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Ludwig van Beethoven
Person · male · Electorate of Cologne · Bonn · born 1770 · died 1827 · recording since 1918
German composer (1770-1827)
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Also known as Liudvigas van Bethovenas · Ludvigs van Bēthovens · Ludwig van Beethoven · Людвиг ван Бетховен · ベートーヴェン · 貝多芬 · +18 more
Timeline
156 events▣ Album 152◦ Birth 1† Death 1★ Debut release 1✦ Award 1
1770s
1820s
1910s
· Debut release
Debut release: Kreutzer Sonata
First documented Album in the MusicBrainz discography.
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1920s
1940s
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Album: Beethoven: Symphony no. 9 in D minor, op. 125 (“Choral”) / Brahms: Song of Destiny, op. 54 (Schicksalslied)
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1950s
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Album: Mendelssohn: Violin Concerto in E minor / Beethoven: Romance no. 1 in G major / Romance no. 2 in F major
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Album: Toccata en fa majeur / Concerto pour 2 trompettes en ut / Sonate en fa dièse, op. 78, « À Thérèse » / Symphonie n° 26 en mi bémol (K. 184) / Fantaisie‐impromptu, op. 66 / Carnaval romain, Ouverture
Album
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Album: Sonatas no. 17 in D minor “Tempest” & no. 18 in E‐flat major "Hunt"
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Album: Klaviersonate C-moll Op. 13 (Pathétique) / Klaviersonate As-dur Op. 110
Album
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Album: Emperor: Concerto for Piano and Orchestra no. 5 in E-flat major
Album
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1960s
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Album: Sonates pour piano et violon, N° 5 "Le Printemps" / N° 9 "À Kreutzer"
Album
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Album: Beethoven: Piano Concerto no. 3 / Mozart: Concert-Rondos (K.382 & K.386)
Album
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Album: Cellosonaten A-Dur Op. 69 Und C-Dur Op. 102 Nr. 1 • Variationen Über "Bei Männern, Welche Liebe Fühlen" Von Mozart
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Album: Wellington’s Victory / Leonore Overture no. 3, op. 72a / Prometheus Overture, op. 43
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· Album
Album: Piano Sonata No. 23 "Appassionata" / Piano Sonata No. 12 "Funeral March"
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Album: Piano Sonatas No. 9 in E major, op. 14 no. 1 - no. 10 in G major op. 14 no. 2
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Album: Symphony no. 5 / Egmont Overture / Consecration of the House Overture
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Album: Mozart: Quintet for Piano and Wind Instruments, K. 452 / Beethoven: Quintet for Piano and Wind Instruments, op. 16
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Album: Romanțele pentru vioară și orchestră nr. 1 în Sol major și nr. 2 în Fa major / Sonata nr. 5 pentru vioară și pian (Sonata primăverii)
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Album: Sonaten Nr. 21 »Waldstein« · Nr. 25 G-dur · Nr. 15 »Pastorale« · Nr. 24 Fis-dur
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Album: Der heitere Beethoven : 7 Bagatellen op. 33 / Rondo A-Dur / Für Elise / Bagatelle Nr. 10, op. 119 / Sonatine G-Dur / Sonatine F-Dur / Polonaise G-Dur, op. 89
Album
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Album: Sonatas for Piano: No. 14 in C‐sharp minor, op. 27/2 „Mondscheinsonate“ / No. 27 in E minor, op. 90 / No. 32 in C minor, op. 111
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1970s
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Album: Concert nr. 5 pentru pian și orchestră în Mi bemol major, op. 73 („Imperial“)
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Album: Sämtliche Violinsonaten • Violin Sonatas (Complete) • Intégrale des sonates pour violon
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Album: Wellington's Victory (or the Battle of Victoria), op. 91 / Music For The Ritterballett, WoO 1 / Jena Symphony
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Album: Piano Concerto no. 4 in G major / Six Bagatelles / Rondo a capriccio
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2020s
Biography
English biography10,550 words · 25 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1375816694
Biography
Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer, conductor, and pianist. Regarded as one of the greatest composers in the history of Western music, he was mentored during the Classical period, and his musical style was a key driver of the transition to Romantic music, and the expansion of instrumental forms such as the symphony, the piano sonata and the string quartet. His compositions have attracted extraordinary casual and scholarly interest, and remain among the most performed in the world.
Born in Bonn, Beethoven was a musical prodigy. He was initially taught intensively by his father, Johann van Beethoven, and later by Christian Gottlob Neefe. He found relief from a dysfunctional home life with the family of Helene von Breuning, whose children he loved, befriended, and taught piano. At age 21, he moved to Vienna, which became his base, and studied composition with Joseph Haydn. Beethoven gained a reputation as a virtuoso pianist, and was soon patronized by Karl Alois, Prince Lichnowsky for compositions, which resulted in his three Piano Trios, Op. 1, the earliest works to which he accorded an opus number, in 1795. His Pathétique Sonata was composed in 1798. Around this time, Beethoven began experiencing symptoms of hearing loss.
His career is divided into three periods. In the first, he composed in the classical style of Haydn and Wolfgang Amadeus Mozart. Beethoven's First Symphony premiered in 1800, and his first set of string quartets was published in 1801. The Moonlight Sonata, dedicated to his pupil Julie Guicciardi, is one of his most popular works. In the middle period (1802–1812), he developed a distinctive style. His Third (Eroica) and Fifth Symphonies premiered in 1805 and 1808, respectively. The former was unprecedented in scale and scope. His opera, Fidelio, premiered in 1805, and was later revised. His Violin Concerto appeared in 1806. His Razumovsky quartets were published in 1808. Other middle works include the Waldstein and Appassionata sonatas for piano, the Kreutzer sonata for violin and his Seventh Symphony. His Emperor piano concerto premiered in 1811, without the composer as soloist.
His late period (1812–1827) included some of his most innovative works. His Missa solemnis and his final symphony, the Ninth, premiered in 1824. The latter was the first major example of a choral symphony. His Diabelli Variations and late piano sonatas, particularly the Hammerklavier, are summits of the keyboard literature. His late string quartets, including the Große Fuge, of 1825–1826, are considered pinnacles of the genre. After several months of illness, which left him bedridden, Beethoven died on 26 March 1827 at the age of 56.
Early life and education
Beethoven was the grandson of Ludwig van Beethoven, a musician from the city of Mechelen in Austrian Netherlands (now Belgium), who moved to Bonn at the age of 21. Ludwig was employed as a bass singer at the court of Clemens August, Archbishop-Elector of Cologne, eventually rising to become, in 1761, Kapellmeister (music director) and hence a preeminent musician in Bonn. The portrait he commissioned of himself toward the end of his life remained displayed in his grandson's rooms as a talisman of his musical heritage. Ludwig had two sons, the younger of whom, Johann, worked as a tenor in the same musical establishment and gave keyboard and violin lessons to supplement his income.
Johann married Maria Magdalena Keverich in 1767; she was the daughter of Heinrich Keverich (1701–1751), who was head chef at the court of Johann IX Philipp von Walderdorff, Archbishop of Trier. Beethoven was born of this marriage in Bonn, at what is now the Beethoven House Museum, Bonngasse 20. There is no authentic record of the date of his birth; but the registry of his baptism, in the Catholic Parish of St. Remigius on 17 December 1770, survives, and the custom in the region at the time was to carry out baptism within 24 hours of birth. There is a consensus (with which Beethoven himself agreed) that his birth date was 16 December, but there is no documented proof of this.
Of the seven children born to Johann van Beethoven, only Ludwig, the second-born, and two younger brothers survived infancy. Kaspar Anton Karl (generally known as Karl) was born on 8 April 1774, and Nikolaus Johann, who was generally known as Johann, the youngest, was born on 2 October 1776.
Beethoven's father was his first music teacher. He later had other local teachers, including the court organist Gilles van den Eeden (d. 1782), Tobias Friedrich Pfeiffer, a family friend, who provided keyboard tuition, Franz Rovantini, a relative who instructed him in playing the violin and viola, and court concertmaster Franz Anton Ries, who instructed Beethoven on the violin. His tuition began in his fifth year. The regime was harsh and intensive, often reducing him to tears. With the involvement of Pfeiffer, who was an insomniac, there were irregular late-night sessions with the young Beethoven dragged from his bed to the keyboard. Beethoven's musical talent became obvious at a young age. Aware of Leopold Mozart's successes in this area with his son Wolfgang and daughter Nannerl, Johann attempted to promote his son as a child prodigy, claiming that Ludwig was six (he was seven) on the posters for his first public performance in March 1778.
Beethoven's musical abilities far exceeded his mathematical capabilities. As a student at the Tirocinium, Beethoven learned how to add numbers but he could neither divide nor multiply. Throughout Beethoven's life, he instead used addition as a means of simulating multiplication (thus adding up a column of sixteen sevens, rather than multiplying 16 × 7).
1780–1792: Bonn
In 1780 or 1781, Beethoven began his studies with his most important teacher in Bonn, Christian Gottlob Neefe. Neefe taught him composition; in March 1783, Beethoven's first published work appeared, a set of keyboard variations (WoO 63). Beethoven soon began working with Neefe as assistant organist, at first unpaid (1782), and then as a paid employee (1784) of the court chapel. His first three piano sonatas, WoO 47, sometimes known as Kurfürst (Elector) for their dedication to Elector Maximilian Friedrich, were published in 1783.
In 1783, the first printed reference to Beethoven appeared in the Magazin der Musik – "Louis van Beethoven [sic] ... a boy of 11 years and most promising talent. He plays the piano very skilfully and with power, reads at sight very well ... the chief piece he plays is Das wohltemperierte Klavier of Sebastian Bach, which Herr Neefe puts into his hands". Maximilian Friedrich's successor as Elector of Cologne was Maximilian Franz. He gave some support to Beethoven, appointing him Court Organist and assisting financially with Beethoven's move to Vienna in 1792.
Beethoven developed a close relationship with the upper-class von Breuning family, and gave piano lessons to some of the children. The widowed Helene von Breuning became a "second mother" to Beethoven, taught him more refined manners and nurtured his passion for literature and poetry. The warmth and closeness of the von Breuning family offered the young Beethoven a retreat from his unhappy home life, dominated by Johann's's decline due to alcoholism. Beethoven also met Franz Wegeler, a young medical student, who became a lifelong friend and married one of the von Breuning daughters. Another frequenter of the von Breunings was Count Ferdinand von Waldstein, who became a friend and financial supporter of Beethoven during this period. In 1791, Waldstein commissioned Beethoven's first work for the stage, the ballet Musik zu einem Ritterballett (WoO 1).
The period of 1785 to 1790 includes virtually no record of Beethoven's activity as a composer. This may be attributed to the varied response his initial publications attracted, and also to ongoing issues in his family. While passing through Augsburg, Beethoven visited with composer Anna von Schaden and her husband, who gave him money to return to Bonn to be with his ailing mother. Beethoven's mother died in July 1787, shortly after his return from Vienna, where he stayed for around two weeks.
In 1789, due to his chronic alcoholism, Johann was forced to retire from the service of the Court and it was ordered that half of his father's pension be paid directly to Ludwig for support of the family. Ludwig contributed further to the family's income by teaching, to which Wegeler said he had "an extraordinary aversion", and by playing viola in the court orchestra. This familiarised him with a variety of operas, including works by Mozart, Gluck and Paisiello. There he also befriended Anton Reicha, a composer, flutist, and violinist of about his own age who was a nephew of the court orchestra's conductor, Josef Reicha.
From 1790 to 1792, Beethoven composed several works, only one of which (the piano variation set on Righini's "Venni amore", WoO 65) was published at the time; they showed a growing range and maturity. It was perhaps on Neefe's recommendation that Beethoven received his first commissions; the Literary Society in Bonn commissioned a cantata to mark the recent death of Joseph II (WoO 87), and a further cantata, to celebrate the subsequent accession of Leopold II as Holy Roman Emperor (WoO 88), may have been commissioned by the Elector. These two Emperor Cantatas were not performed during Beethoven's lifetime and became lost until the 1880s.
Beethoven was probably first introduced to Joseph Haydn in December 1790, when Haydn was travelling to London and made a brief stop in Bonn around Christmastime. In July 1792, they met again in Bonn on Haydn's return trip from London to Vienna, when Beethoven played in the orchestra at the Redoute in Godesberg. Arrangements were likely made at that time for Beethoven to study with Haydn. Waldstein wrote to Beethoven before his departure: "You are going to Vienna in fulfilment of your long-frustrated wishes ... With the help of assiduous labour you shall receive Mozart's spirit from Haydn's hands."
1792–1802: Vienna – the early years
In November 1792, Beethoven moved permanently to Vienna from Bonn amid rumours of war spilling out of France. Shortly after his departure, Beethoven learned that his father had died. Over the next few years, he responded to the widespread feeling that he was a successor to the recently deceased Mozart by studying Mozart's work and writing works with a distinctly Mozartian flavour; see Beethoven and Mozart.
Beethoven did not immediately set out to establish himself as a composer but rather devoted himself to study and performance. Working under Haydn's direction, he sought to master counterpoint. He also studied violin under Ignaz Schuppanzigh. Early in this period, he also began receiving occasional instruction from Antonio Salieri, primarily in Italian vocal composition style; this relationship persisted until at least 1802, and possibly as late as 1809.
in 1794, with Haydn's departure for England, Beethoven was expected by the Elector to return home to Bonn. He chose instead to remain in Vienna, continuing his instruction in counterpoint with Johann Albrechtsberger and other teachers. In any case, by this time it must have seemed clear to his employer that Bonn would fall to the French, as it did in October 1794, effectively leaving Beethoven without a stipend or the necessity to return. Several Viennese noblemen had already recognised his ability and offered him financial support, among them Prince Joseph Franz Lobkowitz, Prince Karl Lichnowsky, and Baron Gottfried van Swieten.
Assisted by his connections with Haydn and Waldstein, Beethoven began to develop a reputation as a performer and improviser in the salons of the Viennese nobility. His friend Nikolaus Simrock began publishing his compositions, starting with a set of keyboard variations on a theme of Carl Ditters von Dittersdorf (WoO 66). By 1793, he had established a reputation in Vienna as a piano virtuoso, but he apparently withheld works from publication so that their eventual appearance would have greater impact.
In 1795, Beethoven made his public debut in Vienna over three days, beginning with a performance of one of his own piano concertos on 29 March at the Burgtheater and ending with an unspecified Mozart concerto on 31 March. By this year he had two piano concertos available for performance, one in B♭ major he had begun composing before moving to Vienna and had worked on for over a decade, and one in C major composed for the most part during 1795. Viewing the latter as the more substantive work, he chose to designate it his first piano concerto, publishing it in March 1801 as Opus 15, before publishing the former as Opus 19 the following December. He wrote new cadenzas for both in 1809.
Shortly after his public debut, Beethoven arranged for the publication of the first of his compositions to which he assigned an opus number, the three piano trios, Opus 1. These works were dedicated to his patron Prince Lichnowsky and were a financial success; Beethoven's profits were nearly sufficient to cover his living expenses for a year. In 1799, Beethoven participated in (and won) a notorious piano 'duel' at the home of Baron Raimund Wetzlar (a former patron of Mozart) against the virtuoso Joseph Wölfl; and the next year he similarly triumphed against Daniel Steibelt at the salon of Count Moritz von Fries. Beethoven's eighth piano sonata, the Pathétique (Op. 13, published in 1799), is described by the musicologist Barry Cooper as "surpass[ing] any of his previous compositions, in strength of character, depth of emotion, level of originality, and ingenuity of motivic and tonal manipulation".
Between 1798 and 1800, Beethoven composed his first six string quartets (Op. 18) (commissioned by, and dedicated to, Prince Lobkowitz), published in 1801. He also completed his Septet (Op. 20) in 1799, a work which was extremely popular during Beethoven's lifetime. With premieres of his First and Second Symphonies in 1800 and 1803, Beethoven became regarded as one of the most important of a generation of young composers following Haydn and Mozart. But his melodies, musical development, use of modulation and texture, and characterisation of emotion all set him apart from his influences, and heightened the impact some of his early works made when they were first published.
For the premiere of his First Symphony, he hired the Burgtheater on 2 April 1800, and staged an extensive programme, including works by Haydn and Mozart, as well as his Septet, the Symphony, and one of his piano concertos (the latter three works all then unpublished). The concert, which the Allgemeine musikalische Zeitung called "the most interesting concert in a long time", was not without difficulties; among the criticisms was that "the players did not bother to pay any attention to the soloist". By the end of 1800, Beethoven and his music were already much in demand from patrons and publishers.
In May 1799, Beethoven taught piano to the daughters of Hungarian Countess Anna Brunsvik. During this time, he fell in love with the younger daughter, Josephine. Among his other students, from 1801 to 1805, he tutored Ferdinand Ries, who went on to become a composer and later wrote about their encounters. The young Carl Czerny, who later became a renowned pianist and music teacher himself, studied with Beethoven from 1801 to 1803. Czerny described his teacher at their initial meeting in 1801: Beethoven was dressed in a jacket of shaggy dark grey material and matching trousers, and he reminded me immediately of Campe's Robinson Crusoe, whose book I was reading just then. His jet-black hair bristled shaggily around his head. His beard, unshaven for several days, made the lower part of his swarthy face still darker. In late 1801, Beethoven met a young countess, Julie Guicciardi, through the Brunsvik family; he mentions his love for Julie in a November 1801 letter to a friend, but class difference prevented any consideration of pursuing it. He dedicated his 1802 Sonata Op. 27 No. 2, now commonly known as the Moonlight, to her.
In the spring of 1801, Beethoven completed a ballet, The Creatures of Prometheus (Op. 43). The work received numerous performances in 1801 and 1802 and he rushed to publish a piano arrangement to capitalise on its early popularity. Beethoven completed his Second Symphony in 1802, intended for performance at a concert that was cancelled. The symphony received its premiere one year later, at a subscription concert in April 1803 at the Theater an der Wien, where Beethoven had been appointed composer in residence. In addition to the Second Symphony, the concert featured the First Symphony, the Third Piano Concerto, and the oratorio Christ on the Mount of Olives. Reviews of the concert were mixed, but it was a financial success; Beethoven was able to charge three times the cost of a typical concert ticket.
In 1802, Beethoven's brother Kaspar began to assist the composer in handling his affairs, particularly his business dealings with music publishers. In addition to successfully negotiating higher payments for Beethoven's latest works, Kaspar also began selling several of Beethoven's earlier unpublished compositions and encouraged his brother (against Beethoven's preference) to make arrangements and transcriptions of his more popular works for other instruments and combinations. Beethoven decided to accede to these requests, as he was powerless to prevent publishers from hiring others to do similar arrangements of his works.
Deafness
Beethoven told the English pianist Charles Neate (in 1815) that his hearing loss began in 1798, during a heated quarrel with a singer. During its gradual decline, his hearing was further impeded by a severe form of tinnitus. As early as 1801, he wrote to close friends Wegeler and Carl Amenda describing his symptoms and the difficulties they caused in both professional and social settings (although it is likely some of his other close friends were already aware of the issues). The cause was probably otosclerosis, possibly accompanied by degeneration of the auditory nerve.
On his doctor's advice, Beethoven moved to the small Austrian town of Heiligenstadt, just outside Vienna, from April to October 1802 in an attempt to come to terms with his condition. There he wrote the document now known as the Heiligenstadt Testament, a letter to his brothers that records his thoughts of suicide due to his growing deafness and his resolution to continue living for and through his art. The letter was never sent and was discovered in his papers after his death. The letters to Wegeler and Amenda were not so despairing; in them Beethoven commented on his ongoing professional and financial success at this period, and his determination, as he expressed it to Wegeler, to "seize Fate by the throat; it shall certainly not crush me completely". In 1806, Beethoven noted on one of his musical sketches: "Let your deafness no longer be a secret—even in art."
Although Beethoven's hearing loss did not prevent him from composing music, it made playing at concerts, an important source of income at this phase of his life, increasingly difficult. It also contributed substantially to his social withdrawal. Czerny remarked that Beethoven could still hear speech and music normally until 1812. Contrary to common belief, Beethoven never became totally deaf; in his final years, he was still able to distinguish low tones and sudden loud sounds.
Heroic style
Beethoven's return to Vienna from Heiligenstadt was marked by a change in musical style, and is now often designated as the start of his middle or "heroic" period, characterised by many original works composed on a grand scale. According to Czerny, Beethoven said: "I am not satisfied with the work I have done so far. From now on I intend to take a new way." A work employing this new style was the Third Symphony in E♭, Op. 55, known as the Eroica, written in 1803–04. The idea of creating a symphony based on the career of Napoleon may have been suggested to Beethoven by General Bernadotte in 1798.
Sympathetic to the ideal of the revolutionary leader, Beethoven originally titled the symphony the "Bonaparte" but, disillusioned by Napoleon declaring himself Emperor in 1804, he scratched Napoleon's name from the manuscript's title page, and the symphony was published in 1806 with its present title, subtitled "to celebrate the memory of a great man". The Eroica was longer and larger in scope than any previous symphony. When it premiered in early 1805 it received a mixed reception. Some listeners objected to its length or disliked its structure, while others viewed it as a masterpiece. In 1807, after a performance in Leipzig, the public demanded it to be played again a week later.
Other middle-period works extend in the same dramatic manner the musical language Beethoven had inherited. The Razumovsky string quartets and the Waldstein and Appassionata piano sonatas share the Third Symphony's heroic spirit. Other works of this period include the Fourth through Eighth Symphonies, the oratorio Christ on the Mount of Olives, the opera Fidelio, and the Violin Concerto. The violinist Felix Radicati said that the Razumovsky quartets were "not music". Beethoven replied, "Oh, they are not for you, but for a later age!"
Beethoven was hailed in 1810 by E. T. A. Hoffmann, in an influential review in the Allgemeine musikalische Zeitung, as the greatest of (what he considered) the three Romantic composers (that is, ahead of Haydn and Mozart). Beethoven's Fifth Symphony, wrote Hoffmann, "sets in motion terror, fear, horror, pain, and awakens the infinite yearning that is the essence of romanticism".
During this time, Beethoven's income came from publishing his works, from performances of them, and from his patrons, for whom he gave private performances and copies of works they commissioned for an exclusive period before their publication. Some of his early patrons, including Lobkowitz and Lichnowsky, gave him annual stipends in addition to commissioning works and purchasing published works. Perhaps his most important aristocratic patron was Archduke Rudolf of Austria, the youngest son of Emperor Leopold II, who in 1803 or 1804 began to study piano and composition with him. They became friends, and their meetings continued until 1824. Beethoven dedicated 14 compositions to Rudolf, including such major works as the Archduke Trio Op. 97 (1811).
His position at the Theater an der Wien was terminated when the theatre changed management in early 1804, and he was forced to move temporarily to the suburbs of Vienna with his friend Stephan von Breuning. This slowed work on Leonore (his original title for his opera), his largest work to date, for a time. It was delayed again by the Austrian censor and finally premiered, under its present title of Fidelio, in November 1805 to houses that were nearly empty because of the French occupation of the city. This version of Fidelio was a critical and financial failure, and Beethoven began revising it.
Despite this failure, Beethoven continued to attract recognition. In 1807 the musician and publisher Muzio Clementi secured the rights to publish his works in England, and Haydn's former patron Prince Esterházy commissioned the Mass in C, Op. 86, for his wife's name-day. But he could not count on such recognition alone. A colossal benefit concert he organised in December 1808, widely advertised, included the premieres of the Fifth and Sixth (Pastoral) symphonies, the Fourth Piano Concerto, extracts from the Mass in C, the scena and aria "Ah! perfido" Op. 65 and the Choral Fantasy op. 80. There was a large audience (including Czerny and the young Ignaz Moscheles), but it was under-rehearsed, involved many stops and starts, and during the Fantasia Beethoven was noted shouting at the musicians "badly played, wrong, again!" The financial outcome is unknown.
In the autumn of 1808, after having been rejected for a position at the Royal Theatre, Beethoven received an offer from Napoleon's brother Jérôme Bonaparte, then king of Westphalia, for a well-paid position as Kapellmeister at the court in Cassel. To persuade him to stay in Vienna, Archduke Rudolf, Prince Kinsky and Prince Lobkowitz, after receiving representations from Beethoven's friends, pledged to pay him a pension of 4000 florins a year. In the event, Rudolf paid his share of the pension on the agreed date. Kinsky, immediately called to military duty, did not contribute and died in November 1812 after falling from his horse. The Austrian currency destabilised and Lobkowitz went bankrupt in 1811 so that to benefit from the agreement Beethoven eventually had recourse to the law, which in 1815 brought him some recompense.
The imminence of war reaching Vienna was felt in early 1809. In April, Beethoven completed writing his Piano Concerto No. 5 in E♭ major, Op. 73, which the musicologist Alfred Einstein has called "the apotheosis of the military concept" in Beethoven's music. Rudolf left the capital with the Imperial family in early May, prompting Beethoven's piano sonata Les Adieux (Sonata No. 26, Op. 81a), actually titled by Beethoven in German Das Lebewohl (The Farewell), of which the final movement, Das Wiedersehen (The Return), is dated in the manuscript with the date of Rudolf's homecoming of 30 January 1810.
During the French bombardment of Vienna in May, Beethoven took refuge in the cellar of his brother Kaspar's house. The subsequent occupation of Vienna and disruptions to cultural life and to Beethoven's publishers, together with Beethoven's poor health at the end of 1809, explain his significantly reduced output during this period, although other notable works of the year include his String Quartet No. 10 in E♭ major, Op. 74 (The Harp) and the Piano Sonata No. 24 in F♯ major, Op. 78, dedicated to Josephine's sister Therese Brunsvik.
Goethe
At the end of 1809, Beethoven was commissioned to write incidental music for Goethe's play Egmont. The result (an overture, and nine additional entractes and vocal pieces, Op. 84), which appeared in 1810, fit well with Beethoven's heroic style and he became interested in Goethe, setting three of his poems as songs (Op. 83) and learning about him from a mutual acquaintance, Bettina Brentano (who also wrote to Goethe at this time about Beethoven). Other works of this period in a similar vein were the F minor String Quartet Op. 95, to which Beethoven gave the subtitle Quartetto serioso, and the Op. 97 Piano Trio in B♭ major, known from its dedication to his patron Rudolph, as the Archduke Trio.
In the spring of 1811, Beethoven became seriously ill, with headaches and high fever. His doctor Johann Malfatti recommended he take a cure at the spa of Teplitz (now Teplice in the Czech Republic), where he wrote two more overtures and sets of incidental music for dramas, this time by August von Kotzebue – King Stephen Op. 117 and The Ruins of Athens Op. 113. Advised again to visit Teplitz in 1812, he met there with Goethe, who wrote of Beethoven: "His talent amazed me; unfortunately he is an utterly untamed personality, who is not altogether wrong in finding the world detestable, but surely he does not make it any more enjoyable... by his attitude." Beethoven wrote to his publishers Breitkopf and Härtel, "Goethe delights far too much in the court atmosphere, far more than is becoming in a poet." But following their meeting he began a setting for choir and orchestra of Goethe's Meeresstille und glückliche Fahrt (Calm Sea and Prosperous Voyage), Op. 112, completed in 1815. After it was published in 1822 with a dedication to the poet, Beethoven wrote to him: "The admiration, the love and esteem which already in my youth I cherished for the one and only immortal Goethe have persisted."
The Immortal Beloved
While Beethoven was at Teplitz in 1812, he wrote a ten-page love letter to his "Immortal Beloved", which he never sent. The identity of the intended recipient was long a subject of debate, although the musicologist Maynard Solomon has argued that the intended recipient was Antonie Brentano; other candidates included Julie Guicciardi, Therese Malfatti, Anna Maria Erdődy, and Josephine Brunsvik.
All of these had been regarded by Beethoven as possible soulmates during his first decade in Vienna. Although Guicciardi flirted with Beethoven, she probably never had any serious interest in him and married Wenzel Robert von Gallenberg in November 1803. (According to Anton Schindler, Beethoven's later secretary and biographer, Beethoven insisted to him that Guicciardi had "sought me out, crying, but I scorned her".) Josephine had, since Beethoven's initial infatuation with her, married the elderly Count Joseph Deym, who died in 1804. Beethoven began to visit her and commenced a passionate correspondence. Initially, he accepted that Josephine could not love him, but he continued to address himself to her even after she had moved to Budapest. Only by 1807, in his last correspondence with her, did he acknowledge that she held little feeling for him in his statement "I thank you for wishing still to appear as if I were not altogether banished from your memory". Malfatti was the niece of Beethoven's doctor and he had proposed to her in 1810, when he was 40 and she was 19; the proposal was rejected. She is now remembered as the possible recipient of the piano bagatelle known as "Für Elise".
Antonie (Toni) Brentano (née von Birkenstock), ten years younger than Beethoven, was the wife of Franz Dominicus Brentano, the half-brother of Bettina Brentano, who provided Beethoven's introduction to the family. It would seem that Antonie and Beethoven had an affair during 1811–1812. Antonie left Vienna with her husband in late 1812 and never met with (or apparently corresponded with) Beethoven again, although in her later years, she wrote and spoke fondly of him. Some speculate that Beethoven was the father of Antonie's son Karl Josef; "the boy, born in 1813 and never seen by the composer, became ill aged four with a condition that limited his movements and mental capacity."
After 1812, there are no reports of any romantic liaisons of Beethoven's; however, it is clear from his correspondence of the period and, later, from the conversation books, that he occasionally engaged the services of prostitutes.
Family issues
In early 1813, Beethoven apparently went through a difficult emotional period, and his compositional output dropped. His personal appearance degraded, as did his manners in public, notably when dining.
Family issues could have played a part in this. Beethoven had visited his brother Johann at the end of October 1812. He wished to end Johann's cohabitation with Therese Obermayer, a woman who already had an illegitimate child. He was unable to convince Johann to end the relationship and appealed to the local civic and religious authorities, but Johann and Therese married on 8 November.
The illness and eventual death of his brother Kaspar from tuberculosis became an increasing concern. Kaspar had been ill for some time; in 1813 Beethoven lent him 1500 florins, to procure the repayment of which he was ultimately led to complex legal measures. After Kaspar died on 15 November 1815, Beethoven immediately became embroiled in a protracted legal dispute with Kaspar's widow Johanna over custody of their son Karl, then nine years old. Beethoven had successfully applied to Kaspar to have himself named the sole guardian of the boy. A late codicil to Kaspar's will gave him and Johanna joint guardianship. While Beethoven was successful at having his nephew removed from her custody in January 1816 and had him removed to a private school, in 1818, he was again preoccupied with the legal processes around Karl. While giving evidence to the court for the nobility, the Landrechte, Beethoven was unable to prove that he was of noble birth and as a consequence, on 18 December 1818 the case was transferred to the civil magistrate of Vienna, where he lost sole guardianship. He regained custody after intensive legal struggles in 1820. During the years that followed, Beethoven frequently interfered in his nephew's life in what Karl perceived as an overbearing manner.
Post-war Vienna
Beethoven was finally motivated to begin significant composition again in June 1813 when news arrived of the French defeat at the Battle of Vitoria by a coalition led by the Duke of Wellington. The inventor Johann Nepomuk Maelzel persuaded him to write a work commemorating the event for his mechanical instrument the Panharmonicon. This Beethoven also transcribed for orchestra as Wellington's Victory (Op. 91, also known as the Battle Symphony). It was first performed on 8 December, along with his
Seventh Symphony, Op. 92, at a charity concert for victims of the war, a concert whose success led to its repeat on 12 December. The orchestra included several leading and rising musicians who happened to be in Vienna at the time, including Giacomo Meyerbeer and Domenico Dragonetti. The work received repeat performances at concerts staged by Beethoven in January and February 1814. These concerts were the most profitable of Beethoven's career and enabled him to buy the bank shares that were the most valuable assets in his estate at his death. The Allegretto proved particularly popular. In response to Gottfried Weber's negative review, Beethoven wrote "What I shit is better than anything you have ever thought."
Beethoven's renewed popularity led to demands for a revival of Fidelio, which, in its third revised version, was well received at its July opening in Vienna, and was frequently staged there during the following years. Beethoven's publisher, Artaria, commissioned the 20-year-old Moscheles to prepare a piano score of the opera, which he inscribed "Finished, with God's help!"—to which Beethoven added "O Man, help thyself." That summer Beethoven composed a piano sonata for the first time in five years, his Sonata in E minor, Opus 90. He was one of many composers who produced music in a patriotic vein to entertain the many heads of state and diplomats who came to the Congress of Vienna that began in November 1814, with the cantata Der glorreiche Augenblick (The Glorious Moment) (Op. 136) and similar choral works which, in the words of Maynard Solomon, "broadened Beethoven's popularity, [but] did little to enhance his reputation as a serious composer".
In April and May 1814, playing in his Archduke Trio, Beethoven made his last public appearances as a soloist. The composer Louis Spohr noted: "the piano was badly out of tune, which Beethoven minded little, since he did not hear it ... there was scarcely anything left of the virtuosity of the artist ... I was deeply saddened." From 1814 onward, Beethoven used for conversation ear-trumpets designed by Johann Nepomuk Maelzel (a number of these are on display at the Beethoven-Haus in Bonn).
His 1815 compositions include an expressive second setting of the poem An die Hoffnung (Op. 94) in 1815. Compared to its first setting in 1805 (a gift for Josephine Brunsvik), it was "far more dramatic ... The entire spirit is that of an operatic scena." But his energy seemed to be dropping: apart from these works, he wrote the two Cello Sonatas Op. 102 nos. 1 and 2, and a few minor pieces, and began but abandoned a sixth piano concerto.
Pause
Between 1815 and 1819, Beethoven's output dropped again to a level unique in his mature life. He attributed part of this to a lengthy illness that he called an inflammatory fever that he had for more than a year starting in October 1816. Solomon suggests it is also doubtless a consequence of the ongoing legal problems concerning his nephew Karl, and of Beethoven finding himself increasingly at odds with current musical trends. Unsympathetic to developments in German romanticism that featured the supernatural (as in operas by Spohr, Heinrich Marschner and Carl Maria von Weber), he also "resisted the impending Romantic fragmentation of the ... cyclic forms of the Classical era into small forms and lyric mood pieces" and turned towards study of Bach, Handel and Palestrina. An old connection was renewed in 1817 when Maelzel sought, and obtained, Beethoven's endorsement for his newly developed metronome. During these years he completed his settings of poems by Alois Jeitteles, An die ferne Geliebte Op. 98 (1816), which introduced the song cycle into classical repertoire. The Hammerklavier Sonata (1818) is considered a summit of the piano literature; the first public performance was in 1836 by Franz Liszt. Upon finishing it, Beethoven wrote "Now I know how to write music."
