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Johann Sebastian Bach
Person · male · Duchy of Saxe-Eisenach · Eisenach · born 1685 · died 1750 · recording since 1954
German composer (1685–1750)
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Also known as J.S.バッハ · Jan Sebastian Bach · Jean‐Sébastien Bach · Johann Sebastian Bach · Johann Sebastian Bach · Γιόχαν Σεμπάστιαν Μπαχ · +18 more
Timeline
254 events▣ Album 251◦ Birth 1† Death 1★ Debut release 1
1680s
1750s
1950s
· Debut release
Debut release: Oratorio de Noël
First documented Album in the MusicBrainz discography.
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· Album
Album: Konzert für Cembalo, Streicher und Continuo Nr. 1 d‐moll, BWV 1052 / Konzert für Cembalo, Streicher und Continuo Nr. 2 E‐dur, BWV 1053
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1960s
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Album: Ouvertüre Nr. 2 In H-moll, BWV 1067 / Ouvertüre Nr. 3 In D-dur, BWV 1068
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Album: Бах: Французская сюита / Фрескобальди: Пассакалия / Партита / Две фуги
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Album: Violinkonzert In A-moll Und E-Dur / Konzert Für Zwei Violinen In D-moll
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Album: Toccata und Fuge d-Moll, BWV 565 / Triosonate Nr. 2 c-Moll, BWV 526 / Präludium und Fuge D-Dur, BWV 532 / Fantasie und Fuge g-Moll, BWV 542
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Album: Bach: Konzert für zwei Violinen und Orchester d-moll BWV 1043 / Vivaldi: Concerto grosso op. 3 Nr. 8 a-moll
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Album: Konzert für Violine und Orchester a-moll BWV 1041 / Konzert für Violine und Orchester E-dur BWV 1042
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Album: Concerto N°1 pour Piano et Orchestre en Ré Mineur / Concerto N° 2 pour Deux Pianos et Orchestre en Ut Majeur
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Album: Prelude & Fugue in A minor / Toccata & Fugue in F major / Trio Sonata No. 5 in C major / Prelude & Fugue in E minor
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1970s
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Album: Italienisches Konzert, BWV 971 / Fantasie, BWV 906 / Chromatische Fantasie und Fuge, BWV 903 / Toccata, BWV 915 / Pastorale, BWV 590
Album
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Album: Music for the Solo Traverso Vol. 1 Authentic and Complete Works from the Neue Bach Gesellschaft
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Album: Music for the Solo Traverso Vol. 2 Incomplete and Controversial Sonatas
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Album: The Four Antiphonal Organs of the Cathedral of Freiburg Played Simultaneously by E. Power Biggs: The Four “Great” Toccatas and Fugues
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Album: Helmut Walcha spielt Bach: Toccata und Fuge d-moll: Dorische Toccata und Fuge u.a.
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Album: Italienisches Konzert F-Dur BWV 971 / Chromatische Fantasie und Fuge D-Moll BWV 903 / Partita H-Moll BWV 831
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Album: Das Orgelwerk Folge 1 - Fantasien Und Fugen BWV 537, 542 / Präludien Und Fugen BWV 541,543,545
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Album: Cantate N° 56 "Ich Will Den Kreuzstab Gerne Tragen" / Cantate N° 169 "Got Soll Allein Herze Haben"
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Album: Das Orgelwerk - Folge 8 - Präludien Und Fugen BWV 544, 546-548
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Album: Italienisches Konzert BWV 971 / Chromatische Fantasie und Fugue BWV 903
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Album: Six Sonatas for Violin and Harpsichord / Two Sonatas for Violin and Basso Continuo
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Album: Herz Und Mund Und Tat Und Leben (Kantate Am Feste Mariä Heimsuchung, BWV 147) O Ewigkeit, Du Donnerwort (Kantate Am 24. Sonntag N. Trin., BWV 60) (Dialogus Zwischen Furcht Und Hoffnung)
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Album: Magnificat in D Major / Christmas Cantata "Unser Mund Sei Voll Lachens"
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Album: Goldberg Variations / Aria and Ten Variations in the Italian Style
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Album: Das Musikalisches Opfer • Musical Offering • L'Offrande Musicale
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Album: Jesus bleibet meine Freude: Die Deutschen Bachsolisten spielen Bachs beliebteste Werke: Hirtenmusik / Air / Wachet auf / Chaconne
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1980s
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Album: Toccata BWV 911 / Partita BWV 826 / English Suite no. 2 BWV 807
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Album: Motetten: Singet dem Herrn ein neues Lied BWV 225 / Jesu, meine Freude BWV 227
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Album: Magnificat BWV 243 / Kantate "Meine Seel erhebt den Herren" BWV 10
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Album: Toccata & Fugue in D minor / Prelude & Fugue in E-flat / Prelude, Largo & Fugue in C
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Album: Organ Prelude and Fugue in E-flat major / Organ Prelude and Fugue in D major / Other Piano Transcriptions
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Album: Konzerte für Violine a-moll BWV 1041 und E-dur BWV 1042 / Konzert für zwei Violinen d-moll BWV 1043
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Album: Concerto for Two Violins in D minor / Violin Concertos in A minor & E major
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Album: Der zufriedengestellte Äolus – Aeolus Propitiated – Éole apaisé
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Album: Siebzehn Konzerte Nach Verschiedenen Meistern Für Cembalo Solo - 1
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Album: Bach: Concerto in C minor, BWV 1060 / Vivaldi: Concerti RV 576 & 582
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Album: Die Schukeorgel der Thomaskirche zu Leipzig: Hannes Kästner spielt Bach
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Album: Toccata et Fugue / Passacaglia / Fugue / Concerto / Fantaisie & Fugue
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Biography
English biography9,378 words · 27 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1377492380
Biography
Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral Brandenburg Concertos; solo instrumental works such as the Cello Suites and Sonatas and Partitas for Solo Violin; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schübler Chorales and the Toccata and Fugue in D minor; and choral works such as the St. Matthew Passion and the Mass in B minor. He is known for his mastery of counterpoint, as heard in The Musical Offering and The Art of Fugue. Felix Mendelssohn precipitated the Bach Revival with a performance of the St. Matthew Passion in 1829. Ever since, Bach has been acclaimed as one of the greatest composers in the history of Western music.
The Bach family had already produced several composers when Johann Sebastian was born in Eisenach, the youngest child of the city musician Johann Ambrosius Bach. After being orphaned at age 10, he lived for five years with his eldest brother, Johann Christoph, then continued his musical education in Lüneburg. In 1703 he returned to Thuringia, working as a musician for Protestant churches in Arnstadt and Mühlhausen. Around that time he also paid extended visits to the courts in Weimar, where he expanded his organ repertory, and the reformed court at Köthen, where he was mostly engaged with chamber music. By 1723 he was hired as Thomaskantor, church music director of the city of Leipzig and thus responsible for music in four Lutheran city churches and for the St. Thomas School. He decided to compose annual cycles of church cantatas, and also wrote music for Leipzig University's student ensemble, Collegium Musicum. In 1726 he began publishing his organ and other keyboard music. In Leipzig, he had difficult relations with his employer, as he had during some of his earlier positions. This situation was somewhat remedied when his sovereign, Augustus III of Poland, granted him the title of court composer of the Elector of Saxony in 1736. In the last decades of his life, Bach reworked and extended many of his earlier compositions. He died due to complications following eye surgery in 1750 at the age of 65. Four of his twenty children, Wilhelm Friedemann, Carl Philipp Emanuel, Johann Christoph Friedrich, and Johann Christian, became composers.
Bach enriched established German styles through his mastery of counterpoint, harmonic and motivic organisation, and his adaptation of rhythms, forms, and textures from abroad, particularly Italy and France. His compositions include hundreds of cantatas, both sacred and secular. He composed Latin church music, Passions, oratorios, and motets. He adopted Lutheran hymns, not only in his larger vocal works but also in such works as his four-part chorales and his sacred songs. Bach wrote extensively for organ and other keyboard instruments. He composed concertos, for instance for violin and for harpsichord, and suites, as chamber music as well as for orchestra. Many of his works use contrapuntal techniques like canon and fugue.
Several decades after his death, in the 18th century, Bach was still primarily known as an organist. Several biographies of Bach were published in the 19th century, and by the end of that century all of his known music had been printed. Dissemination of Bach scholarship continued through periodicals (and later websites) devoted to him, other publications such as the Bach-Werke-Verzeichnis (BWV, a numbered catalogue of his works), and new critical editions of his compositions. His music was further popularised by a multitude of arrangements, including the "Air on the G String" and "Jesu, Joy of Man's Desiring", and recordings, among them three boxed sets of performances of his complete œuvre marking the 250th anniversary of his death.
Youth and education
Johann Sebastian Bach was born in Eisenach, the capital of the duchy of Saxe-Eisenach, in present-day Germany, on 21 March 1685 O.S. He was the eighth and youngest child of Johann Ambrosius Bach, director of the town musicians, and Maria Elisabeth née Lämmerhirt, daughter of a town councillor. The Bach family, traditionally traced to the patriarch Vitus "Veit" Bach (d. 1619), produced three to four generations of musicians in the Thuringia region, whose insular cultural climate fostered conservative musicianship, with external influences arriving mainly via the courts. Nothing is definitively known about Bach's early years before 1693; his musical education in particular is highly conjectural. His family, particularly the uncles, were all professional musicians who worked as church organists, court chamber musicians, and composers. Bach's father presumably taught him the violin, Ambrosius' own primary instrument, along with basic music theory principles. One uncle, Johann Christoph Bach (1645–1693), may have introduced him to the organ, though this is debated since the uncle may not have been close to Bach's immediate family.
Bach's mother died in 1694, and his father eight months later in February 1695. The 10-year-old Bach moved in with his eldest brother, Johann Christoph Bach (1671–1721), the organist at St. Michael's Church in Ohrdruf, Saxe-Gotha-Altenburg. There he studied, performed, and copied music, including his brother's, despite being forbidden to do so because scores were so valuable and private and ledger paper was costly. He also received instruction on the clavichord from his brother. Johann Christoph exposed him to the works of composers of the day, including South Germans such as Johann Caspar Kerll, Johann Jakob Froberger, and Johann Pachelbel (under whom Johann Christoph had studied); North Germans such as Georg Böhm, Johann Reincken and Friedrich Nicolaus Bruhns from Hamburg, and Dieterich Buxtehude; Frenchmen such as Jean-Baptiste Lully, Louis Marchand, and Marin Marais; and the Italian Girolamo Frescobaldi. He learned theology, Latin, and Greek at the local Gymnasium.
By 3 April 1700 Bach had begun studies at St Michael's School in Lüneburg, two weeks' travel north of Ohrdruf. His journey was probably undertaken mostly on foot. He sang in the choir, at least until his voice broke, had access to the school's comprehensive musical library, and received organ lessons. He also came into contact with sons of aristocrats from northern Germany who had been sent to the nearby Ritter-Academie to prepare for careers in other disciplines.
Marriages and children
Four months after arriving at Mühlhausen in 1707, Bach married his second cousin, Maria Barbara Bach. Later that year their first child, Catharina Dorothea, was born, and Maria Barbara's elder, unmarried sister joined them, remaining to help run the household until she died in 1729. Three sons were also born: Wilhelm Friedemann, Carl Philipp Emanuel, and Johann Gottfried Bernhard. All became musicians, and the first two, composers. Johann Sebastian and Maria Barbara had seven children. Their twins born in 1713 died within a year, and their last son, Leopold, also died within a year of his birth. On 7 July 1720, while Bach was in Carlsbad with Prince Leopold, Maria Barbara died suddenly. The next year, he met Anna Magdalena Wilcke, a gifted soprano 16 years his junior, while she was performing at the court in Köthen; they married on 3 December 1721. Together they had 13 children, six of whom survived into adulthood: Gottfried Heinrich; Elisabeth Juliane Friederica (1726–1781); Johann Christoph Friedrich and Johann Christian, who both became musicians; Johanna Carolina (1737–1781); and Regina Susanna (1742–1809).
Weimar, Arnstadt, and Mühlhausen (1703–1708)
In January 1703, shortly after graduating from St. Michael's in 1702 and being turned down for the post of organist at Sangerhausen, Bach was appointed court musician in the chapel of Johann Ernst III, Duke of Saxe-Weimar. His role there is unclear, but it probably included menial, non-musical duties. During his seven-month tenure at Weimar, his reputation as a keyboardist spread so widely that he was invited to inspect the new organ and give the inaugural recital at the New Church (now Bach Church) in Arnstadt, about 30 kilometres (19 mi) southwest of Weimar. On 14 August 1703 he became the organist at the New Church, with light duties, a relatively generous salary, and a new organ tuned in a temperament that allowed music written in a wider range of keys to be played.
Although Johann Ernst III was musically enthusiastic, the relationship grew tense. In 1705–1706, Bach upset the duke when, after obtaining a four-week leave of absence, he was away for about four months, taking lessons from the organist and composer Johann Adam Reincken and wanting to hear Reincken and Dieterich Buxtehude play in Lübeck. The visit to Buxtehude and Reincken involved a 450-kilometre (280 mi) journey each way, reportedly on foot. Buxtehude probably introduced Bach to his friend Reincken so that he could learn from his compositional technique (especially his mastery of fugue), his organ playing, and his improvisational skill. Bach knew Reincken's music very well; he copied Reincken's monumental An Wasserflüssen Babylon when he was 15 years old. When Bach revisited Reincken in 1720 and showed him his improvisational skill on the organ, Reincken reportedly remarked: "I thought that this art was dead, but I see that it lives in you."
In 1706 Bach applied for a post as organist at the Blasius Church in Mühlhausen. As part of his application, he had a cantata performed at Easter, 24 April 1707, that resembles his later Christ lag in Todes Banden, BWV 4. Bach's application was accepted a month later, and he took up the post in July. The position included higher remuneration, improved conditions, and a better choir. Bach persuaded the church and town government at Mühlhausen to fund an expensive renovation of the organ at the Blasius Church. In 1708 Bach wrote Gott ist mein König, BWV 71, a festive cantata for the inauguration of the new council, which was published at the council's expense. This is the only extant Bach cantata published in his lifetime. Bach returned to Weimar in 1708, after Johann Ernst's death, as court organist. He worked with one of Johann Ernst's sons, also named Johann Ernst, who had a keen interest in music. The prince's interest in collecting music was sufficiently well known that in 1713, when one of Bach's pupils, P. D. Kräuter, requested a leave of absence to study in Weimar, he mentioned the French and Italian music the prince was expected to introduce there. The prince also composed, and Bach wrote the Organ Concerto No.1 in G Major, BWV 592, and Concerto for Organ solo in C major, BWV 595, after a theme by the prince.
Return to Weimar (1708–1717)
Bach left Mühlhausen in 1708, returning to Weimar this time as organist and from 1714 Konzertmeister (director of music) at the ducal court, where he could work with a large, well-funded contingent of professional musicians. Bach and his wife moved into a house near the ducal palace. Bach's time in Weimar began a sustained period of composing keyboard and orchestral works. He attained the proficiency and confidence to extend the prevailing structures and include influences from abroad. He learned to write dramatic openings and employ the dynamic rhythms and harmonic schemes used by Italians such as Vivaldi, Corelli, and Torelli. Bach absorbed these stylistic aspects to a certain extent by transcribing Vivaldi's string and wind concertos for harpsichord and organ. He was particularly attracted to the Italian style, in which one or more solo instruments alternate section-by-section with the full orchestra throughout a movement.
In Weimar Bach continued to play and compose for the organ and perform concert music with the duke's ensemble. He also began to write the preludes and fugues that were later assembled into the first volume of The Well-Tempered Clavier ("clavier" meaning clavichord or harpsichord), which eventually comprised two volumes written over 20 years, each containing 24 pairings of preludes and fugues in every major and minor key. In Weimar, Bach also started work on the Little Organ Book, containing traditional Lutheran chorale tunes set in complex textures. In 1713 Bach was offered a post in Halle when he advised the authorities during a renovation by Christoph Cuntzius of the main organ in the west gallery of the Market Church of Our Dear Lady.
In early 1714 Bach was promoted to Konzertmeister, an honour that entailed performing a church cantata monthly in the castle church. The first three cantatas in the new series Bach composed in Weimar were Himmelskönig, sei willkommen, BWV 182, for Palm Sunday, which coincided with the Annunciation that year; Weinen, Klagen, Sorgen, Zagen, BWV 12, for Jubilate Sunday; and Erschallet, ihr Lieder, erklinget, ihr Saiten!, BWV 172, for Pentecost. Bach's first Christmas cantata, Christen, ätzet diesen Tag, BWV 63, premiered in 1714 or 1715. In 1717 Bach fell out of favour in Weimar and, according to the court secretary's report, was jailed for almost a month before being dismissed from his position: "On November 6, [1717,] the quondam concertmaster and organist Bach was confined to the County Judge's place of detention for too stubbornly forcing the issue of his dismissal and finally on December 2 was freed from arrest with notice of his unfavorable discharge."
Köthen (1717–1723)
Leopold, Prince of Anhalt-Köthen, hired Bach to serve as his Kapellmeister (director of music) in 1717. Himself a musician, Leopold appreciated Bach's talents, paid him well, and gave him considerable latitude in composing and performing. Leopold was a Calvinist and thus did not use elaborate music in his form of worship, so most of Bach's work from this period is secular, including the orchestral suites, Cello Suites, Sonatas and Partitas for Solo Violin, and the Brandenburg Concertos. Bach also composed secular cantatas for the court, such as Die Zeit, die Tag und Jahre macht, BWV 134a.
In 1719, Bach made the 35-kilometre (22 mi) journey from Köthen to Halle with the intention to meet Handel, but Handel had left town. In 1730, Bach's oldest son, Wilhelm Friedemann, travelled to Halle to invite Handel to visit the Bach family in Leipzig, but the visit did not take place.
Appointment
In 1723 Bach was appointed Thomaskantor (director of church music) in Leipzig, a mercantile Saxon city with "the leading cantorate in Protestant Germany". He was responsible for directing the St. Thomas School and for providing four churches with music, the St. Thomas Church, the St. Nicholas Church, and to a lesser extent the New Church and St. Peter's Church. A cantata was required for the church services on each Sunday and additional church holidays during the liturgical year.
Johann Kuhnau had been Thomaskantor in Leipzig from 1701 until his death on 5 June 1722. Bach had visited Leipzig during Kuhnau's tenure: in 1714 he attended the service at the St. Thomas Church on the first Sunday of Advent, and in 1717 he tested the organ at St. Paul's Church. In 1716 Bach and Kuhnau met on the occasion of the testing and inauguration of an organ in Halle. Bach was offered the position only after it had been offered to Georg Philipp Telemann and then Christoph Graupner—both of whom chose to stay where they were, Telemann in Hamburg and Graupner in Darmstadt—after using the Leipzig offer to negotiate better terms of employment.
Bach was required to instruct the Thomasschule students in singing. He was also assigned to teach Latin but was allowed to employ four "prefects" (deputies) to do that for him. The prefects also aided with musical instruction. Bach held the position for 27 years, until his death. During that time, he gained further prestige through honorary appointments at the courts of Köthen and Weissenfels, as well as that of the Elector Frederick Augustus (who was also King of Poland) in Dresden. Bach frequently disagreed with his employer, Leipzig's city council, whom he regarded as "penny-pinching".
Cantata cycle years (1723–1729)
In 1723, and until 1729, Bach was appointed as Thomaskantor and director musices in Leipzig, which made him responsible for the music at four churches. He provided church music for the two main churches, St. Thomas and St. Nicholas, and occasionally also for two others, the New Church and St. Peter. Bach took office in the middle of the liturgical year, on the first Sunday after Trinity. In Leipzig, cantata music was expected on Sundays and on feast days, except during the tempus clausum ("silent periods") of Advent and Lent. In 1725, the feast fell on Palm Sunday. Annunciation was the only occasion for festive music during Lent. The prescribed readings were, as the epistle, Isaiah's prophecy of the birth of the Messiah (Isaiah 7:10–16), and from the Gospel of Luke, the angel Gabriel announcing the birth of Jesus (Luke 1:26–38).
