III. There Was Once an Old Man3:174The Wooden Prince: Introduction5:145The Wooden Prince: First Dance: Dance of The Princess in The Forest5:056The Wooden Prince: Second Dance: Dance of The Trees5:277The Wooden Prince: Third Dance: Dance of The Waves11:368The Wooden Prince: Fourth Dance: Dance of The Princess With The Wooden Prince15:219The Wooden Prince: Fifth Dance: The Princess Pulls And Tugs at The Wooden Prince1:5510The Wooden Prince: Sixth Dance: She Tries to Attract The Real Prince With Her Seductive Dancing1:3811The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way8:43Wuorinen: Second Sonata (1976) / Boulez: Troisième Sonate pour Piano (1958; 2 versions)
1993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:16:30
1Second Sonata (1976)32:182Troisième Sonate pour Piano (1958): Version 1: Tropes7:473Troisième Sonate pour Piano (1958): Version 1: Miroir15:524Troisième Sonate pour Piano (1958): Version 2: Tropes6:285Troisième Sonate pour Piano (1958): Version 2: Miroir14:05Couleurs de la Cité céleste / Et exspecto resurrectionem mortuorum / L'Ascension
1993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:13:44
1Couleurs de la Cité céleste17:082Et exspecto resurrectionem mortuorum: "Des profondeurs de l'abîme, je crie vers toi, Seigneur : Seigneur, écoute ma voix!"3:503Et exspecto resurrectionem mortuorum: "Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire."5:304Et exspecto resurrectionem mortuorum: "L'heure vient où les morts entendront la voix du Fils de Dieu..."5:145Et exspecto resurrectionem mortuorum: "Ils ressusciteront, glorieux, avec un nom nouveau dans le concert joyeux des étoiles et les acclamations des fils du Ciel"8:516Et exspecto resurrectionem mortuorum: "Et j'entendis la voix d'une foule immense..."6:557L'Ascension: "Majesté du Christ demandant sa gloire à son Père"4:498L'Ascension: "Alléluias sereins d'une âme qui désire le ciel"6:249L'Ascension: "Alléluia sur la trompette, alléluia sur la cymbale"5:5010L'Ascension: "Prière du Christ montant vers son Père"9:13Klavierkonzerte Nr. 1 und Nr. 3
1993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 49:39
1Piano Concerto no. 1: I. Allegro moderato - Allegro9:232Piano Concerto no. 1: II. Andante - Allegro8:123Piano Concerto no. 1: III. Allegro molto6:504Piano Concerto no. 3: I. Allegretto7:505Piano Concerto no. 3: II. Adagio religioso10:256Piano Concerto no. 3: III. Allegro vivace6:59Moses und Aron / Chamber Symphony no. 2
1993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 23 tracks · 2:01:08
Disc 11Moses und Aaron: I. Akt, Szene I Moses Berufung8:202Moses und Aaron: I. Akt, Szene II Moses begegnet Aaron in der Wüste7:143Moses und Aaron: I. Akt, Szene III Moses und Aaron verkünden dem Volk die Botschaft Gottes6:314Moses und Aaron: I. Akt, Szene IV Chor "Bringt ihr Erhörung"6:445Moses und Aaron: I. Akt, Szene IV "Allmächtiger, meine Kraft ist zu Ende"4:046Moses und Aaron: I. Akt, Szene IV Chor "Ein Wunder erfüllt uns mit Schrecken"3:267Moses und Aaron: I. Akt, Szene IV "Erkennt euch darin"8:138Moses und Aaron: I. Akt, Szene IV "Er hat uns auserwählt"2:479Moses und Aaron: Zwischenspiel2:06Disc 21Moses und Aaron: II. Akt, Szene I Aaron und die 70 Ältesten vor dem Berg der Offenbarung3:182Moses und Aaron: II. Akt, Szene II7:103Moses und Aaron: II. Akt, Szene III "Dieses Bild bezeugt"1:014Moses und Aaron: II. Akt, Szene III Feierlich (Takt 320)3:215Moses und Aaron: II. Akt, Szene III Tanz der Schlachter2:116Moses und Aaron: II. Akt, Szene III "O Götterbild"3:257Moses und Aaron: II. Akt, Szene III Rasch (Bar 497)4:448Moses und Aaron: II. Akt, Szene III Orgie der Trunkenheit und des Tanzes5:359Moses und Aaron: II. Akt, Szene III "O goldener Gott"2:5710Moses und Aaron: II. Akt, Szene III Ziemlich rasch (Takt 824)5:1811Moses und Aaron: II. Akt, Szene IV1:1012Moses und Aaron: II. Akt, Szene V Moses undd Aaron10:3513Kammersymphonie Nr. 2, op. 38: I. Adagio9:5814Kammersymphonie Nr. 2, op. 38: II. Con fuoco11:00Pierrot Lunaire / Lied der Waldtaube / Erwartung
1993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 30 tracks · 1:16:21
1Erwartung: Scene I. “Hier hinein?”2:532Erwartung: Scene II. “Ist das noch der Weg?”2:503Erwartung: Scene III. “Da kommt en Licht!...”1:254Erwartung: Scene IV. “Er ist auch nicht da…”2:335Erwartung: Scene IV. “Das Mondlicht…”8:046Erwartung: Scene IV. “Nein, das ist doch nicht moglich…”1:397Erwartung: Scene IV. “Du siehst wieder dort hin!”6:468Erwartung: Scene IV. “Der Morgen trennt uns…”3:209Pierrot Lunaire, part I: Mondestrunken1:3910Pierrot Lunaire, part I: Colombine1:4411Pierrot Lunaire, part I: Der Dandy1:1312Pierrot Lunaire, part I: Eine blasse Wäscherin1:3713Pierrot Lunaire, part I: Valse de Chopin1:1714Pierrot Lunaire, part I: Madonna2:0515Pierrot Lunaire, part I: Der kranke Mond2:2316Pierrot Lunaire, part II: Passacaglia. Nacht2:1317Pierrot Lunaire, part II: Gebet an Pierrot0:5318Pierrot Lunaire, part II: Raub1:0719Pierrot Lunaire, part II: Rote Messe1:4720Pierrot Lunaire, part II: Galgenlied0:2021Pierrot Lunaire, part II: Enthauptung2:1422Pierrot Lunaire, part II: Die Kreuze2:2123Pierrot Lunaire, part III: Heimweh1:5824Pierrot Lunaire, part III: Gemeinheit1:1125Pierrot Lunaire, part III: Parodie1:1726Pierrot Lunaire, part III: Der Mondfleck0:5427Pierrot Lunaire, part III: Serenade2:2028Pierrot Lunaire, part III: Barcarole. Heimfahrt1:4529Pierrot Lunaire, part III: O alter Duft1:5330Lied der Waldtaube12:40Suite, Op. 29 / Verklärte Nacht / 3 Pieces
1993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:01:20
1Suite, op. 29: I. Overtüre8:362Suite, op. 29: II. Tanzschritte7:253Suite, op. 29: III. Thema mit Variationen6:044Suite, op. 29: IV. Gigue7:325Verklärte Nacht, op. 429:2763 Pieces for Chamber Orchestra: I. Rasche Viertel0:5573 Pieces for Chamber Orchestra: II. Mäßige Viertel0:3683 Pieces for Chamber Orchestra: III. Gehende Viertel0:45Gurre-Lieder / 4 Songs, op. 22
1993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 24 tracks · 2:08:59
Disc 11Gurre-Lieder: I. Teil: Orchester‐Vorspiel7:142Gurre-Lieder: I. Teil: Waldemar: “Nun dämpft die Dämmrung jeden Ton”4:323Gurre-Lieder: I. Teil: Tove: “O, wenn des Mondes Strahlen leise gleiten”3:164Gurre-Lieder: I. Teil: Waldemar: “Roß! Mein Roß! Was schleichst du so träg!”3:355Gurre-Lieder: I. Teil: Tove: ”Sterne jubeln, das Meer, es leuchtet”3:076Gurre-Lieder: I. Teil: Waldemar: “So tanzen die Engel vor Gottes Thron nicht”2:517Gurre-Lieder: I. Teil: Tove: “Nun sag’ ich dir zum ersten Mal”4:518Gurre-Lieder: I. Teil: Waldemar: “Es ist Mitternachtszeit”5:489Gurre-Lieder: I. Teil: Tove: “Du sendest mir einen Liebesblick”5:5810Gurre-Lieder: I. Teil: Waldemar: “Du wunderliche Tove!”9:5811Gurre-Lieder: I. Teil: Stimme der Waldtaube: “Tauben von Gurre! Sorge quält mich”12:31Disc 21Gurre-Lieder: II. Teil: Waldemar: “Herrgott, weißt du, was du tatest”5:512Gurre-Lieder: III. Teil “Die wilde Jagd”: Waldemar: “Erwacht, König Waldemars Mannen wert!”2:563Gurre-Lieder: III. Teil “Die wilde Jagd”: Bauer: “Deckel des Sarges klappert und klappt”3:304Gurre-Lieder: III. Teil “Die wilde Jagd”: Waldemars Mannen: “Gegrüßt, o König, an Guerresees Strand!”5:335Gurre-Lieder: III. Teil “Die wilde Jagd”: Waldemar: “Mit Toves Stimme flüstert der Wald”3:456Gurre-Lieder: III. Teil “Die wilde Jagd”: Klaus-Narr: “Ein seltsamer Vogel ist so’n Aal”7:187Gurre-Lieder: III. Teil “Die wilde Jagd”: Waldemar: “Du strenger Richter droben”2:298Gurre-Lieder: III. Teil “Die wilde Jagd”: Waldemars Mannen: “Der Hahn erhebt den Kopf zur Kraht”6:359Gurre-Lieder: III. Teil “Die wilde Jagd”: Des Sommerwindes wilde Jagd / Orchester Vorspiel / Sprecher (Melodram): "Herr Gänsefuß, Frau Gänsekraut" / Gemischter Chor: "Seht die Sonne”14:06104 Lieder für Gesang und Orchester, op. 22: I. Seraphita5:37114 Lieder für Gesang und Orchester, op. 22: II. Alle, welche dich suchen1:39124 Lieder für Gesang und Orchester, op. 22: III. Mach mich zum Wächter deiner Weiten3:36134 Lieder für Gesang und Orchester, op. 22: IV. Vorgefühl2:23Die Glückliche Hand / Variations, op. 31 / Verklärte Nacht
1993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 23 tracks · 1:09:07
1Die glückliche Hand, op. 18: Scene I2:532Die glückliche Hand, op. 18: Scene II5:403Die glückliche Hand, op. 18: Scene III. Kräftig bewegt2:544Die glückliche Hand, op. 18: Scene III. Viel rascher2:045Die glückliche Hand, op. 18: Scene III. Mäßig bewegt2:096Die glückliche Hand, op. 18: Scene IV5:127Variations for Orchestra, op. 31: Introduction. Mässig, ruhig1:318Variations for Orchestra, op. 31: Thema. Molto moderato1:019Variations for Orchestra, op. 31: Variation I. Moderato1:1610Variations for Orchestra, op. 31: Variation II. Langsam1:3111Variations for Orchestra, op. 31: Variation III. Mässig0:4112Variations for Orchestra, op. 31: Variation IV. Walzertempo1:2013Variations for Orchestra, op. 31: Variation V. Bewegt1:4814Variations for Orchestra, op. 31: Variation VI. Andante1:2415Variations for Orchestra, op. 31: Variation VII. Langsam2:0216Variations for Orchestra, op. 31: Variation VIII. Sehr rasch0:3717Variations for Orchestra, op. 31: Variation IX. L’istesso tempo; aber etwas langsamer0:5818Variations for Orchestra, op. 31: Finale. Mäßig schnell5:3019Verklärte Nacht, op. 4: Grave6:3020Verklärte Nacht, op. 4: Molto rallentando [bar 100]6:2221Verklärte Nacht, op. 4: Pesante [bar 201]2:2622Verklärte Nacht, op. 4: Adagio [bar 229]9:2323Verklärte Nacht, op. 4: Adagio [bar 370]3:55Serenade / Five Pieces for Orchestra / Ode to Napoleon
1993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 13 tracks · 1:05:24
1Serenade, op. 24: I. Marsch4:342Serenade, op. 24: II. Menuett - Trio7:203Serenade, op. 24: III. Variationen4:144Serenade, op. 24: IV. Sonett von Petrarca »O könnt' ich je der Rach' an ihr genesen«2:545Serenade, op. 24: V. Tanzszene7:056Serenade, op. 24: VI. Lied (ohne Worte)2:227Serenade op. 24: VII. Finale5:2585 Pieces for Orchestra, op. 16: I. Vorgefühle2:0295 Pieces for Orchestra, op. 16: II. Vergangenes4:42105 Pieces for Orchestra, op. 16: III. Farben2:50115 Pieces for Orchestra, op. 16: IV. Peripetie2:03125 Pieces for Orchestra, op. 16: V. Das Obligate Rezitative3:3013Ode to Napoleon Buonaparte, op. 4116:23Concerto for Orchestra / Four Orchestral Pieces
1993 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 59:59
1Four Orchestral Pieces, op. 12, Sz. 51: 1. Preludio: Moderato6:322Four Orchestral Pieces, op. 12, Sz. 51: 2. Scherzo: Allegro6:133Four Orchestral Pieces, op. 12, Sz. 51: 3. Intermezzo: Moderato5:034Four Orchestral Pieces, op. 12, Sz. 51: 4. Marcia funebre: Maestoso5:065Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo; Allegro vivace; Tempo I9:306Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando6:267Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo7:438Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto4:029Concerto for Orchestra, Sz. 116: V. Finale: Pesante; Presto9:241994 · studio album
Search SpotifySearch YouTube Music
Tracklist · 24 tracks · 2:02:29
Disc 11Der holzgeschnitzte Prinz, Op. 13 (Sz. 60): Einleitung. Molto moderato4:342Der holzgeschnitzte Prinz, Op. 13 (Sz. 60): Erster Tanz: Tanz der Prinzessin im Walde4:543Der holzgeschnitzte Prinz, Op. 13 (Sz. 60): Allegro5:314Der holzgeschnitzte Prinz, Op. 13 (Sz. 60): Dritter Tatnz: Wellentanz. Andante9:015Der holzgeschnitzte Prinz, Op. 13 (Sz. 60): Die Prinzessin bemerkt den goldlockigen Stab. Allegretto2:196Der holzgeschnitzte Prinz, Op. 13 (Sz. 60): Vierter Tanz: Tanz der Prinzessin mit der Holzpuppe. Allegro12:197Der holzgeschnitzte Prinz, Op. 13 (Sz. 60): Große Apotheose: Huldigung der Bäume, Gewässer und Blumen. Piu sostenuto2:408Der holzgeschnitzte Prinz, Op. 13 (Sz. 60): Fünfter Tanz: Die Prinzessin zerrt und rupft an dem Holzprinzen herum und will ihn zum Tanz nötigen.1:559Der holzgeschnitzte Prinz, Op. 13 (Sz. 60): Sechster Tanz: Mit verführerischem Tanz will sie den echten Prinzen zu sich locken. Allegretto1:2510Der holzgeschnitzte Prinz, Op. 13 (Sz. 60): Siebter Tanz: Erschrocken will die Prinzessin zum Prinzen eilen, doch der Wald hält sie auf. Moderat8:0411Der holzgeschnitzte Prinz, Op. 13 (Sz. 60): Der Vorhang fällt langsam. a tempo0:34Disc 21Music for Strings, Precussion and Celesta (Sz 106): Andante tranquillo7:582Music for Strings, Precussion and Celesta (Sz 106): Allegro7:303Music for Strings, Precussion and Celesta (Sz 106): Adagio7:434Music for Strings, Precussion and Celesta (Sz 106): Allegro molto6:525Dance Suite (Sz 77): Moderato4:016Dance Suite (Sz 77): Allegro molto2:107Dance Suite (Sz 77): Allegro vivace3:068Dance Suite (Sz 77): Molto tranquillo3:199Dance Suite (Sz 77): Comodo0:5810Dance Suite (Sz 77): Finale. Allegro4:1611Le Poème de l’extase, Op. 54: 1. Andante. Languido - Allegro volando3:3712Le Poème de l’extase, Op. 54: 2. Allegro non troppo - Moderato avec délice - Allegro - Allegro dramatico - Lento10:3313Le Poème de l’extase, Op. 54: 3. Allego - Scherzando7:10Concerto pour Flûte / Concerto pour Violoncelle
1994 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 45:21
1Concerto pour flûte et orchestre: Allegro7:572Concerto pour flûte et orchestre: Un poco andante8:373Concerto pour flûte et orchestre: Allegro di molto5:594Concerto pour violoncelle et orchestre: Allegro7:485Concerto pour violoncelle et orchestre: Largo mesto. Triste8:386Concerto pour violoncelle et orchestre: Allegro assai6:221994 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 1:01:14
1Bluebeard's Castle, op. 11, Sz. 48, BB 62: I. Here We Are Now4:242Bluebeard's Castle, op. 11, Sz. 48, BB 62: II. Is This Really Bluebeard's Castle5:123Bluebeard's Castle, op. 11, Sz. 48, BB 62: III. Ah, I See Seven Great Shut Doorways5:594Bluebeard's Castle, op. 11, Sz. 48, BB 62: IV. Woe! - What Seest Thou!4:365Bluebeard's Castle, op. 11, Sz. 48, BB 62: V. What Seest Thou!4:146Bluebeard's Castle, op. 11, Sz. 48, BB 62: VI. Mountains of Gold2:317Bluebeard's Castle, op. 11, Sz. 48, BB 62: VII. Ah! What Lovely Flowers!5:028Bluebeard's Castle, op. 11, Sz. 48, BB 62: VIII. Now Behold My Spacious Kingdom6:499Bluebeard's Castle, op. 11, Sz. 48, BB 62: IX. I Can See a Sheet of Water6:4110Bluebeard's Castle, op. 11, Sz. 48, BB 62: X. Tell Me, Tell Me, Dearest Bluebird6:3811Bluebeard's Castle, op. 11, Sz. 48, BB 62: XI. Hearts That I Have Loved and Cherished2:2412Bluebeard's Castle, op. 11, Sz. 48, BB 62: XII. The First I Found at Daybreak6:44Boléro / Ma mère l’Oye / Rapsodie espagnole / Alborada del Gracioso
1994 · studio album
Search SpotifySearch YouTube Music
Tracklist · 15 tracks · 1:15:32
1Ma mère l’Oye: I. Prélude3:282Ma mère l’Oye: II. Danse du rouet et Scène - Allegro3:413Ma mère l’Oye: III. Pavane de la Belle au bois dormant. Lent - Allegro - Mouvement de valse modéré2:214Ma mère l’Oye: IV. Les entretiens de la Belle et de la Bête. Mouvement de valse modéré5:005Ma mère l’Oye: V. Petit Poucet. Très modéré3:206Ma mère l’Oye: VI. Interlude1:357Ma mère l’Oye: VII. Laideronnette, Impératrice des pagodes. Mouvement de marche - Allegro - Très modéré5:098Ma mère l’Oye: VIII. Apothéose: Le jardin féérique. Lent et grave3:359Une barque sur l’océan8:0510Alborada del Gracioso7:3611Rapsodie espagnole: I. Prélude à la nuit. Très modéré4:2312Rapsodie espagnole: II. Malagueña. Assez vif2:0913Rapsodie espagnole: III. Habanera. Assez lent et d’un rythme las3:2714Rapsodie espagnole: IV. Feria. Assez animé6:4515Boléro14:58Boulez Conducts Ligeti: Concertos for Cello / Violin / Piano
1994 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 1:07:10
1Concerto for Piano and Orchestra: I. Vivace molto ritmico e preciso - attacca subito3:552Concerto for Piano and Orchestra: II. Lento e deserto7:013Concerto for Piano and Orchestra: III. Vivace cantabile4:234Concerto for Piano and Orchestra: IV. Allegro, risoluto, colto ritmico - attacca subito4:485Concerto for Piano and Orchestra: V. Presto luminoso: fluido, constate, sempre molto ritmico3:256Concerto for Violoncello and Orchestra: Quarter = 40 - attacca6:547Concerto for Violoncello and Orchestra: (Lo stesso tempo) Quarter = 408:198Concerto for Violin and Orchestra: I. Praeludium: Vivacissimo luminoso - attacca4:189Concerto for Violin and Orchestra: II. Aria, Hoquetus, Choral: Andante con moto - attacca8:1510Concerto for Violin and Orchestra: III. Intermezzo: Presto fluido2:4411Concerto for Violin and Orchestra: IV. Passacaglia: Lento intenso5:5512Concerto for Violin and Orchestra: V. Appassionato: Agitato molto7:131995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 57:02
1Et expecto resurrectionem mortuorum: Des profondeurs de l'abîme, je crie vers toi, Seigneur: Seigneur, écoute ma voix !3:512Et expecto resurrectionem mortuorum: Le Christ, ressuscité des morts, ne meurt plus; la mort n'a plus sur lui d'empire5:313Et expecto resurrectionem mortuorum: L'heure vient où les morts entendront la voix du Fils de Dieu...5:154Et expecto resurrectionem mortuorum: Ils ressusciteront, glorieux, avec un nom nouveau -- dans le concert joyeux des étoiles et les acclamations des fils du ciel8:485Et expecto resurrectionem mortuorum: Et j'entendis la voix d'une foule immense...6:526Couleurs de la cité céleste17:087Symphonies of Wind Instruments9:37Chamber Concerto / Three Orchestral Pieces, op. 6 / Violin Concerto
1995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 16 tracks · 1:18:15
1Chamber Concerto for Piano and Violin: I. Thema scherzoso con variationi: 1. Motto0:282Chamber Concerto for Piano and Violin: I. Thema scherzoso con variationi: 2. Thema scherzoso1:153Chamber Concerto for Piano and Violin: I. Thema scherzoso con variationi: 3. Variation I1:324Chamber Concerto for Piano and Violin: I. Thema scherzoso con variationi: 4. Variation II. Langsames Walzertempo1:115Chamber Concerto for Piano and Violin: I. Thema scherzoso con variationi: 5. Variation III. Kräftig bewegt1:086Chamber Concerto for Piano and Violin: I. Thema scherzoso con variationi: 6. Variation IV. Sehr rasch0:437Chamber Concerto for Piano and Violin: I. Thema scherzoso con variationi: 7. Variation V. Tempo primo1:298Chamber Concerto for Piano and Violin: II. Adagio13:079Chamber Concerto for Piano and Violin: III. Rondo ritmico con introduzione: 1.Introduzione2:4610Chamber Concerto for Piano and Violin: III. Rondo ritmico con introduzione: 2. Rondo ritmico5:3811Chamber Concerto for Piano and Violin: III. Rondo ritmico con introduzione: 3. Coda1:3312Three Orchestral Pieces, op. 6: I. Präludium. Langsam5:2113Three Orchestral Pieces, op. 6: II. Reigen. Anfangs etwas zögernd, leicht beschwingt5:3614Three Orchestral Pieces, op. 6: III. Marsch. Mäßiges Marschtempo9:2715Concerto for Violin and Orchestra: I. Andante; Allegretto11:3716Concerto for Violin and Orchestra: II. Allegro; Adagio15:24Mahler: Rückert-Lieder / Wagner: Wesendonck-Lieder
1995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 16 tracks · 1:03:12
1Fünf Lieder Nach Gedichten Von Friedrich Rückert: Liebst Du Um Schönheit2:262Fünf Lieder Nach Gedichten Von Friedrich Rückert: Um Mitternacht5:343Fünf Lieder Nach Gedichten Von Friedrich Rückert: Ich Atmet' Einen Linden Duft2:164Fünf Lieder Nach Gedichten Von Friedrich Rückert: Blicke Mir Nicht In Die Lieder1:165Fünf Lieder Nach Gedichten Von Friedrich Rückert: Ich Bin Der Welt Abhanden Gekommen6:256Wesendonck-Lieder: I. Der Engel2:487Wesendonck-Lieder: II. Stehe Still!3:318Wesendonck-Lieder: III. Im Treibhaus (Studie Zu "Tristan Und Isolde")6:069Wesendonck-Lieder: IV. Schmerzen2:1610Wesendonck-Lieder: V. Träume (Studie Zu "Tristan Und Isolde")4:2211Das Liebesmahl Der Apostel: "Gegrüßt Seid, Brüder, In Des Herren Namen". In Ruhiger Bewegung7:1912Das Liebesmahl Der Apostel: "Seid Uns Gegrüßt, Ihr Lieben Brüder!". Langsam, Mit Würde - Schnell Und Bewegt - Langsamer - Sehr Langsam7:5313Das Liebesmahl Der Apostel: "Seid Getrost! Ich Bin Euch Nah". Mäßig Langsam1:4814Das Liebesmahl Der Apostel: "Welch' Brausen Erfüllt Die Luft?". Allegro - Molto Più Maestoso4:4215Das Liebesmahl Der Apostel: "Und Freudig Zeuget Aller Welt". Più Allegro - Allegro Con Brio - Più Stretto3:2416Das Liebesmahl Der Apostel: "Denn Ihm Ist Alle Herrlichkeit". Presto1:061995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 11 tracks · 1:03:52
1Première Sonate: Lent - Beaucoup plus allant4:342Première Sonate: Assez large - Rapide5:513Deuxième Sonate: Extrêmement rapide - Encore plus vif5:304Deuxième Sonate: Lent9:125Deuxième Sonate: Modéré, presque vif2:066Deuxième Sonate: Vif - Très modéré... Très librement...10:427Troisième Sonate: Formant 2: Trope: Glose2:128Troisième Sonate: Formant 2: Trope: Texte1:229Troisième Sonate: Formant 2: Trope: Parenthèse3:1210Troisième Sonate: Formant 2: Trope: Commentaire3:2911Troisième Sonate: Formant 3: Constellation - Miroir15:421995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 16 tracks · 58:40
1Sonata no. 1: I.4:402Sonata no. 1: II.6:093Elis: I.1:134Elis: II.1:355Elis: III.1:366Rounds3:317Intervalli per pianoforte8:048Quattro intermezzi: I. Andante con moto1:509Quattro intermezzi: II. Allegro leggiero2:5810Quattro intermezzi: III. Lamentoso, tranquillo3:0511Quattro intermezzi: IV. Molto vivace — Allegro con spirito3:2412Sonata no. 3: I. Texte1:0213Sonata no. 3: II. Parenthèse2:2714Sonata no. 3: III. Commentaire1:5215Sonata no. 3: IV. Glose1:3916Cantéyodjayâ13:35Carter: A Symphony of Three Orchestras / Varèse: Deserts; Ecuatorial; Hyperprism
1995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 48:34
1A Symphony of Three Orchestras15:482Deserts16:213Ecuatorial12:114Hyperprism4:14Pulcinella / The Song of the Nightingale / The Nightingale / L'Histoire du Soldat
1995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 45 tracks · 3:12:09
Disc 11Pulcinella: Ouverture2:062Pulcinella: Serenata; Scherzino22:273Pulcinella: Tarantella5:214Pulcinella: Gavotta con Due Varizioni10:585The Song of the Nightingale: Marche Chinoise5:556The Song of the Nightingale: Chant du Rossignol3:237The Song of the Nightingal: Jeu du rossignol mécanique11:03Disc 21The Nightingale: Act 1: Introduction3:222The Nightingale: Act 1: The Fisherman4:223The Nightingale: Act 1: The Nightingale2:274The Nightingale: Act 1: The Cook4:155The Nightingale: Act 1: The Nightingale2:516The Nightingale: Act 2: Entr'acte, Chorus2:147The Nightingale: Act 2: Chinese March3:358The Nightingale: Act 2: Song of the Nightingale5:379The Nightingale: Act 2: Performance of the Mechanical Nightingale3:4710The Nightingale: Act 3: Introduction6:1711The Nightingale: Act 3: Death4:5212The Nightingale: Act 3: Solemn procession2:2113Four Russian Peasant Songs: On Saint's Days in Chigisakh0:3714Four Russian Peasant Songs: Ovsen0:2815Four Russian Peasant Songs: The Pike0:4816Four Russian Peasant Songs: Master Portly1:0617Three Pieces for String Quartet: Con moto0:5318Three Pieces for String Quartet: Moderato1:5719Three Pieces for String Quartet: Largo3:4020“Madrid”, study for pianola2:2521Four Studies for Orchestra: Danse (Con moto)0:5422Four Studies for Orchestra: Excentrique (Moderato)1:5823Four Studies for Orchestra: Cantique (Largo)3:2124Four Studies for Orchestra: Madrid (Allegro con moto)2:36Disc 31L'histoire du soldat: 1re partie: Marche du soldat2:462L'histoire du soldat: 1re partie: Musique de la 1re scène11:583L'histoire du soldat: 1re partie: Musique de la 2e scène8:184L'histoire du soldat: 1re partie: Musique de la 3e scène4:475L'histoire du soldat: 2e partie: Introduction4:046L'histoire du soldat: 2e partie: Marche royal6:377L'histoire du soldat: 2e partie: Petit concert3:148L'histoire du soldat: 2e partie: Trois danses6:209L'histoire du soldat: 2e partie: Danse du diable1:2610L'histoire du soldat: 2e partie: Petit choral0:4311L'histoire du soldat: 2e partie: Couplets du Diable0:2912L'histoire du soldat: 2e partie: Grand choral4:4913L'histoire du soldat: 2e partie: Marche triomphale du Diable2:3214Concertino pour 12 instruments (1952)6:10Seven Early Songs / Altenberg Songs / Youthful Songs
1995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 26 tracks · 48:13
1Sieben frühe Lieder: Nacht3:482Sieben frühe Lieder: Schilflied2:273Sieben frühe Lieder: Die Nachtigall2:264Sieben frühe Lieder: Traumgekrönt2:335Sieben frühe Lieder: Im Zimmer1:156Sieben frühe Lieder: Liebesode1:387Sieben frühe Lieder: Sommertage2:098Fünf Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: I. Seele, wie bist du schöner2:549Fünf Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: II. Sahst du nach dem Gewitterregen den Wald1:1310Fünf Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: III. Über die Grenzen des All1:3011Fünf Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: IV. Nichts ist gekommen1:2412Fünf Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: V. Hier ist Friede3:3913Jugendlieder (selection): Wo der Goldregen steht2:1114Jugendlieder (selection): Lied des Schiffermädels1:1015Jugendlieder (selection): Sehnsucht II2:0016Jugendlieder (selection): Geliebte Schöne1:4017Jugendlieder (selection): Vielgeliebte schöne Frau1:1518Jugendlieder (selection): Ferne Lieder2:5519Jugendlieder (selection): Schattenleben1:4520Jugendlieder (selection): Vorüber!0:5521Jugendlieder (selection): Liebe1:1422Jugendlieder (selection): Mignon1:2323Jugendlieder (selection): Grabschrift1:2324Zwei Lieder: Schließe mir die Augen beide (1907)0:5525Zwei Lieder: Schließe mir die Augen beide (1925)1:3226Er klagt, daß der Frühling so kortz blüht0:591995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 42 tracks · 1:08:25
