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Tier 2 · legacy legendfull biography
Sofia Gubaidulina
Person · female · Soviet Union · Chistopol · born 1931 · died 2025 · recording since 1983
Soviet and Russian composer (1931–2025)
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Also known as Sofia Gubaidulina · Софья Губайдулина · Sofia Asgatovna Gubaidulina · Sofia Asgatowna Gubaidulina · Sofia Asgatowna Gubaidulina · Sofia Goubaïdoulina · +9 more
Timeline
79 events▣ Album 67✦ Award 9◦ Birth 1★ Debut release 1† Death 1
1930s
1980s
· Debut release
Debut release: Denisov / Schnittke / Gubaidulina / Mansurian
First documented Album in the MusicBrainz discography.
source: musicbrainz
1990s
· Album
Album: Górecki : Lerchenmusik / Gubaidulina: Punkte, Linien Und Zickzack
Album
source: musicbrainz
· Album
Album: Solo Piano Works / Introitus: Concerto for Piano and Chamber Orchestra
Album
source: musicbrainz
· Album
Album: Duo Sonata / Quasi hoquetus / Concerto for Bassoon and Low Strings
Album
source: musicbrainz
2000s
· Album
Album: The Canticle of the Sun / Music for Flute, Strings and Percussion
Album
source: musicbrainz
2010s
· Album
Album: Complete String Quartets / Reflections on the theme B-A-C-H / Quintet / Trio / Freue Dich!
Album
source: musicbrainz
· Album
Album: Shostakovich: Violin Concerto no. 1, op. 77 / Gubaidulina: In tempus praesens
Album
source: musicbrainz
2020s
· Album
Album: Triple Concerto for Violin, Cello and Bayan / Rejoice! Sonata for Violin and Cello
Album
source: musicbrainz
Biography
English biography3,160 words · 12 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1376132757
Biography
Sofia Asgatovna Gubaidulina (24 October 1931 – 13 March 2025) was a Soviet and Russian composer of modernist sacred music. She was highly prolific, producing numerous chamber, orchestral and choral works. Her output has been described as exploring the tensions between Western and Eastern music, and has been characterised by "innovative use of microtonality and chromaticism, rhythm over form and use of contrasting tonalities.
Her compositions have been praised for their "emotional intensity", while she described her music as bringing legato, that is, a sense of "connected flow into the fragmented staccato of life." Alongside Alfred Schnittke, Arvo Pärt and Edison Denisov, Gubaidulina was considered one of the foremost composers of the former Soviet Union who were disfavoured by the authorities including the KGB, but whose work became frequently commissioned and performed by major international orchestras, with her first major breakthrough being her violin concerto Offertorium (1980).
Early life
Sofia Asgatovna Gubaidulina was born on 24 October 1931 in Chistopol, a town in Tatar ASSR, Russian SFSR, Soviet Union. Her father, Asgat Masgudovich Gubaidulin, was a surveyor and engineer of Volga Tatar origin, while her mother, Fedosiya Fyodorovna (née Yelkhova), was a teacher of Polish-Jewish descent.
After discovering music at the age of five, Gubaidulina learned to play on a small grand piano and immersed herself in ideas of composition. While studying at the Children's Music School with Ruvim Poliakov, she discovered spiritual ideas in the works of composers such as Bach, Mozart, and Beethoven. She quickly learned to keep her spiritual interests secret from her parents and other adults since the Soviet Union was hostile to religion. These early experiences with music and spiritual ideas led Gubaidulina to treat these two domains of thought as conceptually similar and explains her later striving to write music expressing and exploring spiritually based concepts.
Career
Gubaidulina studied composition and piano at the Kazan Conservatory, graduating in 1954. During her early career, Western contemporary music was almost entirely banned from study, an exception being the Hungarian composer Béla Bartók. Raids took place in the dormitory halls, where searches were conducted for banned scores, with those by Stravinsky being the most infamous and sought after. Gubaidulina and her peers procured and studied modern Western scores nonetheless, and she later said that "we knew Ives, Cage, we actually knew everything on the sly."
She later studied at the Moscow Conservatory with Nikolai Peiko until 1959, and then with Vissarion Shebalin until 1963, and was awarded a Stalin fellowship. In 1961, she joined the Union of Soviet Composers. Her music was deemed "irresponsible" during her studies in Soviet Russia, due to its exploration of alternative tunings. She was supported by Dmitri Shostakovich, who in evaluating one of her exams encouraged her to continue on her path despite others, such as composer Tikhon Khrennikov, calling it "mistaken". She was allowed to express her modernism in various scores she composed for documentary films, including the 1963 production, On Submarine Scooters, a 70 mm film shot in the unique Kinopanorama widescreen format. She composed the score to the 1967 Soviet animated film Adventures of Mowgli, an adaptation of Kipling's The Jungle Book.
In the mid-1970s Gubaidulina founded Astreja, a folk-instrument improvisation group with the Russian composers Viktor Suslin and Vyacheslav Artyomov. In 1979, she was blacklisted as one of the "Khrennikov's Seven" at the Sixth Congress of the Union of Soviet Composers for writing "noisy mud instead of musical innovation, unconnected with real life".
Gubaidulina became internationally known during the early 1980s in part through Gidon Kremer's championing of her Offertorium violin concerto. In 2003, Jonathan Walker, in the Oxford Companion to Music, noted that "she sprang to international fame in the late 1980s". She later composed an homage to T. S. Eliot, using the text from the poet's Four Quartets. In 2000, Gubaidulina, along with Tan Dun, Osvaldo Golijov, and Wolfgang Rihm, was commissioned by the Internationale Bachakademie Stuttgart to write a piece for the Passion 2000 project in commemoration of Johann Sebastian Bach. Her contribution was the Johannes-Passion ("Passion according to John"). In 2002, she followed this with the Johannes-Ostern ("Easter according to John"), commissioned by NDR. The two works together form a "diptych" on the death and resurrection of Christ, her largest work. It was performed at the Royal Albert Hall in the 2002 BBC Proms.
Invited by Walter Fink, she was the 13th composer featured in the annual Komponistenporträt of the Rheingau Musik Festival in 2003, the first female composer of the series. Her work The Light at the End preceded Beethoven's Symphony No. 9 in the 2005 proms. In 2007, her second violin concerto In Tempus Praesens was performed at the Lucerne Festival by Anne-Sophie Mutter. Its creation was depicted in Jan Schmidt-Garre's film Sophia – Biography of a Violin Concerto. In 2023, her Sonata for Violin and Cello was performed at the Contemporary Music Center of Sofia Gubaidulina by Grammy-nominated violinist Anastasia Vedyakova and Andrey Kaminsky, associate professor at the Kazan State Conservatory. She served as composer-in-residence at Leipzig Gewandhaus Orchestra during 2019. She was a member of the musical academies in Berlin, Hamburg and the Royal Swedish Academy of Music.
Personal life
Gubaidulina was a devout member of the Russian Orthodox Church. In 1973, she was attacked and strangled in the elevator of her apartment building in Moscow, but survived. Her friends later theorized the attacker was a KGB agent. Following the fall of the USSR, she lived in Appen, Germany, from 1992. The Steinway grand piano in her home was a gift from Rostropovich. She married three times; her second husband was writer and dissident Nikolai Bokov. Gubaidulina paused composing in 2012 after the deaths of her third husband Pyotr Meshchaninov, her daughter, and her friend and fellow composer Viktor Suslin.
Gubaidulina died from acute heart failure at her home in Appen on 13 March 2025, at the age of 93.
Aesthetic
Gubaidulina saw music as an escape from the socio-political atmosphere of Soviet Russia. She associated music with human transcendence and mystical spiritualism which manifests itself as a longing inside the human soul to locate its true being, a longing she continually tried to capture in her works. These abstract religious and mystical associations are realized in Gubaidulina's compositions in various ways, such as writing in bowing directions that cause the performer to draw a crucifix in the final movement of "Seven Words" for cello, bayan, and strings.
The influence of electronic music and improvisational techniques is exemplified in her combination of contrasting elements, novel instrumentation and the use of traditional Russian folk instruments in her solo and chamber works, including De profundis for bayan, Et expecto, the sonata for bayan, and In croce for cello and organ or bayan. The koto, a traditional Japanese instrument is featured in her work In the Shadow of the Tree, in which one solo player performs on three different instruments—koto, bass koto, and zheng. The Canticle of the Sun is a cello concerto/choral hybrid, dedicated to Mstislav Rostropovich. The use of the lowest possible registers on the cello opens new possibilities for the instrument.
Further influence of improvisation techniques can be found in her fascination with percussion. She associated the indeterminate nature of percussive timbres with the mystical longing and the potential freedom of human transcendence. In a 2021 interview with The New York Times, she said that percussion instruments "contain the essence of existence". In a 2012 interview with the modern British composer Ivan Moody, Gubaidulina provided an explanation for how percussion is utilized in her works to show spiritualism. She said,... percussion has an acoustic cloud around it, a cloud that cannot be analyzed. These instruments are at the boundary between palpable reality and the subconscious, because they have these acoustics. Their purely physical characteristics, of the timpani and membranophones and so on, when the skin vibrates, or the wood is touched, respond. They enter into that layer of our consciousness which is not logical, they are at the boundary between the conscious and the subconscious. She was preoccupied by experimentation with non-traditional methods of sound production and with unusual combinations of instruments, e.g. Concerto for Bassoon and Low Strings (1975), Detto – I, sonata for organ and percussion (1978), The Garden of Joy and Sorrow for flute, harp and viola (1980), and Descensio for 3 trombones, 3 percussionists, harp, harpsichord/celesta and celesta/piano (1981).
Gubaidulina said that the composers she most admired were J. S. Bach, Wagner and Anton Webern, as well as the Second Viennese School and 16th century music, most notably Gesualdo da Venosa and Josquin des Prez. Among some non-musical influences were Carl Jung and Nikolai Berdyaev, a Russian religious philosopher whose works were forbidden in the USSR.