By early 1818, Beethoven's health had improved, and his nephew Karl, now aged 11, moved in with him in January (although within a year Karl's mother had won him back in the courts). By now, Beethoven's hearing had again seriously deteriorated, necessitating that he and his interlocutors write in notebooks to carry out conversations. These 'conversation books' are a rich written resource for his life from this period onward. They contain discussions about music, business, and personal life; they are also a valuable source for his contacts and for investigations into how he intended his music should be performed, and of his opinions of the art of music. His household management had also improved somewhat with the help of Nannette Streicher. A proprietor of the Stein piano workshop and a personal friend, Streicher had assisted in Beethoven's care during his illness; she continued to provide some support, and in her he finally found a skilled cook. A testimonial to the esteem in which Beethoven was held in England was the presentation to him in this year by Thomas Broadwood, the proprietor of the company, of a Broadwood piano, for which Beethoven expressed thanks. He was not well enough, however, to carry out a visit to London that year which had been proposed by the Philharmonic Society.
Resurgence
Despite the time occupied by his ongoing legal struggles over Karl, which involved continuing extensive correspondence and lobbying, two events sparked off Beethoven's major composition projects in 1819. The first was the announcement of Archduke Rudolf's promotion to Cardinal-Archbishop as Archbishop of Olomouc (now in the Czech Republic), which triggered the Missa solemnis Op. 123, intended to be ready for his installation in Olomouc in March 1820. The other was the invitation by the publisher Antonio Diabelli to 50 Viennese composers, including Beethoven, Franz Schubert, Czerny and the 8-year-old Franz Liszt, to compose a variation each on a theme which he provided. Beethoven was spurred to outdo the competition and by mid-1819 had already completed 20 variations of what were to become the 33 Diabelli Variations Op. 120. Neither of these works was completed for a few years. A significant tribute of 1819, however, was Archduke Rudolf's set of 40 piano variations on a theme written for him by Beethoven (WoO 200) and dedicated to the master. Beethoven's portrait by Ferdinand Schimon of this year, which was one of the most familiar images of him for the next century, was described by Schindler as, despite its artistic weaknesses, "in the rendering of that particular look, the majestic forehead ... the firmly shut mouth and the chin shaped like a shell, ... truer to nature than any other picture". Joseph Karl Stieler also created his own portrait of Beethoven.
Beethoven's determination over the following years to write the Mass for Rudolf was likely not motivated by any devout Catholicism. Although he had been born a Catholic, the form of religion as practised at the court in Bonn where he grew up was, in the words of Solomon, "a compromise ideology that permitted a relatively peaceful coexistence between the Church and rationalism". Beethoven's Tagebuch (a diary he kept on an occasional basis between 1812 and 1818) shows his interest in a variety of religious philosophies, including the Rig-Veda. In a letter to Rudolf of July 1821, Beethoven shows his belief in a personal God: "God ... sees into my innermost heart and knows that as a man I perform most conscientiously and on all occasions the duties which Humanity, God, and Nature enjoin upon me." On one of the sketches for the Missa solemnis he wrote "Plea for inner and outer peace". In this same regard, it is of further interest that when A. C. Kalischer posthumously published a volume on the personal letters of Beethoven, he was advised by the curators of the British Museum's Oriental Department to consult texts by the German-British philologist Max Müller for his translations of the Upanishads, as well as a German book on Indian Philosophy published at Jena in 1816, because "many sentences [were] very similar to those in the Beethoven document".
Beethoven's status was confirmed by the series of Concerts sprituels given in Vienna by the choirmaster Franz Xaver Gebauer in the 1819/1820 and 1820/1821 seasons, during which all eight of his symphonies to date, plus the oratorio Christus and the Mass in C, were performed. Beethoven was typically underwhelmed: when in an April 1820 conversation book a friend mentioned Gebauer, Beethoven wrote in reply "Geh! Bauer" (Begone, peasant!)
In 1819, Beethoven was first approached by the publisher Moritz Schlesinger, who won the suspicious composer round, while visiting him at Mödling, by procuring for him a plate of roast veal. One consequence of this was that Schlesinger secured Beethoven's three last piano sonatas and his final quartets; part of the attraction to Beethoven was that Schlesinger had publishing facilities in Germany and France, and connections in England, which could overcome problems of copyright piracy. The first of the three sonatas, for which Beethoven contracted with Schlesinger in 1820 at 30 ducats per sonata (further delaying completion of the Mass), was sent to the publisher at the end of that year (the Sonata in E major, Op. 109, dedicated to Maximiliane von Blittersdorf, Antonie Brentano's daughter).
In early 1821, Beethoven was once again in poor health with rheumatism and jaundice. Despite this, he continued work on the remaining piano sonatas he had promised to Schlesinger (the Sonata in A♭ major Op. 110 was published in December), and on the Mass. In early 1822 Beethoven sought a reconciliation with his brother Johann, whose marriage in 1812 had met with his disapproval, and Johann now became a regular visitor (as witnessed by the conversation books of the period) and began to assist him in his business affairs, including lending him money against ownership of some of his compositions. He also sought some reconciliation with the mother of his nephew, including supporting her income, although this did not meet with the approval of the contrary Karl. Two commissions at the end of 1822 improved Beethoven's financial prospects. In November the Philharmonic Society of London offered a commission for a symphony, which he accepted with delight, as an appropriate home for the Ninth Symphony on which he was working. Also in November Prince Nikolai Galitzin of Saint Petersburg offered to pay Beethoven's asking price for three string quartets. Beethoven set the price at the high level of 50 ducats per quartet in a letter dictated to his nephew Karl, who was then living with him.
During 1822, Anton Schindler, who in 1840 became one of Beethoven's earliest and most influential (but not always reliable) biographers, began to work as the composer's unpaid secretary. He later claimed that he had been a member of Beethoven's circle since 1814, but there is no evidence for this. Cooper suggests that "Beethoven greatly appreciated his assistance, but did not think much of him as a man".
1823–1827: Final years
The year 1823 saw the completion of three notable works, all of which had occupied Beethoven for some years: the Missa solemnis, the Ninth Symphony, and the Diabelli Variations.
Beethoven at last presented the manuscript of the completed Missa solemnis to Rudolph on 19 March (more than a year after the archduke's enthronement as archbishop). But he was in no hurry to get it published or performed as he had formed a notion that he could profitably sell manuscripts of the work to various courts in Germany and Europe at 50 ducats each. One of the few who took up this offer was Louis XVIII of France, who also sent Beethoven a heavy gold medallion. The Symphony and the variations took up most of the rest of Beethoven's working year. Diabelli hoped to publish both works, but the potential prize of the Mass excited many other publishers to lobby Beethoven for it, including Schlesinger and Carl Friedrich Peters. (In the end, it was obtained by Schotts).
Beethoven had become critical of the Viennese reception of his works. He told the visiting Johann Friedrich Rochlitz in 1822:
You will hear nothing of me here ... Fidelio? They cannot give it, nor do they want to listen to it. The symphonies? They have no time for them. My concertos? Everyone grinds out only the stuff he himself has made. The solo pieces? They went out of fashion long ago, and here fashion is everything. At the most, Schuppanzigh occasionally digs up a quartet.
He therefore inquired about premiering the Missa and the Ninth Symphony in Berlin. When his Viennese admirers learnt of this, they pleaded with him to arrange local performances. Beethoven was won over, and the symphony was first performed, along with sections of the Missa solemnis, on 7 May 1824, to great acclaim at the Kärntnertortheater. Beethoven stood by the conductor Michael Umlauf during the concert beating time (although Umlauf had warned the singers and orchestra to ignore him). Harold C. Schonberg writes that "the chorus had trouble singing the music and pleaded for the high notes to be taken down, just as the contralto soloist, Caroline Unger, also begged for changes. Beethoven refused ... The scherzo made a big impression however, and Unger turned Beethoven around to see the applause he could not hear."
The Allgemeine musikalische Zeitung gushed, "inexhaustible genius had shown us a new world", and Carl Czerny wrote that the Symphony "breathes such a fresh, lively, indeed youthful spirit ... so much power, innovation, and beauty as ever [came] from the head of this original man, although he certainly sometimes led the old wigs to shake their heads". The concert did not net Beethoven much money, as the expenses of mounting it were very high. A second concert on 24 May, in which the producer guaranteed him a minimum fee, was poorly attended; nephew Karl noted that "many people [had] already gone into the country". It was Beethoven's last public concert. Beethoven accused Schindler of either cheating him or mismanaging the ticket receipts; this led to the replacement of Schindler as Beethoven's secretary by Karl Holz, the second violinist in the Schuppanzigh Quartet, although by 1826 Beethoven and Schindler reconciled. The Missa was inscribed to Beethoven's foremost patron as well as pupil and friend. The copy presented to Rudolf was inscribed "Von Herzen—Möge es wieder—Zu Herzen gehn!" ("From the heart – may it return to the heart!")
Beethoven then turned to writing the string quartets for Galitzin, despite failing health. The first of these, the String Quartet No. 12 was premiered by the Schuppanzigh Quartet in March 1825. While writing the next, the String Quartet No. 15, in April 1825, he was struck by a sudden illness. Recuperating in Baden, he included in the quartet its slow movement to which he gave the title "Holy song of thanks (Heiliger Dankgesang) to the Divinity, from a convalescent, in the Lydian mode". The next quartet to be completed was the String Quartet No. 13. In six movements, the last, contrapuntal movement proved very difficult for both the performers and the audience at its premiere in March 1826 (again by the Schuppanzigh Quartet). Beethoven was persuaded by the publisher Artaria to write a new finale, and to issue the last movement as a separate work (the Große Fuge, Op. 133). Beethoven's rated the String Quartet No. 14 as his most perfect single work.
Beethoven's relations with Karl had continued to be stormy; Beethoven's letters to him were demanding and reproachful. In August, Karl, who had been seeing his mother again against Beethoven's wishes, attempted suicide by shooting himself. He survived and after discharge from hospital went to recuperate in the village of Gneixendorf with Beethoven and his uncle Johann. In Gneixendorf, Beethoven completed the (Quartet in F major, Op. 135), which he sent to Schlesinger. Under the introductory slow chords in the last movement, Beethoven wrote in the manuscript "Muss es sein?" (Must it be?); the response, over the faster main theme of the movement, is "Es muss sein!" (It must be!). The whole movement is headed Der schwer gefasste Entschluss (The difficult decision). Following this in November Beethoven completed his final composition, the replacement finale for the Op. 130 quartet. Beethoven at this time was already ill and depressed; he began to quarrel with Johann, insisting that Johann make Karl his heir, in preference to Johann's wife. Submitting the late quartets to his publisher, Beethoven wrote "Thank God, there is less lack of imagination than ever before."
Death
On his return journey to Vienna from Gneixendorf in December 1826, illness struck Beethoven again. He was attended until his death by Andreas Ignaz Wawruch, who throughout December noticed symptoms including fever, jaundice and dropsy, with swollen limbs, coughing and breathing difficulties. Several operations were carried out to tap off the excess fluid from Beethoven's abdomen. Karl stayed by Beethoven's bedside during December but left after the beginning of January to join the army at Iglau and did not see his uncle again, although he wrote to him shortly afterwards: "My dear father ... I am living in contentment and regret only that I am separated from you." Immediately following Karl's departure, Beethoven wrote a will making his nephew his sole heir.
Later, in January 1827, Beethoven was attended by Dr. Malfatti, whose treatment (recognizing the seriousness of his patient's condition) was largely centred on alcohol. As the news spread of the severity of Beethoven's condition, many old friends came to visit, including Diabelli, Schuppanzigh, Lichnowsky, Schindler, the composer Johann Nepomuk Hummel, and his pupil Ferdinand Hiller. Many tributes and gifts were also sent, including £100 from the Philharmonic Society in London and a case of expensive wine from Schotts. During this period, Beethoven was almost completely bedridden despite occasional efforts to rouse himself. On 24 March he was given the Last Rites by a Roman Catholic priest.
On 24 March 1827, he said to Schindler and the others present: "Plaudite, amici, comoedia finita est" ("Applaud, friends, the comedy is over"). Later that day, when the wine from Schotts arrived, he whispered: "Pity – too late."
On 26 March 1827, Beethoven died at the age of 56; only his friend Anselm Hüttenbrenner and a "Frau van Beethoven" (possibly his old enemy Johanna van Beethoven) were present. According to Hüttenbrenner, at about 5 pm local time (17:00), there was a flash of lightning and a clap of thunder: "Beethoven opened his eyes, lifted his right hand and looked up for several seconds with his fist clenched ... not another breath, not a heartbeat more."
Many visitors came to the deathbed; some locks of the dead man's hair were retained by Hüttenbrenner and Hiller, among others. An autopsy revealed Beethoven had significant liver damage, which could have been due to his heavy alcohol consumption, and also considerable dilation of the auditory and other related nerves.
Beethoven's funeral procession in Vienna on 29 March 1827 was attended by an estimated 10,000 people. Franz Schubert and the violinist Joseph Mayseder were among the torchbearers. A funeral oration by the poet Franz Grillparzer (who would also write Schubert's epitaph) was read by the actor Heinrich Anschütz.
Beethoven was buried in the Währing cemetery, north-west of Vienna, after a requiem mass at the church of the Holy Trinity (Dreifaltigkeitskirche) on Alser Straße. Beethoven's remains were exhumed for study in 1863, and moved in 1888 to Vienna's Zentralfriedhof where they were reinterred in a grave adjacent to Schubert's.
The three periods
The historian William Drabkin notes that as early as 1818 a writer had proposed a three-period division of Beethoven's works and that such a division (albeit often adopting different dates or works to denote changes in period) eventually became a convention adopted by all of Beethoven's biographers, starting with Schindler, F.-J. Fétis and Wilhelm von Lenz. Later writers sought to identify sub-periods within this generally accepted structure. Its drawbacks include that it generally omits a fourth period, that is, the early years in Bonn, whose works are less often considered; and that it ignores the differential development of Beethoven's composing styles over the years for different categories of work. The piano sonatas, for example, were written throughout Beethoven's life in a progression that can be interpreted as continuous development; the symphonies do not all demonstrate linear progress; of all of the types of composition, perhaps the quartets, which seem to group themselves in three periods (Op. 18 in 1801–1802, Opp. 59, 74 and 95 in 1806–1814, and the quartets, today known as 'late', from 1824 onwards) fit this categorisation most neatly. Drabkin concludes that "now that we have lived with them so long ... as long as there are programme notes, essays written to accompany recordings, and all-Beethoven recitals, it is hard to imagine us ever giving up the notion of discrete stylistic periods."
Bonn 1782–1792
Some forty compositions, including ten very early works written by Beethoven up to 1785, survive from the years that Beethoven lived in Bonn. It has been suggested that Beethoven largely abandoned composition between 1785 and 1790, possibly as a result of negative critical reaction to his first published works. A 1784 review in Johann Nikolaus Forkel's influential Musikalischer Almanack compared Beethoven's efforts to those of rank beginners. The three early piano quartets of 1785 (WoO 36), closely modelled on violin sonatas of Mozart, show his dependency on the music of the period. Beethoven did not give any of the Bonn works an opus number, except for those which he reworked for use later in his career, for example, some of the songs in his Op. 52 collection (1805) and the Wind Octet reworked in Vienna in 1793 to become his String Quintet, Op. 4. Charles Rosen points out that Bonn was something of a backwater compared to Vienna; Beethoven was unlikely to be acquainted with the mature works of Haydn or Mozart, and Rosen opines that his early style was closer to that of Hummel or Muzio Clementi. Kernan suggests that at this stage Beethoven was not especially notable for his works in sonata style, but more for his vocal music; his move to Vienna in 1792 set him on the path to develop the music in the genres he became known for.
First period
The conventional first period began after Beethoven's arrival in Vienna in 1792. In the first few years, he seems to have composed less than he did at Bonn, and his Piano Trios, Op. 1 were not published until 1795. From this point onward, he had mastered the 'Viennese style' of Haydn and Mozart and was making it his own. His works from 1795 to 1800 are larger in scale than was the norm (writing sonatas in four movements, not three, for instance); typically he uses a scherzo rather than a minuet and trio; and his music often includes extreme dynamics and tempi and chromatic harmony. It was this that led Haydn to believe the third trio of Op. 1 was too difficult for an audience to appreciate.
He also explored new directions and gradually expanded the scope and ambition of his work. Some important pieces of the early period are the First and Second symphonies, the String Quartets Nos. 1–6, Op. 18, the first two piano concertos, and the first twenty piano sonatas, including the famous Pathétique, Op. 13.
Middle period
His middle period began shortly after the personal crisis brought on by his recognition of encroaching deafness. It includes large-scale works that express heroism and struggle. Middle-period works include Symphonies 3–8, the last two piano concertos, the Triple Concerto and Violin Concerto, five string quartets (Nos. 7–11), several piano sonatas (including the Waldstein and Appassionata sonatas), the Kreutzer violin sonata and his opera, Fidelio.
This period is sometimes associated with a heroic manner of composing, but the use of the term "heroic" has become increasingly controversial in Beethoven scholarship. The term is more frequently used as an alternative name for the middle period. The appropriateness of the term heroic to describe the whole middle period has been questioned as well: while some works, like the Third (Eroica) and Fifth Symphonies, are easy to describe as heroic, many others, like his Symphony No. 6 (Pastoral) or his Piano Sonata No. 24, are not.
Schonberg notes that the Eroica was a landmark not only for Beethoven but for music: "a symphony longer than any previously written and much more difficult to play (it really was composed for an orchestra of the future); a symphony with complex harmonies; a symphony of titanic force; a symphony of fierce dissonances; a symphony with a funeral march that is paralyzing in its intensity."
Late period
Beethoven's late period began in the decade 1810–1819. He began a renewed study of older music, including Gregorian chants and works by Palestrina, Bach, and George Frideric Handel, whom Beethoven considered "the greatest composer who ever lived". Beethoven's late works incorporated polyphony, church modes, and Baroque-era devices. For example, the overture The Consecration of the House (1822) included a fugue influenced by Handel.
A new style emerged, as he returned to the keyboard to compose his first piano sonatas in almost a decade. The works of the late period include the last five piano sonatas and the Diabelli Variations, the last two sonatas for cello and piano, the late string quartets (including the massive Große Fuge), and two works for very large forces: the Missa solemnis and the Ninth Symphony. Works from this period are characterised by their intellectual depth, their formal innovations, and their intense, highly personal expression. The String Quartet No. 14, Op. 131 has seven linked movements, and the Ninth Symphony adds choral forces to the orchestra in the last movement. Schonberg writes that "he had started as a composer in the classic tradition and had ended as composer beyond time and space, using a language that he himself had forged, a language compressed, cryptic and explosive, expressed in forms of his own devising."
Beethoven's pianos
Beethoven's earlier preferred pianos included those of Johann Andreas Stein; he may have been given a Stein piano by Count Waldstein. From 1786 onwards there is evidence of Beethoven's cooperation with Johann Andreas Streicher, who had married Stein's daughter Nannette. Streicher left Stein's business to set up his own firm in 1803, and Beethoven continued to admire his products, writing to him in 1817 of his "special preference" for his pianos.
Among the other pianos Beethoven possessed was an Érard piano given to him by the manufacturer in 1803. The Érard piano, with its exceptional resonance, may have influenced Beethoven's piano style – shortly after receiving it he began writing his Waldstein Sonata – but despite initial enthusiasm he seems to have abandoned it before 1810 when he wrote that it was "simply not of any use any more"; in 1824 he gave it to his brother Johann.
In 1818, Beethoven received, also as a gift, a grand piano by John Broadwood & Sons. Although Beethoven was proud to receive it, he seems to have been dissatisfied by its tone (a dissatisfaction which was perhaps also a consequence of his increasing deafness), and sought to get it remodelled to make it louder. In 1825 Beethoven commissioned a piano from Conrad Graf, which was equipped with quadruple strings and a special resonator to make it audible to him, but it failed in this task.
Musical
Alex Ross writes "He not only left his mark on all subsequent composers but also molded entire institutions. The professional orchestra arose, in large measure, as a vehicle for the incessant performance of Beethoven's symphonies. The art of conducting emerged in his wake. The modern piano bears the imprint of his demand for a more resonant and flexible instrument. Recording technology evolved with Beethoven in mind: the first commercial 33⅓ r.p.m. LP, in 1931, contained the Fifth Symphony, and the duration of first-generation compact disks was fixed at seventy-five minutes so that the Ninth Symphony could unfurl without interruption. ... More than anything, the mesmerizing intricacy of Beethoven's constructions—his way of building large structures from the obsessive development of curt motifs—that made the repertory culture of classical music possible."
Beethoven was a key influence on the Romantic generation. Schonberg writes that "The Ninth Symphony was the Beethoven work that most influenced Berlioz and Wagner. ... To the Romantics, and many people today, the Ninth Symphony is something more than music. It is an ethos." Johannes Brahms's First Symphony quotes the "Ode to Joy" theme from the Ninth Symphony; Hans von Bülow dubbed it "Beethoven's Tenth".
Beethoven's having written nine symphonies was the original source of the so-called curse of the ninth, a superstition that composers were doomed to die before they could complete a tenth symphony.
Museums
There is a museum, the Beethoven House, in the place of his birth in Bonn. Bonn has also hosted a musical festival, the Beethovenfest, since 1845. The festival was initially irregular but since 2007 has been organised annually.
Two museums in Vienna are devoted to Beethoven. The Beethoven Museum in Probusgasse is where he wrote the Heiligenstadt Testament and the first sketches for the Eroica symphony. The Pasqualatihaus (Mölker Bastei 8) was his most enduring place of residence in Vienna, and is where he wrote the final versions of his Symphonies Nos. 5 and 6.
The Ira F. Brilliant Center for Beethoven Studies, in the Dr. Martin Luther King Jr. Library, on the campus of San Jose State University, California, serves as a museum, research centre, and host of lectures and performances devoted solely to Beethoven's life and works.
Sculptures
The Beethoven Monument in Bonn was unveiled in August 1845, in honour of the 75th anniversary of Beethoven's birth. Both Robert Schumann's Fantasie in C and Felix Mendelssohn's Variations sérieuses were originally conceived as contributions to the fundraising effort. The Beethoven Monument was the first statue of a composer created in Germany, and the music festival that accompanied the unveiling was the impetus for the swift construction of the original Beethovenhalle in Bonn (it was designed and built within less than a month, on the urging of Franz Liszt). Vienna honoured Beethoven with a statue in 1880.
Other
During World War II, the opening motif of Beethoven's Fifth Symphony, whose rhythm corresponds to dot-dot-dot-dash, "V" in Morse code, was used by the Allies to signify "victory," and the BBC played it at the beginning of wartime news broadcasts.
Bonn's principal orchestra is the Beethoven Orchester.
The Beethoven Quartet was a leading Soviet string quartet that premiered thirteen of Shostakovich's fifteen quartets.
The Beethoven Conservatory in St. Louis, Missouri, was named for the composer.
In 2001, Beethoven's manuscript of the Ninth Symphony became the first musical score added to the Memory of the World International Register established by UNESCO.
The Voyager Golden Record, a sample of the sights and sounds of Earth sent into space with the Voyager spacecraft, includes the first movement from the Fifth Symphony, played by the Philharmonia Orchestra conducted by Otto Klemperer. The record closes with the Cavatina from the String Quartet No. 13, played by the Budapest String Quartet.
Popular culture
Beethoven is the favorite composer of Alex, the protagonist of the novel and movie A Clockwork Orange, and his music figures prominently in the storyline and the film's soundtrack.
Beethoven is also the favorite composer of Schroeder in Charles Schulz's Peanuts comic strips, who frequently – if improbably – plays Beethoven on his toy piano. Schroeder lives in a house whose street address number is 1770 (the year Beethoven was born).
John Taylor, the hero of the acclaimed and popular BBC series Ludwig is obsessed with Beethoven, to the point of using the composer's first name as his pseudonym. The show's score consists largely of loose arrangements of Beethoven's music.
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 274 | 100th |
| Spotify monthly listeners | 7,473,977 | 15th |
| Release groups in DB | 267 | 99.7th |
| Studio albums | 153 | 99.8th |
| Awards recorded | 1 | 89th |
| Timeline events | 156 | 99.8th |
| Recording span (years) | -91 | 5.2th |
| Genres | 26 | 99.8th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (267 release groups · 153 studio albums)
Albums · 153
1918 · studio album
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Tracklist · 4 tracks · 4:02
Disc 1A1Kreutzer Sonata: First Movement4:02B1Kreutzer Sonata: Andante With Variations, Part IDisc 2C1Kreutzer Sonata: Andante With Variations, Part IID1Kreutzer Sonata: Finale1928 · studio album
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Tracklist · 22 tracks
Disc 1AMissa solemnis, op. 123: Kyrie, I. Assai sostenuto – Kyrie eleisonBMissa solemnis, op. 123: Kyrie, II. Andante assei ben marcato – Chrite eleisonDisc 2CMissa solemnis, op. 123: Kyrie, III. Andante assei ben marcato – Kyrie eleisonDMissa solemnis, op. 123: Gloria, I. Allegro vivace e meno allegro – Gloria in exelsis DeoDisc 3EMissa solemnis, op. 123: Gloria, II. Larghetto – Qui tollisFMissa solemnis, op. 123: Gloria, III. Allegro maestoso‐fuga – QuoniamDisc 4GMissa solemnis, op. 123: Gloria, IV. In gloria Dei patrisHMissa solemnis, op. 123: Gredo, I. Allegro ma non troppo – Credo in unum DeumDisc 5IMissa solemnis, op. 123: Credo, II. Adagio – Et incarnatus estJMissa solemnis, op. 123: Credo, III. Adagio espressivo – Crucifixus etiam pro nobisDisc 6KMissa solemnis, op. 123: Credo, IV. Allegro et resurrexitLMissa solemnis, op. 123: Credo, V. Allegro ma non troppo – Et vitamDisc 7MMissa solemnis, op. 123: Credo, VI. Grave – Et vitam venturiNMissa solemnis, op. 123: Sanctus, I. Adagio – Sanctus DominusDisc 8OMissa solemnis, op. 123: Sanctus, II. Praeludium – BenedictusPMissa solemnis, op. 123: Sanctus, III. BenedictusDisc 9QMissa solemnis, op. 123: Sanctus, IV. Benedictus – Qui venitRMissa solemnis, op. 123: Agnus Dei, I. Adagio – Agnus, agnus, DeiDisc 10SMissa solemnis, op. 123: Agnus Dei, II. Agnus Dei – Dona nobis pacemTMissa solemnis, op. 123: Agnus Dei, III. Allegro assai – Agnus Dei, qui tollisDisc 11UMissa solemnis, op. 123: Agnus Dei, IV. Presto – Agnus Dei, dona pacemVDie Himmel rühmen des Ewigen EhrePiano Concerto no. 5 in E‐flat “Emperor”