1Piano Quintet (1907)13:112Entflieht auf leichten Kähnen, Op. 22:4332 Songs, Op. 8: I. Du, der ichs nicht sage1:0542 Songs, Op. 8: II. Du machst mich allein1:1455 Pieces for Orchestra, Op. 10: I. Sehr ruhig und zart0:4465 Pieces for Orchestra, Op. 10: II. Lebhaft und zart bewegt0:3975 Pieces for Orchestra, Op. 10: III. Sehr langsam und äusserst ruhig1:4885 Pieces for Orchestra, Op. 10: IV. Fliessend, äusserst zart0:2995 Pieces for Orchestra, Op. 10: V. Sehr fliessend0:56104 Songs, Op. 13: I. Weise im Park: Wie wird mir zeitlos2:14114 Songs, Op. 13: II. Die Einsame: An dunkelblauem Himmel1:30124 Songs, Op. 13: III. In der Fremde: Im fremdem Lande lag ich1:03134 Songs, Op. 13: IV. Ein Winterabend: Wenn der Schnee ans Fenster fällt2:16146 Songs, Op. 14: I. Die Sonne: Täglich kommt die gelbe Sonne1:42156 Songs, Op. 14: II. Abendland I: Mond, als träte ein Totes1:27166 Songs, Op. 14: III. Abendland II: So leise sind die grünen Wälder1:16176 Songs, Op. 14: IV. Abendland III: Ihr grossen Städte steinern aufgebaut1:35186 Songs, Op. 14: V. Nachts: Die Bläue meiner Augen0:51196 Songs, Op. 14: VI. Gesang einer genfangenen Amsel: Dunkler Odem im grünen Gezweig1:21205 Sacred Songs, Op. 15: I. Das Kreuz, das musst' er tragen0:59215 Sacred Songs, Op. 15: II. Morgenlied: Steht auf, ihr lieben Kinderlein0:52225 Sacred Songs, Op. 15: III. In Gottes Namen aufstehen0:59235 Sacred Songs, Op. 15: IV. Mein Weg geht jezt vorüber0:59245 Sacred Songs, Op. 15: V. Fahr hin, o Seel', zu deinem Gott1:36255 Canons on Latin Texts, Op. 16: I. Christus factus est0:31265 Canons on Latin Texts, Op. 16: II. Dormi Jesu, mater ridet1:05275 Canons on Latin Texts, Op. 16: III. Crux fidelis0:50285 Canons on Latin Texts, Op. 16: IV. Asperges me, Domine0:37295 Canons on Latin Texts, Op. 16: V. Crucem tuam adoramus, Domine0:29303 Traditional Rhymes, Op. 17: I. Armer Sünder, du0:45313 Traditional Rhymes, Op. 17: II. Liebste Jungfrau, wir sind dein1:03323 Traditional Rhymes, Op. 17: III. Heiland, unsre Missetaten0:49333 Songs, Op. 18: I. Schatzerl klein0:56343 Songs, Op. 18: II. Erlösung: Mein Kind, sieh an1:11353 Songs, Op. 18: III. Ave, Regina coelorum1:21362 Songs, Op. 19: I. Weiss wie Lillen1:23372 Songs, Op. 19: II. Ziehn die Schafe1:0138Quartet, Op. 22: I. Sehr mässig3:0939Quartet, Op. 22: II. Sehr schwungvoll3:0940Concerto for Nine Instruments, Op. 24: I. Etwas lebhaft2:3841Concerto for Nine Instruments, Op. 24: II. Sehr langsam2:3542Concerto for Nine Instruments, Op. 24: III. Sehr rasch1:24La Mer / Nocturnes / Jeux / Rhapsodie pour clarinette et orchestre
1995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:10:58
1Nocturnes : I. Nuages. Modéré — Un peu animé6:152Nocturnes : II. Fêtes. Animé et très rythmé — Modéré mais toujours très rythmé6:313Nocturnes : III. Sirènes. Modérément animé9:474Première Rhapsodie8:425Jeux : Poème dansé16:066La Mer : I. De l’aube à midi sur la mer. Très lent8:477La Mer : II. Jeux de vagues. Allegro (dans un rythme très souple)7:098La Mer : III. Dialogue du vent et de la mer. Animé et tumultueux7:41Et exspecto resurrectionem mortuorum / Chronochromie / La Ville d’en Haut
1995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 13 tracks · 57:48
1Chronochromie, I/43: Introduction3:442Chronochromie, I/43: Strophe I1:413Chronochromie, I/43: Antistrophe I3:204Chronochromie, I/43: Strophe II1:435Chronochromie, I/43: Antistrophe II5:546Chronochromie, I/43: Epode4:397Chronochromie, I/43: Coda2:578La Ville d’en haut, I/569:209Et exspecto resurrectionem mortuorum, I/47: I. Des profondeurs de l’abîme, je cris vers toi, Seigneur: Seigneur, écoute ma voix !2:5410Et exspecto resurrectionem mortuorum, I/47: II. Le Christ, ressuscité des morts, ne meurt plus; la mort n’a plus sur lui d’empire5:1111Et exspecto resurrectionem mortuorum, I/47: III. L’heure vient où les morts entendront la voix du fils de Dieu4:0412Et exspecto resurrectionem mortuorum, I/47: IV. Ils ressuscuteront, glorieux, avec un nom nouveau – dans le concert joyeux des étoiles et les acclamations des fils du ciel5:4713Et exspecto resurrectionem mortuorum, I/47: V. Et j’entendis la voix d’une foule immense6:34Divertimento / Dance Suite / Hungarian Sketches / Deux Images
1995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 16 tracks · 1:12:29
1Dance Suite, Sz 77: I. Moderato3:412Dance Suite, Sz 77: II. Allegro molto2:163Dance Suite, Sz 77: III. Allegro vivace2:574Dance Suite, Sz 77: IV. Molto tranquillo2:365Dance Suite, Sz 77: V. Comodo1:026Dance Suite, Sz 77: VI. Finale: Allegro4:127Deux Images, Op 10, Sz 46: I. In Full Flower8:428Deux Images, Op 10, Sz 46: II. Village Dance9:539Hungarian Sketches, Sz 97: I. An Evening with the Szekely2:4810Hungarian Sketches, Sz 97: II. Bear Dance1:2911Hungarian Sketches, Sz 97: III. Melody2:2112Hungarian Sketches, Sz 97: IV. Slightly Tipsy2:1113Hungarian Sketches, Sz 97: V. Swineherd's Dance2:0914Divertimento, Sz 113: I. Allegro non troppo9:0215Divertimento, Sz 113: II. Molto adagio9:3516Divertimento, Sz 113: III. Allegro assai7:351995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 16 tracks · 1:14:34
1Fireworks3:492Pierre Boulez and Stephen Plaistow in conversation10:383Nocturnes: Nuages6:164Pierre Boulez and Stephen Plaistow in conversation3:555Symphony no. 6: Allegro ma non troppo9:246Pierre Boulez and Stephen Plaistow in conversation2:237Vier Lieder, op. 137:038Pierre Boulez and Stephen Plaistow in conversation2:329Orchestral Pieces, op. 12: Scherzo6:1010Pierre Boulez and Stephen Plaistow in conversation1:5011Chronochromie: Antistrophe I2:5212Pierre Boulez and Stephen Plaistow in conversation1:4413Violin Concerto: Praeludium4:0914Pierre Boulez and Stephen Plaistow in conversation2:4815Une barque sur l'ocean8:0116Pierre Boulez and Stephen Plaistow in conversation1:001995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:19:23
1Symphony no. 6 in A minor: I. Allegro energico, ma non troppo23:072Symphony no. 6 in A minor: II. Scherzo. Wuchtig12:193Symphony no. 6 in A minor: III. Andante14:474Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico29:10Secret Theatre / Tragoedia / Five Distances / Three Settings of Celan
1995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 13 tracks · 1:15:43
1Tragoedia: I. Prologue1:372Tragoedia: II. Paradox2:153Tragoedia: III. Episodion: Strophe I - Anapaest I3:504Tragoedia: IV. Antistrophe I1:335Tragoedia: V. Stasimon2:246Tragoedia: VI. Episodion: Strophe II - Anapaest II3:507Tragoedia: VII. Antistrophe II2:228Tragoedia: VIII. Exodos2:469Five Distances13:4710Three Settings of Celan: I. White and Light5:0711Three Settings of Celan: II. Night3:3312Three Settings of Celan: III. Tenebrae4:5213Secret Theatre27:47Boulez Conducts Boulez: ...Explosante-fixe... / Notations I–XII / Structures II
1995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 15 tracks · 1:09:32
1Notations: I. Fantasque – Modéré0:592Notations: II. Très Vif0:223Notations: III. Assez Lent0:564Notations: IV. Rythmique0:315Notations: V. Doux Et Improvisé0:516Notations: VI. Rapide0:267Notations: VII. Hiératique1:248Notations: VIII. Modéré Jusqu'à Très Vif0:469Notations: IX. Lointain – Calme2:2010Notations: X. Mécanique Et Très Sec0:2011Notations: XI. Scintillant0:3912Notations: XII. Lent – Puissant Et Âpre1:0913Structures Pour Deux Pianos – Livre II: Chapitre I9:0014Structures Pour Deux Pianos – Livre II: Chapitre II (Pièces 1–2, Encarts 1–4, Textes 1–6)13:0615...Explosante-fixe...36:431995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 14 tracks · 1:10:46
1Daphnis et Chloé, Première partie: Introduction3:222Daphnis et Chloé, Première partie: Danse religieuse5:513Daphnis et Chloé, Première partie: Danse générale3:154Daphnis et Chloé, Première partie: Danse grotesque de Dorcon1:545Daphnis et Chloé, Première partie: Danse légère de Daphnis3:476Daphnis et Chloé, Première partie: (Lycénion entre)4:177Daphnis et Chloé, Première partie: (Une lumière irréele enveloppe le paysage)4:338Daphnis et Chloé, Deuxième partie: (Derrière la scène, on entend des voix, très lointaines d'abord)3:259Daphnis et Chloé, Deuxième partie: Danse guerrière4:1610Daphnis et Chloé, Deuxième partie: Danse suppliante de Chloé5:3311Daphnis et Chloé, Troisième partie: (Aucun Bruit)6:3112Daphnis et Chloé, Troisième partie: (Daphnis et Chloé miment l'aventure de Pan et de Syrinx)5:4213Daphnis et Chloé, Troisième partie: (Danse de Daphnis et Chloé – Danse de Dorcon – Danse finale: Bacchanale)4:3714La Valse: Mouvement de valse viennoise13:431995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 16 tracks · 1:06:48
1Passacaglia for Orchestra, op. 110:132Five Movements (version for string orchestra), op. 5: I. Heftig bewegt2:533Five Movements (version for string orchestra), op. 5: II. Sehr langsam2:134Five Movements (version for string orchestra), op. 5: III. Sehr lebhaft0:435Five Movements (version for string orchestra), op. 5: IV. Sehr langsam1:286Five Movements (version for string orchestra), op. 5: V. In zarter Bewegung3:287Six Pieces for Orchestra, op. 6 no. 1: Etwas bewegte1:058Six Pieces for Orchestra, op. 6 no. 2: Bewegte1:309Six Pieces for Orchestra, op. 6 no. 3: Zart bewegte0:5010Six Pieces for Orchestra, op. 6 no. 4: Langsam marcia funebre4:2011Six Pieces for Orchestra, op. 6 no. 5: Sehr langsam2:2212Six Pieces for Orchestra, op. 6 no. 6: Zart bewegt1:5113Fuga (Ricercata) a 6 voci (from “The Musical Offering”)7:1814German Dances, D. 820: I. no. 1 – no. 2 (no. 1) – no. 3 (no. 1)4:2815German Dances, D. 820: II. no. 4 – no. 5 (no. 4) – no. 6 (no. 4)6:0616Im Sommerwind (Idyll for Large Orchestra)16:001995 · studio album
Search SpotifySearch YouTube Music
Tracklist · 13 tracks · 1:10:53
1La Péri: Fanfare2:272La Péri: Poème dansé en un tableau16:513El sombrero de tres picos: Introducción1:274El sombrero de tres picos: Atardecer5:245El sombrero de tres picos: Danza de la molinera3:506El sombrero de tres picos: Las uvas4:257El sombrero de tres picos: Danza de los vecinos3:288El sombrero de tres picos: Danza del molinero7:299El sombrero de tres picos: Danza del corregidor6:2310El sombrero de tres picos: Danza final6:1411Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Violoncello: I. Allegro3:1912Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Violoncello: II. Lento (giubiloso ed energico)5:4213Concerto for Harpsichord, Flute, Oboe, Clarinet, Violin and Violoncello: III. Vivace (flessibile, scherzando)3:54Le Piano au XXe siècle, Vol. 1
1996 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:13:15
1Preséntation Pierre‐Laurent Aimard: Serge Prokofiev: Sarcasmes, op. 1711:562Sarcasmes, op. 1710:593Preséntation Pierre‐Laurent Aimard: Pierre Boulez: Sonate n° 114:474Sonate n° 19:105Preséntation Pierre‐Laurent Aimard: Béla Bartók: En plein air11:136En plein air15:10The Miraculous Mandarin / Music for Strings, Percussion and Celesta
1996 · studio album
Search SpotifySearch YouTube Music
Tracklist · 15 tracks · 1:02:17
1The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro)3:032The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato)3:443The Miraculous Mandarin, op. 19, Sz 73: Second seduction game3:134The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto)1:415The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso)6:516The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro)2:297The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo2:068The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio)3:019The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato)1:2510The Miraculous Mandarin, op. 19, Sz 73: The body of the Mandarin begins to glow with a greenish blue light. (Molto moderato)1:4711The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo)2:3312Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo7:5513Music for Strings, Percussion and Celesta, Sz 106: Allegro7:3514Music for Strings, Percussion and Celesta, Sz 106: Adagio7:2715Music for Strings, Percussion and Celesta, Sz 106: Allegro molto7:271996 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:14:53
1Symphony no. 7 In E minor: I. Langsam (Adagio)23:252Symphony no. 7 In E minor: II. Nachtmusik. Allegro moderato13:563Symphony no. 7 In E minor: III. Scherzo. Schattenhaft – Trio9:144Symphony no. 7 In E minor: IV. Nachtmusik. Andante amoroso10:385Symphony no. 7 In E minor: V. Rondo-Finale. Tempo I (Allegro ordinario)17:401996 · studio album
Search SpotifySearch YouTube Music
Tracklist · 25 tracks · 1:45:34
Disc 11Moses und Aron: Introduction: Sehr langsam0:412Moses und Aron: Act I, Scene 1. "Einziger, ewiger, allgegenwärtiger"7:513Moses und Aron: Act I, Scene 2. "Du Sohn meiner Väter"8:294Moses und Aron: Act I, Scene 3. "Ich hab' ihn gesehn"6:235Moses und Aron: Act I, Scene 4. "Bringt ihr Erhörung"0:466Moses und Aron: Act I, Scene 4. "Der Einzige, Ewige, Allmächtige"2:197Moses und Aron: Act I, Scene 4. "Schließet die Augen"3:468Moses und Aron: Act I, Scene 4. "Allmächtiger, meine Kraft ist zu Ende"4:059Moses und Aron: Act I, Scene 4. "Ein Wunder erfüllt uns mit Schrecken"1:1210Moses und Aron: Act I, Scene 4. "Dein Stab zwingt uns"5:0811Moses und Aron: Act I, Scene 4. "Alles für die Freiheit"6:4212Moses und Aron: Act I, Scene 4. "Er hat uns auserwählt"3:00Disc 21Moses und Aron: Act I, Scene 4. "Wo ist Moses?"1:472Moses und Aron: Act II, Scene 1. "Vierzig Tage liegen wir nun schon hier!"3:233Moses und Aron: Act II, Scene 2. "Wo ist Moses?"7:204Moses und Aron: Act II, Scene 3. "Diese Bild bezeugt"4:095Moses und Aron: Act II, Scene 3. Dance of the butchers2:146Moses und Aron: Act II, Scene 3. "O Götterbild, du strahlst"3:387Moses und Aron: Act II, Scene 3. "Frei unter eigenen Herren"4:478Moses und Aron: Act II, Scene 3. Orgy of drunkenness and dancing2:149Moses und Aron: Act II, Scene 3. Orgy of destruction and suicide2:0910Moses und Aron: Act II, Scene 3. "Du goldener Gott"4:0311Moses und Aron: Act II, Scene 3. Erotic Orgy5:1712Moses und Aron: Act II, Scene 4. "Moses steigt vom Berg herab"1:2213Moses und Aron: Act II, Scene 5. "Aron, was hast du getan?"12:491996 · studio album
Search SpotifySearch YouTube Music
Tracklist · 21 tracks · 58:10
15 Pieces for Orchestra (1913): I. Bewegt0:5825 Pieces for Orchestra (1913): II. Langsam (sostenuto)1:3135 Pieces for Orchestra (1913): III. Sehr bewegte Viertel1:0945 Pieces for Orchestra (1913): IV. Langsame Viertel1:0255 Pieces for Orchestra (1913): V. (Alla breve)1:1463 Orchestral Songs (1913‐14): I. Leise Düfte1:4373 Orchestral Songs (1913‐14): II. Kunfttag III1:3983 Orchestral Songs (1913‐14): III. O sanftes Glühn der Berge1:539Symphony, op. 21: I. Ruhig, schreitend6:3010Symphony, op. 21: II. Variationen3:0811Das Augenlight, op. 265:3812Cantata no. 1, op. 29: I. Zündender Lichtblitz des Lebens2:1713Cantata no. 1, op. 29: II. Kleiner Flügel Ahornsamen2:1914Cantata no. 1, op. 29: III. Tönen die seligen Saiten Apolls4:0515Variations for Orchestra, op. 307:3716Cantata no. 2, op. 31: I. Schweigt auch die Welt2:0817Cantata no. 2, op. 31: II. Sehr tief verhalten innerst Leben3:4918Cantata no. 2, op. 31: III. Schöpfen aus Brunnen des Himmels2:2519Cantata no. 2, op. 31: IV. Leichteste Bürden der Bäume1:1220Cantata no. 2, op. 31: V. Freundselig ist das Wort3:4121Cantata no. 2, op. 31: VI. Gelockert aus dem Schosse2:12National Youth Orchestra of Great Britain 50th Anniversary
1997 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:14:17
1Pomp and Circumstance – Marches, op. 39: March no. 4 in G5:232Soirees Musicales, op. 9: La promessa; Il rimprovero; La partenza; L’orgia; L’invito; La pastorella dell’Alpi; La gita in gondola; La danza; La regata veneziana; La pesca; La serenata; Gli marianari10:583La Mer – Three Symphonic Sketches: De l’aube à midi sur la mer7:574La Mer – Three Symphonic Sketches: Jeux de vagues6:335La Mer – Three Symphonic Sketches: Dialogue du vent et de la mer7:226The Planets – Orchestral Suite, op. 32: no. 4 Jupiter, the Bringer of Jolity7:587The Oceanides – Tone Poem, op. 7310:008An American in Paris18:06Pelléas and Mélisande, op. 5 / Verklärte Nacht, op. 4
1997 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:11:32
1Pelléas and Mélisande (Symphonic Poem for Orchestra), op. 542:572Verklärte Nacht, op. 4: Grave6:293Verklärte Nacht, op. 4: Molto rallentando (Takt/bar 100)6:224Verklärte Nacht, op. 4: Pesante (Takt/bar 201)2:265Verklärte Nacht, op. 4: Adagio (Takt/bar 229)9:226Verklärte Nacht, op. 4: Adagio (Takt/bar 370)3:56La Partition du ciel et de l'enfer / Jupiter
1997 · studio album
Search SpotifySearch YouTube Music
Tracklist · 19 tracks · 1:08:22
1La Partition du ciel et de l'enfer: 18:542La Partition du ciel et de l'enfer: 26:293La Partition du ciel et de l'enfer: 32:364La Partition du ciel et de l'enfer: 42:535La Partition du ciel et de l'enfer: 511:296La Partition du ciel et de l'enfer: 67:297Jupiter: 13:158Jupiter: 21:489Jupiter: 32:4310Jupiter: 42:0411Jupiter: 53:2512Jupiter: 63:2713Jupiter: 70:4514Jupiter: 82:1915Jupiter: 91:5316Jupiter: 100:4817Jupiter: 111:0818Jupiter: 123:0419Jupiter: 131:53Beethoven / Webern / Schoenberg / Ligeti / Boulez
1997 · studio album
Search SpotifySearch YouTube Music
Tracklist · 18 tracks · 1:16:52
1Fantasie, Op. 779:25232 Piano Variations in C minor on an original theme, WoO 8010:5836 Bagatelles, Op.126: 1. Andante con moto4:0546 Bagatelles, Op.126: 2. Allegro2:5656 Bagatelles, Op.126: 3. Andante3:0066 Bagatelles, Op.126: 4. Presto4:2676 Bagatelles, Op.126: 5. Quasi Allegretto2:5286 Bagatelles, Op.126: 6. Presto - Andante amabile e con moto4:129Movement for Piano6:0210Sonatensatz (Rondo) für Klavier (c.1906)6:1511Fünf Klavierstücke: 1. Sehr langsam2:2112Fünf Klavierstücke: 2. Sehr rasch1:3013Fünf Klavierstücke: 3. Langsam3:1914Fünf Klavierstücke: 4. Schwungvoll. Mässige (Viertel)1:5615Fünf Klavierstücke: 5. Walzer3:0116Études pour piano (1985) / Premier livre: Étude 2: Cordes à vide3:3617Études pour piano (1985) / Premier livre: Étude4: Fanfares3:1918Incises pour piano (1994)3:39Boulez: Troisième sonate / Douze Notations / Barraqué : Sonate pour piano
1997 · studio album
Search SpotifySearch YouTube Music
Tracklist · 19 tracks · 1:16:23
1Douze Notations pour piano no. 1 : Fantasque - Modéré0:522Douze Notations pour piano no. 2 : Très vif0:213Douze Notations pour piano no. 3 : Assez lent0:474Douze Notations pour piano no. 4 : Rythmique0:295Douze Notations pour piano no. 5 : Doux et improvisé0:496Douze Notations pour piano no. 6 : Rapide0:287Douze Notations pour piano no. 7 : Hiératique1:018Douze Notations pour piano no. 8 : Modéré jusqu'à très vif0:429Douze Notations pour piano no. 9 : Lointain - Calme1:4110Douze Notations pour piano no. 10 : Mécanique et très sec0:2111Douze Notations pour piano no. 11 : Scintillant0:5112Douze Notations pour piano no. 12 : Lent - Puissant et âpres1:1713Sonate pour piano : I. Très rapide21:1914Sonate pour piano : II. Lent23:5615Troisième sonate pour piano : I. Trope : Texte1:0516Troisième sonate pour piano : I. Trope : Parenthèse2:5317Troisième sonate pour piano : I. Trope : Commentaire2:4518Troisième sonate pour piano : I. Trope : Glose1:3519Troisième sonate pour piano : II. Miroir13:111997 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:12:17
1Symphonie No. 5: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt12:522Symphonie No. 5: II. Stürmisch bewegt. Mit größter Vehemenz15:023Symphonie No. 5: III. Scherzo. Kräftig, nicht zu schnell18:124Symphonie No. 5: IV. Adagietto. Sehr langsam10:595Symphonie No. 5: V. Rondo-Finale. Allegro – Allegro giocoso. Frisch15:121997 · studio album
Search SpotifySearch YouTube Music
Tracklist · 18 tracks · 56:33
1Variationen für Klavier, op. 27: I. Sehr mäßig2:132Variationen für Klavier, op. 27: II. Sehr schnell0:413Variationen für Klavier, op. 27: III. Ruhig fließend3:454Sonata no. 3 for Piano17:505Elegy6:376Sonata no. 5 for Piano16:017Douze Notations pour piano: I. Fantasque – Modéré0:368Douze Notations pour piano: II. Très vif0:239Douze Notations pour piano: III. Assez lent1:0510Douze Notations pour piano: IV. Rythmique0:3411Douze Notations pour piano: V. Doux et improvisé0:3812Douze Notations pour piano: VI. Rapide0:3013Douze Notations pour piano: VII. Hiératique0:4814Douze Notations pour piano: VIII. Modéré jusqu'à très vif0:4815Douze Notations pour piano: IX. Lointain – Calme1:5916Douze Notations pour piano: X. Mécanique et très sec0:3417Douze Notations pour piano: XI. Scintillant0:4118Douze Notations pour piano: XII. Lent – Puissant et âpre0:50Symphonie Fantastique / Tristia
1997 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:11:39
1Symphonie Fantastique, op. 14: I. Rêveries-Passions13:582Symphonie Fantastique, op. 14: II. Un Bal6:103Symphonie Fantastique, op. 14: III. Scène aux Champs15:234Symphonie Fantastique, op. 14: IV. Marche au Supplice7:035Symphonie Fantastique, op. 14: V. Songe d'une Nuit du Sabbat10:046Tristia, op. 18: I. Méditation Religieuse: Ce Monde Entier4:347Tristia, op. 18: II. La Mort d'Ophélie: Aupres d'un Torent6:338Tristia, op. 18: III. Marche Funèbre Pour la Dernière Scène d'Hamlet7:54Poèmes pour Mi / Sept Haïkaï / Le Réveil des oiseaux
1997 · studio album
Search SpotifySearch YouTube Music
Tracklist · 17 tracks · 1:11:45
1Poèmes pour Mi: Premier Livre: I. Action des grâces: "Le ciel, Et l'eau"6:542Poèmes pour Mi: Premier Livre: II. Paysage: "Le lac comme un gros bijou bleu"1:493Poèmes pour Mi: Premier Livre: III. La maison: "Cette maison, nous allons le quitter"1:524Poèmes pour Mi: Premier Livre: IV. Epouvante: "Ha, ha... ho!"2:585Poèmes pour Mi: Deuxième Livre: V. L'Epouse: "Va où l'esprit te mène"3:036Poèmes pour Mi: Deuxième Livre: VI. Ta Voix: "Fenêtre pleine d'après-midi"3:087Poèmes pour Mi: Deuxième Livre: VII. Les Deux Guerriers: "De deux nous voici un"1:418Poèmes pour Mi: Deuxième Livre: VIII. Le Collier: "Printemps enchaîné"4:009Poèmes pour Mi: Deuxième Livre: IX. Prière exaucée: "Ebranlez la solitaire"3:1910Le Réveil des oiseaux20:1111Sept haïkaï: I. Introduction2:0612Sept haïkaï: II. Le Parc de Nara et les lanternes de pierre2:0813Sept haïkaï: III. Yamanaka - Cadenza4:2214Sept haïkaï: IV. Gagaku3:4415Sept haïkaï: V. Miyajima et le torii dans la mer1:3716Sept haïkaï: VI. Les Oiseaux de Karuizawa6:4117Sept haïkaï: VII. Coda2:121998 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:19:46
1Symphonie no. 9: I. Andante comodo29:272Symphonie no. 9: II. Im Tempo eines gemählichen Ländlers. Etwas täppisch und sehr derb16:103Symphonie no. 9: III. Rondo‐Burleske. Allegro assai. Sehr trotzig12:444Symphonie no. 9: IV. Adagio. Sehr langsam und noch zurückhaltend21:25Pelleas and Melisande, op. 5 / Variations, op. 31/ Violin Concerto, op. 36 / Piano Concerto, op. 42
1998 · studio album
Search SpotifySearch YouTube Music
Tracklist · 17 tracks · 1:55:18
Disc 11Pelleas und Melisande, op. 540:202Variations for Orchestra, op. 31: I. Introduction1:363Variations for Orchestra, op. 31: II. Theme1:044Variations for Orchestra, op. 31: III. Variation I1:135Variations for Orchestra, op. 31: IV. Variation II1:316Variations for Orchestra, op. 31: V. Variation III0:427Variations for Orchestra, op. 31: VI. Variation IV1:288Variations for Orchestra, op. 31: VII. Variation V1:479Variations for Orchestra, op. 31: VIII. Variation VI1:2810Variations for Orchestra, op. 31: IX. Variation VII2:0911Variations for Orchestra, op. 31: X. Variation VIII0:3512Variations for Orchestra, op. 31: XI. Variation IX1:0213Variations for Orchestra, op. 31: XII. Finale5:27Disc 21Violin Concerto, op. 36: I. Poco allegro - Vivace12:312Violin Concerto, op. 36: II. Andante grazioso8:563Violin Concerto, op. 36: III. Finale: Allegro12:274Piano Concerto, op. 42: Andante - Molto allegro - Adagio - Giocoso (Moderato) - Commodo grazioso - Stretto21:02Répons / Dialogue de l’ombre double
1998 · studio album
Search SpotifySearch YouTube Music
Tracklist · 23 tracks · 1:00:55
1Répons : Introduction6:252Répons : Section 12:583Répons : Section 22:054Répons : Section 32:235Répons : Section 45:396Répons : Section 53:597Répons : Section 65:238Répons : Section 75:539Répons : Section 83:1210Répons : Coda4:4711Dialogue de l’ombre double : Sigle initial1:0512Dialogue de l’ombre double : Strophe 12:0313Dialogue de l’ombre double : Transition 1 à II1:0114Dialogue de l’ombre double : Strophe II1:2615Dialogue de l’ombre double : Transition II à III1:4316Dialogue de l’ombre double : Strophe III1:2317Dialogue de l’ombre double : Transition III à IV0:5018Dialogue de l’ombre double : Strophe IV1:5319Dialogue de l’ombre double : Transition IV à V0:2620Dialogue de l’ombre double : Strophe V1:0721Dialogue de l’ombre double : Transition V à VI0:4422Dialogue de l’ombre double : Strophe VI1:3623Dialogue de l’ombre double : Sigle final2:541998 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 58:00
1Bluebeard's Castle, Sz. 48 (op. 11): Prologue - Opening Scene. "Megérkeztünk"5:062Bluebeard's Castle, Sz. 48 (op. 11): "Ez a Kékszakállú véra?" (Judith)5:163Bluebeard's Castle, Sz. 48 (op. 11): "Nagy csukott ajtókat" (Judith)5:234Bluebeard's Castle, Sz. 48 (op. 11): Door 1. "Jaj!" "Mit látsz? Mit látsz?" "Láncok, kések" (Judith)4:255Bluebeard's Castle, Sz. 48 (op. 11): Door 2. "Mit látsz?" "Százkegyetlen szörnyü fegyver" (Bluebeard)3:556Bluebeard's Castle, Sz. 48 (op. 11): Door 3. "Oh, be sok kincs! Oh, be sok kincs!" (Judith)2:257Bluebeard's Castle, Sz. 48 (op. 11): Door 4. "Oh! virágok! Oh! ilatoskert!" (Judith)4:188Bluebeard's Castle, Sz. 48 (op. 11): Door 5. Kékszakállú: "Nézd hogy derül már a váram" (Bluebeard)6:359Bluebeard's Castle, Sz. 48 (op. 11): Door 6. "Csendes fehér tavat látok" (Judith)4:3210Bluebeard's Castle, Sz. 48 (op. 11): "Az utolsót nem nyitom ki" (Bluebeard)4:1011Bluebeard's Castle, Sz. 48 (op. 11): "Tudom, tudom, Kékszakállú" (Judith)3:2412Bluebeard's Castle, Sz. 48 (op. 11): Door 7. "Lásd a régi aszszonyokat" (Bluebeard)8:31Pierrot lunaire / Herzgewächse / Ode to Napoleon
1998 · studio album
Search SpotifySearch YouTube Music
Tracklist · 23 tracks · 52:37
1Pierrot lunaire, op. 21: I. Teil: 1. Mondestrunken1:372Pierrot lunaire, op. 21: I. Teil: 2. Colombine1:383Pierrot lunaire, op. 21: I. Teil: 3. Der Dandy1:124Pierrot lunaire, op. 21: I. Teil: 4. Eine blasse Wäscherin1:255Pierrot lunaire, op. 21: I. Teil: 5. Valse de Chopin1:176Pierrot lunaire, op. 21: I. Teil: 6. Madonna1:547Pierrot lunaire, op. 21: I. Teil: 7. Der kranke Mond2:178Pierrot lunaire, op. 21: II. Teil: 8. Nacht2:059Pierrot lunaire, op. 21: II. Teil: 9. Gebet an Pierrot0:5210Pierrot lunaire, op. 21: II. Teil: 10. Raub1:0811Pierrot lunaire, op. 21: II. Teil: 11. Rote Messe1:4712Pierrot lunaire, op. 21: II. Teil: 12. Galgenlied0:1713Pierrot lunaire, op. 21: II. Teil: 13. Enthauptung2:1014Pierrot lunaire, op. 21: II. Teil: 14. Die Kreuze2:1615Pierrot lunaire, op. 21: III. Teil: 15. Heimweh2:0416Pierrot lunaire, op. 21: III. Teil: 16. Gemeinheit!1:0617Pierrot lunaire, op. 21: III. Teil: 17. Parodie1:2018Pierrot lunaire, op. 21: III. Teil: 18. Der Mondfleck0:5519Pierrot lunaire, op. 21: III. Teil: 19. Serenade2:2320Pierrot lunaire, op. 21: III. Teil: 20. Heimfahrt1:4021Pierrot lunaire, op. 21: III. Teil: 21. O alter Duft1:4322Herzgewächse, op. 203:1623Ode to Napoleon Buonaparte, op. 4116:15The Piano Concertos / Valses nobles et sentimentales
1998 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 55:46
1Concerto for Piano and Orchestra in G major: I. Allegramente8:442Concerto for Piano and Orchestra in G major: II. Adagio assai9:233Concerto for Piano and Orchestra in G major: III. Presto4:064Valses nobles et sentimentales: I. Modéré1:155Valses nobles et sentimentales: II. Assez lent2:366Valses nobles et sentimentales: III. Modéré1:437Valses nobles et sentimentales: IV. Assez animé1:068Valses nobles et sentimentales: V. Presque lent1:219Valses nobles et sentimentales: VI. Assez vif0:4110Valses nobles et sentimentales: VII. Moins vif2:5711Valses nobles et sentimentales: VIII. Epilogue: Lent3:4712Concerto for the Left Hand in D major: Lento - Andante - Allegro - Tempo 118:07Le Poème de l'extase, Piano Concerto, Prométhée