Gubaidulina drew from literary traditions including but not limited to: ancient Egyptian poetry (Night in Memphis, 1968), Persian poetry (Rubayat, 1969), German poetry (The Garden of Joys and Sorrows, 1980, and Perception, 1983), works by Eliot (Homage to Eliot, 1987), and contemporary Russian poetry (Hour of the Soul, 1974, and Homage (1984)).
Style
Gubaidulina was a deeply spiritual person, and defined "re-ligio" as re-legato ("re-bound") or as restoration of the connection between oneself and the Absolute. She explained that she was "a religious Russian Orthodox person [who understood] 'religion' in the literal meaning of the word, as 're-ligio', that is to say the restoration of connections, the restoration of the 'legato' of life. There is no more serious task for music than this.” She found this re-connection through the artistic process and developed a number of musical symbols to express her ideals. She used narrower means of intervallic and rhythmic relationship within the primary material of her works, seeking to discover the depth and mysticism of the sound, and on a larger scale used the carefully thought architecture of musical form.
Her music is characterised by the use of unusual instrumental combinations. In Erwartung ("In Anticipation") combines percussion (bongos, güiros, temple blocks, cymbals and tam-tams among others) and saxophone quartet. Melodically, Gubaidulina uses frequent and intense chromatic motifs rather than long melodic phrases. She often treated musical space as a means of attaining unity with the divine—a direct line to God—concretely manifest by the lack of striation in pitch space. She achieved this through the use of micro-chromaticism (i.e., quarter tones) and frequent glissandi, exemplifying the lack of "steps" to the divine. This notion is furthered by her extreme dichotomy characterized by chromatic space vs. diatonic space viewed as symbols of darkness vs. light and human/mundane vs. divine/heavenly. Additionally, the use of short motivic segments allowed her to create a musical narrative that is seemingly open-ended and disjunct rather than smooth. Finally, another important melodic technique can be seen with her use of harmonics. When talking about her piece Rejoice!, a sonata for violin and cello, Gubaidulina explained,
The possibility for string instruments to derive pitches of various heights at one and the same place on the string can be experienced in music as the transition to another plane of existence. And that is joy.
Rejoice! uses harmonics to represent joy as an elevated state of spiritual thought.
Harmonically, Gubaidulina's music resists traditional tonal centers and triadic structures in favor of pitch clusters and intervallic design arising from the contrapuntal interaction between melodic voices. For example, in the Cello Concerto Detto-2 (1972) she noted that a strict and progressive intervallic process occurs, in which the opening section utilizes successively wider intervals that become narrower toward the last section.
Rhythmically, Gubaidulina placed significant stress on the fact that temporal ratios, i.e., rhythmic structures, should not be limited to local figuration; rather, the temporality of the musical form should be the defining feature of rhythmic character. As Gerard McBurney states:
In conversation she is most keen to stress that she cannot accept the idea (a frequent post-serial one) of rhythm or duration as the material of a piece. ... To her, rhythm is nowadays a generating principle as, for instance, the cadence was to tonal composers of the Classical period; it therefore cannot be the surface material of a work. ... [S]he expresses her impatience with Messiaen, whose use of rhythmic modes to generate local imagery, she feels, restricts the effectiveness of rhythm as an underlying formal level of the music.
To this end, Gubaidulina often devised durational ratios in order to create the temporal forms for her compositions. Specifically, she often utilized elements of the Fibonacci sequence or the golden ratio, in which each succeeding element is equal to the sum of the two preceding elements (i.e., 0, 1, 1, 2, 3, 5, 8, etc.). This numerical layout represents the balanced nature in her music through a sense of cell multiplication between live and unliving substances. She believed that this abstract theory was the foundation of her personal musical expression. The golden ratio between the sections is always marked by some musical event, and the composer explored her fantasy fully in articulating this moment. The first work in which Gubaidulina experimented with this concept of proportionality is Perceptions for soprano, baritone, and seven string instruments (1981, rev. 1983–86). The 12th movement, "Montys Tod" (Monty's Death), uses the Fibonacci series in its rhythmical structure with the number of quarter notes in individual episodes corresponding to numbers from the Fibonacci series.
In the early 1980s, she began to use the Fibonacci sequence as a way of structuring the form of the work. Her use of the Fibonacci sequence to determine phrase and rhythm length replaces traditional form, creating a new form which to her was more spiritually in tune. Gubaidulina experimented with other like series, including the Lucas series which begins by adding 2 instead of 1 to the initial value; the only thing setting it apart from Fibonacci. These forms are still fluid, as every other movement in her symphony Stimmen... Verstummen... follows the Fibonacci form. "It is a game!", she would claim. Later the Lucas and Evangelist series assimilated sequences derived from those of Fibonacci.
Valentina Kholopova, Gubaidulina's close friend and colleague, outlined the composer's form techniques in detail. In addition to using number sequences, Kholopova describes Gubaidulina's use of "expression parameters"; these being articulation, melody, rhythm, texture, and composition. The name suggests the immediate effects of each parameter on the listener. Each of these exists on a scale of consonance to dissonance, together forming the "parameter complex". For example, she describes a consonant articulation as legato, and a dissonant one as staccato, but each of these can change from piece to piece.
According to Kholopova, music from before the 20th century left the responsibility of articulation to the performer, while now it begs to be more heavily illustrated by the composer. She cites the writings of Viktor Bobrovski on his research on macrothemes, or central ideas that may occupy larger frames of time, such as entire sections of a piece. With this scale, pieces such as her Concordanza assume a mosaic form held together by Fibonacci-derived groupings of expression parameters, "modulating" between consonance and dissonance. This technique appears most clearly in her Ten Preludes for Solo Cello as six of its movements are names after modulation between parameters, and two being single parameters. Kholopova proposed that this scale could be used to analyze the music of any 20th century composer focused on texture, timbre and color, and that it is but one way to analyze music, signalling a continuing progression, catalyzed, according to Gubaidulina, by Webern.
Piano music
Gubaidulina's entire piano output belongs to her earlier compositional period and consists of Chaconne (1962), Piano Sonata (1965), Musical Toys (1968), Toccata-Troncata (1971), Invention (1974) and Piano Concerto "Introitus" (1978). Some of the titles reveal her interest in Baroque genres, especially Johann Sebastian Bach.
Later, she used the piano to incorporate the influence of John Cage's early experiments when he applied metal and rubber bolts to the piano strings to distort the instrument's sound.
Awards and recognition
Gubaidulina achieved over 40 awards and prizes, in addition to other recognitions. On 4 October 2013 she became the recipient of the Golden Lion for Lifetime Achievement for the Music section of the Venice Biennale. She received the BBVA Foundation Frontiers of Knowledge Award (2016) in the contemporary music category. The jury praised the "outstanding musical and personal qualities" of the Russian composer, and the "spiritual quality" of her work.
Her 90th birthday in October 2021 was celebrated by the Gewandhaus Orchestra of Leipzig's release of three of her pieces. She was also celebrated in a week of chamber and orchestral music. In November she was selected as Composer of the Week on the long running show of the same name on BBC Radio 3.
List of prizes
Gubaidulina received prizes including:
Rome International Composer's Competition (1974)
Prix de Monaco (1987)
Premio Franco Abbiati (1991)
Heidelberger Künstlerinnenpreis (1991)
State Prize of the Russian Federation (1992)
Ludwig-Spohr-Preis der Stadt Braunschweig (1995)
Kulturpreis des Kreises Pinneberg (1997)
Praemium Imperiale in Japan (1998)
Léonie Sonning Music Prize in Denmark (1999)
Preis der Stiftung Bibel und Kultur (1999)
Goethe-Medaille der Stadt Weimar (2001)
Polar Music Prize in Sweden (2002)
Bach Prize of the Free and Hanseatic City of Hamburg (2007)
Knight Commander's Cross of the Order of Merit of the Federal Republic of Germany (2009)
Honorary degrees and positions
In 2001, Gubaidulina became honorary professor of the Kazan Conservatory. In 2005 she was elected as a foreign honorary member of the American Academy of Arts and Letters. In 2009, she became Dr. honoris causa of Yale University. In 2011 she was awarded a Doctor of Humane Letters honorary degree from the University of Chicago. On 27 February 2017, Gubaidulina was awarded an honorary doctor of music degree by the New England Conservatory, in Boston.
Selected discography
Solo Piano Works (1994: Sony Classical/SME SK 53960). "Chaconne" (1962), "Sonata" (1965) and "Musical Toys" (1968), performed by Andreas Haefliger, and "Introitus": Concerto for Piano and Chamber Orchestra (1978), Andreas Haefliger with the NDR Radiophilharmonie conducted by Bernhard Klee.
The Canticle of the Sun (1997) and Music for Flute, Strings, and Percussion (1994). The first performed by cellist and conductor Mstislav Rostropovich and London Voices conducted by Ryusuke Numajiri, the second by flutist Emmanuel Pahud and the London Symphony Orchestra conducted by Rostropovich. Gubaidulina attended the recording of both pieces.
Johannes-Passion (2000). Performed by Natalia Korneva, soprano; Viktor Lutsiuk, tenor; Fedor Mozhaev, baritone; Genady Bezzubenkov, bass; Saint Petersburg Chamber Choir (dir. Nikolai Kornev); Choir of the Mariinsky Theatre Saint Petersburg (dir. Andrei Petrenko); Mariinsky Theatre Orchestra Saint Petersburg conducted by Valery Gergiev. World premiere recorded live at the European Music Festival in Stuttgart, September 9, 2000.