1941 · studio album
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Tracklist · 11 tracks
Disc 11First Movement: Allegro (Beginning)2First Movement: Allegro (Continuation)Disc 21First Movement: Allegro (Continuation)2First Movement: Allegro (Continuation)Disc 31First Movement: Allegro (Conclusion)2Second Movement: Adagio un poco mosso (Beginning)Disc 41Second Movement: Adagio un poco mosso (Conclusion)2Third Movement: Rondo (Beginning)3Third Movement: Rondo (Continuation)Disc 51Third Movement: Rondo (Continuation)2Third Movement: Rondo (Conclusion)1949 · studio album
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Disc 1A1Symphony no. 9 in D minor, op. 125 (“Choral”): First Movement: Allegro non troppo, un poco maestosoA2Symphony no. 9 in D minor, op. 125 (“Choral”): Second Movement: Molto vivace; PrestoD1Song of Destiny, op. 54 (Schicksalslied)Disc 2B1Symphony no. 9 in D minor, op. 125 (“Choral”): Third Movement: Adagio e molto cantabile; Andante moderatoC1Symphony no. 9 in D minor, op. 125 (“Choral”): Fourth Movement: Allegro assai1950 · studio album
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Tracklist · 26 tracks
Disc 1A1Fidelio: OvertureA2Fidelio: 1. Duet - Jetzt Schatzschen … (Jaquino, Marcelline)A3Fidelio: 2. Aria - O war’ ich schon … (Marcelline)A4Fidelio: 3. Quartet - Mir ist so wunderbar … (Marcelline, Leonora, Jaquino, Rocco)A5Fidelio: 4. Aria - Hat man auch nicht Gold … (Rocco)F1Fidelio: 14. Quartet: - Er sterbe … (Pizarro, Leonora, Florestan, Rocco)F2Fidelio: 14. Quartet: - Es schlagt der Rache Stunde … (Pizarro, Leonora, Florestan, Rocco)F3Fidelio: 15. Duet - O namenlose Freude … (Leonora, Florestan)F4Fidelio: 16. Chorus - Heil sei dem Tag …F5Fidelio: 16. Scene with chorus - Des besten Konigs Wink (Fernando, et al.)F6Fidelio: 16. Chorus - Bestrafet sei der Bosewicht …F7Fidelio: 16. Quintet and chorus - O Gott! welch ein Augenblick … (Leonora, et al.)F8Fidelio: 16. Chorus with Quintet - Wer ein holdes Weib …Disc 2B1Fidelio: Dialogue - Leonora “Das konnt Ihr leicht …”B2Fidelio: 5. Trio - Gut, Sohnchen, gut … (Rocco, Leonora, Marcelline)B3Fidelio: 6. MarchB4Fidelio: 7. Aria with Chorus - Ha! welch ein Augenblick … (Pizarro)B5Fidelio: 8. Duet - Jetzt, Alter, har es Eile … (Pizarro, Rocco)E1Fidelio: 11. Introduction and aria - Gott! welch Dunkel … (Florestan)E2Fidelio: 12. Melodrama and duet: - Wie kalt ist es … (Leonora, Rocco)E3Fidelio: 12. Melodrama and duet: - Nur hurtig fort … (Leonora, Rocco)E4Fidelio: 13. Trio - Euch werde Lohn … (Florestan, Leonora, Rocco)Disc 3C1Fidelio: 9. Recitative and aria - Abscheulicher, wo eilst … (Leonora)C2Fidelio: 10. Chorus - O welche Lust …D1Fidelio: 10. Recitative and duet - Nun sprecht, wie ging’s … (Leonora, Rocco)D2Fidelio: 10. Quintet with Chorus - Ach, Vater, eilt … (Marcelline, Leonora, Jaquino, Pizarro, Rocco)1950 · studio album
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Tracklist · 4 tracks · 33:20
1Symphony no. 7: Poco sostenuto - Vivace10:392Symphony no. 7: Allegretto7:393Symphony no. 7: Presto7:274Symphony no. 7: Allegro con brio7:35Symphony no. 3 in E flat major, op. 55 "Eroica"
1950 · studio album
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Tracklist · 4 tracks · 46:14
1Symphony no. 3 in E flat, op. 55 "Eroica": I. Allegro con brio14:002Symphony no. 3 in E flat, op. 55 "Eroica": II. Marcia funebre (Adagio assai)15:283Symphony no. 3 in E flat, op. 55 "Eroica": III. Scherzo (Allegro vivace)5:334Symphony no. 3 in E flat, op. 55 "Eroica": IV. Finale (Allegro molto)11:13Symphonie N° 7 / Ouverture "Coriolan"
1951 · studio album
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Tracklist · 5 tracks · 47:23
1Symphonie N° 7 en la majeur, Op.72 — Poco Sostenuto - Vivace12:522Symphonie N° 7 en la majeur, Op.72 — Allegretto10:213Symphonie N° 7 en la majeur, Op.72 — Presto - Assai Meno Presto - Presto - Assai Meno Presto - Presto8:374Symphonie N° 7 en la majeur, Op.72 — Allegro Con Brio6:575Ouverture "Coriolan", Op. 628:36Symphonie Nr. 3 in Es-Dur op. 55 (Eroica)
1952 · studio album
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A1Symphonie Nr. 3 in Es-Dur op. 55 (Eroica): I. Allegro con brioA2Symphonie Nr. 3 in Es-Dur op. 55 (Eroica): II. Marcia funebre; Adagio assaiB1Symphonie Nr. 3 in Es-Dur op. 55 (Eroica): II. (Schluß) Marcia funebre; Adagio assaiB2Symphonie Nr. 3 in Es-Dur op. 55 (Eroica): III. Scherzo: Allegro vivace; Trio; CodaB3Symphonie Nr. 3 in Es-Dur op. 55 (Eroica): IV. Finale: Allegro molto; Poco andante; Presto1952 · studio album
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Tracklist · 2 tracks
ASymphony no. 5 in C minor, op. 67: First and Second MovementsBSymphony no. 5 in C minor, op. 67: Third and Fourth Movements1952 · studio album
Piano Concerto No. 5 "Emperor", E Flat Major, Opus 73
1953 · studio album
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A1Concerto For Piano And Orchestra No. 5 In E Flat, Op. 73 "Emperor": 1st Movement: AllegroB1Concerto For Piano And Orchestra No. 5 In E Flat, Op. 73 "Emperor": 2nd Movement: Adagio Un Poco MossoB2Concerto For Piano And Orchestra No. 5 In E Flat, Op. 73 "Emperor": 3rd Movement: Rondo, Allegro1953 · studio album
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Tracklist · 3 tracks · 43:57
1Violinkonzert D-Dur: I. Allegro ma non troppo - Kadenz (Kreisler) - Tempo I23:572Violinkonzert D-Dur: II. Larghetto9:403Violinkonzert D-Dur: III. Rondo (Allegro) - Kadenz (Kreisler) - Tempo I10:20Beethoven: Moonlight Sonata / Chopin
1953 · studio album
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Tracklist · 7 tracks · 39:24
A1Moonlight Sonata Op. 27, No. 2 In C Sharp Minor: Adagio Sostenuto6:17A2Moonlight Sonata Op. 27, No. 2 In C Sharp Minor: Allegretto2:08A3Moonlight Sonata Op. 27, No. 2 In C Sharp Minor: Presto Agitato7:07B1Polonaise In A Major, Op. 40, No. 15:22B2Fantasie Impromptu In C Sharp Minor, Op. 664:48B3Polonaise In A Flat Major, Op. 536:41B4Scherzo In C Sharp Minor, Op. 397:011953 · studio album
Eroica (Symphony no. 3 in E-flat Major op. 55)
1954 · studio album
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1Symphonie Nr 3 Es-dur, Op. 55 "Eroica": Allegro Con Brio2Symphonie Nr 3 Es-dur, Op. 55 "Eroica": Marcia Funebre (Adagio Assai)3Symphonie Nr 3 Es-dur, Op. 55 "Eroica": Marcia Funebre (Schluss)4Symphonie Nr 3 Es-dur, Op. 55 "Eroica": Scherzo (Allegro Vivace) / Finale (Allegro Molto)Quartet for Strings in B-flat major, op. 130
1954 · studio album
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A1Quartet for Strings no. 13 in B-flat major, op. 130: Adagio ma non troppo - AllegroA2Quartet for Strings no. 13 in B-flat major, op. 130: PrestoA3Quartet for Strings no. 13 in B-flat major, op. 130: Andante con moto, ma non troppoB1Quartet for Strings no. 13 in B-flat major, op. 130: Alla danza tedesca (Allegro assai)B2Quartet for Strings no. 13 in B-flat major, op. 130: Cavatina (Adagio molto espressivo)B3Quartet for Strings no. 13 in B-flat major, op. 130: Finale (Allegro)1955 · studio album
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Tracklist · 5 tracks · 44:09
1Violin Concerto in E minor, op. 64: Allegro molto appassionato12:422Violin Concerto in E minor, op. 64: Andante7:573Violin Concerto in E minor, op. 64: Allegretto non troppo – Allegro molto vivace6:354Romance no. 1 in G major, op. 407:385Romance no. 2 in F major, op. 509:171955 · studio album
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A1Toccata en fa majeurA2Concerto pour 2 trompettes en utA3Sonate en fa dièse, op. 78, « À Thérèse »B1Symphonie n° 26 en mi bémol (K. 184)B2Fantaisie‐impromptu, op. 66B3Carnaval romain, OuverturePianoforte-Concerto no. 3 in C minor, op. 37
1955 · studio album
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Tracklist · 3 tracks
A1Pianoforte-Concerto no. 3, C minor, op. 37: 1st Movement, Allegro con brioB1Pianoforte-Concerto no. 3, C minor, op. 37: 2nd Movement, LargoB2Pianoforte-Concerto no. 3, C minor, op. 37: 3rd Movement, Rondo. AllegroSonatas no. 17 in D minor “Tempest” & no. 18 in E‐flat major "Hunt"
1956 · studio album
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Tracklist · 7 tracks · 41:37
1Piano Sonata No. 17 in D minor, op. 31, no. 2 "Tempest": I. Largo-Allegro7:312Piano Sonata No. 17 in D minor, op. 31, no. 2 "Tempest": II. Adagio6:173Piano Sonata No. 17 in D minor, op. 31, no. 2 "Tempest": III. Allegretto5:474Piano Sonata No. 18 in E-flat, op. 31, no. 3 "Hunt": I. Allegro8:245Piano Sonata No. 18 in E-flat, op. 31, no. 3 "Hunt": II. Scherzo. Allegretto vivace4:516Piano Sonata No. 18 in E-flat, op. 31, no. 3 "Hunt": III. Menuetto. Moderato e grazioso4:137Piano Sonata No. 18 in E flat, op. 31, no. 3 "Hunt": IV.Presto con fuoco4:34Symphony no. 2 in D major / Coriolan Overture
1956 · studio album
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A1Overture "Coriolan," op. 62A2Symphony no. 2 in D major, op 36: First Movement: Adagio Molto - Allegro Con BrioB1Symphony no. 2 in D major, op 36: Second Movement: LarghettoB2Symphony no. 2 in D major, op 36: Third Movement: Sherzo (Allegro) & TrioB3Symphony no. 2 in D major, op 36: Fourth Movement: Allegro Molto1957 · studio album
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A1Symphonie "Iéna" en ut majeur: 1. Adagio - Allegro vivaceA2Symphonie "Iéna" en ut majeur: 2. Adagio cantabileB1Symphonie "Iéna" en ut majeur: 3. Menuetto: MaestosoB2Symphonie "Iéna" en ut majeur: 4. Finale: AllegroMondschein-Sonate / Sonate Pathétique
1957 · studio album
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A1Klaviersonate Nr. 14 Cis-Moll Op. 27 Nr. 2 (Mondschein-Sonate): 1. Adagio SostenutoA2Klaviersonate Nr. 14 Cis-Moll Op. 27 Nr. 2 (Mondschein-Sonate): 2. AllegrettoA3Klaviersonate Nr. 14 Cis-Moll Op. 27 Nr. 2 (Mondschein-Sonate): 3. Presto AgitatoB1Klaviersonate Nr. 8 C-Moll Op. 13 (Pathétique): 1. Grave - AllegroB2Klaviersonate Nr. 8 C-Moll Op. 13 (Pathétique): 2. Adagio CantabileB3Klaviersonate Nr. 8 C-Moll Op. 13 (Pathétique): 3. Rondo8e Symphonie en Fa Majeur Opus 93
1957 · studio album
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A11er Mouvement: Allegro Vivace E Con BrioA22me Mouvement: Allegretto ScherzandoB13me Mouvement: Tempo Di MinuettoB24me Mouvement: Allegro Vivace1957 · studio album
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Tracklist · 6 tracks · 1:00:45
1Klavierkonzert Nr. 2, B-Dur, op. 19 (Rosbaud): I Allegro con brio13:122Klavierkonzert Nr. 2, B-Dur, op. 19 (Rosbaud): II Adagio8:593Klavierkonzert Nr. 2, B-Dur, op. 19 (Rosbaud): III Rondo: Molto allegro5:404Klavierkonzert Nr. 4, G-Dur, op. 58 (Klemperer): I Allegro moderato17:565Klavierkonzert Nr. 4, G-Dur, op. 58 (Klemperer): II Andante con moto5:256Klavierkonzert Nr. 4, G-Dur, op. 58 (Klemperer): III Rondo: Vivace9:33Concerto n° 5 pour piano et orchestre « L'Empereur »
1957 · studio album
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1Concerto n° 5 en mi bémol majeur, pour piano et orchestre "L'Empereur": 1. Allegro2.1Concerto n° 5 en mi bémol majeur, pour piano et orchestre "L'Empereur": 2. Adagio un poco mosso2.2Concerto n° 5 en mi bémol majeur, pour piano et orchestre "L'Empereur": 3. Rondo (Allegro)1958 · studio album
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Tracklist · 12 tracks · 38:39
A1Faithfu' Johnie3:52A2On The Massacre Of Glencoe5:37A3Bonnie Laddie, Highland Laddie2:00A4Sunset3:55A5The Lovely Lass Of Inverness3:22A6The Pulse Of An Irishman2:47B1Once More I Hail Thee4:29B2Morning A Cruel Turmoiler Is2:50B3The Morning Air Plays On My Face2:29B4The Return To Ulster4:33B5Oh, Who My Dear Dermot2:45B6Again My LyreSonatas: Waldstein and op. 111
1958 · studio album
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ASonata no. 21 in C major, op. 53 "Waldstein"BSonata no. 32 in C minor, op. 111Klaviersonate C-moll Op. 13 (Pathétique) / Klaviersonate As-dur Op. 110
1958 · studio album
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1Klaviersonate C-moll Op. 13 (Pathétique): 1. Satz: Grave - Allegro Di Molto E Con Brio2Klaviersonate C-moll Op. 13 (Pathétique): 2. Satz: Adagio Cantabile3Klaviersonate C-moll Op. 13 (Pathétique): 3. Satz: Rondo Allegro4Klaviersonate As-dur Op. 110: 1. Satz: Moderato Cantabile, Molto Espressivo5Klaviersonate As-dur Op. 110: 2. Satz: Allegro Molto6Klaviersonate As-dur Op. 110: 3. Satz: Adagio Ma Non Troppo - Allegro Ma Non TroppoSymphony no. 6 in F major op. 68 (“Pastorale”)
1958 · studio album
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A1Symphony no. 6 in F major, op. 68 (“Pastorale”): I - Allegro ma non troppo (The Awakening of Joyful Feelings Upon Arrival in the Country)A2Symphony no. 6 in F major, op. 68 (“Pastorale”): II - Andante molto moto (The Brook)B1Symphony no. 6 in F major, op. 68 (“Pastorale”): III - Allegro (Village Festival)B2Symphony no. 6 in F major, op. 68 (“Pastorale”): IV - Allegro (The Storm)B3Symphony no. 6 in F major, op. 68 (“Pastorale”): V - Allegretto (Shepherd’s Song)IX. Sinfonie / Egmont Ouvertüre / Ouvertüre Leonore III
1958 · studio album
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Disc 1A1IX. Sinfonie d-moll, op. 125: 1. Satz: Allegro ma non troppo, un poco maestosoA2IX. Sinfonie d-moll, op. 125: 2. Satz: Molto vivaceBIX. Sinfonie d-moll, op. 125: 3. Satz: Adagio molto e cantabileDisc 2C1IX. Sinfonie d-moll, op. 125: 4. Satz: PrestoD1Egmont, Ouvertüre, op. 84D2Ouvertüre Leonore IIISonatas: Moonlight / Pathétique / Appassionata
1958 · studio album
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Tracklist · 9 tracks
A1Sonata no. 8 in C minor, op. 13 "Pathétique": 1. Grave – Allegro molto e con brioA2Sonata no. 8 in C minor, op. 13 "Pathétique": 2. Adagio cantabileA3Sonata no. 8 in C minor, op. 13 "Pathétique": 3. Rondo: AllegroA4Sonata no. 13 in C-sharp minor, op. 27 no. 2 "Moonlight": 1. Adagio sostenutoA5Sonata no. 13 in C-sharp minor, op. 27 no. 2 "Moonlight": 2. AllegrettoB1Sonata no. 13 in C-sharp minor, op. 27 no. 2 "Moonlight": 3. Presto agitatoB2Sonata no. 23 in F minor, op. 57 "Appassionata": 1. Allegro assaiB3Sonata no. 23 in F minor, op. 57 "Appassionata": 2. Andante con motoB4Sonata no. 23 in F minor, op. 57 "Appassionata": 3. Allegro ma non troppoChoral Symphony (Symphony No.9 In D Minor)
1959 · studio album
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A1Symphony No. 9 in D minor, Op. 125 “Choral”: 1. Allegro ma non troppo, un poco maestosoA2Symphony No. 9 in D minor, Op. 125 “Choral”: 2. Molto vivaceA3Symphony No. 9 in D minor, Op. 125 “Choral”: 3. Adagio molto e cantabile – Andante moderato – AndanteB1Symphony No. 9 in D minor, Op. 125 “Choral”: 3. Adagio (concluded)B2Symphony No. 9 in D minor, Op. 125 “Choral”: 4. Allegro ma non troppo – Allegro assai1959 · studio album
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Tracklist · 8 tracks
A1Symphony no. 2 in D, op. 36: 1st Movt: Adagio molto - allegro con brioA2Symphony no. 2 in D, op. 36: 2nd Movt: LarghettoA3Symphony no. 2 in D, op. 36: 3rd Movt: Scherzo (Allegro)B1Symphony no. 2 in D, op. 36: 4th Movt: Allegro moltoB2Symphony no. 1 in C, op. 21: 1st Movt: Adagio molto - allegro con brioB3Symphony no. 1 in C, op. 21: 2nd Movt: Andante cantabile con motoB4Symphony no. 1 in C, op. 21: 3rd Movt: MenuettoB5Symphony no. 1 in C, op. 21: 4th Movt: Adagio - allegro moltoSymphony no. 9, op. 125 “Choral”
1959 · studio album
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Disc 1A1Symphony no. 9 in D minor, op. 125 (“Choral”): Allegro non troppo; Un poco maestosoA2Symphony no. 9 in D minor, op. 125 (“Choral”): Molto vivace; PrestoBSymphony no. 9 in D minor, op. 125 (“Choral”): Adagio e molto cantabile; Andante moderato; AdagioDisc 2CSymphony no. 9 in D minor, op. 125 (“Choral”): Presto; Allegro assai. Choral Finale on Schiller’s “Ode to Joy”D1Symphony no. 8 in F major, op. 93: Allegro vivace e con brioD2Symphony no. 8 in F major, op. 93: Allegretto scherzandoD3Symphony no. 8 in F major, op. 93: MenuettoD4Symphony no. 8 in F major, op. 93: Finale (Allegro vivace)Sonates pour piano N° 24 "À Thérèse" / N° 23 "Appassionata"
1959 · studio album
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A1Klaviersonate Nr. 24 Fis-dur op.78: Satz: Adagio cantabile - Allegro, ma non troppoA2Klaviersonate Nr. 24 Fis-dur op.78: Satz: Allegro vivaceA3Klaviersonate Nr. 23 f-moll op. 57: 1. Satz: Allegro assaiB1Klaviersonate Nr. 23 f-moll op. 57: 2. Satz: Andante con moto - Allegro ma non troppoSymphony No. 3 "Eroica" / "Coriolan" Overture
1959 · studio album
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A1Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I - Allegro con brioA2Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II - Funeral March (Adagio assai)B1Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III - Scherzo (Allegro vivace)B2Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV - Finale (Allegro e molto; Poco andante)Symphony no. 4, op. 60 / Symphony no. 5, op. 67
1959 · studio album
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Tracklist · 8 tracks
A1Symphony no. 4 in B‐flat major, op. 60: Adagio; Allegro vivaceA2Symphony no. 4 in B‐flat major, op. 60: AdagioA3Symphony no. 4 in B‐flat major, op. 60: Allegro vivace. Trio. Un poco meno allegroA4Symphony no. 4 in B‐flat major, op. 60: Finale: Allegro ma non troppoB1Symphony no. 5 in C minor, op. 67: Allegro con brioB2Symphony no. 5 in C minor, op. 67: Andante con motoB3Symphony no. 5 in C minor, op. 67: Scherzo (Allegro vivace)B4Symphony no. 5 in C minor, op. 67: Finale: AllegroEmperor: Concerto for Piano and Orchestra no. 5 in E-flat major
1959 · studio album
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Tracklist · 3 tracks
A11st mov.: AllegroB22nd mov.: Adagio un poco mossoB33rd mov.: Allegro (rondo)Sinfonie Nr. 7 A-Dur / Coriolan-Ouvertüre
1959 · studio album
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Tracklist · 5 tracks
A1Sinfonie Nr. 7 A-Dur, Op. 92: 1. Satz: Poco Sostenuto - VivaceA2Sinfonie Nr. 7 A-Dur, Op. 92: 2. Satz: AllegrettoB1Sinfonie Nr. 7 A-Dur, Op. 92: 3. Satz: Presto - Assai Meno Presto (Quasi Attacca)B2Sinfonie Nr. 7 A-Dur, Op. 92: 4. Satz: Allegro Con BrioB3Coriolan - Ouvertüre, Op. 621959 · studio album
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Tracklist · 11 tracks · 1:28:46
1Quartet in E-flat major, Op. 47: I. Sostenuto assai - Allegro ma non troppo8:582Quartet in E-flat major, Op. 47: II. Scherzo: Molto vivace - Trio I - Trio II3:383Quartet in E-flat major, Op. 47: III. Andante cantabile8:234Quartet in E-flat major, Op. 47: IV. Finale: Vivace7:465Quartet in E-flat major, Op. 16: I. Grave - Allegro ma non troppo12:546Quartet in E-flat major, Op. 16: II. Andante cantabile8:027Quartet in E-flat major, Op. 16: III. Rondo: Allegro ma non troppo5:388Piano Quartet In C Minor, Op. 60: I. Allegro Ma Non Troppo10:389Piano Quartet In C Minor, Op. 60: II. Scherzo: Allegro4:0010Piano Quartet In C Minor, Op. 60: III. Andante10:0911Piano Quartet In C Minor, Op. 60: IV. Finale: Allegro Comodo8:401959 · studio album
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Tracklist · 11 tracks · 1:24:04
1Missa solemnis, Op. 123: Kyrie11:112Missa solemnis, Op. 123: Gloria in excelsis Deo4:493Missa solemnis, Op. 123: Qui tollis5:414Missa solemnis, Op. 123: Quoniam tu solus sanctus6:495Missa solemnis, Op. 123: Credo in unum Deum4:446Missa solemnis, Op. 123: Et incarnatus est6:077Missa solemnis, Op. 123: Et resurrexit11:268Missa solemnis, Op. 123: Sanctus Dominus3:539Missa solemnis, Op. 123: Praeludium Benedictus13:0710Missa solemnis, Op. 123: Agnus Dei6:4311Missa solemnis, Op. 123: Dona nobis pacem9:341959 · studio album
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Tracklist · 4 tracks · 45:43
1Piano Concerto No. 3 in C op. 37 - Allegro con brio16:442Piano Concerto No. 3 in C op. 37 - Largo11:093Piano Concerto No. 3 in C op. 37 - Rondo (Allegro)8:444Rondo in B-flat for piano & orchestra, WoO 69:06Symphony no. 5 / Coriolan Overture
1959 · studio album
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Tracklist · 5 tracks · 37:54
1First Movement: Allegro Con Brio7:312Second Movement: Andante Con Moto10:043Third Movement: Allegro5:274Fourth Movement: Allegro7:595Coriolan Overture, Op. 626:531959 · studio album
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Tracklist · 4 tracks · 35:03
1Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace11:512Symphony no. 7 in A major, op. 92: II. Allegretto8:423Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto7:444Symphony no. 7 in A major, op. 92: IV. Allegro con brio6:46Sonates pour piano et violon, N° 5 "Le Printemps" / N° 9 "À Kreutzer"
1960 · studio album
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Tracklist · 7 tracks
A1Sonate N° 5 en fa majeur, Op. 24 "Printemps": 1. AllegroA2Sonate N° 5 en fa majeur, Op. 24 "Printemps": 2. Adagio Molto EspressivoA3Sonate N° 5 en fa majeur, Op. 24 "Printemps": 3. Scherzo (Allegro Molto) - TrioA4Sonate N° 5 en fa majeur, Op. 24 "Printemps": 4. Rondo ( Allegro Ma Non Troppo)B1Sonate N° 9 en la majeur, Op. 47 "À Kreutzer": 1. Adagio Sostenuto - PrestoB2Sonate N° 9 en la majeur, Op. 47 "À Kreutzer": 2. Andante Con Variazioni 1 A 4B3Sonate N° 9 en la majeur, Op. 47 "À Kreutzer": 3. Final (Presto)Symphonie N°6 “Pastorale” en Fa Majeur / 12 danses allemandes
1960 · studio album
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Tracklist · 6 tracks
A1Symphonie N° 6 en Fa majeur « Pastorale »: 1. Satz: Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande (Allegro Ma Non Troppo)A2Symphonie N° 6 en Fa majeur « Pastorale »: 2. Satz: Szene Am Bach (Andeante Molto Moio)B1Symphonie N° 6 en Fa majeur « Pastorale »: 3. Satz: Lustiges Zusammensein Der Landleute (Allegro)B2Symphonie N° 6 en Fa majeur « Pastorale »: 4. Satz: Gewitter. Sturm (Allegro)B3Symphonie N° 6 en Fa majeur « Pastorale »: Satz: Hirlengesang. Frohe Und Dankbare Gefühle Nach Dem Sturm (Allegretto)B412 danses allemandesTrio in E-flat / Sonata for Horn and Piano
1960 · studio album
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Tracklist · 7 tracks · 43:25
A1Trio in E-flat, op. 40: I. Andante8:45A2Trio in E-flat, op. 40: II. Scherzo. Allegro - (Trio) Molto meno allegro7:23A3Trio in E-flat, op. 40: III. Adagio mesto8:02B1Trio in E-flat, op. 40: IV. Finale. Allegro con brio6:23B2Sonata for French Horn and Piano in F, op. 17: I. Allegro moderato6:14B3Sonata for French Horn and Piano in F, op. 17: II. Poco adagio, quasi andante - Attacca1:39B4Sonata for French Horn and Piano in F, op. 17: III. Rondo. Allegro moderato4:591960 · studio album
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Tracklist · 4 tracks
1Einleitende Worte2Klavierkonzert Nr. 5 Es-Dur, op. 73: I. Allegro3Klavierkonzert Nr. 5 Es-Dur, op. 73: II. Adagio un poco mosso4Klavierkonzert Nr. 5 Es-Dur, op. 73: III. Rondo, Allegro1960 · studio album
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Tracklist · 6 tracks
1Соната До Минор: 1 Часть - Moderato2Соната До Минор: 2 Часть - Andante Con Moto3Соната До Минор: 3 Часть - Allegro423-я Соната Фа Минор, Соч. 57 „Аппассионата“: 1 Часть - Allegro Assai523-я Соната Фа Минор, Соч. 57 „Аппассионата“: 2 Часть - Andante Con Moto623-я Соната Фа Минор, Соч. 57 „Аппассионата“: 3 Часть - Allegro, Ma Non TroppoSymphonie No. 3, Op. 55 “Héroïque” (Stereo Version)
1960 · studio album
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Tracklist · 4 tracks · 45:14
1Symphonie No. 3 in E‐Flat Major, Op. 55 “Héroïque”: I. Allegro con brio13:542Symphonie No. 3 in E‐Flat Major, Op. 55 “Héroïque”: II. Marcia funebre. Adagio assai15:283Symphonie No. 3 in E‐Flat Major, Op. 55 “Héroïque”: III. Scherzo. Allegro vivace5:204Symphonie No. 3 in E‐Flat Major, Op. 55 “Héroïque”: IV. Finale. Allegro molto10:32Beethoven: Piano Concerto no. 3 / Mozart: Concert-Rondos (K.382 & K.386)
1960 · studio album
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Tracklist · 5 tracks · 51:53
1Piano Concerto no. 3 in c, op. 37: I. Allegro con brio16:122Piano Concerto no. 3 in c, op. 37: II. Largo9:383Piano Concerto no. 3 in c, op. 37: III. Rondo. Allegro9:114Concert Rondo for Piano and Orchestra in D major, K. 3829:265Concert Rondo for Piano and Orchestra in A major, K. 3867:26Symphony no. 6 in F major, op. 68 “Pastoral”
1960 · studio album
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Tracklist · 5 tracks · 40:50
A1Symphony no. 6 in F major, op. 68 “Pastoral”: I. Allegro ma non troppo10:15A2Symphony no. 6 in F major, op. 68 “Pastoral”: II. Andante molto mosso12:08B1Symphony no. 6 in F major, op. 68 “Pastoral”: III. Allegro5:52B2Symphony no. 6 in F major, op. 68 “Pastoral”: IV. Allegro3:25B3Symphony no. 6 in F major, op. 68 “Pastoral”: V. Allegretto9:101960 · studio album
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Tracklist · 6 tracks · 52:23
1Sonate für Klavier und Violoncello A-Dur op. 69: 1. Satz: Allegro, ma non tanto13:042Sonate für Klavier und Violoncello A-Dur op. 69: 2. Satz: Scherzo: Allegro molto5:243Sonate für Klavier und Violoncello A-Dur op. 69: 3. Satz: Adagio cantabile - Allegro vivace8:524Sonate für Klavier und Violoncello C-Dur op. 102 Nr. 1: 1. Satz: Andante - Allegro vivace8:325Sonate für Klavier und Violoncello C-Dur op. 102 Nr. 1: 2. Satz: Adagio - Tempo d'Andante - Allegro vivace5:496Sieben Variationen über das Duett »Bei Männern, welche Liebe fühlen« aus der Oper »Die Zauberflöte« von W. A. Mozart10:421961 · studio album
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Tracklist · 2 tracks · 46:00
1Theme and variations 1 - 2126:022Variations 22 - 3319:58Simfonia Nr. 4 În Si Bemol Major / Uvertura „Leonora“
1961 · studio album
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Tracklist · 5 tracks
1Simfonia Nr. 4 În Si Bemol Major, Op. 60: I – Adagio – Allegro Vivace2Simfonia Nr. 4 În Si Bemol Major, Op. 60: II – Adaggio3Simfonia Nr. 4 În Si Bemol Major, Op. 60: III – Allegro Vivace4Simfonia Nr. 4 În Si Bemol Major, Op. 60: IV – Allegro Ma Non Tropo5Uvertura „Leonora“ Nr. 3, Op. 72 ASimfonia Nr. 1 În Do Major / Simfonia Nr. 8 În Fa Major
1961 · studio album
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Tracklist · 8 tracks
1Simfonia Nr. 1 În Do Major, Op. 21: Adagio Molto – Allegro Con Brio2Simfonia Nr. 1 În Do Major, Op. 21: Andante Cantabile Con Moto3Simfonia Nr. 1 În Do Major, Op. 21: Menuetto (Allegro Molto E Vivace)4Simfonia Nr. 1 În Do Major, Op. 21: Adagio – Allegro Molto E Vivace5Simfonia Nr. 8 În Fa Major, Op. 93: Allegro Vivace E Con Brio6Simfonia Nr. 8 În Fa Major, Op. 93: Allegretto Scherzando7Simfonia Nr. 8 În Fa Major, Op. 93: Tempo Di Menuetto8Simfonia Nr. 8 În Fa Major, Op. 93: Allegro VivaceSimfonia Nr. 5 În Do Minor • Uvertura „Coriolan“
1961 · studio album
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Tracklist · 5 tracks
1Simfonia Nr. 5 În Do Minor, Op. 67: Allegro Con Brio2Simfonia Nr. 5 În Do Minor, Op. 67: Andante Con Moto3Simfonia Nr. 5 În Do Minor, Op. 67: Scherzo (Allegro)4Simfonia Nr. 5 În Do Minor, Op. 67: Allegro – Presto5Uvertura „Coriolan“, Op.621961 · studio album
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Tracklist · 3 tracks · 43:38
A1Concerto for Violin & Orchestra, Op. 61 in D major. I—Allegro ma non troppo23:53B1Concerto for Violin & Orchestra, Op. 61 in D major. II—Larghetto9:42B2Concerto for Violin & Orchestra, Op. 61 in D major. III—Rondo: Allegro10:03Symphony no. 2 in D / Symphony no. 4 in B-flat
1961 · studio album
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Tracklist · 2 tracks · 1:00:03
ASymphony no. 2 in D major, op. 3631:19BSymphony no. 4 in B-flat major, op. 6028:44Wellington’s Victory / Leonore Overture no. 3, op. 72a / Prometheus Overture, op. 43
1961 · studio album
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Tracklist · 4 tracks
A1Wellington’s Victory (or, “The Battle of Vitoria”)A2Commentary to Wellington’s VictoryB1Leonore Overture no. 3, op. 72aB2Prometheus Overture, op. 43Symphony no. 3 in E-flat major, op. 55 "Eroica"
1961 · studio album
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Tracklist · 4 tracks · 43:55
A1Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio14:30A2Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai12:35B1Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace5:45B2Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto11:05Piano Sonata No. 23 "Appassionata" / Piano Sonata No. 12 "Funeral March"
1961 · studio album
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Tracklist · 6 tracks · 41:37
A1Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai10:38A2Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto / III. Allegro ma non troppo12:55B1Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con variazioni6:58B2Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": II. Scherzo. Allegro molto2:47B3Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe6:06B4Piano Sonata no. 12 in A-flat major, op. 26 "Funeral March": IV. Allegro2:131961 · studio album
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Tracklist · 8 tracks · 53:09
1Symphony No. 1 in C major, Op. 21: I. Adagio molto – Allegro con brio9:182Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto6:273Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace3:544Symphony No. 1 in C major, Op. 21: IV. Adagio – Allegro molto e vivace6:215Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio9:556Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando4:187Symphony No. 8 in F major, Op. 93: III. Tempo di menuetto5:258Symphony No. 8 in F major, Op. 93: IV. Allegro vivace7:311961 · studio album