1999 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:12:14
1Le Poème de l’extase, op. 5422:082Concerto for Piano and Orchestra in F-sharp minor, op. 20: I. Allegro7:453Concerto for Piano and Orchestra in F-sharp minor, op. 20: II. Andante8:424Concerto for Piano and Orchestra in F-sharp minor, op. 20: III. Allegro moderato10:555Prométhée. Le Poème du Feu, op. 6022:441999 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 52:47
1Symphony no. 1: I. Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich16:002Symphony no. 1: II. Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich6:483Symphony no. 1: III. Feierlich und gemessen, ohne zu schleppen10:394Symphony no. 1: IV. Stürmisch bewegt19:20Strauss: Also sprach Zarathustra / Mahler: Totenfeier
1999 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 58:41
1Also sprach Zarathustra: Einleitung2:012Also sprach Zarathustra: Von den Hinterweltlern4:033Also sprach Zarathustra: Von der großen Sehnsucht2:004Also sprach Zarathustra: Von den Freuden und Leidenschaften1:475Also sprach Zarathustra: Das Grablied2:036Also sprach Zarathustra: Von der Wissenschaft4:137Also sprach Zarathustra: Der Genesende5:108Also sprach Zarathustra: Das Tanzlied7:499Also sprach Zarathustra: Nachtwandlerlied4:2610Totenfeier25:09Violin Concerto no. 2 / Rhapsodies nos. 1 & 2
1999 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 1:03:29
1Concerto for Violin and Orchestra no. 2, Sz. 112: I. Allegro non troppo16:392Concerto for Violin and Orchestra no. 2, Sz. 112: II. Andante tranquillo10:503Concerto for Violin and Orchestra no. 2, Sz. 112: III. Allegro molto13:064Rhapsody for Violin and Orchestra no. 1, Sz.87: I. Lassú: Moderato5:155Rhapsody for Violin and Orchestra no. 1, Sz.87: II. Friss: Allegretto moderato6:026Rhapsody for Violin and Orchestra no. 2, Sz. 90: I. Lassú: Moderato5:157Rhapsody for Violin and Orchestra no. 2, Sz. 90: II. Friss: Allegro moderato6:22Symphony of Psalms / Symphony in Three Movements / Symphonies of Wind Instruments
1999 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 52:05
1Symphonies of Wind Instruments9:162Symphony of Psalms: I. Exaudi orationem meam, Domine3:123Symphony of Psalms: II. Expectans expectavi Dominum6:084Symphony of Psalms: III. Alleluia, laudate Dominum10:505Symphony in Three Movements: I. Crotchet = 1609:566Symphony in Three Movements: II. Andante – Interlude (L’istesso tempo)6:377Symphony in Three Movements: III. Con moto6:06Le Poème de l’extase / Piano Concerto / Prométhée
1999 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:12:14
1Le Poème de l’extase, op. 5422:082Concerto for Piano and Orchestra in F-sharp minor, op. 20: I. Allegro7:453Concerto for Piano and Orchestra in F-sharp minor, op. 20: II. Andante8:424Concerto for Piano and Orchestra in F-sharp minor, op. 20: III. Allegro moderato10:555Prométhée. Le Poème du Feu, op. 6022:44Sur Incises / Messagesquisse / Anthèmes 2
2000 · studio album
Search SpotifySearch YouTube Music
Tracklist · 15 tracks · 1:06:25
1Sur Incises: Moment I14:112Sur Incises: Moment II23:073Messagesquisse: Très lent3:034Messagesquisse: Très rapide1:585Messagesquisse: Sans tempo, libre2:586Messagesquisse: Aussi rapide que possible0:427Anthèmes 2: Libre0:428Anthèmes 2: I. Très lent, avec beaucoup de flexibilité. Libre1:159Anthèmes 2: II. Rapide, dynamique, très rythmique, rigide. Libre2:3010Anthèmes 2: III. Lent, régulier. Nerveux, irrégulier. Libre1:5211Anthèmes 2: IV. Agité, instable. Libre2:0612Anthèmes 2: V. Très lent, avec beaucoup de flexibilité. Subitement nerveux et extrêmement irrégulier. Libre1:3113Anthèmes 2: VI. 1. Allant, assez serré dans le tempo2:2114Anthèmes 2: VI. 2. Calme, régulier. Agité. Brusque5:2015Anthèmes 2: VI. 3. Calme, sans traîner, d'un mouvement très régulier. Libre2:49Orchestral Works & Chamber Music
2000 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:17:09
1Polyphonie X: Modéré7:242Polyphonie X: Lent4:093Polyphonie X: Vif4:484Poésie pour pouvoir18:295Tombeau à la mémoire du prince Max Egon zu Fürstenberg7:196Structures II: Chapitre I8:547Structures II: Chapitre II / Version 113:118Structures II: Chapitre II / Version 212:55Boulez: Livre pour quatuor / Webern: Trio, op. 20 / Mouvement pour trio à cordes
2000 · studio album
Search SpotifySearch YouTube Music
Tracklist · 11 tracks · 52:54
1Livre pour quatuor: Ia3:372Livre pour quatuor: Ib2:593Livre pour quatuor: II13:104Livre pour quatuor: IIIa4:455Livre pour quatuor: IIIb3:116Livre pour quatuor: IIIc2:257Livre pour quatuor: V4:228Livre pour quatuor: VI6:539Trio à cordes, op. 20: Sehr langsam3:3210Trio à cordes, op. 20: Sehr getragen und ausdrucksvoll5:4111Mouvement pour trio à cordes: Ruhig fließend2:19Piano Music of the Darmstadt School, Vol. 1
2000 · studio album
Search SpotifySearch YouTube Music
Tracklist · 14 tracks · 1:04:19
1Cantéyodjayâ13:382No. 2. Klavierstücke I-IV: I3:573No. 2. Klavierstücke I-IV: II2:044No. 2. Klavierstücke I-IV: III0:325No. 2. Klavierstücke I-IV: IV2:506Proiezioni sonore: I2:407Proiezioni sonore: II2:078Composizione N. 1: I2:169Composizione N. 1: II2:3410Composizione N. 1: III1:3711No. 4 Klavierstück V6:1112Piano Sonata no. 3: Trope9:5713Piano Sonata no. 3: Sigle1:3114Piano Sonata no. 3: Constellation-Miroir12:252000 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 53:32
1Symphony no. 4 in G major: I. Bedächtig. Nicht eilen15:172Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast9:313Symphony no. 4 in G major: III. Ruhevoll (Poco adagio)20:004Symphony no. 4 in G major: IV. Sehr behaglich. “Wir genießen die himmlischen Freuden”8:442001 · studio album
Search SpotifySearch YouTube Music
Tracklist · 17 tracks · 1:03:22
1Concerto for Piano, op. 42: I. Andante4:282Concerto for Piano, op. 42: II. Molto allegro2:303Concerto for Piano, op. 42: III. Adagio6:344Concerto for Piano, op. 42: IV. Giocoso6:265Variations, op. 27: I. Sehr mäßige2:256Variations, op. 27: II. Sehr schnell0:467Variations, op. 27: III. Ruhig fließend5:038Drei Klavierstücke, op. 11: I. Mäßig4:279Drei Klavierstücke, op. 11: II. Mäßig6:4510Drei Klavierstücke, op. 11: III. Bewegt2:5611Sechs kleine Klavierstücke, op. 19: I. Leicht, Zart1:2512Sechs kleine Klavierstücke, op. 19: II. Langsam1:1613Sechs kleine Klavierstücke, op. 19: III. Sehr langsam1:2714Sechs kleine Klavierstücke, op. 19: IV. Rasch, aber leicht0:2615Sechs kleine Klavierstücke, op. 19: V. Etwas rasch0:5516Sechs kleine Klavierstücke, op. 19: VI. Sehr langsam2:3617Piano Sonata, op. 112:57Boulez conducts Varèse: Amériques / Arcana / Déserts / Ionisation
2001 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:08:22
1Amériques25:212Arcana19:523Déserts17:184Ionisation5:51Stravinsky: Le Sacre du printemps / Debussy: La Mer / Boulez: Notations VII
2001 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:06:35
1Le Sacre du printemps: I. L'Adoration de la terre16:082Le Sacre du printemps: II. Le Sacrifice18:283La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. "De l'aube à midi sur la mer"8:494La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. "Jeux de vagues"6:595La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. "Dialogue du vent et de la mer"8:506Notations VII: Hiératique - Lent7:212001 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:00:31
1Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde8:302Das Lied von der Erde: II. Der Einsame im Herbst8:353Das Lied von der Erde: III. Von der Jugend3:024Das Lied von der Erde: IV. Von der Schönheit6:525Das Lied von der Erde: V. Der Trunkene im Frühling4:366Das Lied von der Erde: VI. Der Abschied28:562001 · studio album
Search SpotifySearch YouTube Music
Tracklist · 15 tracks · 1:04:46
1Scherzo fantastique, op. 3: Con moto - Moderato assai - Più mosso - Tempo I11:332Le roi des étoiles (Zvezdolíkiy)5:353Le Chant du rossignol: I. Presto - Andantino - Tempo I2:254Le Chant du rossignol: II. Marche chinoise. Quarter Note = 72 - Poco più mosso - Tempo giusto3:295Le Chant du rossignol: III. Chant du rossignol. Cadenza - Adagio - Presto - Vivace3:326Le Chant du rossignol: IV. Jeu du rossignol mécanique: Moderato - Larghetto - Molto ritmico - Maestoso et piano - Pianissimo - Tranquillo11:157L’Histoire du soldat, suite: 1. Marche de soldat1:478L’Histoire du soldat, suite: 2. Petits Airs au bord du ruisseau2:429L’Histoire du soldat, suite: 3. Pastorale3:5610L’Histoire du soldat, suite: 4. Marche royale2:4211L’Histoire du soldat, suite: 5. Petit concert3:0712L’Histoire du soldat, suite: 6. Trois Danses (Tango - Valse - Ragtime)6:1613L’Histoire du soldat, suite: 7. Danse du Diable1:2314L’Histoire du soldat, suite: 8. Grand Choral2:4315L’Histoire du soldat, suite: 9. Marche triomphale du Diable2:212002 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:09:42
1Pli selon Pli: I. Don [du poème]: "Je t'apporte l'enfant d'une nuit d'Idumée!"15:152Pli selon Pli: II. Improvisation sur Mallarmé I: "Le vierge, le vivace et le bel aujourd'hui"5:033Pli selon Pli: III. Improvisation sur Mallarmé II: "Une dentelle s'abolit"11:534Pli selon Pli: IV. Improvisation sur Mallarmé III: "À la nue accablante tu"21:145Pli selon Pli: V. Tombeau: "Un peu profond ruisseau calomnié la mort"16:17Ravel: Shéhérazade / Le Tombeau de Couperin / Debussy: Trois ballades de François Villon
2002 · studio album
Search SpotifySearch YouTube Music
Tracklist · 15 tracks · 1:16:05
1Shéhérazade: I. Asie9:532Shéhérazade: II. La Flûte enchantée3:083Shéhérazade: III. L'Indifférent4:254Le Tombeau de Couperin: I. Prélude3:205Le Tombeau de Couperin: II. Forlane5:536Le Tombeau de Couperin: III. Menuet5:167Le Tombeau de Couperin: IV. Rigaudon3:258Pavane pour une infante défunte6:499Menuet antique7:2610Deux danses: I. Danse sacrée5:0811Deux danses: II. Danse profane5:18125 Poèmes de Charles Baudelaire: III. Le Jet d'eau5:59133 Ballades de François Villon: I. Ballade de Villon à s'amye4:22143 Ballades de François Villon: II. Ballade que Villon fait à la requeste de sa mère pour prier Nostre Dame3:45153 Ballades de François Villon: III. Ballade des femmes de Paris1:58Clinamen / Nodus / Construction in Space
2002 · studio album
Search SpotifySearch YouTube Music
Tracklist · 2 tracks · 1:01:00
1Clinamen / Nodus14:152Construction in Space46:452002 · studio album
Search SpotifySearch YouTube Music
Tracklist · 14 tracks · 1:54:55
Disc 11Scenes From Goethe's Faust: Overture8:132Scenes From Goethe's Faust: Part I: Garden Scene "Du kanntest mich, o kleiner Engel, wieder"4:553Scenes From Goethe's Faust: Part I: Gretchen in Front of the Image of the Mater Dolorosa "Ach neige, Du Schmerzensreiche"4:204Scenes From Goethe's Faust: Part I: Cathedral Scene "Wie anders, Gretchen, war dir's"8:035Scenes From Goethe's Faust: Part II: Ariel. Sunrise "Die ihr dies Haupt umschwebt im luft'gen Kreise"17:036Scenes From Goethe's Faust: Part II: Midnight "Ich heiße der Mangel"12:517Scenes From Goethe's Faust: Part II: Faust's Death "Herbei, herbei! Herein, herein!"13:44Disc 21Scenes From Goethe's Faust: Part III: Faust's Transfiguration "Waldung, sie schwankt heran"2:432Scenes From Goethe's Faust: Part III: Faust's Transfiguration "Ewiger Wonnebrand"2:223Scenes From Goethe's Faust: Part III: Faust's Transfiguration "Wie Felsenabgrund mir zu Füßen"5:374Scenes From Goethe's Faust: Part III: Faust's Transfiguration "Gerettet ist das edle Glied"11:085Scenes From Goethe's Faust: Part III: Faust's Transfiguration "Hier ist die Aussicht frei"4:356Scenes From Goethe's Faust: Part III: Faust's Transfiguration "Dir, der Unberührbaren"8:287Scenes From Goethe's Faust: Part III: Faust's Transfiguration "Alles Vergängliche ist nur ein Gleichnis"10:53Concerto for Orchestra / The Miraculous Mandarin
2002 · studio album
Search SpotifySearch YouTube Music
Tracklist · 17 tracks · 1:07:59
1Concerto for Orchestra: I. Introduzione10:002Concerto for Orchestra: II. Giuoco delle coppie6:393Concerto for Orchestra: III. Elegia7:254Concerto for Orchestra: IV. Intermezzo interrotto4:175Concerto for Orchestra: V. Finale8:386The Miraculous Mandarin: Prelude1:167The Miraculous Mandarin: The Curtain Rises1:478The Miraculous Mandarin: First Seduction Game3:389The Miraculous Mandarin: Second Seduction Game3:0210The Miraculous Mandarin: Third Seduction Game2:2411The Miraculous Mandarin: General Consternation1:1412The Miraculous Mandarin: The Girl Is Undecided4:3213The Miraculous Mandarin: The Girl Sinks Down to Embrace Him2:2814The Miraculous Mandarin: The Tramps Leap Out, Seize the Mandarin2:0615The Miraculous Mandarin: Suddenly the Mandarin's Head Appears3:0016The Miraculous Mandarin: The Terrified Tramps Discuss1:1617The Miraculous Mandarin: The Lamp Falls to the Floor - Goes Out4:17Notations / Figures-Doubles-Prismes / Rituel
2003 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 1:02:54
1Rituel in memoriam Maderna25:592Notations I2:553Notations VII6:414Notations IV1:555Notations III4:416Notations II2:077Figures-Doubles-Prismes18:362003 · studio album
Search SpotifySearch YouTube Music
Tracklist · 6 tracks · 1:35:22
Disc 11Symphony no. 3 in D minor: I. Kräftig. Entschieden33:342Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr mäßig9:283Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast16:35Disc 21Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus ppp9:172Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck4:063Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden22:22Boulez Conducts Ravel: La Valse / Menuet Antique / Ma Mere l’Oye
2003 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:03:01
1La valse, M. 7213:022Menuet Antique, M. 77:103I. Prélude3:374II. Danse du rout et scène3:355III. Pavane de la belle au bois dormant2:316IV. Les entretiens de la belle et la bête4:557V. Petit poucet4:378VI. Laideronnette, impératrice des pagodes4:429VII. Apothéose. Le jardin féerique3:2010Boléro, M. 8115:32Roméo et Juliette / Les Nuits d'été
2003 · studio album
Search SpotifySearch YouTube Music
Tracklist · 18 tracks · 2:04:09
Disc 11Roméo et Juliette, Op. 17: Part I. Introduction4:142Roméo et Juliette, Op. 17: Part I. Prologue. "D'anciennes haines endormies"4:473Roméo et Juliette, Op. 17: Part I. Strophes 1 & 2. "Premiers transports" - "Hereux enfants"7:104Roméo et Juliette, Op. 17: Part I. Récitatif et Scherzetto. "Bientôt de Roméo" - "Mab! la messagère" - "Bientôt la mort est souveraine"3:155Roméo et Juliette, Op. 17: Part II. Roméo seul - Tristesse Grande fête chez Capulets12:286Roméo et Juliette, Op. 17: Part III. Scène d'amour18:117Roméo et Juliette, Op. 17: Part IV. Scherzo. La Reine Mab ou la Fée des songes7:18Disc 21Roméo et Juliette, Op. 17: Part V. Convoi funebre. "Jetez des fleurs pour la vierge expirée"9:132Roméo et Juliette, Op. 17: Part VI. Romeo au tombeau des Capulets8:023Roméo et Juliette, Op. 17: Part VII. Final. Choeurs et Récitatif du Père Laurence4:054Roméo et Juliette, Op. 17: Part VII. Final. Air8:145Roméo et Juliette, Op. 17: Part VII. Final. Serment4:326Les Nuits d'été, Op. 7: I. Villanelle2:227Les Nuits d'été, Op. 7: II. Le spectre de la rose7:418Les Nuits d'été, Op. 7: III. Sur les lagunes7:469Les Nuits d'été, Op. 7: IV. Absence5:1910Les Nuits d'été, Op. 7: V. Au cimetière (Clair de lune)5:4311Les Nuits d'été, Op. 7: VI. L'île inconnue3:492004 · studio album
Search SpotifySearch YouTube Music
Tracklist · 2 tracks · 1:06:42
1Theseus Game33:202Earth Dances33:22Pulcinella / Le Chant du rossignol
2005 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 1:01:13
1Pulcinella: Ouverture2:062Pulcinella: Serenata; Scherzino22:273Pulcinella: Tarantella5:214Pulcinella: Gavotta con Due Varizioni10:585Le Chant du rossignol: Marche Chinoise5:556Le Chant du rossignol: Chant du Rossignol3:237Le Chant du rossignol: Jeu du rossignol mécanique11:03Le Marteau sans maître / Dérive 1 & 2
2005 · studio album
Search SpotifySearch YouTube Music
Tracklist · 11 tracks · 1:09:06
1Le Marteau sans maître: I. Avant l’Artisanat furieux. Rapide1:552Le Marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent4:313Le Marteau sans maître: III. L’Artisanat furieux. Modéré sans rigueur2:394Le Marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide4:165Le Marteau sans maître: V. Bel édifice et les pressentiments – version première. Assez vif4:086Le Marteau sans maître: VI. Bourreaux de solitude. Assez lent5:037Le Marteau sans maître: VII. Après l’Artisanat furieux. Rapide1:078Le Marteau sans maître: VIII. Commentaire III de Bourreaux de solitude. Assez lent6:259Le Marteau sans maître: IX. Bel édifice et les pressentiments – double. Tempo libre de rècit8:3610Dérive 15:5311Dérive 224:33Pli Selon Pli / Le Visage nuptial / Le Soleil des eaux / Figures, Doubles, Prismes
2005 · studio album
Search SpotifySearch YouTube Music
Tracklist · 13 tracks · 2:09:59
Disc 11Pli selon pli: Don15:382Pli selon pli: Improvisation I.Sur Mallarmé5:353Pli selon pli: Improvisation: II.Sur Mallarmé12:274Pli selon pli: Improvisation: III.Sur Mallarmé18:315Pli selon pli: Tombeau16:03Disc 21Le Visage Nuptial: Conduite3:182Le Visage Nuptial: Gravité (L'emmuré)6:063Le Visage Nuptial: Le Visage nuptial12:494Le Visage Nuptial: Evadne2:315Le Visage Nuptial: Post-Scriptum5:506Le Soleil des eaux: Complainte du lizard amoureaux4:227Le Soleil des eaux: La Sorgue (Chanson pour Yvonne)6:058Figures, Doubles, Prismes20:442005 · studio album
Search SpotifySearch YouTube Music
Tracklist · 23 tracks · 1:15:16
1Douze Notations pour piano no. 1 : Fantasque - Modéré0:542Douze Notations pour piano no. 2 : Très vif0:213Douze Notations pour piano no. 3 : Assez lent0:474Douze Notations pour piano no. 4 : Rythmique0:305Douze Notations pour piano no. 5 : Doux et improvisé0:496Douze Notations pour piano no. 6 : Rapide0:287Douze Notations pour piano no. 7 : Hiératique1:018Douze Notations pour piano no. 8 : Modéré jusqu'à très vif0:429Douze Notations pour piano no. 9 : Lointain - Calme1:4110Douze Notations pour piano no. 10 : Mécanique et très sec0:2111Douze Notations pour piano no. 11 : Scintillant0:5212Douze Notations pour piano no. 12 : Lent - Puissant et âpres1:1813Première sonate pour piano : I.5:0114Première sonate pour piano : II.5:3615Deuxième sonate pour piano : I.7:3916Deuxième sonate pour piano : II.10:4617Deuxième sonate pour piano : III.2:3218Deuxième sonate pour piano : IV.13:0119Troisième sonate pour piano : I. Trope : Texte1:1920Troisième sonate pour piano : I. Trope : Parenthèse3:1921Troisième sonate pour piano : I. Trope : Commentaire2:3122Troisième sonate pour piano : I. Trope : Glose1:3223Troisième sonate pour piano : II. Miroir12:162005 · studio album
Search SpotifySearch YouTube Music
Tracklist · 14 tracks · 1:01:28
1Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht4:122Lieder eines fahrenden Gesellen: II. Ging heut morgen übers Feld3:533Lieder eines fahrenden Gesellen: III. Ich hab ein glühend Messer3:094Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen5:4755 Rückert-Lieder: III. Blicke mir nicht in die Lieder1:1865 Rückert-Lieder: II. Ich atmet einen linden Duft2:3775 Rückert-Lieder: I. Liebst du um Schönheit2:4585 Rückert-Lieder: V. Ich bin der Welt abhanden gekommen7:0295 Rückert-Lieder: IV. Um Mitternacht6:0410Kindertotenlieder: I. Nun will die Sonn so hell aufgehn5:4411Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen4:5112Kindertotenlieder: III. Wenn dein Mütterlein4:5713Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen3:0114Kindertotenlieder: V. In diesem Wetter, in diesem Braus6:082005 · studio album
Search SpotifySearch YouTube Music
Tracklist · 16 tracks · 55:19
1Premiére Sonate pour piano: Lent5:062Premiére Sonate pour piano: Assez large4:443Deuxiéme Sonate pour piano: Extrêmement rapide6:044Deuxiéme Sonate pour piano: Lent11:425Deuxiéme Sonate pour piano: Modéré, presque vif2:326Deuxiéme Sonate pour piano: Très librement, avec de brusques oppositions de mouvement et de nuances10:547Troisième Sonate pour piano: Formant 2, Trope - Parenthèse2:328Troisième Sonate pour piano: Formant 2, Trope - Glose1:259Troisième Sonate pour piano: Formant 2, Trope - Commentaire2:2010Troisième Sonate pour piano: Formant 2, Trope - Text1:2511Troisième Sonate pour piano: Formant 3, Constellation - Miroir, Mélange points et blocs0:2712Troisième Sonate pour piano: Formant 3, Constellation - Miroir, Points 31:4313Troisième Sonate pour piano: Formant 3, Constellation - Miroir, Blocs II3:2414Troisième Sonate pour piano: Formant 3, Constellation - Miroir, Points 21:0115Troisième Sonate pour piano: Formant 3, Constellation - Miroir, Blocs I16Troisième Sonate pour piano: Formant 3, Constellation - Miroir, Points 1Bach: Partita, BWV 828 / French Suite, BWV 812 / Boulez: Notations / Incises
2005 · studio album
Search SpotifySearch YouTube Music
Tracklist · 25 tracks · 1:07:54
1Partita in D major, BWV 828: I. Ouverture6:362Partita in D major, BWV 828: II. Allemande11:373Partita in D major, BWV 828: III. Courante3:314Partita in D major, BWV 828: IV. Aria2:025Partita in D major, BWV 828: V. Sarabande6:276Partita in D major, BWV 828: VI. Menuet1:277Partita in D major, BWV 828: VII. Gigue3:268Notations pour piano: I. Fantasque - Modéré1:079Notations pour piano: II. Très vif0:1910Notations pour piano: III. Assez lent1:0211Notations pour piano: IV. Rythmique0:3212Notations pour piano: V. Doux et Improvisé0:4913Notations pour piano: VI. Rapide0:2714Notations pour piano: VII. Hiératique1:1915Notations pour piano: VIII. Modéré jusqu'à très vif0:4216Notations pour piano: IX. Lointain - Calme1:5317Notations pour piano: X. Mécanique et très sec0:2618Notations pour piano: XI. Scintillant0:4919Notations pour piano: XII. Lent - Puissant et âpre1:2220French Suite in D minor, BWV 812: I. Allemande4:0621French Suite in D minor, BWV 812: II. Courante1:5422French Suite in D minor, BWV 812: III. Sarabande4:1723French Suite in D minor, BWV 812: IV. Menuet I - V. Menuet II - Menuet I da capo3:0324French Suite in D minor, BWV 812: VI. Gigue5:1125Incises3:302006 · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:20:36
1Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck20:552Symphony No. 2 in C minor, "Resurrection": II. Andante moderato. Sehr gemächlich9:173Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung9:274Symphony No. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich aber schlicht5:365Symphony No. 2 in C minor "Resurrection": V. Im tempo des Scherzo - Langsam misterioso35:212007 · studio album
Search SpotifySearch YouTube Music
Tracklist · 24 tracks · 1:25:16
Disc 11Symphonie no. 8: Veni, creator spiritus1:242Symphonie no. 8: "Imple superna gratia"3:213Symphonie no. 8: "Infirma nostri corporis"2:314Symphonie no. 8: Tempo I. (Allegro, etwas hastig)1:275Symphonie no. 8: "Infirma nostri corporis"3:186Symphonie no. 8: "Accende lumen sensibus"4:547Symphonie no. 8: "Veni, Creator...Da gaudiorum praemia"3:478Symphonie no. 8: "Gloria sit Patri Domino"3:03Disc 21Symphonie no. 8: Poco adagio7:162Symphonie no. 8: Più mosso (Allegro moderato)4:203Symphonie no. 8: "Waldung, sie schwankt heran"5:094Symphonie no. 8: "Ewiger Wonnebrand"1:435Symphonie no. 8: "Wie Felsenabgrund mir zu Füßen"5:046Symphonie no. 8: "Gerettet ist das edle Glied" - "Hände verschlinget"1:087Symphonie no. 8: "Jene Rosen, aus den Händen"2:038Symphonie no. 8: "Uns bleibt ein Erdenrest"2:029Symphonie no. 8: "Ich spür' soeben" - "Freudig empfangen wir"1:1910Symphonie no. 8: "Höchste Herrscherin der Welt"4:2811Symphonie no. 8: "Dir, der Unberührbaren" - "Du schwebst zu Höhen"3:3312Symphonie no. 8: "Bei der Liebe" - "Bei dem Bronn" - Bei dem hochgeweihten Orte"5:2613Symphonie no. 8: "Neige, neige, du Ohnegleiche"1:0414Symphonie no. 8: "Er überwächst uns schon" - "Vom edlen Geisterchor umgeben"3:3015Symphonie no. 8: "Komm! hebe dich zu höhern Sphären" - "Blicket auf zum Retterblick"7:2116Symphonie no. 8: "Alles Vergängliche"6:05Les Premiers Enregistrements 1956-1963
2008 · studio album
Search SpotifySearch YouTube Music
Tracklist · 15 tracks · 1:03:34
1Quatuor pour la fin du temps: I. Liturgie de cristal2:212Quatuor pour la fin du temps: II.: Vocalise pour l'Ange qui annonce la fin du temps4:003Quatuor pour la fin du temps: III. Abîme des oiseaux5:124Quatuor pour la fin du temps: IV.: Intermède1:575Quatuor pour la fin du temps: V. Louange à l'éternité de Jésus7:526Quatuor pour la fin du temps: VI. Danse de la fureur pour les sept trompettes7:057Quatuor pour la fin du temps: VII. Fouillis d'arc-en-ciel pour l'Ange qui annonce la fn du temps7:598Quatuor pour la fin du temps: VIII. Louange de l'immortalité de Jésus7:349Sept Haïkaï: I.: Introduction1:5910Sept Haïkaï: II. Le parc de Nara et les lanternes de pierre1:3611Sept Haïkaï: III. Yamanaka-Cadenza3:4912Sept Haïkaï: IV. Gagaku3:0413Sept Haïkaï: V. Miyajima et le Torii dans la mer1:3114Sept Haïkaï: VI. Les oiseaux de Karuizawa5:4215Sept Haïkaï: VII. Coda1:532008 · studio album
Search SpotifySearch YouTube Music
Tracklist · 19 tracks · 1:01:20
1Chemins IV9:172Cinq Duos: Bruno (Maderna)1:433Cinq Duos: Béla (Bartók)0:454Cinq Duos: Shlomit (Almog)0:345Cinq Duos: Tatjana (Globokar)0:376Cinq Duos: Franco (Gulli)0:507Dialogue de l'ombre double17:358Cinq Duos: Annie (Neuburger)0:399Cinq Duos: Leonardo (Pinzauti)1:2010Cinq Duos: Rodion (Shchedrin)0:4511Cinq Duos: Fiamma (Nicolodi)0:5412Cinq Duos: Camilla (Adami)0:4013Récit (Chemins VII)15:5114Quatre Duos: Peppino (Di Giugno)1:3615Quatre Duos: Igor (Stravinsky)0:3616Quatre Duos: Daniella (Rabinovitch)0:5617Quatre Duos: Marcello (Panni)1:0718Quatuor, op. 22: I. Sehr mäßig2:5019Quatuor, op. 22: II. Sehr schwungvoll2:452008 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 1:10:37
1Concerto for Two Pianos, Percussion and Orchestra: I. Assai lento12:482Concerto for Two Pianos, Percussion and Orchestra: II. Lento, ma non troppo6:293Concerto for Two Pianos, Percussion and Orchestra: III. Allegro non troppo6:274Concerto for Violin and Orchestra No. 1: I. Andante sostenuto9:335Concerto for Violin and Orchestra No. 1: II. Allegro giocoso11:566Concerto for Viola and Orchestra: I. Moderato14:317Concerto for Viola and Orchestra: II. Adagio religioso4:378Concerto for Viola and Orchestra: III. Allegro vivace4:16Mozart: "Gran Partita" / Berg: Kammerkonzert
2008 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:20:17