Cited sources
Kurtz, Michael; Lohmann, Christoph; Hamrick Brown, Malcolm. Sofia Gubaidulina: A Biography (Russian Music Studies). Bloomington: Indiana University Press, 2007. ISBN 978-0-2533-4907-1
Lukomsky, Vera (October 1998). "'The Eucharist in my fantasy': Interview with Sofia Gubaidulina". Tempo. New Series (206): 29–35. doi:10.1017/S0040298200006707. S2CID 143906868.
Lukomsky, Vera (July 1999). "'Hearing the Subconscious': Interview with Sofia Gubaidulina". Tempo (209): 27–31. doi:10.1017/s0040298200014662. S2CID 143622551.
Medi, Ivana. "Reviewed Work(s): Sofia Gubaidulina: A Biography by Michael Kurtz, Christoph K. Lohmann and Malcolm Hamrick Brown". Music & Letters, volume 90, number 2, May 2009. JSTOR 20532915
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 51 | 96.8th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 76 | 96.8th |
| Studio albums | 68 | 99.6th |
| Awards recorded | 18 | 99.4th |
| Timeline events | 79 | 99.5th |
| Recording span (years) | 42 | 82.7th |
| Genres | 5 | 88.3th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (76 release groups · 68 studio albums)
Albums · 68
Denisov / Schnittke / Gubaidulina / Mansurian
1983 · studio album
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Tracklist · 11 tracks · 49:22
1Sun of the Incas: 1. Prelude1:412Sun of the Incas: 2. Sad God5:423Sun of the Incas: 3. Intermission1:104Sun of the Incas: 4. Red Evening5:315Sun of the Incas: 5. Damned World1:496Sun of the Incas: 6. Song About the Finger4:567Three Madrigals: 1. Sur une étoile2:598Three Madrigals: 2. Entfernung2:189Three Madrigals: 3. Reflection2:3510Concordanza11:3011Tovem9:111989 · studio album
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Tracklist · 8 tracks · 1:09:25
1Offertorium35:412Hommage à T.S. Eliot: I.6:583Hommage à T.S. Eliot: II.2:234Hommage à T.S. Eliot: III. “Time and the bell have buried the day”2:295Hommage à T.S. Eliot: IV.1:276Hommage à T.S. Eliot: V. “The chill ascends from feet to knees”7:207Hommage à T.S. Eliot: VI.5:018Hommage à T.S. Eliot: VII. “Sin is behovely, but”8:06Genzmer / Nielsen / Gubaidulina / Debussy
1991 · studio album
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Tracklist · 14 tracks · 1:03:24
1Trio for Flute, Viola and Harp: I. Fantasia5:062Trio for Flute, Viola and Harp: II. Scherzo4:213Trio for Flute, Viola and Harp: III. Notturno5:374Trio for Flute, Viola and Harp: IV. Thema mit Variationen6:075The Mother, op. 41: The Fog is Lifting2:036The Mother, op. 41: The Children are Playing2:377The Mother, op. 41: Faith and Hope are Playing2:048Six epigraphes antiques: Pour invoquer Pan2:429Six epigraphes antiques: Pour un tombeau sans nom3:4510Six epigraphes antiques: Pour que la nuit soit propice2:2811Six epigraphes antiques: Pour la danseuse aux crotales2:2912Six epigraphes antiques: Pour l’Egyptienne3:1513Six epigraphes antiques: Pour remercier la pluie au matin2:2014Garden of Joys and Sorrows18:301992 · studio album
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Tracklist · 5 tracks
1Garten von Freuden und Traurigkeiten2Trio for Violin, Viola and Cello: I3Trio for Violin, Viola and Cello: II4Trio for Violin, Viola and Cello: III5Seven Words1993 · studio album
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Tracklist · 11 tracks · 1:14:46
1Konzert für Klavier und Streichorchester23:232Musik für die Stadt Köthen: Allegro moderato8:073Musik für die Stadt Köthen: Andante6:474Musik für die Stadt Köthen: Kleine Apotheose4:025Sieben Worte für Violoncello, Bajan und Streicher: Vater, vergib ihnen sie wissen nicht, was sie tun3:586Sieben Worte für Violoncello, Bajan und Streicher: Weib, siehe, das ist dein Sohn - Siehe, das ist deine Mutter4:087Sieben Worte für Violoncello, Bajan und Streicher: Wahrlich, ich sage dir, heute wirst du mit mir im Paradiese sein3:448Sieben Worte für Violoncello, Bajan und Streicher: Mein Gott, warum hast du mich verlassen?7:599Sieben Worte für Violoncello, Bajan und Streicher: Mich dürstet6:1510Sieben Worte für Violoncello, Bajan und Streicher: Es ist vollbracht3:2011Sieben Worte für Violoncello, Bajan und Streicher: Vater, ich befehle meinen Geist in deine Hände3:03Górecki : Lerchenmusik / Gubaidulina: Punkte, Linien Und Zickzack
1993 · studio album
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Tracklist · 4 tracks · 58:04
1Lerchenmusik: Lento - Largo. Molto Pìu Mosso - Quasi Allegro15:402Lerchenmusik: Molto Lento - Con Moto10:353Lerchenmusik: Andante Moderato14:354Punkte, Linien Und Zickzack17:141993 · studio album
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Tracklist · 6 tracks · 1:04:37
1Offertorium34:322Rejoice!: I. Your Joy no one will take away from you3:273Rejoice!: II. Rejoice with Joy4:294Rejoice!: III. Rejoice, Ravvi10:185Rejoice!: IV. And he returned to his own abode6:216Rejoice!: V. Heed Thyself5:30Symphony "Stimmen... Verstummen" / Stufen
1993 · studio album
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Tracklist · 13 tracks · 52:13
1Stimmen... Verstummen: I1:382Stimmen... Verstummen: II2:063Stimmen... Verstummen: III0:564Stimmen... Verstummen: IV2:015Stimmen... Verstummen: V0:396Stimmen... Verstummen: VI4:257Stimmen... Verstummen: VII0:308Stimmen... Verstummen: VIII11:089Stimmen... Verstummen: IX0:5610Stimmen... Verstummen: X1:3911Stimmen... Verstummen: XI1:5312Stimmen... Verstummen: XII6:1213Stufen18:10Concerto for Bassoon and Low Strings / Concordanza / Detto II
1993 · studio album
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Tracklist · 7 tracks · 53:56
1Concerto for Bassoon and Low Strings: First Movement9:262Concerto for Bassoon and Low Strings: Second Movement4:013Concerto for Bassoon and Low Strings: Third Movement5:204Concerto for Bassoon and Low Strings: Fourth Movement4:065Concerto for Bassoon and Low Strings: Fifth Movement4:126Concordanza11:557Detto II14:56Instrumental Music With Viola Solo
1994 · studio album
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Tracklist · 6 tracks · 1:18:46
1Variations on a Choral Theme by J. S. Bach13:542The Garden of Joys and Sorrows25:103Three Pictures by Paul Klee: I. Diana in the Autumn Wind9:014Three Pictures by Paul Klee: II. Senecio5:275Three Pictures by Paul Klee: III. The Child on the Platform8:206Suite in the Old Style16:54Solo Piano Works / Introitus: Concerto for Piano and Chamber Orchestra
1994 · studio album
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Tracklist · 19 tracks · 1:12:21
1Chaconne9:332Sonata: I. Allegro10:523Sonata: II. Adagio7:404Sonata: III. Allegretto2:395Musical Toys: 1. Mechanical Accordian0:336Musical Toys: 2. Magic Roundabout0:397Musical Toys: 3. The Trumpeter in the Forest1:238Musical Toys: 4. The Magic Smith0:529Musical Toys: 5. April Day0:4210Musical Toys: 6. Song of the Fisherman2:0411Musical Toys: 7. The Little Tit0:5412Musical Toys: 8. A Bear Playing Double Bass and the Black Woman1:0113Musical Toys: 9. The Woodpecker2:1214Musical Toys: 10. The Elk Clearing0:5915Musical Toys: 11. The Sleigh With Little Bells0:4516Musical Toys: 12. The Echo2:1417Musical Toys: 13. The Drummer1:2018Musical Toys: 14. Forest Musicians2:4019Introitus: Concerto for Piano and Chamber Orchestra23:19Orchestral Music: Pro et contra / Märchenbild / Concordanza
1994 · studio album
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Tracklist · 5 tracks · 57:42
1Pro et contra: I8:522Pro et contra: II18:003Pro et contra: III7:234Concordanza11:155Fairytale Poem / Märchenbild12:121994 · studio album
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Tracklist · 8 tracks · 55:59
1Hörfenster für Franz Lizst: Part One4:232Hörfenster für Franz Lizst: Part Two10:133Inner Piece7:514Piano Sonata VI7:385Piano Sonata: Part One11:206Piano Sonata: Part Two4:597Piano Sonata: Part Three3:308Double Fiesta6:05Gubaidulina: Pro et contra / Firsova: Cassandra
1994 · studio album
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Tracklist · 4 tracks · 55:34
1Pro et contra: I.9:552Pro et contra: II.21:033Pro et contra: III.9:314Cassandra, op. 6015:05String Quartets 1-3 / String Trio
1994 · studio album
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Tracklist · 6 tracks · 1:10:02
1String Quartet no. 122:572String Quartet no. 29:053String Quartet no. 318:364Trio for Violin, Viola, and Violoncello: I6:225Trio for Violin, Viola, and Violoncello: II4:546Trio for Violin, Viola, and Violoncello: III8:08Concordanza / Meditation / Sieben Worte