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Tracklist · 3 tracks · 37:25
1Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro19:222Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco moto8:253Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro9:38Alfred Brendel Plays Beethoven
1962 · studio album
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Tracklist · 2 tracks
AConcerto No. 5 In E-Flat Major, Op. 73 "Emperor"BFantasy In G Minor, Op. 771962 · studio album
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Tracklist · 2 tracks
133 Variationen über einen Walzer von Diabelli: 1. Teil (Thema - Variationen I - XXI)233 Variationen über einen Walzer von Diabelli: 2. Teil (Variationen XXII - XXXIII)1962 · studio album
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Tracklist · 5 tracks · 48:43
A1Symphony no. 3 in E-flat major, op. 55 "Eroica": I: Allegro con brio15:37A2Symphony no. 3 in E-flat major, op. 55 "Eroica": IIa. Marcia funebre - Adagio assai (part 1)6:00B1Symphony no. 3 in E-flat major, op. 55 "Eroica": IIb. Marcia funebre - Adagio assai (part 2)8:59B2Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo - Allegro vivace: Trio5:48B3Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Allegro molto - Poco andante - Presto12:194 Ouvertures: Egmont / Prometheus / Coriolan / Leonore III
1962 · studio album
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Tracklist · 4 tracks
A1Coriolanus, op. 62A2Egmont, op. 84B1Leonore no. III, op. 72B2Prometheus, op. 43Piano Concerto no. 3 in C minor, op. 37
1962 · studio album
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Tracklist · 3 tracks · 34:52
A1Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio16:14B1Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo9:00B2Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro9:381962 · studio album
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Tracklist · 5 tracks · 35:42
A1Symphonie Nr. 6 F-dur op. 68 "Pastorale": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo)8:57A2Symphonie Nr. 6 F-dur op. 68 "Pastorale": II. Szene am Bach (Andante molto mosso)11:32B1Symphonie Nr. 6 F-dur op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute (Allegro)3:02B2Symphonie Nr. 6 F-dur op. 68 "Pastorale": IV. Gewitter. Sturm (Allegro)3:25B3Symphonie Nr. 6 F-dur op. 68 "Pastorale": V. Hirtengesang. Frohe und Dankbare Gefühle nach dem Sturm (Allegretto)8:461962 · studio album
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Tracklist · 7 tracks · 42:57
A1Piano Sonata no. 30 in E major, op. 109: I. Vivace ma non troppo4:07A2Piano Sonata no. 30 in E major, op. 109: II. Prestissimo2:35A3Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung: Andante molto cantabile ed espressivo14:03B1Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo7:18B2Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto2:20B3Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio ma non troppo4:25B4Piano Sonata no. 31 in A-flat major, op. 110: III. Fuga: Allegro ma non troppo8:091962 · studio album
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Tracklist · 4 tracks · 33:55
A1Symphonie Nr. 7 A-dur op. 92: I. Poco sostenuto. Vivace11:26A2Symphonie Nr. 7 A-dur op. 92: II. Allegretto8:01B1Symphonie Nr. 7 A-dur op. 92: III. Presto. Assai meno presto7:50B2Symphonie Nr. 7 A-dur op. 92: IV. Allegro con brio6:38Sinfonie nr. 3 Es-Dur op. 55 (Eroica)
1962 · studio album
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Tracklist · 4 tracks · 48:08
1Sinfonie Nr. 3 Es-dur, Op. 55 »Eroica«: 1. Allegro con brio14:532Sinfonie Nr. 3 Es-dur, Op. 55 »Eroica«: 2. Marcia funebre. Adagio assai14:373Sinfonie Nr. 3 Es-dur, Op. 55 »Eroica«: 3. Scherzo. Allegro vivace6:064Sinfonie Nr. 3 Es-dur, Op. 55 »Eroica«: 4. Finale. Allegro molto12:321962 · studio album
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Tracklist · 3 tracks · 39:38
AConcerto in D major, op. 61: I. Allegro ma non troppo - Cadenza (by Milstein) - Tempo I21:43B1Concerto in D major, op. 61: II. Larghetto - Cadenza (by Milstein)9:25B2Concerto in D major, op. 61: III. Rondo. Allegro - Cadenza (by Milstein)8:30Symphonie N°5 / Ouverture : Coriolan
1962 · studio album
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Tracklist · 4 tracks · 44:35
A1Symphonie No. 5 c-Moll, Op. 67: I. Allegro con brio7:55A2Symphonie No. 5 c-Moll, Op. 67: II. Andante con moto9:50B1Symphonie No. 5 c-Moll, Op. 67: III. Allegro / IV. Finale17:10B3Corialan, Overture = Ouverture9:40Symphonie N° 9 en ré mineur avec chœurs
1962 · studio album
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Tracklist · 5 tracks
A1Symphonie N° 9 en ré mineur avec chœurs: Allegro Ma Non TroppoA2Symphonie N° 9 en ré mineur avec chœurs: Molto VivaceB1Symphonie N° 9 en ré mineur avec chœurs: Adagio Molto E CantabileB2Symphonie N° 9 en ré mineur avec chœurs: Adagio Molto E Cantabile (Fin)B3Symphonie N° 9 en ré mineur avec chœurs: Presto, Allegro AssaiSymphony no. 6 in F major, op. 68
1962 · studio album
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Tracklist · 5 tracks · 40:49
A1Symphony no. 6 in F major, op. 68 "Pastorale": Erwachen heiterer Gefühle bei der Ankunft auf dem Lande - Allegro ma non troppo9:23A2Symphony no. 6 in F major, op. 68 "Pastorale": Szene am Bache - Andante molto mosso12:57B1Symphony no. 6 in F major, op. 68 "Pastorale": Lustiges Zusammensein der Landleute - Allegro5:29B2Symphony no. 6 in F major, op. 68 "Pastorale": Gewitter, Sturm - Allegro3:37B3Symphony no. 6 in F major, op. 68 "Pastorale": Hirtengesang, Frohe, dankbare Gefühle nach dem Sturm - Allegretto9:231962 · studio album
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Tracklist · 3 tracks · 41:54
A1Violin Concerto in D, op. 61: I. Allegro ma non troppo - Cadenza (by Kreisler)22:13B1Violin Concerto in D, op. 61: II. Larghetto10:04B2Violin Concerto in D, op. 61: III. Rondo (Allegro) - Cadenza (by Kreisler)9:37Violinkonzert / Romanzen Nr. 1 & 2
1962 · studio album
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Tracklist · 5 tracks · 1:02:35
1Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo24:402Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto10:473Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro11:014Romance for Violin and Orchestra No. 1 in G major, Op. 407:225Romance for Violin and Orchestra No. 2 in F major, Op. 508:45Symphonie N°7 - Ouverture du "Roi Étienne"
1963 · studio album
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Tracklist · 7 tracks
A1Symphonie N°7 en La Majeur, Op. 92: Poco SostenutoA2Symphonie N°7 en La Majeur, Op. 92: VivaceA3Symphonie N°7 en La Majeur, Op. 92: AllegrettoB1Symphonie N°7 en La Majeur, Op. 92: PrestoB2Symphonie N°7 en La Majeur, Op. 92: Assai Meno PrestoB3Symphonie N°7 en La Majeur, Op. 92: Allegro Con BrioB4Ouverture du "Roi Étienne" Op. 1171963 · studio album
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Tracklist · 4 tracks
A1Symphony no. 5 in C minor, op. 67: I. Allegro con brioA2Symphony no. 5 in C minor, op. 67: II. Andante con motoB1Symphony no. 5 in C minor, op. 67: III .AllegroB2Symphony no. 5 in C minor, op. 67: IV. FinaleLes Sonates de Beethoven (Opus 109, 110, 111)
1963 · studio album
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Tracklist · 8 tracks
A132e Sonate pour Piano en Do Mineur, Opus 111: Maestoso - Allegro Con Brio Ed AppassionatoA232e Sonate pour Piano en Do Mineur, Opus 111: Arietta (Adagio Molto Simplice E Cantabile)A330e Sonate pour Piano en Mi Majeur, Opus 109: Vivace Ma Non Troppo - Adagia EspressivoA430e Sonate pour Piano en Mi Majeur, Opus 109: PrestissimoB130e Sonate pour Piano en Mi Majeur, Opus 109: Andante Molto Cantabile Ed EspressivoB231e Sonate pour Piano en La Bémol Majeur, Opus 110: Moderato CantabileB331e Sonate pour Piano en La Bémol Majeur, Opus 110: Allegro MoltoB431e Sonate pour Piano en La Bémol Majeur, Opus 110: Recitativo - Arioso Dolente - Fuga1963 · studio album
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Tracklist · 3 tracks · 27:51
1Piano Concerto No. 2 in Bes op. 19 - Allegro con brio12:502Piano Concerto No. 2 in Bes op. 19 - Adagio9:313Piano Concerto No. 2 in Bes op. 19 - Rondo (Molto Allegro)5:301963 · studio album
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Tracklist · 8 tracks · 54:40
1Symphony no. 1 in C major, op. 21: Adagio – Allegro molto e vivace8:112Symphony no. 1 in C major, op. 21: Adagio molto – Allegro con brio10:053Symphony no. 1 in C major, op. 21: Andante cantabile3:574Symphony no. 1 in C major, op. 21: Menuetto5:285Symphony no. 8 in F major, op. 93: Allegretto scherzando7:096Symphony no. 8 in F major, op. 93: Allegro vivace9:407Symphony no. 8 in F major, op. 93: Tempo di menuetto4:078Symphony no. 8 in F major, op. 93: Allegro vivace6:03Konzert für Violine und Orchester D-dur op. 61
1963 · studio album
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Tracklist · 3 tracks
A1Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppoB1Konzert für Violine und Orchester D-dur op. 61: II. Larghetto attaccaB2Konzert für Violine und Orchester D-dur op. 61: III. Rondo Allegro1963 · studio album
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Tracklist · 4 tracks · 31:05
1Symphonie Nr. 4 in B-Dur, op. 60: 1. Adagio9:512Symphonie Nr. 4 in B-Dur, op. 60: 2. Adagio10:013Symphonie Nr. 4 in B-Dur, op. 60: 3. Allegro vivace5:454Symphonie Nr. 4 in B-Dur, op. 60: 4. Allegro ma nn troppo5:28Piano Sonatas No. 9 in E major, op. 14 no. 1 - no. 10 in G major op. 14 no. 2
1963 · studio album
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Tracklist · 6 tracks · 31:08
1Piano Sonata No. 9 in E Major, Op. 14 No. 1: I. Allegro7:192Piano Sonata No. 9 in E Major, Op. 14 No. 1: II. Allegretto6:493Piano Sonata No. 9 in E Major, Op. 14 No. 1: III. Rondo. Allegro comodo3:014Piano Sonata No. 10 in G Major, Op. 14 No. 2: I. Allegro5:365Piano Sonata No. 10 in G Major, Op. 14 No. 2: II. Andante5:136Piano Sonata No. 10 in G Major, Op. 14 No. 2: III. Scherzo. Allegro assai3:10Violin Sonatas nos. 9 "Kreutzer" / 5 "Spring"
1963 · studio album
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Tracklist · 7 tracks · 58:54
A1Violin Sonata no. 9 in A major, op. 47 "Kreutzer": I. Adagio sostenuto - Presto11:43A2Violin Sonata no. 9 in A major, op. 47 "Kreutzer": II. Andante con variazioni15:26B1Violin Sonata no. 9 in A major, op. 47 "Kreutzer": III. Finale. Presto7:07B2Violin Sonata no. 5 in F major, op. 24 "Spring": I. Allegro10:13B3Violin Sonata no. 5 in F major, op. 24 "Spring": II. Adagio molto espressivo6:06B4Violin Sonata no. 5 in F major, op. 24 "Spring": III. Scherzo. Allegro molto1:19B5Violin Sonata no. 5 in F major, op. 24 "Spring": IV. Rondo. Allegro ma non troppo7:001963 · studio album
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Tracklist · 6 tracks · 59:19
1Piano Concerto No. 2 in Bes op. 19 - Allegro con brio12:502Piano Concerto No. 2 in Bes op. 19 - Adagio9:313Piano Concerto No. 2 in Bes op. 19 - Rondo (Molto Allegro)5:304Piano Concerto No. 4 in G op. 58 - Allegro Moderato17:035Piano Concerto No. 4 in G op. 58 - Andante con moto5:006Piano Concerto No. 4 in G op. 58 - Rondo (Vivace)9:25Symphony no. 5 / Egmont Overture / Consecration of the House Overture
1963 · studio album
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Tracklist · 6 tracks · 34:19
A1Symphony no. 5 in C minor, op. 67: 1. Allegro con brio7:37A2Symphony no. 5 in C minor, op. 67: 2. Andante con moto8:04A3Symphony no. 5 in C minor, op. 67: 3. AllegroA4Symphony no. 5 in C minor, op. 67: 4. AllegroB1Egmont Overture, op. 848:08B2Consecration of the House Overture, op. 12410:30Concerto N° 5 Pour Piano Et Orchestre
1963 · studio album
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Tracklist · 3 tracks
A1Concerto N° 5 pour piano et orchestre en Mi bémol majeur, "L'Empereur": 1. Satz : AllegroB1Concerto N° 5 pour piano et orchestre en Mi bémol majeur, "L'Empereur": 2. Satz : Adagio un poco mossoB2Concerto N° 5 pour piano et orchestre en Mi bémol majeur, "L'Empereur": 3. Satz : Rondo : AllegroSymphony no. 5 in C minor, op. 67 / Egmont Overture
1963 · studio album
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Tracklist · 5 tracks · 41:48
A1Symphony no. 5 in C minor, op. 67: I. Allegro con brio8:16A2Symphony no. 5 in C minor, op. 67: II. Andante con moto10:46B1Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro5:45B2Symphony no. 5 in C minor, op. 67: IV. Finale: Allegro9:01B3Egmont Overture8:00Piano Sonatas A Major, Op. 2 No. 2 - C Major, Op. 2 No. 3
1964 · studio album
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Tracklist · 8 tracks · 59:20
A1Piano Sonata No. 2 in A Major, Op. 2 No. 2: I. Allegro vivace10:46A2Piano Sonata No. 2 in A Major, Op. 2 No. 2: II. Largo appassionato8:14A3Piano Sonata No. 2 in A Major, Op. 2 No. 2: III. Scherzo. Allegretto3:17A4Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo. Grazioso6:54B1Piano Sonata No. 3 in C Major, Op. 2 No. 3: I. Allegro con brio10:49B2Piano Sonata No. 3 in C Major, Op. 2 No. 3: II. Adagio10:17B3Piano Sonata No. 3 in C Major, Op. 2 No. 3: III. Scherzo. Allegro3:19B4Piano Sonata No. 3 in C Major, Op. 2 No. 3: IV. Allegro assai5:441964 · studio album
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Tracklist · 2 tracks · 54:40
1Symphony no. 1 in C major, op. 21: Adagio molto – Allegro con brio / Andante cantabile / Menuetto / Adagio – Allegro molto e vivace27:412Symphony no. 8 in F major, op. 93: Allegro vivace / Allegretto scherzando / Tempo di menuetto / Allegro vivace26:59Piano Concerto No. 5 "Emperor" / Egmont Ouverture
1964 · studio album
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Tracklist · 4 tracks · 46:23
1Piano Concerto No. 5 in Es op. 73 - Allegro19:392Piano Concerto No. 5 in Es op. 73 - Adagio un poco mosso8:103Piano Concerto No. 5 in Es op. 73 - Rondo (Allegro)9:484Egmont Ouverture8:46Violin Concerto in D Major, Op. 61
1964 · studio album
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Tracklist · 3 tracks
A1Konzert für Violine und Orchester D-dur op. 61: I. Allegro ma non troppoB1Konzert für Violine und Orchester D-dur op. 61: II. Larghetto attaccaB2Konzert für Violine und Orchester D-dur op. 61: III. Rondo Allegro1964 · studio album
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Tracklist · 4 tracks · 41:18
1Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace14:492Symphony No. 7 in A major, Op. 92: II. Allegretto8:323Symphony No. 7 in A major, Op. 92: III. Presto9:384Symphony No. 7 in A major, Op. 92: IV. Allegro con brio8:19Birgit Nilsson sings German Opera
1964 · studio album
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Tracklist · 7 tracks · 43:06
1Tannhäuser, WWV 70, Act 2: "Dich, teure Halle, grüß ich wieder"4:542Oberon, J. 306, Act 2: "Ozean! Du Ungeheuer!"9:223Die Walküre, WWV 86B, Act 1: "Der Männer Sippe saß hier im Saal"4:284Die Walküre, WWV 86B, Act 1: "Du bist der Lenz"2:185Lohengrin, WWV 75, Act 1: "Einsam in trüben Tagen"5:496Der Freischütz, op. 77, J. 277, Act 2: "Leise, leise"8:557Fidelio, op. 72, Act 1: "Abscheulicher! Wo eilst du hin?"7:201965 · studio album
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Tracklist · 9 tracks
1Klaviersonate Nr. 8 c-moll op. 13 Pathetique: I. Grave, Adagio di molto e con brio2Klaviersonate Nr. 8 c-moll op. 13 Pathetique: II. Adagio cantabile3Klaviersonate Nr. 8 c-moll op. 13 Pathetique: III. Rondo: Allegro4Klaviersonate Nr. 14 cis-moll op. 27 Nr. 2 Mondschein-Sonate: I. Adagio sostenuto5Klaviersonate Nr. 14 cis-moll op. 27 Nr. 2 Mondschein-Sonate: II. Allegretto6Klaviersonate Nr. 14 cis-moll op. 27 Nr. 2 Mondschein-Sonate: III. Presto agitato7Klaviersonate Nr. 23 f-moll op. 57 Appassionata: I. Allegro assai8Klaviersonate Nr. 23 f-moll op. 57 Appassionata: II. Andante con moto9Klaviersonate Nr. 23 f-moll op. 57 Appassionata: III. Allegretto ma non troppo, Presto1965 · studio album
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Tracklist · 4 tracks
A1Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – VivaceA2Symphony No. 7 in A major, Op. 92: II. AllegrettoB1Symphony No. 7 in A major, Op. 92: III. PrestoB2Symphony No. 7 in A major, Op. 92: IV. Allegro con brio1965 · studio album
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Tracklist · 13 tracks
A16. Bagatellen op. 126: 1. Andante Con MotoA26. Bagatellen op. 126: 2. AllegroA36. Bagatellen op. 126: 3. AndanteA46. Bagatellen op. 126: 4. PrestoA56. Bagatellen op. 126: 5. Quasi AllegrettoA66. Bagatellen op. 126: 6. PrestoA7Ecossaisen Es-DurA8Rondo a Capriccio G-Dur op. 129A9Albumblatt "Für Elise" A-MollB1Andante Favori F-Durb2Rondo C-Dur op. 51 Nr. 1b3Rondo G-Dur op. 51 Nr. 2b46 Variationen Über "Nel Cor Più"Gesamtwerk für Klavier und Violoncello
1966 · studio album
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Tracklist · 15 tracks · 2:11:26
Disc 1A1Sonate für Klavier und Violoncello F‐Dur op. 5 no. 1: 1. Satz: Adagio sostenuto – Allegro14:30A2Sonate für Klavier und Violoncello F‐Dur op. 5 no. 1: 2. Satz: Rondo. Allegro vivace7:01B1Sonate für Klavier und Violoncello g‐moll op. 5 no. 2: 1. Satz: Adagio sostenuto e espressivo – Allegro molto più tosto presto12:58B2Sonate für Klavier und Violoncello g‐moll op. 5 no. 2: 2. Satz: Rondo. Allegro8:44Disc 2C1Sonate für Klavier und Violoncello A‐Dur op. 69: 1. Satz: Allegro ma non tanto9:09C2Sonate für Klavier und Violoncello A‐Dur op. 69: 2. Satz: Scherzo. Allegro molto5:35C3Sonate für Klavier und Violoncello A‐Dur op. 69: 3. Satz: Adagio Cantabile – Allegro vivace7:05D1Sonate für Klavier und Violoncello C‐Dur op. 102 no. 1: 1. Satz: Andante – Allegro vivace8:03D2Sonate für Klavier und Violoncello C‐Dur op. 102 no. 1: 2. Satz: Adagio – Tempo d’andante – Allegro vivace7:04D3Sieben Variationen über das Duett „Bei Männern, welche Liebe fühlen“ Wo0 46 (Aus der Oper „Die Zauberflöte“ von Mozart)8:27Disc 3E1Sonate für Klavier und Violoncello D‐Dur op. 102 no. 2: 1. Satz: Allegro con brio6:36E2Sonate für Klavier und Violoncello D‐Dur op. 102 no. 2: 2. Satz: Adagio con molto sentimento d’affetto (Attacca)8:48E3Sonate für Klavier und Violoncello D‐Dur op. 102 no. 2: 3. Satz: Allegro – Allegro fugato4:41F1Zwölf Variationen über ein Thema aus dem Oratorium „Judas Maccabäus“ von Händel Wo0 45 („See, the Conquering Hero Comes / Seht, er kommt mit Preis gekrönt“)12:09F2Zwölf Variationen über das Thema „Ein Mädchen oder Weibchen“ op. 66 (aus „Die Zauberflöte“)10:361966 · studio album
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Tracklist · 6 tracks · 52:02
1Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: I. Largo - Allegro moderato10:202Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: II. Larghetto9:073Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, K. 452: III. Rondo: Allegretto5:364Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, op. 16: I. Grave - Allegro ma non troppo13:225Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, op. 16: II. Andante cantabile7:516Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, op. 16: III. Rondo: Allegro ma non troppo5:46Schumann: Dichterliebe / Schubert, Beethoven: Lieder
1966 · studio album
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Tracklist · 29 tracks · 1:04:23
1Dichterliebe, op. 48: I. Im wunderschönen Monat Mai1:332Dichterliebe, op. 48: II. Aus meinen Tränen sprießen0:523Dichterliebe, op. 48: III. Die Rose, die Lilie, die Taube, die Sonne0:324Dichterliebe, op. 48: IV. Wenn ich in deine Augen seh1:235Dichterliebe, op. 48: V. Ich will meine Seele tauchen0:566Dichterliebe, op. 48: VI. Im Rhein, im heiligen Strome1:457Dichterliebe, op. 48: VII. Ich grolle nicht1:198Dichterliebe, op. 48: VIII. Und wüßten's die Blumen, die kleinen1:179Dichterliebe, op. 48: IX. Das ist ein Flöten und Geigen1:3110Dichterliebe, op. 48: X. Hör' ich das Liedchen klingen1:5511Dichterliebe, op. 48: XI. Ein Jüngling liebt ein Mädchen1:0212Dichterliebe, op. 48: XII. Am leuchtenden Sommermorgen2:3713Dichterliebe, op. 48: XIII. Ich hab' im Traum geweinet2:3214Dichterliebe, op. 48: XIV. Allnächtlich im Traume1:2915Dichterliebe, op. 48: XV. Aus alten Märchen winkt es2:3116Dichterliebe, op. 48: XVI. Die alten, bösen Lieder4:1317Zärtliche Liebe, WoO 1232:0818Adelaïde, op. 465:5219Resignation, WoO 1492:2220Der Kuß, op. 1282:0021An Silvia, D. 8912:5622Lied eines Schiffers an die Dioskuren, D. 3602:4223Liebhaber in allen Gestalten, D. 5581:1324Der Einsame, D. 8004:1825Im Abendrot, D. 7993:2126Schwanengesang, D. 957: IV. Ständchen3:4227An die Laute, D. 9051:5228Der Musensohn, D. 7642:1129An die Musik, D. 5472:19Symphony no. 7 / Prometheus Overture
1966 · studio album
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Tracklist · 5 tracks · 47:44
1Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace13:132Symphony no. 7 in A major, op. 92: II. Allegretto9:583Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto10:094Symphony no. 7 in A major, op. 92: IV. Allegro con brio9:105Prometheus Overture, op. 435:141966 · studio album
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Tracklist · 6 tracks
A1Romanța nr. 1 pentru vioară și orchestră în Sol major, op. 40A2Romanța nr. 2 pentru vioară și orchestră în Fa major, op. 503Sonata nr. 5, pentru vioară și pian în Fa major, op. 24 (Sonata primăverii): I. Allegro4Sonata nr. 5, pentru vioară și pian în Fa major, op. 24 (Sonata primăverii): II. Adagio molto espressivo5Sonata nr. 5, pentru vioară și pian în Fa major, op. 24 (Sonata primăverii): III. Scherzo-allegro molto6Sonata nr. 5, pentru vioară și pian în Fa major, op. 24 (Sonata primăverii): IV. Allegro ma non troppo1966 · studio album
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Tracklist · 5 tracks
Disc 1A1Missa Solemnis pour solistes, choeur, orchestre et orgue en ré majeur Op. 123: 1. Kyrie : Assai SostenutoA2Missa Solemnis pour solistes, choeur, orchestre et orgue en ré majeur Op. 123: 2. Gloria : Allegro VivaceB1Missa Solemnis pour solistes, choeur, orchestre et orgue en ré majeur Op. 123: 5. Agnus Dei : AdagioDisc 2C1Missa Solemnis pour solistes, choeur, orchestre et orgue en ré majeur Op. 123: 3. Credo : Allegro Ma Non TroppoD1Missa Solemnis pour solistes, choeur, orchestre et orgue en ré majeur Op. 123: 4. Sanctus : Adagio - Benedictus : Andante Molto Cantabile E Non Troppo Mosso1966 · studio album
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Tracklist · 5 tracks · 1:18:30
Disc 1A1Missa Solemnis: Kyrie9:08A2Missa Solemnis: Gloria18:20B2Missa Solemnis: Credo20:24Disc 2C1Missa Solemnis: Sanctus / Benedictus15:38D1Missa Solemnis: Agnus Dei15:001967 · studio album
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Tracklist · 8 tracks
A1Albumblatt "Für Elise" A-Moll, WoO 59A2AndanteA3"Die Wut Über Den Verlorenen Groschen" - Allegro VivaceA41. C-Dur: ModeratoA53. F-Moll: Allegro ModeratoA65. F-Moll: Allegro VivaceB11. Es-Dur: Andante Moderato; B-Moll: Andante Non Troppo E Con Molto Espressione; Cis-Moll: Andante Con MotoB2Introduzione. Moderato - I - II Prestissimo - III - IV Presto - V - VI - VII Semplice - VIII - IX Prestissimo - X Vivo-Più Lento - XI Più Lento - In Tempo Vivo - XII Finale1967 · studio album
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Tracklist · 3 tracks · 46:34
A1Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo25:55B1Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto - attacca10:48B2Concerto for Violin and Orchestra in D major, op. 61: III. Allegro9:51Sonaten Nr. 21 »Waldstein« · Nr. 25 G-dur · Nr. 15 »Pastorale« · Nr. 24 Fis-dur
1967 · studio album
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Tracklist · 4 tracks
1Klaviersonate Nr. 21 C-dur Op. 53 »Waldstein-Sonate«: 1. Satz: Allegro Con Brio / 2. Satz: Introduzione : Adagio Molto (Attacca) / 3. Satz: Rondo : Allegro Moderato — Prestissimo2Klaviersonate Nr. 25 G-dur Op. 79: 1. Satz: Presto Alla Tedesca / 2. Satz: Andante / 3. Satz: Vivace3Klaviersonate Nr. 15 D-dur Op. 28 »Pastorale«: 1. Satz: Allegro / 2. Satz: Andante / 3. Satz: Scherzo: Allegro Vivace / 4. Satz: Rondo: Allegro, Ma Non Troppo4Klaviersonate Nr. 24 Fis-dur Op. 78: 1. Satz: Adagio Cantabile — Allegro, Ma Non Troppo / 2. Satz: Allegro VivaceSextet for Horns and Strings, op. 81b / Nonet, op. 31
1968 · studio album
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Tracklist · 7 tracks · 44:32
1Nonet in F Major, op. 31: Allegro7:202Nonet in F Major, op. 31: Scherzo, allegro6:453Nonet in F Major, op. 31: Adagio7:404Nonet in F Major, op. 31: Finale, vivace6:055Sextet in E-flat major, op. 81b: I. Allegro con brio7:346Sextet in E-flat major, op. 81b: II. Adagio4:027Sextet in E-flat major, op. 81b: III. Rondo (Allegro)5:06“Eroica”, Symphony no. 3 in E-flat, op. 55
1968 · studio album
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Tracklist · 5 tracks · 54:16
A1Symphony no. 3 in E-flat major “Eroica”, op. 55: I. Allegro con brio16:06A2Symphony no. 3 in E-flat major “Eroica”, op. 55: II. Marcia Funebre. Adagio assai (part I)11:31B1Symphony no. 3 in E-flat major “Eroica”, op. 55: II. Marcia Funebre. Adagio assai (conclusion)6:51B2Symphony no. 3 in E-flat major “Eroica”, op. 55: III. Scherzo. Allegro vivace – Trio5:51B3Symphony no. 3 in E-flat major “Eroica”, op. 55: IV. Finale. Allegro molto – Poco andante – Presto13:571968 · studio album
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Tracklist · 13 tracks
A1Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Marcia (Allegro - Adagio)A2Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Menuetto (Allegretto)A3Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Adagio - Scherzo (Allegro Molto) - Adagio (Tempo I) - Allegro MoltoA4Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Allegretto Alla PolaccaA5Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Andante Quasi Allegretto - Allegro - Tempo IA6Serenade D-Dur, Op. 8 Für Violine, Viola Und Violoncello: Marcia (Allegro)B1Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Entrata (Allegro)B2Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Tempo Ordinario D'Un MenuettoB3Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro MoltoB4Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Andante Con VariazioniB5Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Scherzando E VivaceB6Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: AdagioB7Serenade D-Dur, Op. 25 Für Flöte, Violine Und Viola: Allegro Vivace E Disinvolta - Presto1968 · studio album
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Tracklist · 13 tracks · 41:42
A17 Bagatellen op. 33: Es-Dur, Andante grazioso, quasi alegretto4:03A27 Bagatellen op. 33: C-Dur, Scherzo. Allegro2:42A37 Bagatellen op. 33: F-Dur, Allegretto2:31A47 Bagatellen op. 33: A-Dur, Andante3:13A57 Bagatellen op. 33: C-Dur, Allegro ma non troppo3:25A67 Bagatellen op. 33: D-Dur, Allegretto quasi andante3:29A77 Bagatellen op. 33: As-Dur, Presto2:09B1Rondo A-Dur - Allegretto2:33B2Albumblatt "Für Elise" a-Moll - Poco Moto3:10B3Bagatelle op. 119 Nr. 10, A-Dur - Allegramente0:22B4Sonatine G-Dur - Moderato - Romanze3:55B5Sonatine F-Dur - Allegro Assai - Rondo (Allegro)4:04B6Polonaise op. 89, C-Dur - Alla Polacca6:06Hammerklavier Sonata in B-flat, op. 106
1968 · studio album
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Tracklist · 4 tracks
A1Piano Sonata no. 29 in B-flat, op. 106 - ''Hammerklavier'': I. AllegroA2Piano Sonata no. 29 in B-flat, op. 106 - ''Hammerklavier'': II. Scherzo, Assai VivaceB1Piano Sonata no. 29 in B-flat, op. 106 - ''Hammerklavier'': III. Adagio SostenutoB2Piano Sonata no. 29 in B-flat, op. 106 - ''Hammerklavier'': IV. Finale: Largo - Allegro RisolutoMondschein-Sonate / Pathétique / Appassionata
1969 · studio album
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Tracklist · 9 tracks · 51:26
A1Sonate cis-moll, op. 27,2 »Mondschein-Sonate«: 1. Adagio sostenuto5:39A2Sonate cis-moll, op. 27,2 »Mondschein-Sonate«: 2. Allegretto2:21A3Sonate cis-moll, op. 27,2 »Mondschein-Sonate«: 3. Presto agitato7:18A4Sonate c-moll, op. 13 »Pathétique«: 1. Grave. Allegro di molto e con brio6:13A5Sonate c-moll, op. 13 »Pathétique«: 2. Adagio cantabile4:47B1Sonate c-moll, op. 13 »Pathétique«: 3. Rondo: Allegro4:27B2Sonate f-moll, op. 57 »Appassionata«: 1. Allegro assai9:27B3Sonate f-moll, op. 57 »Appassionata«: 2. Andante con moto5:55B4Sonate f-moll, op. 57 »Appassionata«: 3. Allegro, ma non troppo5:191969 · studio album
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Tracklist · 8 tracks
Disc 1A1Fidelio: OuvertureA2Fidelio: First Act No. 1-4B1Fidelio: First Act No. 5-9Disc 2C1Fidelio: First Act No. 10C2Fidelio: Second Act No. 11D1Fidelio: Second Act No. 12-15Disc 3E1Ouverture "Leonore III"F1Fidelio: Second Act No. 16"Pastoral" Symphony No. 6 In F Major, Op. 68
1969 · studio album
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Tracklist · 5 tracks · 43:31
1Symphony no. 6 in F major, op. 68: I. Allegro ma non troppo. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande10:062Symphony no. 6 in F major, op. 68: II. Andante molto mosso. Szene am Bach12:383Symphony no. 6 in F major, op. 68: III. Allegro. Lustiges Zusammensein der Landleute6:084Symphony no. 6 in F major, op. 68: IV. Allegro. Gewitter, Sturm3:595Symphony no. 6 in F major, op. 68: V. Allegretto. Hirtengesang. Frohe und ankbare Gefühle nach dem Sturm10:401969 · studio album
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Tracklist · 5 tracks · 53:33
A1Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio18:30A2Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre (Adagio assai)6:57B1Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre (Adagio assai) conclusion9:14B2Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo (Allegro vivace)5:59B3Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale (Allegro molto)12:531969 · studio album
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Tracklist · 4 tracks
1Sonata No. 29 In B-Flat, Op. 106 ("Hammerklavier"): I. Allegro2Sonata No. 29 In B-Flat, Op. 106 ("Hammerklavier"): II. Scherzo: Assai Vivace3Sonata No. 29 In B-Flat, Op. 106 ("Hammerklavier"): III. Adagio Sostenuto: Appassionato E Con Molto Sentimento4Sonata No. 29 In B-Flat, Op. 106 ("Hammerklavier"): IV. Largo; Allegro Risoluto1969 · studio album