In his first twelve months in office, Bach decided to compose new works for almost all liturgical occasions. These works became known as his first cantata cycle. In his second year in office, Bach composed a cycle of chorale cantatas, with each cantata based on one Lutheran hymn, for the liturgical occasions. The choice of hymn for each of the cantatas was probably made according to the wishes of a local minister, who based the choices upon the prescribed readings and his plans for sermons. Compared to the first cycle, the music has less emphasis on biblical texts, but more on the use of chorale text and melody. Bach's earliest extant chorale cantata, Christ lag in Todes Banden, BWV 4, written more than a decade before arriving in Leipzig, followed the per omnes versus principle, that is, it adopted the text of all stanzas of the hymn without modification, the hymn's melody being used throughout. Most of the chorale cantatas Bach wrote in his second year in Leipzig, including Wie schön leuchtet der Morgenstern, were formatted differently. In this structure, the outer stanzas of the hymn, and its melody, were retained in the outer movements of the cantata: typically the first stanza was set as an opening chorale fantasia, and the last as a closing four-part chorale. The inner stanzas of the hymn were rephrased into recitatives and arias for the cantata's inner movements, their setting mostly not based on the hymn tune.
Middle years in Leipzig (1730–1739)
Before starting on the Gospel of Mark after 1730, Bach had composed the St John Passion and the St Matthew Passion; the latter was first performed on Good Friday 11 April 1727. The 1731 St Mark Passion (German: Markus-Passion), BWV 247, is a lost Passion setting by Bach, first performed in Leipzig on Good Friday, 23 March 1731. Though Bach's music is lost, the libretto by Picander is extant, and the work can to some degree be reconstructed from it. In 1733 Bach composed a Kyrie–Gloria Mass in B minor for the court in Dresden, which had become Catholic, that he later used in his Mass in B minor. He presented the manuscript to the Elector in a successful bid to persuade the prince to give him the title of Court Composer. He later extended this work into a full mass by adding a Credo, Sanctus, and Agnus Dei, the music for which was partly based on his own cantatas and partly original. Bach's appointment as Court Composer was part of his long struggle to achieve greater bargaining power with the Leipzig council.
Bach composed his Christmas Oratorio for the 1734–35 Christmas season in Leipzig, by using works he had already composed such as the Christmas cantatas and other church music for all seven occasions of the Christmas season including part of his Weimar cantata cycle and Christen, ätzet diesen Tag, BWV 63. In 1735 Bach started preparing his first organ music publication, which was printed as the third Clavier-Übung in 1739. From around that year he started to compile and compose the set of preludes and fugues for harpsichord that became the second book of The Well-Tempered Clavier. He received the title of "Royal Court Composer" from Augustus III of Poland in 1736. Between 1737 and 1739 Bach's former pupil Carl Gotthelf Gerlach held the directorship of the Collegium Musicum.
Final years (1740–1750)
From 1740 to 1748 Bach copied, transcribed, expanded or programmed music in an older polyphonic style (stile antico) by, among others, Palestrina (BNB I/P/2), Kerll (BWV 241), Torri (BWV Anh. 30), Bassani (BWV 1081), Gasparini (Missa Canonica), and Caldara (BWV 1082). Bach's style shifted in the last decade of his life, showing an increased integration of elements of the stile antico, including polyphonic structures and canons. His fourth and last Clavier-Übung volume, the Goldberg Variations for two-manual harpsichord, contains nine canons and was published in 1741. During this period, Bach also continued to adapt music of contemporaries such as Handel (BNB I/K/2) and Stölzel (BWV 200), and gave many of his own earlier compositions, such as the St Matthew and St John Passions and the Great Eighteen Chorale Preludes, their final revisions. He also programmed and adapted music by composers of a younger generation, including Pergolesi (BWV 1083), and his own students, such as Goldberg (BNB I/G/2).
In 1746 Bach was preparing to enter Lorenz Christoph Mizler's Society of Musical Sciences. To be admitted, he had to submit a composition. He chose his Canonic Variations on "Vom Himmel hoch da komm' ich her", and a portrait painted by Elias Gottlob Haussmann that featured Bach's Canon triplex á 6 Voc. In May 1747, Bach visited the court of King Frederick the Great in Potsdam. The king played a theme for Bach and challenged him to improvise a fugue based on it. Bach obliged, playing a three-part fugue on one of Frederick's early prototypes of a new instrument, the fortepiano. Frederick then set him the challenge of improvising a six-part fugue on the theme. Bach's response was to accept the challenge given more time, providing instead a virtuosic six-voice fugue improvised on a theme of his own choosing. On his return to Leipzig he composed a set of fugues (six-part fugue included) and canons and a trio sonata based on the Thema Regium ("King's Theme"). Within a few weeks this music was published and sent to Frederick, to whom it was dedicated, as the Musical Offering. The Schübler Chorales, a set of six chorale preludes transcribed from cantata movements Bach had written two decades earlier, were published within a year. Around the same time, the set of five canonic variations Bach had submitted when entering Mizler's society in 1747 were also printed.
Two large-scale compositions occupied a central place in Bach's last years. Beginning around 1742 he wrote and revised the various canons and fugues of The Art of Fugue, which he continued to prepare for publication until shortly before his death. After extracting a cantata, BWV 191, from his 1733 Kyrie-Gloria Mass for the Dresden court in the mid-1740s, Bach expanded that setting into his Mass in B minor in the last years of his life. The complete mass was not performed during his lifetime. It is considered among the greatest choral works in history. In January 1749, with Bach in declining health, his daughter Elisabeth Juliane Friederica married his pupil Johann Christoph Altnickol. On 2 June Heinrich von Brühl wrote to one of the Leipzig burgomasters to request that his music director, Gottlob Harrer, fill the Thomaskantor and Director musices posts "upon the eventual ... decease of Mr. Bach". His eyesight failing, Bach underwent eye surgery in March 1750 and again in April by the British eye surgeon John Taylor, a man widely understood today as a charlatan and believed to have blinded hundreds of people, including Bach's contemporary George Frideric Handel.
Death and burial
Bach died on 28 July 1750 from complications due to unsuccessful eye surgery. He had a stroke a few days before his death. He was originally buried at Old St John's Cemetery in Leipzig, where his grave went unmarked for nearly 150 years. In 1894, his remains were found and moved to a vault in St John's Church. This building was destroyed by Allied bombing during the Second World War, and in 1950 Bach's remains were taken to their present grave in St Thomas Church. Later research has called into question whether the remains in the grave are actually Bach's.
An inventory drawn up a few months after Bach's death shows that his estate included five harpsichords, two lute-harpsichords, three violins, three violas, two cellos, a viola da gamba, a lute, a spinet, and 52 "sacred books", including works by Martin Luther and Josephus. C. P. E. Bach saw to it that The Art of Fugue, though unfinished, was published in 1751. Together with one of J. S. Bach's former students, Johann Friedrich Agricola, C. P. E. Bach also wrote the obituary ("Nekrolog"), which was published in Mizler's Musikalische Bibliothek, a periodical journal produced by the Society of Musical Sciences, in 1754.
Music
Bach's music encompasses every genre of his time aside from opera. His body of work includes more than 200 sacred and secular cantatas; dozens of other (often large-scale) vocal works, including oratorios, passions, motets, and various Latin church music; a large body of both organ and keyboard music; and several collections of orchestral and chamber music, which are often hard to distinguish. Musicologists often loosely link specific genres to different career stages: organ music during his positions as organist in Weimar, Arnstadt, and Mühlhausen; chamber and orchestral works during his tenure as Kapellmeister in Köthen; and choral music during his years as cantor in Leipzig. Although these emphases reflected professional duties, Bach's artistic ambitions typically far exceeded the practical requirements of his positions. Wolff observes that Bach's career trajectory shows a deliberate progression from organist to Konzertmeister, reflecting his evolving musical interests.
Bach had extensive awareness of contemporary European music and developed his musical voice from a synthesized conglomerate of styles. Among his most important early influences were three Germans he knew personally, Dieterich Buxtehude, Georg Böhm, and Johann Reincken. C. P. E. Bach also gives as later influences the Germans Reinhard Keiser, Johann Adolph Hasse, Carl Heinrich Graun, Johann Gottlieb Graun, and Georg Philipp Telemann; the Bohemians active in Germany Jan Dismas Zelenka, and Franz Benda; and the British-German George Frideric Handel. Throughout his life, Bach was deeply interested in Italian and French music, seeking to unite the two traditions—particularly the Italian sonata and the French suite—into a "mixed style" (vermischte Geschmack). He often incorporated the clarity of Italian melodic structure and the dance forms of the French. Representative influences included the Frenchmen Nicolas de Grigny, Jean-Baptiste Lully, Marin Marais, and André Raison; the Italians Luigi Battiferri and Girolamo Frescobaldi; the proponents of the so-called stile antico, Tomaso Albinoni, Antonio Caldara, and Antonio Lotti; and the latter group's Renaissance forebear Giovanni Pierluigi da Palestrina. From c. 1712 onwards, Antonio Vivaldi's music was Bach's most important influence, having—according to Forkel—"taught him to think musically".
Only a small number of Bach's compositions were printed during his lifetime, mostly for keyboard or organ. His music for keyboard—and, to a somewhat lesser extent, for organ—also occupied him most consistently throughout his life. In addition, Bach's experience as a violinist, violist, and (at least early on) singer contributed to a versatile output that is frequently technically demanding and often virtuosic, although Wolff writes that "technical virtuosity never predominates; it becomes a functional element within the composition as a whole." Another essential component of Bach's style is his compositional craftsmanship, which spans a fluency of highly complex counterpoint and harmony in both homophonic and polyphonic textures. To this end, Bach's music incorporates frequent modulations, often achieved through harmonic sequences; intricate four-part harmony, including the more than 400 chorales throughout his output; and contrapuntal structures such as the canon and particularly fugue, which feature in many of his compositions.
Creative range
Bach's creative range and musical style encompassed four-part harmony, modulation, ornamentation, use of continuo instruments solos, virtuoso instrumentation, counterpoint, and a refined attention to structure and lyrics. Like his contemporaries Handel, Telemann, and Vivaldi, Bach composed concertos, suites, recitatives, da capo arias, and four-part choral music, and employed basso continuo. Most of the prints of Bach's music that appeared during his lifetime were commissioned by the composer. His music is harmonically more innovative than his peers', employing surprisingly dissonant chords and progressions, often extensively exploring harmonic possibilities within one piece.
Bach's hundreds of sacred works are usually seen as manifesting not just his craft but also a deep faith in God. His commitment to the Lutheran faith was reflected in his teaching Luther's Small Catechism as the Thomaskantor in Leipzig, and some of his pieces represent it. The contents of Luther's Small Catechism contain such religious themes as the Ten Commandments, the Apostles' Creed, the Lord's Prayer, the Sacrament of Holy Baptism, the Office of the Keys and Confession, and the Sacrament of the Eucharist. The Lutheran chorale was the basis of much of his work. In elaborating these hymns into his chorale preludes, he wrote more cogent and tightly integrated works than most, even when they were massive and lengthy. The large-scale structure of every major Bach sacred vocal work is evidence of subtle, elaborate planning to create religiously and musically powerful expression. Bach published or carefully compiled in manuscript many collections of pieces that explored the range of artistic and technical possibilities inherent in almost every genre of his time except opera. For example, The Well-Tempered Clavier comprises two books, each of which presents a prelude and fugue in every major and minor key.
Four-part harmony
Four-part harmony predates Bach, but he lived during a time when modal music in Western tradition was largely supplanted by the tonal system. In this system a piece of music progresses from one chord to the next according to certain rules, with each chord characterised by four notes. The principles of four-part harmony are found not only in Bach's four-part choral music; he also prescribes it for instance in figured bass accompaniment. The new system was at the core of Bach's style. Some examples of this characteristic of Bach's style and its influence:
When in the 1740s Bach staged his arrangement of Pergolesi's Stabat Mater, he upgraded the viola part (which in the original composition plays in unison with the bass part) to fill in the harmony, thus adapting the composition to four-part harmony.
When, starting in the 19th century in Russia, there was a discussion about the authenticity of four-part court chant settings compared to earlier Russian traditions, Bach's four-part chorale settings, such as those ending his Chorale cantatas, were considered foreign-influenced musical precedents, but such influence was deemed unavoidable.
Bach's insistence on the tonal system and contribution to shaping it did not imply he was less at ease with the older modal system and the genres associated with it: more than his contemporaries (who had "moved on" to the tonal system without much exception), he often returned to the then-antiquated modes and genres. His Chromatic Fantasia and Fugue, emulating the chromatic fantasia genre used by earlier composers such as John Dowland and Jan Pieterszoon Sweelinck in D Dorian mode (comparable to D minor in the tonal system), is an example. Bach's first biographer, Johann Nikolaus Forkel, wrote of Bach's original approach to this: "I have expended much effort to find another piece of this type by Bach. But it was in vain. This fantasy is unique and has always been second to none."
Modulation
Modulation, or changing key in the course of a piece, is another style characteristic where Bach goes beyond the norm in his time. Baroque instruments vastly limited modulation possibilities: keyboard instruments, before a workable system of temperament, limited the keys that could be modulated to, and wind instruments, especially brass instruments such as trumpets and horns, about a century before they were fitted with valves and crooks, were tied to the key of their tuning. Bach pushed the limits: he added "strange tones" in his organ playing, confusing the singers, according to an indictment he had to face in Arnstadt, and Louis Marchand, another early experimenter with modulation, seems to have avoided confrontation with Bach because the latter went further than anyone had done before. For example, in the Suscepit Israel of his 1723 Magnificat, he used a sophisticated compositional form in which the trumpets in E-flat play a melody in unfamiliar, variable-size quarter tones in the enharmonic scale of C minor.
The major development in Bach's time to which he was a significant contributor was a temperament for keyboard instruments that allowed their use in every key (12 major and 12 minor) and modulation without retuning. His Capriccio on the departure of a beloved brother, a very early work, showed a gusto for modulation unlike any contemporary work it has been compared to, but the full expansion came with The Well-Tempered Clavier, using all keys, which Bach apparently had been developing since around 1720, the Klavierbüchlein für Wilhelm Friedemann Bach being one of its earliest examples.
Ornamentation
The second page of the Klavierbüchlein für Wilhelm Friedemann Bach is an ornament notation and performance guide that Bach wrote for his eldest son, then nine years old. Bach was generally quite specific on ornamentation in his compositions (in his time, much ornamentation was not written out by composers but rather considered a liberty of the performer), and his ornamentation was often quite elaborate. For instance, the "Aria" of the Goldberg Variations has rich ornamentation in nearly every measure. Bach's approach to ornamentation can also be seen in a keyboard arrangement he made of Marcello's Oboe Concerto: he added explicit ornamentation, which centuries later is still played.
Although Bach wrote no formal operas, he was not averse to the genre or its ornamented vocal style, as in his Coffee Cantata. In church music, Italian composers had imitated the operatic vocal style in genres such as the Neapolitan mass. In Protestant surroundings, there was more reluctance to adopt such a style for liturgical music. Kuhnau had notoriously shunned opera and Italian virtuoso vocal music. Bach felt differently, and a performance of his St Matthew Passion was described as sounding like opera.
Continuo instrument solos
In concerted playing in Bach's time, the basso continuo, consisting of instruments such as viola da gamba or cello, and harpsichord or organ, usually had the role of accompaniment, providing a piece's harmonic and rhythmic foundation. Beginning in the 1720s Bach had the organ play concertante (i.e., as a soloist) with the orchestra in instrumental cantata movements, a decade before Handel published his first organ concertos. Apart from the fifth Brandenburg Concerto and the Triple Concerto, which already had harpsichord soloists in the 1720s, Bach wrote and arranged his harpsichord concertos in the 1730s, and in his sonatas for viola da gamba and harpsichord neither instrument plays a continuo part: they are treated as equal soloists, far beyond the figured bass. In this way, Bach played a key role in the development of genres such as the keyboard concerto.
Instrumentation
Bach wrote virtuoso music for specific instruments as well as music independent of instrumentation. For instance, the Sonatas and Partitas for Solo Violin are considered among the finest works written for violin, within reach of only accomplished players. The music fits the instrument, using the full gamut of its possibilities and requiring virtuosity but without bravura. Notwithstanding that the music and the instrument seem inseparable, Bach transcribed some pieces in this collection for other instruments. For example, Bach transcribed one of the Cello Suites for lute. In this sense, it is no surprise that Bach's music is easily and often performed on instruments it was not written for, that it is transcribed so often, and that his melodies turn up in unexpected places, such as jazz music. Apart from this, Bach left several compositions without specified instrumentation: the canons BWV 1072–1078 are in that category, as is the bulk of the Musical Offering and the Art of Fugue.
Counterpoint
Another characteristic of Bach's style is his extensive use of counterpoint, as opposed to the homophony used in his four-part chorale settings, for example. Bach's canons, and especially his fugues, are the most characteristic of this style, which he did not invent but contributed to so fundamentally as to influence many followers. Fugues are as characteristic of Bach's style as, for instance, sonata form is of the composers of the Classical period.
These strictly contrapuntal compositions, and most of Bach's music in general, are characterised by distinct melodic lines for each voice, where the chords formed by the notes sounding at a given point follow the rules of four-part harmony. Forkel, Bach's first biographer, gives this description of this feature of Bach's music, which sets it apart from most other music:
If the language of music is merely the utterance of a melodic line, a simple sequence of musical notes, it can justly be accused of poverty. The addition of a Bass puts it upon a harmonic foundation and clarifies it but defines rather than gives it added richness. A melody so accompanied—even though all the notes are not those of the true Bass—or treated with simple embellishments in the upper parts or with simple chords used to be called "homophony". But it is a very different thing when two melodies are so interwoven that they converse together like two persons upon a footing of pleasant equality/... From 1720, when he was thirty-five until he died in 1750, Bach's harmony consists in this melodic interweaving of independent melodies, so perfect in their union that each part seems to constitute the true melody... Even in his four-part writing, we can, not infrequently, leave out the upper and lower parts and still find the middle parts harmonious and agreeable.
Structure and lyrics
Bach devoted more attention than his contemporaries to the structure of his compositions. This can be seen in minor adjustments he made when adapting someone else's work, such as his earliest version of the "Keiser" St Mark Passion, where he enhances scene transitions, and in the architecture of his own work, such as his Magnificat and Leipzig Passions. In his last years, Bach revised several of his compositions, sometimes by recasting them in an enhanced structure for emphasis, as with, for example, the Mass in B minor. Bach's known preoccupation with structure led to various numerological analyses of his compositions. These peaked around the 1970s. Many were later rejected, especially those that wandered into symbolism-ridden hermeneutics.
The librettos, or lyrics, of his vocal compositions played an essential role for Bach. He sought collaboration with various text authors for his cantatas and major vocal compositions, possibly writing or adapting such texts himself to make them fit the structure of the composition when he could not rely on the talents of other text authors. His collaboration with Picander for the St Matthew Passion libretto is best known, but there was a similar process in achieving a multi-layered structure for his St John Passion libretto a few years earlier.
Fugue structure
Among the compositional techniques Bach used, the form of the fugue recurs throughout his work; a fugue (derived from the Latin for "flight" or "escape") is a contrapuntal, polyphonic compositional technique in two or more voices, built on a subject (a musical theme) introduced at the beginning in imitation (repetition at different pitches), which recurs frequently throughout the composition. Most fugues open with the subject, which then sounds successively in each voice. When each voice has completed its entry of the subject, the exposition is complete. This is often followed by a connecting passage, or episode, developed from previously heard material; further "entries" of the subject are then heard in related keys. Episodes (if applicable) and entries are usually alternated until the final entry of the subject, at which point the music has returned to the opening key, or tonic, which is often followed by a coda. Bach was well known for his fugues and shaped his own works after those of Jan Pieterszoon Sweelinck, Johann Jakob Froberger, Johann Pachelbel, Girolamo Frescobaldi, Dieterich Buxtehude and others.
Copies, arrangements, and uncertain attributions
In his early youth, Bach copied pieces by other composers to learn from them. Later, he copied and arranged music for performance or as study material for his pupils. Some of these pieces, like "Bist du bei mir" (copied not by Bach but by Anna Magdalena), became famous before being associated with Bach. Bach copied and arranged Italian masters such as Vivaldi (e.g. BWV 1065), Pergolesi (BWV 1083) and Palestrina (Missa Sine nomine), French masters such as François Couperin (BWV Anh. 183), and various German masters, including Telemann (e.g. BWV 824=TWV 32:14) and Handel (arias from Brockes Passion), and music by members of his own family. He also often copied and arranged his own music (e.g. movements from cantatas for his short masses BWV 233–236), as his music was likewise copied and arranged by others. Some of these arrangements, like the late 19th-century "Air on the G String", helped to popularise Bach's music.
