
Photo: Anonymous Unknown author · Public domain · credits
Walford Davies
Person · male · United Kingdom · Oswestry · born 1869 · died 1941 · recording since 2001
British composer (1869–1941)
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Also known as H. Walford Davies · Henry Walford Davies · Henry Walford Davies · Walford Davies · ウォルフォード・デイヴィス
Timeline
1860s
1940s
2000s
· Debut release
Debut release: Solemn Melody
First documented Album in the MusicBrainz discography.
source: musicbrainz
2020s
· Album
Album: Spain-Dunk: Piano Quartet / Davies: Quintet in G major for Piano and String Quartet / Wall: Quartet for Piano and Strings in C minor
Album
source: musicbrainz
Biography
Biography
Major Sir Henry Walford Davies (6 September 1869 – 11 March 1941) was a renowned English composer, organist, and educator who was Master of the King's Music from 1934 until 1941. He was also a music adviser to the British Broadcasting Corporation, for which he gave commended talks on music between 1924 and 1941.
His most widely known works are the Royal Air Force March Past, God Be In My Head, and Solemn Melody.
Early years
Henry Walford Davies was born in Oswestry, Shropshire. He was the seventh of nine children of John Whitridge Davies and Susan, née Gregory, and the youngest of four surviving sons. His father, although an accountant by profession, was an amateur musician who founded and conducted a choral society at Oswestry and was choirmaster of Christ Church Congregational church: at which Walford was a chorister, and at which Walford's siblings, Charlie and Harold, later held the post of organist. Harold Davies was professor of music at the University of Adelaide from 1919 to 1947. In 1882 Walford was accepted as a chorister at St George's Chapel, Windsor Castle, by the organist, Sir George Elvey.
When his voice broke in 1885 Davies left the choir and was appointed organist of the Royal Chapel of All Saints, Windsor Great Park and was secretary to Elvey's successor, Walter Parratt, and Dean (later Archbishop) Randall Davidson. At this time British universities, including Cambridge, awarded "non-collegiate" music degrees to any applicant who could pass the necessary examinations. Davies entered for the Cambridge bachelor of music examinations in 1889, but his exercise (a cantata, The Future, to words by Matthew Arnold) failed. With the encouragement of Charles Villiers Stanford, professor of music at Cambridge, Davies made a second attempt, which was successful, and he graduated in 1891.
In 1890 Davies was awarded a scholarship in composition at the Royal College of Music (RCM), London, where he was a student until 1894. His teachers there were Hubert Parry and (for a single term) Stanford for composition, and W. S. Rockstro (counterpoint), Herbert Sharpe (piano) and Haydn Inwards (violin). While still at the RCM he was organist of St George's Church, Campden Hill, for three months, and St Anne's Church, Soho for a year until 1891, when he resigned for health reasons. In the following year he was appointed organist of Christ Church, Hampstead; he remained there until 1897, holding the post in tandem for the last two years with an appointment from 1895 as teacher of counterpoint at the RCM in succession to Rockstro, a post that he held until 1903. He considered resigning the post in 1896, when he failed the counterpoint paper in the Cambridge examinations for the degree of doctor of music; he was successful at his second attempt, and the doctorate was conferred in March 1898.
National reputation
In May 1898 Davies was appointed organist and director of the choir at the Temple Church in the City of London, a post he retained until 1923. With this appointment, in the view of his biographer, Jeremy Dibble, Davies began to be seen as a prominent figure in British musical life. As an organist he became well known both as a soloist and as a teacher – the most distinguished of his pupils being Leopold Stokowski. As a conductor he directed the London Church Choir Association (1901–13) and succeeded Stanford at the Bach Choir (1902–07).
As a composer Davies achieved his most substantial success in 1904, with his cantata Everyman, based on the 15th century morality play of the same name. His friend and biographer H. C. Colles wrote, "[T]he music itself was not like anything he had written before or would write again. Everyman was tumultuously received, and in the next few years given by every choral society in the country which aimed at a standard of firstrateness." The work was also given in Australia and the US.
During the First World War, Davies joined the Committee for Music in War Time under Parry's chairmanship, organised concerts for the troops in France and musical events for the Fight for Right movement. In 1918 he was appointed director of music of the Royal Air Force, with the rank of Major, as which he established the RAF School of Music (which was attached to the Guildhall School of Music) and two RAF bands, and composed the "Royal Air Force March Past", to which a slow "trio" section was later added by his successor Major George Dyson. Since 1930 his Solemn Melody has been frequently performed as mourning music on Remembrance Sunday at The Cenotaph, Whitehall.