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Tracklist · 7 tracks
A1cisz‐moll szonáta, op. 27 no. 2 (Mondscheinsonate): I. Adagio sostenutoA2cisz‐moll szonáta, op. 27 no. 2 (Mondscheinsonate): II. AllegrettoA3cisz‐moll szonáta, op. 27 no. 2 (Mondscheinsonate): III. Presto agitatoA4e‐moll szonáta, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und AusdruckA5e‐moll szonáta, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragenB1c‐moll szonáta, op. 111: I. Maestoso – Allegro con brio ed appassionatoB2c‐moll szonáta, op. 111: I. Arietta. Adagio molto, semplice e cantabile1969 · studio album
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Tracklist · 3 tracks · 40:01
AKlavierkonzert Nr. 5 Es-dur, op. 73: 1. Allegro20:34B1Klavierkonzert Nr. 5 Es-dur, op. 73: 2. Adagio un poco mosso9:09B2Klavierkonzert Nr. 5 Es-dur, op. 73: 3. Rondo (Allegro)10:181970 · studio album
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Tracklist · 2 tracks · 36:09
1Triple Concerto for Violin, Cello & Piano in C major, op. 56: I. Allegro17:552Triple Concerto for Violin, Cello & Piano in C major, op. 56: II. Largo, III. Rondo all polacca18:141970 · studio album
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Tracklist · 5 tracks
1Symphony no. 6 in F, op. 68 “Pastoral”: Awakening of Happy Feelings Upon Arriving in the Country (Allegro ma non troppo)2Symphony no. 6 in F, op. 68 “Pastoral”: Scene by the Brook (Andante molto mosso)3Symphony no. 6 in F, op. 68 “Pastoral”: Peasants Merrymaking (Allegro)4Symphony no. 6 in F, op. 68 “Pastoral”: Thunderstorm (Allegro)5Symphony no. 6 in F, op. 68 “Pastoral”: Shepherd’s Hymn of Thanksgiving After the Storm (Allegretto)Beethoven Edition: Die Streichtrios
1970 · studio album
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Tracklist · 23 tracks · 2:22:28
Disc 1A1Trio für Violine, Viola und Violoncello in Es-Dur, Op. 3: I. Allegro con brio10:55A2Trio für Violine, Viola und Violoncello in Es-Dur, Op. 3: II. Andante7:19B1Trio für Violine, Viola und Violoncello in Es-Dur, Op. 3: III. Menuetto. Allegretto3:16B2Trio für Violine, Viola und Violoncello in Es-Dur, Op. 3: IV. Adagio8:26B3Trio für Violine, Viola und Violoncello in Es-Dur, Op. 3: V. Menuetto. Moderato3:31B4Trio für Violine, Viola und Violoncello in Es-Dur, Op. 3: VI. Finale. Allegro6:16Disc 2C1Trio (Serenade) für Violine, Viola und Violoncello in D-Dur, Op. 8: I. Marcia. Allegro9:19C2Trio (Serenade) für Violine, Viola und Violoncello in D-Dur, Op. 8: II. Menuetto. Allegretto2:42C3Trio (Serenade) für Violine, Viola und Violoncello in D-Dur, Op. 8: III. Adagio4:54C4Trio (Serenade) für Violine, Viola und Violoncello in D-Dur, Op. 8: IV. Allegretto alla polacca3:19C5Trio (Serenade) für Violine, Viola und Violoncello in D-Dur, Op. 8: V. Tema. Andante quasi allegretto - Variationen I - IV - Marcia. Allegro10:28D1Trio für Violine, Viola und Violoncello in G-Dur, Op. 9 Nr. 1: I. Adagio9:32D2Trio für Violine, Viola und Violoncello in G-Dur, Op. 9 Nr. 1: II. Adagio ma non tanto e cantabile7:59D3Trio für Violine, Viola und Violoncello in G-Dur, Op. 9 Nr. 1: III. Scherzo. Allegro2:35D4Trio für Violine, Viola und Violoncello in G-Dur, Op. 9 Nr. 1: IV. Presto5:06Disc 3E1Trio für Violine, Viola und Violoncello in D-Dur, Op. 9 Nr. 2: I. Allegretto7:52E2Trio für Violine, Viola und Violoncello in D-Dur, Op. 9 Nr. 2: II. Andante quasi allegretto5:50E3Trio für Violine, Viola und Violoncello in D-Dur, Op. 9 Nr. 2: III. Menuetto. Allegro3:49E4Trio für Violine, Viola und Violoncello in D-Dur, Op. 9 Nr. 2: IV. Rondo. Allegro5:56F1Trio für Violine, Viola und Violoncello in c-moll, Op. 9 Nr. 3: I. Allegro con spirito7:53F2Trio für Violine, Viola und Violoncello in c-moll, Op. 9 Nr. 3: II. Adagio con espressione7:24F3Trio für Violine, Viola und Violoncello in c-moll, Op. 9 Nr. 3: III. Scherzo. Allegro molto e vivace2:48F4Trio für Violine, Viola und Violoncello in c-moll, Op. 9 Nr. 3: IV. Finale. Presto5:19Duo Wikarski (Reger, Beethoven, Schumann, Dessau)
1970 · studio album
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Tracklist · 4 tracks
1Sonate Für Violoncello Und Klavier A-moll op. 116: 1. Allegro Moderato / 2. Presto / 3. Largo / 4. Allegretto Con GraziaB1Zwölf Variationen Über Das Thema „Ein Mädchen Oder Weibchen“ Aus Der Oper "Die Zauberflöte" Von Mozart op. 663Fantasiestücke op. 73: 1. Zart Und Mit Ausdruck / 2. Lebhaft, Leicht / 3. Rasch Und Mit FeurerB5Burleske Etüde Für Violoncello Und Klavier1970 · studio album
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Tracklist · 27 tracks · 3:45:32
Disc 1A1Piano Trio No. 1 In E Flat Major Opus 1 No. 1: Allegro10:46A2Piano Trio No. 1 In E Flat Major Opus 1 No. 1: Adagio cantabile7:32A3Piano Trio No. 1 In E Flat Major Opus 1 No. 1: Scherzo. Allegro assai5:05A4Piano Trio No. 1 In E Flat Major Opus 1 No. 1: Finale. Presto7:57B1Piano Trio In D Major Opus 70 No. 1 "Fantome": Allegro vivace e con brio7:21B2Piano Trio In D Major Opus 70 No. 1 "Fantome": Largo assai e espressivo9:05B3Piano Trio In D Major Opus 70 No. 1 "Fantome": Presto8:56B4Trio In One Movement In B Flat Major WoO 39: Allegretto5:57Disc 2C1Piano Trio No. 2 In G Major Opus1 No. 2: Adagio, Allegro Vivace12:41C2Piano Trio No. 2 In G Major Opus1 No. 2: Largo Con Espressione10:39C3Piano Trio No. 2 In G Major Opus1 No. 2: Scherzo. Allegro4:23C4Piano Trio No. 2 In G Major Opus1 No. 2: Finale. Presto8:30D1Piano Trio In E Flat Major, WoO 38: Allegro moderato5:25D2Piano Trio In E Flat Major, WoO 38: Scherzo. Allegro Ma Non Troppo5:29D3Piano Trio In E Flat Major, WoO 38: Rondo. Allegretto5:48Disc 3E1Piano Trio No. 6 In B Flat Major, Opus 97 "Archduke": Allegro Moderato13:18E2Piano Trio No. 6 In B Flat Major, Opus 97 "Archduke": Scherzo. Allegro11:55F1Piano Trio No. 6 In B Flat Major, Opus 97 "Archduke": Andante Cantabile, Ma Pero Con Mato - attacca11:56F2Piano Trio No. 6 In B Flat Major, Opus 97 "Archduke": Allegro Moderato8:01F3Piano Trio No. 3 In C Minor, Opus 1 No. 3: Allegro Con Brio10:45Disc 4G1Piano Trio No. 3 In C Minor, Opus 1 No. 3: Andante Cantabile Con Variazioni9:02G2Piano Trio No. 3 In C Minor, Opus 1 No. 3: Menuetto Quasi Allegro - Trio4:00G3Piano Trio No. 3 In C Minor, Opus 1 No. 3: Finale, Prestissimo9:25H1Piano Trio No. 5in E Flat Major Opus 70 No. 2: Poco Sostenuto - Allegro Ma Non Troppo11:07H2Piano Trio No. 5in E Flat Major Opus 70 No. 2: Allegretto5:20H3Piano Trio No. 5in E Flat Major Opus 70 No. 2: Allegretto Ma Non Troppo7:04H4Piano Trio No. 5in E Flat Major Opus 70 No. 2: Finale. Allegro8:05Concert nr. 5 pentru pian și orchestră în Mi bemol major, op. 73 („Imperial“)
1970 · studio album
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Tracklist · 3 tracks
A1Partea I : AllegroB2Partea a II a : Adagio Un Poco MossB3Partea a III a : Rondo1970 · studio album
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Tracklist · 3 tracks · 37:28
1Concerto in C, Op. 56 for Piano, Violin, Cello, and Orchestra: Allegro17:412Concerto in C, Op. 56 for Piano, Violin, Cello, and Orchestra: Largo5:243Concerto in C, Op. 56 for Piano, Violin, Cello, and Orchestra: Rondo Alla Polacca14:23Sämtliche Violinsonaten • Violin Sonatas (Complete) • Intégrale des sonates pour violon
1970 · studio album
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Tracklist · 35 tracks · 4:28:16
Disc 1A1Sonate Für Klavier Und Violine Nr. 1 D-dur Op. 12 Nr. 1: Allegro Con Brio9:18A2Sonate Für Klavier Und Violine Nr. 1 D-dur Op. 12 Nr. 1: Tema Con Variazioni I - IV - Andante Con Moto4:00A3Sonate Für Klavier Und Violine Nr. 1 D-dur Op. 12 Nr. 1: Rondo: Allegro8:03A4Rondo Für Klavier Und Violine G-dur WoO 41: Allegro6:19B1Sonate Für Klavier Und Violine Nr. 2 A-dur Op. 12 Nr. 2: Allegro Vivace6:58B2Sonate Für Klavier Und Violine Nr. 2 A-dur Op. 12 Nr. 2: Andante Più Tosto Allegretto5:16B3Sonate Für Klavier Und Violine Nr. 2 A-dur Op. 12 Nr. 2: Allegro Piacevole5:10B4Zwölf Variationen Über Das Thema "Se Vuol Ballare" Aus Mozarts Oper "Le Nozze De Figaro" Für Klavier Und Violine F-dur WoO 40: Tema. Allegretto - Variazioni I - XII - Coda12:17Disc 2C1Sonate Für Klavier Und Violine Nr. 3 Es-dur Op. 12 Nr. 3: Allegro Con Spirito9:11C2Sonate Für Klavier Und Violine Nr. 3 Es-dur Op. 12 Nr. 3: Adagio Con Molt'Espressione7:43C3Sonate Für Klavier Und Violine Nr. 3 Es-dur Op. 12 Nr. 3: Rondo: Allegro Molto4:22D1Sonate Für Klavier Und Violine Nr. 4 E-moll Op. 23: Presto8:35D2Sonate Für Klavier Und Violine Nr. 4 E-moll Op. 23: Andante Scherzoso, Più Allegretto8:40D3Sonate Für Klavier Und Violine Nr. 4 E-moll Op. 23: Allegro Molto5:48Disc 3E1Sonate Für Klavier Und Violine Nr. 5 F-dur Op. 24 "Frühlings-Sonate": Allegro10:26E2Sonate Für Klavier Und Violine Nr. 5 F-dur Op. 24 "Frühlings-Sonate": Adagio Molto Espressivo6:20E3Sonate Für Klavier Und Violine Nr. 5 F-dur Op. 24 "Frühlings-Sonate": Scherzo. Allegro Molto5:02E4Sonate Für Klavier Und Violine Nr. 5 F-dur Op. 24 "Frühlings-Sonate": Rondo. Allegro Ma Non Troppo3:43F1Sonate Für Klavier Und Violine Nr. 6 A-dur Op. 30 Nr. 1: Allegro7:41F2Sonate Für Klavier Und Violine Nr. 6 A-dur Op. 30 Nr. 1: Adagio Molto Espressivo8:49F3Sonate Für Klavier Und Violine Nr. 6 A-dur Op. 30 Nr. 1: Allegretto Con Variazioni I - VI8:48Disc 4G1Sonate Für Klavier Und Violine Nr. 7 C-moll Op. 30 Nr. 2: Allegro Con Brio8:23G2Sonate Für Klavier Und Violine Nr. 7 C-moll Op. 30 Nr. 2: Adagio Cantabile10:30G3Sonate Für Klavier Und Violine Nr. 7 C-moll Op. 30 Nr. 2: Scherzo: Allegro3:38G4Sonate Für Klavier Und Violine Nr. 7 C-moll Op. 30 Nr. 2: Finale: Allegro - Presto5:45H1Sonate Für Klavier Und Violine Nr. 10 G-dur Op. 96: Allegro Moderato10:58H2Sonate Für Klavier Und Violine Nr. 10 G-dur Op. 96: Adagio Espressivo6:19H3Sonate Für Klavier Und Violine Nr. 10 G-dur Op. 96: Scherzo: Allegro1:51H4Sonate Für Klavier Und Violine Nr. 10 G-dur Op. 96: Poco Allegretto - Adagio - Tempo I - Allegro - Poco Adagio - Presto9:21Disc 5I1Sonate Für Klavier Und Violine Nr. 9 A-dur Op. 47 "Kreutzer - Sonate": Adagio Sostenuto - Presto - Adagio - Tempo I14:50I2Sonate Für Klavier Und Violine Nr. 9 A-dur Op. 47 "Kreutzer - Sonate": Andante Con Variazioni I - IV16:03J1Sonate Für Klavier Und Violine Nr. 9 A-dur Op. 47 "Kreutzer - Sonate": Finale: Presto9:40J2Sonate Für Klavier Und Violine Nr. 8 G-dur Op. 30 Nr. 3: Allegro Assai6:40J3Sonate Für Klavier Und Violine Nr. 8 G-dur Op. 30 Nr. 3: Tempo Di Minuetto, Ma Molto Moderato E Grazioso8:00J4Sonate Für Klavier Und Violine Nr. 8 G-dur Op. 30 Nr. 3: Allegro Vivace3:491970 · studio album
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Tracklist · 4 tracks
1Symphonie Nr. 5 c-moll op. 67: I. Allegro con brio2Symphonie Nr. 5 c-moll op. 67: II. Andante con moto3Symphonie Nr. 5 c-moll op. 67: III. Allegro attacca4Symphonie Nr. 5 c-moll op. 67: IV. Allegro1970 · studio album
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Tracklist · 8 tracks · 2:09:37
Disc 1A1Fidelio: Ouverture6:16A2Fidelio: Erster Akt, Nr. 1-418:27B1Fidelio: Erster Akt, Nr. 5-927:20Disc 2C1Fidelio: Erster Akt, Nr. 1018:17C2Fidelio: Zweiter Akt, Nr. 119:58D1Fidelio: Zweiter Akt, Nr. 12-1521:29Disc 3E1Ouvertüre: "Leonore III"13:37F1Fidelio: Zweiter Akt, Nr. 1614:13Early and Middle String Quartets
1970 · studio album
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Tracklist · 8 tracks · 1:04:11
1Quartet No. 6 in B-flat major, Op. 18 No. 6: I. Allegro con brio6:222Quartet No. 6 in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo7:103Quartet No. 6 in B-flat major, Op. 18 No. 6: III. Scherzo: Allegro; Trio3:244Quartet No. 6 in B-flat major, Op. 18 No. 6: IV. La Malincolio: Adagio; Allegretto quasi allegro; Prestissimo8:515Quartet No. 7 in F major, Op. 59 No. 1 "Rasumovsky": I. Allegro10:576Quartet No. 7 in F major, Op. 59 No. 1 "Rasumovsky": II. Allegretto vivace e sempre scherzando9:407Quartet No. 7 in F major, Op. 59 No. 1 "Rasumovsky": III. Adagio molto e mesto12:008Quartet No. 7 in F major, Op. 59 No. 1 "Rasumovsky": IV. Theme russe: Allegro5:471970 · studio album
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Tracklist · 5 tracks · 1:05:35
A1Symphonie No 9 en ré mineur, Op. 125 "avec chœurs": I. Allegro Non Troppo Un Poco Maestoso15:25A2Symphonie No 9 en ré mineur, Op. 125 "avec chœurs": II. Molto Vivace Presto10:01A3Symphonie No 9 en ré mineur, Op. 125 "avec chœurs": III. Adagio E Molto Cantabile - Andante Moderato - Adagio (Début)7:39B1Symphonie No 9 en ré mineur, Op. 125 "avec chœurs": III. Adagio E Moto Cantabile - Andante Moderato - Adagio (Fin)8:48B2Symphonie No 9 en ré mineur, Op. 125 "avec chœurs": IV. Presto - Allegro Assai - Choeur Final "L'Hymne à la joie"23:42Тридцать две сонаты для фортепиано
1970 · studio album
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Tracklist · 32 tracks
1Соната № 1 фа минор, соч. 2 № 12Соната № 4 ми бемоль мажор, соч. 73Соната № 2 ля мажор, соч. 2 № 24Соната № 3 до мажор, соч. 2 № 35Соната № 5 до минор, соч. 10 № 16Соната № 6 фа мажор, соч. 10 № 27Соната № 7 ре мажор, соч. 10 № 38Соната № 8 до минор "Патетическая", соч. 139Соната № 9 ми мажор, соч. 14 № 110Соната № 10 соль мажор, соч. 14 № 211Соната № 11 си бемоль мажор, соч. 2212Соната № 15 ре мажор "Пасторальная", соч. 2813Соната № 13 ми бемоль мажор, соч. 27 № 114Соната № 12 ля бемоль мажор, соч. 2615Соната № 14 до диез минор "Лунная", соч. 27 № 216Соната № 16 соль мажор, соч. 31 № 117Соната № 17 ре минор, соч. 31 № 218Соната № 18 ми бемоль мажор, соч. 31 № 319Соната № 19 соль минор, соч. 49 № 120Соната № 20 соль мажор, соч. 49 № 221Соната № 21 до мажор "Аврора", соч. 5322Соната № 22 фа мажор, соч. 5423Соната № 30 ми мажор, соч. 10924Соната № 23 фа минор "Апассионата", соч. 5725Соната № 24 фа диез мажор, соч. 7826Соната № 25 (Сонатина) соль мажор, соч. 7927Соната № 26 ми бемоль мажор, соч. 8128Соната № 28 ля мажор, соч. 10129Соната № 27 ми минор, соч. 9030Соната № 29 си бемоль мажор, соч. 10631Соната № 31 ля бемоль мажор, соч. 11032Соната № 32 до минор, соч. 111Piano Concerto No.1; Sonata No.5, Op.10 No.1
1970 · studio album
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Tracklist · 6 tracks · 55:07
A1Piano Concerto No.1: I. Allegro Con Brio17:47A2Piano Concerto No.1: II. Largo10:24A3Piano Concerto No.1: III. Rondo (Allegro Scherzando)8:45B1Sonata No. 5 In C Minor, Op. 10 No. 1: I. Allegro molto e con brio5:21B2Sonata No. 5 In C Minor, Op. 10 No. 1: II. Allegro molto8:23B3Sonata No. 5 In C Minor, Op. 10 No. 1: III. Finale: Prestissimp4:27Symphony no. 7 in A major, op. 92
1970 · studio album
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Tracklist · 4 tracks · 40:19
A1Symphony no. 7 in A major: Poco sostenuto - Vivace14:58A2Symphony no. 7 in A major: Allegretto8:25B1Symphony no. 7 in A major: Presto - Assai meno presto8:00B2Symphony no. 7 in A major: Allegro con brio8:561971 · studio album
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Tracklist · 17 tracks · 1:29:03
Disc 1A1Beethoven "Fidelio" 1. Overture: Overture7:01A2Beethoven "Fidelio" 2. Act I: No. 1: Duet: Jetzt, Schätzchen4:41A3Beethoven "Fidelio" 2. Act I: No. 2: Aria: O Wär Ich Schon3:59B1Beethoven "Fidelio" 2. Act I: No. 3: Quartet: Mir Ist So Wunderbar4:41B2Beethoven "Fidelio" 2. Act I: No. 4: Aria: Hat Man Nicht2:40B3Beethoven "Fidelio" 2. Act I: No. 5: Trio: Gut, Söhnchen, Gut6:18Disc 2C1Beethoven "Fidelio" 2. Act I: No. 6: March2:17C2Beethoven "Fidelio" 2. Act I: No. 7: Aria: Ha! Welch' Ein Augenblick!2:58C3Beethoven "Fidelio" 2. Act I: No. 8: Duet: Jetzt, Alter4:37C4Beethoven "Fidelio" 2. Act I: No. 9: Recit.: Abscheulicher Aria: Komm Hoffnung7:35D1Beethoven "Fidelio" 2. Act I: No. 10: Finale: O Welche Lust!7:16Disc 3E1Beethoven "Fidelio" Act II: No. 11: Recit.: Gott! Welch' Dunkel Hier! Aria: In Des Lebens Frühlingstagen11:22E2Beethoven "Fidelio" Act II: No. 12: Duet: Nur Hurtig Fort4:21E3Beethoven "Fidelio" Act II: No. 13: Trio: Euch Werde Lohn6:36F1Beethoven "Fidelio" Act II: No. 14: Quartet: Er Sterbe!3:41F2Beethoven "Fidelio" Act II: No. 15: Duet: O Nahmenlose Freude!2:58F3Beethoven "Fidelio" Act II: No. 16: Finale: Heil Sei Dem Tag6:021971 · studio album
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Tracklist · 3 tracks · 50:40
1Concerto for Piano and Orchestra in D major, op. 61a: I. Allegro ma non troppo29:072Concerto for Piano and Orchestra in D major, op. 61a: II. Larghetto - attacca11:253Concerto for Piano and Orchestra in D major, op. 61a: III. Rondo. Allegro10:081971 · studio album
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Tracklist · 5 tracks · 45:46
1Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro ma non troppo12:202Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso14:003Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro5:484Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro3:425Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto9:561812 Overture / Wellington’s Victory
1971 · studio album
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Tracklist · 2 tracks · 30:59
A1812 Overture, Op. 4916:39BWellington’s Victory, Op. 9114:201971 · studio album
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Tracklist · 14 tracks
A1Wellingtons' Victory, op. 91: First Part: The BattleA2Wellingtons' Victory, op. 91: Second Part: The Victory SymphonyA3Musik Zu Einem Ritterballett, WoO 1: I. MarschA4Musik Zu Einem Ritterballett, WoO 1: II. Deutscher GesangA5Musik Zu Einem Ritterballett, WoO 1: III. Jagdlied (Hunting Song)A6Musik Zu Einem Ritterballett, WoO 1: IV. Minnelied (Romance)A7Musik Zu Einem Ritterballett, WoO 1: V. Kriegslied (War Song)A8Musik Zu Einem Ritterballett, WoO 1: VI. Trinklied (Drinking Song) ''Mihi Est Propositim''A9Musik Zu Einem Ritterballett, WoO 1: VII. Deutscher WalzerA10Musik Zu Einem Ritterballett, WoO 1: VIII. CodaB1Jena Symphony: I. Adagio - Allegro VivaceB2Jena Symphony: II. Adagio CantabileB3Jena Symphony: III. Menuetto (Maestoso)B4Jena Symphony: IV. Finale: Allegro1972 · studio album
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Tracklist · 4 tracks · 35:31
1Symphonie No. 4 B-Dur, Op. 60: I. Adagio - Allegro vivace12:162Symphonie No. 4 B-Dur, Op. 60: II. Adagio9:483Symphonie No. 4 B-Dur, Op. 60: III. Allegro vivace5:554Symphonie No. 4 B-Dur, Op. 60: IV. Allegro ma non troppo7:321972 · studio album
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Tracklist · 37 tracks
Disc 1A1Symphonie No. 1 C-Dur, Op. 21: I. Adagio molto – Allegro con brioA2Symphonie No. 1 C-Dur, Op. 21: II. Andante cantabile con motoA3Symphonie No. 1 C-Dur, Op. 21: III. Menuetto. Allegro molto e vivaceA4Symphonie No. 1 C-Dur, Op. 21: IV. Adagio – Allegro molto e vivaceB1Symphonie No. 2 D-Dur, Op. 36: I. Adagio molto – Allegro con brioB2Symphonie No. 2 D-Dur, Op. 36: II. LarghettoB3Symphonie No. 2 D-Dur, Op. 36: III. Scherzo. AllegroB4Symphonie No. 2 D-Dur, Op. 36: IV. Allegro moltoDisc 2C1Symphonie No. 3 Es-Dur, Op. 55 "Eroica": I. Allegro con brioC2Symphonie No. 3 Es-Dur, Op. 55 "Eroica": II. Marcia funebre. Adagio assaiD1Symphonie No. 3 Es-Dur, Op. 55 "Eroica": III. Scherzo. Allegro vivaceD2Symphonie No. 3 Es-Dur, Op. 55 "Eroica": IV. Finale. Allegro moltoDisc 3E1Symphonie No. 4 B-Dur, Op. 60: I. Adagio - Allegro vivaceE2Symphonie No. 4 B-Dur, Op. 60: II. AdagioF3Symphonie No. 4 B-Dur, Op. 60: III. Allegro vivaceF4Symphonie No. 4 B-Dur, Op. 60: IV. Allegro ma non troppoDisc 4G1Symphonie No. 5 c-Moll, Op. 67: I. Allegro con brioG2Symphonie No. 5 c-Moll, Op. 67: II. Andante con motoH1Symphonie No. 5 c-Moll, Op. 67: III. Allegro – attaccaH2Symphonie No. 5 c-Moll, Op. 67: IV. AllegroDisc 5I1Symphonie No. 6 F-Dur, Op. 68 "Pastorale": I. Allegro ma non troppo "Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande"I2Symphonie No. 6 F-Dur, Op. 68 "Pastorale": II. Andante molto mosso "Szene am Bach"J1Symphonie No. 6 F-Dur, Op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute"J2Symphonie No. 6 F-Dur, Op. 68 "Pastorale": IV. Allegro "Gewitter, Sturm"J3Symphonie No. 6 F-Dur, Op. 68 "Pastorale": V. Allegretto "Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm"Disc 6K1Symphonie No. 7 A-Dur, Op. 92: I. Poco sostenuto – VivaceK2Symphonie No. 7 A-Dur, Op. 92: II. AllegrettoL1Symphonie No. 7 A-Dur, Op. 92: III. Presto – Assai meno prestoL2Symphonie No. 7 A-Dur, Op. 92: IV. Allegro con brioDisc 7M1Symphonie No. 8 F-Dur, Op. 93: I. Allegro vivace e con brioM2Symphonie No. 8 F-Dur, Op. 93: II. Allegretto scherzandoM3Symphonie No. 8 F-Dur, Op. 93: III. Tempo di menuettoM4Symphonie No. 8 F-Dur, Op. 93: IV. Allegro vivaceN1Symphonie No. 9 d-Moll, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestosoDisc 8O1Symphonie No. 9 d-Moll, Op. 125 "Choral": II. Molto vivaceO2Symphonie No. 9 d-Moll, Op. 125 "Choral": III. Adagio molto e cantabileP1Symphonie No. 9 d-Moll, Op. 125 "Choral": IV. Presto (mit Schlusschor aus Schillers Ode - An die FreudePiano Concerto no. 4 in G major / Six Bagatelles / Rondo a capriccio
1972 · studio album
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Tracklist · 10 tracks · 53:10
A1Concerto no. 4 in G major for Piano and Orchestra, op. 58: I. Allegro moderato15:25A2Concerto no. 4 in G major for Piano and Orchestra, op. 58: II. Andante con moto4:55A3Concerto no. 4 in G major for Piano and Orchestra, op. 58: III. Rondo. Vivace8:55B1Six Bagatelles for Piano, op. 126: I. Andante con moto cantabile e compiacevole3:10B2Six Bagatelles for Piano, op. 126: II. Allegro2:40B3Six Bagatelles for Piano, op. 126: III. Andante cantabile e grazioso2:20B4Six Bagatelles for Piano, op. 126: IV. Presto4:00B5Six Bagatelles for Piano, op. 126: V. Quasi Allegretto2:25B6Six Bagatelles for Piano, op. 126: VI. Presto - Andante amabile e con moto3:15B7Rondo a capriccio in G major for Piano, op. 1296:051972 · studio album
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Tracklist · 34 tracks
133 Variations sur une valse de Diabelli: Thema233 Variations sur une valse de Diabelli: 1333 Variations sur une valse de Diabelli: 2433 Variations sur une valse de Diabelli: 3533 Variations sur une valse de Diabelli: 4633 Variations sur une valse de Diabelli: 5733 Variations sur une valse de Diabelli: 6833 Variations sur une valse de Diabelli: 7933 Variations sur une valse de Diabelli: 81033 Variations sur une valse de Diabelli: 91133 Variations sur une valse de Diabelli: 101233 Variations sur une valse de Diabelli: 111333 Variations sur une valse de Diabelli: 121433 Variations sur une valse de Diabelli: 131533 Variations sur une valse de Diabelli: 141633 Variations sur une valse de Diabelli: 151733 Variations sur une valse de Diabelli: 161833 Variations sur une valse de Diabelli: 171933 Variations sur une valse de Diabelli: 182033 Variations sur une valse de Diabelli: 192133 Variations sur une valse de Diabelli: 202233 Variations sur une valse de Diabelli: 212333 Variations sur une valse de Diabelli: 222433 Variations sur une valse de Diabelli: 232533 Variations sur une valse de Diabelli: 242633 Variations sur une valse de Diabelli: 252733 Variations sur une valse de Diabelli: 262833 Variations sur une valse de Diabelli: 272933 Variations sur une valse de Diabelli: 283033 Variations sur une valse de Diabelli: 293133 Variations sur une valse de Diabelli: 303233 Variations sur une valse de Diabelli: 313333 Variations sur une valse de Diabelli: 323433 Variations sur une valse de Diabelli: 331972 · studio album
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Tracklist · 14 tracks · 47:30
1Serenade in D, for Flute, Violin and Viola, op. 25: I. Entrata allegro3:382Serenade in D, for Flute, Violin and Viola, op. 25: II. Tempo ordinario d'un minuetto5:163Serenade in D, for Flute, Violin and Viola, op. 25: III. Allegro molto2:184Serenade in D, for Flute, Violin and Viola, op. 25: IV. Andante con variazioni6:175Serenade in D, for Flute, Violin and Viola, op. 25: V. Allegro scherzando e vivace1:596Serenade in D, for Flute, Violin and Viola, op. 25: VI. Adagio - Allegro vivace disinvolto5:427Sonata in E major, for Flute and Continuo (BWV 1035): I. Adagio ma non tanto2:518Sonata in E major, for Flute and Continuo (BWV 1035): II. Allegro2:579Sonata in E major, for Flute and Continuo (BWV 1035): III. Siciliano3:2310Sonata in E major, for Flute and Continuo (BWV 1035): IV. Allegro assai3:0611Trio Sonata in E minor, for Flute, Oboe and Continuo: I. Affetuoso3:1712Trio Sonata in E minor, for Flute, Oboe and Continuo: II. Allegro2:3313Trio Sonata in E minor, for Flute, Oboe and Continuo: III. Grave2:0214Trio Sonata in E minor, for Flute, Oboe and Continuo: IV. Allegro2:11Piano Concerto No. 3, "Pathétique" Sonata
1972 · studio album
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Tracklist · 6 tracks · 55:42
1Piano Concerto no. 3 In C Minor, op. 37: I. Allegro con brio / 2. Largo / 3. Rondo (Allegro)16:312Piano Concerto no. 3 In C Minor, op. 37: II. Largo10:493Piano Concerto no. 3 In C Minor, op. 37: III. Rondo: Allegro8:594Sonata no. 8 In C Minor, op. 13 "Pathétique": I. Grave - Allegro di molto e con brio9:005Sonata no. 8 In C Minor, op. 13 "Pathétique": II. Adagio cantabile6:216Sonata no. 8 In C Minor, op. 13 "Pathétique": III. Rondo: Allegro4:02Complete Works for Violin and Piano, Volume I
1973 · studio album
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Tracklist · 6 tracks · 42:44
A1Violin Sonata No. 1 in D major, Op. 12 No. 1: I. Allegro con brio9:10A2Violin Sonata No. 1 in D major, Op. 12 No. 1: II. Tema con variazioni (Andante con moto) I-IV8:18A3Violin Sonata No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro5:30B1Violin Sonata No. 2 in A major, Op. 12 No. 2: I. Allegro vivace7:30B2Violin Sonata No. 2 in A major, Op. 12 No. 2: II. Andante più tosto allegretto6:41B3Violin Sonata No. 2 in A major, Op. 12 No. 2: III. Allegro piacevole5:351973 · studio album
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Tracklist · 8 tracks
Disc 1ASymphony no. 9 in D minor, op. 125 (“Choral”): 1st Movement: Allegro, ma non troppo, un poco maestosoB1Symphony no. 9 in D minor, op. 125 (“Choral”): 2nd Movement: Molto vivaceB2Symphony no. 9 in D minor, op. 125 (“Choral”): 3rd Movement: Adagio molto e cantabile – Andante moderatoDisc 2CSymphony no. 9 in D minor, op. 125 (“Choral”): 4th Movement: Presto – Allegro assai – Alla Marcia – Andante maestoso – Adagio ma non troppo, ma divoto – Allegro energico, sempre ben marcato – Allegro ma non tanto – PrestissimoD1Symphony no. 8 in F major, op. 93: 1st Movement: Allegro vivace e con brioD2Symphony no. 8 in F major, op. 93: 2nd Movement: Allegretto scherzandoD3Symphony no. 8 in F major, op. 93: 3rd Movement: Tempo di MenuettoD4Symphony no. 8 in F major, op. 93: 4th Movement: Allegro vivace
Other · 114
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1960 | Septett Es-durSearch SpotifySearch YouTube MusicTracklist · 6 tracks1Septett Es-dur: I. Adagio – Allegro con brio 2Septett Es-dur: II. Adagio cantabile 3Septett Es-dur: III. Tempo di minuetto 4Septett Es-dur: IV. Tema. Andante con variazioni 5Septett Es-dur: V. Scherzo. Allegro molto e vivace 6Septett Es-dur: VI. Andante con moto alla marcia – Presto | 1960 | ||
| 1984 | Eroica-Variationen / 6 Variationen G-Dur / 32 Variationen c-mollSearch SpotifySearch YouTube MusicTracklist · 3 tracks · 44:23115 Variationen mit Fuge Es-Dur op.35 "Eroica-Variationen"23:03 26 leichte Variationen G-Dur WoO 778:53 332 Variationen c-moll WoO 8012:27 | 1984 | ||
| 1984 | Sinfonia N. 5 / Sinfonia N. 7Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:08:261Symphony no. 5 in do minore op. 67: I. Allegro con brio8:19 2Symphony no. 5 in do minore op. 67: II. Andante con moto11:00 3Symphony no. 5 in do minore op. 67: III. Allegro5:23 4Symphony no. 5 in do minore op. 67: IV. Allegro8:50 5Symphony no. 7 in la maggiore op. 92: I. Poco sostenuto. Vivace11:49 6Symphony no. 7 in la maggiore op. 92: II. Allegretto8:53 7Symphony no. 7 in la maggiore op. 92: III. Presto7:32 8Symphony no. 7 in la maggiore op. 92: IV. Allegro con brio6:40 | 1984 | ||
| 1984 | The Violin Sonatas, Vol. III: op. 30 no. 3, op. 47 (Kreutzer), op. 96Search SpotifySearch YouTube MusicTracklist · 10 tracks · 1:20:501Sonata no. 8 in G major, op. 30 no. 3: Allegro assai6:41 2Sonata no. 8 in G major, op. 30 no. 3: Tempo di Minuetto ma molto moderato e grazioso7:10 3Sonata no. 8 in G major, op. 30 no. 3: Allegro vivace3:35 4Sonata no. 9 in A major, op. 47 (Kreutzer): Adagio sostenuto - Presto11:28 5Sonata no. 9 in A major, op. 47 (Kreutzer): Andante con Variazioni15:36 6Sonata no. 9 in A major, op. 47 (Kreutzer): Finale: Presto9:00 7Sonata no. 10 in G major, op. 96: Allegro moderato10:19 8Sonata no. 10 in G major, op. 96: Adagio espressivo, attacca6:16 9Sonata no. 10 in G major, op. 96: Scherzo and trio: Allegro1:56 10Sonata no. 10 in G major, op. 96: Poco allegretto - Adagio espressivo Tempo I - Allegro - Poco adagio - Presto8:49 | 1984 | ||
| 1986 | Trois Sonates Pour Le Piano ForteSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 44:021Sonate en Mi Bémol majeur, op. 31/III: I. Allegro7:45 2Sonate en Mi Bémol majeur, op. 31/III: II. Scherzo. Allegretto Vivace5:06 3Sonate en Mi Bémol majeur, op. 31/III: III. Menuetto. Moderato E Grazioso3:54 4Sonate en Mi Bémol majeur, op. 31/III: IV. Presto Con Fuoco4:39 5Sonatine en Sol majeur, op. 79: I. Presto Alla Tedesca4:22 6Sonatine en Sol majeur, op. 79: II. Andante2:23 7Sonatine en Sol majeur, op. 79: III. Vivace1:58 8Sonate en Mi Bémol majeur, op. 81a "Les Adieux, L'Absence Et Le Retour": I. Das Lebewohl = Les Adieux (Adagio - Allegro)6:06 9Sonate en Mi Bémol majeur, op. 81a "Les Adieux, L'Absence Et Le Retour": II. Abwesenheit = L'Absence (Andante Espressivo) / III. Das Wiedersehen - Le Retour (Vivacissimamente)7:49 | 1986 | ||
| 1987 | Klavierkonzert Nr. 3 c-Moll / Leonoren OuvertüreSearch SpotifySearch YouTube Music | Compilation | 1987 | |
| 1987 | Kulturkreis Juleum 1987, Konzert Für Violoncello Und Orchester H-moll Op 104 , Die Geschöpfe Des PromotheusSearch SpotifySearch YouTube MusicTracklist · 4 tracksA1Konzert für Violoncello und Orchester h-Moll op. 104: I. Allegro A2Konzert für Violoncello und Orchester h-Moll op. 104: II. Adagio ma non troppo B1Konzert für Violoncello und Orchester h-Moll op. 104: III. Finale. Allegro moderato B2Ballet "Die Geschöpfe des Prometheus" op. 43: Ouvertüre | 1987 | ||