Who copied whom is sometimes unclear. For instance, Forkel mentions a Mass for double chorus among Bach's works. It was published and performed in the early 19th century. Although a score partially in Bach's handwriting exists, the work was later considered spurious. In 1950, the Bach-Werke-Verzeichnis was designed to keep such works out of the main catalogue; if there was a strong association with Bach, they could be listed in its appendix (German: Anhang, abbreviated as Anh.). Thus, for instance, the Mass for double chorus became BWV Anh. 167. But this was far from the end of the attribution problems. For instance, Schlage doch, gewünschte Stunde, BWV 53, was later attributed to Melchior Hoffmann. For other works, Bach's authorship was put in doubt: the best-known organ composition in the BWV catalogue, the Toccata and Fugue in D minor, BWV 565, was one of these uncertain works in the late 20th century.
Reception and legacy
In the 18th century Bach's music was appreciated mostly by distinguished connoisseurs. The first biography of Bach was published at the beginning of the 19th century and the Bach Gesellschaft completed and published all his known works at the end of the century. Starting with the Bach Revival, Bach began to be regarded as one of the greatest composers, a reputation he has maintained. The BACH motif, which he occasionally used in his compositions, has been used in dozens of tributes to him since the 19th century.
18th century
Through the later half of the 18th century, Carl Philipp Emanuel Bach's reputation was very high, surpassing his father's. Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven admired him and "avidly" collected his music. Mozart said of Carl Philipp Emanuel, "Bach is the father, we are the children." But throughout his life, Carl Philipp Emanuel continued to recognize many aspects of his father's originality in his own compositions, which were often received in preference to his father's after his father died.
In his own time, Bach was highly regarded by his colleagues, but his reputation outside this small circle of connoisseurs was due not to his compositions (which had an extremely narrow circulation), but to his virtuosic abilities. Nevertheless, during his life, Bach received public recognition, such as the title of court composer by Augustus III of Poland and the appreciation he was shown by Frederick the Great and Hermann Karl von Keyserling. This appreciation contrasted with the humiliations he faced, for instance, in Leipzig. Bach also had detractors in the contemporary press (Johann Adolf Scheibe suggested he write less complex music) and supporters, such as Johann Mattheson and Lorenz Christoph Mizler. After his death, Bach's reputation as a composer initially declined: his work was regarded as old-fashioned compared to the emerging galant style. He was remembered more as a virtuoso organ player and a teacher. The bulk of the music printed during his lifetime was for organ or harpsichord.
Bach's surviving family members, who inherited many of his manuscripts, were not all equally concerned with preserving them, leading to considerable losses. Carl Philipp Emanuel was most active in safeguarding his father's legacy: he co-authored his father's obituary, contributed to the publication of his four-part chorales, presented some of his works, and helped preserve the bulk of his previously unpublished work. In 1805, Abraham Mendelssohn, who had married one of the granddaughters of Daniel Itzig (an official of Frederick the Great who venerated Bach), bought a substantial collection of Bach manuscripts that had come down from C. P. E. Bach, and donated it to the Berlin Sing-Akademie. Wilhelm Friedemann, the eldest son, performed several of his father's cantatas in Halle but, after becoming unemployed, sold part of his large collection of his father's works. Several of Bach's students, such as his son-in-law Johann Christoph Altnickol, Johann Friedrich Agricola, Johann Kirnberger, and Johann Ludwig Krebs, contributed to the dissemination of his legacy. The early devotees were not all musicians; for example, Itzig, a high official, was not. His eldest daughters took lessons from Kirnberger and their sister Sara from Wilhelm Friedemann Bach, who was in Berlin from 1774 to 1784. Sara Itzig Levy became an avid collector of work by J. S. Bach and his sons and a patron of C. P. E. Bach.
While Bach was in Leipzig, performances of his church music were limited to some of his motets and, under his student cantor Johann Friedrich Doles, some of his Passions. A new generation of Bach aficionados emerged who studiously collected and copied his music, including some of his large-scale works, such as the Mass in B minor, and performed them privately. One was Gottfried van Swieten, a high-ranking Austrian official who was instrumental in passing Bach's legacy on to the composers of the Viennese school. Haydn owned manuscript copies of The Well-Tempered Clavier and the Mass in B minor and was influenced by Bach's music. Mozart owned a copy of one of Bach's motets, transcribed some of his instrumental works (Preludes and Fugues for Violin, Viola and Cello, K. 404a (1782), Fugues for 2 Violins, Viola and Cello, K. 405 (1782)), and wrote contrapuntal music influenced by his style. Beethoven had learned The Well-Tempered Clavier in its entirety by the time he was 11 in 1781 and called Bach the Urvater der Harmonie (progenitor of harmony).
19th century
In 1802 Johann Nikolaus Forkel published Johann Sebastian Bach: His Life, Art, and Work, the first Bach biography, dedicated to van Swieten. In 1805, Abraham Mendelssohn bought a substantial collection of Bach manuscripts that had come down from C. P. E. Bach, and donated it to the Berlin Sing-Akademie. The Sing-Akademie occasionally performed Bach's works in public concerts, for instance, his first keyboard concerto, with Sara Itzig Levy at the piano. Since the 19th-century Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music.
The first decades of the 19th century saw an increasing number of first publications of Bach's music: Breitkopf & Härtel started publishing chorale preludes, Hoffmeister harpsichord music, and The Well-Tempered Clavier was printed concurrently by N. Simrock (Germany), Hans Georg Nägeli (Switzerland) and Franz Anton Hoffmeister (Germany and Austria) in 1801. Vocal music was also published: motets in 1802 and 1803, followed by the E♭ major version of the Magnificat, the Kyrie-Gloria Mass in A major, and the cantata Ein feste Burg ist unser Gott, BWV 80. In 1818 the publisher Hans Georg Nägeli called the Mass in B minor the greatest composition ever. Bach's influence was felt in the next generation of early Romantic composers. Abraham's son Felix, aged 13, produced his first Magnificat setting in 1822, and it is clearly inspired by the then-unpublished D major version of Bach's Magnificat.
Felix Mendelssohn's 1829 performance of the St. Matthew Passion precipitated the Bach Revival. The St. John Passion saw its 19th-century premiere in 1833, and the first public performance of the Mass in B minor followed in 1844. Besides these and other public performances and increased coverage of the composer and his compositions in printed media, the 1830s and 1840s also saw the first publication of more Bach vocal works: six cantatas, the St. Matthew Passion, and the Mass in B minor. A series of organ compositions were first published in 1833. Frédéric Chopin started composing his 24 Preludes, Op. 28, inspired by The Well-Tempered Clavier, in 1835, and Robert Schumann published his Sechs Fugen über den Namen BACH in 1845. Bach's music was transcribed and arranged to suit contemporary tastes and performance practice by composers such as Carl Friedrich Zelter, Robert Franz, and Franz Liszt, or combined with new music such as the melody line of Charles Gounod's "Ave Maria". Liszt developed an interest in J. S. Bach's organ music in the early 1840s, probably due to Mendelssohn's influence, and commissioned a "piano-organ" from the Paris company Alexandre Père et Fils. The instrument was made in 1854 under Berlioz's supervision, using an 1853 Érard piano, and was a combination of piano and harmonium with three manuals and a pedal board; Liszt later transcribed works by Bach such as his Great Fantasia and Fugue in G minor, BWV 542 for solo piano performance as S.463.
In 1850 the Bach-Gesellschaft (Bach Society) was founded to promote Bach's music. The Society chose Wie schön leuchtet der Morgenstern, BWV 1 as the first composition in the first volume of the Bach-Gesellschaft Ausgabe (BGA). Robert Schumann, the publisher of the Neue Zeitschrift für Musik, Thomaskantor Moritz Hauptmann, and the philologist Otto Jahn initiated this first complete edition of Bach's works a century after his death. Its first volume was published in 1851, edited by Hauptmann. In the second half of the 19th century, the Society published a comprehensive edition of his works. In 1854, Bach was deemed one of the Three Bs by Peter Cornelius, the others being Beethoven and Berlioz. (Hans von Bülow later replaced Berlioz with Brahms.) From 1873 to 1880 Philipp Spitta published Johann Sebastian Bach, the standard work on Bach's life and music. During the 19th century, 200 books were published on Bach. By the end of the century, local Bach societies were established in several cities, and his music had been performed in all major musical centres. In 1870, Friedrich Nietzsche wrote to Erwin Rohde: "This week I heard the St. Matthew Passion three times and each time I had the same feeling of immeasurable admiration. One who has completely forgotten Christianity truly hears it here as Gospel." In 19th-century Germany, Bach was coupled with nationalist feeling. In England, Bach was coupled with a revival of religious and Baroque music. By the end of the century, Bach was firmly established as one of the greatest composers, recognised for both his instrumental and his vocal music.
20th century
During the 20th century, recognition of the musical and pedagogic value of Bach's works continued, as in the promotion of the Cello Suites by Pablo Casals, the first major performer to record them. Claude Debussy called Bach a "benevolent God" "to whom musicians should offer a prayer before setting to work so that they may be preserved from mediocrity." Glenn Gould's debut 1955 recording of the Goldberg Variations transformed the work from an obscure piece often considered "esoteric" to part of the standard piano repertoire. The album had "astonishing" sales for a classical work: it was reported to have sold 40,000 copies by 1960, and had sold more than 100,000 by the time of Gould's death in 1982. Andres Segovia left behind a large body of edited works and transcriptions for classical guitar, notably a transcription of the Chaconne from the 2nd Partita for Violin (BWV 1004).
A significant development in the later 20th century was historically informed performance practice, with forerunners such as Nikolaus Harnoncourt acquiring prominence through their performances of Bach's music. Bach's keyboard music was again performed on the harpsichord and other Baroque instruments rather than on modern pianos and 19th-century romantic organs. Ensembles playing and singing Bach's music not only kept to the instruments and the performance style of his day but were also reduced to the size of the groups Bach used for his performances. But that was not the only way Bach's music came to the forefront in the 20th century: his music was heard in versions ranging from Ferruccio Busoni's late-romantic Bach-Busoni Editions for piano to the orchestrations of Leopold Stokowski, whose interpretation of the Toccata and Fugue in D minor opened Disney's Fantasia film.
Bach's music has influenced other genres. Jazz musicians have adapted it, with Jacques Loussier, Ian Anderson, Uri Caine, and the Modern Jazz Quartet among those creating jazz versions of his works. Several 20th-century composers referred to Bach or his music, for example Eugène Ysaÿe in Six Sonatas for solo violin, Dmitri Shostakovich in 24 Preludes and Fugues, and Heitor Villa-Lobos in Bachianas Brasileiras (tr. Bach-inspired Brazilian pieces). A wide variety of publications involved Bach: there were the Bach Jahrbuch publications of the Neue Bachgesellschaft and various other biographies and studies by, among others, Albert Schweitzer, Charles Sanford Terry, Alfred Dürr, Christoph Wolff, Peter Williams, and John Butt, and the 1950 first edition of the Bach-Werke-Verzeichnis. Books such as Gödel, Escher, Bach put the composer's art in a wider perspective. Bach's music was extensively listened to, performed, broadcast, arranged, adapted, and commented upon in the 1990s. Around 2000, the 250th anniversary of Bach's death, three record companies issued box sets of recordings of his complete works.
Three works by Bach are featured on the Voyager Golden Records, gramophone records containing a broad sample of the images, sounds, languages, and music of Earth, sent into space with the two Voyager probes: the first movement of Brandenburg Concerto No. 2 (conducted by Karl Richter), the "Gavotte en rondeaux" from the Partita for Violin No. 3 (played by Arthur Grumiaux), and the Prelude and Fugue No. 1 in C major from The Well-Tempered Clavier (played by Glenn Gould). Twentieth-century tributes to Bach include statues erected in his honour and things such as streets and space objects named after him. A multitude of musical ensembles, such as the Bach Aria Group, Deutsche Bachsolisten, Bachchor Stuttgart, and Bach Collegium Japan took the composer's name. Bach festivals were held on several continents, and competitions and prizes such as the International Johann Sebastian Bach Competition, Johann Sebastian Bach International Piano Competition (Washington, D.C.), and the Royal Academy of Music Bach Prize were named after him. While by the end of the 19th century, Bach had been inscribed in nationalism and religious revival, the late 20th century saw Bach as the subject of a secularised art-as-religion (Kunstreligion).
21st century
In the 21st century Bach's compositions have become available online, for instance at the International Music Score Library Project. High-resolution facsimiles of Bach's autographs became available at the Bach Digital website. 21st-century biographers include Christoph Wolff, Peter Williams, and John Eliot Gardiner. In 2011 Anthony Tommasini, chief classical music critic of The New York Times, ranked Bach the greatest composer of all time, "for his matchless combination of masterly musical engineering (as one reader put it) and profound expressivity. Since writing about Bach in the first article of this series I have been thinking more about the perception that he was considered old-fashioned in his day. Haydn was 18 when Bach died, in 1750, and Classicism was stirring. Bach was surely aware of the new trends. Yet he reacted by digging deeper into his way of doing things. In his austerely beautiful Art of Fugue, left incomplete at his death, Bach reduced complex counterpoint to its bare essentials, not even indicating the instrument (or instruments) for which these works were composed... through his chorales alone Bach explored the far reaches of tonal harmony."
Alex Ross wrote, "Bach became an absolute master of his art by never ceasing to be a student of it. His most exalted sacred works—the two extant Passions, from the seventeen-twenties, and the Mass in B Minor, completed not long before his death in 1750—are feats of synthesis, mobilizing secular devices to spiritual ends. They are rooted in archaic chants, hymns, and chorales. They honour, with consummate skill, the scholastic discipline of canon and fugue... Their furious development of brief motifs anticipates Beethoven, who worshipped Bach when he was young. And their most daring harmonic adventures—for example, the otherworldly modulations in the 'Confiteor' of the B-Minor Mass—look ahead to Wagner, even to Schoenberg." The liturgical calendar of the Episcopal Church has a feast day for Bach on 28 July; on the same day, the Calendar of Saints of some Lutheran churches, such as the ELCA, remembers Bach, Handel, and Heinrich Schütz. As of 2013 over 150 recordings have been made of The Well-Tempered Clavier. In 2015 Bach's handwritten personal copy of the Mass in B minor, held by the Berlin State Library, was added to UNESCO's Memory of the World Register. On 21 March 2019, Bach was celebrated in an interactive Google Doodle that used machine learning to synthesize a tune in his signature style.