1994 · studio album
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Tracklist · 9 tracks · 1:00:46
1Concordanze13:102Meditation uber de Bach-Choral »Vor deinen Thron tret ich hiermit«12:413Sieben Worte: I. Vater, vergib Ihnen, denn sie wissen nicht, was sie tun.4:344Sieben Worte: II. Weib, siehe, das ist dein Sohn. - Siehe, das ist deine Mutter.4:235Sieben Worte: III. Wahrlich, ich sage dir: Heute noch wirst du mit mir im Paradies sein.3:386Sieben Worte: IV. Mein Gott, mein Gott, warum hast du mich verlassen?9:527Sieben Worte: V. Mich dürstet.4:508Sieben Worte: VI. Es ist vollbracht.3:019Sieben Worte: VII. Vater, in deine Hände befehle ich meinen Geist.4:37Sofia Gubaidulina / Galina Ustvolskaya
1995 · studio album
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Tracklist · 16 tracks · 59:20
1In Croce, for Violoncello and Organ16:392Ten Preludes: I. Staccato - Legato1:163Ten Preludes: II. Legato - Staccato2:464Ten Preludes: III. Con sordino - Senza sordino2:055Ten Preludes: IV. Ricochet1:206Ten Preludes: V. Sul ponticello ordinario sul tasto3:187Ten Preludes: VI. Flagioletti2:248Ten Preludes: VII. Al taco - Da punta d'arco1:049Ten Preludes: VIII. Arco - Pizzicato1:2610Ten Preludes: IX. Pizzicato - Arco3:0411Ten Preludes: X. Senza Arco3:3312Grand Duet for Cello and Piano: I3:0313Grand Duet for Cello and Piano: II2:2614Grand Duet for Cello and Piano: III2:1315Grand Duet for Cello and Piano: IV2:3216Grand Duet for Cello and Piano: V10:111995 · studio album
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Tracklist · 17 tracks · 1:15:41
1Sonata for Flute and Piano: Allegro cantabile5:382Sonata for Flute and Piano: Aria. Moderato con moto4:253Sonata for Flute and Piano: Allegro scherzando5:264Sonata for Flute and Piano: Allegro giocoso4:125Sonata for Flute and Piano: Grave8:366Sonata for Flute and Piano: Allegro vivace6:377Allegro rustico5:298Sounds of the Forest3:099Six Pieces for Flute and Piano: Song of the Ashugi2:0710Six Pieces for Flute and Piano: Lullaby3:4011Six Pieces for Flute and Piano: Dance1:4412Six Pieces for Flute and Piano: In the Azerbaijan Mountains2:4213Six Pieces for Flute and Piano: At the Spring1:5414Six Pieces for Flute and Piano: Nocturne2:4115First Sonata: Allegro moderato6:3816First Sonata: Adagio5:4117First Sonata: Allegro poco moderato5:02Silenzio / De profundis / Et exspecto / In Erwartung
1995 · studio album
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Tracklist · 12 tracks · 1:09:02
1Silenzio: I. ♩ = 965:192Silenzio: II. 𝆸 = 422:433Silenzio: III. ♩ = 562:324Silenzio: IV. ♪ = 1521:345Silenzio: V. ♩ = 728:276De profundis11:507Et exspecto: I. ♩ = ca. 1162:468Et exspecto: II. 7⁄16 = 363:269Et exspecto: III. Presto5:5510Et exspecto: IV. ♩ = 1164:0211Et exspecto: V. Con moto1:5112In Erwartung18:37Jetzt immer Schnee / Perception
1995 · studio album
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Tracklist · 18 tracks · 1:17:31
1Jetzt immer Schnee: I. Ty maya tishyna7:252Jetzt immer Schnee: II. Zapis: Apophatic3:453Jetzt immer Schnee: III. Tiper fsigda sniga4:224Jetzt immer Schnee: IV. Zapis: Apophatic6:395Jetzt immer Schnee: V. O da: Rodina5:366Perception: I. Einsicht2:457Perception: II. Wir4:598Perception: III. Pizzicato I1:339Perception: IV. Dezember2:3910Perception: V. Pizzicato II0:2411Perception: VI. Begegnung2:2812Perception: VII. Am Meer8:0913Perception: VIII. Col legno I1:5714Perception: IX. Ich6:5415Perception: X. Ich und Du4:4316Perception: XI. Col legno II0:4817Perception: XII. Montys Tod9:5618Perception: XIII. Stimmen2:291996 · studio album
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Tracklist · 7 tracks · 1:03:45
1Concerto for Piano, String Orchestra and Timpani17:322"Introitus", Concerto for Piano and Chamber Orchestra24:223Concerto for Piano and String Orchestra, op. 40: Allegro molto4:124Concerto for Piano and String Orchestra, op. 40: Vivace4:095Concertino bianco for Piano and Chamber Orchestra in C major: Con intenerimento4:516Concertino bianco for Piano and Chamber Orchestra in C major: Con venerazione5:547Concertino bianco for Piano and Chamber Orchestra in C major: Con anima2:45Seven Words / Silenzio / In croce
1996 · studio album
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Tracklist · 13 tracks · 1:07:33
1In croce for Bayan and Cello15:252Silenzio: I4:113Silenzio: II2:334Silenzio: III2:485Silenzio: IV1:196Silenzio: V7:457Seven Words: I. Vater vergib ihnen, denn sie wissen nicht, was sie tun4:318Seven Words: II. Weib, siehe, das ist dein Sohn. Siehe, das ist deine Mutter4:139Seven Words: III. Warlich, ich sage dir: Heute wirst du mit mir im Paradiese sein3:5110Seven Words: IV. Mein Gott, mein Gott, warum hast du mich verlassen?9:1211Seven Words: V. Mich dürstet4:5312Seven Words: VI. Es ist vollbracht2:4813Seven Words: VII. Vater, ich befehle meinen Geist in deine Hände4:041996 · studio album
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Tracklist · 10 tracks · 1:13:05
1Sonata for Alto Saxophone and Piano: I. Allegro3:262Sonata for Alto Saxophone and Piano: II. Lento3:333Sonata for Alto Saxophone and Piano: III. Allegro moderato4:474Pas de deux15:335Duo-Sonata for Two Baritone Saxophones11:136Casus in terminus6:287Sonata for Alto Saxophone and Cello: I. Allegro risoluto3:258Sonata for Alto Saxophone and Cello: II. Tranquillo5:259Sonata for Alto Saxophone and Cello: III. Moderato5:0610Musique pour l'ange14:09Górecki: Miserere / Gubaidulina: Alleluia
1997 · studio album
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Tracklist · 18 tracks · 1:09:57
1Alleluia: I. Alliluija. ♩ = 100 -6:332Alleluia: II. ♩ = 60, legato simile -2:393Alleluia: III. Alliluija. ♩ = 144, con spirito -5:314Alleluia: IV. Alliluija. Legato simile -5:305Alleluia: V. Alliluija. ♩ = 84-88 -2:536Alleluia: VI. Vjeruju. ♩ = 60-66 -6:477Alleluia: VII. Da ispolnjatsja usta maja. ♩ = 100-92 -5:578Miserere, op. 44: Domine Deus noster. Lento (♩ = 48), imploringly -2:509Miserere, op. 44: Domine Deus noster. Lento (♩ = 48-50), imploringly, dolce cantabile -2:0810Miserere, op. 44: Domine Deus noster. Lento (♩ = 52), imploringly, poco espressivo -2:2511Miserere, op. 44: Domine Deus noster. Lento (♩ = 54-56), imploringly, molto espressivo -2:3312Miserere, op. 44: Domine Deus noster. Meno mosso, lento molto tranquillo (♩ = 46), imploringly, tenderly -4:0913Miserere, op. 44: Domine Deus noster. Molto lento - Poco più mosso ma lento assai (♩ = 58-60), imploringly, somewhat plaintively5:0514Miserere, op. 44: Domine Deus noster. Molto lento - Lento maestoso (♩ = 54) -3:0915Miserere, op. 44: Domine Deus noster. Lento (♩ = 56), imploringly, affettuoso1:3016Miserere, op. 44: Domine Deus noster. Poco più mosso, lento moderato (♩ = 69-72), molto espressivo, molto appassionato -4:0617Miserere, op. 44: Domine Deus noster. Lento -3:0418Miserere, op. 44: Miserere nobis. Lento, tranquillissimo, cantabilissimo, dolcissimo, IMPLORINGLY3:081997 · studio album
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Tracklist · 21 tracks · 1:13:44
1Chaconne8:552Sonata: I. Allegro10:183Sonata: II. Adagio5:284Sonata: III. Allegretto3:325Musical Toys: I. Mechanical Accordion0:346Musical Toys: II. Magic Roundabout0:417Musical Toys: III. The Trumpeter in the Forest1:248Musical Toys: IV. The Magic Smith0:579Musical Toys: V. April Day0:5210Musical Toys: VI. Song of the Fisherman1:4811Musical Toys: VII. The Little Tit1:0312Musical Toys: VIII. A Bear Playing the Double Bass and the Black Woman0:5213Musical Toys: IX. The Woodpecker1:4914Musical Toys: X. The Elk Clearing1:0815Musical Toys: XI. Sleigh with Little Bells0:4916Musical Toys: XII. The Echo2:1117Musical Toys: XIII. The Drummer1:3018Musical Toys: XIV. Forest Musicians2:0919Toccata-Troncata1:5120Invention1:1921Introitus24:341998 · studio album
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Tracklist · 13 tracks · 43:18
1Galgenlieder à 5: I. Die Mitternachtsmaus. - II. Das Aesthetische Wiesel5:152Galgenlieder à 5: III. Das Knie2:183Galgenlieder à 5: IV. Die Beichte Des Wurms2:204Galgenlieder à 5: V. Improvisation1:035Galgenlieder à 5: VI. Die Prozession3:016Galgenlieder à 5: VII. Der Tanz6:487Galgenlieder à 5: VIII. Das Gebet5:378Galgenlieder à 5: IX. Das Fest Des Wuestlings2:209Galgenlieder à 5: X. Spiel I1:2310Galgenlieder à 5: XI. Spiel II3:0011Galgenlieder à 5: XII. Fisches Nachtgesang1:2912Galgenlieder à 5: XIII. Nein!1:4013Galgenlieder à 5: XIV. Das Mondschaft7:04Duo Sonata / Quasi hoquetus / Concerto for Bassoon and Low Strings