| 1987 | Klavierkonzert Nr. 1, Sonate Nr. 4Search SpotifySearch YouTube MusicTracklist · 7 tracks · 1:10:161Klavierkonzert Nr. 1 C-Dur Op-15-Allegro Con Brio18:39 2Klavierkonzert Nr. 1 C-Dur Op-15-Largo10:41 3Klavierkonzert Nr. 1 C-Dur Op-15-Rondo.Allegro9:16 4Klaviersonate Nr. 4 Es-Dur Op.7-Allegro Molto E Con Brio9:51 5Klaviersonate Nr. 4 Es-Dur Op.7-Largo, Con Gran Erpressione8:39 6Klaviersonate Nr. 4 Es-Dur Op.7-Allegro - Minore - Allegro5:28 7Klaviersonate Nr. 4 Es-Dur Op.7-Rondo. Poco Allegretto E Grazioso7:42 | 1987 | ||
| 1988 | Sonata Op. 27 No. 2 "Moonlight" Sonata / Sonata Op. 13 "Pathétique" / Sonata Op. 53. "Waldstein" / Sonata "Für Elise"Search SpotifySearch YouTube MusicTracklist · 10 tracks · 58:311Sonata - Quasi una Fantasia in C-sharp minor, Op. 27 No. 2 "Moonlight Sonata": I. Adagio sostenuto6:02 2Sonata - Quasi una Fantasia in C-sharp minor, Op. 27 No. 2 "Moonlight Sonata": II. Allegretto2:10 3Sonata - Quasi una Fantasia in C-sharp minor, Op. 27 No. 2 "Moonlight Sonata": III. Presto – Agitato7:01 4Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave – Allegro di molto e con brio8:14 5Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile5:36 6Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro4:17 7Sonata No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio9:23 8Sonata No. 21 in C major, Op. 53 "Waldstein": II. Adagio – Ma non troppo (attacca)4:02 9Sonata No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato – Prestissimo9:32 10Bagatelle in A minor, WoO 59 "Für Elise"2:14 | 1988 | ||
| 1988 | Symphonie N° 6 "Pastorale" / Sonate Pour Piano N° 21 "Walstein"Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:06:211Symphonie N° 6 en Fa majeur "Pastorale", op. 68: I. Allegro ma non troppo10:28 2Symphonie N° 6 en Fa majeur "Pastorale", op. 68: II. Andante molto mosso13:22 3Symphonie N° 6 en Fa majeur "Pastorale", op. 68: III. Allegro5:12 4Symphonie N° 6 en Fa majeur "Pastorale", op. 68: IV. Allegro3:50 5Symphonie N° 6 en Fa majeur "Pastorale", op. 68: V. Allegretto10:35 6Sonate pour Piano N° 21 en Do majeur "Waldstein" op. 53: I. Allegro con brio9:21 7Sonate pour Piano N° 21 en Do majeur "Waldstein" op. 53: II. Introductione. Adagio molto4:06 8Sonate pour Piano N° 21 en Do majeur "Waldstein" op. 53: III. Rondo. Allegretto moderato9:27 | 1988 | ||
| 1989 | Symphony no. 9Search SpotifySearch YouTube MusicTracklist · 4 tracks · 1:10:071Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso16:02 2Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace13:33 3Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile16:09 4Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto24:23 | 1989 | ||
| 1990 | Le Ultime Tre Sonate Per Pianoforte Op. 109, 110, 111Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:12:351Sonata N. 30 in Mi Maggiore Op. 109: 1. Vivace Ma Non Troppo. Sempre Legato3:57 2Sonata N. 30 in Mi Maggiore Op. 109: 2. Prestissimo2:36 3Sonata N. 30 in Mi Maggiore Op. 109: 3. Andante Molto Cantabile Ed Espressivo16:35 4Sonata N. 31 in La Bemolle Magg. Op. 110: 1. Moderato Cantabile Molto Espressivo6:56 5Sonata N. 31 in La Bemolle Magg. Op. 110: 2. Allegro Molto2:21 6Sonata N. 31 in La Bemolle Magg. Op. 110: 3. Adagio, Ma Non Troppo11:17 7Sonata N. 32 in Do Minore Op. 111: 1. Maestoso - Allegro Con Brio Ed Appassionato9:15 8Sonata N. 32 in Do Minore Op. 111: 2. "Arietta". Adagio Molto Semplice E Cantabile19:38 | 1990 | ||
| 1990 | Sonatas para piano 30, 31 y 32Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:12:401Sonata 30 in Mi Maggiore op. 109 - Vivace ma non troppo Sempre legato3:58 2Sonata 30 in Mi Maggiore op. 109 - Prestissimo2:36 3Sonata 30 in Mi Maggiore op. 109 - Andante molto cantabile ed espressivo16:35 4Sonata 31 in La Bemolle magg. op. 110 - Moderato cantabile molto espressivo6:57 5Sonata 31 in La Bemolle magg. op. 110 - Allegro molto2:22 6Sonata 31 in La Bemolle magg. op. 110 -Adagio ma non troppo11:18 7Sonata 32 in Do minore op. 111 - Maestoso Allegro con brio ed appassionato9:16 8Sonata 32 in Do minore op. 111 - "Arietta" Adagio molto semplice e cantabile19:38 | Compilation | 1990 | |
| 1990 | Beethoven: Romanze Für Violine Und Orchester G-Dur Op. 40 / Tschaikowsky: Violinkonzert D-Dur Op. 35Search SpotifySearch YouTube MusicTracklist · 5 tracks · 49:281Romanze G-Dur op. 406:42 2Romanze F-Dur op. 508:21 3Violinkonzert D-Dur op. 35: Allegro Moderato17:56 4Violinkonzert D-Dur op. 35: Canzonetta: Andante6:50 5Violinkonzert D-Dur op. 35: Finale: Allegro Vivacissimo9:39 | 1990 | ||
| 1990 | Sinfonia Nº 5 / "Coroliano" / "Leonora III" / "Rei Estévão" : (Aberturas)Search SpotifySearch YouTube MusicTracklist · 7 tracks · 1:01:001Symphonie Nr. 5 in c-Moll, op. 67: I. Allegro con brio7:18 2Symphonie Nr. 5 in c-Moll, op. 67: II. Andante con moto10:59 3Symphonie Nr. 5 in c-Moll, op. 67: III. Allegro5:23 4Symphonie Nr. 5 in c-Moll, op. 67: IV. Allegro8:49 5Overtüre "Coriolan" (1807), op. 627:33 6Overtüre "Leonore III" (1806), op. 72b13:35 7Overtüre "König Stephan" (1811), op. 1177:23 | 1990 | ||
| 1990 | Amadeus - Sonate per pianoforteSearch SpotifySearch YouTube MusicTracklist · 3 tracks · 30:292Sonata N. 30 in Mi Maggiore Op. 109: 2. Prestissimo2:36 3Sonata N. 30 in Mi Maggiore Op. 109: 3. Andante molto cantabile ed espressivo16:35 6Sonata N. 31 in La Bemolle Magg. Op. 110: 3. Adagio, ma non troppo11:18 | Compilation | 1990 | |
| 1990 | Music For The Millions Vol. 2Search SpotifySearch YouTube MusicTracklist · 5 tracks · 1:00:511Symphony No. 3 in E-flat Major, Op. 55 "Eroica": I. Allegro con Brio14:37 2Symphony No. 3 in E‐flat Major, Op. 55 “Eroica”: II. Marcia Funebre. Adagio Assai16:33 3Symphony No. 3 in E‐flat Major, Op. 55 “Eroica”: III. Scherzo. Allegro Vivace6:15 4Symphony No. 3 in E-flat Major, Op. 55 "Eroica": IV. Finale. Allegro Molto - Poco Andante - Presto12:38 5Variations for Cello & Piano in E Flat Major on Mozart's "Bei Männern," WoO 4610:48 | 1990 | ||
| 1991 | The Complete SymphoniesSearch SpotifySearch YouTube MusicTracklist · 37 tracks · 5:49:08Disc 1 1Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio7:32 2Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto6:25 3Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace3:41 4Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace5:49 5Symphony no. 3 in E flat major, op. 55 "Eroica": I. Allegro con brio14:36 5Symphony no. 3 in E flat major, op. 55 "Eroica": II. Marcia funèbre. Adagio assai16:52 7Symphony no. 3 in E flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace6:14 8Symphony no. 3 in E flat major, op. 55 "Eroica": IV. Finale. Allegro molto12:19 Disc 21Symphony no. 6 in F major, op. 68 "Pastoral" (Awakening of cheerful feeling on Arriving in the country): I. Allegro ma non troppo11:04 2Symphony no. 6 in F major, op. 68 "Pastoral" (Scene by the brook): II. Andante molto mosso12:40 3Symphony no. 6 in F major, op. 68 "Pastoral" (Merry gathering of country-folk): III. Allegro5:51 4Symphony no. 6 in F major, op. 68 "Pastoral" (Thunderstorm; Tempest): IV. Allegro3:56 5Symphony no. 6 in F major, op. 68 "Pastoral" (Shepherd's song; Happy, thankful feelings after the Storm): V. Allegretto9:29 6Symphony no. 8 in F Major, op. 93: I. Allegro vivace e con brio10:10 7Symphony no. 8 in F Major, op. 93: II. Allegretto scherzando4:11 8Symphony no. 8 in F Major, op. 93: III. Tempo di menuetto5:03 9Symphony no. 8 in F Major, op. 93: IV. Allegro vivace8:36 Disc 31Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio11:28 2Symphony no. 2 in D major, op. 36: II. Larghetto12:45 3Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro4:12 4Symphony no. 2 in D major, op. 36: IV. Allegro molto6:50 5Symphony no. 4 in B flat major, op. 60: I. Adagio - Allegro vivace12:17 6Symphony no. 4 in B flat major, op. 60: II. Adagio9:29 7Symphony no. 4 in B flat major, op. 60: III. Allegro vivace6:14 8Symphony no. 4 in B flat major, op. 60: IV. Allegro ma non troppo7:00 Disc 41Symphony no. 9 in D minor "Choral": I. Allegro ma non troppo, un poco maestoso14:34 2Symphony no. 9 in D minor "Choral": II. Molto vivace - Presto - Molto vivace11:39 3Symphony no. 9 in D minor "Choral": III. Adagio molto e cantible - Andante moderato13:37 4Symphony no. 9 in D minor "Choral": IV. Allegro assai23:39 Disc 51Symphony no. 5 in C minor, op. 67: I. Allegro con brio7:20 2Symphony no. 5 in C minor, op. 67: II. Andante con moto10:59 3Symphony no. 5 in C minor, op. 67: III. Allegro5:23 4Symphony no. 5 in C minor, op. 67: IV. Allegro8:50 5Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace13:00 6Symphony no. 7 in A major, op. 92: II. Allegretto8:34 7Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto10:10 8Symphony no. 7 in A major, op. 92: IV. Allegro con brio6:40 | 1991 | ||
| 1991 | Music For The Millions Vol. 22Search SpotifySearch YouTube MusicTracklist · 7 tracks · 1:04:001Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro20:59 2Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso8:17 3Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro10:52 4Violin Sonata no. 5 in F major, op. 24 "Spring": I. Allegro9:43 5Violin Sonata no. 5 in F major, op. 24 "Spring": II. Adagio molto espressivo5:57 6Violin Sonata no. 5 in F major, op. 24 "Spring": III. Scherzo. Allegro molto1:22 7Violin Sonata no. 5 in F major, op. 24 "Spring": IV. Rondo. Allegro ma non troppo6:50 | 1991 | ||
| 1991 | Quintet for Piano & Winds, op. 16 / Trio, op. 11 / "Kakadu" Variations, op. 121aSearch SpotifySearch YouTube MusicTracklist · 19 tracks · 1:10:511Trio for Piano, Clarinet and Cello in B-flat major, op. 11: I. Allegro Con Brio9:28 2Trio for Piano, Clarinet and Cello in B-flat major, op. 11: II. Adagio5:44 3Trio for Piano, Clarinet and Cello in B-flat major, op. 11: III. Tema "Pria Ch'io L'impegno"7:10 4Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, op. 16: I. Grave - Allegro ma non troppo13:52 5Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, op. 16: II. Andante cantabile8:23 6Quintet for Piano, Oboe, Clarinet, Horn and Bassoon in E-flat major, op. 16: III. Rondo - Allegro ma non troppo6:23 7Variations on Wenzel Muller's Lied "Ich bin der Schneider Kakadu" for Piano, Violin, & Cello in G major, op. 121a: Introduzione. Adagio Assai;5:49 8Variations on Wenzel Muller's Lied "Ich bin der Schneider Kakadu" for Piano, Violin, & Cello in G major, op. 121a: Tema0:47 9Variations on Wenzel Muller's Lied "Ich bin der Schneider Kakadu" for Piano, Violin, & Cello in G major, op. 121a: Variation I0:48 10Variations on Wenzel Muller's Lied "Ich bin der Schneider Kakadu" for Piano, Violin, & Cello in G major, op. 121a: Variation II0:52 11Variations on Wenzel Muller's Lied "Ich bin der Schneider Kakadu" for Piano, Violin, & Cello in G major, op. 121a: Variation III0:55 12Variations on Wenzel Muller's Lied "Ich bin der Schneider Kakadu" for Piano, Violin, & Cello in G major, op. 121a: Variation IV0:48 13Variations on Wenzel Muller's Lied "Ich bin der Schneider Kakadu" for Piano, Violin, & Cello in G major, op. 121a: Variation V0:50 14Variations on Wenzel Muller's Lied "Ich bin der Schneider Kakadu" for Piano, Violin, & Cello in G major, op. 121a: Variation VI0:46 15Variations on Wenzel Muller's Lied "Ich bin der Schneider Kakadu" for Piano, Violin, & Cello in G major, op. 121a: Variation VII1:01 16Variations on Wenzel Muller's Lied "Ich bin der Schneider Kakadu" for Piano, Violin, & Cello in G major, op. 121a: Variation VIII0:46 17Variations on Wenzel Muller's Lied "Ich bin der Schneider Kakadu" for Piano, Violin, & Cello in G major, op. 121a: Variation IX2:22 18Variations on Wenzel Muller's Lied "Ich bin der Schneider Kakadu" for Piano, Violin, & Cello in G major, op. 121a: Variation X2:02 19Variations on Wenzel Muller's Lied "Ich bin der Schneider Kakadu" for Piano, Violin, & Cello in G major, op. 121a: Allegretto2:05 | 1991 | ||
| 1991 | Symphony No. 5 / Egmont. Coriolan OverturesSearch SpotifySearch YouTube MusicTracklist · 6 tracks · 48:121Symphony no. 5 in C-Minor, op. 67: I. Allegro con brio7:12 2Symphony no. 5 in C-Minor, op. 67: II. Andante con moto10:58 3Symphony no. 5 in C-Minor, op. 67: III. Allegro (Attacca)5:22 4Symphony no. 5 in C-Minor, op. 67: IV. Allegro8:50 5Corolian Overture, op. 627:32 6Egmont Overture, op. 848:18 | 1991 | ||
| 1992 | The Best Of BeethovenSearch SpotifySearch YouTube MusicTracklist · 7 tracks · 1:04:271Symphony No. 5 In C Minor, Op. 67: Allegro Con Brio7:20 2Symphony No. 5 In C Minor, Op. 67: Andante Con Moto11:00 3Symphony No. 5 In C Minor, Op. 67: Allegro5:23 4Symphony No. 5 In C Minor, Op. 67: Allegro8:50 5Symphony No. 9 In D Minor, Op. 125: Molto Vivace11:40 6Overtures: Overture To Fidelio, Op. 72b6:39 7Overtures: Leonore Overture, No. 3 In C Major, Op. 72a13:35 | Compilation | 1992 | |
| 1993 | Classic Gold: The Best of Ludwig van BeethovenSearch SpotifySearch YouTube MusicTracklist · 8 tracks · 1:13:351Moonlight Sonata op. 27/2: Adagio Sostenuto6:21 2Septet op. 20: Menuetto3:35 3King Stephan op. 117: Overture7:29 4Spring Sonata op. 24: Allegro9:47 5Romance op. 50 in F major8:19 6Pathétique op. 13: Adagio Cantabile5:41 7Piano Concerto no. 4 - Allegro Moderato18:43 8Fidelio op. 72: Finale13:40 | Compilation | 1993 | |
| 1995 | Die grossen KlaviersonatenSearch SpotifySearch YouTube MusicTracklist · 18 tracks · 2:05:13Disc 1 1Piano Sonata no. 14 cis-Moll "Mondschein", op. 27 no. 2: I. Adagio Sostenuto6:19 2Piano Sonata no. 14 cis-Moll "Mondschein", op. 27 no. 2: II. Allegretto, Trio2:16 3Piano Sonata no. 14 cis-Moll "Mondschein", op. 27 no. 2: III. Presto7:46 4Piano Sonata no. 23 f-Moll "Appassionata", op. 57: I. Allegro assai9:45 5Piano Sonata no. 23 f-Moll "Appassionata", op. 57: II. Andante con moto6:13 6Piano Sonata no. 23 f-Moll "Appassionata", op. 57: III. Allegro ma non troppo8:14 7Piano Sonata no. 26 Es-Dur "Les adieux", op. 81a: I. Les adieux: Adagio7:28 8Piano Sonata no. 26 Es-Dur "Les adieux", op. 81a: II. L' absence: Andante espressivo3:39 9Piano Sonata no. 26 Es-Dur "Les adieux", op. 81a: III. Le Retour: Vivacissimamante6:08 Disc 21Piano Sonata no. 21 C-Dur "Waldstein", op. 53: I. Allegro con brio11:04 2Piano Sonata no. 21 C-Dur "Waldstein", op. 53: II. Introduzione: Adagio molto - Rondo: Allegretto moderato13:35 3Piano Sonata no. 8 c-Moll "Pathetique", op. 13: I. Grave. Allegro di molto e con brio8:42 4Piano Sonata no. 8 c-Moll "Pathetique", op. 13: II. Adagio: Cantabile5:09 5Piano Sonata no. 8 c-Moll "Pathetique", op. 13: III. Rondo: Allegro4:25 6Piano Sonata no. 15 D-Dur "Pastorale", op. 28: I. Allegro8:32 7Piano Sonata no. 15 D-Dur "Pastorale", op. 28: II. Andante9:16 8Piano Sonata no. 15 D-Dur "Pastorale", op. 28: III. Scherzo: Allegro vivace2:11 9Piano Sonata no. 15 D-Dur "Pastorale", op. 28: IV. Rondo: Allegro ma non troppo4:31 | Compilation | 1995 | |
| 1996 | La PolonaiseSearch SpotifySearch YouTube MusicTracklist · 14 tracks · 51:32112 Polonaises: Allegro en ut majeur3:20 212 Polonaises: Andante en ut mineur2:19 312 Polonaises: Allegretto en ré majeur3:43 412 Polonaises: Moderato en ré mineur2:03 512 Polonaises: Allegretto modérato en mi bémol majeur3:13 612 Polonaises: Adagio en mi bémol mineur3:38 712 Polonaises: Andantino en mi majeur2:48 812 Polonaises: Andante en mi mineur3:31 912 Polonaises: Allegro moderato en fa majeur1:45 1012 Polonaises: Adagio en fa mineur4:11 1112 Polonaises: Allegretto en sol majeur3:11 1212 Polonaises: Andante en sol mineur3:43 13Polonaise opus 89: Alla polacca, vivace en do majeur6:07 14Polonaise opus 21: Allegro maestro, en si bémol mineur8:00 | 1996 | ||
| 1997 | Symphony no. 9 - Piano Sonatas no. 9, 10 and 12Search SpotifySearch YouTube MusicTracklist · 15 tracks · 2:00:28Disc 1 1Symphony no. 9 in D minor: I. Allegro ma non troppo un poco maestoso14:34 2Symphony no. 9 in D minor: II. Molto vivace11:38 3Symphony no. 9 in D minor: III. Adagio molto e cantabile13:25 4Symphony no. 9 in D minor: IV. Presto allegro assai23:39 Disc 21Sonata no. 9 in F major, op.14 no. 1: I. Allegro5:48 2Sonata no. 9 in F major, op.14 no. 1: II. Allegretto maggiare3:20 3Sonata no. 9 in F major, op.14 no. 1: III. Rondo: Allegro commodo3:20 4Sonata no. 10 in G major, op.14 no. 2: I. Allegro6:57 5Sonata no. 10 in G major, op.14 no. 2: II. Andante4:36 6Sonata no. 10 in G major, op.14 no. 2: III. Scherzo: Allegro assai3:21 7Sonata no. 12 in A flat major, op.26: I. Andante con variviari7:06 8Sonata no. 12 in A flat major, op.26: II. Scherzo: Allegro Molto3:00 9Sonata no. 12 in A flat major, op.26: III. Marcha Lunchre5:45 10Sonata no. 12 in A flat major, op.26: IV. Allegro2:57 11Sonata no. 12 in A flat major, op.26: V. Allegro molto11:02 | Compilation | 1997 | |
| 1999 | Beethoven EditionSearch SpotifySearch YouTube MusicTracklist · 27 tracks · 4:12:52Disc 1 1Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo25:38 2Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto10:19 3Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro9:47 4Romance for Violin and Orchestra No. 2 in F major, Op. 508:20 5Romance for Violin and Orchestra No. 1 in G major, Op. 406:37 Disc 21Mondschein Sonate, op. 27 Nr. 2 cis-Moll: Adagio sostenuto6:04 2Mondschein Sonate, op. 27 Nr. 2 cis-Moll: Allegretto2:11 3Mondschein Sonate, op. 27 Nr. 2 cis-Moll: Presto agitato7:07 4Waldstein-Sonate, op. 53 C-Dur: Allegro con brio9:24 5Waldstein-Sonate, op. 53 C-Dur: Introduzione: Adagio molto4:06 6Waldstein-Sonate, op. 53 C-Dur: Rondo: Allegretto moderato9:35 7Pathétique, op. 13 c-moll: Grave - allegro di molto8:17 8Pathétique, op. 13 c-moll: Adagio cantabile5:38 9Pathétique, op. 13 c-moll: Rondo allegro4:16 Disc 31Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo14:22 2Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace11:47 3Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile13:43 4Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto: Allegro assai23:41 Disc 41Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo10:35 2Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso13:29 3Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro5:13 4Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro3:49 5Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto10:42 6Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio10:15 7Symphony no. 8 in F major, op. 93: II. Allegretto scherzando4:14 8Symphony no. 8 in F major, op. 93: III. Tempo di menuetto5:06 9Symphony no. 8 in F major, op. 93: IV. Allegro vivace8:37 | Compilation | 1999 | |
| 2000 | Complete Works for Winds and Brass Vol. 2Search SpotifySearch YouTube MusicTracklist · 28 tracks · 1:03:491Marsh und Trio für Militärmusik WoO18, F-dur "für die böhmische Landwehr" (1809/1823)2:49 2Marsh und Trio für Militärmusik WoO20, C-dur "Zapfensteich" (1809/1822)3:43 3Marsh und Trio für Militärmusik WoO19, F-dur (1810/1823)3:46 4Polonaise für Militärmusik WoO21, D-dur (1810)2:18 5Ecossaise für Militärmusik WoO22, D-dur (1809)1:03 6Marsch für zwei Klarinetter, zwei Hörner und zwei Fagotte WoO29, B-dur (1797/98)1:14 7Quintett für Oboe, 3 Hörner und Fagotte Hess 19, Es-dur (1796): I - Allegro3:14 8Quintett für Oboe, 3 Hörner und Fagotte Hess 19, Es-dur (1796): II - Adagio maestoso3:07 9Quintett für Oboe, 3 Hörner und Fagotte Hess 19, Es-dur (1796): III - Minuetto0:49 10Adagio für 3 Hörner in F (1815)0:56 11Drei Equale für 4 Posaunen WoO30 (1812): No. 1 - Andante2:24 12Drei Equale für 4 Posaunen WoO30 (1812): No. 2 - Poco adagio2:10 13Drei Equale für 4 Posaunen WoO30 (1812): No. 3 - Poco sostenuto1:21 14Trio für 2 Oboen und Englischhorn Op. 87, C-dur (1794): I - Allegro7:41 15Trio für 2 Oboen und Englischhorn Op. 87, C-dur (1794): II - Adagio4:15 16Trio für 2 Oboen und Englischhorn Op. 87, C-dur (1794): III - Minuetto2:56 17Trio für 2 Oboen und Englischhorn Op. 87, C-dur (1794): IV - Finale4:16 18Variationen für 2 Oboen und Englischhorn über Mozart: "Là ci darem la mano" WoO28, C-dur (1796): Theme0:53 19Variationen für 2 Oboen und Englischhorn über Mozart: "Là ci darem la mano" WoO28, C-dur (1796): Variation 10:39 20Variationen für 2 Oboen und Englischhorn über Mozart: "Là ci darem la mano" WoO28, C-dur (1796): Variation 20:42 21Variationen für 2 Oboen und Englischhorn über Mozart: "Là ci darem la mano" WoO28, C-dur (1796): Variation 31:05 22Variationen für 2 Oboen und Englischhorn über Mozart: "Là ci darem la mano" WoO28, C-dur (1796): Variations 4 and 51:31 23Variationen für 2 Oboen und Englischhorn über Mozart: "Là ci darem la mano" WoO28, C-dur (1796): Variation 60:55 24Variationen für 2 Oboen und Englischhorn über Mozart: "Là ci darem la mano" WoO28, C-dur (1796): Variation 71:16 25Variationen für 2 Oboen und Englischhorn über Mozart: "Là ci darem la mano" WoO28, C-dur (1796): Variation 80:45 26Variationen für 2 Oboen und Englischhorn über Mozart: "Là ci darem la mano" WoO28, C-dur (1796): Coda1:33 27Allegro und Menuett für 2 Flöten WoO26, G-dur (1792): I - Allegro con brio2:56 28Allegro und Menuett für 2 Flöten WoO26, G-dur (1792): II - Menuetto quasi allegretto3:32 | 2000 | ||
| 2000 | Marlboro Music Festival: 50th AnniversarySearch SpotifySearch YouTube MusicTracklist · 13 tracksDisc 1 1-1Concerto for Piano and Orchestra No. 4 in G major, Op. 58: I. Allegro Moderato 1-2Concerto for Piano and Orchestra No. 4 in G major, Op. 58: II. Andante Con Moto 1-3Concerto for Piano and Orchestra No. 4 in G major, Op. 58: III. Rondo. Vivace 1-4Choral Fantasy in C minor for Piano, Chorus and Orchestra, Op. 80 Disc 22-1String Quintet in G major, B. 49, Op. 77: I. Allegro Con Fuoco 2-2String Quintet in G major, B. 49, Op. 77: II. Intermezzo. Andante 2-3String Quintet in G major, B. 49, Op. 77: II. Scherzo 2-4String Quintet in G major, B. 49, Op. 77: III. Poco Andante 2-5String Quintet in G major, B. 49, Op. 77: IV. Allegro Assai 2-6Mládí: I. Allegro 2-7Mládí: II. Andante Sostenuto 2-8Mládí: III. Vivace 2-9Mládí: IV. Allegro Animato | 2000 | ||
| 2002 | Romances nos. 1 & 2 / "Moonlight" / "Waldstein" / "Pathétique"Search SpotifySearch YouTube MusicTracklist · 11 tracks · 1:11:431Romance for Violin and Orchestra no. 1 in G major, op. 40: Andante6:45 2Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile8:21 3Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto6:04 4Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto2:11 5Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato7:07 6Piano Sonata no. 21 in C major, op. 53 "Waldstein": I. Allegro con brio9:24 7Piano Sonata no. 21 in C major, op. 53 "Waldstein": II. Introduzione. Adagio molto4:06 8Piano Sonata no. 21 in C major, op. 53 "Waldstein": III. Rondo. Allegretto moderato9:35 9Piano Sonata no. 8 in C minor, op. 13 "Pathétique": I. Grave: Allegro di molto e con brio8:17 10Piano Sonata no. 8 in C minor, op. 13 "Pathétique": II. Adagio cantabile5:38 11Piano Sonata no. 8 in C minor, op. 13 "Pathétique": III. Rondo. Allegro4:15 | 2002 | ||
| 2002 | Beethoven - MeisterwerkeSearch SpotifySearch YouTube MusicTracklist · 8 tracks · 1:09:571Fidelio-Overtüre op. 72b6:27 2Klaviersonate Nr. 8 in c-Moll op. 13 "Pathe´tique" : II. Adagio cantabile5:04 3Violinenkonzert in D-Dur op. 61 : III. Rondo. Allegro9:36 4Symphonie Nr. 6 in F-Dur op. 68 "Pastorale": II. Szene am Bach13:30 5Rondo à capriccio op. 1296:19 6Violinromanze Nr. 1 in GDur op. 408:01 7Klavierkonzert Nr. 3 in c-Moll op. 37: III. Rondo. Allegro9:41 8Symphonie Nr. 9 in d-Moll op. 125 "Choral" : Schlusschor11:19 | 2002 | ||
| 2002 | Symphony no. 9 "Choral"Search SpotifySearch YouTube MusicTracklist · 4 tracks · 1:11:421Symphony no. 9, op. 125: I. Allegro Ma Non Troppo Un Poco Maestoso16:22 2Symphony no. 9, op. 125: II. Molto Vivace13:46 3Symphony no. 9, op. 125: III. Adagio Molto E Cantibile16:20 4Symphony no. 9, op. 125: IV. Presto25:14 | 7 May 2002 | ||
| 2003 | Kempff plays BeethovenSearch SpotifySearch YouTube MusicTracklist · 16 tracks · 1:38:07Disc 1 1Piano Sonata no. 23 in F minor, op. 57 ''Appassionata'': Allegro assai9:42 2Piano Sonata no. 23 in F minor, op. 57 ''Appassionata'': Andante con moto, attacca6:09 3Piano Sonata no. 23 in F minor, op. 57 ''Appassionata'': Allegro, ma non troppo. Presto5:41 4Piano Sonata no. 7 in D major, op. 10 no. 3: Presto5:00 5Piano Sonata no. 7 in D major, op. 10 no. 3: Largo e mesto8:45 6Piano Sonata no. 7 in D major, op. 10 no. 3: Menuetto (Allegro)2:51 7Piano Sonata no. 7 in D major, op. 10 no. 3: Rondo (Allegro)4:02 8Piano Sonata no. 19 in G minor, op. 49 no. 1: Andante4:06 9Piano Sonata no. 19 in G minor, op. 49 no. 1: Rondo (Allegro)3:42 Disc 21Piano Sonata no. 20 in G major, op. 49 no. 2: 1. Allegro, ma non troppo4:35 2Piano Sonata no. 20 in G major, op. 49 no. 2: 2. Tempo di menuetto3:49 3Piano Sonata no. 31 in A-flat major, op. 110: 1. Moderato cantabile molto espressivo6:04 4Piano Sonata no. 31 in A-flat major, op. 110: 2. Allegro molto2:29 5Piano Sonata no. 31 in A-flat major, op. 110: 3. Adagio, ma non troppo - Fuga. Allegro, ma non troppo9:36 6Piano Sonata no. 32 in C minor, op. 111: 1. Maestoso - Allegro con brio ed appassionato7:05 7Piano Sonata no. 32 in C minor, op. 111: 2. Arietta. Adagio molto semplice e cantabile14:31 | 2003 | ||
| 2003 | Piano Sonatas 29 'Hammerklavier'; 30-32; Bagatelles, Op. 126Search SpotifySearch YouTube MusicTracklist · 18 tracks · 2:21:57Disc 1 1Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": I. Allegro11:30 2Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": II. Scherzo. Assai vivace2:33 3Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": III. Adagio sostenuto. Appassionato e con molto sentimento25:18 4Piano Sonata no. 29 in B-flat major, op. 106 "Hammerklavier": IV. Introduzione. Largo - Fuga. Allegro risoluto11:48 5Piano Sonata no. 30 in E major, op. 109: I. Vivace ma non troppo - Adagio espressivo3:39 6Piano Sonata no. 30 in E major, op. 109: II. Prestissimo2:11 7Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo13:53 Disc 21Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo7:32 2Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto2:09 3Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio ma non troppo - Fuga. Allegro ma non troppo11:26 4Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato9:01 5Piano Sonata no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile22:26 66 Bagatelles, op. 126: no. 1 in G major, Andante con moto2:49 76 Bagatelles, op. 126: no. 2 in G major, Allegro2:32 86 Bagatelles, op. 126: no. 3 in E-flat major, Andante2:35 96 Bagatelles, op. 126: no. 4 in B major, Presto3:27 106 Bagatelles, op. 126: no. 5 in G major, Quasi allegretto2:23 116 Bagatelles, op. 126: no. 6 in E-flat major, Presto4:45 | Compilation | 2003 | |
| 2003 | I grandi compositoriSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 1:10:131Beethoven - Sinfonia n 5 op 67 Primo movimento7:19 2Beethoven - Sonata per pianoforte n 14 Chiaro di luna op 27 Primo movimento5:27 3Beethoven - Egmont op 84 Ouvertrure8:46 4Beethoven - Concerto per pianoforte e orchestra n 5 L'Imperatore op 73 Secondo movimento7:32 5Beethoven - Fidelio Coro dei prigionieri op 72c2:56 6Beethoven - Sonata per pianoforte n 8 Patetica op 13 Primo movimento8:36 7Beethoven - Sinfonia n 6 Pastorale op 68 Quinto movimento8:27 8Beethoven - Concerto per violino e orchestra op 61 Terzo movimento Rondò allegro9:34 9Beethoven - Sinfonia n 9 Corale op 125 Quarto movimento (estratto)11:36 | Compilation | 2003 | |
| 2004 | Symphonies nos. 1 & 6 "Pastoral"Search SpotifySearch YouTube MusicTracklist · 9 tracks · 1:10:281Symphony No.1 in C, Op.21 - Adagio molto - Allegro con brio9:00 2Symphony No.1 in C, Op.21 - Andante cantabile con moto8:36 3Symphony No.1 in C, Op.21 - Menuetto (Allegro molto e vivace)3:36 4Symphony No.1 in C, Op.21 - Finale (Adagio - Allegro molto e vivace)5:53 5Symphony No.6 in F, Op.68 "Pastoral" - Allegro ma non troppo ( Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande )12:45 6Symphony No.6 in F, Op.68 "Pastoral" - Andante molto mosso ( Szene am Bach )12:32 7Symphony No.6 in F, Op.68 "Pastoral" - Allegro ( Lustiges Zusammensein der Landleute )5:39 8Symphony No.6 in F, Op.68 "Pastoral" - Allegro ( Gewitter, Sturm )3:34 9Symphony No.6 in F, Op.68 "Pastoral" - Allegretto ( Hirtengesang, Frohe und dankbare Gefühle nach dem Sturm )8:53 | Compilation | 2004 | |
| 2009 | Classical Best Of BeethovenSearch SpotifySearch YouTube MusicTracklist · 24 tracks · 2:54:561Für Elise2:53 2Symphony No. 5 In C Minor Part 18:05 3Fidelio - Overture6:36 4Symphony No.8 in F major Op.93 - Allegretto scherzando4:11 5Sonata for Piano No.23 in F minor 'Appassionata', Op.57 - Allegro ma non troppo8:14 6Fidelio - Ha, welch ein Augenblick (Pizarro’s Aria)3:24 7Symphony No 6 In F Op. 68 Pastoral Part 59:11 8Fidelio - O welche Lust (Prisoners’ Chorus)3:46 9Sonata for Violin and Piano No.5 in F major 'Spring' Op.24 - Adagio molto espressivo6:37 10Minuet2:34 11Violin Concerto In D Op. 61 Part 39:17 12Symphony No.1 in C major Op.21- Adagio molto, Allegro con brio7:32 13Sonata for Piano No.21 in C major 'Waldstein' Op.53 - Grave - Allegro Di Molto8:16 14Moonlight Sonata: Adagio Sostenuto5:28 15Fidelio - Concerto for Piano and Orchestra No. 3 in C minor, Op. 37 – 2nd movement10:04 16'King Stephan' Op.117 - Overture7:24 17Piano Concero In D Op. 61 Part 3 Rondo10:11 18Concerto for Piano and Orchestra No.5 in E flat 'Emperor', Op.73 - Adagio un poco moso8:07 19Romance for Violin and Orchesrta No. 1 in G Op. 406:58 20Coriolan Overture8:47 21Piano Concerto No. 29:48 22Violin Romance No. 29:30 23Ode to Joy10:57 24Sonata for Piano No.14 in C sharp minor, 'Moonlight'7:06 | Compilation | 28 February 2009 | |
| 2014 | Beethoven Sonates AppassionataSearch SpotifySearch YouTube MusicTracklist · 11 tracks · 1:05:211Sonate op.57 "Appassionata": Allegro Assai10:31 2Sonate op.57 "Appassionata": Andante Con Moto8:07 3Sonate op.57 "Appassionata": Allegro Ma Non Troppo6:07 432 Variations en Do Mineur Woo 8011:54 5Sonate op.49 n°1: Grave, Allegro Molto E Con Brio4:21 6Sonate op.49 n°1: Adagio Cantabile3:38 7Sonate op. 2 n°1: Allegro4:06 8Sonate op. 2 n°1: Adagio5:11 9Sonate op. 2 n°1: Menuetto - Trio2:58 10Sonate op. 2 n°1: Prestissimo5:15 11Fûr Elise - Klavierstück Woo 593:13 | 2014 | ||