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 259 | 100th |
| Spotify monthly listeners | 7,950,608 | 20.3th |
| Release groups in DB | 261 | 99.7th |
| Studio albums | 255 | 100th |
| Awards recorded | 0 | 0th |
| Timeline events | 254 | 99.9th |
| Recording span (years) | -204 | 3.3th |
| Genres | 24 | 99.8th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (261 release groups · 255 studio albums)
Albums · 255
1954 · studio album
1954 · studio album
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Tracklist · 7 tracks
Disc 1A1St. Matthew Passion- Part I: Through Recitative Er Antwortete Und SprachB1St. Matthew Passion- Part I: Recitative Wiewohl Mein Herz In Traenen Schwimmt Throught Chorale Was Mein Gott WillDisc 2C1St. Matthew Passion- Part I: From Recitative Und Er Kam Und Fand Sie Aber Schlafend Through Chorale O Mensch Bewein Dein Suende GrossC2St. Matthew Passion- Part II: From Chorus Ach Nun Ist Mein Jesus Hin Through Aria Geduld Wenn Mich Falsche Zungen StechenD1St. Matthew Passion- Part II: From Recitative Und Der Hohe Priester Antwortet Throught Recitative Er Hat Uns Allen WohlgetanDisc 3E1St. Matthew Passion- Part II: From Aria Aus Liebe Will Mein Heiland, Sterben Through Recitative Dessgleichen Schmaehten IhnF1St. Matthew Passion- Part II: From Recitative Ach Golgatha Unsel Ges Golgatha Through End of WorkSonatas and Partitas for Solo Violin
1955 · studio album
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Tracklist · 32 tracks
Disc 1A1Sonate N° 1 en sol mineur: AdagioA2Sonate N° 1 en sol mineur: FugaA3Sonate N° 1 en sol mineur: SicilianaA4Sonate N° 1 en sol mineur: PrestoB1Partita N° 1 en si mineur: AllemandeB3Partita N° 1 en si mineur: DoubleB3Partita N° 1 en si mineur: CouranteB4Partita N° 1 en si mineur: DoubleB5Partita N° 1 en si mineur: SarabandeB6Partita N° 1 en si mineur: DoubleB7Partita N° 1 en si mineur: BourréeB8Partita N° 1 en si mineur: DoubleDisc 2C1Sonate N° 2 en la mineur: GraveC2Sonate N° 2 en la mineur: FugaC3Sonate N° 2 en la mineur: AndanteC4Sonate N° 2 en la mineur: Allegro AssaiD1Partita N° 2 en ré mineur: AllemandeD2Partita N° 2 en ré mineur: CouranteD3Partita N° 2 en ré mineur: SarabandeD4Partita N° 2 en ré mineur: GigueD5Partita N° 2 en ré mineur: ChaconneDisc 3E1Sonate N° 3 en ut majeur: AdagioE2Sonate N° 3 en ut majeur: FugaE3Sonate N° 3 en ut majeur: LargoE4Sonate N° 3 en ut majeur: AllegroF1Partita N° 3 en mi majeur: PréludeF2Partita N° 3 en mi majeur: LoureF3Partita N° 3 en mi majeur: GavotteF4Partita N° 3 en mi majeur: Menuet N° 1F5Partita N° 3 en mi majeur: Menuet N° 2F6Partita N° 3 en mi majeur: BourréeF7Partita N° 3 en mi majeur: GigueIch Will Den Kreuzstab Gerne Tragen / Ich Habe Genug
1958 · studio album
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Tracklist · 10 tracks · 42:21
A1Cantata “Ich Will Den Kreuzstab Gerne Tragen”, BWV 56: 1. Aria: “Ich Will Den Kreuzstab Gerne Tragen”8:38A2Cantata “Ich Will Den Kreuzstab Gerne Tragen”, BWV 56: 2. Recitativo: “Mein Wandel Auf Der Welt”2:12A3Cantata “Ich Will Den Kreuzstab Gerne Tragen”, BWV 56: 3. Aria: “Endlich, Endlich Wird Mein Joch”6:42A4Cantata “Ich Will Den Kreuzstab Gerne Tragen”, BWV 56: 4. Recitativo: “Ich Stehe Fertig Und Bereit”1:56A5Cantata “Ich Will Den Kreuzstab Gerne Tragen”, BWV 56: 5. Choral: “Komm, o Tod, Du Schlafes Bruder”1:49B1Cantata “Ich Habe Genug” BWV 82” 1. Aria: Ich Habe Genug, Ich Habe Den Heiland7:27B2Cantata “Ich Habe Genug” BWV 82: 2. Recitativo: Ich Habe Genug! Mein Trost Ist Nur Allein1:27B3Cantata “Ich Habe Genug” BWV 82: 3. Aria: Schlummert Ein, Ihr Matten Augen7:19B4Cantata “Ich Habe Genug” BWV 82: 4. Recitativo: Mein Gott! Wann Kommt Das Schöne Nun!0:59B5Cantata “Ich Habe Genug” BWV 82: 5. Aria: Ich Freue Mich Auf Meinen Tod3:52Magnificat / Cantate de Pâques
1958 · studio album
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Tracklist · 19 tracks
A1Magnificat: Magnificat Anima MeaA2Magnificat: Et ExultavitA3Magnificat: Quia RespexitA4Magnificat: Omnes GenerationesA5Magnificat: Quia Fecit Mihi MagnaA6Magnificat: Et MisericordiaA7Magnificat: Fecit PotentiamA8Magnificat: Deposuit PotentesA9Magnificat: EsurientesA10Magnificat: Suscepit IsraelA11Magnificat: GloriaB1Cantate No 31 "De Paques" "Der Himmel Lacht, Die Erde Jubilieret": Sonata - Choeur: "Der Himmel Lacht"B2Cantate No 31 "De Paques" "Der Himmel Lacht, Die Erde Jubilieret": Récitatif: "Erwünschet Tag"B3Cantate No 31 "De Paques" "Der Himmel Lacht, Die Erde Jubilieret": Aria: "Fürst Des Lebens"B4Cantate No 31 "De Paques" "Der Himmel Lacht, Die Erde Jubilieret": Récitatif: "So Stehe Denn"B5Cantate No 31 "De Paques" "Der Himmel Lacht, Die Erde Jubilieret": Aria: "Adam Muss In Uns Verwesen"B6Cantate No 31 "De Paques" "Der Himmel Lacht, Die Erde Jubilieret": Récitatif: "Weil Dann Das Haupt"B7Cantate No 31 "De Paques" "Der Himmel Lacht, Die Erde Jubilieret": Aria: " Letzte Stunde, Brich Herein"B8Cantate No 31 "De Paques" "Der Himmel Lacht, Die Erde Jubilieret": Choeur: "So Fahr Ich Hin"The Well-Tempered Clavier, Books I & II
1959 · studio album
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Tracklist · 48 tracks · 3:41:41
Disc 11The Well-Tempered Clavier, Book I: Prelude & Fugue No. 1 in C major, BWV 8464:462The Well-Tempered Clavier, Book I: Prelude & Fugue No. 2 in C minor, BWV 8472:593The Well-Tempered Clavier, Book I: Prelude & Fugue No. 3 in C-sharp major, BWV 8483:254The Well-Tempered Clavier, Book I: Prelude & Fugue No. 4 in C-sharp minor, BWV 8497:455The Well-Tempered Clavier, Book I: Prelude & Fugue No. 5 in D major, BWV 8503:036The Well-Tempered Clavier, Book I: Prelude & Fugue No. 6 in D minor, BWV 8513:407The Well-Tempered Clavier, Book I: Prelude & Fugue No. 7 in E-flat major, BWV 8524:398The Well-Tempered Clavier, Book I: Prelude & Fugue No. 8 in E-flat minor, BWV 8539:129The Well-Tempered Clavier, Book I: Prelude & Fugue No. 9 in E major, BWV 8542:1810The Well-Tempered Clavier, Book I: Prelude & Fugue No. 10 in E minor, BWV 8553:4011The Well-Tempered Clavier, Book I: Prelude & Fugue No. 11 in F major, BWV 8562:0912The Well-Tempered Clavier, Book I: Prelude & Fugue No. 12 in F minor, BWV 8577:05Disc 21The Well-Tempered Clavier, Book I: Prelude & Fugue No. 13 in F-sharp major, BWV 8582:562The Well-Tempered Clavier, Book I: Prelude & Fugue No. 14 in F-sharp minor, BWV 8594:503The Well-Tempered Clavier, Book I: Prelude & Fugue No. 15 in G major, BWV 8603:094The Well-Tempered Clavier, Book I: Prelude & Fugue No. 16 in G minor, BWV 8614:415The Well-Tempered Clavier, Book I: Prelude & Fugue No. 17 in A-sharp major, BWV 8623:586The Well-Tempered Clavier, Book I: Prelude & Fugue No. 18 in G-sharp minor, BWV 8633:387The Well-Tempered Clavier, Book I: Prelude & Fugue No. 19 in A major, BWV 8642:478The Well-Tempered Clavier, Book I: Prelude & Fugue No. 20 in A minor, BWV 8655:239The Well-Tempered Clavier, Book I: Prelude & Fugue No. 21 in B-flat major, BWV 8662:2810The Well-Tempered Clavier, Book I: Prelude & Fugue No. 22 in B-flat minor, BWV 8675:4011The Well-Tempered Clavier, Book I: Prelude & Fugue No. 23 in B major, BWV 8683:1412The Well-Tempered Clavier, Book I: Prelude & Fugue No. 24 in B minor, BWV 8699:59Disc 31The Well-Tempered Clavier, Book II: Prelude & Fugue No. 1 in C major, BWV 8704:072The Well-Tempered Clavier, Book II: Prelude & Fugue No. 2 in C minor, BWV 8713:223The Well-Tempered Clavier, Book II: Prelude & Fugue No. 3 in C-sharp major, BWV 8722:564The Well-Tempered Clavier, Book II: Prelude & Fugue No. 4 in C-sharp minor, BWV 8736:575The Well-Tempered Clavier, Book II: Prelude & Fugue No. 5 in D major, BWV 8744:406The Well-Tempered Clavier, Book II: Prelude & Fugue No. 6 in D minor, BWV 8753:237The Well-Tempered Clavier, Book II: Prelude & Fugue No. 7 in E-flat major, BWV 8764:048The Well-Tempered Clavier, Book II: Prelude & Fugue No. 8 in E-flat minor, BWV 8776:229The Well-Tempered Clavier, Book II: Prelude & Fugue No. 9 in E major, BWV 8785:3810The Well-Tempered Clavier, Book II: Prelude & Fugue No. 10 in E minor, BWV 8794:1711The Well-Tempered Clavier, Book II: Prelude & Fugue No. 11 in F major, BWV 8803:5512The Well-Tempered Clavier, Book II: Prelude & Fugue No. 12 in F minor, BWV 8813:19Disc 41The Well-Tempered Clavier, Book II: Prelude and Fugue No. 13 in F-sharp major, BWV 8825:412The Well-Tempered Clavier, Book II: Prelude and Fugue No. 14 in F-sharp minor, BWV 8837:103The Well-Tempered Clavier, Book II: Prelude and Fugue No. 15 in G major, BWV 8842:144The Well-Tempered Clavier, Book II: Prelude and Fugue No. 16 in G minor, BWV 8855:545The Well-Tempered Clavier, Book II: Prelude and Fugue No. 17 in A-flat major, BWV 8867:556The Well-Tempered Clavier, Book II: Prelude and Fugue No. 18 in G-sharp minor, BWV 8876:007The Well-Tempered Clavier, Book II: Prelude and Fugue No. 19 in A major, BWV 8882:278The Well-Tempered Clavier, Book II: Prelude and Fugue No. 20 in A minor, BWV 8894:129The Well-Tempered Clavier, Book II: Prelude and Fugue No. 21 in B-flat major, BWV 8904:2510The Well-Tempered Clavier, Book II: Prelude and Fugue No. 22 in B-flat minor, BWV 8916:2011The Well-Tempered Clavier, Book II: Prelude and Fugue No. 23 in B major, BWV 8925:3912The Well-Tempered Clavier, Book II: Prelude and Fugue No. 24 in B minor, BWV 8933:201959 · studio album
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Tracklist · 17 tracks · 46:37
A1Singet dem Herrn ein neues Lied. Mottete für zwei Chöre zu je vier Stimmen, BWV 225: 1. Singet dem Herrn6:06A2Singet dem Herrn ein neues Lied. Mottete für zwei Chöre zu je vier Stimmen, BWV 225: 2. Wie sich ein Vat'r erbarmet5:02A3Singet dem Herrn ein neues Lied. Mottete für zwei Chöre zu je vier Stimmen, BWV 225: 3. Lobet den Herrn4:24A4Der Geist hilft unser Schwachheit auf. Mottete für zwei Chöre zu je vier Stimmen, BWV 226: 1. Der Geist hilft4:18A5Der Geist hilft unser Schwachheit auf. Mottete für zwei Chöre zu je vier Stimmen, BWV 226: 2. Der aber die Herzen forschet2:38A6Der Geist hilft unser Schwachheit auf. Mottete für zwei Chöre zu je vier Stimmen, BWV 226: 3. Choral: Du heilige Brunst1:34B1Jesu, meine Freude. Mottete für fünfstimmigen Chor, BWV 227: 1. Choral: Jesu meine Freude1:10B2Jesu, meine Freude. Mottete für fünfstimmigen Chor, BWV 227: 2. Es ist nun nichts3:19B3Jesu, meine Freude. Mottete für fünfstimmigen Chor, BWV 227: 3. Vers 2: Unter deinen Schirmen1:12B4Jesu, meine Freude. Mottete für fünfstimmigen Chor, BWV 227: 4. Denn das Gesetz des Geistes1:02B5Jesu, meine Freude. Mottete für fünfstimmigen Chor, BWV 227: 5. Vers 3: Trotz dem alten Drachen2:35B6Jesu, meine Freude. Mottete für fünfstimmigen Chor, BWV 227: 6. Ihr aber seid nicht fleischlich2:50B7Jesu, meine Freude. Mottete für fünfstimmigen Chor, BWV 227: 7. Vers 4: Weg mit allen Schätzen1:07B8Jesu, meine Freude. Mottete für fünfstimmigen Chor, BWV 227: 8. So aber Christus in euch ist2:25B9Jesu, meine Freude. Mottete für fünfstimmigen Chor, BWV 227: 9. Vers 5: Gute Nacht, o Wesen3:58B10Jesu, meine Freude. Mottete für fünfstimmigen Chor, BWV 227: 10. So nun der Geist1:42B11Jesu, meine Freude. Mottete für fünfstimmigen Chor, BWV 227: 11. Vers 6: Weicht, ihr Trauergeister1:151959 · studio album
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Tracklist · 6 tracks
1Konzert für Streicher, Cembalo und Continuo Nr. 1 d‐moll, BWV 1052: 1. Allegro2Konzert für Streicher, Cembalo und Continuo Nr. 1 d‐moll, BWV 1052: 2. Adagio3Konzert für Streicher, Cembalo und Continuo Nr. 1 d‐moll, BWV 1052: 3. Allegro4Konzert für Streicher, Cembalo und Continuo Nr. 2 E‐dur, BWV 1053: 1. Allegro5Konzert für Streicher, Cembalo und Continuo Nr. 2 E‐dur, BWV 1053: 2. Siciliano6Konzert für Streicher, Cembalo und Continuo Nr. 2 E‐dur, BWV 1053: 3. AllegroDupré at Saint-Sulpice, Vol. 4: Bach
1960 · studio album
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Tracklist · 8 tracks · 38:45
A1Fantasia in C Minor6:26A2Fantasia in G Major14:20B1The 6 "Schübler" Chorale-Preludes: 1. Wachet auf, ruft uns die Stimme (Awake, awake, a voice is calling)3:29B2The 6 "Schübler" Chorale-Preludes: 2. Wo soll ich fliehen hin (Whither shall I flee)1:55B3The 6 "Schübler" Chorale-Preludes: 3. Wer nur den lieben Gott lässt walten (Whoever letteth the Lord hold sway)2:32B4The 6 "Schübler" Chorale-Preludes: 4. Meine Seele erhebet den Herren (My soul extols the Lord)2:57B5The 6 "Schübler" Chorale-Preludes: 5. Ach bleib bei uns, Herr Jesu Christ (O stay with us, Lord Jesus Christ)3:05B6The 6 "Schübler" Chorale-Preludes: 6. Kommst du nun, Jesu, vom Himmel herunter auf Erden (Come Thou now, Jesus, from Heaven to earth)4:01Concertos de Violon N°1 en la Mineur & N°2 en Mi Majeur
1960 · studio album
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Tracklist · 10 tracks
A1Concerto de violon et orchestre N°2 en mi majeur: AllegroA2Concerto de violon et orchestre N°2 en mi majeur: AdagioA3Concerto de violon et orchestre N°2 en mi majeur: Allegro AssaiB1Concerto de violon et orchestre N°1 en la mineur: AllegroB2Concerto de violon et orchestre N°1 en la mineur: AndanteB3Concerto de violon et orchestre N°1 en la mineur: Allegro AssaiB4Sonate en mi mineur pour violon et basse: PraeludiumB5Sonate en mi mineur pour violon et basse: Adagio Ma Non TantoB6Sonate en mi mineur pour violon et basse: AllemandaB6Sonate en mi mineur pour violon et basse: Gigue1961 · studio album
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Tracklist · 27 tracks · 2:03:00
Disc 1A1Messe in h‐Moll, BWV 232: Ia. Coro “Kyrie eleison”12:16A2Messe in h‐Moll, BWV 232: Ib. Duetto (Soprano I, Soprano II) “Christe eleison”5:49A3Messe in h‐Moll, BWV 232: Ic. Coro “Kyrie eleison”3:52B1aMesse in h‐Moll, BWV 232: IIa. Coro “Gloria in excelsis Deo”2:01B1bMesse in h‐Moll, BWV 232: IIb. Coro “Et in terra pax”4:49B2Messe in h‐Moll, BWV 232: IIc. Aria (Soprano II) “Laudamus te”4:31B3Messe in h‐Moll, BWV 232: IId. Coro “Gratias agimus”3:28Disc 2C1Messe in h‐Moll, BWV 232: IIe. Duetto (Soprano I, Tenore) “Domine Deus”6:36C2Messe in h‐Moll, BWV 232: IIf. Coro “Qui tollis peccata mundi”4:03C3Messe in h‐Moll, BWV 232: IIg. Aria (Alto) “Qui sedes ad dexteram Patris”4:29C4Messe in h‐Moll, BWV 232: IIh. Aria (Basso) “Quoniam tu solus Sanctus”5:52C5Messe in h‐Moll, BWV 232: IIi. Coro “Cum Sancto Spiritu”4:12D1Hohe Messe in h‐Moll, BWV 232: IIIa. Coro “Credo in unum Deum”2:40D2Hohe Messe in h‐Moll, BWV 232: IIIb. Coro “Patrem omnipotentem”2:09D3Hohe Messe in h‐Moll, BWV 232: IIIc. Duetto (Soprano I, Alto) “Et in unum Dominum”5:26D4Hohe Messe in h‐Moll, BWV 232: IIId. Coro “Et incarnatus est”3:41D5Hohe Messe in h‐Moll, BWV 232: IIIe. Coro “Crucifixus”3:05D6Hohe Messe in h‐Moll, BWV 232: IIIf. Coro “Et resurrexit”4:28Disc 3E1Hohe Messe in h‐Moll, BWV 232: IIIg. Aria (Basso) “Et in Spiritum Sanctum”5:38E2Hohe Messe in h‐Moll, BWV 232: IIIh. Coro “Confiteor unum baptisma”5:06E3Hohe Messe in h‐Moll, BWV 232: IIIi. Coro “Et expecto”2:14E4Hohe Messe in h‐Moll, BWV 232: IVa. Coro “Sanctus”5:47F1Hohe Messe in h‐Moll, BWV 232: IVb. Coro “Hosanna”2:55F2aHohe Messe in h‐Moll, BWV 232: IVc. Aria (Tenore) “Benedictus”4:56F2bHohe Messe in h‐Moll, BWV 232: IVd. Coro “Hosanna”2:56F3Hohe Messe in h‐Moll, BWV 232: IVe. Aria (Alto) “Agnus Dei”6:36F4Hohe Messe in h‐Moll, BWV 232: IVf. Coro “Dona nobis pacem”3:25Ciacona / Concert pentru vioară și orchestră în Mi major
1961 · studio album
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Tracklist · 4 tracks
1Concert pentru vioară și orchestră în Mi major: Allegro2Concert pentru vioară și orchestră în Mi major: Adagio3Concert pentru vioară și orchestră în Mi major: Allegro Assai4Ciacona din partita nr. 2 în re minor pentru vioară soloRécital d'orgue à Notre-Dame de Paris
1961 · studio album
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Tracklist · 7 tracks
1Fugue en sol majeur "Alla Gigue"2Choral: Viens sauveur des païens3Prélude et Fugue en ré mineur4Choral : De Profundis5Toccata et Fugue en ré mineur6Choral-Prélude : Aie pitié de moi7Choral : Agnus DeiSechs Suiten für Violoncello solo, BWV 1007–1012
1961 · studio album
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Tracklist · 36 tracks · 2:18:42