1999 · studio album
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Tracklist · 7 tracks · 56:06
1Duo Sonata12:482Quasi hoquetus14:413Concerto for Bassoon and Low Strings: I.10:184Concerto for Bassoon and Low Strings: II.4:075Concerto for Bassoon and Low Strings: III.6:126Concerto for Bassoon and Low Strings: IV.3:177Concerto for Bassoon and Low Strings: V.4:432000 · studio album
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Tracklist · 11 tracks · 1:30:50
Disc 11Johannes-Passion: I. The Word1:282Johannes-Passion: II. The Washing of Feet13:083Johannes-Passion: III. The Commandment of Faith2:314Johannes-Passion: IV. The Commandment of Love3:575Johannes-Passion: V. Hope2:376Johannes-Passion: VI. Liturgy in Heaven15:057Johannes-Passion: VII. Betrayal, Denial, Flagellation, Condemnation17:11Disc 21Johannes-Passion: VIII. The Way to Golgotha19:502Johannes-Passion: IX. A Woman Clothed with the Sun1:503Johannes-Passion: X. Entombment6:494Johannes-Passion: XI. The Seven Bowls of Wrath6:242001 · studio album
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Tracklist · 22 tracks · 1:11:59
1Quartetto per archi, op. 1: I. Poco agitato1:002Quartetto per archi, op. 1: II. Con moto1:493Quartetto per archi, op. 1: III. Vivacissimo3:024Quartetto per archi, op. 1: IV. Con spirito1:435Quartetto per archi, op. 1: V. Molto ostinato2:046Quartetto per archi, op. 1: VI. Adagio4:227Hommage à Mihály András, op. 13: I.0:448Hommage à Mihály András, op. 13: II.0:299Hommage à Mihály András, op. 13: III.0:3010Hommage à Mihály András, op. 13: IV. Presto0:1711Hommage à Mihály András, op. 13: V. Lontano, calmo, appena sentito1:5212Hommage à Mihály András, op. 13: VI.1:1313Hommage à Mihály András, op. 13: VII.0:5014Hommage à Mihály András, op. 13: VIII. Con slancio0:2015Hommage à Mihály András, op. 13: IX.0:5316Hommage à Mihály András, op. 13: X. Molto agitato0:3217Hommage à Mihály András, op. 13: XI.1:2418Hommage à Mihály András, op. 13: XII. Leggiero, con moto, non dolce0:4919Officium breve in memoriam Andreae Szervanszky, op. 2811:3920Quatuor à cordes: Introductory movement8:4321Quatuor à cordes: Main movement17:0022Streichquartett Nr. 210:44The Canticle of the Sun / Music for Flute, Strings and Percussion
2001 · studio album
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Tracklist · 14 tracks · 1:15:40
1The Canticle of the Sun: Opening. Altissimo omnipontente bon Signore4:392The Canticle of the Sun: Fig. 153:023The Canticle of the Sun: Fig. 25. Laudato si, mi Signore, cun tucte le tue creature2:114The Canticle of the Sun: Fig. 34. Laudato si, mi Signore, per sora luna e le stelle3:355The Canticle of the Sun: Fig. 665:586The Canticle of the Sun: Fig. 873:327The Canticle of the Sun: Fig. 95. Laudato si, mi Signore, per quelli ke perdonano per lo tuo amore4:258The Canticle of the Sun: Fig. 1118:549The Canticle of the Sun: Fig. 1261:5410The Canticle of the Sun: Fig. 132. Laudate si, mi Signore, per sera nostra morte corporale3:3011The Canticle of the Sun: Fig. 1443:2512Music for Flute, Strings and Percussion: Opening10:2513Music for Flute, Strings and Percussion: Fig. 529:0914Music for Flute, Strings and Percussion: Fig. 9411:01In croce / Quaternion / Ten Preludes
2001 · studio album
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Tracklist · 12 tracks · 55:50
1In croce for Cello and Organ14:262Ten Preludes for Solo Cello: I. Staccato - Legato1:063Ten Preludes for Solo Cello: II. Legato - Staccato2:014Ten Preludes for Solo Cello: III. Con sordino - Senza sordino2:265Ten Preludes for Solo Cello: IV. Ricochet1:046Ten Preludes for Solo Cello: V. Sul ponticello - Ordinario - Sul tasto2:057Ten Preludes for Solo Cello: VI. Flagioletti2:338Ten Preludes for Solo Cello: VII. Al taco - Da punta d'arco1:049Ten Preludes for Solo Cello: VIII. Arco - Pizzicato1:0810Ten Preludes for Solo Cello: IX. Pizzicato - Arco2:3111Ten Preludes for Solo Cello: X. Senza arco2:5712Quaternion for Cello Quartet22:292002 · studio album
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Tracklist · 18 tracks · 1:11:22
1Sieben Worte: I. Vater, vergib ihnen, denn sie wissen nicht, was sie tun4:142Sieben Worte: II. Weib, siehe, das ist dein Sohn — Siehe, das ist deine Mutter3:513Sieben Worte: III. Wahrlich, ich sage dir: Heute wirst du mit mir im Paradiese sein3:504Sieben Worte: IV. Mein Gott, mein Gott, warum hast du mich verlassen?8:405Sieben Worte: V. Mich dürstet5:136Sieben Worte: VI. Es ist vollbracht3:207Sieben Worte: VII. Vater, ich befehle meinen Geist in deine Hände5:208Zehn Präludien: I. Staccato — Legato1:139Zehn Präludien: II. Legato — Staccato2:3310Zehn Präludien: III. Con sordino — Senza sordino3:0111Zehn Präludien: IV. Ricochet1:1512Zehn Präludien: V. Sul ponticello — Ordinario — Sul tasto3:4713Zehn Präludien: VI. Flagioletti2:2914Zehn Präludien: VII. Al taco — Da punta d’arco1:2115Zehn Präludien: VIII. Arco — Pizzicato1:1716Zehn Präludien: IX. Pizzicato — Arco2:5317Zehn Präludien: X. Sanza arco, senza pizzicato3:3418De profundis13:312002 · studio album
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Tracklist · 13 tracks · 57:03
1De Profundis12:112Chamber Suite: Evening Prelude3:403Chamber Suite: Moonlight Spurting Outdoors6:154Chamber Suite: Snowfall at Night3:085Chamber Suite: Mysterious Visions2:006Chamber Suite: I'm Recalling Instances of Gloomy Sorrow1:547Chamber Suite: An Old Fairytale4:508Alone6:169Et exspecto: I3:0110Et exspecto: II3:3611Et exspecto: III5:4212Et exspecto: IV2:4913Et exspecto: V1:412002 · studio album
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Tracklist · 6 tracks · 1:08:38
1Quintet for Piano, Two Violins, Viola and Violoncello: I. Allegro7:362Quintet for Piano, Two Violins, Viola and Violoncello: II. Andante marciale6:533Quintet for Piano, Two Violins, Viola and Violoncello: III. Larghetto sensibile10:144Quintet for Piano, Two Violins, Viola and Violoncello: IV. Presto5:595Introitus24:176Dancer on a Tightrope13:39The Canticle of the Sun / Hommage à Marina Tsvetayeva
2003 · studio album
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Tracklist · 17 tracks · 54:52
1Sonnengesang (The Canticle of the Sun by St. Francis of Assisi): Altissimo onnipotente bon Signore6:012Sonnengesang (The Canticle of the Sun by St. Francis of Assisi): Laudato si, mi Signore, per cun tucte le tue creature1:283Sonnengesang (The Canticle of the Sun by St. Francis of Assisi): Laudato si, mi Signore, per sora luna e le stelle1:064Sonnengesang (The Canticle of the Sun by St. Francis of Assisi): Laudato si, mi Signore, per frate vento0:545Sonnengesang (The Canticle of the Sun by St. Francis of Assisi): Laudato si, mi Signore, per sora acqua0:416Sonnengesang (The Canticle of the Sun by St. Francis of Assisi): Laudato si, mi Signore, per frate foco0:427Sonnengesang (The Canticle of the Sun by St. Francis of Assisi): Laudato si, mi Signore per sora nostra matre terra4:258Sonnengesang (The Canticle of the Sun by St. Francis of Assisi): Altissimo, Altissimo3:459Sonnengesang (The Canticle of the Sun by St. Francis of Assisi): Laudato si, mi Signore, per quelli ke perdonano3:3710Sonnengesang (The Canticle of the Sun by St. Francis of Assisi): Domine. Miserere. Amen5:4111Sonnengesang (The Canticle of the Sun by St. Francis of Assisi): Laudato si, mi Signore, per sora nostra morte corporale5:0112Sonnengesang (The Canticle of the Sun by St. Francis of Assisi): Laudate et benedicete mi Signore3:3413Hommage a Marina Tsvetayeva: I. Below the Waves3:4214Hommage a Marina Tsvetayeva: II. Horse1:1615Hommage a Marina Tsvetayeva: III. All Magnificence3:2916Hommage a Marina Tsvetayeva: IV. Interlude1:4017Hommage a Marina Tsvetayeva: V. A Garden7:502004 · studio album
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Tracklist · 6 tracks · 1:09:26
1Rejoice! Sonata For Violin And Violoncello: Your Joy no. One Will Take Away From You3:412Rejoice! Sonata For Violin And Violoncello: Rejoice With Joy4:013Rejoice! Sonata For Violin And Violoncello: Rejoice Ravvi10:574Rejoice! Sonata For Violin And Violoncello: And He Returned To His Own Abode7:285Rejoice! Sonata For Violin And Violoncello: Heed Thyself5:246Offertorium. Concerto For Violin And Orchestra37:552004 · studio album