| 2015 | Sonata op. 47 e op. 24Search SpotifySearch YouTube MusicTracklist · 7 tracks · 1:04:141SONATA OP.47 A KREUTZER, agagio sostenuto, presto14:45 2SONATA OP.47 A KREUTZER, andante con variazioni16:13 3SONATA OP.47 A KREUTZER, finale: presto8:47 4SONATA OP.24 LA PRIMAVERA, allegro10:21 5SONATA OP.24 LA PRIMAVERA, adagio molto espressivo6:14 6SONATA OP.24 LA PRIMAVERA, scherzo: allegro molto1:20 7SONATA OP.24 LA PRIMAVERA, rondr: allegro ma non troppo6:34 | 14 January 2015 | ||
| 2017 | Symphony no. 5Search SpotifySearch YouTube MusicTracklist · 4 tracks · 35:481Symphony no. 5 in C minor, op. 67: I. Allegro con brio7:15 2Symphony no. 5 in C minor, op. 67: II. Andante con moto9:21 3Symphony no. 5 in C minor, op. 67: III. Allegro8:32 4Symphony no. 5 in C minor, op. 67: IV. Allegro10:40 | Compilation | 3 March 2017 | |
| 2019 | Razumovsky QuartetsSearch SpotifySearch YouTube MusicTracklist · 12 tracks · 1:09:421String Quartet No. 7 in F major, Op. 59 No. 1 'Rasumovsky No. 1': Allegro10:01 2String Quartet No. 7 in F major, Op. 59 No. 1 'Rasumovsky No. 1': Allegretto vivace e sempre scherzando8:28 3String Quartet No. 7 in F major, Op. 59 No. 1 'Rasumovsky No. 1': Adagio molto e mesto12:08 4String Quartet No. 7 in F major, Op. 59 No. 1 'Rasumovsky No. 1': Thème russe (Allegro)6:37 5String Quartet No. 8 in E minor, Op. 59 No. 2 'Rasumovsky No. 2': Allegro8:22 6String Quartet No. 8 in E minor, Op. 59 No. 2 'Rasumovsky No. 2': Molto adagio11:35 7String Quartet No. 8 in E minor, Op. 59 No. 2 'Rasumovsky No. 2': Allegretto7:07 8String Quartet No. 8 in E minor, Op. 59 No. 2 'Rasumovsky No. 2': Finale (Presto)5:24 9String Quartet No. 9 in C major, Op. 59 No. 3 'Rasumovsky No. 3': Introduzione (Andante con moto) - Allegro vivace 10String Quartet No. 9 in C major, Op. 59 No. 3 'Rasumovsky No. 3': Andante con moto quasi allegretto 11String Quartet No. 9 in C major, Op. 59 No. 3 'Rasumovsky No. 3': Menuetto (Grazioso) 12String Quartet No. 9 in C major, Op. 59 No. 3 'Rasumovsky No. 3': Allegro molto | 30 August 2019 | ||
| 2021 | Missa solemnis in D Major, Op. 123 (Live)Search SpotifySearch YouTube MusicTracklist · 5 tracks · 1:16:051Missa solemnis in D Major, Op. 123: I. Kyrie10:02 2Missa solemnis in D Major, Op. 123: II. Gloria15:56 3Missa solemnis in D Major, Op. 123: III. Credo18:23 4Missa solemnis in D Major, Op. 123: IV. Sanctus & Benedictus16:11 5Missa solemnis in D Major, Op. 123: V. Agnus Dei15:33 | Live | 3 December 2021 | |
| 2024 | Sonatas Vol. 4Search SpotifySearch YouTube MusicTracklist · 10 tracks · 58:361Rondo in B-flat major, Kinsky-Halm Anh. 66:32 23 Piano Sonatas, WoO 47/1 in E-flat major: I. Allegro cantabile5:08 33 Piano Sonatas, WoO 47/1 in E-flat major: II. Andante5:30 43 Piano Sonatas, WoO 47/1 in E-flat major: III. Rondò. Vivace3:13 53 Piano Sonatas, WoO 47/2 in F minor: I. Maestoso - Allegro Assai5:31 63 Piano Sonatas, WoO 47/2 in F minor: II. Andante7:40 73 Piano Sonatas, WoO 47/2 in F minor: III. Presto3:42 83 Piano Sonatas, WoO 47/3 in D major: I. Allegro7:34 93 Piano Sonatas, WoO 47/3 in D major: II. Minuet with 6 variations8:42 103 Piano Sonatas, WoO 47/3 in D major: III. Scherzando. Allegro, ma non troppo5:04 | 4 March 2024 | ||
| 2026 | HeimatSearch SpotifySearch YouTube MusicTracklist · 26 tracks · 1:11:471Piano Sonata no. 23 in F minor, op. 57 "Appassionata": I. Allegro assai9:47 2Piano Sonata no. 23 in F minor, op. 57 "Appassionata": II. Andante con moto5:58 3Piano Sonata no. 23 in F minor, op. 57 "Appassionata": III. Allegro ma non troppo5:12 4Kinderszenen, op. 15: no. 1, Von fremden Ländern und Menschen1:38 5Kinderszenen, op. 15: no. 2, Kuriose Geschichte1:08 6Kinderszenen, op. 15: no. 3, Hasche-Mann0:33 7Kinderszenen, op. 15: no. 4, Bittendes Kind0:48 8Kinderszenen, op. 15: no. 5, Glückes genug0:59 9Kinderszenen, op. 15: no. 6, Wichtige Begebenheit0:56 10Kinderszenen, op. 15: no. 7, Träumerei3:03 11Kinderszenen, op. 15: no. 8, Am Kamin0:52 12Kinderszenen, op. 15: no. 9, Ritter vom Steckenpferd0:45 13Kinderszenen, op. 15: no. 10, Fast zu ernst1:43 14Kinderszenen, op. 15: no. 11, Fürchtenmachen1:39 15Kinderszenen, op. 15: no. 12, Kind im Einschlummern2:00 16Kinderszenen, op. 15: no. 13, Der Dichter spricht2:39 177 Fantasien, op. 116: no. 1, Capriccio. Presto energico in D minor2:25 187 Fantasien, op. 116: no. 2, Intermezzo. Andante in A minor4:13 197 Fantasien, op. 116: no. 3, Capriccio. Allegro passionato in G minor3:22 207 Fantasien, op. 116: no. 4, Intermezzo. Adagio in E major5:09 217 Fantasien, op. 116: no. 5, Intermezzo. Andante con grazia ed intimissimo sentimento in E minor3:32 227 Fantasien, op. 116: no. 6, Intermezzo. Andantino teneramente in E major3:22 237 Fantasien, op. 116: no. 7, Capriccio. Allegro agitato in D minor2:16 245 Lieder, op. 49: no. 4, Wiegenlied3:01 2516 Waltzes, op. 39: no. 15 in A-flat major1:33 263 Romances, op. 28: no. 2 in F-sharp major3:14 | 27 February 2026 | ||
| — | Symphony no. 5 / Symphony no. 6Search SpotifySearch YouTube MusicTracklist · 9 tracks · 1:16:281Symphony No. 5 in C minor, Op. 67: I. Allegro con brio7:24 2Symphony No. 5 in C minor, Op. 67: II. Andante con moto11:03 3Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro5:24 4Symphony No. 5 in C minor, Op. 67: IV. Allegro8:54 5Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country"10:35 6Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook"13:29 7Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk"5:13 8Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm"3:50 9Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm"10:36 | — | ||
| — | Symphony no. 5 / Symphony no. 7Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:11:111Symphony no. 5 in C minor, op. 67: I. Allegro con brio7:32 2Symphony no. 5 in C minor, op. 67: II. Andante con moto9:33 3Symphony no. 5 in C minor, op. 67: III. Allegro4:50 4Symphony no. 5 in C minor, op. 67: IV. Allegro10:22 5Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace14:45 6Symphony no. 7 in A, op. 92: II. Allegretto8:40 7Symphony no. 7 in A, op. 92: III. Presto6:48 8Symphony no. 7 in A, op. 92: IV. Finale - Allegro con brio8:41 | — | ||
| — | Piano Concerto no. 5 “Emperor”, Variations op. 35 “Eroica”Search SpotifySearch YouTube MusicTracklist · 4 tracks · 1:03:031Piano Concerto no. 5 "Emperor": I. Allegro19:56 2Piano Concerto no. 5 "Emperor": II. Adagio un poco mosso8:17 3Piano Concerto no. 5 "Emperor": III. Rondo: Allegro10:39 4“Erocia” Variation, op.3524:11 | — | ||
| — | Famous Piano SonatesSearch SpotifySearch YouTube MusicTracklist · 8 tracks · 52:401Sonata Pathétique in C minor, Op. 13: I. Grave – Allegro di molto e con brio8:54 2Sonata Pathétique in C minor, Op. 13: II. Adagio cantabile4:50 3Sonata Pathétique in C minor, Op. 13: III. Rondo. Allegro4:32 4Sonata 'Für Therese' in F-sharp major, Op. 78: I. Adagio cantabile – Allegro ma non troppo6:58 5Sonata 'Für Therese' in F-sharp major, Op. 78: II. Allegro vivace3:12 6Waldstein Sonata in C major, Op. 53: I. Allegro con brio10:50 7Waldstein Sonata in C major, Op. 53: II. Introduzione. Adagio molto4:12 8Waldstein Sonata in C major, Op. 53: III. Rondo. Allegretto moderato9:12 | — | ||
| — | The Classics Discovered 2Search SpotifySearch YouTube MusicTracklist · 5 tracks · 1:12:001Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso14:29 2Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace - Presto10:18 3Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile - Andante moderato16:30 4Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto - Allegro assai23:52 5Violin Concerto in D major, op. 61: II. Canzonetta. Andante6:51 | — | ||
| — | Piano Concerto no. 1 in C major, op. 15Search SpotifySearch YouTube MusicTracklist · 4 tracks · 46:131Piano Concerto no. 1 in C major, op. 15: 1. Allegro con brio17:44 2Piano Concerto no. 1 in C major, op. 15: 2. Largo11:57 3Piano Concerto no. 1 in C major, op. 15: 3. Rondo: Allegro8:59 4Overture Corialan, op. 627:33 | — | ||
| — | Symphonies No. 2, 3 & 5Search SpotifySearch YouTube MusicTracklist · 6 tracks · 57:231Symphony No. 2 in D major, Op. 36: I. Adagio molto – Allegro con brio13:28 2Symphony No. 2 in D major, Op. 36: II. Larghetto11:50 3Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro3:38 4Symphony No. 2 in D major, Op. 36: IV. Allegro molto6:27 5Symphony No. 3 in E-flat major, Op. 55 "Eroica"14:41 6Symphony No. 5 in C minor, Op. 67: Schicksals7:19 | — | ||
| — | Symphony no. 6 "Pastoral"Search SpotifySearch YouTube MusicTracklist · 5 tracks · 41:491Symphony no. 6 "Pastoral": I. Allegro ma non troppo10:46 2Symphony no. 6 "Pastoral": II. Andante molto mosso13:26 3Symphony no. 6 "Pastoral": III. Allegro5:24 4Symphony no. 6 "Pastoral": IV. Allegro3:54 5Symphony no. 6 "Pastoral": V. Allegretto8:19 | — | ||
| — | Moonlight SonataSearch SpotifySearch YouTube MusicTracklist · 8 tracks · 1:04:311Overture 'Leonore' No.3, C major, op. 72a14:28 2Symphony 5, C minor, op. 67 : Allegro con brio7:53 3Symphony 5, C minor, op. 67 : Allegro con moto10:07 4Symphony 5, C minor, op. 67: Allegro4:56 5Symphony 5, C minor, op. 67: Attacca9:40 6Sonata 14, op. 27-2 "Moonlight Sonata": Adagio7:48 7Sonata 14, op. 27-2 "Moonlight Sonata": Allegretto2:24 8Sonata 14, op. 27-2 "Moonlight Sonata": Presto agitato7:15 | — | ||
| — | Бетховен. СонатыSearch SpotifySearch YouTube MusicTracklist · 4 tracks · 1:17:021Соната №23, op. 57, f-moll, Аппассионата20:52 2Соната №2, op. 27, cis-moll, Лунная14:55 3Соната №8, op. 13, c-moll, Патетическая18:24 4Соната №21, op. 53, С-durl, Вальдштейн22:51 | — | ||
| — | Best of the Classics: Ludwig van BeethovenSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 1:04:251Egmont, Op. 84: Overture9:21 2Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo10:31 3Rondo a Capriccio for Piano in G major, Op. 129 "The Rage Over the Lost Penny"6:43 4Septet in E-flat major, Op. 20: III. Tempo di menuetto3:31 5Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace6:13 6Romance for Violin and Orchestra No. 2 in F major, Op. 508:16 7Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile (ADD)5:43 8Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto6:18 9Symphony No. 5 in C minor, Op. 67: I. Allegro con brio (ADD)7:49 | — | ||
| — | CollectionSearch SpotifySearch YouTube MusicTracklist · 8 tracks · 1:07:361Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto6:05 2Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": II. Allegretto2:11 3Piano Sonata no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": III. Presto agitato7:04 4Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro20:58 5Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso8:18 6Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro10:46 7Bagatelle for Piano in A minor, WoO 59 "Für Elise"3:54 8Egmont, op. 84: Overture8:20 | — | ||
| — | Symphonies No. 5 & 9Search SpotifySearch YouTube MusicTracklist · 6 tracks · 1:08:151Symphony No. 5 in C minor, Op. 67: I. Allegro con brio7:24 2Symphony No. 5 in C minor, Op. 67: II. Andante con moto11:03 3Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro5:23 4Symphony No. 5 in C minor, Op. 67: IV. Allegro9:00 5Symphony No. 9 in D minor, Op. 125 "Choral"11:45 6Symphony No. 9 in D minor, Op. 125 "Choral"23:40 | — | ||
| — | Piano concertos Nos.1 & 2Search SpotifySearch YouTube MusicTracklist · 6 tracks · 59:231Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio13:41 2Piano Concerto No. 1 in C major, Op. 15: II. Largo9:18 3Piano Concerto No. 1 in C major, Op. 15: III. Rondo. Allegro8:54 4Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio13:29 5Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio7:45 6Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro6:16 | — | ||
| — | MIC206Search SpotifySearch YouTube MusicTracklist · 9 tracks · 1:09:491Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio13:48 2Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio9:01 3Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro6:27 4Septet for Clarinet, Horn, Bassoon and Strings in E-flat major, Op. 20: I. Adagio – Allegro con brio8:12 5Septet for Clarinet, Horn, Bassoon and Strings in E-flat major, Op. 20: II. Adagio cantabile9:42 6Septet for Clarinet, Horn, Bassoon and Strings in E-flat major, Op. 20: III. Tempo di menuetto3:29 7Septet for Clarinet, Horn, Bassoon and Strings in E-flat major, Op. 20: IV. Tema con Variazioni7:31 8Septet for Clarinet, Horn, Bassoon and Strings in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace3:44 9Septet for Clarinet, Horn, Bassoon and Strings in E-flat major, Op. 20: VI. Andante con moto – Presto7:55 | — | ||
| — | Berühmte Sinfonien Nr. 9Search SpotifySearch YouTube MusicTracklist · 4 tracks · 1:03:411Allegro ma non troppo un poco maestoso14:36 2Molto vivace11:44 3Adagio molto e cantabile13:41 4Presto Allegro assai23:40 | — | ||
| — | Symphony No. 6 & Symphony No. 8Search SpotifySearch YouTube MusicTracklist · 8 tracks · 57:421Symphony No. 6 in F major, Op. 68: I. Allegro ma non troppo "Pleasant Feelings Aroused on Approaching the Countryside"7:47 2Symphony No. 6 in F major, Op. 68: II. Andante molto mosso "Scene by the Brook"10:55 3Symphony No. 6 in F major, Op. 68: III. Allegro "Happy Gathering of Villagers"3:10 4Symphony No. 6 in F major, Op. 68: IV. Allegro "Thunderstorm" - V. Allegretto "Grateful Feelings After the Storm"12:28 5Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio8:26 6Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando3:54 7Symphony No. 8 in F major, Op. 93: III. Tempo di menuetto4:36 8Symphony No. 8 in F major, Op. 93: IV. Allegro vivace6:26 | — | ||
| — | Ludwig Van BeethovenSearch SpotifySearch YouTube MusicTracklist · 4 tracks · 49:331Konzert für Klavier und Orchester nr. 3 c-moll Op 37: Allgero con brio17:02 2Konzert für Klavier und Orchester nr. 3 c-moll Op 37: Largo9:47 3Konzert für Klavier und Orchester nr. 3 c-moll Op 37: Rondo. Allegro9:07 4Leonoren-Ouvertüre nr. 3 C-dur op. 72a13:37 | — | ||
| — | Symphonies Nos. 2 and 7 (Philharmonia Orchestra, Karajan) (1951, 1953)Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:08:521Symphony No. 2 in D major, Op. 36 (1800–02): I. Adagio molto – Allegro con brio10:36 2Symphony No. 2 in D major, Op. 36 (1800–02): II. Larghetto10:26 3Symphony No. 2 in D major, Op. 36 (1800–02): III. Scherzo: Allegro – Trio3:38 4Symphony No. 2 in D major, Op. 36 (1800–02): IV. Allegro molto6:33 5Symphony No. 7 in A major, Op. 92 (1811–12): I. Poco sostenuto – Vivace12:46 6Symphony No. 7 in A major, Op. 92 (1811–12): II. Allegretto9:08 7Symphony No. 7 in A major, Op. 92 (1811–12): III. Presto8:40 8Symphony No. 7 in A major, Op. 92 (1811–12): IV. Allegro con brio7:05 | — | ||
| — | Werke für Flöte und KlavierSearch SpotifySearch YouTube MusicTracklist · 2 tracks · 1:04:321Sechs Variierte Themen Für Klavier Mit Begleitung einer Flöte19:56 2Zehn Variierte Themen Für Klavier Mit Begleitung Einer Flöte44:36 | — | ||
| — | Les Maîtres du ClassiqueSearch SpotifySearch YouTube MusicTracklist · 8 tracks · 1:07:591Symphonie no. 5 en ut mineur, op. 67: I. Allegro con brio7:24 2Symphonie no. 5 en ut mineur, op. 67: II. Andante con moto11:03 3Symphonie no. 5 en ut mineur, op. 67: III. Scherzo. Allegro5:23 4Symphonie no. 5 en ut mineur, op. 67: IV. Allegro8:58 5Symphonie no. 2 en Ré majeur, op. 36: I. Adagio molto - Allegro con brio13:27 6Symphonie no. 2 en Ré majeur, op. 36: II. Larghetto11:49 7Symphonie no. 2 en Ré majeur, op. 36: III. Scherzo. Allegro3:36 8Symphonie no. 2 en Ré majeur, op. 36: IV. Allegro molto6:19 | — | ||
| — | Piano SonatasSearch SpotifySearch YouTube MusicTracklist · 10 tracks · 58:051Appassionata, 1st movement10:04 2Appassionata, 2nd movement6:06 3Appasionata, 3rd movement7:10 4Appassionata, 4th movement1:02 5Moonlight 1st movement4:58 6Moonlight 2nd movement2:20 7Moonlight, 3rd movement7:52 8Pathetique, 1st movement8:49 9Pathetique, 2nd movement5:04 10Pathetique, 3rd movement4:40 | — | ||
| — | Beethoven late string quartets (Volume 3)Search SpotifySearch YouTube MusicTracklist · 7 tracks · 1:01:101I - Adagio ma non troppo - Allegro14:35 2II - Presto2:02 3III - Andante con moto ma non troppo. Poco scherzando6:42 4IV - Alla danza tedesca (Allegro assai)3:23 5V - Cavatina (Adagio molto espressivo)8:38 6Grosse Fuge16:05 7VI - Finale (Allegro) Alternative finale to Op. 1309:45 | — | ||
| — | Symphony No. 8Search SpotifySearch YouTube MusicTracklist · 4 tracks1Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio 2Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando 3Symphony No. 8 in F major, Op. 93: III. Tempo di menuetto 4Symphony No. 8 in F major, Op. 93: IV. Allegro vivace | — | ||
| — | String quartets nos. 8 and 9Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:11:111String Quartet no. 8 in E minor, op. 59 no. 2: I. Allegro13:49 2String Quartet no. 8 in E minor, op. 59 no. 2: II. Molto adagio13:00 3String Quartet no. 8 in E minor, op. 59 no. 2: III. Allegretto - Maggiore7:14 4String Quartet no. 8 in E minor, op. 59 no. 2: IV. Finale. Presto - Piupresto5:38 5String Quartet no. 9 in C major, op. 59 no. 3: I. Introduzione. Andante con moto - Allegro vivace11:15 6String Quartet no. 9 in C major, op. 59 no. 3: II. Andante con moto quasi allegretto8:41 7String Quartet no. 9 in C major, op. 59 no. 3: III. Menuetto. Grazioso5:07 8String Quartet no. 9 in C major, op. 59 no. 3: IV. Allegro molto6:27 | — | ||
| — | Beethoven: Symphony no.5 / Schubert: Symphony no.8 "Unfinished"Search SpotifySearch YouTube MusicTracklist · 6 tracks · 57:491Symphony no. 5 in C minor ("Fate"), op.67: I. Allegro con brio7:52 2Symphony no. 5 in C minor ("Fate"), op.67: II. Andante con moto10:09 3Symphony no. 5 in C minor ("Fate"), op.67: III. Allegro5:17 4Symphony no. 5 in C minor ("Fate"), op.67: IV. Allegro9:26 5Symphony no. 8 in B minor ("Unfinished"), D.759: I. Allegro moderato14:23 6Symphony no. 8 in B minor ("Unfinished"), D.759: II. Andante con moto10:42 | — | ||
| — | Beethoven/The Great ComposersSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 1:12:161Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo9:12 2Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto10:18 3Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio (excerpt)1:12 4Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto – Allegro assai23:47 5Symphony No. 5 in C minor, Op. 67 "Fate": I. Allegro con brio7:57 6Moonlight Sonata, Op. 27 No. 2: I. Adagio sostenuto6:07 7Pathétique Sonata, Op. 13: II. Adagio cantabile5:38 8Für Elise1:45 9The Ruins of Athens Overture6:20 | — | ||
| — | Beethoven Immortal: Sonatas Para Piano 3, 12 Y 17Search SpotifySearch YouTube MusicTracklist · 11 tracks · 1:01:461Sonata para Piano No. 3, Op. 2 No. 3: I. Allegro con brio7:16 2Sonata para Piano No. 3, Op. 2 No. 3: II. Adagio8:16 3Sonata para Piano No. 3, Op. 2 No. 3: III. Scherzo3:14 4Sonata para Piano No. 3, Op. 2 No. 3: IV. Allegro Assai4:59 5Sonata para Piano No. 12, Op. 26: I. Andante con Variazioni7:19 6Sonata para Piano No. 12, Op. 26: II. Scherzo2:41 7Sonata para Piano No. 12, Op. 26: III. Marcia funebre sulla morte d'un Eroe6:52 8Sonata para Piano No. 12, Op. 26: IV. Allegro2:29 9Sonata para Piano No. 17, Op. 31 No. 2: I. Largo6:12 10Sonata para Piano No. 17, Op. 31 No. 2: II. Adagio7:50 11Sonata para Piano No. 17, Op. 31 No. 2: III. Allegretto4:38 | — | ||
| — | Intégrale des sonates pour piano & variations DiabelliSearch SpotifySearch YouTube MusicTracklist · 12 tracks · 1:11:101Sonate n°1 opus 2 n°1 en fa mineur - Allegro4:03 2Sonate n°1 opus 2 n°1 en fa mineur - Adagio5:11 3Sonate n°1 opus 2 n°1 en fa mineur - Menuetto3:32 4Sonate n°1 opus 2 n°1 en fa mineur - Prestissimo7:20 5Sonate n°6 opus 10 n°2 en fa majeur - Allegro8:28 6Sonate n°6 opus 10 n°2 en fa majeur - Allegretto3:54 7Sonate n°6 opus 10 n°2 en fa majeur - Finale Presto2:46 8Sonate n°22 opus 54 en fa majeur - In tempo di menuetto5:26 9Sonate n°22 opus 54 en fa majeur - Allegretto5:41 10Sonate n°23 opus 57 en fa mineur - Allegro assai10:10 11Sonate n°23 opus 57 en fa mineur - Andante con moto6:13 12Sonate n°23 opus 57 en fa mineur - Allegro, ma non troppo8:26 | — | ||
| — | Berühmte WerkeSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 1:09:231Klavierkonzert Nr. 18:53 2Symphonie Nr. 84:14 3Romanze für Violine und Orchester No. 2 in F-Dur, Op. 508:18 4Symphonie Nr. 36:13 5Symphonie Nr. 57:22 6Für Elise3:02 7Klavierkonzert Nr. 510:46 8Klaviersonate Nr. 146:05 9Symphonie Nr. 914:30 | — | ||
| — | Piano SonatasSearch SpotifySearch YouTube MusicTracklist · 11 tracks · 1:10:551Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto7:06 2Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto2:25 3Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato7:46 4Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio9:41 5Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile5:55 6Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro4:55 7Piano Sonata No. 20 in G major, Op. 49 No. 2: I. Allegro ma non troppo4:42 8Piano Sonata No. 20 in G major, Op. 49 No. 2: II. Tempo di menuetto4:16 9Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai - Più allegro10:39 10Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto8:05 11Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo5:25 | — | ||
| — | Favorites from the ClassicsSearch SpotifySearch YouTube MusicTracklist · 11 tracks · 2:09:33Disc 1 1Symphony no. 5 in C Minor, op. 67: I. Allegro con brio6:54 2Symphony no. 5 in C Minor, op. 67: II. Andante con moto8:53 3Symphony no. 5 in C Minor, op. 67: III. Scherzo. Allegro / IV. Allegro12:54 4Sonata no 14 in C-Sharp Minor, op. 27: I. Adagio sostenuto5:30 5Piano Concerto no. 5 in E-flat, op. 73: I. Allegro20:41 6Piano Concerto no. 5 in E-flat, op. 73: II. Adagio un poco mosso / III. Rondo. Allegro.17:51 Disc 21Turkish March from The Ruins of Athens1:47 2Für Elise2:41 3Violin Concerto in D, op. 61: I. Allegro ma non troppo24:26 4Violin Concerto in D, op. 61: II. Larghetto / III. Rondo20:14 5Romance for Violin and Orchestra in F, op. 507:42 | — | ||
| — | Symphony No. 3 "Eroica"Search SpotifySearch YouTube MusicTracklist · 6 tracks · 1:14:121Egmont, Op. 84: Overture. Sostenuto, ma non troppo8:54 2Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio18:35 3Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai17:31 4Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace6:33 5Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto13:21 6Coriolan, Op. 62: Overture. Allegro con brio9:18 | — | ||
| — | Classical Highlights (Dolby Surround)Search SpotifySearch YouTube MusicTracklist · 25 tracks · 1:15:371Symphony No. 5 in C minor, Op. 67: I. Allegro con brio2:55 2Symphony No. 5 in C minor, Op. 67: II. Andante con moto3:09 3Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro2:00 4Symphony No. 5 in C minor, Op. 67: IV. Allegro3:49 5Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto6:04 6Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto2:11 7Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato3:09 8"Leonore" No 3 in C Major Overture2:36 912 Variations on Handel's Oratorio "Judas Maccabaeus" (1796) G Major3:01 107 Bagatelles Andante grazioso quasi Allegretto3:04 117 Bagatelles Scherzo: Allegro3:05 127 Bagatelles Allegretto2:22 137 Bagatelles Andante2:55 147 Bagatelles Allegro, ma non troppo2:30 157 Bagatelles Allegretto3:15 167 Bagatelles Presto2:05 1712 Variations on "Ein Mädchen oder Weibchen" from Mozart's "Zauberflöte" in F Major (1798)3:59 18Bagatelle No. 25 in A minor, WoO 59 "Für Elise"2:55 19Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo3:06 20Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto2:21 21Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro2:56 22Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio2:58 23Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": II. Introduzione. Adagio molto4:06 24Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato2:00 25Quartet for Piano, Violin, Viola and Violoncelloo in E Flat Major Andante cantabile3:06 | — | ||
| — | Symphonies Nos. 4 & 7Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:13:241Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace11:31 2Symphony No. 4 in B-flat major, Op. 60: II. Adagio11:38 3Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace Menuetto6:17 4Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo5:11 5Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace12:35 6Symphony No. 7 in A major, Op. 92: II. Allegretto9:02 7Symphony No. 7 in A major, Op. 92: III. Presto - Assai meno presto8:06 8Symphony No. 7 in A major, Op. 92: IV. Allegro con brio9:04 | — | ||
| — | Piano Sonata no. 13 in E-flat major 'Quasi una fantasia', Op. 27 no. 1Search SpotifySearch YouTube MusicTracklist · 4 tracks · 17:371Piano sonata no. 13 in E-flat, op. 27 no. 1: 1. Andante - Allegro - Tempo I5:13 2Piano sonata no. 13 in E-flat, op. 27 no. 1: 2. Allegro molto e vivace2:09 3Piano sonata no. 13 in E-flat, op. 27 no. 1: 3. Adagio con espressione2:48 4Piano sonata no. 13 in E-flat, op. 27 no. 1: 4. Allegro vivace - Tempo I - Presto7:27 | — | ||
| — | Symphony no. 1 / Symphony no. 3 "Eroica"Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:16:061Symphony no. 1 in C, op. 21: I. Adagio molto - Allegro con brio10:25 2Symphony no. 1 in C, op. 21: II. Andante cantabile con moto6:01 3Symphony no. 1 in C, op. 21: III. Menuetto - Allegro molto e vivace3:29 4Symphony no. 1 in C, op. 21: IV. Adagio - Allegro molto e vivace5:58 5Symphony no. 3 in E-flat, op. 55 'Eroica': I. Allegro con brio17:09 6Symphony no. 3 in E-flat, op. 55 'Eroica': II. Marcia funebre - Adagio assai15:12 7Symphony no. 3 in E-flat, op. 55 'Eroica': III. Scherzo - Allegro vivace5:35 8Symphony no. 3 in E-flat, op. 55 'Eroica': IV. Finale - Allegro molto12:17 | — | ||
| — | Concerto no. 5 “Emperor”Search SpotifySearch YouTube MusicTracklist · 4 tracks · 51:471Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro19:43 2Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso8:47 3Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro10:06 4Leonore Overture no. 3 in C major, op. 72b13:11 | — | ||
| — | Symphony No.10 (Yomiuri Japan Symphony Orchestra, Barry Cooper)Search SpotifySearch YouTube MusicTracklist · 1 track · 16:051Symphony No.10: 1st Movement16:05 | — | ||
| — | Son Pno 8/14/23Search SpotifySearch YouTube MusicTracklist · 9 tracks · 1:00:031Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto6:31 2Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto2:18 3Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato7:02 4Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": I. Grave – Allegro di molto e con brio9:30 5Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile5:53 6Piano Sonata No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro4:20 7Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai9:20 8Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto7:04 9Piano Sonata No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo8:05 | — | ||
| — | Symphonic Works 4Search SpotifySearch YouTube MusicTracklist · 44 tracks · 1:09:571Symphony no.9 in D minor op.125 Choral 1 Instrumental (Full Length) Theme 11:10 2Symphony no.9 in D minor op.125 Choral 1 Instrumental (Full Length) Theme 1 variation1:07 3Symphony no.9 in D minor op.125 Choral 1 Instrumental (Full Length) Theme 20:32 4Symphony no.9 in D minor op.125 Choral 1 Instrumental (Full Length) Theme 30:51 5Symphony no.9 in D minor op.125 Choral 1 Instrumental (Full Length) Build to theme 41:16 6Symphony no.9 in D minor op.125 Choral 1 Instrumental (Full Length) Theme 1 variation1:44 7Symphony no.9 in D minor op.125 Choral 1 Instrumental (Full Length) Theme 52:29 8Symphony no.9 in D minor op.125 Choral 1 Instrumental (Full Length) Theme 1 climax1:11 9Symphony no.9 in D minor op.125 Choral 1 Instrumental (Full Length) Theme 2 variation0:36 10Symphony no.9 in D minor op.125 Choral 1 Instrumental (Full Length) Theme 3 variation0:52 11Symphony no.9 in D minor op.125 Choral 1 Instrumental (Full Length) Build to theme 42:25 12Symphony no.9 in D minor op.125 Choral 1 Instrumental (Full Length) Theme 5 variation1:26 13Symphony no.9 in D minor op.125 Choral 1 Instrumental (Full Length) Build to theme 1 finale1:17 14Symphony no.9 in D minor op.125 Choral 2 Instrumental (Full Length) Theme 10:47 15Symphony no.9 in D minor op.125 Choral 2 Instrumental (Full Length) Theme 20:30 16Symphony no.9 in D minor op.125 Choral 2 Instrumental (Full Length) Theme 1 variation1:17 17Symphony no.9 in D minor op.125 Choral 2 Instrumental (Full Length) Theme 1 variation1:26 18Symphony no.9 in D minor op.125 Choral 2 Instrumental (Full Length) Theme 2 variation0:41 19Symphony no.9 in D minor op.125 Choral 2 Instrumental (Full Length) Theme 1 to theme 31:26 20Symphony no.9 in D minor op.125 Choral 2 Instrumental (Full Length) Theme 2 variation0:41 21Symphony no.9 in D minor op.125 Choral 2 Instrumental (Full Length) Theme 1 to theme 30:23 22Symphony no.9 in D minor op.125 Choral 2 Instrumental (Full Length) Theme 42:38 23Symphony no.9 in D minor op.125 Choral 2 Instrumental (Full Length) Theme 10:47 24Symphony no.9 in D minor op.125 Choral 2 Instrumental (Full Length) Theme 20:34 25Symphony no.9 in D minor op.125 Choral 2 Instrumental (Full Length) Theme 1 variation1:30 26Symphony no.9 in D minor op.125 Choral 2 Instrumental (Full Length) Theme 2 variation0:59 27Symphony no.9 in D minor op.125 Choral 3 Instrumental (Full Length) Theme 12:24 28Symphony no.9 in D minor op.125 Choral 3 Instrumental (Full Length) Theme 21:18 29Symphony no.9 in D minor op.125 Choral 3 Instrumental (Full Length) Theme 1 variation1:56 30Symphony no.9 in D minor op.125 Choral 3 Instrumental (Full Length) Theme 2 variation1:09 31Symphony no.9 in D minor op.125 Choral 3 Instrumental (Full Length) Theme 31:27 32Symphony no.9 in D minor op.125 Choral 3 Instrumental (Full Length) Theme 1 variation2:17 33Symphony no.9 in D minor op.125 Choral 3 Instrumental (Full Length) Theme 44:26 34Symphony no.9 in D minor op.125 Choral 3 Instrumental (Full Length) Theme 1 - string soli2:44 35Symphony no.9 in D minor op.125 Choral 3 Instrumental (Full Length) Theme 2 - 'ode to joy'2:28 36Symphony no.9 in D minor op.125 Choral 3 Instrumental (Full Length) Theme 2 variation1:42 37Symphony no.9 in D minor op.125 Choral 3 Vocal Lead (Full Length) Theme 3 - bass solo0:45 38Symphony no.9 in D minor op.125 Choral 3 Vocal Lead (Full Length) Theme 2 - soloist & choir2:57 39Symphony no.9 in D minor op.125 Choral 3 Vocal Lead (Full Length) Theme 2 - soloist & choir3:43 40Symphony no.9 in D minor op.125 Choral 3 Backing Vocals Only (Full Length) Theme 2 - full choir0:59 41Symphony no.9 in D minor op.125 Choral 3 Backing Vocals Only (Full Length) Theme 4 - choir3:07 42Symphony no.9 in D minor op.125 Choral 3 Instrumental (Full Length) Theme 2 variation - choir2:12 43Symphony no.9 in D minor op.125 Choral 3 Vocal Lead (Full Length) Theme 2 - soloists2:04 44Symphony no.9 in D minor op.125 Choral 3 Backing Vocals Only (Full Length) Finale1:44 | — | ||