Disc 1A1Suite für Violoncello solo no. 1 G‐Dur, BWV 1007: Prélude2:50A2Suite für Violoncello solo no. 1 G‐Dur, BWV 1007: Allemande4:18A3Suite für Violoncello solo no. 1 G‐Dur, BWV 1007: Courante2:45A4Suite für Violoncello solo no. 1 G‐Dur, BWV 1007: Sarabande3:21A5Suite für Violoncello solo no. 1 G‐Dur, BWV 1007: Menuet I & II3:28A6Suite für Violoncello solo no. 1 G‐Dur, BWV 1007: Gigue2:09B1Suite für Violoncello solo no. 2 d‐Moll, BWV 1008: Prélude3:26B2Suite für Violoncello solo no. 2 d‐Moll, BWV 1008: Allemande3:26B3Suite für Violoncello solo no. 2 d‐Moll, BWV 1008: Courante2:06B4Suite für Violoncello solo no. 2 d‐Moll, BWV 1008: Sarabande4:18B5Suite für Violoncello solo no. 2 d‐Moll, BWV 1008: Menuet I & II3:17B6Suite für Violoncello solo no. 2 d‐Moll, BWV 1008: Gigue2:37Disc 2C1Suite für Violoncello solo no. 3 C‐Dur, BWV 1009: Prélude3:43C2Suite für Violoncello solo no. 3 C‐Dur, BWV 1009: Allemande3:59C3Suite für Violoncello solo no. 3 C‐Dur, BWV 1009: Courante3:11C4Suite für Violoncello solo no. 3 C‐Dur, BWV 1009: Sarabande5:00C5Suite für Violoncello solo no. 3 C‐Dur, BWV 1009: Bourrée I & II3:55C6Suite für Violoncello solo no. 3 C‐Dur, BWV 1009: Gigue3:16D1Suite für Violoncello solo no. 4 Es‐Dur, BWV 1010: Prélude4:16D2Suite für Violoncello solo no. 4 Es‐Dur, BWV 1010: Allemande4:32D3Suite für Violoncello solo no. 4 Es‐Dur, BWV 1010: Courante3:46D4Suite für Violoncello solo no. 4 Es‐Dur, BWV 1010: Sarabande5:07D5Suite für Violoncello solo no. 4 Es‐Dur, BWV 1010: Bourrées I & II5:06D6Suite für Violoncello solo no. 4 Es‐Dur, BWV 1010: Gigue2:48Disc 3E1Suite für Violoncello solo no. 5 c‐Moll, BWV 1011: Prélude7:01E2Suite für Violoncello solo no. 5 c‐Moll, BWV 1011: Allemande4:35E3Suite für Violoncello solo no. 5 c‐Moll, BWV 1011: Courante2:06E4Suite für Violoncello solo no. 5 c‐Moll, BWV 1011: Sarabande3:29E5Suite für Violoncello solo no. 5 c‐Moll, BWV 1011: Gavottes I & II5:05E6Suite für Violoncello solo no. 5 c‐Moll, BWV 1011: Gigue2:43F1Suite für Violoncello solo no. 6 D‐Dur, BWV 1012: Prélude5:01F2Suite für Violoncello solo no. 6 D‐Dur, BWV 1012: Allemande5:43F3Suite für Violoncello solo no. 6 D‐Dur, BWV 1012: Courante3:49F4Suite für Violoncello solo no. 6 D‐Dur, BWV 1012: Sarabande3:47F5Suite für Violoncello solo no. 6 D‐Dur, BWV 1012: Gavottes I & II4:38F6Suite für Violoncello solo no. 6 D‐Dur, BWV 1012: Gigue4:051961 · studio album
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Tracklist · 9 tracks · 32:52
1Italian Concerto in F major, BWV 971: I. Allegro5:372Italian Concerto in F major, BWV 971: II. Andante4:403Italian Concerto in F major, BWV 971: III. Presto6:044Two-Part Invention No. 1 in C major, BWV 7722:225Two-Part Invention No. 13 in A minor, BWV 7843:346Two-Part Invention No. 8 in F major, BWV 7792:447Two-Part Invention No. 14 in B-flat major, BWV 7851:348Two-Part Invention No. 15 in B minor, BWV 7861:149Fantasia in C minor, BWV 9065:031961 · studio album
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Tracklist · 11 tracks
A1TOCCATA & FUGUE IN D MINOR (BWV 565)A2PASTORALE IN F MAJOR (BWV 590)A3CHORALE PRELUDE (BWV 659) "Nun komm der Heiden Heiland"A4CHORALE PRELUDE (BWV 646) "Wo soll ich fliehen hin" (Trio)A5CHORALE PRELUDE (BWV 715) "Allein Gott in der Hoeh sei Ehr"B1FANTASY IN G MAJOR (BWV 572)B2PRELUDE & FUGUE IN E MINOR (BWV 533)B3CHORALE (BWV 711) "Allein Gott in der Hoeh sei Ehr"B4FUGUE IN C MINOR (BWV 575)B5CHORALE PRELUDE (BWV 645) "Wachet auf, ruft uns die Stimme"B6CHORALE PRELUDE (BWV 727) "Herzlich tut mich verlangen"Ouvertüre Nr. 2 In H-moll, BWV 1067 / Ouvertüre Nr. 3 In D-dur, BWV 1068
1961 · studio album
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Tracklist · 12 tracks · 46:19
A1Ouvertüre Nr. 2 H-moll, BWV 1067, Für Flöte [Travers], Streicher Und Continuo: Ouvertüre9:16A2Ouvertüre Nr. 2 H-moll, BWV 1067, Für Flöte [Travers], Streicher Und Continuo: Rondeau1:53A3Ouvertüre Nr. 2 H-moll, BWV 1067, Für Flöte [Travers], Streicher Und Continuo: Sarabande3:56A4Ouvertüre Nr. 2 H-moll, BWV 1067, Für Flöte [Travers], Streicher Und Continuo: Bourrée Alternativement2:05A5Ouvertüre Nr. 2 H-moll, BWV 1067, Für Flöte [Travers], Streicher Und Continuo: Polonaise3:26A6Ouvertüre Nr. 2 H-moll, BWV 1067, Für Flöte [Travers], Streicher Und Continuo: Menuett1:25A7Ouvertüre Nr. 2 H-moll, BWV 1067, Für Flöte [Travers], Streicher Und Continuo: Badinerie1:25B1Ouvertüre Nr. 3 D-dur, BWV 1068, Für 2 Oboen, 3 Trompeten. Pauken, Streicher Und Continuo: Ouvertüre9:00B2Ouvertüre Nr. 3 D-dur, BWV 1068, Für 2 Oboen, 3 Trompeten. Pauken, Streicher Und Continuo: Air5:40B3Ouvertüre Nr. 3 D-dur, BWV 1068, Für 2 Oboen, 3 Trompeten. Pauken, Streicher Und Continuo: Gavotte4:01B4Ouvertüre Nr. 3 D-dur, BWV 1068, Für 2 Oboen, 3 Trompeten. Pauken, Streicher Und Continuo: Bourrée1:13B5Ouvertüre Nr. 3 D-dur, BWV 1068, Für 2 Oboen, 3 Trompeten. Pauken, Streicher Und Continuo: Gigue2:591961 · studio album
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Tracklist · 12 tracks
Disc 1511-1Concerto n°1 en la mineur, pour violon, orchestre à cordes et clavecin: (Allegro)511-2Concerto n°1 en la mineur, pour violon, orchestre à cordes et clavecin: Andante511-3Concerto n°1 en la mineur, pour violon, orchestre à cordes et clavecin: Allegro assai512-1Concerto n°1 en ré mineur, pour deux violons, orchestre à cordes et clavecin: Vivace512-2Concerto n°1 en ré mineur, pour deux violons, orchestre à cordes et clavecin: Largo, ma non tanto512-3Concerto n°1 en ré mineur, pour deux violons, orchestre à cordes et clavecin: AllegroDisc 2523-1Concerto n°2 en mi majeur, pour violon, orchestre à cordes et clavecin: Allegro523-2Concerto n°2 en mi majeur, pour violon, orchestre à cordes et clavecin: Adagio523-3Concerto n°2 en mi majeur, pour violon, orchestre à cordes et clavecin: Allegro assai524-1Concerto n°2 en ut mineur, pour deux violons, orchestre à cordes et clavecin: Allegro524-2Concerto n°2 en ut mineur, pour deux violons, orchestre à cordes et clavecin: Adagio524-3Concerto n°2 en ut mineur, pour deux violons, orchestre à cordes et clavecin: AllegroSuites pour orchestre: suites n°3 et n°4
1962 · studio album
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Tracklist · 10 tracks · 41:35
A1Suite No 3 en ré majeur, BWV 1068: I. Ouverture7:44A2Suite No 3 en ré majeur, BWV 1068: II. Air4:21A3Suite No 3 en ré majeur, BWV 1068: III. Gavottes I & II3:37A4Suite No 3 en ré majeur, BWV 1068: IV. Bourrée1:25A5Suite No 3 en ré majeur, BWV 1068: V. Gigue2:38B1Suite No 4 en ré majeur, BWV 1069: I. Ouverture10:01B2Suite No 4 en ré majeur, BWV 1069: II. Bourrées I & II3:10B3Suite No 4 en ré majeur, BWV 1069: III. Gavotte1:42B4Suite No 4 en ré majeur, BWV 1069: IV. Menuet4:08B5Suite No 4 en ré majeur, BWV 1069: V. Réjouissance2:49Бах: Французская сюита / Фрескобальди: Пассакалия / Партита / Две фуги
1962 · studio album
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Tracklist · 11 tracks
A1Французская сюита соль мажор: 1. АллемандаA2Французская сюита соль мажор: 2. КурантаA3Французская сюита соль мажор: 3. СарабандаA4Французская сюита соль мажор: 4. ГавотA5Французская сюита соль мажор: 5. БуррэA6Французская сюита соль мажор: 6. ЛурA7Французская сюита соль мажор: 7. ЖигаB1Пассакалия соль минорB2Партита ре минорB3Две фуги: 1. Фуга соль минорB4Две фуги: 2. Фуга ми минорViolinkonzert In A-moll Und E-Dur / Konzert Für Zwei Violinen In D-moll
1962 · studio album
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Tracklist · 9 tracks · 51:47
A1Konzert a-moll BWV 1041: I. Allegro moderato4:06A2Konzert a-moll BWV 1041: II. Andante7:32A3Konzert a-moll BWV 1041: III. Allegro assai4:05A4Konzert E-dur BWV 1042: I. Allegro8:25B1Konzert E-dur BWV 1042: II. Adagio7:11B2Konzert E-dur BWV 1042: III. Allegro assai3:08B3Konzert für 2 Violinen, Streicher und Continuo d-moll BWV 1043: I. Vivace4:15B4Konzert für 2 Violinen, Streicher und Continuo d-moll BWV 1043: II. Largo ma non tanto7:32B5Konzert für 2 Violinen, Streicher und Continuo d-moll BWV 1043: III. Allegro5:33Suites pour orchestre: suites n°1 et n°2
1962 · studio album
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Tracklist · 14 tracks · 47:21
A1Suite No. 1 in C major I: Ouverture7:32A2Suite No. 1 in C major II: Courante2:18A3Suite No. 1 in C major III: Gavottes 1 & 23:08A4Suite No. 1 in C major IV: Forlane1:45A5Suite No. 1 in C major V: Menuets 1 & 23:37A6Suite No. 1 in C major VI: Bourrées 1 & 23:01A7Suite No. 1 in C major VII: Passepied 1 & 24:00B1Orchestral Suite No. 2 in B minor, BWV 1067: I. Ouverture8:21B2Orchestral Suite No. 2 in B minor, BWV 1067: II. Rondeau1:43B3Orchestral Suite No. 2 in B minor, BWV 1067: III. Sarabande3:07B4Orchestral Suite No. 2 in B minor, BWV 1067: IV. Bourrées I & II2:07B5Orchestral Suite No. 2 in B minor, BWV 1067: V. Polonaise et double3:41B6Orchestral Suite No. 2 in B minor, BWV 1067: VI. Menuet1:26B7Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie1:35Intégrale de l'œuvre d'orgue I
1962 · studio album
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Tracklist · 4 tracks · 45:03
A1Passacaille et fugue en ut mineur, BWV 58213:28A2Toccata et fugue en ré mineur, BWV 5659:30B1Fantaisie et fugue en sol mineur, BWV 54212:03B2Fantaisie et fugue en ut mineur, BWV 53710:021962 · studio album
Intégrale de l'œuvre d'orgue 2
1962 · studio album
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Tracklist · 7 tracks · 39:00
A1Pastorale en fa majeur, BWV 59010:35A2Canzone en ré mineur, BWV 5886:23A3Allabreve en ré majeur, BWV 5863:34B1Fugue en sol majeur, BWV 5773:24B2Fugue en ut mineur, BWV 5754:05B3Fugue en sol mineur, BWV 5783:51B4Fugue en si mineur, BWV 5797:08Inventionen und Sinfonien, BWV 772-801
1962 · studio album
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Tracklist · 30 tracks · 47:40
A1Inventio in C Dur BWV 7721:13A2Inventio in C moll BWV 7731:49A3Inventio in D Dur BWV 7741:15A4Inventio in D moll BWV 7750:53A5Inventio in Es Dur BWV 7761:38A6Inventio in E Dur BWV 7772:32A7Inventio in E moll BWV 7781:52A8Inventio in F Dur BWV 7790:56A9Inventio in F moll BWV 7801:51A10Inventio in G Dur BWV 7811:10A11Inventio in G moll BWV 7821:01A12Inventio in A Dur BWV 7831:19A13Inventio in A moll BWV 7841:05A14Inventio in B Dur BWV 7852:01A15Inventio in h-moll BWV 7861:09B1Sinfonia in C Dur BWV 7871:07B2Sinfonia in C moll BWV 7881:38B3Sinfonia in D Dur BWV 7891:16B4Sinfonia in D moll BWV 7902:07B5Sinfonia in Es Dur BWV 7912:31B6Sinfonia in E Dur BWV 7921:37B7Sinfonia in E moll BWV 7932:23B8Sinfonia in F Dur BWV 7941:13B9Sinfonia in F moll BWV 7953:16B10Sinfonia in G Dur BWV 7960:54B11Sinfonia in G moll BWV 7971:58B12Sinfonia in A Dur BWV 7981:36B13Sinfonia in A moll BWV 7991:12B14Sinfonia in B Dur BWV 8001:40B15Sinfonia in h moll BWV 8011:281963 · studio album
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Tracklist · 4 tracks
1Concerto for 2 Violins in D Minor (Vivace; Largo, ma non tanto; Allegro)2Concerto for Violin in E Major (Allegro)3Concerto for Violin in E Major (Continued) (Adagio; Allegro assai)4Concerto for Violin in A Minor (Allegro; Andante; Allegro assai)1963 · studio album
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Tracklist · 5 tracks · 28:48
1Cantate, BWV 29 "Nous te remercions, Dieu": Ouverture3:462Choral "Aie pitié de moi, ô Seigneur Dieu", BWV 7214:073Choral No. 16 "Christ, notre Seigneur est venu au Jourdain", BWV 6844:404Fantaisie et fugue en sol mineur, BWV 54211:235Choral No. 1 "Réveillez-vous, la voix des veilleurs vous appelle", BWV 6454:521964 · studio album
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Tracklist · 14 tracks · 31:51
A1Bach Goes to Paris: Gavotte from French Suite No. 5 in G1:35A2Bach's Mashed Bourree: Tempo di Bourrée from Partita No. 1 for Violin in B Minor2:06A3Juan Bachmanto Espagnol or Bach Meets the Bulls: Sarabande from English Suite No. 5 in E Minor2:09A4Bach's Bedroom Brew: Air from Suite No. 3 in D3:32A5Ping Pong for Bach Bugs: Two part Invention No. 14 in B Flat2:38A6Sorry Mr. Brubeck, It's Bach: Fugue No. 1 in C from The Welltempered Clavier, Part 22:15A7Go Home and Practice: 3-part Invention No. 1 in C1:40B1Very British, Mr. Bach: Gavotte from English Suite No. 3 in G Minor2:17B2Bach's Bag: Aria from Partita No. 4 in D2:33B3Bachomania: Two Part Invention No. 13 in A Minor2:10B4Lullaby of Bachland: Air from Note Book for Anna Magdalena Bach3:06B5Swingin' Bach Guitar: Two Part Invention No. 8 in F2:22B6I Like Bach: Prelude No. 9 in E from The Welltempered Clavier, Part 21:56B7Bach's Foogie Woogie: Fugue No. 21 in B Flat from The Welltempered Clavier, Part 11:321964 · studio album
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Tracklist · 11 tracks
A1Easter Oratorio, S.249: SinfoniaA2Easter Oratorio, S.249: AdagioA3Easter Oratorio, S.249: DuetA4Easter Oratorio, S.249: RecitativeA5Easter Oratorio, S.249: Soprano AriaB1Easter Oratorio, S.249: RecitativeB2Easter Oratorio, S.249: Tenor AriaB3Easter Oratorio, S.249: RecitativeB4Easter Oratorio, S.249: Alto AriaB5Easter Oratorio, S.249: RecitativeB6Easter Oratorio, S.249: Chorus1964 · studio album
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Tracklist · 4 tracks · 41:21
A1Toccata und Fuge d-Moll, BWV 5658:39A2Triosonate Nr. 2 c-Moll, BWV 52610:58B1Präludium und Fuge D-Dur, BWV 5329:32B2Fantasie und Fuge g-Moll, BWV 54212:121964 · studio album
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Tracklist · 4 tracks
A1Toccata Und Fuge D-moll, BWV 565A2Triosonate Nr. 2 C-moll, BWV 526B1Präludium Und Fuge D-dur, BWV 532B2Fantasie Und Fuge G-moll, BWV 5421964 · studio album
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Tracklist · 6 tracks
1Konzert für zwei Violinen und Orchester d-moll BWV 1043: 1. Vivace2Konzert für zwei Violinen und Orchester d-moll BWV 1043: 2. Largo ma non tanto3Konzert für zwei Violinen und Orchester d-moll BWV 1043: 3. Allegro4Concerto grosso op. 3 Nr. 8 a-moll: 1. Allegro5Concerto grosso op. 3 Nr. 8 a-moll: 2. Larghetto e spiritoso6Concerto grosso op. 3 Nr. 8 a-moll: 3. AllegroSuites for Unaccompanied Cello Complete
1965 · studio album
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Tracklist · 36 tracks · 1:48:33
Disc 1A1Suite for Cello Solo no. 1 in G major: I. Praeludium2:23A2Suite for Cello Solo no. 1 in G major: II. Allemande4:27A3Suite for Cello Solo no. 1 in G major: III. Courante2:22A4Suite for Cello Solo no. 1 in G major: IV. Sarabande3:22A5Suite for Cello Solo no. 1 in G major: V. Menuets2:53A6Suite for Cello Solo no. 1 in G major: VI. Gigue1:31B1Suite for Cello Solo no. 2 in D minor: I. Praeludium3:14B2Suite for Cello Solo no. 2 in D minor: II. Allemande2:44B3Suite for Cello Solo no. 2 in D minor: III. Courante1:21B4Suite for Cello Solo no. 2 in D minor: IV. Sarabande3:38B5Suite for Cello Solo no. 2 in D minor: V. Menuets2:32B6Suite for Cello Solo no. 2 in D minor: VI. Gigue1:33Disc 2C1Suite for Cello Solo no. 3 in C major: I. Praeludium4:11C2Suite for Cello Solo no. 3 in C major: II. Allemande2:53C3Suite for Cello Solo no. 3 in C major: III. Courante2:09C4Suite for Cello Solo no. 3 in C major: IV. Sarabande3:20C5Suite for Cello Solo no. 3 in C major: V. Bourrées3:09C6Suite for Cello Solo no. 3 in C major: VI. Gigue1:59D1Suite for Cello Solo no. 4 in E-flat major: I. Praeludium4:02D2Suite for Cello Solo no. 4 in E-flat major: II.Allemande2:45D3Suite for Cello Solo no. 4 in E-flat major: III.Courante2:30D4Suite for Cello Solo no. 4 in E-flat major: IV.Sarabande3:23D5Suite for Cello Solo no. 4 in E-flat major: V.Bourrées3:52D6Suite for Cello Solo no. 4 in E-flat major: VI.Gigue1:31Disc 3E1Suite for Cello Solo no. 5 in C minor: I. Praeludium6:46E2Suite for Cello Solo no. 5 in C minor: II. Allemande4:10E3Suite for Cello Solo no. 5 in C minor: III. Courante2:04E4Suite for Cello Solo no. 5 in C minor: IV. Sarabande2:42E5Suite for Cello Solo no. 5 in C minor: V. Gavottes4:02E6Suite for Cello Solo no. 5 in C minor: VI. Gigue2:26F1Suite for Cello Solo no. 6 in D major: I. Praeludium4:39F2Suite for Cello Solo no. 6 in D major: II. Allemande4:32F3Suite for Cello Solo no. 6 in D major: III. Courante2:32F4Suite for Cello Solo no. 6 in D major: IV. Sarabande3:21F5Suite for Cello Solo no. 6 in D major: V. Gavottes3:35F6Suite for Cello Solo no. 6 in D major: VI. GigueKonzert für Violine und Orchester a-moll BWV 1041 / Konzert für Violine und Orchester E-dur BWV 1042
1965 · studio album
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Tracklist · 6 tracks · 34:16
A1Violin Concerto No. 1 in A minor, BWV 1041: I. Allegro4:14A2Violin Concerto No. 1 in A minor, BWV 1041: II. Andante6:45A3Violin Concerto No. 1 in A minor, BWV 1041: III. Allegro assai4:04B1Violin Concerto No. 2 in E major, BWV 1042: I. Allegro8:57B2Violin Concerto No. 2 in E major, BWV 1042: II. Adagio7:13B3Violin Concerto No. 2 in E major, BWV 1042: III. Allegro assai3:031965 · studio album
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Tracklist · 8 tracks · 3:21:54