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Tracklist · 7 tracks · 1:06:26
1The Canticle of the Sun40:522Preludes for Violoncello Solo: I. Staccato-Legato1:013Preludes for Violoncello Solo: II. Legato-Staccato2:144Preludes for Violoncello Solo: III. Ricochet1:135Preludes for Violoncello Solo: IV. Arco-Pizzicato1:116Preludes for Violoncello Solo: V. Pizzicato-Arco3:267In Croce for Cello and Bajan16:292005 · studio album
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Tracklist · 18 tracks · 1:04:34
1Dramatic Games (Quasi una sonata): 1st movement2:092Dramatic Games (Quasi una sonata): 2nd movement1:093Dramatic Games (Quasi una sonata): 3d movement3:244Dramatic Games (Quasi una sonata): 4th movement0:565Dramatic Games (Quasi una sonata): 5th movement1:436Dramatic Games (Quasi una sonata): 6th movement1:297Dramatic Games (Quasi una sonata): 7th movement2:558Lamento12:449Ten preludes: No. 1. Staccato-Legato1:0710Ten preludes: No. 4. Ricachet1:1711Ten preludes: No. 5. Sul ponticello ordinario sul tasto2:5312Ten preludes: No. 7. Al taco da punta d'arco1:0913Ten preludes: No. 9. Pizzicato-arco2:1914Ten preludes: No. 10. Senza arco2:5715Book for Cello: 1st movement. Fortissimo5:4616Book for Cello: 2nd movement. Pianissimo7:0817Cadence (composition 5)8:3818Sounding letters4:512005 · studio album
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Tracklist · 4 tracks · 1:12:18
1In the Memory of Clear Water7:442Stunde der Seele20:413Et nunc II25:004Sinfonia18:53The Deceitful Face of Hope and of Despair / Sieben Worte
2006 · studio album
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Tracklist · 24 tracks · 3:03:48
Disc 11...The Deceitful Face of Hope and of Despair26:512Sieben Worte: I. Vater, vergib ihnen, denn sie wissen nicht, was sie tun4:183Sieben Worte: II. Weib, siehe, das ist dein Sohn - Siehe, das ist deine Mutter4:164Sieben Worte: III. Wahrlich, ich sage dir: Heute wirst du mit mir im Paradiese sein4:015Sieben Worte: IV. Mein Gott, mein Gott, warum hast du mich verlassen?8:456Sieben Worte: V. Mich dürstet5:477Sieben Worte: VI. Es ist vollbracht2:528Sieben Worte: VII. Vater, ich befehle meinen Geist in deine Hände4:26Disc 21...The Deceitful Face of Hope and of Despair26:512Sieben Worte: I. Vater, vergib ihnen, denn sie wissen nicht, was sie tun4:183Sieben Worte: II. Weib, siehe, das ist dein Sohn - Siehe, das ist deine Mutter4:164Sieben Worte: III. Wahrlich, ich sage dir: Heute wirst du mit mir im Paradiese sein4:015Sieben Worte: IV. Mein Gott, mein Gott, warum hast du mich verlassen?8:456Sieben Worte: V. Mich dürstet5:477Sieben Worte: VI. Es ist vollbracht2:528Sieben Worte: VII. Vater, ich befehle meinen Geist in deine Hände4:26Disc 31...The Deceitful Face of Hope and of Despair26:512Sieben Worte: I. Vater, vergib ihnen, denn sie wissen nicht, was sie tun4:183Sieben Worte: II. Weib, siehe, das ist dein Sohn - Siehe, das ist deine Mutter4:164Sieben Worte: III. Wahrlich, ich sage dir: Heute wirst du mit mir im Paradiese sein4:015Sieben Worte: IV. Mein Gott, mein Gott, warum hast du mich verlassen?8:456Sieben Worte: V. Mich dürstet5:477Sieben Worte: VI. Es ist vollbracht2:528Sieben Worte: VII. Vater, ich befehle meinen Geist in deine Hände4:26Am Rande des Abgrunds / De profundis / Quaternion / In croce
2006 · studio album
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Tracklist · 4 tracks · 1:10:58
1Am Rande des Abgrunds15:382De profundis13:523Quaternion27:094In croce14:19Shostakovich: 24 Preludes, op. 34 / Gubaidulina: Sonata
2007 · studio album
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Tracklist · 25 tracks · 50:20
124 Preludes, op. 34: Prelude no. 1. Moderato (C major)1:26224 Preludes, op. 34: Prelude no. 2. Allegretto (A minor)0:49324 Preludes, op. 34: Prelude no. 3. Andante (G major)2:04424 Preludes, op. 34: Prelude no. 4. Moderato (E minor)2:15524 Preludes, op. 34: Prelude no. 5. Allegro vivace (D major)0:32624 Preludes, op. 34: Prelude no. 6. Allegretto (B minor)1:12724 Preludes, op. 34: Prelude no. 7. Andante (A major)1:04824 Preludes, op. 34: Prelude no. 8. Allegretto (F-sharp minor)0:58924 Preludes, op. 34: Prelude no. 9. Presto (E major)0:381024 Preludes, op. 34: Prelude no. 10. Moderato non troppo (C-sharp minor)2:111124 Preludes, op. 34: Prelude no. 11. Allegretto (B major)0:531224 Preludes, op. 34: Prelude no. 12. Allegro non troppo (G-sharp minor)1:041324 Preludes, op. 34: Prelude no. 13. Moderato (F-sharp major)0:481424 Preludes, op. 34: Prelude no. 14. Adagio (E-flat minor)2:111524 Preludes, op. 34: Prelude no. 15. Allegretto (D-flat major)0:531624 Preludes, op. 34: Prelude no. 16. Andantino (B-flat minor)1:061724 Preludes, op. 34: Prelude no. 17. Largo (A-flat major)1:521824 Preludes, op. 34: Prelude no. 18. Allegretto (F minor)0:541924 Preludes, op. 34: Prelude no. 19. Andantino (E-flat major)1:242024 Preludes, op. 34: Prelude no. 20. Allegretto furioso (C minor)0:382124 Preludes, op. 34: Prelude no. 21. Allegretto poco moderato (B-flat major)0:432224 Preludes, op. 34: Prelude no. 22. Adagio (G minor)2:112324 Preludes, op. 34: Prelude no. 23. Moderato (F major)1:052424 Preludes, op. 34: Prelude no. 24. Allegretto (D minor)1:1825Sonata20:11St. John Passion / St. John Easter
2007 · studio album
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Tracklist · 23 tracks · 2:01:36
Disc 11Johannes-Passion: Das Wort1:202Johannes-Passion: Fußwaschung10:353Johannes-Passion: Das Gebot des Glaubens1:584Johannes-Passion: Das Gebot der Liebe2:525Johannes-Passion: Hoffnung1:596Johannes-Passion: Liturgie im Himmel13:267Johannes-Passion: Verrat, Verleugnung, Geißelung, Verurteilung13:388Johannes-Passion: Gang nach Golgatha14:299Johannes-Passion: Eine Frau, mit der Sonne bekleidet1:3710Johannes-Passion: Grablegung5:1211Johannes-Passion: Die sieben Schalen des Zorns6:30Disc 21Johannes-Ostern: Ostemorgen2:422Johannes-Ostern: Maria Magdalena3:083Johannes-Ostern: Erste Erscheinung des aufstandenen Christus vor den Jüngern: "Empfanget den Heiligen Geist"2:434Johannes-Ostern: "Ich glaube nicht"4:065Johannes-Ostern: Der Reiter auf dem weißen Pferd5:316Johannes-Ostern: Zweite Erscheinung Christi vor den Jüngern: "Und sei nicht ungläubig"1:147Johannes-Ostern: Intermedium2:468Johannes-Ostern: "Ich bin das lebendige Brot"1:509Johannes-Ostern: Die Finsternis vergeht1:1410Johannes-Ostern: Dritte Erscheinung Christi vor den Jüngern: "Abschied"13:2611Johannes-Ostern: Das Gericht2:5312Johannes-Ostern: "Und ich sah einen neuen Himmel und eine neue Erde"6:272007 · studio album
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Tracklist · 20 tracks · 54:07
1Chaconne8:342Sonata: Allegro11:033Sonata: Adagio8:474Sonata: Allegretto3:105Musical Toys: Mechanical Accordion0:326Musical Toys: Magic Roundabout0:407Musical Toys: The Trumpeter in the Forest1:338Musical Toys: The Magic Smith0:529Musical Toys: April Day0:4210Musical Toys: Song of the Fisherman1:4811Musical Toys: The Little Tit1:0912Musical Toys: A Bear Playing the Double Bass and the Black Woman0:5913Musical Toys: The Woodpecker2:0114Musical Toys: The Clearing of the Elk0:5815Musical Toys: The Sleigh with Little Bells0:5016Musical Toys: The Echo2:3417Musical Toys: The Drummer1:1818Musical Toys: Forest Musicians2:2819Toccata-Troncata3:0720Invention1:02Bach: Violin Concertos / Gubaidulina: In tempus praesens
2008 · studio album
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Tracklist · 8 tracks · 1:07:43
1Violin Concerto in A minor, BWV 1041: I. (Allegro moderato)3:362Violin Concerto in A minor, BWV 1041: II. Andante6:413Violin Concerto in A minor, BWV 1041: III. Allegro assai3:144Violin Concerto in E major, BWV 1042: I. Allegro7:445Violin Concerto in E major, BWV 1042: II. Adagio7:116Violin Concerto in E major, BWV 1042: III. Allegro assai2:367In tempus praesens32:548Orchestral Suite no. 3 in D major, BWV 1068: II. Air3:472009 · studio album
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Tracklist · 17 tracks · 51:35