| — | Beethoven: String Quintet op. 29 / Mendelssohn: String Quintet op. 87Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:09:081String Quintet op. 29: 1. Allegro moderato11:44 2String Quintet op. 29: 2. Adagio molto espressivo11:46 3String Quintet op. 29: 3. Scherzo5:12 4String Quintet op. 29: 4. Presto8:54 5String Quintet op. 87: 1. Allegro vivace10:41 6String Quintet op. 87: 2. Andante scherzando4:47 7String Quintet op. 87: 3. Adagio e lento9:54 8String Quintet op. 87: 4. Allegro molto vivace6:10 | — | ||
| — | Beethoven - HaydnSearch SpotifySearch YouTube MusicTracklist · 11 tracks · 1:16:221Sinfonie Nr. 80 d-Moll: I. Allegro spiritoso5:52 2Sinfonie Nr. 80 d-Moll: II. Adagio7:46 3Sinfonie Nr. 80 d-Moll: III. Menuetto e Trio3:08 4Sinfonie Nr. 80 d-Moll: IV. Finale. Presto5:20 5Klavierkonzert Nr. 2 B-Dur, Op. 19: I. Allegro con brio14:25 6Klavierkonzert Nr. 2 B-Dur, Op. 19: II. Adagio8:39 7Klavierkonzert Nr. 2 B-Dur, Op. 19: III. Rondo. Molto allegro6:15 8Sinfonie Nr. 99 Es-Dur: I. Adagio - Vivace assai8:27 9Sinfonie Nr. 99 Es-Dur: II. Adagio6:57 10Sinfonie Nr. 99 Es-Dur: III. Menuetto e Trio4:43 11Sinfonie Nr. 99 Es-Dur: IV. Finale. Vivace4:50 | — | ||
| — | Piano Concerto no. 3 / Sonata, op. 13 “Pathetique”Search SpotifySearch YouTube MusicTracklist · 6 tracks · 54:031Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio17:02 2Piano Concerto no. 3 in C minor, op. 37: II. Largo9:47 3Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro9:04 4Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio8:17 5Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile5:36 6Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro4:17 | — | ||
| — | Symphony No.7 and Symphony No.8Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:03:331Symphony No.7 in A, Op 92 - Poco sostenuto - Vivace12:08 2Symphony No.7 in A, Op 92 - Allegretto8:43 3Symphony No.7 in A, Op 92 - Presto - Assai meno presto8:46 4Symphony No.7 in A, Op 92 - Allegro con brio6:52 5Symphony No.8 in F, Op 93 - Allegro vivace e con brio10:13 6Symphony No.8 in F, Op 93 - Allegretto scherzando4:31 7Symphony No.8 in F, Op 93 - Tempo di menuetto4:42 8Symphony No.8 in F, Op 93 - Allegro vivace7:38 | — | ||
| — | Piano Concerto no. 5 in E-flat major, op. 73 / String Quartet no. 10 in E-flat major, op. 74Search SpotifySearch YouTube MusicTracklist · 7 tracks · 1:08:331Piano Concerto no. 5 in E-flat major, op. 73: I. Allegro19:54 2Piano Concerto no. 5 in E-flat major, op. 73: II. Adagio un poco mosso9:01 3Piano Concerto no. 5 in E-flat major, op. 73: III. Rondo allegro10:15 4String Quartet no. 10 in E-flat major, op. 74: I. Poco adagio. Allegro7:59 5String Quartet no. 10 in E-flat major, op. 74: II. Adagio ma non troppo8:59 6String Quartet no. 10 in E-flat major, op. 74: III. Presto5:28 7String Quartet no. 10 in E-flat major, op. 74: IV. Allegretto con variazioni6:57 | — | ||
| — | Sonata For Flute & Piano / Trio in G MajorSearch SpotifySearch YouTube Music | — | ||
| — | Ludwig van BeethovenSearch SpotifySearch YouTube MusicTracklist · 8 tracks · 1:09:581Coriolan Overture, Op. 627:35 2Moonlight Sonata, Op. 27 No. 25:24 3Pathétique Sonata, Op. 135:03 4Leonore Overture No. 313:40 5Symphony no. 7: I. Poco Sostenuto - Vivace13:01 6Symphony no. 7: II. Allegretto9:53 7Symphony no. 7: III. Presto-Assai Meno Presto8:24 8Symphony no. 7: IV. Allegro Con Brio6:58 | — | ||
| — | Sonata Op. 27 No. 2 "Moonlight" Sonata / Sonata Op. 13 "Pathétique" / Sonata Op. 53. "Waldstein" / Sonata "Für Elise"Search SpotifySearch YouTube MusicTracklist · 10 tracks · 56:171Sonata op. 27 no. 2 in C sharp minor 'Moonlight Sonata': I. Adagio sostenuto6:02 2Sonata op. 27 no. 2 in C sharp minor 'Moonlight Sonata': II. Allegretto2:10 3Sonata op. 27 no. 2 in C sharp minor 'Moonlight Sonata': III. Presto - Agiato7:01 4Sonata op.13 in C minor 'Pathétique': I. Grave - Allegro di molto e con brio8:14 5Sonata op.13 in C minor 'Pathétique': II. Adagio - Cantabile5:36 6Sonata op.13 in C minor 'Pathétique': III. Rondo - Allegro4:17 7Sonata op. 53 in C major ' Waldstein': I. Allegro con brio9:23 8Sonata op. 53 in C major ' Waldstein': II. Adagio - ma non troppo (attacca)4:02 9Sonata op. 53 in C major ' Waldstein': III. Rondo. Allegretto - Moderato - Prestissimo9:32 10Bagatelle in A minor no. 59 'Für Elise' | — | ||
| — | Classic VoyageSearch SpotifySearch YouTube MusicTracklist · 7 tracks · 1:00:341Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio14:05 2Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio7:48 3Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro6:06 4Symphony No. 5 in C minor, Op. 67: I. Allegro con brio7:21 5Symphony No. 5 in C minor, Op. 67: II. Andante con moto11:02 6Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro5:23 7Symphony No. 5 in C minor, Op. 67: IV. Allegro (attacca)8:49 | — | ||
| — | Great Composers - Beethoven Concert - Disc ASearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:02:201Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio17:44 2Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai17:40 3Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace6:11 4Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto11:52 5Egmont, Op. 84: Overture. Sostenuto, ma non troppo – Allegro8:53 | — | ||
| — | Piano Concertos, Volume 2Search SpotifySearch YouTube MusicTracklist · 6 tracks · 1:12:301Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio17:28 2Piano Concerto No. 3 in C minor, Op. 37: II. Largo9:36 3Piano Concerto No. 3 in C minor, Op. 37: III. Rondo. Allegro9:44 4Piano Concerto No. 4 in G major, Op. 58: I. Allegro moderato19:35 5Piano Concerto No. 4 in G major, Op. 58: II. Andante con moto5:26 6Piano Concerto No. 4 in G major, Op. 58: III. Rondo. Vivace10:41 | — | ||
| — | Symphony no. 1, op. 21 / Symphony no. 3, op. 55 “Eroica”Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:11:56A1Symphony no. 1, op. 21 in C major: Adagio molto – Allegro con brio7:24 A2Symphony no. 1, op. 21 in C major: Andante cantabile6:17 A3Symphony no. 1, op. 21 in C major: Menuetto: Allegro molto vivace3:34 A4Symphony no. 1, op. 21 in C major: Finale: Adagio – Allegro molto e vivace5:42 A5Symphony no. 3 in E‐flat major, op. 55 “Eroica”: Allegro con brio14:20 B6Symphony no. 3 in E‐flat major, op. 55 “Eroica”: Marcia funebre: Adagio assai16:14 B7Symphony no. 3 in E‐flat major, op. 55 “Eroica”: Scherzo: Allegro vivace6:06 B8Symphony no. 3 in E‐flat major, op. 55 “Eroica”: Finale: Adagio molto12:19 | — | ||
| — | Moonlight Sonata, op. 27 no. 2Search SpotifySearch YouTube MusicTracklist · 3 tracks · 16:021Moonlight Sonata op. 27 no. 2 - I. Adagio sostenuto5:36 2Moonlight Sonata op. 27 no. 2 - II. Allegretto2:12 3Moonlight Sonata op. 27 no. 2 - III. Presto8:14 | — | ||
| — | Melodic MasterpiecesSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:04:181Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio14:36 2Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai16:34 3Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace6:15 4Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto12:33 5Overture "Leonore" No. 3, in C Major, Op. 72a14:20 | — | ||
| — | The Beethoven Collection Volume 4Search SpotifySearch YouTube MusicTracklist · 4 tracks · 1:03:241Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo14:19 2Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace11:44 3Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile13:42 4Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto – Allegro assai23:39 | — | ||
| — | Symphonies Nos.1 & 3, "Eroica"Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:15:181Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio14:48 2Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai17:10 3Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace5:48 4Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto12:27 5Symphony No. 1 in C major, Op. 21: I. Adagio molto – Allegro con brio9:33 6Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto5:54 7Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace3:57 8Symphony No. 1 in C major, Op. 21: IV. Adagio – Allegro molto e vivace5:41 | — | ||
| — | Symphony no. 9, op. 125 “Choral” / Leonora - Overture no. 3, op. 72ASearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:15:44A1Symphony no. 9 in D minor, op. 125 “Choral”: Allegro ma non troppo, un poco maestoso14:01 A2Symphony no. 9 in D minor, op. 125 “Choral”: Molto vivace11:30 A3Symphony no. 9 in D minor, op. 125 “Choral”: Adagio molto e cantabile13:27 B4Symphony no. 9 in D minor, op. 125 “Choral”: Presto - Allegro assai23:21 B5Leonora - Overture no. 3, op. 72A13:25 | — | ||
| — | Sinfonía n5 en Do menorSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 1:17:071Sinfonía No. 5 en Do menor, Op. 67 "El Destino": I. Allegro con brio7:44 2Sinfonía No. 5 en Do menor, Op. 67 "El Destino": II. Andante con moto10:51 3Sinfonía No. 5 en Do menor, Op. 67 "El Destino": III. Scherzo. Allegro5:39 4Sinfonía No. 5 en Do menor, Op. 67 "El Destino": IV. Allegro9:09 5Sinfonía No. 6 en Fa mayor, Op. 68 "Pastoral": I. Allegro ma non troppo10:35 6Sinfonía No. 6 en Fa mayor, Op. 68 "Pastoral": II. Andante molto mosso13:30 7Sinfonía No. 6 en Fa mayor, Op. 68 "Pastoral": III. Allegro5:13 8Sinfonía No. 6 en Fa mayor, Op. 68 "Pastoral": IV. Allegro3:50 9Sinfonía No. 6 en Fa mayor, Op. 68 "Pastoral": V. Allegretto10:36 | — | ||
| — | Symphony No. 5 in C Minor, Op. 67: I. Allegro con brioSearch SpotifySearch YouTube MusicTracklist · 1 track · 7:251Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio7:25 | — | ||
| — | Dolby Surround ClassicsSearch SpotifySearch YouTube MusicTracklist · 25 tracks · 1:13:241Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio3:04 2Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai2:36 3Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace2:49 4Egmont, Op. 84: Overture. Sostenuto, ma non troppo3:54 5Trio for Violin, Violoncello and Piano No 11 in G Major, 10 Variations on "Ich bin der Schneider Kakadu"2:50 6Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio1:47 7Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile2:43 8Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro3:37 9Romance for Violin and Orchestra No. 1 in G major, Op. 402:16 10Romance for Violin and Orchestra No. 2 in F major, Op. 501:40 11Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": I. Allegro2:40 12Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": II. Adagio molto espressivo2:03 13Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": III. Scherzo. Allegro molto1:22 14Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo3:00 15Concerto for Piano No. 1 in C major, Op. 15: I. Allegro con brio2:56 16Concerto for Piano No. 1 in C major, Op. 15: II. Largo3:08 17Concerto for Piano No. 1 in C major, Op. 15: III. Rondo. Allegro2:10 18Symphony No. 7 in A major, Op. 92: I. Poco sostenuto – Vivace4:04 19Symphony No. 7 in A major, Op. 92: II. Allegretto3:22 20Symphony No. 7 in A major, Op. 92: III. Presto – Assai meno presto3:24 21Symphony No. 7 in A major, Op. 92: IV. Allegro con brio3:54 22Quartet for Strings No. 3 in D major, Op. 18 No. 3: I. Allegro3:18 23Quartet for Strings No. 3 in D major, Op. 18 No. 3: II. Andante con moto3:07 24Quartet for Strings No. 3 in D major, Op. 18 No. 3: III. Allegro3:01 25Quartet for Strings No. 3 in D major, Op. 18 No. 3: IV. Presto4:39 | — | ||
| — | The Great Symphonies (disc 3)Search SpotifySearch YouTube MusicTracklist · 9 tracks · 1:16:361Symphony No.5 in C minor Op. 677:40 2Symphony No.5 in C minor Op. 6710:48 3Symphony No.5 in C minor Op. 675:35 4Symphony No.5 in C minor Op. 678:59 5Symphony No.6 in F major Op. 6810:32 6Symphony No.6 in F-Major Op. 6813:25 7Symphony No.6 in F major Op. 685:12 8Symphony No.6 in F major Op. 683:50 9Symphony No.6 in F-Major Op. 6810:35 | — | ||
| — | Complete Piano Trios, Volume 2Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:02:551Piano Trio No. 3 in C minor, Op. 1 No. 3: I. Allegro con brio9:52 2Piano Trio No. 3 in C minor, Op. 1 No. 3: II. Adagio cantabile con variazioni7:43 3Piano Trio No. 3 in C minor, Op. 1 No. 3: III. Menuetto. Quasi allegro3:59 4Piano Trio No. 3 in C minor, Op. 1 No. 3: IV. Finale. Prestissimo5:43 5Piano Trio No. 4 with clarinet in B-flat major, Op. 11: I. Allegro con brio9:18 6Piano Trio No. 4 with clarinet in B-flat major, Op. 11: II. Adagio5:05 7Piano Trio No. 4 with clarinet in B-flat major, Op. 11: III. Allegretto con variazioni6:28 8Piano Trio in G major, Op. 121a, variations on 'Ich bin der Schneider Kakadu'14:47 | — | ||
| — | Triple ConcertoSearch SpotifySearch YouTube MusicTracklist · 6 tracks · 1:00:061Konzert für Klavier, Violine, Violoncello und Orchester C-dur Op. 56 ("Tripperlkonzert") / "Triple concerto" in C major-"Triple Concerto" en Ut majeur: I. Allegro17:51 2Konzert für Klavier, Violine, Violoncello und Orchester C-dur Op. 56 ("Tripperlkonzert") / "Triple concerto" in C major-"Triple Concerto" en Ut majeur: II. Largo5:36 3Konzert für Klavier, Violine, Violoncello und Orchester C-dur Op. 56 ("Tripperlkonzert") / "Triple concerto" in C major-"Triple Concerto" en Ut majeur: III. Rondo alla polacca13:02 4Piano Sonata No. 17 in D minor, Op. 31 No. 2 "Tempest" / Klaviersonate Nr. 17 d-moll op. 31 "Der Sturm" / Sonate pour piano N° 17 en ré mineur, Op. 31 N° 2 "La tempête": I. Allegro9:25 5Piano Sonata No. 17 in D minor, Op. 31 No. 2 "Tempest" / Klaviersonate Nr. 17 d-moll op. 31 "Der Sturm" / Sonate pour piano N° 17 en ré mineur, Op. 31 N° 2 "La tempête": II. Adagio7:18 6Piano Sonata No. 17 in D minor, Op. 31 No. 2 "Tempest" / Klaviersonate Nr. 17 d-moll op. 31 "Der Sturm" / Sonate pour piano N° 17 en ré mineur, Op. 31 N° 2 "La tempête": III. Allegretto6:54 | Compilation | — | |
| — | A Musical GeniusSearch SpotifySearch YouTube MusicTracklist · 50 tracks · 33:281Bagatelle in G Minor, WoO 61a0:38 212 Contredanses, WoO 14: No. 40:35 312 Contredanses, WoO 14: 4. Contredanse in B Major0:33 4The Creatures of Prometheus, Op. 43: No. 11 Coro di Gioja. Andante - Live In Utrecht / 19950:32 5Musik zu einem Ritterballett (1790-91), WoO 1: 7. Deutscher Tanz. Walzer0:36 6Symphony No. 9 in D Minor, Op. 125: 4. Presto - Allegro assai1:47 712 Contredanses, WoO 14: No. 90:35 8Piano Sonata No. 21 in C Major, Op. 53 "Waldstein": I. Allegro con brio1:31 912 Contredanses, WoO 14: 2. Contredanse in A Major0:34 1012 German Dances, WoO 8: No. 10:34 1112 Contredanses, WoO 14: 1. Contredanse in C Major0:30 1212 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation VI0:30 13Piano Sonata No. 22 in F, Op. 54: 3. Più Allegro0:29 1412 Contredanses, WoO 14: No. 20:36 15Ecossaise in E-Flat Major, WoO 860:29 16Musik zu einem Ritterballett (1790-91), WoO 1: 5. Kriegslied. Allegro assai con brio0:30 1712 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation V0:34 1812 Contredanses, WoO 14: No. 10:34 1912 Variations On "See the conquering hero comes" For Cello And Piano, WoO 45: Variation VII0:35 2012 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Thema. Allegretto0:36 2112 Contredanses, WoO 14: No. 80:36 22Piano Piece in C Major, Kafka f. 47v - staves 5-80:33 236 Ländler for 2 Violins and Bass, WoO 15: No. 1 in D Major0:37 246 Ländler for 2 Violins and Bass, WoO 15: No. 3 in D Major0:38 2512 Contredanses, WoO 14: No. 80:40 2624 Variations on "Venni Amore" in D Major, WoO 65: Variation XIX0:38 2724 Variations on "Venni Amore" in D Major, WoO 65: Variation XXII0:41 2812 Contredanses, WoO 14: No. 90:41 29Sei mio ben, WoO 99/4 (Hess 231)0:39 3024 Variations on "Venni Amore" in D Major, WoO 65: Variation XIII0:41 3133 Variations on a Waltz by Diabelli in C Major, Op. 120: Variation X. Presto0:37 3211 Bagatelles, Op. 119: IX. Vivace moderato - Live at Historische Stadthalle Wuppertal / 20190:41 3324 Variations on "Venni Amore" in D Major, WoO 65: Variation III0:37 3433 Variations on a Waltz by Diabelli in C Major, Op. 120: Variation XXV. Allegro0:40 35Symphony No. 5 in C Minor, Op. 67: IV. Allegro - Excerpt0:41 36Musik zu einem Ritterballett (1790-91), WoO 1: 4. Romanze (Minnelied). Andantino0:42 3715 Variations on "Eroica" in E-Flat Major, Op. 35: Theme0:42 3824 Variations on "Venni Amore" in D Major, WoO 65: Variation X0:41 3924 Variations on "Venni Amore" in D Major, WoO 65: Variation XX. Scherzando0:41 4012 Contredanses, WoO 14: No. 70:43 41Two-Voice Fugues, Hess 236: No. 2 in E Minor0:42 4224 Variations on "Venni Amore" in D Major, WoO 65: Variation V0:38 4324 Variations on "Venni Amore" in D Major, WoO 65: Variation VII0:41 44Variations on Mozart's "La ci darem la mano": Variation 5 (Moderato)0:42 4512 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation I0:39 4624 Variations on "Venni Amore" in D Major, WoO 65: Variation VI0:38 4711 Bagatelles, Op. 119: 9. Vivace moderato0:47 48String Quartet No. 14 in C sharp minor, Op. 131: 3. Allegro moderato0:46 4912 Variations On "See the conquering hero comes" For Cello And Piano, WoO 45: Variation I0:44 506 Ländler for 2 Violins and Bass, WoO 15: No. 4 in D Minor0:44 | Compilation | — | |
| — | MoodsSearch SpotifySearch YouTube MusicTracklist · 50 tracks · 41:191Bagatelle in G Minor, WoO 61a0:38 212 Contredanses, WoO 14: No. 70:43 312 Contredanses, WoO 14: No. 90:34 4String Quartet No. 14 in C-Sharp Minor, Op. 131: 6. Adagio quasi un poco andante2:17 5Symphony No. 9 in D Minor, Op. 125 "Choral": IVa. Finale. Presto2:36 633 Variations on a Waltz by Diabelli in C Major, Op. 120: Variation X. Presto0:37 7Symphony No. 5 in C Minor, Op. 67: IV. Allegro - Excerpt0:41 8Musik zu einem Ritterballett (1790-91), WoO 1: 7. Deutscher Tanz. Walzer0:36 9The Creatures of Prometheus, Op. 43: No. 11 Coro di Gioja. Andante0:32 10Piano Sonata No. 12 In A Flat Major, Op. 26: 2. Scherzo (Allegro molto)2:43 1112 German Dances, WoO 8: No. 10:34 126 Ländler for 2 Violins and Bass, WoO 15: No. 1 in D Major0:37 13Ecossaise in E-Flat Major, WoO 860:29 14Piano Sonata No. 22 in F, Op. 54: 3. Più Allegro0:29 1512 Contredanses, WoO 14: No. 20:36 16Piano Sonata No. 7 in D, Op. 10 No. 3: 3. Menuetto (Allegro)3:04 17Musik zu einem Ritterballett (1790-91), WoO 1: 5. Kriegslied. Allegro assai con brio0:30 1812 Contredanses, WoO 14: 4. Contredanse in B Major0:33 1912 Contredanses, WoO 14: No. 10:34 20Piano Piece in C Major, Kafka f. 47v - staves 5-80:33 216 Ländler for 2 Violins and Bass, WoO 15: No. 3 in D Major0:38 2212 Contredanses, WoO 14: No. 90:41 23Sei mio ben, WoO 99/4 (Hess 231)0:39 2424 Variations on "Venni Amore" in D Major, WoO 65: Variation XIII0:41 2533 Variations on a Waltz by Diabelli in C Major, Op. 120: Variation XXV. Allegro0:40 26Waltz in D Major, WoO 850:37 276 Ländler for 2 Violins and Bass, WoO 15: No. 2 in D Major0:39 2812 Contredanses, WoO 14: No. 110:38 2924 Variations on "Venni Amore" in D Major, WoO 65: Variation XVI0:41 30Salvo tu vuoi lo sposo?, WoO 99/12b (Hess 228)0:35 3112 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation IV0:40 32String Quartet No. 14 in C-Sharp Minor, Op. 131: III. Allegro moderato0:39 33Musik zu einem Ritterballett (1790-91), WoO 1: 4. Romanze (Minnelied). Andantino0:42 34String Quartet No. 14 in C sharp minor, Op. 131: 3. Allegro moderato0:46 3512 Variations On "See the conquering hero comes" For Cello And Piano, WoO 45: Variation I0:44 366 Ländler for 2 Violins and Bass, WoO 15: No. 4 in D Minor0:44 37String Quartet No. 14 in C-Sharp Minor, Op. 131: III. Allegro moderato0:45 3824 Variations on "Venni Amore" in D Major, WoO 65: Variation II0:43 3912 Variations On "See the conquering hero comes" For Cello And Piano, WoO 45: Variation VIII0:46 4012 Contredanses, WoO 14: No. 110:44 41Variations on Mozart's "La ci darem la mano": Variation 2 (L'istesso tempo)0:49 4224 Variations on "Venni Amore" in D Major, WoO 65: Variation IX0:44 43Allegro in A-Flat Major, WoO 213, No. 30:49 4424 Variations on "Venni Amore" in D Major, WoO 65: Variation XXI0:45 4511 Bagatelles, Op. 119: 2. Andante con moto0:47 46String Quartet in C Sharp Minor, Op. 131: III. Allegro moderato0:44 47Two-Voice Fugues, Hess 236: No. 4 in B-Flat Major0:47 48String Quartet No. 14 in C-Sharp Minor, Op. 131: 3. Allegro moderato0:42 4912 Contredanses, WoO 14: No. 70:49 50String Quartet in B Flat Major, Op. 130: 6. Finale (Allegro)0:45 | Compilation | — | |
| — | Inspiring ClassicsSearch SpotifySearch YouTube MusicTracklist · 50 tracks · 40:451Violin Concerto in D Major, Op. 61: 3. Rondo. Allegro - Excerpt2:34 212 Contredanses, WoO 14: 2. Contredanse in A Major0:34 312 Contredanses, WoO 14: No. 90:35 4Musik zu einem Ritterballett (1790-91), WoO 1: 7. Deutscher Tanz. Walzer0:36 5Piano Sonata No. 12 In A Flat Major, Op. 26: 2. Scherzo (Allegro molto)2:43 6Piano Sonata No. 15 In D Major, Op. 28 -"Pastorale": 3. Scherzo. Allegro vivace2:33 76 Ländler for 2 Violins and Bass, WoO 15: No. 1 in D Major0:37 812 German Dances, WoO 8: No. 10:34 9Piano Sonata No. 22 in F, Op. 54: 3. Più Allegro0:29 1012 Contredanses, WoO 14: No. 20:36 11Piano Sonata No. 7 in D, Op. 10 No. 3: 3. Menuetto (Allegro)3:04 12Ecossaise in E-Flat Major, WoO 860:29 13Musik zu einem Ritterballett (1790-91), WoO 1: 5. Kriegslied. Allegro assai con brio0:30 1412 Contredanses, WoO 14: 4. Contredanse in B Major0:33 1512 Contredanses, WoO 14: No. 10:34 16Piano Piece in C Major, Kafka f. 47v - staves 5-80:33 176 Ländler for 2 Violins and Bass, WoO 15: No. 3 in D Major0:38 1812 Contredanses, WoO 14: No. 80:40 1912 Contredanses, WoO 14: No. 90:41 20Sei mio ben, WoO 99/4 (Hess 231)0:39 2124 Variations on "Venni Amore" in D Major, WoO 65: Variation XIII0:41 2211 Bagatelles, Op. 119: IX. Vivace moderato - Live at Historische Stadthalle Wuppertal / 20190:41 2333 Variations on a Waltz by Diabelli in C Major, Op. 120: Variation XXV. Allegro0:40 24Waltz in D Major, WoO 850:37 256 Ländler for 2 Violins and Bass, WoO 15: No. 2 in D Major0:39 2612 Contredanses, WoO 14: No. 110:38 2724 Variations on "Venni Amore" in D Major, WoO 65: Variation XVI0:41 28Salvo tu vuoi lo sposo?, WoO 99/12b (Hess 228)0:35 2912 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation IV0:40 30String Quartet No. 14 in C-Sharp Minor, Op. 131: III. Allegro moderato0:39 31Symphony No. 5 in C Minor, Op. 67: IV. Allegro - Excerpt0:41 32Musik zu einem Ritterballett (1790-91), WoO 1: 4. Romanze (Minnelied). Andantino0:42 3315 Variations on "Eroica" in E-Flat Major, Op. 35: Theme0:42 3424 Variations on "Venni Amore" in D Major, WoO 65: Variation X0:41 3524 Variations on "Venni Amore" in D Major, WoO 65: Variation XX. Scherzando0:41 3612 Contredanses, WoO 14: No. 70:43 37Two-Voice Fugues, Hess 236: No. 2 in E Minor0:42 3824 Variations on "Venni Amore" in D Major, WoO 65: Variation V0:38 3924 Variations on "Venni Amore" in D Major, WoO 65: Variation VII0:41 40Variations on Mozart's "La ci darem la mano": Variation 5 (Moderato)0:42 41Bagatelle in G Minor, WoO 61a0:38 4212 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation I0:38 4324 Variations on "Venni Amore" in D Major, WoO 65: Variation VI0:38 4411 Bagatelles, Op. 119: 9. Vivace moderato0:47 45String Quartet No. 14 in C sharp minor, Op. 131: 3. Allegro moderato0:46 4612 Variations On "See the conquering hero comes" For Cello And Piano, WoO 45: Variation I0:44 476 Ländler for 2 Violins and Bass, WoO 15: No. 4 in D Minor0:44 48String Quartet No. 14 in C-Sharp Minor, Op. 131: III. Allegro moderato0:45 4924 Variations on "Venni Amore" in D Major, WoO 65: Variation II0:43 5012 Variations On "See the conquering hero comes" For Cello And Piano, WoO 45: Variation VIII0:46 | Compilation | — | |
| — | Violinkonzert D-Dur, op. 61 / Frühlingssonate F-Dur, op. 24Search SpotifySearch YouTube MusicTracklist · 7 tracks · 1:09:181Violinkonzert D-Dur, op. 61: I. Allegro25:35 2Violinkonzert D-Dur, op. 61: II. Larghetto10:19 3Violinkonzert D-Dur, op. 61: III. Rondo9:38 4Frühlingssonate F-Dur, op. 24: I. Allegro9:40 5Frühlingssonate F-Dur, op. 24: II. Adagio molto espressivo5:56 6Frühlingssonate F-Dur, op. 24: III. Scherzo. Allegro molto1:20 7Frühlingssonate F-Dur, op. 24: IV. Rondo. Allegro ma non troppo6:50 | Compilation | — | |
| — | Die FünftenSearch SpotifySearch YouTube MusicTracklist · 6 tracks · 1:10:571Konzert Nr.5 "Emperor" Allegro20:06 2Konzert Nr.5 "Emperor" Agagio un poco mosso7:31 3Konzert Nr.5 "Emperor" Rondo - Allegro10:43 4Sinfonie Nr5 c-moll Allegro con brio7:42 5Sinfonie Nr5 c-moll Andante10:44 6Sinfonie Nr5 c-moll Scherzo Allegro - Finale Allegro14:11 | Compilation | — | |
| — | Study ClassicsSearch SpotifySearch YouTube MusicTracklist · 50 tracks · 39:056Piano Sonata No. 15 In D Major, Op. 28 -"Pastorale": 3. Scherzo. Allegro vivace1:59 112 Contredanses, WoO 14: No. 90:35 212 German Dances, WoO 8: No. 10:34 312 Contredanses, WoO 14: No. 80:40 4Musik zu einem Ritterballett (1790-91), WoO 1: 7. Deutscher Tanz. Walzer0:36 5Piano Sonata No. 12 In A Flat Major, Op. 26: 2. Scherzo (Allegro molto)2:44 76 Ländler for 2 Violins and Bass, WoO 15: No. 1 in D Major0:37 8Piano Sonata No. 22 in F, Op. 54: 3. Più Allegro0:29 912 Contredanses, WoO 14: No. 20:36 10Piano Sonata No. 7 in D, Op. 10 No. 3: 3. Menuetto (Allegro)3:04 11Ecossaise in E-Flat Major, WoO 860:29 12Musik zu einem Ritterballett (1790-91), WoO 1: 5. Kriegslied. Allegro assai con brio0:30 1312 Contredanses, WoO 14: 4. Contredanse in B Major0:33 1412 Contredanses, WoO 14: No. 10:34 15Piano Piece in C Major, Kafka f. 47v - staves 5-80:33 166 Ländler for 2 Violins and Bass, WoO 15: No. 3 in D Major0:38 1712 Contredanses, WoO 14: No. 90:41 18Sei mio ben, WoO 99/4 (Hess 231)0:39 1924 Variations on "Venni Amore" in D Major, WoO 65: Variation XIII0:41 2011 Bagatelles, Op. 119: IX. Vivace moderato - Live at Historische Stadthalle Wuppertal / 20190:41 2133 Variations on a Waltz by Diabelli in C Major, Op. 120: Variation XXV. Allegro0:40 22Waltz in D Major, WoO 850:37 236 Ländler for 2 Violins and Bass, WoO 15: No. 2 in D Major0:39 2412 Contredanses, WoO 14: No. 110:38 2524 Variations on "Venni Amore" in D Major, WoO 65: Variation XVI0:41 26Salvo tu vuoi lo sposo?, WoO 99/12b (Hess 228)0:35 2712 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation IV0:40 28String Quartet No. 14 in C-Sharp Minor, Op. 131: III. Allegro moderato0:39 29Symphony No. 5 in C Minor, Op. 67: IV. Allegro - Excerpt0:41 30Musik zu einem Ritterballett (1790-91), WoO 1: 4. Romanze (Minnelied). Andantino0:42 3112 Contredanses, WoO 14: No. 70:43 32Two-Voice Fugues, Hess 236: No. 2 in E Minor0:42 33Variations on Mozart's "La ci darem la mano": Variation 5 (Moderato)0:42 34Bagatelle in G Minor, WoO 61a0:38 3512 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66: Variation I0:39 3624 Variations on "Venni Amore" in D Major, WoO 65: Variation VI0:38 3711 Bagatelles, Op. 119: 9. Vivace moderato0:47 38String Quartet No. 14 in C sharp minor, Op. 131: 3. Allegro moderato0:46 3912 Variations On "See the conquering hero comes" For Cello And Piano, WoO 45: Variation I0:44 406 Ländler for 2 Violins and Bass, WoO 15: No. 4 in D Minor0:44 41String Quartet No. 14 in C-Sharp Minor, Op. 131: III. Allegro moderato0:45 4224 Variations on "Venni Amore" in D Major, WoO 65: Variation II0:43 4312 Variations On "See the conquering hero comes" For Cello And Piano, WoO 45: Variation VIII0:46 4412 Contredanses, WoO 14: No. 110:44 45Variations on Mozart's "La ci darem la mano": Variation 2 (L'istesso tempo)0:49 4624 Variations on "Venni Amore" in D Major, WoO 65: Variation IX0:44 47Allegro in A-Flat Major, WoO 213, No. 30:50 4824 Variations on "Venni Amore" in D Major, WoO 65: Variation XXI0:45 4911 Bagatelles, Op. 119: 2. Andante con moto0:47 50String Quartet in C Sharp Minor, Op. 131: III. Allegro moderato0:44 | Compilation | — |
Stats & PK
Percentile within all 23,672 published artists.Put Ludwig van Beethoven head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 274 | 100th |
| Spotify monthly listeners | 7,473,977 | 15th |
| Release groups in DB | 267 | 99.7th |
| Studio albums | 153 | 99.8th |
| Awards recorded | 1 | 89th |
| Timeline events | 156 | 99.8th |
| Recording span (years) | -91 | 5.2th |
| Genres | 26 | 99.8th |
Awards & honours
| Year | Award | Category | Result |
|---|---|---|---|
| 2020 | Bröckemännche Award | won |
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Beethoven.jpgpopularity—kworb.net · no licence published · retrieved 11 October 2026
https://kworb.net/spotify/listeners.htmlaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/1f9df192-a621-4f54-8850-2c5373b7eac9discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/1f9df192-a621-4f54-8850-2c5373b7eac9core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q255genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q255seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Ludwig_van_Beethovenbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Ludwig_van_Beethoven
Why this artist is in the database
- Spotify monthly listeners (kworb.net) — rank #1917 · 7,473,977
Ludwig van Beethoven
- List of composers by name
Tier rule: global reach (274 language versions)
Image: Joseph Karl Stieler · Public domain · Wikimedia Commons
Wikidata: Q255 · MusicBrainz: 1f9df192-a621-4f54-8850-2c5373b7eac9
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