Disc 1AMatthäus-Passion, BWV 244: Teil 1-1020:34BMatthäus-Passion, BWV 244: Teil 11-2325:38Disc 2CMatthäus-Passion, BWV 244: Teil 24-3223:22DMatthäus-Passion, BWV 244: Teil 33-3823:19Disc 3EMatthäus-Passion, BWV 244: Teil 39-5128:43FMatthäus-Passion, BWV 244: Teil 52-6126:22Disc 4GMatthäus-Passion, BWV 244: Teil 62-7228:50HMatthäus-Passion, BWV 244: Teil 73-7825:06Bach: Concerto in D minor / Chopin: Concerto no. 2 in F minor
1965 · studio album
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Tracklist · 2 tracks · 53:40
1Concerto in D minor, BWV 105223:252Concerto no. 2 in F minor, op. 2130:15Christmas Oratorio: Choruses and Arias
1965 · studio album
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Tracklist · 12 tracks · 59:35
A1Jauchzet, frohlocket! Auf, preiset die Tage!8:17A2Großer Herr und starker König5:38A3Ach, mein herzliebes Jesulein!1:28A4Sinfonia7:12A5Brich an, o schönes Morgenlicht1:07A6Frohe Hirten, eilt, ach eilet3:56B1Schlafe, mein liebster, genieße der Ruh11:12B2Ehre sei Gott in der Höhe2:42B3Fallt mit Danken, fallt mit Loben5:54B4Immanuel, o Süßes Wort!3:12B5Flößt, mein Heiland, flößt dein Namen5:41B6Nun seid ihr wohl gerochen3:161965 · studio album
Brandenburg Concertos Nos. 1, 2 & 3
1965 · studio album
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Tracklist · 10 tracks
1Brandenburg Concerto no. 1 in F major, BWV 1046: 1. (Allegro)2Brandenburg Concerto no. 1 in F major, BWV 1046: 2. Adagio3Brandenburg Concerto no. 1 in F major, BWV 1046: 3. Allegro4Brandenburg Concerto no. 1 in F major, BWV 1046: 4. Menuet5Brandenburg Concerto no. 2 in F major, BWV 1047: 1. (Allegro)6Brandenburg Concerto no. 2 in F major, BWV 1047: 2. Andante7Brandenburg Concerto no. 2 in F major, BWV 1047: 3. Allegro Assai8Brandenburg Concerto no. 3 in G major, BWV 1048: 1. (Allegro) Attacca9Brandenburg Concerto no. 3 in G major, BWV 1048: 2. Adagio Attacca10Brandenburg Concerto no. 3 in G major, BWV 1048: 3. AllegroAnton Heiller Plays Organ Works of Bach, Volume 3
1965 · studio album
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Tracklist · 5 tracks · 43:21
A1Toccata and Fugue in D minor, BWV 5659:02A2Fantasy and Fugue in G minor, BWV 54212:10B1Partita sopra "Sei gegrüsset Jesu gütig", BWV 76817:39B2Chorale Prelude "Liebster Herr Jesu", BWV 7301:54B3Chorale Prelude "Liebster Herr Jesu", BWV 7312:36Intégrale De L'Œuvre D'Orgue 12
1965 · studio album
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Tracklist · 21 tracks
A1Wachet Auf, Ruft Uns Die Stimme BWV 645A2Wo Soll Ich Fliehen Hin BWV 646A3Wer Nur Den Lieben Gott Lässt Walten BWV 647A4Meine Seele Erhebt Den Herrn BWV 648A5Ach Bleib'bei Uns BWV 649A6Kommst Du Nun, Jesu, Vom Himmel Herunter BWV 650B1Herr Jesu Christ, Dich Zu Uns Wend' BWV 709B2Liebster Jesu, Wir Sind Hier BWV 706B3Wer Nur Den Lieben Gott Lässt Walten BWV 690B4Wer Nur Den Lieben Gott Lässt Walten BWV 691B5Liebster Jesu, Wir Sind Hier BWV 731B6Vom Himmel Hoch Da Komm'ich Her BWV 738B7Herr Christ, Der Ein'ge Gottes Sohn BWV 698B8Gelobet Seist Du, Jesu Christ BWV 697B9Nun Komm'der Heiden Heiland BWV 699B10Lob Sei Dem Allmächt'gen Gott BWV 704B11Vom Himmel Hoch Da Komm'ich Her BWV 701B12Christum Wir Sollen Loben Schon BWV 696B13Gottes Sohn Ist Kommen BWV 703B14Ach Gott Und Herr (Per Canonem) BWV 714B15Allein Gott In Der Höh' Sei Ehr' (Bicinium) BWV 7111965 · studio album
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Tracklist · 18 tracks · 1:39:44
Disc 1A1Concerto no. 1 in F, BWV 1046: Allegro4:37A2Concerto no. 1 in F, BWV 1046: Adagio3:22A3Concerto no. 1 in F, BWV 1046: Allegro5:19A4Concerto no. 1 in F, BWV 1046: Menuetto; Trio; Polacca; Trio7:20B1Brandenburg Concerto no. 2 in F, BWV 1047: Allegro5:26B2Brandenburg Concerto no. 2 in F, BWV 1047: Andante3:25B3Brandenburg Concerto no. 2 in F, BWV 1047: Allegro assai2:57B4Brandenburg Concerto no. 6 in B-flat BWV 1051: Allegro7:06B5Brandenburg Concerto no. 6 in B-flat BWV 1051: Adagio ma non tanto4:38B6Brandenburg Concerto no. 6 in B-flat BWV 1051: Allegro5:50Disc 2C1Brandenburg Concerto no. 3 in G, BWV 1048: Allegro6:34C2Brandenburg Concerto no. 3 in G, BWV 1048: Allegro5:23C3Brandenburg Concerto no. 4 in G BWV 1049: Allegro7:21C4Brandenburg Concerto no. 4 in G BWV 1049: Andante3:45C5Brandenburg Concerto no. 4 in G BWV 1049: Presto5:05D1Brandenburg Concerto no. 5 in D, BWV 1050: Allegro10:20D2Brandenburg Concerto no. 5 in D, BWV 1050: Affettuoso5:43D3Brandenburg Concerto no. 5 in D, BWV 1050: Allegro5:33Weihnachtsoratorium: Arien und Chöre
1965 · studio album
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Tracklist · 16 tracks · 1:14:39
1Nr. 1 Chor: "Jauchzet, Frohlocket!"8:172Nr. 4 Arie: "Bereite Dich, Zion, Mit Zärtlichen Trieben" (Alt)6:033Nr. 7 Choral: "Er Ist Auf Erden Kommen Arm" / Rezitativ (Bass): "Wer Kann Die Liebe Recht Erhöhn"3:364Nr. 8 Arie (Bass): "Großer Herr Und Starker König"5:395Nr. 9 Choral: "Ach Mein Herzliebes Jesulein"1:356Nr. 10 Sinfonia7:137Nr. 12 Choral: "Brich An, o Schönes Morgenlicht"1:088Nr. 15 Arie (Tenor): "Frohe Hirten, Eilt, Ach Eilet"3:569Nr. 19 Arie (Alt): "Schlafe, Mein Liebster"7:1310Nr. 21 Chor: "Ehre Sei Gott in Der Höhe"2:4811Nr. 36 Chor: "Fallt Mit Danken, Fallt Mit Loben"5:5612Nr. 38 Rezitativ (Bass): "Immanuel, o Süßes Wort" / Mit Chor: "Jesu, Du Mein Liebstes Leben"3:1213Nr. 39 Arie (Sopran): "Flößt, Mein Heiland, Flößt Dein Namen"5:4314Nr. 41 Arie (Tenor): "Ich Will Nur Dir Zu Ehren Leben"4:5915Nr. 57 Arie (Sopran): "Nur Ein Wink Von Seinen Händen"4:0316Nr. 64 Choral: "Nun Seid Ihr Wohl Gerochen"3:18Weihnachts-Oratorium, Chöre Und Arien
1966 · studio album
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Tracklist · 12 tracks
A1Jauchzet, Frohlocket! Auf, Preiset Die Tage! (Chor Nr. 1)A2Grosser Herr Und Starker König (Bass-Arie Nr. 8)A3Ach, Mein Herzliebes Jesulein! (Choral Nr. 9)A4Sinfonia (Hirtenmusik Nr. 10)A5Brich An, O Schönes Morgenlicht (Choral Nr. 12)A6Frohe Hirten, Eilt, Ach Eilet (Tenor-Arie Nr. 15)B1Schlafe, Mein Liebster, Geniesse Der Ruh (Alt-Arie Nr. 19)B2Ehre Sei Gott In Der Höhe (Chor Nr. 21)B3Fallt Mit Danken, Fallt Mit Loben (Chor Nr. 36)B4Immanuel, O Süsses Wort! (Rezitativ Und Arioso Nr. 38)B5Flösst, Mein Heiland, Flösst Dein Namen (Sopran-Arie (Nr. 39)B6Nun Seid Ihr Wohl Gerochen (Choral Nr. 64)1966 · studio album
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Tracklist · 10 tracks · 38:24
A1Lute Suite No. 1: Prelude3:12A2Lute Suite No. 1: Allemande2:01A3Lute Suite No. 1: Courante3:44A4Lute Suite No. 1: Sarabande4:41A5Lute Suite No. 1: Bourrée1:32A6Lute Suite No. 1: Gigue3:29B1Lute Suite No. 2: Prelude3:02B2Lute Suite No. 2: Fugue7:04B3Lute Suite No. 2: Sarabande6:26B4Lute Suite No. 2: Gigue3:13Peasant Cantata / Wedding Cantata
1966 · studio album
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Tracklist · 33 tracks
A1Wedding Cantata (Cantate de la noce): Aria "Que l'ombre de la tristesse disparaisse"A2Wedding Cantata (Cantate de la noce): Recitative "Le monde renaîtra"A3Wedding Cantata (Cantate de la noce): Aria ''Phebus s'empresse avec ses chevaux rapides"A4Wedding Cantata (Cantate de la noce): Récitative ''Ainsi, l'amour cherche son plaisir"A5Wedding Cantata (Cantate de la noce): Aria ''Quand jouent les brises de printemps"A6Wedding Cantata (Cantate de la noce): Récitative ''Et ceci est la bonne fortune"A7Wedding Cantata (Cantate de la noce): Aria ''Leur plaisir d'amour"'A8Wedding Cantata (Cantate de la noce): Récitative ''Ainsi est le lien de l'innocent amour"A9Wedding Cantata (Cantate de la noce): Gavotte et Aria "Regardez avec satisfaction"A10Peasant Cantata (Cantate paysanne): SinfoniaA11Peasant Cantata (Cantate paysanne): Aria (Soprano, basse) ''Le Chamberlan est maintenant notre Seigneur"B1Peasant Cantata (Cantate paysanne): Récitative (Soprano, basse) "Si vous voulez En venir là"B2Peasant Cantata (Cantate paysanne): Aria (Soprano) "L'amour est un sentiment difficile à vaincre"B3Peasant Cantata (Cantate paysanne): Récitative (Basse) "Le seigneur est bon"B4Peasant Cantata (Cantate paysanne): Aria (basse) "Monsieur le percepteur"B5Peasant Cantata (Cantate paysanne): Récitative (Soprano) "Je suis sûr de cela"B6Peasant Cantata (Cantate paysanne): Aria (Soprano) "Honnête et bon maître, nous sommes tous avec vous"B7Peasant Cantata (Cantate paysanne): Récitative (Basse) "Il nous aide tous"B8Peasant Cantata (Cantate paysanne): Aria (Soprano) "Cela est coquet"B9Peasant Cantata (Cantate paysanne): Récitative (Basse) "Et à notre grâclieuse dame"B10Peasant Cantata (Cantate paysanne): Aria (Basse) "Cinquante Taler d'argent somptant"B11Peasant Cantata (Cantate paysanne): Récitative (Soprano) "Mais 'coutez Done"B12Peasant Cantata (Cantate paysanne): Aria (Soprano) "Notre petite ville"B13Peasant Cantata (Cantate paysanne): Récitative (Basse) "Cela est trop sage"B14Peasant Cantata (Cantate paysanne): Aria (Basse) "Vous Recevrez Peut-être Dix Mille Ducats"B15Peasant Cantata (Cantate paysanne): Récitative (Soprano) "Cela ressemble à une chanson"B16Peasant Cantata (Cantate paysanne): Aria (Soprano) "Donnez-moi, ma belle, beaucoup de fils"B17Peasant Cantata (Cantate paysanne): Récitative (Basse) "Tu as tout à fait raison"B18Peasant Cantata (Cantate paysanne): Aria (Basse) "Que ta prosérité se maintienne"B19Peasant Cantata (Cantate paysanne): Récitative (Soprano, basse) "Chacun en a sa chance"B20Peasant Cantata (Cantate paysanne): Aria (Soprano) "Et que tous vous le sachiez"B21Peasant Cantata (Cantate paysanne): Récitative (Soprano, basse) "Puisque nous avons fini"B22Peasant Cantata (Cantate paysanne): Chœur "Nous allons maintenant où jouent les cornemuses"1966 · studio album
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Tracklist · 2 tracks
A1Concerto N° 1 pour Piano et Orchestre en Ré MineurB1Concerto N° 2 pour Deux Pianos et Orchestre en Ut MajeurKonzerte für zwei Cembali und Streichorchester
1966 · studio album
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Tracklist · 9 tracks · 53:02
1Konzert für zwei Cembali und Streichorchester C-Dur BWV 1061: I. (Allegro)8:482Konzert für zwei Cembali und Streichorchester C-Dur BWV 1061: II. Adagio ovvero Largo4:513Konzert für zwei Cembali und Streichorchester C-Dur BWV 1061: III. Fuga6:554Konzert für zwei Cembali und Streichorchester c-Moll BWV 1062: I. (Allegro)4:125Konzert für zwei Cembali und Streichorchester c-Moll BWV 1062: II. Andante6:366Konzert für zwei Cembali und Streichorchester c-Moll BWV 1062: III. Allegro assai5:367Konzert für zwei Cembali und Streichorchester c-Moll BWV 1060: I. (Allegro)5:448Konzert für zwei Cembali und Streichorchester c-Moll BWV 1060: II. Adagio6:149Konzert für zwei Cembali und Streichorchester c-Moll BWV 1060: III. Allegro4:06Brandenburgische Konzerte Nos. 2, 3, 5
1966 · studio album
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Tracklist · 9 tracks · 48:56
1Brandenburgisches Konzert No. 2 F-Dur, BWV 1047: I. Allegro5:402Brandenburgisches Konzert No. 2 F-Dur, BWV 1047: II. Andante4:033Brandenburgisches Konzert No. 2 F-Dur, BWV 1047: III. Allegro assai2:584Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: I. Allegro6:465Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: II. Adagio1:026Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: III. Allegro5:507Brandenburgisches Konzert No. 5 D-Dur, BWV 1050: I. Allegro11:018Brandenburgisches Konzert No. 5 D-Dur, BWV 1050: II. Affettuoso5:579Brandenburgisches Konzert No. 5 D-Dur, BWV 1050: III. Allegro5:391967 · studio album
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Tracklist · 5 tracks · 43:25
A1Toccata and Fugue in D minor8:25A2Passacaglia and Fugue in C minor13:30B1Toccata, Adagio and Fugue in C major14:10B2Fugue in G minor ("The Little G minor")4:05B3Fugue in G minor (The "Jig" Fugue)3:151967 · studio album
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Tracklist · 9 tracks · 51:58
1Toccata und Fuge d-Moll BWV 565: Toccata2:312Toccata und Fuge d-Moll BWV 565: Fuge6:413Toccata und Fuge F-Dur BWV 540: Toccata9:274Toccata und Fuge F-Dur BWV 540: Fuge5:315Dorische Toccata und Fuge BWV 538: Toccata6:016Dorische Toccata und Fuge BWV 538: Fuge6:597Toccata, Adagio und Fuge C-Dur BWV 564: Toccata5:158Toccata, Adagio und Fuge C-Dur BWV 564: Adagio4:309Toccata, Adagio und Fuge C-Dur BWV 564: Fuge5:031967 · studio album
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Tracklist · 19 tracks
Disc 1A1Concerto 3 G-dur, BWV 1048: 1. (Allegro)A2Concerto 3 G-dur, BWV 1048: 2. (Adagio)A3Concerto 3 G-dur, BWV 1048: 3. AllegroA4Concerto 1 F-dur, BWV 1046: 1. (Allegro)A5Concerto 1 F-dur, BWV 1046: 2. AdagioA6Concerto 1 F-dur, BWV 1046: 3. AllegroB1Concerto 1 F-dur, BWV 1046: 4. Menuet – Trio – Menuet – Polonaise – Menuet – Trio – MenuetB2Concerto 4 G-dur, BWV 1049: 1. AllegroB3Concerto 4 G-dur, BWV 1049: 2. AndanteB4Concerto 4 G-dur, BWV 1049: 3. PrestoDisc 2C1Concerto 6 B-dur, BWV 1051: 1. (Allegro)C2Concerto 6 B-dur, BWV 1051: 2. Adagio ma non troppoC3Concerto 6 B-dur, BWV 1051: 3. AllegroC4Concerto 5 D-dur, BWV 1050: 1. AllegroD1Concerto 5 D-dur, BWV 1050: 2. AffettuosoD2Concerto 5 D-dur, BWV 1050: 3. AllegroD3Concerto 2 F-dur, BWV 1047: 1. (Allegro)D4Concerto 2 F-dur, BWV 1047: 2. AndanteD5Concerto 2 F-dur, BWV 1047: 3. Allegro Assai1967 · studio album
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Tracklist · 12 tracks
A1Sonate en trio n° 1 en mi bémol majeur: (Allegro)A2Sonate en trio n° 1 en mi bémol majeur: AdagioA3Sonate en trio n° 1 en mi bémol majeur: AllegroA4Sonate en trio n° 2 en ut mineur: VivaceA5Sonate en trio n° 2 en ut mineur: LargoA6Sonate en trio n° 2 en ut mineur: AllegroB1Sonate en trio n° 5 en ut majeur: AllegroB2Sonate en trio n° 5 en ut majeur: LargoB3Sonate en trio n° 5 en ut majeur: AllegroB4Sonate en trio n° 3 en ré mineur: AndanteB5Sonate en trio n° 3 en ré mineur: Adagio e dolceB6Sonate en trio n° 3 en ré mineur: Vivace1968 · studio album
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Tracklist · 7 tracks
1Prélude et Fugue en si mineur2Prélude et Fugue en ut mineur3Prélude et Fugue en sol majeur4Prélude et Fugue en mi mineur5Prélude et Fugue en ut majeur6Prélude et Fugue en sol mineur7Fantaisie et Fugue (Inachevée) en ut mineur1968 · studio album
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Tracklist · 12 tracks · 40:12
1Sinfonia to Cantata No. 293:272Air on the G String2:333Two Part Invention in F major0:434Two Part Invention in B‐flat major1:305Two Part Invention in D minor0:526Jesu, Joy of Man’s Desiring2:597Prelude and Fugue No. 7 (from Well‐Tempered Clavier, Book I)7:118Prelude and Fugue No. 2 (from Well‐Tempered Clavier, Book I)2:479Chorale Prelude “Wachet Auf”3:3910Brandenburg Concerto No. 3: I. Allegro6:2911Brandenburg Concerto No. 3: II. Andante2:5112Brandenburg Concerto No. 3: III. Allegro5:111968 · studio album
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Tracklist · 4 tracks
1Toccata et Fugue en fa majeur2Prélude et Fugue en ré majeur3Prélude et Fugue en ut majeur4Prélude et Fugue en mi mineur1968 · studio album
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Tracklist · 4 tracks
A1BWV 582: Passacaglia & Fugue In C MinorA2BWV 565: Toccata & Fugue In D MinorB1BWV 542: Prelude (Fantasy) & Fugue In G MinorB2BWV 537: Prelude (Fantasy) & Fugue In C Minor1968 · studio album
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Tracklist · 5 tracks
1Toccata et Fugue en ré mineur (Dorienne)2Prélude et Fugue en ut mineur3Prélude et Fugue en sol mineur4Prélude et Fugue en ré mineur5Prélude et Fugue en la mineurDas Wohltemperierte Klavier 2 / The Well-Tempered Clavier 2
1968 · studio album
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Tracklist · 24 tracks
Disc 1A1I Do Majeur, BWV 870A2II Do Mineur, BWV 871A3III Do Diése Majeur, BWV 872A4IV Do Diése Mineur, BWV 873B1V Ré Majeur, BWV 874B2VI Ré Mineur, BWV 875B3VI Mi Bémol Majeur, BWV 876B4VII Ré Diése Mineur, BWV 877Disc 2C1VIII Mi Majeur, BWV 878C2IX Mi Mineur, BWV 879C3X Fa Majeur, Bwv 880C4XI Fa Mineur, BWV 881D1XII Fa Diése Majeur, BWV 882D2XIII Fa Diése Mineur, BWV 883D3XIV Sol Majeur, BWV 884D4XV Sol Mineur, BWV 885Disc 3E1XVI La Bémol Majeur, BWV 886E2XVII Sol Diése Mineur BWV 887E3XVIII La Majeur, BWV 888E4XIX La Mineur, BWV 889F1XX Si Bémol Majeur BWV 890F2XXI Si Bémol Mineur, BWV 891F3XXII Si Majeur, BWV 892F4XXIV, Si Mineur BWV 8931969 · studio album
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Tracklist · 6 tracks · 41:55
1Prelude and Fugue in A minor, BWV 5437:032Chorale Prelude: "Jesus Christus, Unser Heiland", BWV 6261:173Toccata and Fugue in F Major, BWV 54010:224Trio Sonata No. 5 in C major, BWV 529: I. Allegro, II. Largo, III. Allegro11:045Chorale Prelude: "Gelobet Sei'st Du, Jesu Christ", BWV 6041:386Prelude and Fugue in E minor (The "Wedge"), BWV 64810:31Sonatas for Lute and Harpsichord