1Invention1:022Chaconne9:173Musical Toys: I. Mechanical Accordion0:284Musical Toys: II. Magic Roundabout0:405Musical Toys: III. The Trumpeter in the Forest1:266Musical Toys: IV. The Magic Smith0:587Musical Toys: V. April Day0:398Musical Toys: VI. Song of the Fisherman1:529Musical Toys: VII. The Little Tit1:0410Musical Toys: VIII. A Bear Playing the Double Bass and the Black Woman1:0011Musical Toys: IX. The Woodpecker2:1212Musical Toys: X. The Elk Clearing0:5913Musical Toys: XI. Sleigh with Little Bells0:5114Musical Toys: XII. The Echo2:0115Musical Toys: XIII. The Drummer1:3216Musical Toys: XIV. Forest Musicians3:1417Introitus22:202009 · studio album
Rachmaninov / Gubaidulina / Medtner / Prokofiev
2009 · studio album
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Tracklist · 8 tracks · 1:01:52
1Piano Sonata no. 2 in B-flat minor, op. 36: Allegro agitato8:472Piano Sonata no. 2 in B-flat minor, op. 36: Non allegro5:483Piano Sonata no. 2 in B-flat minor, op. 36: Allegro molto5:114Chaconne9:235Sonata "reminiscenza" in A minor, op. 38 no. 114:536Piano Sonata no. 7 in B-flat major, op. 83: Allegro inquieto7:537Piano Sonata no. 7 in B-flat major, op. 83: Andante caloroso6:278Piano Sonata no. 7 in B-flat major, op. 83: Precipitato3:30Glorious Percussion / In tempus praesens
2011 · studio album
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Tracklist · 2 tracks · 1:11:29
1In tempus praesens32:132Glorious Percussion39:162011 · studio album
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Tracklist · 6 tracks · 55:53
1Fachwerk36:232Silenzio: I. ♩ = 964:263Silenzio: II. 𝅜 = 422:584Silenzio: III. ♩ = 562:485Silenzio: IV. ♪ = 1521:206Silenzio: V. ♩ = 727:58Chamber Music With Double Bass
2011 · studio album
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Tracklist · 39 tracks · 3:06:22
Disc 11Five Etudes: I. Largo3:092Five Etudes: II. Allegretto2:103Five Etudes: III. Adagio2:314Five Etudes: IV. Allegro disperato1:375Five Etudes: V. Andante3:016Pantomime9:257Eight Etudes: I. Staccato - Legato1:418Eight Etudes: II. Legato - Staccato3:189Eight Etudes: III. Espressivo - Sotto voce2:1810Eight Etudes: IV. Ricochet2:1611Eight Etudes: V. Sul ponticello - Ordinario - Sul tasto3:0912Eight Etudes: VI. Al taco - Da punta d'Arco1:4013Eight Etudes: VII. Pizzicato - Arco3:1014Eight Etudes: VIII. Senza arco5:4715Sonata13:02Disc 21In croce15:262Quasi hoquetus15:003Silenzio: I4:004Silenzio: II3:295Silenzio: III2:516Silenzio: IV1:307Silenzio: V8:018Ein Engel5:59Disc 31Galgenlieder à 3 (Gallow Songs): Die Mitternachtsmaus3:342Galgenlieder à 3 (Gallow Songs): Das Nachdenken2:583Galgenlieder à 3 (Gallow Songs): Das Ästhetische Wiesel1:494Galgenlieder à 3 (Gallow Songs): Das Knie2:295Galgenlieder à 3 (Gallow Songs): Das Spiel I1:576Galgenlieder à 3 (Gallow Songs): Das Spiel II2:467Galgenlieder à 3 (Gallow Songs): Die Beichte des Wurms2:338Galgenlieder à 3 (Gallow Songs): Der Psalm2:239Galgenlieder à 3 (Gallow Songs): Der Tanz7:0110Galgenlieder à 3 (Gallow Songs): Das Gebet3:5311Galgenlieder à 3 (Gallow Songs): Das Fest des Wüstlings2:3512Galgenlieder à 3 (Gallow Songs): Improvisation1:5313Galgenlieder à 3 (Gallow Songs): Fisches Nachtgesang1:4814Galgenlieder à 3 (Gallow Songs): Nein!2:3915Galgenlieder à 3 (Gallow Songs): Das Mondschaf7:0216Pentimento24:322012 · studio album
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Tracklist · 5 tracks · 1:09:18
1The Lyre of Orpheus23:532The Canticle of the Sun: Glorification of the Creator, and His Creations — the Sun and the Moon10:133The Canticle of the Sun: Glorification of the Creator, the Maker of the Four Elements: Air, Water, Fire and Earth13:204The Canticle of the Sun: Glorification of Life14:295The Canticle of the Sun: Glorification of Death7:232012 · studio album
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Tracklist · 5 tracks · 1:07:03
1String Quartet no. 121:322String Quartet no. 28:033String Quartet no. 317:544String Quartet no. 412:165Reflections on the Theme B-A-C-H7:182013 · studio album
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Tracklist · 6 tracks · 1:00:09
14 for Peace5:402Schüschtar10:313Mirage: Die tanzende Sonne13:344Dolce malinconia5:175Friduscal6:146Epiphanie - Meditation on a Work by E.Lin18:532014 · studio album
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Tracklist · 6 tracks · 1:10:04
1Repentance22:122Serenade2:453Piano Sonata: I. Allegro11:164Piano Sonata: II. Adagio7:025Piano Sonata: III. Allegretto3:036Sotto voce23:462014 · studio album
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Tracklist · 5 tracks · 52:08
1And Then I Knew 'Twas Wind15:102Sonata for Flute, Viola and Harp: I. Pastorale7:073Sonata for Flute, Viola and Harp: II. Interlude6:094Sonata for Flute, Viola and Harp: III. Finale4:565Garten von Freuden und Traurigkeiten18:46Complete String Quartets / Reflections on the theme B-A-C-H / Quintet / Trio / Freue Dich!
2015 · studio album
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Tracklist · 17 tracks · 2:24:02
Disc 11String Quartet no. 121:492String Quartet no. 29:193String Quartet no. 317:594String Quartet no. 411:285Reflections on the Theme B-A-C-H6:59Disc 21Quintet for Piano and Strings: I. Allegro7:542Quintet for Piano and Strings: II. Andante marciale7:003Quintet for Piano and Strings: III. Larghetto sensiblile10:534Quintet for Piano and Strings: IV. Presto5:485String Trio: I5:466String Trio: II5:447String Trio: III6:018Rejoice! (Sonata for Violin and Cello): I. Your joy no one will take away from you2:459Rejoice! (Sonata for Violin and Cello): II. Rejoice with joy4:4010Rejoice! (Sonata for Violin and Cello): III. Rejoice, Ravvi9:3711Rejoice! (Sonata for Violin and Cello): IV. And he returned to his own abode5:4012Rejoice! (Sonata for Violin and Cello): V. Heed thyself4:402015 · studio album
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Tracklist · 4 tracks · 56:51
1Repentance (2008)24:502Serenade (1960)3:173Toccata (c. 1969)2:564Sotto Voce (2010, rev. 2013)25:48De profundis / Silenzio / Et exspecto
2015 · studio album
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Tracklist · 11 tracks · 51:37
1De profundis12:092Silenzio: I. ¼ = 965:133Silenzio: II. 𝆸 = 423:234Silenzio: III. ¼ = 562:525Silenzio: IV. ⅛ = 1521:196Silenzio: V. ¼ = 728:157Et exspecto: I. ¼ = ca.1163:108Et exspecto: II. 7⁄16 = 364:049Et exspecto: III. Presto5:3710Et exspecto: IV. ¼ = 1163:3011Et exspecto: V. Con moto2:052016 · studio album
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Tracklist · 3 tracks · 1:01:50
1Jauchzt vor Gott8:592Hell und Dunkel11:153Sonnengesang41:36Shostakovich: Violin Concerto no. 1, op. 77 / Gubaidulina: In tempus praesens
2017 · studio album
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Tracklist · 5 tracks · 1:13:18
1Violin Concerto no. 1 in A minor, op. 77: I. Nocturne. Moderato11:492Violin Concerto no. 1 in A minor, op. 77: II. Scherzo. Allegro6:253Violin Concerto no. 1 in A minor, op. 77: III. Passacaglia. Andante15:164Violin Concerto no. 1 in A minor, op. 77: IV. Burlesque. Allegro con brio – Presto5:015In tempus praesens34:472019 · studio album
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Tracklist · 11 tracks · 58:37
1Sonata for Violin Solo no. 2 in A minor, op. 27: I. Obsession - Prélude - Poco vivace2:362Sonata for Violin Solo no. 2 in A minor, op. 27: II. Malinconia - Poco lento2:313Sonata for Violin Solo no. 2 in A minor, op. 27: III. Danse des ombres - Sarabande (Lento)3:524Sonata for Violin Solo no. 2 in A minor, op. 27: IV. Les furies - Allegro furioso3:245Chaconne10:186Wildlands: "Thinking About Points of Intensity"4:337Wildlands: "What Shouldn't I do"3:028Sonata for Violin and Piano no. 1 in F minor, op. 80: I. Andante assai6:449Sonata for Violin and Piano no. 1 in F minor, op. 80: II. Allegro brusco6:4010Sonata for Violin and Piano no. 1 in F minor, op. 80: III. Andante7:4311Sonata for Violin and Piano no. 1 in F minor, op. 80: IV. Allegrissimo7:14Dialog: Ich und Du / The Wrath of God / The Light of the End
2021 · studio album
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Tracklist · 3 tracks · 1:03:07
1Dialog: Ich und Du21:402The Wrath of God17:113The Light of the End24:162024 · studio album
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Tracklist · 11 tracks · 1:13:42
1Sonata for Flute, Viola & Harp, L. 137: I. Pastorale6:562Sonata for Flute, Viola & Harp, L. 137: II. Interlude6:103Sonata for Flute, Viola & Harp, L. 137: III. Final5:134And Then I Knew 'Twas Wind12:045Petite Suite: I. Prélude1:486Petite Suite: II. Modéré sans traîner1:417Petite Suite: III. Vivement2:098Petite Suite: IV. Allant2:589Petite Suite: V. —2:5510New Gates13:3311Garten von Freuden und Traurigkeiten18:15Triple Concerto for Violin, Cello and Bayan / Rejoice! Sonata for Violin and Cello
