Bobby Bland

Biography

Robert Calvin Bland (born Robert Calvin Brooks; January 27, 1930 – June 23, 2013), known professionally as Bobby "Blue" Bland, was an American blues singer. Bland developed a sound that mixed gospel with the blues and R&B. He was described as "among the great storytellers of blues and soul music... [who] created tempestuous arias of love, betrayal and resignation, set against roiling, dramatic orchestrations, and left the listener drained but awed." The inspiration behind his unique style was a Detroit Preacher, CL Franklin, because Bland studied his sermons. He was sometimes referred to as the "Lion of the Blues" and as the "Sinatra of the Blues". His music was influenced by Nat King Cole.
Bland was inducted into the Blues Hall of Fame in 1981, the Rock and Roll Hall of Fame in 1992, and the Memphis Music Hall of Fame in 2012. He received the Grammy Lifetime Achievement Award in 1997. The Rock and Roll Hall of Fame described him as "second in stature only to B.B. King as a product of Memphis's Beale Street blues scene". In 2023, Rolling Stone ranked Bland at number 163 on its list of the 200 Greatest Singers of All Time.

Early life

Bland was born Robert Calvin Brooks in the small town of Barretville, Tennessee. His father, I. J. Brooks, abandoned the family not long after Robert's birth. Robert later acquired the name "Bland" from his stepfather, Leroy Bridgeforth, who was also called Leroy Bland. Robert dropped out of school in third grade to work in the cotton fields and never graduated from school.
With his mother, Bland moved to Memphis in 1947, where he started singing with local gospel groups, including the Miniatures. Eager to expand his interests, he began frequenting the city's famous Beale Street, where he became associated with a circle of aspiring musicians, including B.B. King, Rosco Gordon, Junior Parker and Johnny Ace, who collectively were known as the Beale Streeters.

Early career

In 1951, talent scout Ike Turner recorded Bland for Modern Records at Tuff Green's house in Memphis. Because Bland was illiterate, they first recorded the one song he knew, "They Call It Stormy Monday." While the recording was never released, Bland later recorded the song in 1961, which became one of his hit singles. Turner backed Bland on piano for his first two records, which were released under the name Robert Bland. Between 1951 and 1952, Bland recorded commercially unsuccessful singles for Modern and Sun Records (which licensed its recordings to Chess Records). However, these records caught the attention of Duke Records. Bland's recordings from the early 1950s show him striving for individuality, but his progress was halted for two years while he served in the U.S. Army, during which time he performed in a band with the singer Eddie Fisher.
When Bland returned to Memphis in 1954, several of his former associates, including Johnny Ace, were enjoying considerable success. He joined Ace's revue and returned to Duke Records, which was then being run by the Houston entrepreneur Don Robey. According to his biographer Charles Farley, "Robey handed Bobby a new contract, which Bobby could not read, and helped Bobby sign his name on it". The contract gave Bland just half a cent per record sold, instead of the industry standard of 2 cents.
Bland released his first single for Duke in 1955. In 1956 he began touring on the Chitlin' Circuit with Junior Parker in a revue called Blues Consolidated, initially doubling as Parker's valet and driver. He began recording for Duke with the bandleader Bill Harvey and the arranger Joe Scott, asserting his characteristic vocal style and, with Harvey and Scott, beginning to craft the melodic big-band blues singles for which he became famous, often accompanied by the guitarist Wayne Bennett. Unlike many blues musicians, Bland played no instrument.