1969 · studio album
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Tracklist · 12 tracks · 41:04
A1Trio Sonata no. 1 in E-flat, BWV 525: 1. Allegro moderato2:45A2Trio Sonata no. 1 in E-flat, BWV 525: 2. Adagio4:18A3Trio Sonata no. 1 in E-flat, BWV 525: 3. Allegro3:29A4Sonata in C for Lute and Continuo, P.p. 7/3: 1. Allegro non molto3:43A5Sonata in C for Lute and Continuo, P.p. 7/3: 2. Larghetto4:28A6Sonata in C for Lute and Continuo, P.p. 7/3: 3. Allegro1:46B1Trio Sonata no. 5 in C, BWV 529: 1. Allegro4:26B2Trio Sonata no. 5 in C, BWV 529: 2. Largo5:24B3Trio Sonata no. 5 in C, BWV 529: 3. Allegro3:17B4Sonata in G minor for Lute and Continuo, P.p. 7/2: 1. Andante molto3:24B5Sonata in G minor for Lute and Continuo, P.p. 7/2: 2. Largo2:31B6Sonata in G minor for Lute and Continuo, P.p. 7/2: 3. Allegro1:33L'œuvre d'orgue 11-12 : Troisième partie de la Clavierübung
1969 · studio album
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Tracklist · 27 tracks
Disc 11Prélude en mi bémol majeur2Kyrie, Gott Vater in Ewigkeit3Christe, aller Welt Trost4Kyrie, gott heiliger geist5Kyrie, Gott Vater in Ewigkeit6Christe, aller Welt Trost7Kyrie, Gott heiliger Geist8Allein Gott in der Hoh' sei Ehr'9Allein Gott in der Hoh' sei Ehr'10Fughetta super' Allein Gott in der Hoh' sei Ehr'11Dies sind die heil'gen zehn Gebot12Fughetta super Dies sind die heil'gen zehn Gebot13Wir glauben all' an einen Gott14Fughetta super Wir glauben all' an einen GottDisc 21Vater unser im Himmelreich2Vater unser im Himmelreich, alio modo3Christ, unser Herr, zum Jordan kam4Christ, unser Herr, zum Jordan kam, alio modo5Aus tiefer Not schrei' ich zu dir6Aus tiefer Not schrei' ich zu dir, alio modo7Jesus Christus, unser Heiland8Fuga super Jesus Christus, unser Heiland9Duetto n° 1 en mi mineur10Duetto n° 2 en fa majeur11Duetto n° 3 en sol majeur12Duetto n° 4 en la mineur13Fugue en mi bémol majeurMagnificat in D major / Cantata no. 10
1969 · studio album
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Tracklist · 18 tracks · 53:04
A1Magnificat in D major, BWV 243: I. Coro. Magnificat3:21A2Magnificat in D major, BWV 243: II. Aria. Et exsultavit spiritus meus2:32A3Magnificat in D major, BWV 243: III. Aria. Quia respexit humilitatem / IV. Coro. Omnes generationes4:22A4Magnificat in D major, BWV 243: V. Aria. Quia fecit mihi magna2:20A5Magnificat in D major, BWV 243: VI. Aria (Duetto). Et misericordia4:18A6Magnificat in D major, BWV 243: VII. Coro. Fecit potentiam2:02A7Magnificat in D major, BWV 243: VIII. Aria. Deposuit potentes2:08A8Magnificat in D major, BWV 243: IX. Aria. Esurientes implevit bonis3:12A9Magnificat in D major, BWV 243: X. Aria (terzetto). Suscepit Israel2:12A10Magnificat in D major, BWV 243: XI. Coro. Sicut locutus est2:02A11Magnificat in D major, BWV 243: XII. Coro. Gloria Patri2:36B1Cantata no 10, BWV 10: Meine Seel erhebt den Herren: I. Coro. Meine Seel erhebt den Herren4:12B2Cantata no 10, BWV 10: Meine Seel erhebt den Herren: II. Aria. Herr, der du stark und mächtig bist7:04B3Cantata no 10, BWV 10: Meine Seel erhebt den Herren: III. Recitativo. Des Höchsten Güt und Treu1:25B4Cantata no 10, BWV 10: Meine Seel erhebt den Herren: IV. Aria. Gewaltige stößt Gott vom Stuhl3:26B5Cantata no 10, BWV 10: Meine Seel erhebt den Herren: V. Duetto. Er denket der Barmherzigkeit2:03B6Cantata no 10, BWV 10: Meine Seel erhebt den Herren: VI. Recitativo. Was Gott den Vätern alter Zeiten2:25B7Cantata no 10, BWV 10: Meine Seel erhebt den Herren: VII. Choral. Lob und Preis sei Gott dem Vater1:241970 · studio album
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Tracklist · 24 tracks · 1:23:34
Disc 11Suite no. 1 in C major, BWV 1066: 1. Ouverture6:582Suite no. 1 in C major, BWV 1066: 2. Courante2:363Suite no. 1 in C major, BWV 1066: 3. Gavotte I - II2:594Suite no. 1 in C major, BWV 1066: 4. Forlane1:385Suite no. 1 in C major, BWV 1066: 5. Menuett I - II2:566Suite no. 1 in C major, BWV 1066: 6. Bourree I - II2:577Suite no. 1 in C major, BWV 1066: 7. Passepied I - II3:128Suite no. 2 in B minor, BWV 1067: 1. Ouverture7:309Suite no. 2 in B minor, BWV 1067: 2. Rondeau1:2010Suite no. 2 in B minor, BWV 1067: 3. Sarabande2:1811Suite no. 2 in B minor, BWV 1067: 4. Bourree I - II2:4812Suite no. 2 in B minor, BWV 1067: 5. Polonaise - Double3:1913Suite no. 2 in B minor, BWV 1067: 6. Menuett1:3114Suite no. 2 in B minor, BWV 1067: 7. Badinerie1:26Disc 21Suite no. 3 in D major, BWV 1068; 1. Ouverture8:092Suite no. 3 in D major, BWV 1068; 2. Air4:343Suite no. 3 in D major, BWV 1068; 3. Gavotte I - II3:144Suite no. 3 in D major, BWV 1068; 4. Bourree1:305Suite no. 3 in D major, BWV 1068; 5. Gigue2:446Suite no. 4 in D major, BWV 1069; 1. Ouverture8:277Suite no. 4 in D major, BWV 1069; 2. Bourree I - II3:168Suite no. 4 in D major, BWV 1069; 3. Gavotte1:549Suite no. 4 in D major, BWV 1069; 4. Menuett I - II4:1210Suite no. 4 in D major, BWV 1069; 5. Rejouissance2:061970 · studio album
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Tracklist · 24 tracks
Disc 1A1Missa brevis in F, BWV 233: KyrieA2Missa brevis in F, BWV 233: Gloria in excelsisA3Missa brevis in F, BWV 233: Domine DeusA4Missa brevis in F, BWV 233: Qui tollis peccata mundiA5Missa brevis in F, BWV 233: Quoniam tu solis sanctusA6Missa brevis in F, BWV 233: Cum Sancto SpirituB1Missa brevis in A, BWV 234: KyrieB2Missa brevis in A, BWV 234: Gloria in excelsisB3Missa brevis in A, BWV 234: Domine DeusB4Missa brevis in A, BWV 234: Qui tollis peccata mundiB5Missa brevis in A, BWV 234: Quoniam tu solus sanctusB6Missa brevis in A, BWV 234: Cum Sancto SpirituDisc 2C1Missa brevis in G minor, BWV 235: KyrieC2Missa brevis in G minor, BWV 235: Gloria in excelsisC3Missa brevis in G minor, BWV 235: Gratias agimusC4Missa brevis in G minor, BWV 235: Domine FiliC5Missa brevis in G minor, BWV 235: Qui tollisC6Missa brevis in G minor, BWV 235: Cum Sancto SpirituD1Missa brevis in G, BWV 236: KyrieD2Missa brevis in G, BWV 236: Gloria in excelsisD3Missa brevis in G, BWV 236: Gratias agimusD4Missa brevis in G, BWV 236: Domine DeusD5Missa brevis in G, BWV 236: Quoniam tu solus sanctusD6Missa brevis in G, BWV 236: Cum Sancto Spiritu1970 · studio album
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Tracklist · 7 tracks · 45:28
A1Concerto im italienischen Stil F-dur, BWV 971: 1. Allegro4:11A2Concerto im italienischen Stil F-dur, BWV 971: 2. Andante4:18A3Concerto im italienischen Stil F-dur, BWV 971: 3. Presto4:03A4Chromatische Fantasie und Fuge D-moll, BWV 903: Fantasia - Recitativo - Fuga10:41B1Toccata und Fuge G-moll, BWV 915: (Presto) - Adagio - Allegro - Adagio - Fuga7:34B2Pastorale F-dur, BWV 590: (Andante) - (Andante) - (Adagio) - (Allegro)9:49B3Fantasie C-moll, BWV 9064:52Le Choral Du Veilleur Et Autres Chorals
1970 · studio album
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Tracklist · 21 tracks · 40:11
A1Six Chorals-Transcriptions (Schübler): Wachet Auf, Ruft Uns Die Stimme BWV 6454:30A2Six Chorals-Transcriptions (Schübler): Wo Soll Ich Fliehen Hin BWV 6462:05A3Six Chorals-Transcriptions (Schübler): Wer Nur Den Lieben Gott Lässt Walten BWV 6472:30A4Six Chorals-Transcriptions (Schübler): Meine Selle Erhebt Den Herrn BWV 6482:05A5Six Chorals-Transcriptions (Schübler): Ach Bleib' Bei Uns BWV 6492:52A6Six Chorals-Transcriptions (Schübler): Kommst Du Nun, Jesu, Vom Himmel Herunter BWV 6501:35B1Six Chorals Divers: Herr Jesu Christ, Dich Zu Uns Wend' BWV 7092:55B2Six Chorals Divers: Liebster Jesu, Wir Sind Hier BWV 7061:45B3Six Chorals Divers: Wer Nur Den Lieben Gott Lässt Walten BWV 6901:55B4Six Chorals Divers: Wer Nun Den Lieben Gott Lässt Walten BWV 6911:39B5Six Chorals Divers: Liebster Jesu, Wir Sind Hier BWV 7311:36B6Six Chorals Divers: Vom Himmel Hoch Da Komm' Ich Her BWV 7381:22B7Sept Fugettes Sur Des Chorals: Herr Christ, Der Ein'ge Gottes Sohn BWV 6981:17B8Sept Fugettes Sur Des Chorals: Gelobet Seist Du, Jesu Christ BWV 6971:55B9Sept Fugettes Sur Des Chorals: Nun Komm' Der Heiden Heiland BWV 6991:15B10Sept Fugettes Sur Des Chorals: Lob Sei Dem Allmächt'gen Gott BWV 7041:05B11Sept Fugettes Sur Des Chorals: Vom Himmel Hoch Da Komm Ich Her BWV 7011:25B12Sept Fugettes Sur Des Chorals: Christum Sollen Wir Loben Schon BWV 6961:38B13Sept Fugettes Sur Des Chorals: Gottes Sohn Ist Kommen BWV 7030:57B14Deux Chorals: Ach Gott Und Herr (Per Canonem) BWV 7141:23B15Deux Chorals: Allein Gott In Der Höh' Sei Ehr' (Bicinium) BWV 7112:27Bach: Magnificat D-Dur, BWV 243 / Bruckner: Te Deum
1970 · studio album
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Tracklist · 17 tracks · 53:09
A1Magnificat D-Dur, BWV 243: Magnificat2:55A2Magnificat D-Dur, BWV 243: Et Exsultavit2:29A3Magnificat D-Dur, BWV 243: Quia Respexit2:50A4Magnificat D-Dur, BWV 243: Omnes Generations1:23A5Magnificat D-Dur, BWV 243: Quia Fecit Mihi Magna2:03A6Magnificat D-Dur, BWV 243: Et Misericordia4:30A7Magnificat D-Dur, BWV 243: Fecit Potentiam2:15A8Magnificat D-Dur, BWV 243: Deposuit Potentes2:12A9Magnificat D-Dur, BWV 243: Esurientes Implecit Bonis3:10A10Magnificat D-Dur, BWV 243: Suscepit Israel2:14A11Magnificat D-Dur, BWV 243: Sicut Locutus Est2:12A12Magnificat D-Dur, BWV 243: Gloria Patri2:10B1Te Deum: Te Deum Laudamus6:01B2Te Deum: Te Ergo Quaesumus2:53B3Te Deum: Aeterna Fac Cum Sanctis Tuis1:19B4Te Deum: Salvum Fac Populum Tuum6:32B5Te Deum: In Te, Domine, Speravi6:01Brandenburgische Konzerte 1-2-6
1971 · studio album
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Tracklist · 12 tracks · 50:13
1Brandenburg Concerto No. 1 (Allegro)4:042Brandenburg Concerto No. 1 Adagio3:583Brandenburg Concerto No. 1 Menuetto4:344Brandenburg Concerto No. 1 Anhang/Appendix4:255Brandenburg Concerto No. 1 Allegro1:396Brandenburg Concerto No. 1 Polacca1:547Brandenburg Concerto No. 2 (Allegro)5:168Brandenburg Concerto No. 2 Andante3:489Brandenburg Concerto No. 2 Allegro Assai2:5210Brandenburg Concerto No. 6 (Moderato)6:3811Brandenburg Concerto No. 6 Adagio ma non tanto5:1312Brandenburg Concerto No. 6 Allegro5:521971 · studio album
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Tracklist · 20 tracks · 45:35
Disc 1A1Präludium c-moll BWV 9992:08A2Bourrée e-moll1:25A3Suite E-Dur Preludio1:55A4Suite E-Dur Allemande3:34A5Suite E-Dur Courante3:50A6Suite E-Dur Bourrée1:32A7Suite E-Dur Sarabande5:17A8Suite E-Dur Menuet1:11A9Suite E-Dur Giga2:58Disc 2B1Sarabande e-moll4:57B2Sonate e-moll3:15B3Suite Española Españoletas1:19B4Suite Española Gallarda y Vlillano0:53B5Suite Española Danza de las Hachas0:38B6Suite Española Rujero y Paradetas1:08B7Suite Española Zarabanda al ayre español1:14B8Suite Española Pasacalle1:29B9Suite Española Folias2:28B10Suite Española La Miñona de Cataluña1:20B10Suite Española Canarios3:04Das wohltemperierte Klavier. BWV 846-893
1971 · studio album
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Tracklist · 26 tracks · 1:59:39
Disc 1A1Prélude et fugue en ut majeur BWV 8464:28A2Prélude et fugue en ut majeur BWV 8473:28A3Prélude et fugue en ut dièse majeur BWV 8484:15A4Prélude et fugue en ut dièse mineur BWV 8497:56A5Prélude et fugue en ré majeur BWV 8503:18A6Prélude et fugue en ré mineur BWV 8513:29A7Prélude en mi bémol majeur BWV 8524:00B1Fugue en mi bémol majeur BWV 8522:11B2Prélude et fugue en mi bémol mineur BWV 8539:35B3Prélude et fugue en mi majeur BWV 8543:03B4Prélude et fugue en mi mineur BWV 8554:17B5Prélude et fugue en fa majeur BWV 8562:39B6Prélude et fugue en fa mineur BWV 8575:33Disc 21Prélude et fugue en fa dièse majeur BWV 8583:432Prélude et fugue en fa dièse mineur BWV 8595:073Prélude et fugue en sol majeur BWV 8604:164Prélude et fugue en sol mineur BWV 8614:025Prélude et fugue en la bémol majeur BWV 8623:426Prélude et fugue en la bémol mineur BWV 8637Prélude et fugue en sol dièse mineur BWV 8634:568Prélude et fugue en la majeur BWV 8644:039Prélude et fugue en la mineur BWV 8656:1110Prélude et fugue en si bémol majeur BWV 8663:1411Prélude et fugue en si bémol mineur BWV 8676:1612Prélude et fugue en si majeur BWV 8683:5213Prélude et fugue en si mineur BWV 86912:051971 · studio album
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Tracklist · 32 tracks · 55:24
1Goldberg Variations: Aria3:292Goldberg Variations: Variation I1:333Goldberg Variations: Variation II1:234Goldberg Variations: Variation III1:435Goldberg Variations: Variation IV0:546Goldberg Variations: Variation V1:157Goldberg Variations: Variation VI1:108Goldberg Variations: Variation VII1:359Goldberg Variations: Variation VIII1:4310Goldberg Variations: Variation IX1:5411Goldberg Variations: Variation X1:0512Goldberg Variations: Variation XI0:5113Goldberg Variations: Variation XII2:1514Goldberg Variations: Variation XIII4:0615Goldberg Variations: Variation XIV1:3316Goldberg Variations: Variation XV1:5417Goldberg Variations: Variation XVI2:2118Goldberg Variations: Variation XVII0:5219Goldberg Variations: Variation XVIII0:3820Goldberg Variations: Variation XIX1:1121Goldberg Variations: Variation XX1:2222Goldberg Variations: Variation XXI1:2423Goldberg Variations: Variation XXII0:5824Goldberg Variations: Variation XXIII1:3625Goldberg Variations: Variation XXIV2:2226Goldberg Variations: Variation XXV5:4927Goldberg Variations: Variation XXVI1:2828Goldberg Variations: Variation XXVII1:1129Goldberg Variations: Variation XXVIII1:4130Goldberg Variations: Variation XXIX0:5731Goldberg Variations: Variation XXX0:5632Goldberg Variations: Aria da capo2:151971 · studio album
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Tracklist · 9 tracks
A1Concerto №1 For Violin And Orchestra In A Minor, W. 1041: AllegroA2Concerto №1 For Violin And Orchestra In A Minor, W. 1041: AdagioA3Concerto №1 For Violin And Orchestra In A Minor, W. 1041: Allegro AssaiA4Concerto For Two Violins And Orchestra In D Minor, W. 1043: VivaceB1Concerto For Two Violins And Orchestra In D Minor, W. 1043: Largo, Ma Non TroppoB2Concerto For Two Violins And Orchestra In D Minor, W. 1043: AllegroB3Concerto №1 For Violin And Orchestra In A Minor, W. 1041: (Allegro)B4Concerto №1 For Violin And Orchestra In A Minor, W. 1041: AndanteB5Concerto №1 For Violin And Orchestra In A Minor, W. 1041: Allegro Assai1971 · studio album
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Tracklist · 5 tracks
1Concerto en la mineur, BWV 5932Concerto en ut majeur, BWV 5953Concerto en ré mineur, BWV 5964Concerto en ut majeur, BWV 5945Concerto en sol majeur, BWV 5921971 · studio album
1971 · studio album
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Tracklist · 6 tracks
1.1Toccata et Fugue en ré mineur1.2Choral et Variations :"Vom Himmel hoch da komm ich her"2.1"Jésus que ma joie demeure" (Choral)2.2"Ich ruf zu dir, Herr Jesu Christ"2.3Prélude et Fugue en sol mineur2.4"Herzlich tut mich verlangen"1971 · studio album
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Tracklist · 18 tracks
Disc 1A1Концерт № 1 фа мажор, В. 1046: 1. (Allegro)A2Концерт № 1 фа мажор, В. 1046: 2. AdagioA3Концерт № 1 фа мажор, В. 1046: 3. AllegroA4Концерт № 1 фа мажор, В. 1046: 4. Menuetto. PolaccaB1Концерт № 2 фа мажор, В. 1047: 1. (Allegro)B2Концерт № 2 фа мажор, В. 1047: 2. AndanteB3Концерт № 2 фа мажор, В. 1047: 3. Allegro assaiDisc 2C1Концерт № 3 соль мажор, В. 1048: 1. (Allegro)C2Концерт № 3 соль мажор, В. 1048: 2. AllegroD1Концерт № 4 соль мажор, В. 1049: 1. AllegroD2Концерт № 4 соль мажор, В. 1049: 2. AndanteD3Концерт № 4 соль мажор, В. 1049: 3. PrestoDisc 3E1Концерт № 5 ре мажор, В. 1050: 1. AllegroE2Концерт № 5 ре мажор, В. 1050: 2. AffettuosoE3Концерт № 5 ре мажор, В. 1050: 3. AllegroF1Концерт № 6 си бемоль мажор, В. 1051: 1. (Allegro)F2Концерт № 6 си бемоль мажор, В. 1051: 2. Adagio, ma non tantoF3Концерт № 6 си бемоль мажор, В. 1051: 3. Allegro1971 · studio album
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Tracklist · 9 tracks · 43:58
A1Konzert d-moll für 2 Violinen, Streicher und Continuo, BWV 1043: Vivace3:58A2Konzert d-moll für 2 Violinen, Streicher und Continuo, BWV 1043: Largo ma non tanto6:00A3Konzert d-moll für 2 Violinen, Streicher und Continuo, BWV 1043: Allegro5:02A4Konzert für Violine, Streicher und Continuo Nr. 1 a-moll, BWV 1041: Allegro moderato3:58A5Konzert für Violine, Streicher und Continuo Nr. 1 a-moll, BWV 1041: Andante4:30A6Konzert für Violine, Streicher und Continuo Nr. 1 a-moll, BWV 1041: Allegro assai3:51B1Konzert für Violine, Streicher und Continuo Nr. 2 E-dur, BWV 1042: Allegro8:15B2Konzert für Violine, Streicher und Continuo Nr. 2 E-dur, BWV 1042: Adagio5:36B3Konzert für Violine, Streicher und Continuo Nr. 2 E-dur, BWV 1042: Allegro assai2:481971 · studio album
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Tracklist · 7 tracks · 57:46