1Serenade in B flat major for 13 wind instruments "Grand Partita", K 361: I. Largo - Allegro molto8:442Serenade in B flat major for 13 wind instruments "Grand Partita", K 361: II. Menuetto (Allegretto) - Trio I-II9:373Serenade in B flat major for 13 wind instruments "Grand Partita", K 361: III. Adagio5:064Serenade in B flat major for 13 wind instruments "Grand Partita", K 361: IV. Menuetto (Allegretto) - Trio I-II5:065Serenade in B flat major for 13 wind instruments "Grand Partita", K 361: V. Romanze: Adagio - Allegretto6:436Serenade in B flat major for 13 wind instruments "Grand Partita", K 361: VI. Tema con Variazioni: Andante9:287Serenade in B flat major for 13 wind instruments "Grand Partita", K 361: VII. Rondo: Allegro molto3:268Chamber concerto for piano, violin and 13 wind instruments: I. Thema scherzoso con variazioni8:409Chamber concerto for piano, violin and 13 wind instruments: II. Adagio12:5510Chamber concerto for piano, violin and 13 wind instruments: III. Rondo ritmico con introduzione10:32Des Knaben Wunderhorn / Adagio From Symphony no. 10
2010 · studio album
Search SpotifySearch YouTube Music
Tracklist · 13 tracks · 1:13:24
1Zwölf Lieder nach Gedichten aus Des Knaben Wunderhorn: Der Schildwache Nachtlied5:292Zwölf Lieder nach Gedichten aus Des Knaben Wunderhorn: Verlor’ne Müh3:003Zwölf Lieder nach Gedichten aus Des Knaben Wunderhorn: Trost im Unglück2:534Zwölf Lieder nach Gedichten aus Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht?2:215Zwölf Lieder nach Gedichten aus Des Knaben Wunderhorn: Das irdische Leben2:456Zwölf Lieder nach Gedichten aus Des Knaben Wunderhorn: Revelge6:377Zwölf Lieder nach Gedichten aus Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt3:358Zwölf Lieder nach Gedichten aus Des Knaben Wunderhorn: Rheinlegendchen3:299Zwölf Lieder nach Gedichten aus Des Knaben Wunderhorn: Lied des Verfolgten im Turm4:2910Zwölf Lieder nach Gedichten aus Des Knaben Wunderhorn: Wo die schönen Trompeten blasen7:0011Zwölf Lieder nach Gedichten aus Des Knaben Wunderhorn: Lob des hohen Verstandes2:3812Zwölf Lieder nach Gedichten aus Des Knaben Wunderhorn: Der Tamboursg’sell5:0413Symphonie Nr. 10 (unvollendet): Adagio24:04Boulez: Structures / Cage: Music for Piano
2011 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 1:09:32
1Music for Piano 425:322Structures, premier livre: Structure 1a3:303Structures, premier livre: Structure 1b11:384Structures, premier livre: Structure 1c3:245Music for Piano 4 - 19 / 53 - 689:086Structures, deuxième livre: Chapitre 19:047Structures, deuxième livre: Chapitre 212:268Music for Piano 474:389Music for Piano 53 - 8410:122012 · studio album
The Firebird / Petrushka / The Rite of Spring
2012 · studio album
Search SpotifySearch YouTube Music
Tracklist · 26 tracks · 2:08:00
Disc 11L'oiseau de feu : Introduction2:322L'oiseau de feu, premier tableau : Le jardin enchanté de Kachtcheï1:473L'oiseau de feu, premier tableau : Apparition de l'oiseau de feu, poursuivi par Ivan Tsarévitch2:264L'oiseau de feu, premier tableau : Danse de l'oiseau de feu1:225L'oiseau de feu, premier tableau : Capture de l'oiseau de feu par Ivan Tsarévitch0:536L'oiseau de feu, premier tableau : Supplication de l'oiseau de feu - Apparition des treize princesses enchantées8:147L'oiseau de feu, premier tableau : Jeu des princesses avec les pommes d'or (Scherzo)2:258L'oiseau de feu, premier tableau : Brusque apparition d'Ivan Tsarévitch1:379L'oiseau de feu, premier tableau : Khorovode (Ronde) des princesses3:4310L'oiseau de feu, premier tableau : Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kachtcheï1:3211L'oiseau de feu, premier tableau : Carillon féerique, apparition des monstres-gardiens de Kachtcheï et capture d'ivan tsarévitch - Arrivée de Kachtcheï l'immortel - Dialogue de Kachtcheï avec ivan tsarévitch - Intercession des princesses - Apparition de l'oiseau de feu5:4112L'oiseau de feu, premier tableau : Danse de la suite de Kachtcheï, enchantée par l'oiseau de feu0:4513L'oiseau de feu, premier tableau : Danse infernale de tous les sujets de Kachtcheï4:4314L'oiseau de feu, premier tableau : Berceuse (L'oiseau de feu) - Réveil de Kachtcheï - Mort de Kachtcheï5:1715L'oiseau de feu, deuxième tableau : Disparition du palais et des sortilèges de Kachtcheï, animation des chevaliers pétrifiés, allégresse générale3:1316Feu d'artifice op. 4. Fantasie pour orchestre3:5417Quatre études pour orchestre : I Danse. Con moto0:5918Quatre études pour orchestre : II Excentrique. Moderato2:1119Quatre études pour orchestre : III Cantique. Largo3:3820Quatre études pour orchestre : IV Madrid. Allegro con moto2:48Disc 21Pétrouchka, premier tableau : Fête populaire de la semaine grasse · La tour de passe-passe · Danse russe9:572Pétrouchka, deuxième tableau : Chez Pétrouchka4:303Pétrouchka, troisième tableau : Chez le Maure · Danse de la ballerine · Valse : La ballerine et le Maure - Pétrouchka7:024Pétrouchka, quatrième tableau : Fête populaire de la semaine grasse · Danse des nounous · Le paysan et l'ours - Un marchand fétard avec deux tziganes · Danse des cochers et des palefreniers · Les déguisés - La rixe : Le Maure et Pétrouchka - Mort de Pétrouchka13:295Le Sacre du printemps, première partie : L'Adoration de la terre : Introduction · Les Augures printaniers (Danses des adolescentes) · Jeu du rapt · Rondes printanières · Jeux des cités rivales · Cortège du sage · Adoration de La Terre - Le Sage · Danse de la terre15:556Le Sacre du printemps, deuxième partie : II. Le sacrifice : Introduction · Cercles mystérieux des adolescentes · Glorification de l'élue · Evocation des ancêtres · Action rituelle des ancêtres · Danse sacrale (L'Élue)17:27Mémoriale / Dérive 1 / Dérive 2
2012 · studio album
Search SpotifySearch YouTube Music
Tracklist · 3 tracks · 1:02:54
1Mémoriale5:442Dérive 16:303Dérive 250:402012 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 51:02
1Tristan und Isolde: Prelude to Act I10:432Pelleas und Melisande, op. 5: Die Achtel ein wenig bewegt – zögernd3:493Pelleas und Melisande, op. 5: Heftig3:054Pelleas und Melisande, op. 5: Ciff. 9: Lebhaft3:545Pelleas und Melisande, op. 5: Ciff. 16: Sehr rasch6:416Pelleas und Melisande, op. 5: Ciff. 33: Ein wenig bewegt1:257Pelleas und Melisande, op. 5: Ciff. 36: Langsam3:148Pelleas und Melisande, op. 5: Ciff. 43: Ein wenig bewegter3:559Pelleas und Melisande, op. 5: Ciff. 50: Sehr langsam4:0710Pelleas und Melisande, op. 5: Ciff. 55: Etwas bewegt2:2011Pelleas und Melisande, op. 5: Ciff. 59: In gehender Bewegung1:5612Pelleas und Melisande, op. 5: Ciff. 62: Breit5:532012 · studio album
Search SpotifySearch YouTube Music
Tracklist · 3 tracks · 37:06
1Sequenza VIII14:452À Paganini13:063Anthemes9:15Konzert für Schlagzeug und Orchester / Impulse für Orchester
2012 · studio album
Search SpotifySearch YouTube Music
Tracklist · 2 tracks · 53:15
1Konzert für Schlagzeug und Orchester31:252Impulse für Orchester21:50Sinfonia / Nones / Allelujah II / Concerto for Two Pianos
2013 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 1:14:27
1Sinfonia: Section I6:312Sinfonia: Section II4:473Sinfonia: Section III12:214Sinfonia: Section IV2:585Nones6:496Allelujah II16:307Concerto for Two Pianos24:31Stravinsky: Le Sacre du printemps / Debussy : Jeux
2013 · studio album
Search SpotifySearch YouTube Music
Tracklist · 15 tracks · 51:35
1Le Sacre du printemps : I. L’Adoration de la terre : I. Introduction3:382Le Sacre du printemps : I. L’Adoration de la terre : II. Les Augures printaniers – Danses des adolescentes3:203Le Sacre du printemps : I. L’Adoration de la terre : III. Jeu du rapt1:264Le Sacre du printemps : I. L’Adoration de la terre : IV. Rondes printanières3:535Le Sacre du printemps : I. L’Adoration de la terre : V. Jeux des cités rivales1:596Le Sacre du printemps : I. L’Adoration de la terre : VI. Cortège du Sage0:447Le Sacre du printemps : I. L’Adoration de la terre : VII. Le Sage0:218Le Sacre du printemps : I. L’Adoration de la terre : VIII. Danse de la terre1:209Le Sacre du printemps : II. Le Sacrifice : I. Introduction4:0710Le Sacre du printemps : II. Le Sacrifice : II. Cercles mystérieux des adolescentes3:1811Le Sacre du printemps : II. Le Sacrifice : III. Glorification de l’élue1:3212Le Sacre du printemps : II. Le Sacrifice : IV. Evocation des ancêtres0:3913Le Sacre du printemps : II. Le Sacrifice : V. Action rituelle des ancêtres3:3814Le Sacre du printemps : II. Le Sacrifice : VI. Danse sacrale (L’Élue)4:3715Jeux, L. 12617:03Fulgurances: Works for Piano of the XXth Century
2013 · studio album
Search SpotifySearch YouTube Music
Tracklist · 16 tracks
1Six Études pour piano: No. I. in C2Six Études pour piano: No. II. Sequenzen3Six Études pour piano: No. III. Scherzo ad libitum4Six Études pour piano: No. IV. Scalen5Six Études pour piano: No. V. Toccata6Six Études pour piano: No. VI. Grains7Incises8Études pour piano III: No. 15. White on white9Études pour piano III: No. 16. Pour Irina10Études pour piano III: No. 17. À bout de souffle11Études pour piano III: No. 18. Canon12Quatre Études de rythme: Île de feu I13Quatre Études de rythme: Mode de valeurs et d'intensités14Quatre Études de rythme: Neumes rythmiques15Quatre Études de rythme: Île de feu II16Vingt Regards sur l'enfant-Jésus: VI. Par lui tout a été faitPierrot Lunaire: Dreimal sieben Gediche nach Albert Giraud, op. 21
2014 · studio album
Search SpotifySearch YouTube Music
Tracklist · 3 tracks · 31:58
1Pierrot Lunaire, Dreimal sieben Gediche nach Albert Giraud, op. 21: Première partie11:072Pierrot Lunaire, Dreimal sieben Gediche nach Albert Giraud, op. 21: Seconde partie10:333Pierrot Lunaire, Dreimal sieben Gediche nach Albert Giraud, op. 21: Troisièmepartie10:182015 · studio album
Search SpotifySearch YouTube Music
Tracklist · 8 tracks · 45:35
1"Livre pour Quatuor": Ia4:482"Livre pour Quatuor": Ib3:003"Livre pour Quatuor": II11:424"Livre pour Quatuor": IIIa5:365"Livre pour Quatuor": IIIb4:066"Livre pour Quatuor": IIIc2:557"Livre pour Quatuor": V6:518"Livre pour Quatuor": VI6:372015 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 57:33
1Violin Concerto, op. 36: Poco allegro13:272Violin Concerto, op. 36: Andante grazioso9:093Violin Concerto, op. 36: Finale. Allegro13:094Concerto for Piano and Orchestra, op. 42: Andante4:485Concerto for Piano and Orchestra, op. 42: Molto allegro2:336Concerto for Piano and Orchestra, op. 42: Adagio6:497Concerto for Piano and Orchestra, op. 42: Giocoso moderato7:382016 · studio album
Search SpotifySearch YouTube Music
Tracklist · 11 tracks · 46:49
1Le marteau sans maître: I. Avant l'Artisanat furieux1:492Le marteau sans maître: II. Commentaire I de Bourreaux de solitude4:073Le marteau sans maître: III. L'Artisanat furieux2:304Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude4:375Le marteau sans maître: V. Bel édifice et les pressentiments I3:556Le marteau sans maître: VI. Bourreaux de solitude4:157Le marteau sans maître: VII. Après l'Artisanat furieux1:058Le Marteau sans Maître: VIII. Commentaire III de Bourreaux de solitude5:489Le marteau sans maître: IX. Bel édifice et les pressentiments II8:0510Livre pour cordes: 1a Variation6:3711Livre pour cordes: 1b Mouvement4:012017 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 1:14:36
1Le Sacre Du Printemps: L'adoration de la terre15:342Le Sacre Du Printemps: Le Grand Sacrifice16:463Quatre Études Pour Orchestre: Danse1:024Quatre Études Pour Orchestre: Eccentric2:045Quatre Études Pour Orchestre: Cantique3:476Quatre Études Pour Orchestre: Madrid3:157Le Roi Des Étoiles6:078Symphonies Pour Instruments À Vent9:349Sermon, Narration Et Prière16:272017 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 1:04:06
1Sei capricci: I. Vivace1:292Sei capricci: II. Andante4:383Sei capricci: III. Assai agitato1:464Sei capricci: IV. Volubile3:185Sei capricci: V. Presto3:176Sei capricci: VI. Con brio7:4274 Lauds: I. Statement - Remembering Aaron3:1484 Lauds: II. Riconoscenza per Goffredo Petrassi5:0694 Lauds: III. Rhapsodic Musing2:37104 Lauds: IV. Fantasy - Remembering Roger3:5311Einspielung l19:0212Anthems l8:04Berio: Sinfonia / Boulez: Notations I-IV / Ravel: La Valse
2018 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 58:18
1Sinfonia for Eight Voices and Orchestra: I.6:462Sinfonia for Eight Voices and Orchestra: II. "O King"5:233Sinfonia for Eight Voices and Orchestra: III. In ruhig fließender Bewegung11:204Sinfonia for Eight Voices and Orchestra: IV.3:105Sinfonia for Eight Voices and Orchestra: V.7:596Notation I: Modéré - Fantastique3:097Notation IV: Rythmique1:588Notation III: Très modéré4:039Notation II: Très vif. Strident2:0810La Valse12:222019 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 19:14
1Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 1. Introduction1:542Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 2. Le parc de Nara et les lanternes de pierre1:333Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 3. Yamanaka-cadenza3:464Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 4. Gagaku3:005Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 5. Miyajima et le torii dans la mer1:276Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 6. Les oiseaux de Karuizawa5:417Sept haïkaï, esquisses japonaises pour piano solo et petit orchestre: 7. Coda1:532020 · studio album
Search SpotifySearch YouTube Music
Tracklist · 3 tracks · 58:01
1Anthèmes 2 pour violon et électronique20:102Partita II pour violon et électronique23:153Atlas II: Ils portent en eux un passé qui s'immisce14:36Le Marteau sans maître / B-Partita
2020 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:02:48
1Le Marteau sans maître: I. Avant "L'artisanat furieux"1:492Le Marteau sans maître: II. Commentaire I de "Bourreaux de solitude"4:093Le Marteau sans maître: III. "L'artisanat furieux"2:404Le Marteau sans maître: IV. Commentaire II de "Bourreaux de solitude"4:125Le Marteau sans maître: V. "Bel édifice et les pressentiments" version première4:086Le Marteau sans maître: VI. "Bourreaux de solitude"4:197Le Marteau sans maître: VII. Après "L'artisanat furieux"1:058Le Marteau sans maître: VIII. Commentaire III de "Bourreaux de solitude"5:139Le Marteau sans maître: IX. "Bel édifice et les pressentiments" Double8:4510B-Partita (In memoriam Pierre Boulez)26:282020 · studio album
Search SpotifySearch YouTube Music
Tracklist · 23 tracks · 1:17:39
1Étude retrouvée, L. 143a4:182Les soirs illuminés par l'ardeur du charbon, L. 1502:293Morceau de lecture à vue1:584Des canyons aux étoiles, I/51 (Version for Solo Piano) [Excerpts]: IV. Le cossyphe d'heuglin4:305Des canyons aux étoiles, I/51 (Version for Solo Piano) [Excerpts]: IX. Le moqueur polyglotte10:236La fauvette passerinette11:087Prélude, Toccata & Scherzo: I. Prélude8:398Prélude, Toccata & Scherzo: II. Toccata10:319Prélude, Toccata & Scherzo: III. Scherzo7:5510Notations (Version for Solo Piano): No. 1, Fantasque - Modéré0:5011Notations (Version for Solo Piano): No. 2, Très vif0:2512Notations (Version for Solo Piano): No. 3, Assez lent0:5213Notations (Version for Solo Piano): No. 4, Rythmique0:3514Notations (Version for Solo Piano): No. 5, Doux et improvisé0:4515Notations (Version for Solo Piano): No. 6, Rapide0:2916Notations (Version for Solo Piano): No. 7, Hiératique1:0217Notations (Version for Solo Piano): No. 8, Modéré jusqu'à très vif0:4618Notations (Version for Solo Piano): No. 9, Lointain - Calme1:4019Notations (Version for Solo Piano): No. 10, Mécanique et très sec0:2620Notations (Version for Solo Piano): No. 11, Scintillant, faire ressortir le chant en sauts disjoints0:4621Notations (Version for Solo Piano): No. 12, Lent - Puissant et âpre1:3622Une page d'éphéméride4:4023Minuet in C-Sharp Minor, M. 420:56Love-Feast Of The Apostles / Siegfried Idyll (Original Chamber Version)
2020 · studio album
Search SpotifySearch YouTube Music
Tracklist · 7 tracks · 43:21
1Das Liebesmahl Der Apostel: "Gegrüßt Seid, Brüder, In Des Herren Namen". In Ruhiger Bewegung7:192Das Liebesmahl Der Apostel: "Seid Uns Gegrüßt, Ihr Lieben Brüder!". Langsam, Mit Würde - Schnell Und Bewegt - Langsamer - Sehr Langsam7:533Das Liebesmahl Der Apostel: "Seid Getrost! Ich Bin Euch Nah". Mäßig Langsam1:484Das Liebesmahl Der Apostel: "Welch' Brausen Erfüllt Die Luft?". Allegro - Molto Più Maestoso4:425Das Liebesmahl Der Apostel: "Und Freudig Zeuget Aller Welt". Più Allegro - Allegro Con Brio - Più Stretto3:246Das Liebesmahl Der Apostel: "Denn Ihm Ist Alle Herrlichkeit". Presto1:067Sigfried Idyll, WWV 10317:09Royal Fireworks Music / Concerto Grosso In F / Overture To "Berenice"
2020 · studio album
Search SpotifySearch YouTube Music
Tracklist · 14 tracks · 43:55
1Music For The Royal Fireworks: I. Ouverture8:322Music For The Royal Fireworks: II. Bourrée1:123Music For The Royal Fireworks: III. La Paix - Largo alla Siciliana4:354Music For The Royal Fireworks: IV. Menuet I4:245Music For The Royal Fireworks: V. La Réjouissance - Allegro2:026Overture To Berenice: Ouverture - Allegro3:217Overture To Berenice: Minuet (Andante Larghetto)3:208Overture To Berenice: Gigue1:459Concerto in F Major for 2 Wind Choirs and Strings, HWV 334: I. Ouverture (Instrumental)1:2410Concerto in F Major for 2 Wind Choirs and Strings, HWV 334: II. Allegro (Instrumental)2:5611Concerto in F Major for 2 Wind Choirs and Strings, HWV 334: III. Allegro ma non troppo (Instrumental)3:2412Concerto in F Major for 2 Wind Choirs and Strings, HWV 334: IV. Adagio (Instrumental)1:2413Concerto in F Major for 2 Wind Choirs and Strings, HWV 334: V. Andante larghetto (Instrumental)3:5514Concerto in F Major for 2 Wind Choirs and Strings, HWV 334: VI. Allegro (Instrumental)1:41The Miraculous Mandarin (Complete) / Dance Suite
2020 · studio album
Search SpotifySearch YouTube Music
Tracklist · 18 tracks · 48:53
1The Miraculous Mandarin, Sz. 73, Op. 19: Vorspiel1:162The Miraculous Mandarin, Sz. 73, Op. 19: Vorhang1:413The Miraculous Mandarin, Sz. 73, Op. 19: 1. Lockspiel3:444The Miraculous Mandarin, Sz. 73, Op. 19: 2. Lockspiel3:045The Miraculous Mandarin, Sz. 73, Op. 19: 3. Lockspiel2:256The Miraculous Mandarin, Sz. 73, Op. 19: Allgemeine Bestürzung1:147The Miraculous Mandarin, Sz. 73, Op. 19: Das Mädchen ist unschlüssig4:338The Miraculous Mandarin, Sz. 73, Op. 19: Das Mädchen sinkt dem Mandarin in den Schoß2:299The Miraculous Mandarin, Sz. 73, Op. 19: Die Strolche springen hervor, erfassen den Mandarin und reißen ihn von dem Mädchen los.2:0610The Miraculous Mandarin, Sz. 73, Op. 19: Plötzlich erscheint der Kopf des Mandarins3:0011The Miraculous Mandarin, Sz. 73, Op. 19: Die erschrockenen Strolche beraten aufs Neue1:2112The Miraculous Mandarin, Sz. 73, Op. 19: Die Lampe fällt zur Erde, erlischt.4:0913Dance Suite, Sz. 77: I. Moderato4:0214Dance Suite, Sz. 77: II. Allegro molto2:1115Dance Suite, Sz. 77: III. Allegro vivace3:0716Dance Suite, Sz. 77: IV. Molto tranquillo3:1917Dance Suite, Sz. 77: V. Comodo1:0018Dance Suite, Sz. 77: VI. Finale. Allegro4:122020 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 52:28
1Die Meistersinger von Nürnberg, WWV 96: Prelude to Act I10:482Tannhäuser und der Sängerkrieg auf der Wartburg, WWV 70: Overture14:103Faust Overture, WWV 5911:224Tristan und Isolde, WWV 90: Prelude to Act I - Isolde's Liebestod16:08Boulez Conducts Stravinsky: The Firebird & The Rite of Spring
2020 · studio album
2020 · studio album
Search SpotifySearch YouTube Music
Tracklist · 11 tracks · 1:06:49
1Flute Partita in A minor, BWV 1013: I. Allemande5:562Flute Partita in A minor, BWV 1013: II. Corrente3:393Flute Partita in A minor, BWV 1013: III. Sarabande4:564Flute Partita in A minor, BWV 1013: IV. Bourée anglaise2:425Flute Sonatine13:026Solo III: I. Quarter Note = 667:027Solo III: II. Presto4:458Flute Sonata, op. 94: I. Moderato8:179Flute Sonata, op. 94: II. Allegretto scherzando5:3010Flute Sonata, op. 94: III. Andante3:5011Flute Sonata, op. 94: IV. Allegro con brio7:102020 · studio album
Search SpotifySearch YouTube Music
Tracklist · 4 tracks · 1:19:23
1Symphony no. 6 in A minor: I. Allegro energico, ma non troppo23:072Symphony no. 6 in A minor: II. Scherzo. Wuchtig12:193Symphony no. 6 in A minor: III. Andante14:474Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico29:102021 · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 1:07:12
1Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": I. Allegro assai10:202Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": II. Andante con moto6:213Piano Sonata No. 23 in F Minor, Op. 57 "Appassionata": III. Allegro ma non troppo8:144Piano Sonata, Op. 110:485Piano Sonata No. 3, Formant 3, Constellation-Miroir: Mélange Blocs - Points 3 - Blocs II - Points 2 - Blocs I - Points 113:176Piano Sonata No. 3, Formant 2, Trope: I. Texte1:077Piano Sonata No. 3, Formant 2, Trope: II. Parenthèse2:318Piano Sonata No. 3, Formant 2, Trope: III. Glose1:299Piano Sonata No. 3, Formant 2, Trope: IV. Commentaire3:1310Piano Sonata No. 3, Formant 1, Antiphonie: I. ANTIPHONIE I (VERSET I, REPONS I)1:3611Piano Sonata No. 3, Formant 1, Antiphonie: II. TRAIT INITIAL/premier trait médian, incluant Sigle7:2112Piano Sonata No. 3, Formant 1, Antiphonie: III. ANTIPHONIE II (REPONS II, VERSET II, REPONS III)0:55Daphnis Et Chloé (Complete Ballet) & The Song Of The Nightingale
2021 · studio album
Search SpotifySearch YouTube Music
Tracklist · 51 tracks · 3:45:06
Disc 11Daphnis Et Chloé (Tableau I): Introduction3:102Daphnis Et Chloé (Tableau I): Danse Religieuse5:283Daphnis Et Chloé (Tableau I): Danse Des Jeunes Filles - Danse Générale3:054Daphnis Et Chloé (Tableau I): Danse Grotesque De Dorcon1:525Daphnis Et Chloé (Tableau I): Danse Légère Et Gracieuse De Daphnis3:306Daphnis Et Chloé (Tableau I): Lyceion Entre Et Danse3:587Daphnis Et Chloé (Tableau I): Nocturne: Danse Lente Et Mystérieuse des Nymphes5:018Daphnis Et Chloé (Tableau II): Introduction3:109Daphnis Et Chloé (Tableau II): Danse Guerrière4:1810Daphnis Et Chloé (Tableau II): Danse Suppliante De Chloé5:2711Daphnis Et Chloé (Tableau III): Lever Du Jour5:4012Daphnis Et Chloé (Tableau III): Pantomime: Daphnis Et Chloé Miment L'aventure De Pan Et De Syrinx5:3813Daphnis Et Chloé (Tableau III): Danse Generale4:2214The Song Of The Nightingale: Introduction (Presto): The Feast At The Emperor's Palace2:2615The Song Of The Nightingale: Chinese March3:2116The Song Of The Nightingale: The Song Of The Nightingale: The Two Nightingales3:2417The Song Of The Nightingale: The Mechanical Nightingale: Illness And Recovery Of The Emperor Of China11:12Disc 21Daphnis Et Chloé (Tableau I): Introduction3:102Daphnis Et Chloé (Tableau I): Danse Religieuse5:283Daphnis Et Chloé (Tableau I): Danse Des Jeunes Filles - Danse Générale3:054Daphnis Et Chloé (Tableau I): Danse Grotesque De Dorcon1:525Daphnis Et Chloé (Tableau I): Danse Légère Et Gracieuse De Daphnis3:306Daphnis Et Chloé (Tableau I): Lyceion Entre Et Danse3:587Daphnis Et Chloé (Tableau I): Nocturne: Danse Lente Et Mystérieuse des Nymphes5:018Daphnis Et Chloé (Tableau II): Introduction3:109Daphnis Et Chloé (Tableau II): Danse Guerrière4:1810Daphnis Et Chloé (Tableau II): Danse Suppliante De Chloé5:2711Daphnis Et Chloé (Tableau III): Lever Du Jour5:4012Daphnis Et Chloé (Tableau III): Pantomime: Daphnis Et Chloé Miment L'aventure De Pan Et De Syrinx5:3813Daphnis Et Chloé (Tableau III): Danse Generale4:2214The Song Of The Nightingale: Introduction (Presto): The Feast At The Emperor's Palace2:2615The Song Of The Nightingale: Chinese March3:2116The Song Of The Nightingale: The Song Of The Nightingale: The Two Nightingales3:2417The Song Of The Nightingale: The Mechanical Nightingale: Illness And Recovery Of The Emperor Of China11:12Disc 31Daphnis Et Chloé (Tableau I): Introduction3:102Daphnis Et Chloé (Tableau I): Danse Religieuse5:283Daphnis Et Chloé (Tableau I): Danse Des Jeunes Filles - Danse Générale3:054Daphnis Et Chloé (Tableau I): Danse Grotesque De Dorcon1:525Daphnis Et Chloé (Tableau I): Danse Légère Et Gracieuse De Daphnis3:306Daphnis Et Chloé (Tableau I): Lyceion Entre Et Danse3:587Daphnis Et Chloé (Tableau I): Nocturne: Danse Lente Et Mystérieuse des Nymphes5:018Daphnis Et Chloé (Tableau II): Introduction3:109Daphnis Et Chloé (Tableau II): Danse Guerrière4:1810Daphnis Et Chloé (Tableau II): Danse Suppliante De Chloé5:2711Daphnis Et Chloé (Tableau III): Lever Du Jour5:4012Daphnis Et Chloé (Tableau III): Pantomime: Daphnis Et Chloé Miment L'aventure De Pan Et De Syrinx5:3813Daphnis Et Chloé (Tableau III): Danse Generale4:2214The Song Of The Nightingale: Introduction (Presto): The Feast At The Emperor's Palace2:2615The Song Of The Nightingale: Chinese March3:2116The Song Of The Nightingale: The Song Of The Nightingale: The Two Nightingales3:2417The Song Of The Nightingale: The Mechanical Nightingale: Illness And Recovery Of The Emperor Of China11:12Pierre Boulez plays Stravinsky
2021 · studio album
Search SpotifySearch YouTube Music
Tracklist · 51 tracks · 3:01:03
