VST & Co.
Group · Philippines · Quezon City · formed 1976
Filipino disco group from Manila
Timeline
1970s
Biography
Biography
VST & Company was a Filipino disco and Manila Sound band active from 1978 to 1983 under Vicor Music Corporation. Originally formed by Tito Sotto, Vic Sotto, and Spanky Rigor, the group became one of the defining acts of the Manila Sound movement and played a significant role in the popularization of disco music in the Philippines during the late 1970s and early 1980s. Its best-known lineup included Spanky Rigor, Roger Rigor, Male Rigor, Monet Gaskell, Celso Llarina, Val Sotto, and Jun Medina.
The band originated from a project conceived by Tito Sotto, then an A&R manager at Vicor Music, in collaboration with Vic Sotto and lyricist Joey de Leon. Its debut single paired "Ikaw ang Aking Mahal" with the B-side "Awitin Mo at Isasayaw Ko" (both 1978), the latter becoming the group's breakthrough hit after receiving greater radio airplay. The success of its self-titled debut album, VST (1978), which earned gold certification, helped establish the band's nationwide popularity during a period known as "VST Mania".
Between 1978 and 1983, VST & Company released five studio albums, recorded numerous hit songs, and appeared in three feature films before concluding its public activities following the nationwide Coca-Cola "Coke Litro" Tour. The band's recordings, particularly "Awitin Mo at Isasayaw Ko", remain closely associated with the Manila Sound movement and the development of Filipino popular music.
1978: Creation and breakthrough
In a 2019 ABS-CBN YouTube interview for ASAP featuring Manila Sound music, Monet Gaskell said that 1970s Philippine radio stations were required to play at least one Filipino song per hour, helping Original Pilipino Music (OPM) surpass foreign LP sales and gain wider popularity. Fellow member Male Rigor recalled that Tito Sotto, then with Vicor Music, recognized the potential for a new local group after hearing a waitress hum a song by The Boyfriends, who were signed under OctoArts. Sotto believed that the Boyfriends' song "Dahil Mahal Kita" (1978) was influenced by the Bee Gees, prompting him to create a rival song with an even stronger Bee Gees-inspired sound. He composed the melody for the band's debut single, "Ikaw Ang Aking Mahal" (1978), while Joey de Leon wrote the lyrics. Anticipating that the single's B-side would feature a disco track, Sotto later asked his brother, Vic Sotto, to compose a song inspired by the 1977 film Saturday Night Fever, noting that the Boyfriends had not yet released a disco record.
The concept materialized with the formation of VST & Company. According to arranger Lorrie Ilustre, Tito Sotto, then A&R manager at Vicor Music Corporation, requested an urgent recording to compete with a rival release. Ilustre worked with Vic Sotto and Joey de Leon on "Awitin Mo at Isasayaw Ko" (1978), with de Leon writing the lyrics and Sotto composing the melody. He arranged the track with session musicians Jun Regalado (drums), Roger Herrera Jr. (bass), and Celso Llarina (guitars), completing the orchestration in Davao before finalizing the horn, string sections, and production in Manila. Tito and Vic Sotto were the band's original dubbers, while Spanky Rigor was brought in for falsetto parts.
The single was initially released with "Ikaw ang Aking Mahal" as the A-side, but radio stations favored the B-side, "Awitin Mo at Isasayaw Ko", which became a major hit and propelled VST & Company to prominence in the late 1970s OPM and Manila Sound scene. Their debut album, VST (1978), quickly earned gold certification and helped popularize disco music in the Philippines, fueling a period known as "VST Mania" as the group rapidly gained nationwide popularity. Their first major concert at Cebu Coliseum in Cebu City, was themed "Galactica"; meant to celebrate the box office popularity of the sci-fi epic, Star Wars: A New Hope. The band's primary members wore Darth Vader masks and matching black capes. The aftermath of the highly successful concert reflected band's immediate impact on Philippine pop culture.
According to Tito Sotto, television promotion remained necessary despite the song's strong sales, as TV shows sought appearances by VST & Company. Since he and Vic Sotto were reluctant to take on major on-screen roles, a television lineup was formed with Vic Sotto, Spanky Rigor, and Celso Llarina. Roger Rigor, Male Rigor, Val Sotto, Monett Gaskell, and Jun Medina were recruited to lip-sync during television appearances, while the original studio musicians handled live performances.
1982–1983: Leaving the spotlight: "Coke Litro" Tour
As the disco decade came to a close, VST & Company's last performance and public appearance as a band, would be during the nationwide Coca-Cola "Coke Litro" Tour. The promotional concert tour lasted an entire year, from 1982 to 1983. At the time the band quietly exited the entertainment industry, they had already completed five full-length albums filled with double platinum hits, and made three feature films.
Name
In an August 2024 interview on Chinkee Tan's YouTube channel, Tito Sotto recalled that the group's name was chosen after recording "Awitin Mo at Isasayaw Ko" and "Ikaw ang Aking Mahal" (both 1978). Inspired by MFSB, whose name used initials, he adopted "VST" from Vicente Sotto the Third, a name he had used during his time with Vicor Music. To avoid implying sole ownership, he said the initials also represented Vic Sotto and Spanky Rigor, while "Company" referred to the rhythm section that performed on the original studio recordings.