1919–41
In 1919 Davies accepted the professorship of music at University College, Aberystwyth, together with the post of director of music for the University of Wales and chairman of the National Council of Music. Here, in the words of his biographer Henry Ley, he "laboured unceasingly for the musical enlightenment of the principality", and in 1922 he was knighted in David Lloyd George's resignation honours.
In 1924 he gave the Cramb lectures at the University of Glasgow, gave his first broadcast talk for the BBC, and was appointed Gresham professor of music at the University of London. In the same year, at the age of fifty-four, he married (Constance) Margaret Isabel Evans (1898–1984), daughter of the Rev William Evans, Rector of Narberth, Pembrokeshire; she was his junior by twenty-eight years.
Davies wrote his famous piece God Be In My Head at Witham Hall. Davies and his wife (who was secretary of the Windsor and Eton Choral Society) were the godparents of Bridget Lyons: who was the daughter of the choral-educator James William Webb-Jones (who was the headmaster of the choral foundation of St George's School, Windsor Castle) and the wife of the choral-educator Peter Stanley Lyons (who was subsequently the headmaster of Witham Hall School). After her husband's death, Lady Walford Davies married Julian Harold Legge Lambart, who was Vice-Provost of Eton College.
Davies resigned his professorship at Aberystwyth in 1926, when he was appointed by the BBC as a music adviser, but he remained chairman of the National Council of Music until his death. He was from 1927 to 1932 organist and director of St. George's Chapel, Windsor Castle.
Davies's BBC broadcast in April 1924 was the first of many he made between then and 1941. He became well known for his programmes "Music and the Ordinary Listener" (1926–9), his wartime broadcasts for children (1939–41), and "Everyman's Music" (1940–41). The Musical Times called him "one of the world's first great broadcasters"; The Times, in an obituary tribute said:
[H]is name has become known to many thousands of people who have not been interested hitherto in music or in musicians. He proved himself to be one of the very few lecturers who could immediately establish the sense of personal contact with audiences over the wireless. They have felt that they knew him and could enter into music, which was the absorbing interest of his life, through the personal relation which he always established immediately with his audiences. It was an almost unique gift.
Colles wrote that Davies's regular listeners felt a proprietorial interest in him, recording one of them as remarking, "He always seemed to come right into the room with us."
On the death of Sir Edward Elgar in 1934, Davies was appointed to succeed him as Master of the King's Music. As musical adviser to the BBC Davies moved from London to Bristol when the BBC Symphony Orchestra and the corporation's music administration moved there on the outbreak of the Second World War in 1939.
Davies died at Wrington, near Bristol, on 11 March 1941, and his ashes were interred in the graveyard of Bristol Cathedral.
Hymn Tunes
Temple for the hymn 'O King enthroned on high' by John Brownlie (hymnist) 1857-1925 (New English Hymnal #421).
Oswald's Tree (Oswestry, his place of birth) for the hymn 'Great Shepherd of they people, hear' by John Newton 1725-1807 (Hymns Ancient & Modern New Standard #164).