1Le Chant du rossignol: I. Introduction - II. Marche chinoise6:062Le Chant du rossignol: III. Chant du rossignol3:233Le Chant du rossignol: IV. Jeu du rossignol mécanique11:044Pulcinella: I. Overture2:055Pulcinella: II. Serenata. "Mentre l’erbetta"2:486Pulcinella: III. Scherzino. Allegro2:057Pulcinella: IV. Allegro1:068Pulcinella: V. Andantino1:289Pulcinella: VI. Allegro1:4210Pulcinella: VII. Allegretto. "Contento forse vivere"1:5911Pulcinella: VIII. Allegro assai1:5812Pulcinella: IX. Allegro. "Con queste paroline"2:2213Pulcinella: X. Trio. "Sento dire no'ncè pace"5:3814Pulcinella: XI. Allegro. Alla breve1:2015Pulcinella: XII. Tarentella1:1416Pulcinella: XIII. Andantino. "Se tu m'ami"3:1617Pulcinella: XIV. Allegro0:5218Pulcinella: XV. Gavotta con due variazioni4:3819Pulcinella: XVI. Vivo1:3020Pulcinella: XVII. Tempo di minuetto. "Pupilette, fiammette d'amore"2:4821Pulcinella: XVIII. Allegro assai2:0022Le Rossignol, Act I: Introduction3:2223Le Rossignol, Act I: "Nevod brosal, nebesnyy dukh" (Le Pêcheur)4:2224Le Rossignol, Act I: "Akh ! S neba vysoty blesnuv" (Le Rossignol, Le Pêcheur)2:2825Le Rossignol, Act I: "Vot i dostigli my opushki lesa" (La Cuisinière, Courtisans, Le Chambellan, Le Bonze, Le Rossignol)4:1526Le Rossignol, Act I: "Akh, pen'yu solov'ya vsego priyatneye vnimat'" (Le Chambellan, Le Bonze, Le Rossignol, Courtisans, Le Pêcheur)2:5227Le Rossignol, Act II: "Ognya, ognya!" (Chœur, La Cuisinière, Le Chambellan)2:1828Le Rossignol, Act II: Marche chinoise - "Velikiy Imperator" (Le Chambellan)3:3629Le Rossignol, Act II: Chanson du rossignol. "Akh, serdtse dobroye" (Le Rossignol, L'Empereur, Courtisans, Le Chambellan, Les Envoyés japonais)5:3730Le Rossignol, Act II: Jeu du rossignol mécanique - "Tssk, tssk, tssk" (Courtisans, L'Empereur, Le Chambellan, La voix du Pêcheur)3:4731Le Rossignol, Act III: Introduction - "My vse pred toboy" (Spectres, L'Empereur, Le Rossignol)6:1732Le Rossignol, Act III: "Mne slushat' nravitsya" (La Mort, Le Rossignol, L'Empereur)4:5233Le Rossignol, Act III: Cortège solennel - "Zdravstvuyte" (L'Empereur, La Voix du Pêcheur)2:22344 Études pour orchestre: No. 1, Danse. Con moto1:00354 Études pour orchestre: No. 2, Excentique. Moderato2:03364 Études pour orchestre: No. 3, Cantique. Largo3:28374 Études pour orchestre: No. 4, Madrid. Allegro con moto2:4038L'histoire du soldat, Pt. 1: Marche du Soldat (Le Narrateur, Le Soldat)2:4839L'histoire du soldat, Pt. 1: Musique pour la scène 1. Petits airs au bord du ruisseau (Le Narrateur, le Diable, le Soldat)11:5940L'histoire du soldat, Pt. 1: Musique pour la scène 2. Pastorale (Le Narrateur, le Soldat, le Diable)8:1941L'histoire du soldat, Pt. 1: Musique pour la scène 3. Petits airs au bord du ruisseau (Le Narrateur)4:4442L'histoire du soldat, Pt. 2: Marche du Soldat (Le Narrateur)4:0843L'histoire du soldat, Pt. 2: Marche royale (Le Narrateur, le Soldat, le Diable)6:3844L'histoire du soldat, Pt. 2: Petit concert (Le Narrateur)3:1345L'histoire du soldat, Pt. 2: Trois danses. Tango - Valse - Ragtime (Le Narrateur)6:2246L'histoire du soldat, Pt. 2: Danse du Diable (Le Narrateur)1:2647L'histoire du soldat, Pt. 2: Petit choral0:4448L'histoire du soldat, Pt. 2: Couplets du Diable (Le Diable)0:2949L'histoire du soldat, Pt. 2: Grand choral (Le Narrateur)4:4950L'histoire du soldat, Pt. 2: Marche triomphale du Diable2:2451Concertino (1953 Version for Ensemble)6:19Anthèmes 1 & 2 / Dialogue de l’ombre double
2021 · studio album
Search SpotifySearch YouTube Music
Tracklist · 23 tracks · 48:28
1Anthèmes 18:532Dialogue de l’ombre double : Sigle initial1:083Dialogue de l’ombre double : Strophe I2:174Dialogue de l’ombre double : Transition I à II1:095Dialogue de l’ombre double : Strophe II1:386Dialogue de l’ombre double : Transition II à III2:057Dialogue de l’ombre double : Strophe III1:318Dialogue de l’ombre double : Transition III à IV0:549Dialogue de l’ombre double : Strophe IV1:4210Dialogue de l’ombre double : Transition IV à V0:2711Dialogue de l’ombre double : Strophe V1:1012Dialogue de l’ombre double : Transition V à VI0:5913Dialogue de l’ombre double : Strophe VI1:3414Dialogue de l’ombre double : Sigle final3:0415Anthèmes 2 : Libre0:3116Anthèmes 2 : I. Très lent, avec beaucoup de flexibilité1:0917Anthèmes 2 : II. Rapide, dynamique, très rythmique, rigide2:1818Anthèmes 2 : III. Lent1:5919Anthèmes 2 : IV. Agité, instable2:0420Anthèmes 2 : V. Très lent — Subitement nerveux et extrêmement irrégulier1:3721Anthèmes 2 : VIa. Allant, assez serré dans le tempo2:3922Anthèmes 2 : VIb. Calme, régulier — Agité — Brusque5:0323Anthèmes 2 : VIc. Calme, sans traîner, d’un mouvement très régulier2:372021 · studio album
Search SpotifySearch YouTube Music
Tracklist · 11 tracks · 1:08:53
1Sonata for Solo Violin, op. 31/1: Sehr lebhafte Achtel1:372Sonata for Solo Violin, op. 31/1: Sehr langsame Viertel4:543Sonata for Solo Violin, op. 31/1: Sehr lebhafte Viertel2:154Sonata for Solo Violin, op. 31/1: Intermezzo2:165Sonata for Solo Violin, op. 31/1: Prestissimo1:556Sonata for Solo Violin: I4:457Sonata for Solo Violin: II4:548Sonata for Solo Violin: III4:049Über die Linie VII21:4010Study III for Treatise on the Veil10:4511anthèmes9:482025 · studio album
Search SpotifySearch YouTube Music
Tracklist · 9 tracks · 56:05
1Livre pour quatuor (2017 version, ed. Philippe Manoury): Ia.4:422Livre pour quatuor (2017 version, ed. Philippe Manoury): Ib.2:573Livre pour quatuor (2017 version, ed. Philippe Manoury): II.11:144Livre pour quatuor (2017 version, ed. Philippe Manoury): IIIa.5:275Livre pour quatuor (2017 version, ed. Philippe Manoury): IIIb.3:466Livre pour quatuor (2017 version, ed. Philippe Manoury): IIIc.2:397Livre pour quatuor (2017 version, ed. Philippe Manoury): IV.11:598Livre pour quatuor (2017 version, ed. Philippe Manoury): V.6:269Livre pour quatuor (2017 version, ed. Philippe Manoury): VI.6:552025 · studio album
Search SpotifySearch YouTube Music
Tracklist · 19 tracks · 1:03:43
1Thème et variations pour la main gauche: Thème. Très lent1:072Thème et variations pour la main gauche: Variation 1. Lent1:363Thème et variations pour la main gauche: Variation 2. Lent1:514Thème et variations pour la main gauche: Variation 3. Pas trop vite0:425Thème et variations pour la main gauche: Variation 4. Modéré0:496Thème et variations pour la main gauche: Variation 5. Scherzando2:017Thème et variations pour la main gauche: Variation 6. Très agité1:188Thème et variations pour la main gauche: Variation 7. Très égal et assez lent – Dans un grand crescendo2:199Thème et variations pour la main gauche: Variation 8. Intermède. Très léger et assez vif – net. avec virtuosité et brio0:2510Thème et variations pour la main gauche: Variation 9. Modéré, très brusque1:5211Thème et variations pour la main gauche: Variation 10. Modéré – avec de violentes oppositions3:1012Thème et variations pour la main gauche: Variation 11. Assez vif, strident et exaspéré2:3713Thème et variations pour la main gauche: Variation 12. Très modéré, presque Lent3:2714Thème et variations pour la main gauche: Variation 13. Très lent, simple1:1715Trois Psalmodies: No. 1. Très modéré7:2916Trois Psalmodies: No. 2. Vite, sans traîner9:0517Trois Psalmodies: No. 3. Très lent11:5918Fragment d’une ébauche0:3719Incises (2001 revised version)10:02Cantata Profana / The Wooden Prince
— · studio album
Search SpotifySearch YouTube Music
Tracklist · 11 tracks · 1:13:14
1Cantata Profana "The Enchanted Stags", Sz. 94: I. There Was Once an Old Man6:592Cantata Profana "The Enchanted Stags", Sz. 94: II. But Their Father Grew Impatient8:003Cantata Profana "The Enchanted Stags", Sz. 94: III. There Was Once an Old Man3:184The Wooden Prince: Introduction5:135The Wooden Prince: First Dance: Dance of The Princess in The Forest5:056The Wooden Prince: Second Dance: Dance of The Trees5:277The Wooden Prince: Third Dance: Dance of The Waves11:368The Wooden Prince: Fourth Dance: Dance of The Princess With The Wooden Prince15:219The Wooden Prince: Fifth Dance: The Princess Pulls And Tugs at The Wooden Prince1:5510The Wooden Prince: Sixth Dance: She Tries to Attract The Real Prince With Her Seductive Dancing1:3811The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way8:42Boulez: Le marteau sans Maître / Sonatine / Messiaen: 7 Haïkaï
— · studio album
Search SpotifySearch YouTube Music
Tracklist · 17 tracks · 1:05:31
1Le Marteau sans maître: I. Avant "l'artisanat furieux"1:292Le Marteau sans maître: II. Commentaire I de "bourreaux de solitude"3:413Le Marteau sans maître: III. "l'artisanat furieux"2:084Le Marteau sans maître: IV. Commentaire II de "bourreaux de solitude"4:155Le Marteau sans maître: V. "Bel édifice et les pressentiments", version première3:246Le Marteau sans maître: VI. "Bourreaux de solitude"3:197Le Marteau sans maître: VII. Après "l'artisanat furieux"1:058Le Marteau sans maître: VIII. Commentaire III de "bourreaux de solitude"5:439Le Marteau sans maître: IX. "Bel édifice et les pressentiments", double7:2810Sonatine13:30117 Haïkaï: I. Introduction1:56127 Haïkaï: II. Le parc de Nara et les lanternes de pierre1:35137 Haïkaï: III. Yamanaka-Cadenza3:47147 Haïkaï: IV. Gagaku3:06157 Haïkaï: V. Miyajima et le Torii dans la mer1:30167 Haïkaï: VI. Les oiseaux de Karuizawa5:45177 Haïkaï: VII. Coda1:50— · studio album
Search SpotifySearch YouTube Music
Tracklist · 12 tracks · 59:08
1Concerto pour piano et orchestre no.1: I. Allegro5:092Concerto pour piano et orchestre no.1: II. Andante5:573Concerto pour piano et orchestre no.1: III. Rondo6:184Concerto pour piano et orchestre no.2: I. Allegro spiritoso4:405Concerto pour piano et orchestre no.2: II. Andante6:356Concerto pour piano et orchestre no.2: III. Molto allegro3:437Concerto pour piano et orchestre no.3: I. Allegro maestoso5:328Concerto pour piano et orchestre no.3: II. Andante4:189Concerto pour piano et orchestre no.3: III. Presto3:2510Concerto pour piano et orchestre no.4: I. Allegro5:1611Concerto pour piano et orchestre no.4: II. Andante4:4512Concerto pour piano et orchestre no.4: III. Molto allegro3:30— · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:12:06
1Symphonie Fantastique, Op. 14: "Reveries-Passions" Largo - Allegro agitato e appassionato assai13:472Symphonie Fantastique, Op. 14: "A Ball" Valse. Allegro non troppo6:353Symphonie Fantastique, Op. 14: "Scene in the Country" Adagio15:054Symphonie Fantastique, Op. 14: "March to the Scaffold" Allegretto non troppo6:105Symphonie Fantastique, Op. 14: "Dream of a Sabbath Night" I Larghetto - Allegro3:516Symphonie Fantastique, Op. 14: "Dream of a Sabbath Night" II Dies irae2:137Symphonie Fantastique, Op. 14: "Dream of a Sabbath Night" III Ronde du Sabbat3:158Symphonie Fantastique, Op. 14: "Dream of a Sabbath Night" IV Dies irae et Ronde du Sabbat ensemble2:059Les Troyens (Excerpt): Royal Hunt and Storm8:4610Benvenuto Cellini (Excerpt): Overture - Allegro deciso con impeto10:19Pierrot lunaire / Melodrama, op. 21
— · studio album
Search SpotifySearch YouTube Music
Tracklist · 3 tracks · 31:47
1Pierrot lunaire, op. 21: Part I11:032Pierrot lunaire, op. 21: Part II10:293Pierrot lunaire, op. 21: Part III10:15Symphony no. 1 "Titan" / Totenfeier
— · studio album
Search SpotifySearch YouTube Music
Tracklist · 5 tracks · 1:17:58
1Symphonie no. 1: I. Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich15:572Symphonie no. 1: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich6:483Symphonie no. 1: III. Feierlich und gemessen, ohne zu schleppen10:394Symphonie no. 1: IV. Stürmich bewegt19:265Totenfeier. Maestoso - Höchste Kraft - Zurückhaltend - Meno mosso - Sehr mässig beginnend - Tempo I - Feierlich und langsam - Immer etwas langsamer - Allegro25:08— · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:06:50
1Seuils: Seuil I15:372Seuils: Seuil II2:523Seuils: Seuil III4:284Seuils: Seuil IV0:385Seuils: Seuil V8:336Seuils: Seuil VI2:147Seuils: Seuil VII10:178Diadèmes: I.9:159Diadèmes: II.4:4510Diadèmes: III.8:11
Album · 95
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1971 | ParsifalSearch SpotifySearch YouTube MusicTracklist · 38 tracks · 37:57Disc 1 1Parsifal, Act I: Vorspiel 2Parsifal, Act I: "He! Ho! Waldhüter ihr" 3Parsifal, Act I: "Recht so! — Habt Dank! 4Parsifal, Act I: "Nicht Dank! 5Parsifal, Act I: "O wunden-wundervoller heiliger Speer!" 6Parsifal, Act I: "Titurel, der fromme Held, der kannt' ihn wohl" 7Parsifal, Act I: "Weh! Weh!... Wer ist der Frevler?" Disc 21Parsifal, Act I: "Nun sag! Nichts weißt du, was ich dich frage" 2Parsifal, Act I: "Vom Bade kehrt der König heim" 3Parsifal, Act I: Verwandlungsmusik 4Parsifal, Act I: "Nun achte wohl und laß mich seh'n" 5Parsifal, Act I: "Mein Sohn Amfortas, bist du am Amt?" 6Parsifal, Act I: "Nehmet hin mein Blut" 7Parsifal, Act I: "Wein und Brot des letzten Mahles" Disc 31Parsifal, Act II: Prelude "Die Zeit ist da"5:11 2Parsifal, Act II: "Ach!9:46 3Parsifal, Act II: "Hier war das Tosen! Hier, hier!"4:06 4Parsifal, Act II: "Komm, komm, holder Knabe!"4:11 5Parsifal, Act II: "Parsifal!2:38 6Parsifal, Act II: "Dies alles3:01 7Parsifal, Act II: "Ich sah das Kind an seiner Mutter Brust"4:26 8Parsifal, Act II: "Wehe! Wehe! Was tat ich? Wo war ich?"4:38 Disc 41Parsifal, Act II: "Amfortas! — Die Wunde! 2Parsifal, Act II: "Grausamer! Fühlst du im Herzen nur and'rer Schmerzen" 3Parsifal, Act II: "Vergeh, unseliges Weib!" 4Parsifal, Act III: Vorspiel 5Parsifal, Act III: "Von dorther kam das Stöhnen" 6Parsifal, Act III: "(Parsifal tritt aus dem Walde auf) 7Parsifal, Act III: "Heil mir, daß ich dich wiederfinde!" Disc 51Parsifal, Act III: "O Herr! War es ein Fluch, der dich vom rechten Pfad vertrieb" 2Parsifal, Act III: "Nicht so! 3Parsifal, Act III: "Gesegnet sei, du Reiner, durch das Reine!" ... "Wie dünkt mich doch die Aue heut so schön!" 4Parsifal, Act III: "Du siehst, das ist nicht so" 5Parsifal, Act III: "Mittag. 6Parsifal, Act III: "Geleiten wir im bergenden Schrein den Gral zum heiligen Amte" 7Parsifal, Act III: "Ja, Wehe! Wehe! Weh' über mich!" 8Parsifal, Act III: "Nur eine Waffe taugt" 9Parsifal, Act III: "Höchsten Heiles Wunder!" | Live | 1971 | |
| 1978 | Complete Works Op. 1 - Op. 31Search SpotifySearch YouTube MusicTracklist · 34 tracks · 3:46:48Disc 1 1Passacaglia für großes Orchester, op. 110:13 2Entflieht auf leichten Kähnen, op. 22:38 3Fünf Lieder aus "Der siebente Ring", op. 35:18 4Fünf Lieder, op. 47:58 5Fünf Sätze für Streichquartett, op. 512:26 6Sechs Stücke für großes Orchestrer, op. 612:25 7Vier Stücke für Geige und Klavier, op. 75:00 8Zwei Lieder für mittlere Stimme und acht Instrumente, op. 82:13 Disc 21Sechs Bagatellen für Streichquartett, op. 94:25 2Fünf Stücke für Orchester, op. 104:23 3Drei kleine Stücke für Violoncello und Klavier, op. 112:25 4Vier Lieder für Singstimme und Klavier, op. 125:18 5Vier Lieder für Sopran und Orchester, op. 137:09 6Sechs Lieder für Singstimme und vier Instrumente, op. 147:36 7Fünf geistliche Lieder für Sopran und fünf Instrumente, op. 155:01 8Fünf Kanons nach lateinischen Texten für Sopran, Klarinette und Baßclarinet, op. 16est: Rasch3:21 9Drei Volkstexte für Singstimme und drei Instrumente, op. 172:36 10Drei Lieder für Singstimme, Es-Klarinette und Gitarre, op. 183:38 11Zwei Lieder für gemischten Chor und fünf Instrumente aus 'Chinesisch-deutsche Jahres- und Tageszeiten', op. 192:25 12Streichtrio, op. 209:25 Disc 31Symphonie, op. 219:28 2Quartett für Geige, Klarinette, Tenorsaxophon und Klavier, op. 227:16 3Drei Gesänge aus "Viae inviae", op. 237:01 4Konzert für neun Instrumente, op. 246:41 5Drei Lieder für Singstimme und Klavier, op. 253:59 6"Das Augenlicht" für gemischten Chor und Orchester, op. 265:57 7Variationen für Klavier, op. 276:01 8Streichquartett, op. 288:46 Disc 41Kantate Nr. 1, op. 298:08 2Variationen für Orchester, op. 307:19 3Kantate Nr. 2, op. 3114:21 4Fünf Sätze für Streichquartett, op. 510:04 5Musikalischen opfer, BWV 1079: Fuga (Ricercata) Nr. 2 a 6 voci7:06 6Deutsche Tänze, D. 820 Nr. 18:48 | Compilation | 1978 | |
| 1978 | The 100 Greatest Recordings of All Time 5/6: 20th-Century Masterpieces ISearch SpotifySearch YouTube MusicTracklist · 8 tracks · 1:45:09Disc 1 1Allegretto – Allegro Non Troppo8:24 2Allegro4:36 3Lento13:13 4Allegro Molto3:33 5Ma Mere L'Oye26:51 Disc 21Fancy Free23:41 2Symphonic Dances fr. West Side Story20:42 3Overture to Candide4:09 | Compilation | 1978 | |
| 1979 | The 100 Greatest Recordings of All Time 23/24 - Orchestral ShowpiecesSearch SpotifySearch YouTube MusicTracklist · 6 tracks · 1:33:01Disc 1 1Les Troyens: Royal Hunt and Storm9:55 2Night on Bald Mountain9:20 3Prince Igor: Overture11:41 4Prince Igor: Polovtsian Dances13:32 Disc 21Gaité parisienne35:55 2La Valse12:38 | Compilation | 1979 | |
| 1983 | Water Music Suite / Royal Fireworks MusicSearch SpotifySearch YouTube MusicTracklist · 16 tracks · 50:551Water Music Suite: I. Ouverture4:23 2Water Music Suite: II. Allegro2:41 3Water Music Suite: III. Andante2:16 4Water Music Suite: IV. Allegro da capo2:41 5Water Music Suite: V. Air2:38 6Water Music Suite: VI. Bourée1:08 7Water Music Suite: VII. Hornpipe1:31 8Water Music Suite: VIII. Menuet3:54 9Water Music Suite: IX. Aria2:44 10Water Music Suite: X. Allegro2:23 11Water Music Suite: XI. Alla Hornpipe3:43 12Music for the Royal Fireworks: I. Ouverture8:36 13Music for the Royal Fireworks: II. Bourée1:13 14Music for the Royal Fireworks: III. La Paix: Largo alla siciliana4:36 15Music for the Royal Fireworks: IV. Menuet 1; Menuet II4:26 16Music for the Royal Fireworks: V. La Réjouissance: Allegro2:02 | Compilation | 1983 | |
| 1985 | Berlioz - Symphonie Fantastique, Op. 14ASearch SpotifySearch YouTube MusicTracklist · 5 tracks · 52:521Symphonie Fantastique, Op. 14A: I. Rêverie: Passions13:45 2Symphonie Fantastique, Op. 14A: II.Un Bal6:34 3Ymphonie Fantastique, Op. 14A: III.Scène Aux Champs15:03 4Symphonie Fantastique, Op. 14A: IV.Marche Au Supplice6:08 5Symphonie Fantastique, Op. 14A: V.Songe D'Ure Nuit de Sabbat11:22 | Compilation | 1985 | |
| 1985 | Pierrot lunaire / SerenadeSearch SpotifySearch YouTube MusicTracklist · 10 tracks · 1:02:551Pierrot lunaire : Première partie11:08 2Pierrot lunaire : Deuxième partie10:34 3Pierrot lunaire : Troisième partie10:26 4Serenade, op. 24: 1. Marsch4:11 5Serenade, op. 24: 2. Menuett6:32 6Serenade, op. 24: 3. Variationen3:37 7Serenade, op. 24: 4. Sonett nº 217 von Petrarca2:50 8Serenade, op. 24: 5. Tanzscene6:29 9Serenade, op. 24: 6. Lied (ohne Worte)2:15 10Serenade, op. 24: 7. Finale4:53 | Compilation | 1985 | |
| 1986 | Stravinsky: Pétrouchka / Prokofiev: Sonate No. 7 / Webern: Variationen, op. 27 / Boulez: Sonate No. 2Search SpotifySearch YouTube MusicTracklist · 13 tracks · 1:08:141Three Movements from “Pétrouchka”: I. Danse russe. Allegro giusto2:32 2Three Movements from “Pétrouchka”: II. Chez Petrouchka4:17 3Three Movements from “Pétrouchka”: III. La semaine grasse. Con moto - Allegretto - Tempo giusto - Agitato8:35 4Piano Sonata no. 7 in B‐flat major, op. 83: I. Allegro inquieto - Andantino7:32 5Piano Sonata no. 7 in B‐flat major, op. 83: II. Andante caloroso6:12 6Piano Sonata no. 7 in B‐flat major, op. 83: III. Precipitato3:23 7Variations for Piano, op. 27: I. Sehr mäßig1:53 8Variations for Piano, op. 27: II. Sehr schnell0:40 9Variations for Piano, op. 27: III. Ruhig fließend3:35 10Second sonata for Piano: I. Extrêmement rapide6:04 11Second sonata for Piano: II. Lent11:05 12Second sonata for Piano: III. Modéré, presque vif2:14 13Second sonata for Piano: IV. Vif10:12 | Compilation | 1986 | |
| 1987 | Boulez Conducts Stravinsky: Le Sacre du printemps / PetrushkaSearch SpotifySearch YouTube MusicTracklist · 18 tracks · 1:08:161Petrushka (original 1911 version): Tableau I. The Shrove‐tide Fair10:10 2Petrushka (original 1911 version): Tableau II. In Petrushka’s Cell3:52 3Petrushka (original 1911 version): Tableau III. In the Blackamoor’s Cell6:48 4Petrushka (original 1911 version): Tableau IV. The Shrove‐tide Fair (Evening)13:14 5Le Sacre du printemps (The Rite of Spring) Part I: L’Adoration de la terre — Introduction3:34 6Le Sacre du printemps (The Rite of Spring) Part I: Danses des adolescentes (Dances of the Young Girls)3:18 7Le Sacre du printemps (The Rite of Spring) Part I: Jeu du rapt (Mock Abduction)1:21 8Le Sacre du printemps (The Rite of Spring) Part I: Rondes printanières (Spring Round Dance)3:56 9Le Sacre du printemps (The Rite of Spring) Part I: Jeux des cités rivales (Games of the Rival Tribes)1:58 10Le Sacre du printemps (The Rite of Spring) Part I: Cortège du sage (Procession of the Wise Elder)0:43 11Le Sacre du printemps (The Rite of Spring) Part I: L’Adoration de la terre (The Adoration of the Earth)0:21 12Le Sacre du printemps (The Rite of Spring) Part I: Danse de la terre (Dance of the Earth)1:18 13Le Sacre du printemps (The Rite of Spring) Part II: Le Sacrifice — Introduction4:05 14Le Sacre du printemps (The Rite of Spring) Part II: Cercles mystérieux des adolescentes (Mysterious Circles of the Young Girls)3:17 15Le Sacre du printemps (The Rite of Spring) Part II: Glorification de l’élue (Glorification of the Chosen Victim)1:31 16Le Sacre du printemps (The Rite of Spring) Part II: Évocation des ancêtres (Summoning of the Ancients)0:39 17Le Sacre du printemps (The Rite of Spring) Part II: Action rituelle des ancêtres (Ritual of the Ancients)3:36 18Le Sacre du printemps (The Rite of Spring) Part II: Danse sacrale - L’Élue (Sacrificial Dance - The Chosen Victim)4:35 | Compilation | 1987 | |
| 1988 | Chamber Concerto / Ramifications / String Quartet No. 2 / Aventures / Lux aeternaSearch SpotifySearch YouTube MusicTracklist · 12 tracks · 1:08:131Chamber Concerto: I. Corrente5:07 2Chamber Concerto: II. Calmo, sostenuto5:54 3Chamber Concerto: III. Movimento preciso e meccanico3:59 4Chamber Concerto: IV. Presto3:36 5Ramifications8:33 6String Quartet No. 2: I. Allegro nervoso5:15 7String Quartet No. 2: II. Sostenuto, molto calmo4:57 8String Quartet No. 2: III. Come un meccanismo di precisione3:08 9String Quartet No. 2: IV. Presto furioso, brutale, tumultuoso2:01 10String Quartet No. 2: V. Allegro con delicatezza - stets sehr mild5:39 11Aventures12:06 12Lux aeterna7:58 | Compilation | 1 July 1988 | |
| 1989 | Orchestral WorksSearch SpotifySearch YouTube MusicTracklist · 17 tracks · 2:26:17Disc 1 1La mer: I. De l'aube à midi sur la mer8:52 2La mer: II. Jeux de vagues7:20 3La mer: III. Dialogue de vent et de la mer7:43 4Nocturnes: I. Nuages7:04 5Nocturnes: II. Fêtes6:41 6Nocturnes: III. Sirènes11:06 7Printemps: I. Très modéré9:55 8Printemps: II. Modéré6:15 9Rhapsody for clarinet and orchestra8:36 Disc 21L'après-midi d'un faune9:51 2Jeux17:10 3"Images" pour orchestre: Gigues7:39 4"Images" pour orchestre, "Ibéria": Par les rues et par les chemins7:10 5"Images" pour orchestre, "Ibéria": Les Parfums de la nuit8:12 6"Images" pour orchestre, "Ibéria": Le matin d'un jour de fête4:25 7"Images" pour orchestre: Rondes de printemps8:11 8Danse sacrée et danse profane10:07 | Compilation | 1989 | |
| 1989 | Le Marteau sans maître / Notations pour piano / Structures pour deux pianos, livre IISearch SpotifySearch YouTube MusicTracklist · 11 tracks · 1:07:551Le Marteau sans maître : 1. Avant « L’Artisanat furieux »1:51 2Le Marteau sans maître : 2. Commentaire I de « Bourreaux de solitude »4:31 3Le Marteau sans maître : 3. « L’Artisanat furieux »2:33 4Le Marteau sans maître : 4. Commentaire II de « Bourreaux de solitude »4:09 5Le Marteau sans maître : 5 « Bel édifice et les pressentiments », version première3:52 6Le Marteau sans maître : 6. « Bourreaux de solitude »4:41 7Le Marteau sans maître : 7. Après « L’Artisanat furieux »1:05 8Le Marteau sans maître : 8. Commentaire III de « Bourreaux de solitude »6:01 9Le Marteau sans maître : 9. « Bel édifice et les pressentiments », double8:40 10Notations pour piano9:28 11Structures pour deux pianos, livre II21:04 | Live | 1 December 1989 | |
| 1990 | L’EssentielSearch SpotifySearch YouTube MusicTracklist · 31 tracks · 3:28:47Disc 1 1Boléro15:07 2Tzigane (Rhapsodie de Concert)8:55 3Ma mère l’oye: I. Pavane de la belle au bois dormant1:13 4Ma mère l’oye: II. Petit Poucet2:47 5Ma mère l’oye: III. Laideronnette, impératrice des pagodes3:09 6Ma mère l’oye: IV. Les Entretiens de la belle et de la bête3:31 7Ma mère l’oye: V. Le Jardin féérique2:42 8Concerto pour la main gauche : Lento ‐ Andante – Allegro -Tempo17:30 9Gaspard de la nuit : I. Ondine6:03 10Gaspard de la nuit : II. Le Gibet5:52 11Gaspard de la nuit : III. Scarbo9:29 Disc 21Quatuor à cordes en Fa : I. Allegro moderato8:40 2Quatuor à cordes en Fa : II. Assez vif6:23 3Quatuor à cordes en Fa : III. Très lent9:39 4Quatuor à cordes en Fa : IV. Vif et agité5:24 5Jeux d’eau4:34 6Daphnis & Cloé, suite n°215:33 7Rapsodie espagnole : I. Prélude à la nuit4:01 8Rapsodie espagnole : II. Malaguena2:09 9Rapsodie espagnole : III. Habanera2:41 10Rapsodie espagnole : IV. Feria6:44 Disc 31La Valse12:36 2Sonatine: I. Modéré3:49 3Sonatine: II. Mouvement de menuet2:37 4Sonatine: III. Animé3:15 5Pavane pour une infante défunte5:42 6Trio pour violon, violoncelle et piano : I. Modéré9:23 7Trio pour violon, violoncelle et piano : II. Pantoum (Assez vif)4:04 8Trio pour violon, violoncelle et piano : III. Passacaille (Très large)6:52 9Trio pour violon, violoncelle et piano : Final (Animé) 10Valses nobles et sentimentales18:23 | Compilation | 1990 | |
| 1990 | Gershwin: Piano Concerto in F / Ravel: The 2 Piano ConcertosSearch SpotifySearch YouTube MusicTracklist · 7 tracks · 1:12:281Concerto for Piano and Orchestra in F: I. Allegro13:05 2Concerto for Piano and Orchestra in F: II. Adagio - Andante con moto12:03 3Concerto for Piano and Orchestra in F: III. Allegro agitato6:40 4Concerto for Piano and Orchestra in G major: I. Allegramente8:29 5Concerto for Piano and Orchestra in G major: II. Adagio assai9:38 6Concerto for Piano and Orchestra in G major: III. Presto4:00 7Concerto for the Left Hand in D major: Lento - Andante - Allegro - Tempo I18:33 | Compilation | 1990 | |
| 1990 | Wien ModernSearch SpotifySearch YouTube MusicTracklist · 8 tracks · 45:591Départ8:55 2Atmosphères9:06 3Lontano12:52 4Liebeslied5:07 5Notations: I. Fantasque - modéré2:45 6Notations: IV. Rythmique1:22 7Notations: III. Très modéré3:33 8Notations: II. Très vif - Strident2:19 | Compilation | 5 February 1990 | |
| 1990 | Das ChorwerkSearch SpotifySearch YouTube MusicTracklist · 27 tracks · 1:45:12Disc 1 1Friede auf Erden, op. 139:14 2Kol Nidre, op. 3912:47 3Drei Volkslieder, op. 49: 1. Es gingen zwei Gespielen gut3:35 4Drei Volkslieder, op. 49: 2. Der Mai tritt ein mit Freuden2:52 5Drei Volkslieder, op. 49: 3. Mein Herz in steten Treuen4:22 6Zwei Kanons: Wenn der schwer Gedrückte klagt0:52 7Zwei Kanons: O daß der Sinnen doch so viele sind2:48 8Drei deutsche Volkslieder: 1. Es gingen zwei Gespielen gut4:01 9Drei deutsche Volkslieder: 2. Herzlieblich Lieb, durch Scheiden1:52 10Drei deutsche Volkslieder: 3. Schein uns, du liebe Sonne4:06 Disc 21Vier Stücke, op. 27: 1. Unentrinnbar1:41 2Vier Stücke, op. 27: 2. Du sollst nicht, du mußt1:31 3Vier Stücke, op. 27: 3. Mond und Menschen3:16 4Vier Stücke, op. 27: 4. Der Wunsch des Liebhabers4:32 5Drei Satiren, op. 28: 1. Am Scheideweg1:04 6Drei Satiren, op. 28: 2. Vielseitigkeit0:46 7Drei Satiren, op. 28: 3. Der neue Klassizismus9:36 8Sechs Stücke, op. 35: 1. Hemmung1:48 9Sechs Stücke, op. 35: 2. Das Gesetz2:50 10Sechs Stücke, op. 35: 3. Ausdrucksweise2:54 11Sechs Stücke, op. 35: 4. Glück1:16 12Sechs Stücke, op. 35: 5. Landsknechte4:06 13Sechs Stücke, op. 35: 6. Verbundenheit2:28 14Dreimal tausend Jahre, op. 50 A3:15 15Psalm 130, op. 50 B4:40 16Moderner Psalm Nr. 1, op. 50 C5:44 17Ein Überlebender aus Warschau, op. 467:16 | Compilation | 6 June 1990 | |
| 1991 | Symphonie n.5 in Do diesis min.Search SpotifySearch YouTube MusicTracklist · 5 tracks · 1:04:171Symphonie n.5 in Do diesis min.: Trauermarsch: In gemessemen Schritt. Streng. Wie ein Kondukt12:15 2Symphonie n.5 in Do diesis min.: Stürmisch bewegt. Mit grösser Vehemenz13:46 3Symphonie n.5 in Do diesis min.: Scherzo: Kräftig, nicht zu schnell15:33 4Symphonie n.5 in Do diesis min.: Adagietto. Sehr langsam8:20 5Symphonie n.5 in Do diesis min.: Rondò - Finale: Allegro. Allegro giocoso. Frisch14:23 | Live | 1991 | |