Legacy and cultural impact
Ballet Philippines (2016)
For its 2016 holiday season presentation, the Cultural Center of the Philippines premiered "Awitin Mo at Isasayaw Ko" on December 2, 2016. The dance musical, a collaboration between Ballet Philippines and ABS-CBN with the ABS-CBN Philharmonic Orchestra conducted by Gerard Salonga, celebrated the music of VST & Company. The libretto was written by Bibeth Orteza, with choreography by Carissa Adea, James Laforteza, and PJ Rebullida, and direction by Ballet Philippines artistic director Paul Alexander Morales. The production featured Karylle, Michael Pangilinan, Markki Stroem, Kyle Echarri, Cooky Chua, Sandino Martin, Jef Flores, and Noel Comia Jr.
Awit Award honors (2017)
VST & Company's contributions to Philippine music were recognized when they received the "Dangal ng Musikang Pilipino" award at the 30th Awit Awards, presented by the Philippine Association of the Record Industry on November 26, 2017.
Millennials Embrace the Music (2017)
In December 2017, the Adamson University Pep Squad won the UAAP Cheerdance Competition with a routine set to the music of VST & Company at the Mall of Asia Arena. Male Rigor later joined the celebration at the Adamson University campus in Manila, performing "Awitin Mo at Isasayaw Ko" during the victory bonfire.
ASAP Natin 'To Celebrates 40 Years of VST & Company
To celebrate VST & Company's 40th anniversary, ABS-CBN's longest-running Sunday noontime show, ASAP Natin 'To, opened their February 16, 2020, episode with a full musical tribute to VST & Company. The variety show's stars performed rearranged renditions VST hits: Gary Valenciano opened the show with "Magsayawan", followed by Zsa Zsa Padilla performing "Awitin Mo at Isasayaw Ko", along with Elha Nympha, Zephanie and Janine Berdin. Ogie Alcasid performed "Step No, Step Yes", Martin Nievera and Billy Crawford did "Rock Baby, Rock". And for the finale, the entire cast closed with "Magsayawan".
Appearances and live performances
TVJ, Eat Bulaga! "Dabarkads" (2015)
August 2015, Tito Sotto, Vic Sotto, and Joey de Leon performed "Kiss Kiss", "Ipagpatawad mo", and "Rock Baby Rock" on Eat Bulaga!.
Disco Manila (2016)
August 13, 2016: Spanky and Roger Rigor, along with Jet Montelibano of Music and Magic and the Sounds of Manila band, headlined "Disco Manila", as part of the Grand Performances Outdoor Summer Series in Downton Los Angeles; curated by DJ and host Joel Quizon, nephew of comedian Dolphy.
NYU Abu Dhabi (2016)
In October 2016, Spanky and Roger Rigor performed in New York University Abu Dhabi with the members of "Disco Manila". The university extended an Artist-in-Residence invitation to the two US-based members of VST & Company.
Stanford University (2018)
In April 2018, Spanky and Roger Rigor performed at Stanford University's Stanford Live performance series at the renowned Bing Concert Hall. Accompanied by the Union Band, the show was a first for a Filipino act at the famed venue.
Ernst Community Cultural Center, Northern Virginia Community College (2018)
In April 2018, Spanky, Roger Rigor, and Lorrie Ilustre performed at Ernst Community Cultural Center of the Northern Virginia Community College in Annandale, Virginia.
Personnel
Credits adapted from Lorie Illustre, Tito Sotto, and the VST Vol. album credits.
Session musicians
Lorie Illustre – keyboards
Jun Regalado – drums
Roger Herrera Jr. – bass
Celso Llarina – guitars, lead vocals
Tito Sotto – lead vocals
Vic Sotto – lead vocals
Spanky Rigor – bass, vocals
Danny Bornilla
Boy Alcaide – drums
Homer Flores
Filicom Productions – orchestra
Toti Fuentes
Wilfredo Concepcion – brass
Benjamin Concepcion – brass
Claude Baria – brass
Romeo San Jose – brass
Benjamin Bautista – strings
Benny Reyes – strings
Marlene Aviguetero – strings
Bimbim Villaflor – strings
Alberto Leonor – strings
Racelito Carmelotes – strings
Luisito Obtinario – strings
Adelaida Perez – strings
Sancho Samala – strings
Eloy Prospero – strings
Modesto Maiquez – strings
Terry Decena – strings
Felicitias Ronquillo – strings
Johnny Cruz – strings
Fred Concepcion – strings
Performing lineup
Roger Rigor – vocals
Male Rigor – keyboards
Monet Gaskell – guitars, keyboards, vocals
Val Sotto – guitar, vocals
Jun Medina – drums, vocals
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 1 | 0.1th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 0 | 0th |
| Studio albums | 0 | 0th |
| Awards recorded | 0 | 0th |
| Timeline events | 1 | 40.6th |
| Recording span (years) | 50 | 90.9th |
| Genres | 3 | 80.4th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (0 release groups)
No discography rows stored yet
MusicBrainz enrichment for this artist is still pending. Release groups appear here once it runs.
Stats & PK
Percentile within all 23,672 published artists.Put VST & Co. head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 1 | 0.1th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 0 | 0th |
| Studio albums | 0 | 0th |
| Awards recorded | 0 | 0th |
| Timeline events | 1 | 40.6th |
| Recording span (years) | 50 | 90.9th |
| Genres | 3 | 80.4th |
Awards & honours
Where this record comes from
core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q7907572genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q7907572seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/VST_%26_Companybiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/VST_%26_Company
Why this artist is in the database
- List of disco artists
Tier rule: curated genre/region list
Image: no portrait (not displayed: the licence credit is missing)
Wikidata: Q7907572 · MusicBrainz: 2d1c2062-9cbb-4082-a469-828754a743a4
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