Commercial success

Bland's first chart success came in 1957 with "Farther Up the Road", which reached number 1 on the R&B chart and number 43 on the Billboard Hot 100. It was followed by a series of hits on the R&B chart, including "Little Boy Blue" (1958). He also recorded an album with Parker, Blues Consolidated×Blues ConsolidatedMay 1958 · Studio albumSpotify (search)YouTube Music (search)Tracklist · 12 tracksA1Next Time You See Me2:39A2Mother-In-Law Blues2:30A3Barefoot Rock2:41A4That's All Right2:54A5Wondering2:26A6Sitting and Thinking2:41B1It's My Life, Baby2:40B2I Smell Trouble2:31B3Farther Up the Road2:55B4Sometime Tomorrow2:24B5You Got Me (Where You Want Me)2:25B6Loan Me a Helping Hand2:22, in 1958. Bland's craft was most clearly heard on a series of early-1960s releases, including "Cry Cry Cry", "I Pity the Fool" (number 1 on the R&B chart in 1961) and "Turn On Your Love Light", which became a much-covered standard. Despite credits to the contrary—often claimed by Robey—many of these classic works were written by Joe Scott. Bland also recorded a hit version of T-Bone Walker's "Call It Stormy Monday (But Tuesday Is Just as Bad)", which was erroneously given the title of a different song, "Stormy Monday Blues".
His last record to reach number 1 on the R&B chart was "That's the Way Love Is", in 1963, but he continued to produce a consistent run of R&B chart entries through the mid-1960s. He barely broke into the mainstream market; his highest-charting song on the pop chart, "Ain't Nothing You Can Do×Ain't Nothing You Can Do1964 · Studio albumSpotify (search)YouTube Music (search)Tracklist · 12 tracks1Ain't Nothing You Can Do2If I Hadn't Called You Back3Today4Steal Away5After It's Too Late6I'm Gonna Cry7Loneliness Hurts8When You Put Me Down9If You Could Read My Mind10Reconsider11Black Night12Blind Man", peaked at number 20 in 1964, in the same week in which the Beatles held down the top five spots. Bland's records mostly sold on the R&B market rather than achieving crossover success. He had 23 top ten hits on the Billboard R&B chart. In the book Top R&B/Hip-Hop Singles: 1942–1995, by Joel Whitburn, Bland was ranked number 13 of the all-time top-charting artists.

Later career

Financial pressures forced the singer to cut his touring band and in 1968 the group broke up. He suffered from depression and became increasingly dependent on alcohol, but he stopped drinking in 1971. His record company, Duke Records, was sold to the larger ABC Records group. This resulted in several successful and critically acclaimed contemporary blues and soul albums including His California Album×His California Album1973 · Studio albumSpotify (search)YouTube Music (search)Tracklist · 10 tracksA1This Time I’m Gone for Good3:33A2Up and Down World3:34A3It’s Not the Spotlight3:54A4(If Loving You Is Wrong) I Don’t Want to Be Right3:52A5Goin’ Down Slow5:35B1The Right Place at the Right Time2:58B2Help Me Through the Day3:51B3Where Baby Went3:19B4Friday the 13th Child3:16B5I’ve Got to Use My Imagination4:13 and Dreamer×Dreamer1974 · Studio albumSpotifyYouTube Music (search)Tracklist · 10 tracksA1Ain't No Love in the Heart of the City3:54A2I Wouldn't Treat a Dog (The Way You Treated Me)3:19A3Lovin' on Borrowed Time3:21A4The End of the Road3:11A5I Ain't Gonna Be the First to Cry3:38B1Dreamer4:12B2Yolanda3:44B3Twenty-Four Hour Blues3:57B4Cold Day in Hell2:45B5Who's Foolin' Who4:17, arranged by Michael Omartian and produced by ABC staffer Steve Barri. The albums, including the later "follow-up" in 1977, Reflections in Blue×Reflections in Blue1977 · Studio albumSpotify (search)YouTube Music (search)Tracklist · 9 tracksA1The Soul of a Man4:01A2I'll Be Your Fool Once More3:26A3Sittin' on a Poor Man's Throne4:06A4I Intend to Take Your Place4:05A5It Ain't the Real Thing3:21B1It's All Over4:35B2If I Weren't a Gambler3:58B3Five Long Years4:20B4I Got the Same Old Blues5:35, were recorded in Los Angeles and featured many of the city's top session musicians at the time.
The first single released from His California Album, "This Time I'm Gone for Good" took Bland back into the pop Top 50 for the first time since 1964 and made the R&B top 10 in late 1973. The opening track from Dreamer, "Ain't No Love in the Heart of the City", was a strong R&B hit. A version of it was released in 1978 by the hard-rock band Whitesnake, featuring the singer David Coverdale. Much later, Kanye West sampled it on Jay-Z's hip-hop album The Blueprint (2001). The song is also featured on the soundtrack of the crime drama The Lincoln Lawyer (2011), starring Matthew McConaughey. The follow-up, "I Wouldn't Treat a Dog", was his biggest R&B hit for some years, climbing to number 3 in late 1974, but it reached only number 88 on the pop charts. Subsequent attempts at adding a disco flavor were mostly unsuccessful. A return to his roots in 1980 for a tribute album to his mentor Joe Scott, produced by music veterans Monk Higgins and Al Bell, resulted in the album Sweet Vibrations×Sweet Vibrations1980 · Studio albumSpotify (search)YouTube Music (search)Tracklist · 9 tracksA1Sweet Vibrator4:31A2You'd Be A Millionaire4:27A3Soul With A Flavor3:40A4Special Kind Of Fool4:26A5Over The Rainbow5:04B1Hollywood Woman4:53B2A Real Woman Is What It Takes4:32B3Just Because I Leave, That Don't Mean I'm Gone (Suspicious)5:27B4New Merry Christmas Baby3:40, but it failed to sell well outside of his traditional "chitlin circuit" base.
In 1985, Bland signed a contract with Malaco Records, specialists in traditional Southern Black music, for which he made a series of albums while continuing to tour and appear at concerts with B. B. King. In the late '70s and throughout the '80s, most blues artists were performing for white audiences; however, Bland wanted to continue performing for African American audiences and felt that signing with Malaco Records would help him to do that. The two had collaborated on two albums in the 1970s. Despite occasional age-related ill health, Bland continued to record new albums for Malaco and perform occasional tours alone, with the guitarist and producer Angelo Earl and also with B. B. King, and performed at blues and soul festivals worldwide. In 1985, Bland's album Members Only×Members Only1985 · Studio albumSpotify (search)YouTube Music (search)Tracklist · 9 tracksA1Members Only4:09A2In The Ghetto3:56A3I've Just Got to Know4:31A4Straight From the Shoulder3:56B1Sweet Woman's Love3:43B2Can We Make Love Tonight3:33B3Sweet Surrender3:33B4I Need Your Love So Bad3:37B5Heart Open Up Again3:29 on Malaco reached number 45 on Billboard's R&B albums chart, and the title song reached number 54 for R&B singles. It was his last chart single, and became Bland's signature song for the rest of his career. Bland was inducted into the Rock and Roll Hall of Fame in 1992. The Rock and Roll Hall of Fame described him as "second in stature only to B. B. King as a product of Memphis's Beale Street blues scene".