| 1991 | ViolinkonzerteSearch SpotifySearch YouTube MusicTracklist · 11 tracks · 1:04:131Violin Concerto: 1. Andante4:37 2Violin Concerto: 2. Allegretto3:16 3Violin Concerto: 3. Liberamente2:11 4Violin Concerto: 4. Poco a poco sempre piu1:32 5Violin Concerto: 5. Allegro1:45 6Violin Concerto: 6. Pesante, ma quasi a tempo5:40 7Violin Concerto: 7. Adagio5:41 8Violin Concerto: 8. Coda2:00 9Violin Concerto: I. Allegro deciso19:34 10Violin Concerto: II. Andante6:48 11Violin Concerto: III. Deciso - Allegro moderato11:09 | Compilation | 1991 | |
| 1991 | Sinfonia n.9 in Re Maggiore / Sinfonia n.5 in Do diesis minoreSearch SpotifySearch YouTube MusicTracklist · 10 tracks · 2:29:06Disc 1 1Sinfonia n.9 in Re Maggiore: Andante comodo32:23 2Sinfonia n.9 in Re Maggiore: Im tempo eines gemächlichen Ländlers14:58 3Sinfonia n.9 in Re Maggiore: Rondò - Burleske: Sehr trotzig13:40 4Sinfonia n.9 in Re Maggiore: Adagio (prima parte)9:35 Disc 21Sinfonia n.9 in Re Maggiore: Adagio (seconda parte)14:03 2Sinfonia n.5 in Do diesis minore: Trauermarsch: In gemessemen Schritt. Streng wie ein Kondukt14:02 3Sinfonia n.5 in Do diesis minore: Stürmisch bewegt, mit größter Vehemenz13:54 4Sinfonia n.5 in Do diesis minore: Scherzo: Kräftig, nicht zu schnell15:26 5Sinfonia n.5 in Do diesis minore: Adagietto (Sehr langsam)7:37 6Sinfonia n.5 in Do diesis minore: Rondò - Finale: Allegro. Allegro giocoso. Frisch13:28 | Live | 1991 | |
| 1991 | Koechlin: Les Bandar-Log / Boulez: Le Soleil des eaux / Messiaen: Chronochromie / Et expecto resurectionem mortuorumSearch SpotifySearch YouTube MusicTracklist · 15 tracks · 1:11:471Les Bandar-Log, poëme symphonique15:47 2Le Soleil des eaux : Complainte du Lézard Amoureux3:48 3Le Soleil des eaux : La Sorgue4:22 4Chronochromie: Introduction3:14 5Chronochromie: Strophe 11:35 6Chronochromie: Antistrophe 13:06 7Chronochromie: Strophe 21:38 8Chronochromie: Antistrophe 25:34 9Chronochromie: Epode4:20 10Chronochromie: Coda2:36 11Et exspecto resurrectionem mortuorum: Des profondeurs de l’Abime, je crie vers toi Seigneur2:45 12Et exspecto resurrectionem mortuorum: Le Christ ressuscité des morts ne meurt plus5:57 13Et exspecto resurrectionem mortuorum: L’heure vient où les morts entendront la voix du fils de Dieu4:15 14Et exspecto resurrectionem mortuorum: Ils ressusciteront glorieux avec un nom nouveau dans le concert joyeux des étoiles7:49 15Et exspecto resurrectionem mortuorum: Et j’entends la voix d’une foule immense5:01 | Compilation | 1991 | |
| 1991 | Stravinsky: Renard / Symphonies d'instruments à vent / Concertino / Mélodies / Choral-Variationen / Canticum SacrumSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 1:12:251Renard14:55 23 pieces pour quatuor à cordes6:30 32 poèmes de Balmont3:00 43 poèmes de la lyrique japonaise3:30 53 pièces pour clarinette4:05 6Concertino pour 12 instruments5:40 7Symphonies d'instruments à vent8:30 8Variations sur le Choral «Vom Himmel Hoch» de J.S. Bach10:15 9Canticum Sacrum16:00 | Compilation | 1991 | |
| 1993 | Berlioz: Les Nuits d’été / Mahler: Symphony no. 8 in E-flat majorSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 1:56:55Disc 1 1Les Nuits d’été: I. Villanelle2:12 2Les Nuits d’été: II. Le spectre de la rose7:09 3Les Nuits d’été: III. Sur les lagunes7:10 4Les Nuits d’été: IV. Absence4:56 5Les Nuits d’été: V. Au cimetière5:26 6Les Nuits d’été: VI. L’île inconnue3:30 7Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus “Veni, creator spiritus”22:21 Disc 21Symphony no. 8 “Symphony of a Thousand”: Part II: Final Scene From Goethe’s “Faust”: Poco adagio - Più mosso. (Allegro moderato) “Waldung, sie schwankt heran”35:11 2Symphony no. 8 “Symphony of a Thousand”: Part II: Final Scene From Goethe’s “Faust”: Äußerst langsam. Adagissimo “Dir, der Unberührbaren”29:00 | Live | 1993 | |
| 1993 | Symphony N. 6Search SpotifySearch YouTube MusicTracklist · 4 tracks · 1:15:381Symphony no. 6 “Tragic”: I. Allegro energico ma non troppo. Heftig, aber markig23:16 2Symphony no. 6 “Tragic”: II. Scherzo. Wuchtig12:40 3Symphony no. 6 “Tragic”: III. Andante moderato12:40 4Symphony no. 6 “Tragic”: IV. Finale. Allegro moderato. Allegro energico27:02 | Live | 1993 | |
| 1993 | Musik des 20. Jahrhunderts, IISearch SpotifySearch YouTube MusicTracklist · 18 tracks · 1:16:011Chain Three for Orchestra: I. Presto4:41 2Chain Three for Orchestra: II. Presto (13)4:59 3Chain Three for Orchestra: III. (38)2:12 4Concerto grosso no. 1: I. Preludio: Andante4:59 5Concerto grosso no. 1: II. Toccata: Allegro4:25 6Concerto grosso no. 1: III. Recitativo: Lento6:54 7Concerto grosso no. 1: IV. Cadenza (without tempo marking)2:31 8Concerto grosso no. 1: V. Rondo: Agitato7:07 9Concerto grosso no. 1: VI. Postludio: Andante - Allegro - Andante2:13 10Chamber Concerto for 13 Instrumentalists: I. Corrente (Fliessend)5:07 11Chamber Concerto for 13 Instrumentalists: II. Calmo, sostenuto5:53 12Chamber Concerto for 13 Instrumentalists: III. Movimento preciso e meccanico3:58 13Chamber Concerto for 13 Instrumentalists: IV. Presto3:33 14Novelette for Orchestra: I. Announcement1:45 15Novelette for Orchestra: II. First Event2:58 16Novelette for Orchestra: III. Second Event3:38 17Novelette for Orchestra: IV. Third Event2:10 18Novelette for Orchestra: V. Conclusion6:58 | Compilation | 1993 | |
| 1993 | Mahler: Symphony N. 3 in D minor / Berlioz: Roméo et Juliette (excerpts)Search SpotifySearch YouTube MusicTracklist · 7 tracks · 2:11:12Disc 1 1Symphony no. 3 in D minor: Part I: I. Kräftig. Entschieden33:48 2Symphony no. 3 in D minor: Part II: II. Tempo di minuetto. Sehr mäßig9:33 3Symphony no. 3 in D minor: Part II: III. Comodo. Scherzando. Ohne Hast16:28 4Symphony no. 3 in D minor: Part II: IV. Sehr langsam. Misterioso: “O Mensch! Gib acht!”9:24 5Symphony no. 3 in D minor: Part II: V. Lustig im Tempo und keck im Ausdruck: “Bimm bamm - Es sungen drei Engel einen süßen Gesang”4:14 Disc 21Symphony no. 3 in D minor: Part II: VI. Langsam. Ruhevoll. Empfunden22:53 2Roméo et Juliette (excerpts)34:52 | Compilation,Live | 1993 | |
| 1993 | Die Jakobsleiter / Chamber Symphony no. 1 / Begleitmusik zu einer LichtspielszeneSearch SpotifySearch YouTube MusicTracklist · 13 tracks · 1:15:451Die Jakobsleiter: "Ob rechts, ob links" (Gabriel, Chor)4:51 2Die Jakobsleiter: "Ohne zu fragen" (Chor, Gabriel)4:47 3Die Jakobsleiter: "Gleichviel! Weiter!" (Gabriel, ein Berufener)3:54 4Die Jakobsleiter: "Du bist immerhin" (Gabriel, ein Aufrührerischer)2:10 5Die Jakobsleiter: "Dies Entweder und dies Oder" (Gabriel, ein Ringender)3:55 6Die Jakobsleiter: "Gegen seinen und euren Willen" (Gabriel)2:26 7Die Jakobsleiter: "Ich sollte nicht näher" (Der Auserwählte, Gabriel)5:40 8Die Jakobsleiter: "Herr, verzeih meine Überhebung" (Der Mönch, Gabriel)5:10 9Die Jakobsleiter: "Herr, mein ganzes Leben lang" (Der Sterbende)3:31 10Die Jakobsleiter: "Nahst du wieder dem Licht" (Gabriel, Chor)3:25 11Die Jakobsleiter: Großes symphonisches Zwischenspiel7:37 12Chamber Symphony no. 1, op. 919:54 13Begleitmusik zu einer Lichtspielszene, op. 348:25 | Compilation | 1993 | |
| 1994 | Orchestral Music from: Meistersinger, Tannhäuser, Tristan und Isolde, Faust Overture, Siegfried IdyllSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:09:331Die Meistersinger von Nürnberg: Vorspiel Zum I. Aufzug10:46 2Tannhäuser und der Sängerkrieg auf der Wartburg: Overtüre14:10 3Eine Faust-Overtüre11:22 4Tristan und Isolde: Vorspiel zum I. Aufzug und Isoldes Liebestod16:07 5Siegfried-Idyll17:08 | Compilation | 1994 | |
| 1994 | Symphonie fantastique / Lélio / Les Nuits d’été / La Mort de CléopatreSearch SpotifySearch YouTube MusicTracklist · 33 tracks · 3:17:54Disc 1 1Lélio ou Le Retour à la vie, op. 14b: «Dieu! Je vis encore…» (Lélio)2:01 2Lélio ou Le Retour à la vie, op. 14b: I. Le Pêcheur (Horatio)5:30 3Lélio ou Le Retour à la vie, op. 14b: «Étrange persistance d’un souvenir!» (Lélio)1:49 4Lélio ou Le Retour à la vie, op. 14b: II. Chœur d’ombres (Chorus)7:08 5Lélio ou Le Retour à la vie, op. 14b: «Ô Shakespeare! Shakespeare! Toi dont les premières années» (Lélio)2:34 6Lélio ou Le Retour à la vie, op. 14b: III. Chanson de brigands (Le Capitaine, Chorus)3:51 7Lélio ou Le Retour à la vie, op. 14b: «Comme mon esprit flotte incertain!» (Lélio)1:36 8Lélio ou Le Retour à la vie, op. 14b: IV. Chant de bonheur (La Voix imaginaire de Lélio)6:11 9Lélio ou Le Retour à la vie, op. 14b: «Oh! Que ne puis-je la trouver»1:08 10Lélio ou Le Retour à la vie, op. 14b: V. La Harpe éolienne – Souvenirs3:07 11Lélio ou Le Retour à la vie, op. 14b: «Mais pourquoi m’abandonner à ces dangereuse illusions?» (Lélio)3:59 12Lélio ou Le Retour à la vie, op. 14b: VI. Fantaisie sur la Tempête de Shakespeare (Chorus)13:56 13Lélio ou Le Retour à la vie, op. 14b: «Assez pour aujourd’hui!»1:10 14Béatrice et Bénédict: Ouverture. Allegretto scherzando7:40 15Béatrice et Bénédict: Entr’acte. Sicilienne. Allegretto1:27 16Les Troyens: Chasse royale et orage. Larghetto non troppo lento8:42 Disc 21Les Nuits d’été, op. 7: I. Villanelle2:17 2Les Nuits d’été, op. 7: II. Le Spectre de la rose7:03 3Les Nuits d’été, op. 7: III. Sur les lagunes (Lamento)7:13 4Les Nuits d’été, op. 7: IV. Absence5:29 5Les Nuits d’été, op. 7: V. Au cimetière (Clair de lune)5:52 6Les Nuits d’été, op. 7: VI. L’Île inconnue3:42 7La Mort de Cléopâtre22:49 Disc 31Symphonie fantastique, op. 14: I. Rêveries – Passions. Largo . Allegro agitato e appassionato assai13:41 2Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo6:29 3Symphonie fantastique, op. 14: III. Scène aux champs. Adagio14:58 4Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo6:03 5Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat: Larghetto – Allegro3:51 6Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat: Dies irae2:13 7Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat: Ronde du Sabbat3:15 8Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat: Dies irae et Ronde du Sabbat ensemble1:59 9Benvenuto Cellini: Ouverture. Allegro deciso con impeto10:19 10Le Carnaval romain, op. 9: Allegro assai con fuoco – Andante sostenuto – Tempo I. Allegro vivace8:52 | Compilation | 1994 | |
| 1994 | Pavane Pour Une Infante Défunte / La Valse / Menuet Antique / Ma Mère L'Oye (Ballet) / Alborada Del Gracioso / Rapsodie EspagnoleSearch SpotifySearch YouTube MusicTracklist · 15 tracks · 1:16:001Pavane Pour Une Infante Défunte6:15 2La Valse13:00 3Menuet antique7:08 4Ma mère l'oye - ballet: Prélude3:36 5Ma mère l'oye - ballet: Premier tableau: Danse du rouet et scène3:34 6Ma mère l'oye - ballet: Deuxième tableau: Pavane de la Belle au bois dormant2:32 7Ma mère l'oye - ballet: Troisième tableau: Les Entretiens de la Belle et de la Bête4:54 8Ma mère l'oye - ballet: Quatrième tableau: Petit Poucet4:37 9Ma mère l'oye - ballet: Cinquième tableau: Laideronnette, impératrice des pagodes4:42 10Ma mère l'oye - ballet: Apothéose: Le Jardin féerique3:19 11Alborada Del Gracioso7:34 12Rapsodie espagnole: I. Prélude à la nuit4:00 13Rapsodie espagnole: II. Malagueña2:01 14Rapsodie espagnole: III. Habanera2:42 15Rapsodie espagnole: IV. Feria6:06 | Compilation | 1994 | |
| 1995 | Schoenberg / Berio / Carter / Kurtág / XenakisSearch SpotifySearch YouTube MusicTracklist · 35 tracks · 4:57:24Disc 1 1Pelleas und Melisande, op. 540:20 2Variations, op. 31: I. Introduction1:36 3Variations, op. 31: II. Thème1:04 4Variations, op. 31: III. Variation I1:13 5Variations, op. 31: IV. Variation II1:31 6Variations, op. 31: V. Variation III0:42 7Variations, op. 31: VI. Variation IV1:28 8Variations, op. 31: VII. Variation V1:47 9Variations, op. 31: VIII. Variation VI1:28 10Variations, op. 31: IX. Variation VII2:09 11Variations, op. 31: X. Variation VIII0:35 12Variations, op. 31: XI. Variation IX1:02 13Variations, op. 31: XII. Final5:27 Disc 21Sinfonia: I.6:20 2Sinfonia: II. O King5:02 3Sinfonia: III. In ruhig fliessender Bewegung12:27 4Sinfonia: IV.3:26 5Sinfonia: V.7:20 6Eindrücke10:15 Disc 31Concerto pour hautbois19:58 2Esprit rude / Esprit doux4:52 3A Mirror on Which to Dwell: Anaphora3:41 4A Mirror on Which to Dwell: Argument2:25 5A Mirror on Which to Dwell: Sandpiper2:23 6A Mirror on Which to Dwell: Insomnia3:04 7A Mirror on Which to Dwell: View of the Capitol From the Library of Congress3:03 8A Mirror on Which to Dwell: O Breath4:08 9Penthode19:23 Disc 41Messages de Feu Demoiselle R.V. Troussova25:53 2…AGM…27:10 3Modulations18:36 Disc 51Jalons14:40 2Antiphysis18:14 3Funérailles: Version I11:10 4Funérailles: Version II13:32 | Compilation | 1995 | |
| 1995 | Boulez Conducts Bartók - Debussy - Ravel - Stravinsky - WebernSearch SpotifySearch YouTube MusicTracklist · 15 tracks · 1:15:521Prélude à l'après-midi d'un faune8:58 2Nocturnes: Fêtes6:36 3Magyar képek, Sz. 97: I. Este a székelyeknél2:47 4Magyar képek, Sz. 97: II. Medvetán1:29 5Magyar képek, Sz. 97: III. Melódia2:21 6Magyar képek, Sz. 97: IV. Kicsit ázottan2:11 7Magyar képek, Sz. 97: V. Ürögi kanásztánc2:10 8Concerto op. 24: I. Etwas lebhaft2:37 9Concerto op. 24: II. Sehr langsam2:36 10Concerto op. 24: III. Sehr rasch1:32 11Alborada del Gracioso: Assez vif7:40 12Pétrouchka: Premier tableau9:56 13Pétrouchka: Second tableau4:30 14Pétrouchka: Troisième tableau7:02 15Pétrouchka: Quatrième tableau13:27 | Compilation | 1995 | |
| 1995 | Pli selon pli / Livre pour cordesSearch SpotifySearch YouTube MusicTracklist · 7 tracks · 1:10:211Pli selon pli : I. Don14:13 2Pli selon pli : II. Improvisation sur Mallarmé I5:02 3Pli selon pli : III. Improvisation sur Mallarmé II10:52 4Pli selon pli : IV. Improvisation sur Mallarmé III15:51 5Pli selon pli : V. Tombeau13:49 6Livre pour cordes : 1a. Variation6:34 7Livre pour cordes : 1b. Mouvement4:00 | Compilation | 1995 | |
| 1995 | Pli selon Pli / Le visage nuptial / Notations / Sonatine / SonateSearch SpotifySearch YouTube MusicTracklist · 26 tracks · 3:54:05Disc 1 1Pli selon pli: Don15:36 2Pli selon pli: Improvisation I sur Mallarmé5:35 3Pli selon pli: Improvisation II sur Mallarmé12:25 4Pli selon pli: Improvisation III sur Mallarmé18:29 5Pli selon pli: Tombeau16:01 Disc 21Le visage nuptial: Conduite3:18 2Le visage nuptial: Gravité (L'emmuré)6:06 3Le visage nuptial: Le Visage nuptial12:47 4Le visage nuptial: Evadne2:31 5Le visage nuptial: Post-Scriptum5:50 6Le soleil des eaux: Complainte du Lézard amoureaux4:21 7Le soleil des eaux: La Sorgue (Chanson pour Yvonne)6:05 8Figures, Doubles, Prismes20:41 Disc 31Rituel23:29 2Messagesquisse7:20 3Notations 1 - Modéré - Fantasque2:29 4Notations 4 - Rythmique1:50 5Notations 3 - Très modéré4:02 6Notations 2 - Très vif - Strident1:57 Disc 41Sonatine for flute and piano11:38 2Piano Sonata no. 1 for piano: I. Lent4:15 3Piano Sonata no. 1 for piano: II. Assez large4:40 4Dérive6:16 5Mémoriale (...Explosante-fixe... Originel)5:11 6Dialogue de l'ombre double17:50 7Cummings ist der Dichter13:23 | Compilation | 1995 | |
| 1995 | Berg: Kammerkonzert / Stravinsky: Ebony Concerto / Dumbarton Oaks / 8 MiniaturesSearch SpotifySearch YouTube MusicTracklist · 8 tracks · 1:01:461Kammerkonzert für Klavier und Geige mit 13 Bläsern: Thema scherzoso con variazioni7:38 2Kammerkonzert für Klavier und Geige mit 13 Bläsern: Adagio12:11 3Kammerkonzert für Klavier und Geige mit 13 Bläsern: Rondo ritmico con introduzione10:20 4Konzert Es-dur für Kammerorchester "Dumbarton Oaks": I. Tempo giusto4:42 5Konzert Es-dur für Kammerorchester "Dumbarton Oaks": II. Allegretto5:17 6Konzert Es-dur für Kammerorchester "Dumbarton Oaks": III. Con moto5:22 78 Instrumental-Miniaturen7:21 8Ebony Concerto8:55 | Compilation | 24 February 1995 | |
| 1997 | Symphony no. 9 “Choral” / Choral Fantasy / “Ah, Perfido” / Cantata on the Death of Emperor Joseph II / Calm Sea and Prosperous VoyageSearch SpotifySearch YouTube MusicTracklist · 11 tracks · 1:10:561Choral Fantasy for Piano, Chorus, and Orchestra op. 80: I. Adagio2:51 2Choral Fantasy for Piano, Chorus, and Orchestra, op. 80: II. Finale15:34 3Concert Aria: “Ah, perfido”, op. 6514:28 4Cantata on the Death of Emperor Joseph II, WoO 87: I. Chor: “Mors! Personat acerba nox”7:33 5Cantata on the Death of Emperor Joseph II, WoO.87: II. Recitative: “Immane monstrum”1:07 6Cantata on the Death of Emperor Joseph II, WoO.87: III. Aria: “Venit Joseph”4:55 7Cantata on the Death of Emperor Joseph II, WoO.87: IV. Aria and Chor: “Exsurgunt, ad lucem”3:11 8Cantata on the Death of Emperor Joseph II, WoO.87: V. Recitative: “Nunc dormit ab angustiis”2:25 9Cantata on the Death of Emperor Joseph II, WoO.87: VI. Aria: “Nunc dormit in tranquilla pace”7:05 10Cantata on the Death of Emperor Joseph II, WoO.87: VII. Chor: “Rex est defunctus”3:26 11Cantata: Calm Sea and Prosperous Voyage, op. 1128:21 | Compilation | 1997 | |
| 1997 | The Sunday Times Music Collection: Pierre BoulezSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:05:301Pavane pour une infante défunte6:17 2Symphonie fantastique: Un Bal (Valse)6:33 3Siegfried Idyll17:10 4Passacaglia10:10 5Ritual in memoriam Bruno Maderna25:20 | Compilation | 1997 | |
| 1999 | new dimension musicSearch SpotifySearch YouTube MusicTracklist · 7 tracks · 1:14:151Second Sonata for Piano: I. Extrement rapide6:05 2Second Sonata for Piano: II. Lent11:04 3Second Sonata for Piano: III. Modéré, presque vif2:14 4Second Sonata for Piano: IV. Vif10:23 5Non hay caminos, hay que caminar... Andrej Tarkowskij16:59 6Liebeslied5:09 7Gruppen22:21 | Compilation | 1999 | |
| 1999 | Beethoven: Piano Concerto no. 5 "Emperor" / Mozart: Piano Concerto no. 26 "Coronation"Search SpotifySearch YouTube MusicTracklist · 6 tracks · 1:11:321Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": I. Allegro20:03 2Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco moto8:43 3Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro10:52 4Concerto for Piano and Orchestra no. 26 in D major, K. 537 "Coronation": I. Allegro14:21 5Concerto for Piano and Orchestra no. 26 in D major, K. 537 "Coronation": II. Larghetto7:12 6Concerto for Piano and Orchestra no. 26 in D major, K. 537 "Coronation": III. Allegretto10:21 | Compilation,Live | 16 November 1999 | |
| 2000 | Sept haïkaï / Couleurs de la cité céleste / Un Vitrail et des oiseaux / Oiseaux exotiquesSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:00:371[applause]0:20 2Sept haïkaï21:00 3Couleurs de la cité céleste16:10 4Un Vitrail et des oiseaux8:20 5Oiseaux exotiques14:47 | Live | 2000 | |
| 2000 | Boulez Conducts RavelSearch SpotifySearch YouTube MusicTracklist · 10 tracks · 1:06:431Boléro15:38 2La Valse13:00 3Rapsodie espagnole: Prélude à la nuit4:01 4Rapsodie espagnole: Malagueña2:01 5Rapsodie espagnole: Habanera2:42 6Rapsodie espagnole: Feria6:06 7Alborada del gracioso7:40 8Daphnis et Chloé, suite no. 2: Lever du jour5:40 9Daphnis et Chloé, suite no. 2: Pantomime5:37 10Daphnis et Chloé, suite no. 2: Danse générale4:18 | Compilation | 2000 | |
| 2000 | Complete WebernSearch SpotifySearch YouTube Music | Compilation | February 2000 | |
| 2000 | The Artist's AlbumSearch SpotifySearch YouTube MusicTracklist · 13 tracks · 1:20:081Parsifal : Overture10:30 2Lulu: Interlude / Ragtime - English Waltz7:00 3Ibéria : 3. Le Matin D'un Jour De Fête4:17 4Le Sacre Du Printemps : Danse Sacrale4:45 5Concerto For Orchestra : 4. Intermezzo Interrotto (Allegretto)4:04 6Rapsodie Espagnole : Habanera3:29 7La Ville D'en Haut9:20 8Symphony No. 7 In E Minor : 3. Scherzo9:08 9Moses Und Aron : Erotische Orgie5:18 10Symphonie Fantastique : 2. Un Bal (Valse: Allegro Non Troppo)6:05 11Répons : Introduction6:24 12Herzgewächse, Op. 203:10 13Pavane Pour Une Infante Défunte6:38 | Compilation | 14 February 2000 | |
| 2000 | Symphony No. 8 in C minorSearch SpotifySearch YouTube MusicTracklist · 4 tracks · 1:16:141Symphony No. 8 in C minor: I. Allegro moderato15:13 2Symphony No. 8 in C minor: II. Scherzo: Allegro moderato - Trio: Langsam - Scherzo da capo13:44 3Symphony No. 8 in C minor: III. Adagio: Feierlich langsam, doch nicht schleppend24:58 4Symphony No. 8 in C minor: IV. Finale: Feierlich, nicht schnell22:19 | Live | 13 June 2000 | |
| 2002 | Le sacre du printemps / FirebirdSearch SpotifySearch YouTube MusicTracklist · 28 tracks · 1:19:511Le sacre du printemps: I. L'adoration de la terre: 1. Introduction3:35 2Le sacre du printemps: I. L'adoration de la terre: 2. Les augures printaniers - danses des adolescentes3:13 3Le sacre du printemps: I. L'adoration de la terre: 2. Jeu du rapt1:22 4Le sacre du printemps: I. L'adoration de la terre: 3. Rondes printanières3:45 5Le sacre du printemps: I. L'adoration de la terre: 4. Jeux des cités rivales1:49 6Le sacre du printemps: I. L'adoration de la terre: 5. Cortège du sage - adoration de la terre - le sage1:00 7Le sacre du printemps: I. L'adoration de la terre: 6. Danse de la terre1:20 8Le sacre du printemps: II. Le sacrifice: 1. Introduction4:06 9Le sacre du printemps: II. Le sacrifice: 2. Cercles mystérieux des adolescentes3:07 10Le sacre du printemps: II. Le sacrifice: 3. Glorification de l'élue1:26 11Le sacre du printemps: II. Le sacrifice: 4. Evocation des ancetres0:38 12Le sacre du printemps: II. Le sacrifice: 5. Action rituelle des ancetres3:25 13Le sacre du printemps: II. Le sacrifice: 6. Danse sacrale (L'élue)4:53 14L'oiseau de feu: I. Introduction2:32 15L'oiseau de feu: II. Premier tableau: 1. Le jardin enchanté de kachtcheï1:47 16L'oiseau de feu: II. Premier tableau: 2. Apparition de l'oiseau de feu, poursuivi par ivan tsarévitch2:26 17L'oiseau de feu: II. Premier tableau: 3.Danse de l'oiseau de feu1:22 18L'oiseau de feu: II. Premier tableau: 4. Capture de l'oiseau de feu par ivan tsarévitch0:53 19L'oiseau de feu: II. Premier tableau: 5. Supplication de l'oiseau de feu - apparition des treize princesses enchantées8:14 20L'oiseau de feu: II. Premier tableau: 6. Jeu des princesses avec les pommes d'or (Scherzo)2:25 21L'oiseau de feu: II. Premier tableau: 7. Brusque apparition de ivan tsarévitch1:38 22L'oiseau de feu: II. Premier tableau: 8. Khorovode (Ronde) des princesses3:43 23L'oiseau de feu: II. Premier tableau: 9. Lever du jour - ivan tsarevitch pénètre dans le palais de kachtcheï1:32 24L'oiseau de feu: II. Premier tableau: 10. Carillon féerique à apparition de l'oiseau de feu5:41 25L'oiseau de feu: II. Premier tableau: 11. Ddanse de la suite de kachtcheï, enchantée par l'oiseau de feu0:45 26L'oiseau de feu: II. Premier tableau: 12. Danse infernale de tous les sujets de kachtcheï4:43 27L'oiseau de feu: II. Premier tableau: 13. Berceuse - réveil de kachtcheï - mort de kachtcheï - profondes ténèbres5:17 28L'oiseau de feu: III. Deuxième tableau: Disparition du palais à allégresse générale3:14 | Compilation | 2 September 2002 | |
| 2003 | Piano Concertos 1 & 3 / Rhapsodies 1 & 2Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:14:061Piano Concerto no. 1: I. Allegro moderato - Allegro9:21 2Piano Concerto no. 1: II. Andante - Allegro8:25 3Piano Concerto no. 1: III. Allegro molto6:47 4Rhapsody no. 111:32 5Rhapsody no. 212:41 6Piano Concerto no. 3: I. Allegretto7:50 7Piano Concerto no. 3: II. Adagio religioso10:27 8Piano Concerto no. 3: III. Allegro vivace7:03 | Compilation | 2003 | |
| 2003 | Great Orchestral WorksSearch SpotifySearch YouTube Music | Compilation | 2003 | |
| 2004 | Strauss: Vier letzte Lieder / Capriccio (excerpt) / Ravel: Shéhérazade / Mozart: Le nozze di FigaroSearch SpotifySearch YouTube MusicTracklist · 10 tracks · 1:06:161Vier letzte Lieder: Frühling3:28 2Vier letzte Lieder: September4:56 3Vier letzte Lieder: Beim Schlafengehen5:04 4Vier letzte Lieder: Im Abendrot7:16 5Cappricio: Closing Scene: Andante con moto “Den Schluss der Oper” – “Kein Andres, das mir so im Herzen loht”20:09 6Shéhérazade: Asie8:28 7Shéhérazade: La Flûte enchantée2:47 8Shéhérazade: L'Indifférent3:49 9Le Nozze di Figaro: Cavatina: “Porgi, amor, qualche ristoro”3:36 10Le Nozze di Figaro: Recitativo e aria: “E Susanna non vien! – Dove sono i bei momenti”6:43 | Live | 21 September 2004 | |
| 2005 | Wagner: Der Ring des NibelungenSearch SpotifySearch YouTube Music | Live | 2005 | |
| 2005 | The Piano ConcertosSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 1:16:261Piano Concerto No. 1: I. Allegro moderato - Allegro8:45 2Piano Concerto No. 1: II. Andante -7:52 3Piano Concerto No. 1: II. Allegro - attacca: / Piano Concerto No. 1: III. Allegro molto6:48 4Piano Concerto No. 2: I. Allegro9:25 5Piano Concerto No. 2: II. Adagio - Presto - Adagio11:26 6Piano Concerto No. 2: III. Allegro molto6:21 7Piano Concerto No. 3: I. Allegretto7:33 8Piano Concerto No. 3: II. Adagio religioso11:13 9Piano Concerto No. 3: III. Allegro vivace7:03 | Compilation | 11 January 2005 | |
| 2005 | Mahler: Symphony no. 9 / Boulez: Rituel / Notations I-IV, VIISearch SpotifySearch YouTube MusicTracklist · 10 tracks · 2:09:08Disc 1 1Symphony no. 9 D major: I. Andante comodo29:03 2Symphony no. 9 D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb17:46 3Symphony no. 9 D major: III. Rondo - Burleske. Allegro assai. Sehr trotzig14:46 Disc 21Symphony no. 9 D major: IV. Adagio. Sehr langsam und noch zurückhaltend22:31 2Rituel in memoriam Bruno Maderna27:36 3Notations: I. Modéré - Fantasque3:09 4Notations: II. Très vif. Strident2:14 5Notations: III. Très modéré4:04 6Notations: IV. Rythmique1:58 7Notations: VII. Hieratique. Lent6:01 | Compilation | November 2005 | |
| 2009 | Boulez Conducts BoulezSearch SpotifySearch YouTube MusicTracklist · 21 tracks · 3:10:24Disc 1 1Rituel in Memoriam Maderna25:26 2Éclat9:42 3Multiples17:00 Disc 21Le Marteau sans maître : 1. Avant « L’Artisanat furieux »1:51 2Le Marteau sans maître : 2. Commentaire I de « Bourreaux de solitude »4:31 3Le Marteau sans maître : 3. « L’Artisanat furieux »2:33 4Le Marteau sans maître : 4. Commentaire II de « Bourreaux de solitude »4:09 5Le Marteau sans maître : 5 « Bel édifice et les pressentiments », version première3:52 6Le Marteau sans maître : 6. « Bourreaux de solitude »4:41 7Le Marteau sans maître : 7. Après « L’Artisanat furieux »1:05 8Le Marteau sans maître : 8. Commentaire III de « Bourreaux de solitude »6:01 9Le Marteau sans maître : 9. « Bel édifice et les pressentiments », double8:40 10Notations pour piano9:28 11Structures pour deux pianos, livre II21:04 Disc 31Pli selon pli : I. Don14:13 2Pli selon pli : II. Improvisation sur Mallarmé I5:02 3Pli selon pli : III. Improvisation sur Mallarmé II10:52 4Pli selon pli : IV. Improvisation sur Mallarmé III15:51 5Pli selon pli : V. Tombeau13:49 6Livre pour cordes : 1a. Variation6:34 7Livre pour cordes : 1b. Mouvement4:00 | Compilation | 2009 | |