2024 · studio album
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Tracklist · 6 tracks · 1:01:12
1Triple Concerto29:452Rejoice!: I. Your Joy No. One Will Take Away from You3:253Rejoice!: II. Rejoice with Joy4:334Rejoice!: III. Rejoice Rabbi11:175Rejoice!: IV. And He Returned to His Own Abode6:496Rejoice!: V. Heed Thyself5:232024 · studio album
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Tracklist · 15 tracks · 45:54
1Galgenlieder à 3: 1. Die Mitternachtsmaus3:532Galgenlieder à 3: 2. Nachdenken2:463Galgenlieder à 3: 3. Das ästhetische Wiesel1:394Galgenlieder à 3: 4. Das Knie2:145Galgenlieder à 3: 5. Spiel I1:366Galgenlieder à 3: 6. Spiel II3:097Galgenlieder à 3: 7. Die Beichte des Wurms2:348Galgenlieder à 3: 8. Psalm2:459Galgenlieder à 3: 9. Der Tanz6:1610Galgenlieder à 3: 10. Das Gebet4:2211Galgenlieder à 3: 11. Das Fest des Wüstlings2:2512Galgenlieder à 3: 12. Improvisation1:3313Galgenlieder à 3: 13. Fisches Nachtgesang1:0714Galgenlieder à 3: 14. Nein!2:4515Galgenlieder à 3: 15. Das Mondschaf6:502025 · studio album
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Tracklist · 4 tracks · 1:06:17
1Figures of Time (Zeitgestalten)26:202Introitus10:243Chaconne13:084Revue Music for Symphony Orchestra and Jazz Band16:25Chamber Pieces for Bayan, Organ, Cello & String Orchestra
— · studio album
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Tracklist · 3 tracks · 1:14:04
A1In croce17:40A2Et expecto17:34BThe Seven Last Words38:50
Album · 7
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1989 | Shostakovich: Quartet no. 15, op. 144 / Gubaidulina: Rejoice!Search SpotifySearch YouTube MusicTracklist · 11 tracks · 1:07:561String Quartet no. 15 in E-flat minor, op. 144: I. Elegy: Adagio12:17 2String Quartet no. 15 in E-flat minor, op. 144: II. Serenade: Adagio6:27 3String Quartet no. 15 in E-flat minor, op. 144: III. Intermezzo: Adagio1:51 4String Quartet no. 15 in E-flat minor, op. 144: IV. Nocturne: Adagio5:24 5String Quartet no. 15 in E-flat minor, op. 144: V. Funeral March: Adagio molto4:54 6String Quartet no. 15 in E-flat minor, op. 144: VI. Epilogue: Adagio7:09 7Rejoice! for Violin and Cello: Your Joy No One Will Take Away from You3:39 8Rejoice! for Violin and Cello: Rejoice with Joy4:13 9Rejoice! for Violin and Cello: Rejoice Ravvi10:08 10Rejoice! for Violin and Cello: And He Returned to His Own Abode6:23 11Rejoice! for Violin and Cello: Heed Thyself5:31 | Live | 1989 | |
| 1989 | Shostakovich: Quartet no. 15, op. 144 / Gubaidulina: Rejoice!Search SpotifySearch YouTube MusicTracklist · 11 tracks · 1:07:561String Quartet no. 15 in E-flat minor, op. 144: I. Elegy: Adagio12:17 2String Quartet no. 15 in E-flat minor, op. 144: II. Serenade: Adagio6:27 3String Quartet no. 15 in E-flat minor, op. 144: III. Intermezzo: Adagio1:51 4String Quartet no. 15 in E-flat minor, op. 144: IV. Nocturne: Adagio5:24 5String Quartet no. 15 in E-flat minor, op. 144: V. Funeral March: Adagio molto4:54 6String Quartet no. 15 in E-flat minor, op. 144: VI. Epilogue: Adagio7:09 7Rejoice! for Violin and Cello: Your Joy No One Will Take Away From You3:39 8Rejoice! for Violin and Cello: Rejoice With Joy4:13 9Rejoice! for Violin and Cello: Rejoice Ravvi10:08 10Rejoice! for Violin and Cello: And He Returned to His Own Abode6:23 11Rejoice! for Violin and Cello: Heed Thyself5:31 | Live | 20 September 1989 | |
| 1990 | The Seven Last Words / Rubayat / Vivente — non viventeSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 1:06:171The Seven Last Words: I.4:47 2The Seven Last Words: II.4:35 3The Seven Last Words: III.4:26 4The Seven Last Words: IV.9:47 5The Seven Last Words: V.7:06 6The Seven Last Words: VI.3:38 7The Seven Last Words: VII.6:29 8Rubayat14:45 9Vivente — non vivente10:44 | Compilation | 1990 | |
| 1990 | 高橋悠治リアルタイム1 グバイドゥーリナSearch SpotifySearch YouTube MusicTracklist · 15 tracks · 57:301Six Etudes (Extracted From “Ten Preludes”) 1. Staccato – legato1:32 2Six Etudes (Extracted From “Ten Preludes”): 2. Legato – staccato2:02 3Six Etudes (Extracted From “Ten Preludes”): 3. Con sordino – senza sordino2:24 4Six Etudes (Extracted From “Ten Preludes”): 4. Ricochet1:11 5Six Etudes (Extracted From “Ten Preludes”): 6. Flageoletti2:08 6Six Etudes (Extracted From “Ten Preludes”): 10. Senza arco2:29 7De profundis10:02 8Seven Words: The Biblical Text1:26 9Seven Words: I.4:19 10Seven Words: II.4:00 11Seven Words: III.3:42 12Seven Words: IV.8:15 13Seven Words: V.5:39 14Seven Words: VI.3:45 15Seven Words: VII.4:36 | Live | 1990 | |
| 1997 | Rubaiyat / Detto II / Misterioso / Concerto for Bassoon and Low StringsSearch SpotifySearch YouTube MusicTracklist · 8 tracks · 1:10:201Rubaiyat14:43 2Detto II15:00 3Misterioso13:53 4Concerto for Bassoon and Low Strings: Movement I9:55 5Concerto for Bassoon and Low Strings: Movement II4:25 6Concerto for Bassoon and Low Strings: Movement III5:08 7Concerto for Bassoon and Low Strings: Movement IV3:15 8Concerto for Bassoon and Low Strings: Movement V4:01 | Compilation | 1997 | |
| 2000 | Orchestral Works & Chamber MusicSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:09:441String Trio_violin viola cello_1988 I5:32 2String Trio_violin viola cello_1988 II5:47 3String Trio_violin viola cello_1988 III7:12 4Hour of the soul_1974_ large orch mezzo-sopr & percuss27:04 5Night in Memphis_1968_Cantata mezzo-sopr male choir & orch (on ancient Egypti...24:09 | Compilation | 2000 | |
| 2024 | In memoriam: Françoise Groben, Vol. 2Search SpotifySearch YouTube Music | Compilation | 15 May 2024 |
EP · 1
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 2025 | Freue dich / Rejoice!Search SpotifySearch YouTube MusicTracklist · 1 track · 27:311Freue dich / Rejoice!27:31 | 19 March 2025 |
Stats & PK
Percentile within all 23,672 published artists.Put Sofia Gubaidulina head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 51 | 96.8th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 76 | 96.8th |
| Studio albums | 68 | 99.6th |
| Awards recorded | 18 | 99.4th |
| Timeline events | 79 | 99.5th |
| Recording span (years) | 42 | 82.7th |
| Genres | 5 | 88.3th |
Awards & honours
| Year | Award | Category | Result |
|---|---|---|---|
| 1990 | Honored art worker of the Russian Soviet Federative Socialist Republic | won | |
| 1992 | State Prize of the Russian Federation | won | |
| 1998 | Praemium Imperiale | won | |
| 1999 | Léonie Sonning Music Prize | won | |
| 2001 | Goethe Medal | won | |
| 2001 | Q24932254 | won | |
| 2007 | Bach Prize of the Free and Hanseatic City of Hamburg | won | |
| 2016 | BBVA Foundation Frontiers of Knowledge Award | won | |
| 2016 | Order "Duslyk" | won | |
| — | Alexander Men Prize | won | |
| — | Honored art worker of the Russian Soviet Federative Socialist Republic | won | |
| — | Knight Commander's Cross of the Order of Merit of the Federal Republic of Germany | won | |
| — | Order For Merit in Culture and Art | won | |
| — | Order of Friendship | won | |
| — | Order of Merit of the Federal Republic of Germany | won | |
| — | Pour le Mérite | won | |
| — | Pour le Mérite for Sciences and Arts order | won | |
| — | honorary citizen of Kazan | won |
Line-up
| Name | From | To | Role |
|---|---|---|---|
| Astraea(band) | — | present |
Where this record comes from
portrait—Wikimedia Commons · CC BY 4.0 · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Sofia_Gubaidulina_%282016-11-03%29.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/fc69035e-f525-4648-9089-5943db021fc5discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/fc69035e-f525-4648-9089-5943db021fc5core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q165668genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q165668seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Sofia_Gubaidulinabiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Sofia_Gubaidulina
Why this artist is in the database
- List of composers by name
Tier rule: historic figure (51 language versions, career ended)
Image: Mikhail Kozlovsky · CC BY 4.0 · Wikimedia Commons
Wikidata: Q165668 · MusicBrainz: fc69035e-f525-4648-9089-5943db021fc5
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classical music
1 shared genre tag · debut 1984, 1 year apart
28 wikis