Collaborations and tributes

Northern-Irish singer-songwriter Van Morrison was an early adherent of Bland, covering "Turn On Your Love Light" while with the band Them and later "Ain't Nothing You Can't Do" on his 1974 live album It's Too Late to Stop Now, and Bland was an occasional guest singer at Morrison's concerts. He also included a previously unreleased version of a March 2000 duet of Morrison and Bland singing "Tupelo Honey" on his 2007 compilation album, The Best of Van Morrison Volume 3.
In 2008 the British singer and lead vocalist of Simply Red, Mick Hucknall, released the album Tribute to Bobby, containing songs associated with Bland. The album reached 18 in the UK Albums Chart.

Death

Bland died on June 23, 2013, at his home in Germantown, Tennessee, a suburb of Memphis, after what family members described as "an ongoing illness." He was 83. He is interred at Memorial Park Cemetery in Memphis. He is survived by his wife, Willie Martin Bland, and his son Rodd, who is also a musician. After his death, Rodd told news media that Bland had recently told him that the blues musician James Cotton was Bland's half-brother.

Collaborative album

Blues Consolidated, 1958 (Duke Records) (with Junior Parker)

Compilations

The Best of Bobby Bland, 1967 (Duke Records)
The Best of Bobby Bland, vol. 2, 1968 (Duke Records)
First Class Blues, 1987 (Malaco Records)
The "3B" Blues Boy: The Blues Years 1952–1959, 1991 (Ace Records)
I Pity the Fool: The Duke Recordings, vol. 1, 1992 (MCA)
Turn on Your Love Light: The Duke Recordings, vol. 2, 1994 (MCA)
That Did It!: The Duke Recordings, vol. 3, 1996 (MCA)
Greatest Hits, Vol. 1: The Duke Recordings, 1998 (MCA, Duke/Peacock)
Greatest Hits, Vol. 2: The ABC–Dunhill/MCA Recordings, 1998 (MCA)
The Anthology, 2001 (MCA)
Unmatched: The Very Best of Bobby Bland, 2011 (Malaco)
Angel in Anguish: The Deep, Deep Soul of Bobby Blue Bland, 2013 (Fingertips)