| 2009 | Pierre Boulez Conducts DebussySearch SpotifySearch YouTube MusicTracklist · 33 tracks · 5:00:51Disc 1 1La mer (Trois esquisses symphoniques): I. De l’aube à midi sur la mer8:55 2La mer (Trois esquisses symphoniques): II. Jeux de vagues7:23 3La mer (Trois esquisses symphoniques): III. Dialogue du vent et de la mer7:41 4Nocturnes (Triptyque symphonique): I. Nuages7:04 5Nocturnes (Triptyque symphonique): II. Fêtes6:40 6Nocturnes (Triptyque symphonique): III. Sirènes11:05 7Printemps (Suite symphonique): I. Très modéré9:55 8Printemps (Suite symphonique): II. Modéré6:16 9Première Rapsodie8:37 Disc 21L'après-midi d'un faune9:51 2Jeux17:10 3"Images" pour orchestre: Gigues7:39 4"Images" pour orchestre, "Ibéria": Par les rues et par les chemins7:10 5"Images" pour orchestre, "Ibéria": Les Parfums de la nuit8:12 6"Images" pour orchestre, "Ibéria": Le matin d'un jour de fête4:25 7"Images" pour orchestre: Rondes de printemps8:11 8Deux Danses: Danse Sacrée5:09 9Deux Danses: Danse Profane4:59 Disc 31Pelléas et Mélisande: Act I, Scène 1: Une forêt12:27 2Pelléas et Mélisande: Act I, Scène 2: Un appartement dans le château10:18 3Pelléas et Mélisande: Act I, Scène 3: Devant le château6:49 4Pelléas et Mélisande: Act II, Scène 1: Une fontaine dans le parc10:10 5Pelléas et Mélisande: Act II, Scène 2: Un appartement dans le chateau13:32 6Pelléas et Mélisande: Act II, Scène 3: Devant une grotte4:34 Disc 41Pelléas et Mélisande: Act III, Scène 1: Une des tours du château14:05 2Pelléas et Mélisande: Act III, Scène 2: Les souterrains du château4:33 3Pelléas et Mélisande: Act III, Scène 3: Une terrasse au sortir des souterrains5:08 4Pelléas et Mélisande: Act III, Scène 4: Devant le château9:53 Disc 51Pelléas et Mélisande: Act IV, Scène 1: Un appartement dans le château3:16 2Pelléas et Mélisande: Act IV, Scène 216:07 3Pelléas et Mélisande: Act IV, Scène 3: Une fontaine dans le parc4:00 4Pelléas et Mélisande: Act IV, Scène 414:46 5Pelléas et Mélisande: Act V, Scène 1: Une chambre dans le château24:51 | Compilation | 2009 | |
| 2009 | Boulez Conducts BergSearch SpotifySearch YouTube Music | Compilation | 2009 | |
| 2009 | Adventures in SoundSearch SpotifySearch YouTube MusicTracklist · 12 tracks · 1:16:001Etude aux Chemins de Fer2:57 2Etude aux tourniquets1:58 3Etude violette3:26 4Etude noire3:58 5Pathetique4:09 6Studie No.19:31 7Studie No.23:11 8Gesang der Juenglinge13:11 9Diamorphoses7:00 10Concret PH2:50 11Poeme electronique8:13 12Voile d'Orphee15:36 | Compilation | 2009 | |
| 2009 | Original Album ClassicsSearch SpotifySearch YouTube MusicTracklist · 57 tracks · 3:50:50Disc 1 1Introduzione9:58 2Giuco dellet coppie6:41 3Elegia7:27 4Intermezzo interrotto4:19 5Finale8:39 Disc 21Mondestrunken1:39 2Colombine1:41 3Der Dandy1:12 4Eine blasse Wäscherin1:37 5Valse de Chopin1:16 6Madonna2:05 7Der kranke Mond2:22 8Die Nacht2:13 9Gebet an Pierrot0:52 10Raub1:07 11Rote Messe1:46 12Galgenlied0:19 13Enthauptung2:13 14Die Kreuze2:19 15Heimweh2:00 16Gemeinheit1:08 17Parodie1:17 18Der Mondfleck0:54 19Serenade2:20 20Heimfahrt1:45 21O alter Duft1:41 Disc 31Don14:16 2Improvisation sur Mallarmé I5:07 3Improvisation sur Mallarmé II10:57 4Improvisation sur Mallarmé III15:55 5Tombeau13:53 Disc 41I. Asie9:31 2II. La flûte enchantée2:48 3III. L'indifférent3:36 4I. Soupir4:25 5II. Placet futile4:34 6III. Surgi de la croupe et du bond3:39 7I. Nahandove6:02 8II. Aoua!3:46 9III. Il est doux3:57 10I. Chanson romanesque2:27 11II. Chanson épique3:07 12III. Chanson à boire1:55 13I. Chanson de la mariée1:27 14II. Là-bas, vers l'église1:21 15III. Quel galant m'est comparable0:50 16IV. Chanson de cueilleuses de lentisques2:38 17V. Tout gai!0:54 Disc 51I. Rondo. Andante (Introduction) - Hymne. Sostenuto13:00 2II. Ostinato: Allegro3:12 3III. Lied der Lulu: Comodo2:34 4IV. Variationen: Andante3:21 5V. Adagio: Sostenuto - Lento - Grave8:13 6I. Introduction1:31 7II. Die Seele des Weines4:51 8III. Der Wein der Liebenden2:37 9IV. Der Wein des Einsamen3:36 | Compilation | 2009 | |
| 2009 | Boulez conducts BartókSearch SpotifySearch YouTube Music | Compilation | 3 August 2009 | |
| 2009 | Boulez Conducts Ravel, RousselSearch SpotifySearch YouTube Music | Compilation | October 2009 | |
| 2009 | Boulez Conducts Webern, Carter, Varèse, BerioSearch SpotifySearch YouTube Music | Compilation | October 2009 | |
| 2010 | Boulez Conducts StravinskySearch SpotifySearch YouTube Music | Compilation | 4 January 2010 | |
| 2010 | New Directions in MusicSearch SpotifySearch YouTube MusicTracklist · 15 tracks · 1:17:511Étude concrète3:03 2Nr 5 Zeitmasse13:01 3Le Marteau sans maître: Avant "L'Artisanat furieux"1:26 4Le Marteau sans maître: Commentaire I de "Bourreaux de solitude"3:43 5Le Marteau sans maître: "L'Artisanat furieux"2:09 6Le Marteau sans maître: Commentaire Il de "Borreaux de solitude"3:09 7Le Marteau sans maître: "Bel Édifice et les pressentiments", version premiere2:50 8Le Marteau sans maître: "Borreaux de solitude"4:20 9Le Marteau sans maître: Après "L'Artisanat furieux"0:53 10Le Marteau sans maître: Commentaire Ill de "Bourreaux de solitude"4:32 11Le Marteau sans maître: "Bel Édifice et les pressentiments", double6:37 12Klavierstück XI: XI/16:59 13Klavierstück XI: XI/29:36 14Klavierstück XI: XI/38:35 15Klavierstück XI: XI/46:58 | Compilation | 16 August 2010 | |
| 2010 | The Piano Concertos / MiroirsSearch SpotifySearch YouTube MusicTracklist · 10 tracks · 1:12:31Disc 1 1Concerto for Piano and Orchestra in G Major: I. Allegramente – Andante – Tempo I8:30 2Concerto for Piano and Orchestra in G Major: II. Adagio assai9:28 3Concerto for Piano and Orchestra in G Major: III. Presto4:32 Disc 24Miroirs for Piano solo: Noctuelles4:53 5Miroirs for Piano solo: Oiseaux tristes4:09 6Miroirs for Piano solo: Une barque sur l’océan7:39 7Miroirs for Piano solo: Alborada del gracioso6:32 8Miroirs for Piano solo: La Vallée des cloches6:09 Disc 39Concerto for Piano and Orchestra for the Left Hand in D Major: Lento – Andante – Allegro – Tempo I18:51 10Menuet sur le nom de Haydn1:48 | Compilation | 20 August 2010 | |
| 2010 | Symphony no. 3 "Song of the Night" / Violin Concerto no. 1Search SpotifySearch YouTube MusicTracklist · 5 tracks · 48:441Violin Concerto No.1, Op. 35, M37 - Vivace assai (Christian Tetzlaff, violin)18:34 2Violin Concerto No.1, Op. 35, M37 - Cadenza - Allegro assai (Christian Tetzlaff, violin)4:42 3Symphony No.3 (The Song of the Night / Chant de la nuit), Op. 27, M36 - Moderato assai (Pierre Boulez - Vienna Philharmonic Orchestra, Wiener Singverein)8:44 4Symphony No.3 (The Song of the Night/ Chant de la nuit), Op. 27, M36 - Allegretto tranquillo (Pierre Boulez - Vienna Philharmonic Orchestra, Wiener Singverein)6:55 5Symphony No.3 (The Song of the Night / Chant de la nuit), Op. 27, M36 - Largo (Pierre Boulez - Vienna Philharmonic Orchestra, Wiener Singverein)9:49 | Live | 6 September 2010 | |
| 2011 | Ravel: Boléro / Ma mère l'Oye / Daphnis et Chloé / Rapsodie espagnole / La valse / Une barque sur l'océan / Alborada del graciosoSearch SpotifySearch YouTube MusicTracklist · 29 tracks · 2:26:18Disc 1 1Ma Mère l’Oye, ballet : Prélude3:28 2Ma Mère l’Oye, ballet : I. Danse du rouet et Scène3:41 3Ma Mère l’Oye, ballet : II. Pavane de la Belle au bois dormant2:21 4Ma Mère l’Oye, ballet : III. Les Entretiens de la Belle et de la Bête5:00 5Ma Mère l’Oye, ballet, M. 62 : IV. Petit Poucet3:20 6Ma Mère l’Oye, ballet, M. 62 : Interlude1:35 7Ma Mère l’Oye, ballet, M. 62 : V. Laideronnette, impératrice des pagodes5:09 8Ma Mère l’Oye, ballet, M. 62 : Apothéose, le jardin féerique3:35 9Une Barque sur l’océan8:05 10Alborada del gracioso7:36 11Rapsodie espagnole : I. Prélude à la nuit4:23 12Rapsodie espagnole : II. Malagueña2:09 13Rapsodie espagnole : III. Habanera3:27 14Rapsodie espagnole : IV. Feria6:45 15Boléro14:58 Disc 21Daphnis et Chloé: Introduction3:22 2Daphnis et Chloé: Danse religieuse5:51 3Daphnis et Chloé: (the maidens entice Daphnis) / Danse générale3:15 4Daphnis et Chloé: Danse grotesque de Dorcon1:54 5Daphnis et Chloé: Danse légère et gracieuse de Daphnis3:47 6Daphnis et Chloé: (Lycanion enters)4:17 7Daphnis et Chloé: A strange light envelops the landscape4:33 8Daphnis et Chloé: (offstage, voices are heard)3:25 9Daphnis et Chloé: Danse guerrière4:16 10Daphnis et Chloé: Danse suppliante de Chloé5:33 11Daphnis et Chloé: (no sound)6:31 12Daphnis et Chloé: (Daphnis and Chloé mime the tale of Pan and Syrinx)5:42 13Daphnis et Chloé: Danse générale – Danse de Daphnis et Chloé – Danse de Dorcon – Danse finale: Bacchanale4:37 14La Valse13:43 | Compilation | 2011 | |
| 2011 | Boulez Conducts Ravel, Vol. 3: La Valse / Menuet Antique / Ma Mere l'Oye etc.Search SpotifySearch YouTube MusicTracklist · 14 tracks · 1:17:471La Valse13:01 2Menuet antique7:08 3Ma mère l'oye - ballet: Prélude3:36 4Ma mère l'oye - ballet: Premier tableau: Danse du rouet et scène3:36 5Ma mère l'oye - ballet: Deuxième tableau: Pavane de la Belle au bois dormant2:32 6Ma mère l'oye - ballet: Troisième tableau: Les Entretiens de la Belle et de la Bête4:55 7Ma mère l'oye - ballet: Quatrième tableau: Petit Poucet4:37 8Ma mère l'oye - ballet: Cinquième tableau: Laideronnette, impératrice des pagodes4:42 9Ma mère l'oye - ballet: Apothéose: Le Jardin féerique3:20 10Boléro15:30 11Rapsodie espagnole: I. Prélude à la nuit4:01 12Rapsodie espagnole: II. Malagueña2:01 13Rapsodie espagnole: III. Habanera2:42 14Rapsodie espagnole: IV. Feria6:06 | Compilation | 8 April 2011 | |
| 2011 | The Liszt ConcertosSearch SpotifySearch YouTube MusicTracklist · 12 tracks · 49:441Piano Concerto no. 2 in A major: Adagio sostenuto assai -5:18 2Piano Concerto no. 2 in A major: Allegro agitato assai -2:06 3Piano Concerto no. 2 in A major: Allegro moderato -5:00 4Piano Concerto no. 2 in A major: Allegro deciso -3:10 5Piano Concerto no. 2 in A major: Marziale un poco meno allegro -3:59 6Piano Concerto no. 2 in A major: Allegro animato - Stretto (molto accelerando)2:12 7Piano Concerto no. 1 in E-flat major: 1. Allegro maestoso5:37 8Piano Concerto no. 1 in E-flat major: 2. Quasi adagio - Allegretto vivace - Allegro animato4:27 9Piano Concerto no. 1 in E-flat major: 3. Allegretto vivace4:31 10Piano Concerto no. 1 in E-flat major: 4. Allegro marziale animato - Presto4:49 11Consolation no. 3 in D-flat major4:37 12Valse oubliée no. 1 in F-sharp major3:58 | Live | 7 October 2011 | |
| 2012 | Ravel / DebussySearch SpotifySearch YouTube Music | Compilation | 2 April 2012 | |
| 2012 | Collectors' Edition: Messiaen: Orchestral WorksSearch SpotifySearch YouTube Music | Compilation | 8 May 2012 | |
| 2013 | La Mer / Nocturnes / Jeux / Images I & II / Children's CornerSearch SpotifySearch YouTube MusicTracklist · 20 tracks · 1:56:02Disc 1 1La Mer - Trois esquisses symphoniques: I. De l'aube à midi sur la mer. Très lent8:47 2La Mer - Trois esquisses symphoniques: II. Jeux de vagues. Allegro (dans un rythme très souple)7:09 3La Mer - Trois esquisses symphoniques: III. Dialogue du vent et de la mer. Animé et tumultueux7:41 4Nocturnes: I. Nuages. Modéré - Un peu animé6:15 5Nocturnes: II. Fêtes. Animé et très rythmé - Modéré mais toujours rythmé6:31 6Nocturnes: III. Sirènes. Modérément animé (avec chœur féminin)9:47 7Jeux: Poème dansé. Très lent - Scherzando (Tempo initial)16:06 8Rhapsodie pour clarinette et orchestre en si bémol majeur: Rêveusement lent8:42 Disc 21Images I - Première série pour piano à deux mains: I. Reflets dans l'eau. Andantino molto4:55 2Images I - Première série pour piano à deux mains: II. Hommage à Rameau. Lent et grave6:35 3Images I - Première série pour piano à deux mains: III. Mouvement. Animé3:43 4Images II - Deuxième série pour piano seul: I. Cloches à travers les feuilles. Lent4:23 5Images II - Deuxième série pour piano seul: II. Et la lune descend sur le temple qui fut. Lent5:15 6Images II - Deuxième série pour piano seul: III. Poissons d'or. Animé4:09 7Children's Corner: I. Doctor Gradus ad Parnassum. Modérément animé2:15 8Children's Corner: II. Jimbo's lullaby. Assez modéré3:29 9Children's Corner: III. Serenade for the doll. Allegretto ma non troppo2:16 10Children's Corner: IV. The snow is dancing. Modérément animé2:38 11Children's Corner: V. The little shepherd. Très modéré2:29 12Children's Corner: VI. Golliwogg's cake-walk. Allegro giusto2:57 | Compilation | 2013 | |
| 2013 | Pierre Boulez Conducts SchoenbergSearch SpotifySearch YouTube Music | Compilation | 2013 | |
| 2013 | Symphonie fantastique / La Damnation de FaustSearch SpotifySearch YouTube MusicTracklist · 29 tracks · 2:29:21Disc 1 1Symphonie fantastique, Op. 14: 1. Rêveries - Passions - Largo - Allegro agitato e appassionato assai13:58 2Symphonie fantastique, Op. 14: 2. Un bal - Valse. Allegro ma non troppo6:10 3Symphonie fantastique, Op. 14: 3. Scène aux champs - Adagio15:23 4Symphonie fantastique, Op. 14: 4. Marche au supplice - Allegretto non troppo7:03 5Symphonie fantastique, Op. 14: 5. Songe d'une nuit de Sabbat - Larghetto - Allegro - Dies irae - Ronde du Sabbat - Dies irae et Ronde du Sabbat ensemble10:04 6Tristia, Op. 18: 1. Méditation religieuse : « Ce monde entier »4:34 7Tristia, Op. 18: 2. La mort d'Ophélie : « Auprès d'un torrent »6:33 8Tristia, Op. 18: 3. Marche funèbre pour la dernière scène d'Hamlet7:54 Disc 21La Damnation de Faust, Op. 24 (arias et chœurs): 1ère partie: Scène 1. « Le vieil hiver a fait place au printemps » (Faust)5:57 2La Damnation de Faust, Op. 24 (arias et chœurs): 1ère partie: Scène 2. Ronde des paysans. « Les bergers laissent leurs troupeaux » (Chœur, Faust)3:23 3La Damnation de Faust, Op. 24 (arias et chœurs): 1ère partie: Scène 3. Marche hongroise4:37 4La Damnation de Faust, Op. 24 (arias et chœurs): 2ème partie: Scène 4. « Sans regrets j'ai quitté les riantes campagnes » (Faust)5:31 5La Damnation de Faust, Op. 24 (arias et chœurs): 2ème partie: Scène 6. Chœur des buveurs. « À boire encor ! » (Chœur, Méphistolphalès, Brander)2:34 6La Damnation de Faust, Op. 24 (arias et chœurs): 2ème partie: Chanson de Brander. « Certain rat, dans une cuisine » (Brander, chœur, Méphistophélès)2:08 7La Damnation de Faust, Op. 24 (arias et chœurs): 2ème partie: Chanson de Méphistophélès. « Une puce gentille chez un prince logeait » (Méphistophélès, chœur)1:20 8La Damnation de Faust, Op. 24 (arias et chœurs): 2ème partie: Scène 7. Songe de Faust. w Dors ! Heureux Faust ! » (Chœur, Méphistophélès, Faust)6:12 9La Damnation de Faust, Op. 24 (arias et chœurs): 2ème partie: Ballet des sylphes2:20 10La Damnation de Faust, Op. 24 (arias et chœurs): 3ème partie: Scène 11. « Que l'air est étouffant ! »2:57 11La Damnation de Faust, Op. 24 (arias et chœurs): 3ème partie: Le roi de Thulé (chanson gothique). « Autrefois un roi de Thulé » (Marguerite)5:23 12La Damnation de Faust, Op. 24 (arias et chœurs): 3ème partie: Scène 12. Menuet de follets. « Maintenant, chantons à cette belle une chanson morale » (Méphistophélès)5:32 13La Damnation de Faust, Op. 24 (arias et chœurs): 3ème partie: Sérénade de Méphistophélès. « Devant la maison » (Méphistophélès, chœur)1:58 14La Damnation de Faust, Op. 24 (arias et chœurs): 3ème partie: Scène 13. « Ange adoré » (Faust, Marguerite)4:30 15La Damnation de Faust, Op. 24 (arias et chœurs): 3ème partie: Scène 14. « Allons, il est trop tard ! » (Méphistophélès, Marguerite, Faust, chœur)2:41 16La Damnation de Faust, Op. 24 (arias et chœurs): 3ème partie: « Je connais donc enfin tout le prix de la vie » (Faust, Méphistophélès, Marguerite, chœur)2:00 17La Damnation de Faust, Op. 24 (arias et chœurs): 4ème partie: Scène 15. Romance. « D'amour l'ardente flamme » (Marguerite)8:18 18La Damnation de Faust, Op. 24 (arias et chœurs): 4ème partie: Scène 16. Invocation à la Nature. « Nature immense » (Faust)5:42 19La Damnation de Faust, Op. 24 (arias et chœurs): 4ème partie: Scène 20. « Laus ! Laus ! Hosanna ! Hosanna ! » (Chœur, voix céleste)1:08 20La Damnation de Faust, Op. 24 (arias et chœurs): 4ème partie: Apothéose de Marguerite. « Remonte au ciel, âme naïve » (Chœur)1:00 21La Damnation de Faust, Op. 24 (arias et chœurs): 4ème partie: « Viens ! les vierges divines » (Chœur)2:31 | Compilation | 2013 | |
| 2013 | Mahler: Das klagende Lied / Berg: Lulu‐SuiteSearch SpotifySearch YouTube MusicTracklist · 13 tracks · 1:04:311Das klagende Lied: I. Abteilung: Beim Weidenbaum, im kühlen Tann5:35 2Das klagende Lied: I. Abteilung: Ein Spielmann zog einst des Weges daher5:40 3Das klagende Lied: I. Abteilung: Ach Spielmann, lieber Spielmann mein!5:31 4Das klagende Lied: II. Abteilung: Von hohen Felsen erglänzt das Schloss4:01 5Das klagende Lied: II. Abteilung: Was ist der König so stumm und bleich4:52 6Das klagende Lied: II. Abteilung: Ach Spielmann, lieber Spielmann mein!2:32 7Das klagende Lied: II. Abteilung: Auf springt der König von seinem Thron1:08 8Das klagende Lied: II. Abteilung: Ach Bruder, lieber Bruder mein!6:15 9Lulu‐Suite: Rondo. Andante — Hymne. Sostenuto12:19 10Lulu‐Suite: Ostinato. Allegro3:19 11Lulu‐Suite: Lied der Lulu. Comodo2:34 12Lulu‐Suite: Variationen. Moderato3:19 13Lulu‐Suite: Adagio. Sostenuto7:26 | Live | 1 March 2013 | |
| 2013 | Œuvres complètes : Complete WorksSearch SpotifySearch YouTube Music | Compilation | 16 April 2013 | |
| 2013 | Boulez Conducts Mahler: Complete RecordingsSearch SpotifySearch YouTube Music | Compilation | 7 October 2013 | |
| 2013 | Pierre Boulez Conducts WagnerSearch SpotifySearch YouTube MusicTracklist · 16 tracks · 1:55:41Disc 1 1Die Meistersinger von Nürnberg, WWV 96: Prelude to Act I10:53 2Tannhäuser und der Sängerkrieg auf der Wartburg, WWV 70: Overture14:14 3Faust Overture, WWV 5911:30 4Tristan und Isolde, WWV 90: Prelude to Act I - Isolde's Liebestod16:14 5Siegfried-Idyll17:09 Disc 21Das Liebesmahl der Apostel: "Gegrüßt Seid, Brüder, In Des Herren Namen". In Ruhiger Bewegung7:20 2Das Liebesmahl der Apostel: "Seid Uns Gegrüßt, Ihr Lieben Brüder!". Langsam, Mit Würde - Schnell Und Bewegt - Langsamer - Sehr Langsam7:53 3Das Liebesmahl der Apostel: "Seid Getrost! Ich Bin Euch Nah". Mäßig Langsam1:48 4Das Liebesmahl der Apostel: "Welch' Brausen Erfüllt Die Luft?". Allegro - Molto Più Maestoso4:42 5Das Liebesmahl der Apostel: "Und Freudig Zeuget Aller Welt". Più Allegro - Allegro Con Brio - Più Stretto3:24 6Das Liebesmahl der Apostel: "Denn Ihm Ist Alle Herrlichkeit". Presto1:13 7Wesendonck-Lieder: I. Der Engel2:51 8Wesendonck-Lieder: II. Stehe Still!3:35 9Wesendonck-Lieder: III. Im Treibhaus6:10 10Wesendonck-Lieder: IV. Schmerzen2:20 11Wesendonck-Lieder: V. Träume4:25 | Compilation | 20 November 2013 | |
| 2014 | Bartók: Concerto pour orchestre / Stravinsky: Le Sacre du Printemps / L'Oiseau de feuSearch SpotifySearch YouTube MusicTracklist · 37 tracks · 2:19:50Disc 1 1Quatre pièces pour orchestre, Op. 12: 1. Preludio : Moderato6:32 2Quatre pièces pour orchestre, Op. 12: 2. Scherzo : Allegro6:13 3Quatre pièces pour orchestre, Op. 12: 3. Intermezzo: Moderato5:03 4Quatre pièces pour orchestre, Op. 12: 4. Marcia funebre : Maestoso5:06 5Concerto pour orchestre: I. Introduzione : Andante non troppo - Allegro vivace - Tempo I9:30 6Concerto pour orchestre: II. Giucco delle coppie : Allegreto scherzando6:26 7Concerto pour orchestre: III. Elegia : Andante non troppo7:43 8Concerto pour orchestre: IV. Intermezzo Interrotto : Allegretto4:02 9Concerto pour orchestre: V. Finale : Pesante - Presto9:24 Disc 21Le Sacre du printemps: I. L'Adoration de la terre: Introduction3:35 2Le Sacre du printemps: I. L'Adoration de la terre: Augures printaniers - Danse des adolescentes3:13 3Le Sacre du printemps: I. L'Adoration de la terre: Jeu du rapt1:22 4Le Sacre du printemps: I. L'Adoration de la terre: Rondes printanières3:45 5Le Sacre du printemps: I. L'Adoration de la terre: Jeu des cités rivales1:49 6Le Sacre du printemps: I. L'Adoration de la terre: Cortège du Sage - L'Adoration de la terre - Le Sage1:00 7Le Sacre du printemps: I. L'Adoration de la terre: Danse de la terre1:20 8Le Sacre du printemps: II. Le Sacrifice: Introduction4:06 9Le Sacre du printemps: II. Le Sacrifice: Cercles mystérieux des adolescentes3:07 10Le Sacre du printemps: II. Le Sacrifice: Glorification de l'élue1:26 11Le Sacre du printemps: II. Le Sacrifice: Évocation des ancêtres0:38 12Le Sacre du printemps: II. Le Sacrifice: Action rituelle des ancêtres3:25 13Le Sacre du printemps: II. Le Sacrifice: Danse sacrale (l'élue)4:53 14L'Oiseau de feu - Ballet (1910): Introduction2:32 15L'Oiseau de feu - Ballet (1910): Premier tableau: Le jardin enchanté de Kaschei1:47 16L'Oiseau de feu - Ballet (1910): Premier tableau: Apparition de l'Oiseau de feu, poursuivi par Ivan Tsarévitch2:26 17L'Oiseau de feu - Ballet (1910): Premier tableau: Danse de l'Oiseau de feu1:22 18L'Oiseau de feu - Ballet (1910): Premier tableau: Capture de l'Oiseau de feu par Ivan Tsarévitch0:53 19L'Oiseau de feu - Ballet (1910): Premier tableau: Supplications de l'Oiseau de feu - Apparition des treize princesses enchantées8:14 20L'Oiseau de feu - Ballet (1910): Premier tableau: Jeu des princesses avec les pommes d'or2:25 21L'Oiseau de feu - Ballet (1910): Premier tableau: Brusque apparition d'Ivan Tsarévitch1:38 22L'Oiseau de feu - Ballet (1910): Premier tableau: Ronde des princesses3:43 23L'Oiseau de feu - Ballet (1910): Premier tableau: Lever du jour - Ivan Tsarévitch pénètre dans le palais de Kaschei1:32 24L'Oiseau de feu - Ballet (1910): Premier tableau: Carillon féerique - Apparition des monstres-gardiens de Kaschei - Capture d'Ivan Tsarévitch - Arrivée de Kaschei l'Immortel - Dialogue de Kaschei avec Ivan Tsarévitch - Intercession des princesses - Apparition de l'Oiseau de feu5:41 25L'Oiseau de feu - Ballet (1910): Premier tableau: Danse de la suite de Kaschei, enchantée par l'Oiseau de feu0:45 26L'Oiseau de feu - Ballet (1910): Premier tableau: Danse infernale de tous les sujets de Kaschei4:43 27L'Oiseau de feu - Ballet (1910): Premier tableau: Berceuse de l'Oisaeu de feu - Réveil de Kaschei - Mort de Kaschei - Profondes ténèbres5:17 28L'Oiseau de feu - Ballet (1910): Second tableau: Disparition du palais et des sortilèges de Kaschei - Animation des chevaliers pétrifiés - Allégresse générale3:14 | Compilation | 2014 | |
| 2014 | Pierre Boulez conducts BartókSearch SpotifySearch YouTube MusicTracklist · 57 tracks · 4:25:07Disc 1 1Music for Strings, Percussion and Celesta, Sz 106: I. Andante tranquillo7:59 2Music for Strings, Percussion and Celesta, Sz 106: II. Allegro - Vivo - Vivace7:31 3Music for Strings, Percussion and Celesta, Sz 106: III. Adagio - Allegretto7:44 4Music for Strings, Percussion and Celesta, Sz 106: IV. Allegro molto - Vivacissimo6:46 5Concerto for Orchestra, Sz 116: I. Introduzione. Andante non tropo - Allegro vivace9:58 6Concerto for Orchestra, Sz 116: II. Giuco delle coppie. Allegretto scherzando6:42 7Concerto for Orchestra, Sz 116: III. Elegia. Andante, no tropo7:27 8Concerto for Orchestra, Sz 116: IV. Intermezzo interrotto. Allegretto4:20 9Concerto for Orchestra, Sz 116: V. Finale. Pesante8:39 Disc 214 Orchestral Pieces, Sz 51 (op. 12): I. Preludio. Moderato7:46 24 Orchestral Pieces, Sz 51 (op. 12): II. Scherzo. Allegro6:01 34 Orchestral Pieces, Sz 51 (op. 12): III. Intermezzo. Moderato - Andante4:27 44 Orchestral Pieces, Sz 51 (op. 12): IV. Marcia funebre. Maestoso4:45 53 Village Scenes, Sz 79: I. Wedding3:55 63 Village Scenes, Sz 79: II. Lullaby4:50 73 Village Scenes, Sz 79: III. Lad's Dance2:47 8The Miraculous Mandarin, Sz 73 (op. 19): Prelude1:16 9The Miraculous Mandarin, Sz 73 (op. 19): The Curtain rises1:41 10The Miraculous Mandarin, Sz 73 (op. 19): First seduction game: a shabby old Rake3:44 11The Miraculous Mandarin, Sz 73 (op. 19): Second seduction game: a shy young Man3:04 12The Miraculous Mandarin, Sz 73 (op. 19): Third seduction game: the Mandarin2:25 13The Miraculous Mandarin, Sz 73 (op. 19): General consternation: the Ruffians make signs1:14 14The Miraculous Mandarin, Sz 73 (op. 19): The Girl is undecided; she shudders and draws back4:33 15The Miraculous Mandarin, Sz 73 (op. 19): The Girl sits on the Mandarin's lap; he starts to tremble excitedly2:29 16The Miraculous Mandarin, Sz 73 (op. 19): The Ruffians leap out, seize the Mandarin and rob him2:06 17The Miraculous Mandarin, Sz 73 (op. 19): Suddenly the Mandarin's head appears and he looks longingly at the Girl3:00 18The Miraculous Mandarin, Sz 73 (op. 19): The terrified Ruffians discuss how they are to get rid of the Mandarin1:21 19The Miraculous Mandarin, Sz 73 (op. 19): The Body of the Mandarin begins to glow; the Girl resists no longer4:09 Disc 31The Wooden Prince, Sz 60 (op. 13): Introduction4:34 2The Wooden Prince, Sz 60 (op. 13): First Dance: Dance of the Princess in the Forest4:54 3The Wooden Prince, Sz 60 (op. 13): Second Dance: Dance of the Trees5:32 4The Wooden Prince, Sz 60 (op. 13): Third Dance: Dance of the Waves9:01 5The Wooden Prince, Sz 60 (op. 13): The Princess notices the Staff with the golden Locks2:19 6The Wooden Prince, Sz 60 (op. 13): Fourth Dance: Dance of the Princess with the wooden Doll12:19 7The Wooden Prince, Sz 60 (op. 13): Great Apotheosis: Homage of the Trees, Water and Flowers2:40 8The Wooden Prince, Sz 60 (op. 13): Fifth Dance: The Princess pulls and tugs the Wooden Prince to make him dance1:56 9The Wooden Prince, Sz 60 (op. 13): Sixth Dance: The Princess tries to attract the real Prince with her seductive dancing1:26 10The Wooden Prince, Sz 60 (op. 13): Seventh Dance: Dismayed, the Princess attempts to hurry after the Prince8:06 11The Wooden Prince, Sz 60 (op. 13): Slow Curtain0:35 Disc 41Duke Bluebeard's Castle, Sz 48 (op. 11): "We are here now"4:24 2Duke Bluebeard's Castle, Sz 48 (op. 11): "So this is really Bluebeard's Castle!"5:12 3Duke Bluebeard's Castle, Sz 48 (op. 11): "Ah, I see seven great shut doorways"6:00 4Duke Bluebeard's Castle, Sz 48 (op. 11): The First Door: "Woe!"4:36 5Duke Bluebeard's Castle, Sz 48 (op. 11): The Second Door: "What seest thou?"4:14 6Duke Bluebeard's Castle, Sz 48 (op. 11): The Third Door: "Mountains of Gold"2:32 7Duke Bluebeard's Castle, Sz 48 (op. 11): The Fourth Door: "Ah! What lovely Flowers!"5:02 8Duke Bluebeard's Castle, Sz 48 (op. 11): The Fifth Door: "Ah!"6:49 9Duke Bluebeard's Castle, Sz 48 (op. 11): The Sixth Door: "I can see a Sheet of Water"6:41 10Duke Bluebeard's Castle, Sz 48 (op. 11): "Tell me, tell me my dearest Bluebeard6:38 11Duke Bluebeard's Castle, Sz 48 (op. 11): The Seventh Door: "Hearts that I have loved and cherished2:24 12Duke Bluebeard's Castle, Sz 48 (op. 11): "The first I found at daybreak"6:43 13Dance Suite, Sz 77: I. Moderato4:02 14Dance Suite, Sz 77: II. Allegro molto2:11 15Dance Suite, Sz 77: III. Allegro vivace3:07 16Dance Suite, Sz 77: IV. Molto tranquillo3:19 17Dance Suite, Sz 77: V. Comodo -1:00 18Dance Suite, Sz 77: VI. Finale. Allegro4:12 | Compilation | 2014 | |