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 12 | 64.8th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 2 | 75.7th |
| Studio albums | 1 | 76th |
| Awards recorded | 2 | 92.6th |
| Timeline events | 4 | 75.9th |
| Recording span (years) | -60 | 6.1th |
| Genres | 2 | 74th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (2 release groups · 1 studio albums)
Albums · 1
2022 · studio album
Search SpotifySearch YouTube Music
Tracklist · 42 tracks · 3:48:51
Disc 11Quintet in G major for Piano and String Quartet, op. 54: I. Allegro energico – Animato e leggiero8:402Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Lento2:443Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. I. Allegretto felice0:584Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. II. Largo1:365Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. III. Allegrissimo0:576Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. IV. Andante sereno – L’istesso tempo2:147Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. V. Presto1:028Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Finale: Largo espressivo3:359Quintet in G major for Piano and String Quartet, op. 54: III. Finale: Allegro felice7:0910Quartet for Piano and Strings in C minor: I. Allegro ma non troppo11:5711Quartet for Piano and Strings in C minor: II. Poco adagio, con moto – Vivo, ma non presto – Tempo I – Vivo9:5712Quartet for Piano and Strings in C minor: III. Animato e giusto – Grazioso12:5913Piano Quartet: Allegro vigoroso maestoso – Maestoso – Più moderato5:2714Piano Quartet: Allegro scherzando – A tempo moderato – Tempo I un poco agitato – Tempo primo – Più maestoso – Moderato con espressivo – Più maestoso7:02Disc 21Quintet in G major for Piano and String Quartet, op. 54: I. Allegro energico – Animato e leggiero8:402Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Lento2:443Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. I. Allegretto felice0:584Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. II. Largo1:365Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. III. Allegrissimo0:576Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. IV. Andante sereno – L’istesso tempo2:147Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. V. Presto1:028Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Finale: Largo espressivo3:359Quintet in G major for Piano and String Quartet, op. 54: III. Finale: Allegro felice7:0910Quartet for Piano and Strings in C minor: I. Allegro ma non troppo11:5711Quartet for Piano and Strings in C minor: II. Poco adagio, con moto – Vivo, ma non presto – Tempo I – Vivo9:5712Quartet for Piano and Strings in C minor: III. Animato e giusto – Grazioso12:5913Piano Quartet: Allegro vigoroso maestoso – Maestoso – Più moderato5:2714Piano Quartet: Allegro scherzando – A tempo moderato – Tempo I un poco agitato – Tempo primo – Più maestoso – Moderato con espressivo – Più maestoso7:02Disc 31Quintet in G major for Piano and String Quartet, op. 54: I. Allegro energico – Animato e leggiero8:402Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Lento2:443Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. I. Allegretto felice0:584Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. II. Largo1:365Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. III. Allegrissimo0:576Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. IV. Andante sereno – L’istesso tempo2:147Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Var. V. Presto1:028Quintet in G major for Piano and String Quartet, op. 54: II. Variations: Finale: Largo espressivo3:359Quintet in G major for Piano and String Quartet, op. 54: III. Finale: Allegro felice7:0910Quartet for Piano and Strings in C minor: I. Allegro ma non troppo11:5711Quartet for Piano and Strings in C minor: II. Poco adagio, con moto – Vivo, ma non presto – Tempo I – Vivo9:5712Quartet for Piano and Strings in C minor: III. Animato e giusto – Grazioso12:5913Piano Quartet: Allegro vigoroso maestoso – Maestoso – Più moderato5:2714Piano Quartet: Allegro scherzando – A tempo moderato – Tempo I un poco agitato – Tempo primo – Più maestoso – Moderato con espressivo – Più maestoso7:02
Album · 1
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 2001 | Solemn MelodySearch SpotifySearch YouTube MusicTracklist · 13 tracks · 1:00:531Solemn Melody3:53 2Jesu dulcis memoria3:18 3Interlude in C4:19 4Fugue in Bb2:47 5Prélude Élégiaque, op. 47 no. 16:31 6Chorale-Fantasia on Darwell's 148th "Ye Holy Angels Bright", op. 20 no. 26:09 7Elegy in Bb4:39 8Chorale Fantasia on The Old 100th6:21 9Memorial Melody in C5:06 10Reverie for Organ and Two Voices "O Jesu, King Most Wonderful"4:32 11Chorale for Organ5:59 12Solemn Melody3:17 13Elegy4:02 | Compilation | 2001 |
Stats & PK
Percentile within all 23,672 published artists.Put Walford Davies head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 12 | 64.8th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 2 | 75.7th |
| Studio albums | 1 | 76th |
| Awards recorded | 2 | 92.6th |
| Timeline events | 4 | 75.9th |
| Recording span (years) | -60 | 6.1th |
| Genres | 2 | 74th |
Awards & honours
| Year | Award | Category | Result |
|---|---|---|---|
| — | Knight Commander of the Royal Victorian Order | won | |
| — | Officer of the Order of the British Empire | won |
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Walford_Davies_001.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/d1be3c68-4752-4c9a-9dc4-ec49ee45eab2discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/d1be3c68-4752-4c9a-9dc4-ec49ee45eab2core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q3131948genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q3131948seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Walford_Daviesbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Walford_Davies
Why this artist is in the database
- List of composers by name
Tier rule: curated genre/region list
Image: Anonymous Unknown author · Public domain · Wikimedia Commons
Wikidata: Q3131948 · MusicBrainz: d1be3c68-4752-4c9a-9dc4-ec49ee45eab2
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