| 2014 | The Complete Columbia Album CollectionSearch SpotifySearch YouTube Music | Compilation | 17 October 2014 | |
| 2015 | The Complete Erato RecordingsSearch SpotifySearch YouTube Music | Compilation | 2015 | |
| 2015 | 20th CenturySearch SpotifySearch YouTube Music | Compilation | 2 February 2015 | |
| 2015 | Le Domaine musical : 1956…1967Search SpotifySearch YouTube Music | Compilation | 2 February 2015 | |
| 2015 | Masterworks of the 20th CenturySearch SpotifySearch YouTube Music | Compilation | July 2015 | |
| 2015 | Pierre Boulez Conducts RavelSearch SpotifySearch YouTube Music | Compilation | 30 October 2015 | |
| 2017 | Charles Rosen plays Modern Piano MusicSearch SpotifySearch YouTube Music | Compilation | 2017 | |
| 2017 | Pierre Boulez Conducts Stravinsky: Petrouchka, Pulcinella SuiteSearch SpotifySearch YouTube MusicTracklist · 14 tracks · 1:18:551Petrushka (Complete — Original 1911 Version): First Tableau: The Shrovetide Fair10:01 2Petrushka (Complete — Original 1911 Version): Second Tableau: Petrushka's Room4:15 3Petrushka (Complete — Original 1911 Version): Third Tableau: The Moor's Room6:43 4Petrushka (Complete — Original 1911 Version): Fourth Tableau: The Shrovetide Fair (Evening)13:01 5Pulcinella Suite: i — Sinfonia2:01 6Pulcinella Suite: ii — Serenata3:04 7Pulcinella Suite: iii — Scherzino - Allegro - Andantino4:43 8Pulcinella Suite: iv — Tarantella1:52 9Pulcinella Suite: v — Toccata0:58 10Pulcinella Suite: vi — Gavotta Con Due Variazoni4:37 11Pulcinella Suite: vii — Vivo1:35 12Pulcinella Suite: viii — Minuetto - Finale4:22 13Scherzo Fantastique11:53 14Symphonies of Wind Instruments (1920 Version)9:50 | Compilation | October 2017 | |
| 2017 | Pierre Boulez Conducts StravinskySearch SpotifySearch YouTube MusicTracklist · 60 tracks · 3:30:481L'Oiseau de feu , Suite: 1. Introduction – Le Jardin enchanté de Kachtcheï6:25 2L'Oiseau de feu , Suite: 2. Supplications de l'Oiseau de feu4:39 3L'Oiseau de feu , Suite: 3. Jeu des princesses avec les pommes d'or2:40 4L'Oiseau de feu , Suite: 4. Khorovode des princesses4:47 5L'Oiseau de feu , Suite: 5. Danse infernale de tous les sujets de Kachtcheï4:09 6Pulcinella Suite: 1. Sinfonia2:04 7Pulcinella Suite: 2. Serenata3:05 8Pulcinella Suite: 3. Scherzino1:57 9Pulcinella Suite: Allegro1:11 10Pulcinella Suite: Andantino1:37 11Pulcinella Suite: 4. Tarantella1:53 12Pulcinella Suite: 5. Toccata0:59 13Pulcinella Suite: 6. Gavotta1:52 14Pulcinella Suite: Variazione I. Allegretto0:52 15Pulcinella Suite: Variazione II. Allegro piu tosto1:55 16Pulcinella Suite: 7. Duetto. Vivo1:35 17Pulcinella Suite: 8. Minuetto2:19 18Pulcinella Suite: Finale. Allegro assai2:01 19Scherzo fantastique, op. 311:52 20Suite no. 1 for Small Orchestra: 1. Andante1:08 21Suite no. 1 for Small Orchestra: 2. Napolitana1:08 22Suite no. 1 for Small Orchestra: 3. Española0:59 23Suite no. 1 for Small Orchestra: 4. Balalaika1:03 24Suite no. 2 for Small Orchestra: 1. Marche1:13 25Suite no. 2 for Small Orchestra: 2. Valse1:58 26Suite no. 2 for Small Orchestra: 3. Polka0:57 27Suite no. 2 for Small Orchestra: 4. Galop1:53 28Pétrouchka: Tableau I. Fête populaire de la semaine grasse – Le tour de passe-passe – Danse russe10:15 29Pétrouchka: Tableau II. Chez Pétrouchka4:04 30Pétrouchka: Tableau III. Chez le Maure – Danse de la ballerine – Valse6:47 31Pétrouchka: Tableau IV. Fête populaire de la semaine grasse, vers le soir13:03 32Le Sacre du printemps: Part I: L'adoration de la terre16:41 33Le Sacre du printemps: Part II: Le sacrifice17:51 34Symphonies d'instruments à vent9:38 35Le chant du rossignol , Symphonic Poem: 1. Introduction. Presto2:27 36Le chant du rossignol , Symphonic Poem: 2. Marche chinoise3:22 37Le chant du rossignol , Symphonic Poem: 3. Chant du rossignol3:24 38Le chant du rossignol , Symphonic Poem: 4. Jeu du rossignol mécanique11:06 39L'Oiseau de feu: Introduction2:24 40L'Oiseau de feu, Tableau 1: Le Jardin enchanté de Kachtcheï1:44 41L'Oiseau de feu, Tableau 1: Apparition de l'Oiseau de feu, poursuivi par Ivan Tsarévitch2:18 42L'Oiseau de feu, Tableau 1: Danse de l'Oiseau de feu1:15 43L'Oiseau de feu, Tableau 1: Capture de l'Oiseau de feu par Ivan Tsarévitch0:50 44L'Oiseau de feu, Tableau 1: Supplications de l'Oiseau de feu5:44 45L'Oiseau de feu, Tableau 1: Apparition des treize princesses enchantées2:23 46L'Oiseau de feu, Tableau 1: Jeu des princesses avec les pommes d'or2:14 47L'Oiseau de feu, Tableau 1: Brusque apparition d'Ivan Tsarévitch1:15 48L'Oiseau de feu, Tableau 1: Khorovode des princesses4:03 49L'Oiseau de feu, Tableau 1: Lever du jour – Palais de Kachtcheï1:23 50L'Oiseau de feu, Tableau 1: Carillon Féerique, Les monstres-gardiens, Capture d'Ivan Tsarévitch1:25 51L'Oiseau de feu, Tableau 1: Arrivée de Kachtcheï l'Immortel1:03 52L'Oiseau de feu, Tableau 1: Son dialogue avec Ivan Tsarévitch1:05 53L'Oiseau de feu, Tableau 1: Intercession des princesses0:56 54L'Oiseau de feu, Tableau 1: L’Oiseau de feu0:31 55L'Oiseau de feu, Tableau 1: Danse de la suite de Kachtcheï0:41 56L'Oiseau de feu, Tableau 1: Danse infernale de tous les sujets de Kachtcheï4:27 57L'Oiseau de feu, Tableau 1: Berceuse2:54 58L'Oiseau de feu, Tableau 1: Réveil de Kachtcheï0:59 59L'Oiseau de feu, Tableau 1: Mort de Kachtcheï – Profondes ténèbres1:18 60L'Oiseau de feu, Tableau 2: Disparition du palais et des sortilèges de Kachtcheï, animation des chevaliers pétrifiés, allégresse générale3:07 | Compilation | 26 October 2017 | |
| 2018 | Boulez Conducts Bartók: Concerto for OrchestraSearch SpotifySearch YouTube MusicTracklist · 13 tracks · 1:08:291Concerto for Orchestra: Introduzione (Andante non troppo)10:02 2Concerto for Orchestra: Giuoco delle coppie (Allegra scherzando)6:44 3Concerto for Orchestra: Elegia (Andante non troppo)7:31 4Concerto for Orchestra: Intermezzo interrotto (Allegretto)4:23 5Concerto for Orchestra: Finale (Pesante - Presto)8:46 6The Miraculous Mandarin, Op. 19: Beginning. Curtain Rises3:03 7The Miraculous Mandarin, Op. 19: First Seduction Game3:38 8The Miraculous Mandarin, Op. 19: Second Seduction Game3:02 9The Miraculous Mandarin, Op. 19: Third Seduction Game. The Mandarin Enters3:38 10The Miraculous Mandarin, Op. 19: Dance Of The Girl6:20 11The Miraculous Mandarin, Op. 19: The Chase. The Tramps Leap Out2:41 12The Miraculous Mandarin, Op. 19: Suddenly the Mandarin's Head Appears4:27 13The Miraculous Mandarin, Op. 19: The Mandarin Falls To The Floor4:14 | Compilation | 2018 | |
| 2020 | Pierre Boulez Conducts BerliozSearch SpotifySearch YouTube MusicTracklist · 33 tracks · 3:18:00Disc 1 1Symphonie fantastique, op. 14: I. Rêveries – Passions. Largo . Allegro agitato e appassionato assai13:41 2Symphonie fantastique, op. 14: II. Un bal. Valse. Allegro non troppo6:29 3Symphonie fantastique, op. 14: III. Scène aux champs. Adagio14:58 4Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo6:03 5Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat: Larghetto – Allegro3:51 6Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat: Dies irae2:13 7Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat: Ronde du Sabbat3:15 8Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat: Dies irae et Ronde du Sabbat ensemble1:59 Disc 21Lélio ou Le Retour à la vie, op. 14b: «Dieu! Je vis encore…» (Lélio)2:01 2Lélio ou Le Retour à la vie, op. 14b: I. Le Pêcheur (Horatio)5:30 3Lélio ou Le Retour à la vie, op. 14b: «Étrange persistance d’un souvenir!» (Lélio)1:49 4Lélio ou Le Retour à la vie, op. 14b: II. Chœur d’ombres (Chorus)7:08 5Lélio ou Le Retour à la vie, op. 14b: «Ô Shakespeare! Shakespeare! Toi dont les premières années» (Lélio)2:34 6Lélio ou Le Retour à la vie, op. 14b: III. Chanson de brigands (Le Capitaine, Chorus)3:51 7Lélio ou Le Retour à la vie, op. 14b: «Comme mon esprit flotte incertain!» (Lélio)1:36 8Lélio ou Le Retour à la vie, op. 14b: IV. Chant de bonheur (La Voix imaginaire de Lélio)6:11 9Lélio ou Le Retour à la vie, op. 14b: «Oh! Que ne puis-je la trouver»1:08 10Lélio ou Le Retour à la vie, op. 14b: V. La Harpe éolienne – Souvenirs3:07 11Lélio ou Le Retour à la vie, op. 14b: «Mais pourquoi m’abandonner à ces dangereuse illusions?» (Lélio)3:59 12Lélio ou Le Retour à la vie, op. 14b: VI. Fantaisie sur la Tempête de Shakespeare (Chorus)13:56 13Lélio ou Le Retour à la vie, op. 14b: «Assez pour aujourd’hui!»1:10 Disc 31Les Nuits d’été, op. 7: I. Villanelle2:17 2Les Nuits d’été, op. 7: II. Le Spectre de la rose7:03 3Les Nuits d’été, op. 7: III. Sur les lagunes (Lamento)7:13 4Les Nuits d’été, op. 7: IV. Absence5:29 5Les Nuits d’été, op. 7: V. Au cimetière (Clair de lune)5:52 6Les Nuits d’été, op. 7: VI. L’Île inconnue3:42 7La Mort de Cléopâtre22:49 Disc 41Benvenuto Cellini Overture10:21 2Les Troyens: Chasse royale et Orage8:44 3Béatrice et Bénédict: Ouverture. Allegretto scherzando7:43 4Béatrice et Bénédict: Entr’acte. Sicilienne. Allegretto1:27 5Le carnaval romain Overture, Op. 98:51 | Compilation | March 2020 | |
| 2021 | Michael Gielen Edition, Vol. 10: Musik nach 1945Search SpotifySearch YouTube MusicTracklist · 39 tracks · 6:48:49Disc 1 1Requiem for a Young Poet: I. Prolog. Requiem I - Requiem II - Ricercar (Live)40:01 2Requiem for a Young Poet: II. Rappresentazione (Live)5:37 3Requiem for a Young Poet: III. Elegia (Live)1:44 4Requiem for a Young Poet: IV. Tratto (Live)1:38 5Requiem for a Young Poet: V. Lamento (Live)7:50 6Requiem for a Young Poet: VI. Dona nobis pacem (Live)8:50 Disc 21Requiem: I. Introitus. Sostenuto (Live)6:41 2Requiem: II. Kyrie. Molto espressivo (Live)6:22 3Requiem: III. De die judicii sequentia. Subito agitato molto (Live)9:12 4Requiem: IV. Lacrimosa. Molto lento (Live)4:57 5Star-Child: I. Introduction. Desolato (Live)3:15 6Star-Child: II. Vox clamans in deserto (Live)6:15 7Star-Child: III. Ascensus potestatum tenebrarum (Live)1:25 8Star-Child: IV. Musica apocalyptica (Live)5:30 9Star-Child: V. Seven Trumpets of the Apocalypse (Live)2:05 10Star-Child: VI. Adventus puerorum luminis (Live)2:09 11Star-Child: VII. Hymnus pro novo tempore (Live)11:47 Disc 31Breath - Hammer - Lightning (Live)26:30 2Dome Peak (Live)40:16 Disc 41Variazioni canoniche sulla serie dell’, Op. 41 di Arnold Schoenberg (Live)20:17 2A Carlo Scarpa, architetto, ai suoi infiniti possibili (Live)9:52 3No hay caminos, hay que caminar (Live)23:56 4Coptic Light23:35 Disc 514 Poems: No. 1, Breit' in der stille den geist3:58 24 Poems: No. 2, Schwärmer aus zwang weil euch das feste drückt5:35 34 Poems: No. 3, Wer ist dein Gott?9:06 44 Poems: No. 4, Will ich mein ganzes teil von dir erobern4:01 5Pflicht und Neigung26:05 6Stele, Op. 33: I. Larghissimo - Adagio2:46 7Stele, Op. 33: II. Lamentoso - Disperato, con moto7:51 8Stele, Op. 33: III. Molto sostenuto2:31 9Ein Brief9:01 Disc 61Rituel in memoriam Bruno Maderna27:45 2Notations (Version for Orchestra): No. 1, Modéré - Fantasque3:10 3Notations (Version for Orchestra): No. 2. Très vif. Strident2:14 4Notations (Version for Orchestra): No. 3, Très modéré4:05 5Notations (Version for Orchestra): No. 4, Rythmique1:58 6Notations (Version for Orchestra): No. 7, Hiératique. Lent6:07 7Concerto (Version for Piano & Orchestra) [Live]22:52 | Compilation | 8 October 2021 | |
| 2022 | The Conductor: Complete Recordings on DG and DeccaSearch SpotifySearch YouTube Music | Compilation | 28 January 2022 | |
| 2022 | Boulez Conducts WagnerSearch SpotifySearch YouTube MusicTracklist · 11 tracks · 1:35:491Die Meistersinger von Nürnberg, WWV 96: Prelude to Act I10:48 2Tannhäuser und der Sängerkrieg auf der Wartburg, WWV 70: Overture14:10 3Faust Overture, WWV 5911:22 4Tristan und Isolde, WWV 90: Prelude to Act I - Isolde's Liebestod16:08 5Das Liebesmahl Der Apostel: "Gegrüßt Seid, Brüder, In Des Herren Namen". In Ruhiger Bewegung7:19 6Das Liebesmahl Der Apostel: "Seid Uns Gegrüßt, Ihr Lieben Brüder!". Langsam, Mit Würde - Schnell Und Bewegt - Langsamer - Sehr Langsam7:53 7Das Liebesmahl Der Apostel: "Seid Getrost! Ich Bin Euch Nah". Mäßig Langsam1:48 8Das Liebesmahl Der Apostel: "Welch' Brausen Erfüllt Die Luft?". Allegro - Molto Più Maestoso4:42 9Das Liebesmahl Der Apostel: "Und Freudig Zeuget Aller Welt". Più Allegro - Allegro Con Brio - Più Stretto3:24 10Das Liebesmahl Der Apostel: "Denn Ihm Ist Alle Herrlichkeit". Presto1:06 11Sigfried Idyll, WWV 10317:09 | Compilation | 16 February 2022 | |
| 2022 | Composer Conductor EnigmaSearch SpotifySearch YouTube MusicTracklist · 46 tracks · 5:25:52Disc 1 1Sonatine for Flute and Piano, Op. 1 (1946; Revised 1949)11:45 2Piano Sonata No. 2: I. Extrêmement Rapide (Extremely Fast)7:08 3Piano Sonata No. 2: II. Lent (Slow)11:02 4Piano Sonata No. 2: III. Modéré, Presque Vif (Moderate, Almost Lively)2:39 5Piano Sonata No. 2: IV. Vif (Lively)11:42 6Polyphonie X for Ensemble: I. Modéré7:29 7Polyphonie X for Ensemble: II. Lent4:15 8Polyphonie X for Ensemble: III. Vif4:53 9Polyphonie X for Ensemble (Part 1)15:40 10Deux Études de Musique Concréte for Magnetic Tape: I. Sur Un Son2:39 11Deux Études de Musique Concréte for Magnetic Tape: II. Sur Un Accord de Sept Sons2:58 Disc 21Complainte Du Lézard Amoureux3:43 2La Sorgue (Chanson Pour Yvonne)3:38 3Structures Book I for Two Pianos: I. Premier Mouvement3:07 4Structures Book I for Two Pianos: II. Deuxième Mouvement8:49 5Structures Book I for Two Pianos: III. Troisième Mouvement2:11 6Le Marteau Sans Maître: I. Avant "L'Artisanat Furieux"1:30 7Le Marteau Sans Maître: II. Commentaire I de "Bourreaux de Solitude"3:52 8Le Marteau Sans Maître: III. "L'Artisanat Furieux"2:06 9Le Marteau Sans Maître: IV. Commentaire II de "Bourreaux de Solitude"3:13 10Le Marteau Sans Maître: V. "Bel Édifice Et Les Pressentiments", Double3:10 11Le Marteau Sans Maître: VI. "Bourreaux de Solitude"3:09 12Le Marteau Sans Maître: VII. Après "L'Artisanat Furieux"1:01 13Le Marteau Sans Maître: VIII. Commentaire III de "Bourreaux de Solitude"5:40 14Le Marteau Sans Maître: IX. "Bel Édifice Et Les Pressentiments", Double7:00 15La Symphonie Mécanique Musique Concrète, for a Film by Jean Mitry11:57 16Poésie Pour Pouvoir = Poems for Power, for Orchestra and Tape18:30 Disc 31Pli Selon Pli: No. 2, Improvisation I Sur Mallarmé5:24 2Pli Selon Pli: No. 3, Improvisation II Sur Mallarmé12:30 3Tombeau À La Mémoire Du Prince Max Egon Zu Fürstenberg7:19 4Structures Book II for Two Pianos: I. Chapitre I8:52 5Structures Book II for Two Pianos: II. Chapitre II / Version 113:08 6Structures Book II for Two Pianos: III. Chapitre II / Version 212:55 7Kontra-Punkte for Ten Instruments, Op. 111:32 8Symphony, Op. 21: I. Ruhig Schreitend6:50 9Symphony, Op. 21: II. Variationen2:44 Disc 41Concertino for Twelve Instruments (Arrangement of the original Work for String Quartet, 1920)5:48 2Symphonies of Wind Instruments8:36 3Intégrales for Orchestra and Percussion11:07 4Serenata 1 for Flute and Fourteen Instruments10:20 5Incontri for Twenty-Four Instruments5:57 6Zeitmasse, for Five Woodwinds, Op. 513:40 7Septet (Suite) in E-flat major, Op. 29: I. Ouverture. Allegretto. Sehr Flott 6:587:00 8Septet (Suite) in E-flat major, Op. 29: II. Tanzschritte6:10 9Septet (Suite) in E-flat major, Op. 29: III. Thema Mit Variationen5:02 10Septet (Suite) in E-flat major, Op. 29: IV. Gigue6:12 | Compilation | 22 April 2022 | |
| 2025 | Boulez A‐Z: BartókSearch SpotifySearch YouTube Music | Compilation | 1 February 2025 | |
| 2025 | Le Sacre du Printemps / Petruscka / L'Oiseau de feu / Firebird FeurvogelSearch SpotifySearch YouTube MusicTracklist · 56 tracks · 2:15:01Disc 1 1Le Sacre du printemps: Première partie. I. Introduction. Lento3:37 2Le Sacre du printemps: Première partie. II. Les Augures printaniers (Danses des adolescentes)3:19 3Le Sacre du printemps: Première partie. III. Jeu du rapt1:26 4Le Sacre du printemps: Première partie. IV. Rondes printanières3:53 5Le Sacre du printemps: Première partie. V. Jeux des cités rivales1:59 6Le Sacre du printemps: Première partie. VI. Cortège du sage0:43 7Le Sacre du printemps: Première partie. VII. Adoration de la terre (Le Sage)0:21 8Le Sacre du printemps: Première partie. VIII. Danse de la terre1:20 9Le Sacre du printemps: Deuxième partie. IX. Introduction. Largo4:06 10Le Sacre du printemps: Deuxième partie. X. Cercles mystérieux des adolescentes3:17 11Le Sacre du printemps: Deuxième partie. XI. Glorification de l'Élue1:32 12Le Sacre du printemps: Deuxième partie. XII. Évocation des ancêtres0:39 13Le Sacre du printemps: Deuxième partie. XIII. Action rituelle des ancêtres3:38 14Le Sacre du printemps: Deuxième partie. XIV. Danse sacrale (L'Élue)4:42 15Pétrouchka: Premier tableau : I. Fête populaire de la Semaine Grasse5:37 16Pétrouchka: Premier tableau : II. La Baraque du Charlatan1:59 17Pétrouchka: Premier tableau : III. Danse russe2:35 18Pétrouchka: Deuxième tableau : IV. Chez Pétrouchka4:03 19Pétrouchka: Troisième tableau : V. Chez le Maure2:50 20Pétrouchka: Troisième tableau : VI. Danse de la Ballerine0:43 21Pétrouchka: Troisième tableau : VII. Valse. La Ballerine et le Maure3:10 22Pétrouchka: Quatrième tableau : VIII. Fête populaire de la Semaine Grasse (vers le soir) - Danse des nounous3:25 23Pétrouchka: Quatrième tableau : IX. L’Ours et un paysan1:24 24Pétrouchka: Quatrième tableau : X. Un Marchand fêtard avec deux Tziganes1:08 25Pétrouchka: Quatrième tableau : XI. Danse des cochers et des palefreniers1:59 26Pétrouchka: Quatrième tableau : XII. Les Déguisés1:33 27Pétrouchka: Quatrième tableau : XIII. La Rixe: Le Maure et Pétrouchka0:39 28Pétrouchka: Quatrième tableau : XIV. Mort de Pétrouchka0:45 29Pétrouchka: Quatrième tableau : XV. La Police et le Charlatan - Apparition du double de Pétrouchka2:07 Disc 21The Firebird: I. Introduction2:24 2The Firebird: II. Le Jardin Enchanté de Kastchei1:48 3The Firebird: III. Apparition de l'Oiseau de Feu, poursuivi par Ivan Tsarévitch2:14 4The Firebird: IV. Danse de l'Oiseau de Feu1:15 5The Firebird: V. Capture de l'Oiseau de Feu par Ivan Tsarévitch0:51 6The Firebird: VI. Supplications de l'Oiseau de Feu5:44 7The Firebird: VII. Apparition des treize Princesses Enchantées2:23 8The Firebird: VIII. Jeu des Princesses avec les Pommes d'Or (Scherzo)2:13 9The Firebird: IX. Brusque Apparition d'Ivan Tsarévitch1:16 10The Firebird: X. Corovod (Ronde) des Princesses4:05 11The Firebird: XI. Lever du Jour1:23 12The Firebird: XII. Carillion Féerique, Apparition des Monstres - Gardiens de Kastchei et Capture d'Ivan1:28 13The Firebird: XIII. Arrivée de Kastchei l'Immortel1:01 14The Firebird: XIV. Dialogue de Kastchei avec Ivan Tsarévitch1:04 15The Firebird: XV. Intercession des Princesses0:56 16The Firebird: XVI. Apparition de l'Oiseau de Feu0:31 17The Firebird: XVII. Danse de la Suite de Kastchei Enchanté par l'Oiseau de Feu0:41 18The Firebird: XVIII. Danse Infernal de Tous les Subjets de Kastchei4:26 19The Firebird: XIX. Berceuse (l'Oiseau de Feu)2:54 20The Firebird: XX. Réveil de Kastchei0:59 21The Firebird: XXI. Mort de Kastchei - Profondes Ténèbres1:18 22The Firebird: XXII. Disparition du Palais et des Sortilèges de Kastchei, Animation des Chevaliers Pétrif3:12 23The Firebird: I. Introduction - The Enchanted Garden of Kastchei and Dance of the Firebird6:22 23The Firebird: II. The Firebird's Entreaties4:37 23The Firebird: III. The Princesses' Game with the Golden Apples2:36 23The Firebird: IV. The Princesses' Khorovod (Round Dance)4:45 23The Firebird: V. Infernal Dance of All the Subjects of Kastchei4:06 | Compilation | 23 July 2025 | |
| — | Concerto for Orchestra / Music for Strings, Percussions & CelestaSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 1:07:161Concerto for Orchestra, Sz. 116: I. Introduzione - Andante non troppo9:59 2Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie - Allegretto scherzando6:44 3Concerto for Orchestra, Sz. 116: III. Elegia - Andante, non troppo7:28 4Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto - Allegretto4:21 5Concerto for Orchestra, Sz. 116: V. Finale - Pesante - Presto8:44 6Music for Strings, Percussion, and Celesta, Sz. 106: I. Andante tranquillo7:58 7Music for Strings, Percussion, and Celesta, Sz. 106: II. Allegro7:29 8Music for Strings, Percussion, and Celesta, Sz. 106: III. Adagio7:46 9Music for Strings, Percussion, and Celesta, Sz. 106: IV. Allegro molto6:47 | Compilation | — | |
| — | Dufourt: Antiphysis / Ferneyhough: Funérailles / Harvey: Mortuos plango, vivos voco / Höller: ArcusSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:11:431Antiphysis18:15 2Funérailles I11:12 3Funérailles II13:39 4Mortuos plango, vivos voco9:05 5Arcus19:32 | Compilation | — |
Stats & PK
Percentile within all 23,672 published artists.Put Pierre Boulez head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 62 | 98.1th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 286 | 99.8th |
| Studio albums | 191 | 99.9th |
| Awards recorded | 64 | 100th |
| Timeline events | 210 | 99.9th |
| Recording span (years) | 54 | 94.2th |
| Genres | 10 | 96.5th |
Awards & honours
| Year | Award | Category | Result |
|---|---|---|---|
| 1979 | Commander of the Order of the British Empire | won | |
| 1979 | Commander of the Order of the British Empire | won | |
| 1979 | Ernst von Siemens Music Prize | won | |
| 1979 | Ernst von Siemens Music Prize | won | |
| 1983 | Austrian Decoration for Science and Art | won | |
| 1983 | Austrian Decoration for Science and Art | won | |
| 1985 | Léonie Sonning Music Prize | won | |
| 1985 | Léonie Sonning Music Prize | won | |
| 1987 | Goethe Medal | won | |
| 1987 | Goethe Medal | won | |
| 1988 | honorary doctorate of the Vrije Universiteit Brussel | won | |
| 1988 | honorary doctorate of the Vrije Universiteit Brussel | won | |
| 1989 | Praemium Imperiale | won | |
| 1989 | Praemium Imperiale | won | |
| 1992 | Theodor W. Adorno Award | won | |
| 1992 | Theodor W. Adorno Award | won | |
| 1995 | honorary doctor of the Royal College of Music | won | |
| 1995 | honorary doctor of the Royal College of Music | won | |
| 1996 | Berliner Kunstpreis | won | |
| 1996 | Berliner Kunstpreis | won | |
| 1996 | Polar Music Prize | won | |
| 1996 | Polar Music Prize | won | |
| 1997 | Royal Philharmonic Society Gold Medal | won | |
| 1997 | Royal Philharmonic Society Gold Medal | won | |
| 1999 | Royal Philharmonic Society Award (Chamber-Scale Composition) | won | |
| 1999 | Royal Philharmonic Society Award (Chamber-Scale Composition) | won | |
| 2000 | Wolf Prize in Arts | won | |
| 2000 | Wolf Prize in Arts | won | |
| 2001 | Grawemeyer Award for Music Composition | won | |
| 2001 | Grawemeyer Award for Music Composition | won | |
| 2001 | Grawemeyer Awards | won | |
| 2001 | Grawemeyer Awards | won | |
| 2001 | Royal Philharmonic Society Award (Conductor) | won | |
| 2001 | Royal Philharmonic Society Award (Conductor) | won | |
| 2002 | Glenn Gould Prize | won | |
| 2002 | Glenn Gould Prize | won | |
| 2009 | Kyoto Prize in Arts and Philosophy | won | |
| 2009 | Kyoto Prize in Arts and Philosophy | won | |
| 2010 | Edison Music Awards | won | |
| 2010 | Edison Music Awards | won | |
| 2012 | BBVA Foundation Frontiers of Knowledge Award | won | |
| 2012 | BBVA Foundation Frontiers of Knowledge Award | won | |
| 2012 | Robert Schumann Prize for Poetry and Music | won | |
| 2012 | Robert Schumann Prize for Poetry and Music | won | |
| 2015 | Bach Prize of the Free and Hanseatic City of Hamburg | won | |
| 2015 | Bach Prize of the Free and Hanseatic City of Hamburg | won | |
| — | Commandeur des Arts et des Lettres | won | |
| — | Commandeur des Arts et des Lettres | won | |
| — | Decoration of Honour in Gold for Services to the State of Vienna | won | |
| — | Decoration of Honour in Gold for Services to the State of Vienna | won | |
| — | Grammy Awards | won | |
| — | Grammy Awards | won | |
| — | Grand Cross of the Military Order of Saint James of the Sword | won | |
| — | Grand Cross of the Military Order of Saint James of the Sword | won | |
| — | Knight Commander's Cross of the Order of Merit of the Federal Republic of Germany | won | |
| — | Knight Commander's Cross of the Order of Merit of the Federal Republic of Germany | won | |
| — | Medal for Merit to Culture | won | |
| — | Medal for Merit to Culture | won | |
| — | Pour le Mérite | won | |
| — | Pour le Mérite | won |
Where this record comes from
portrait—Wikimedia Commons · CC BY-SA 3.0 nl · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Pierre_Boulez_%281968%29.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/3bce590b-479f-42ca-b9e0-82883e0db9a2discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/3bce590b-479f-42ca-b9e0-82883e0db9a2core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q156193genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q156193seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Pierre_Boulezbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Pierre_Boulezbiography—wikipedia-fr · CC BY-SA 4.0 · retrieved 10 October 2026
https://fr.wikipedia.org/wiki/Pierre_Boulez
Why this artist is in the database
- Grammy Lifetime Achievement Award — rank #38
2015 | Bee Gees, Pierre Boulez, Buddy Guy, George Harrison, Flaco Jiménez, The Louvin Brothers, Wayne Shorter | style="text-align:center;"|
- List of composers by name
Tier rule: legacy lists: grammy_lifetime
Image: Joost Evers / Anefo · CC BY-SA 3.0 nl · Wikimedia Commons
Wikidata: Q156193 · MusicBrainz: 3bce590b-479f-42ca-b9e0-82883e0db9a2
Similar artists
Browse every Tier 2 artist →Ranked from this record's own data: shared genre tags (rarer tags weigh more), era, home country and comparable fame. Every card lists the signals that placed it — no editorial picks.

Lili Boulanger
France · Person
classical music
1 shared genre tag · debut 1960, 2 years apart · from France
41 wikis

Jehan Alain
France · Person
classical music
1 shared genre tag · debut 1963, 1 year apart · from France
27 wikis

Herbie Hancock
United States · Person
classical music
1 shared genre tag · debut 1962, same year
60 wikis

George Martin
United Kingdom of Great Britain and Ireland · Person
classical music
1 shared genre tag · debut 1964, 2 years apart
53 wikis
Isaac Stern
United States · Person
classical music
1 shared genre tag · debut 1959, 3 years apart
41 wikis

Alexander Borodin
Russian Empire · Person
classical music
1 shared genre tag · debut 1961, 1 year apart
92 wikis
Milton Babbitt
United States · Person
classical music
1 shared genre tag · debut 1961, 1 year apart
32 wikis
Richard Rodney Bennett
United Kingdom · Person
classical music
1 shared genre tag · debut 1964, 2 years apart
23 wikis