A1The Four Seasons, Spring11:05A2Brandenburg Concerto No. 2 in F major, BWV 104712:49A3Suite No. 3 in D major, BWV 1068, Air On The G String3:48A4Suite No. 2 in B minor, BWV 1067, Badinerie1:25B1Sonata XIII2:34B2Concert Grosso No. 8 in G minor, "Christmas Concerto"14:09B3Concerto Armonico No. 2 in G major11:56Master Works For Organ, Vol 9 - J.S. Bach
1971 · studio album
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Tracklist · 4 tracks · 51:00
A1Toccata & Fugue In D Minor BWV 5658:55A2Toccata & Fugue In F Major BWV 54014:44B1Prelude & Fugue In E Minor BWV 54813:37B2Passacaglia In C Minor BWV 58213:441972 · studio album
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Tracklist · 9 tracks
A1Koncert skrzypcowy Nr 1 A-moll, BWV 1041: I. Allegro (non tanto)A2Koncert skrzypcowy Nr 1 A-moll, BWV 1041: II. AndanteA3Koncert skrzypcowy Nr 1 A-moll, BWV 1041: III. Allegro assaiA4Koncert skrzypcowy B-dur, F. I Nr 163: I. AllegroA5Koncert skrzypcowy B-dur, F. I Nr 163: II. LargoA6Koncert skrzypcowy B-dur, F. I Nr 163: III. AllegroB1Koncert skrzypcowy Nr 2 E-dur, BWV 1042: I. AllegroB2Koncert skrzypcowy Nr 2 E-dur, BWV 1042: II. AdagioB3Koncert skrzypcowy Nr 2 E-dur, BWV 1042: III. Allegro assai1972 · studio album
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Tracklist · 10 tracks
Disc 1A1Sie Werden Aus Saba Alle Kommen. BWV 65B1Preise, Jerusalem, Den Herrn. BWV 119Disc 2C1Warum Betrübst Du Dich, Mein Herz. BWV 138D1Alles Nur Nach Gottes Willen. BWV 72Disc 3E1Ein Ungefärbt Gemüte. BWV 24F1Ich Ruf' Zu Dir, Herr Jesu Christ. BWV 177Disc 4G1Nimm, Was Sein Ist, Und Gehe Hin. BWV 144H1Ich Hab In Gottes Herz Und Sinn. BWV 92Disc 5I1Christus, Der Ist Mein Leben. BWV 95J1Jesu, Der Du Meine Seele. BWV 781972 · studio album
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Tracklist · 19 tracks · 1:44:15
Disc 1A1Concerto No. 1 in F major, BWV 1046: I. (Allegro)3:59A2Concerto No. 1 in F major, BWV 1046: II. Adagio4:14A3Concerto No. 1 in F major, BWV 1046: III. Allegro4:26A4Concerto No. 1 in F major, BWV 1046: IV. Menuet; Trio; Menuet; Polonaise; Menuet; Trio; Menuet8:28B1Concerto No. 2 in F major, BWV 1047: I. (Allegro)4:55B2Concerto No. 2 in F major, BWV 1047: II. Andante4:07B3Concerto No. 2 in F major, BWV 1047: III. Allegro assai2:39B4Concerto No. 3 in G major, BWV 1048: I. (Allegro)6:25B5Concerto No. 3 in G major, BWV 1048: II. Adagio (Trio in D minor for Organ, BWV 583, transcribed for two violins, harpsichord and cello continuo and transposed to E Minor.)4:25B6Concerto No. 3 in G major, BWV 1048: III. Allegro5:29Disc 2C1Concerto No. 4 in G major, BWV 1049: I. (Allegro)7:00C2Concerto No. 4 in G major, BWV 1049: II. Andante3:49C3Concerto No. 4 in G major, BWV 1049: III. Presto4:53C4Concerto No. 5 in D major, BWV 1050: I. (Allegro)9:13D1Concerto No. 5 in D major, BWV 1050: II. Affettuoso6:11D2Concerto No. 5 in D major, BWV 1050: III. Allegro5:15D3Concerto No. 6 in D major, BWV 1051: I. (Allegro)6:30D4Concerto No. 6 in D major, BWV 1051: II. Adagio, ma non tanto6:49D5Concerto No. 6 in D major, BWV 1051: III. Allegro5:28Concertos BWV 1047, BWV 1060 / Suite BWV 1066
1972 · studio album
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Tracklist · 13 tracks · 51:13
A1Brandenburg Concerto no. 2 in F major: 1. (Allegro)4:48A2Brandenburg Concerto no. 2 in F major: 2. Andante3:46A3Brandenburg Concerto no. 2 in F major: 3. Allegro assai2:42A4Concerto for 2 Harpsichords, Strings and Continuo in C minor: 1. Allegro5:18A5Concerto for 2 Harpsichords, Strings and Continuo in C minor: 2. Adagio5:22A6Concerto for 2 Harpsichords, Strings and Continuo in C minor: 3. Allegro3:54B1Suite for Orchestra no. 1 in C major: 1. Ouverure8:18B2Suite for Orchestra no. 1 in C major: 2. Courante2:28B3Suite for Orchestra no. 1 in C major: 3. Gavotte I/II3:25B4Suite for Orchestra no. 1 in C major: 4. Forlane2:00B5Suite for Orchestra no. 1 in C major: 5. Menuett I/II3:08B6Suite for Orchestra no. 1 in C major: 6. Bourrée2:39B7Suite for Orchestra no. 1 in C major: 7. Passepied I/II3:25Orgelwerke Mit Edward Power Biggs
1973 · studio album
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Tracklist · 4 tracks · 41:28
A1Toccata Und Fuge D-moll BWV 5659:04A2Passacaglia C-moll BWV 58214:08B1Präludium Und Fuge C-dur BWV 5478:04B2Präludium Und Fuge G-dur BWV 54110:12Matthäus-Passion Chöre Und Arien
1973 · studio album
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Tracklist · 11 tracks · 54:32
A1Matthäus-Passion, BWV 244: Teil I, I. Chor I & II: 1. Kommit, Ihr Töchter, Helft Mir Klagen (Chor)9:19A2Matthäus-Passion, BWV 244: Teil I, V: 9. Du Lieber Heiland Du (Rezitativ: Alt)1:09A3Matthäus-Passion, BWV 244: Teil I, VI: 10. Buss' Und Reu' (Arie: Alt)5:24A4Matthäus-Passion, BWV 244: Teil I, VIII: 12. Blute Nur, Du Liebes Herz (Arie: Sopran)5:05A5Matthäus-Passion, BWV 244: Teil I, XX: 26. Ich Will Bei Meinem Jesu Wachen (Arie: Tenor/Chor)5:21A6Matthäus-Passion, BWV 244: Teil I, XXV: 31. Was Mein Gott Will, Das G'Scheh' Allzeit (Choral: Chor)1:43B1Matthäus-Passion, BWV 244: Teil II, XXXIX: 47. Erbarme Dich, Mein Gott (Arie: Alt)7:14B2Matthäus-Passion, BWV 244: Teil II, LXII: 72. Wenn Ich Einmal Soll Scheiden (Choral: Chor)2:05B3Matthäus-Passion, BWV 244: Teil II, LXV: 75. Mache Dich, Mein Herze, Rein (Arie: Bass)7:29B4Matthäus-Passion, BWV 244: Teil II, LXVII: 77. Nun Ist Der Herr Zur Ruh' Gebracht (Rezitativ: Bass/Tenor/Alt/Sopran/Chor)2:25B5Matthäus-Passion, BWV 244: Teil II, LXVIII: 78. Wir Setzen Uns Mit Tränen Nieder (Chor)7:18The Well-Tempered Clavier, Book II
1973 · studio album
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Tracklist · 24 tracks · 2:26:55
Disc 1A1Prélude et Fugue n° 1 en Ut Majeur3:59A2Prélude et Fugue n° 2 en Ut mineur4:26A3Prélude et Fugue n° 3 en Ut dièse Majeur3:17A4Prélude et Fugue n° 4 en Ut dièse mineur5:43A5Prélude et Fugue n° 5 en Ré Majeur8:23A6Prélude et Fugue n° 6 en Ré mineur2:59B1Prélude et Fugue n° 7 en Mi bémol Majeur4:36B2Prélude et Fugue n° 8 en Ré dièse mineur7:42B3Prélude et Fugue n° 9 en Mi Majeur8:41B4Prélude et Fugue n° 10 en Mi mineur5:42Disc 2A1Prélude et Fugue n° 11 en Fa Majeur4:37A2Prélude et Fugue n° 12 en Fa mineur6:03A3Prélude et Fugue n° 13 en Fa dièse Majeur5:17A4Prélude et Fugue n° 14 en Fa dièse mineur9:29B1Prélude et Fugue n° 15 en Sol Majeur3:20B2Prélude et Fugue n° 16 en Sol mineur6:19B3Prélude et Fugue n° 17 en La bémol Majeur6:40B4Prélude et Fugue n° 18 en Sol dièse mineur10:28Disc 3A1Prélude et Fugue n° 19 en La Majeur2:38A2Prélude et Fugue n° 20 en La mineur5:56A3Prélude et Fugue n° 21 en Si bémol Majeur9:37B1Prélude et Fugue n° 22 en Si bémol mineur10:33B2Prélude et Fugue n° 23 en Si Majeur6:35B3Prélude et Fugue n° 24 en Si mineur3:551973 · studio album
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Tracklist · 10 tracks · 44:44
1Partita en ré majeur BWV 828 - I. Ouverture5:182Partita en ré majeur BWV 828 - II. Allemande5:093Partita en ré majeur BWV 828 - III. Courante2:484Partita en ré majeur BWV 828 - IV. Air1:485Partita en ré majeur BWV 828 - V. Sarabande3:526Partita en ré majeur BWV 828 - VI. Menuet0:587Partita en ré majeur BWV 828 - VI. Gigue3:098L'Offrande musicale BWV 1079 - Ricercar à 36:039L'Offrande musicale BWV 1079 - Ricercar à 68:0110Prélude, Fugue & Allegro en mi bémol majeur BWV 9987:38The Sound of the Italian Harpsichord
1973 · studio album
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Tracklist · 11 tracks · 42:00
1Lamentation in C major6:012Fantasy in E minor4:003Italian Concerto in F major: I. 1st movement (no tempo indicated)4:234Italian Concerto in F major: II. Andante5:295Italian Concerto in F major: III. Presto3:166Largo in B minor3:547Gavotte in B minor2:238Allegretto in C major2:579Presto in C minor2:1910Allegretto in D minor4:2111Presto in E major2:57Die Konzerte für 3 & 4 Cembali BWV 1063–1065
1973 · studio album
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Tracklist · 9 tracks · 43:08
A1Konzert für 3 Cembali und Orchester d-Moll, BWV 1063: 1. Ohne Tempoangabe5:36A2Konzert für 3 Cembali und Orchester d-Moll, BWV 1063: 2. Alla Siciliana4:17A3Konzert für 3 Cembali und Orchester d-Moll, BWV 1063: 3. Allegro5:28A4Konzert für 3 Cembali und Orchester C-Dur, BWV 1064: 1. Allegro6:49B1Konzert für 3 Cembali und Orchester C-Dur, BWV 1064: 2. Adagio5:49B2Konzert für 3 Cembali und Orchester C-Dur, BWV 1064: 3. Allegro4:55B3Konzert für 4 Cembali und Orchester a-Moll, BWV 1065: 1. Ohne Tempoangabe4:16B4Konzert für 4 Cembali und Orchester a-Moll, BWV 1065: 2. Largo2:03B5Konzert für 4 Cembali und Orchester a-Moll, BWV 1065: 3. Allegro3:551973 · studio album
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Tracklist · 11 tracks
A1Concerto For Organ In C Major, BWV, 594: 1st Movement: AllegroA2Concerto For Organ In C Major, BWV, 594: 2nd Movement: Recitative (Adagio)/3rd Movement: AllegroA3Concerto For Organ In G Major, BWV 592: 1st Movement: AllegroA4Concerto For Organ In G Major, BWV 592: 2nd Movement: GraveA5Concerto For Organ In G Major, BWV 592: 3rd Movement: PrestoB1Concerto For Organ In D Minor, BWV 596: 1st Movement: Allegro (Fuga)B2Concerto For Organ In D Minor, BWV 596: 2nd Movement: LargoB3Concerto For Organ In D Minor, BWV 596: 3rd Movement: FinaleB4Concerto For Organ In A Minor, BWV 593: 1st Movement: AllegroB5Concerto For Organ In A Minor, BWV 593: 2nd Movement: AdagioB6Concerto For Organ In A Minor, BWV 593: 3rd Movement: Allegro1973 · studio album
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Tracklist · 13 tracks · 40:06
A1Selections from Suite no. 2 in B minor, BWV 1067: Badinerie1:27A2Selections from Suite no. 2 in B minor, BWV 1067: Minuet1:21A3Selections from Suite no. 2 in B minor, BWV 1067: Bourrée1:46A4Two‐Part Invention in A minor, BWV 7841:24A5Two‐Part Invention in A major, BWV 7831:13A6Sheep May Safely Graze, from “Cantata no. 208”, BWV 2085:11A7Suite from Anna Magdalena Notebook: Musette in D major, Anh. 2161:12A8Suite from Anna Magdalena Notebook: Minuet in G major, Anh. 1141:46A9Suite from Anna Magdalena Notebook: Bist du bei mir, BWV 5082:18A10Suite from Anna Magdalena Notebook: Marche in D major, Anh. 1221:08B1Brandenburg Concerto no. 5 in D major, BWV 1050: Allegro10:53B2Brandenburg Concerto no. 5 in D major, BWV 1050: Affettuoso5:35B3Brandenburg Concerto no. 5 in D major, BWV 1050: Allegro4:521973 · studio album
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Tracklist · 7 tracks · 43:13
A1Fugue In C Minor, BWV 5374:28A2"Little" Fugue In G Minor, BWV 5783:21A3Arioso (From Cantata No. 156)5:51A4Toccata In F, BWV 5408:12B1Fantasy And Fugue In G Minor ("Great"), BWV 54212:56B2In Thee Is Joy, BWV 615 (Chorale Prelude)3:21B3Adeste Fideles (Traditional)5:041974 · studio album
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Tracklist · 25 tracks · 2:06:08
Disc 1A1Mass in B minor: Kyrie: I. Chorus: Kyrie eleison11:46A2Mass in B minor: Kyrie: II. Duet (soprano, contralto): Christe eleison6:15A3Mass in B minor: Kyrie: III. Chorus: Kyrie eleison3:20B1Mass in B minor: Gloria: IV. Chorus: Gloria in excelsis / V. Chorus: Et in terra pax5:57B2Mass in B minor: Gloria: VI. Aria (contralto): Laudamus te5:25B3Mass in B minor: Gloria: VII. Chorus: Gratias agimus tibi3:46Disc 2C1Mass in B minor: Gloria: VIII. Duet (soprano, tenor): Domine Deus6:09C2Mass in B minor: Gloria: IX. Chorus: Qui tollis peccata mundi3:49C3Mass in B minor: Gloria: X. Aria (contralto): Qui sedes ad dexteram Patris5:47C4Mass in B minor: Gloria: XI. Aria (bass): Quoniam tu solus Sanctus4:55C5Mass in B minor: Gloria: XII. Chorus: Cum Sancto Spiritu4:11D1Mass in B minor: Credo: XIII. Chorus: Credo in unum Deum2:48D2Mass in B minor: Credo: XIV. Chorus: Credo in unum Deum, Patrem omnipotentem2:15D3Mass in B minor: Credo: XV. Duet (soprano, contralto): Et in unum Dominum5:36D4Mass in B minor: Credo: XVI. Chorus: Et incarnatus est4:02D5Mass in B minor: Credo: XVII. Chorus: Crucifixus2:41D6Mass in B minor: Credo: XVIII. Et resurrexit4:17Disc 3E1Mass in B minor: Credo: XIX. Aria (bass): Et in Spiritum Sanctum6:30E2Mass in B minor: Credo: XX. Chorus: Confiteor unum baptisma / XXI. Chorus: Et expecto resurrectionem7:51E3Mass in B minor: Sanctus: XXII. Chorus: Sanctus6:14E4Mass in B minor: Sanctus: XXIII. Chorus: Osanna in excelsis2:43F1Mass in B minor: Sanctus: XXIV. Aria (tenor): Benedictus, qui venit5:30F2Mass in B minor: Sanctus: XXV. Chorus: Osanna in excelsis (da capo)2:46F3Mass in B minor: Agnus Dei: XXVI. Aria (contralto): Agnus Dei7:33F4Mass in B minor: Agnus Dei: XXVII. Chorus: Dona nobis pacem4:02Music for the Solo Traverso Vol. 1 Authentic and Complete Works from the Neue Bach Gesellschaft
1974 · studio album
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Tracklist · 4 tracks · 56:39
1Sonata in B minor for Traverso and Harpsichord BWV 103019:212Sonata in E minor for Traverso and Continuo BWV 103412:303Sonata in E major for Traverso and Continuo BWV103512:294Partita in A minor for Traverso alone BWV101312:19Sonaten für violine & Cembalo no. 1-6, BWV 1014-1019
1974 · studio album
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Tracklist · 25 tracks · 1:33:49
Disc 1A1Sonata für violine und cembalo h-moll, BWV 1014: 1. Adagio3:08A2Sonata für violine und cembalo h-moll, BWV 1014: 2. Allegro3:01A3Sonata für violine und cembalo h-moll, BWV 1014: 3. Andante3:13A4Sonata für violine und cembalo h-moll, BWV 1014: 4. Allegro3:41A5Sonata für violine und cembalo E-dur, BWV 1016: 1. Adagio3:56A6Sonata für violine und cembalo E-dur, BWV 1016: 2. Allegro3:04B1Sonata für violine und cembalo E-dur, BWV 1016: 3. Adagio man non tanto4:48B2Sonata für violine und cembalo E-dur, BWV 1016: 4. Allegro3:48B3Sonata für violine und cembalo G-dur, BWV 1019: 1. Allegro3:55B4Sonata für violine und cembalo G-dur, BWV 1019: 2. Largo1:54B5Sonata für violine und cembalo G-dur, BWV 1019: 3. Allegro3:44B6Sonata für violine und cembalo G-dur, BWV 1019: 4. Adagio3:20B7Sonata für violine und cembalo G-dur, BWV 1019: 5. Allegro3:35Disc 2C1Sonata für violine und cembalo f-moll, BWV 1018: 1. Largo6:28C2Sonata für violine und cembalo f-moll, BWV 1018: 2. Allegro3:21C3Sonata für violine und cembalo f-moll, BWV 1018: 3. Adagio3:26C4Sonata für violine und cembalo f-moll, BWV 1018: 4. Vivace2:30C5Sonata für violine und cembalo A-dur, BWV 1015: 1. (Andante)3:13C6Sonata für violine und cembalo A-dur, BWV 1015: 2. Allegro assai3:22D1Sonata für violine und cembalo A-dur, BWV 1015: 3. Andante un poco3:27D2Sonata für violine und cembalo A-dur, BWV 1015: 4. Presto4:37D3Sonata für violine und cembalo c-moll, BWV 1017: 1. Siciliano: Largo5:01D4Sonata für violine und cembalo c-moll, BWV 1017: 2. Allegro4:38D5Sonata für violine und cembalo c-moll, BWV 1017: 3. Adagio3:46D6Sonata für violine und cembalo c-moll, BWV 1017: 4. Allegro4:53Music for the Solo Traverso Vol. 2 Incomplete and Controversial Sonatas
1974 · studio album
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Tracklist · 4 tracks · 45:13
1Sonata for Traverso and Harpsichord in G minor BWV1030b11:102Sonata for Traverso and Harpsichord in E flat major BWV103110:153Sonata for Traverso and Harpsichord in A major BWV103214:374Sonata for Traverso and Harpsichord in C major BWV10339:113 concerti per 1 and 2 cembali, BWV 1056, 1060, 1061
1974 · studio album
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Tracklist · 9 tracks · 40:58
A1Konzert für zwei Cembali und Streicher c-Moll, BWV 1060: Allegro4:54A2Konzert für zwei Cembali und Streicher c-Moll, BWV 1060: Adagio4:28A3Konzert für zwei Cembali und Streicher c-Moll, BWV 1060: Allegro3:42A4Konzert für Cembalo und Streicher f-Moll, BWV 1056: Allegro3:24A5Konzert für Cembalo und Streicher f-Moll, BWV 1056: Largo2:55A6Konzert für Cembalo und Streicher f-Moll, BWV 1056: Presto4:13B1Konzert für zwei Cembali und Streicher C-Dur, BWV 1061: (Allegro)7:19B2Konzert für zwei Cembali und Streicher C-Dur, BWV 1061: Adagio ovvero largo4:24B3Konzert für zwei Cembali und Streicher C-Dur, BWV 1061: Fuga5:391974 · studio album
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Tracklist · 26 tracks · 1:16:22
Disc 1A1Kantate Nr. 28 "Gottlob! nun geht das Jahr zu Ende" BWV 28: 1. Aria (Soprano)4:20A2Kantate Nr. 28 "Gottlob! nun geht das Jahr zu Ende" BWV 28: 2. Coro4:56A3Kantate Nr. 28 "Gottlob! nun geht das Jahr zu Ende" BWV 28: 3. Recitativo – Arioso (Basso)1:51A4Kantate Nr. 28 "Gottlob! nun geht das Jahr zu Ende" BWV 28: 4. Recitativo (Tenore)1:02A5Kantate Nr. 28 "Gottlob! nun geht das Jahr zu Ende" BWV 28: 5. Duetto (Alto, Tenore)2:32A6Kantate Nr. 28 "Gottlob! nun geht das Jahr zu Ende" BWV 28: 6. Choral1:01B1Kantate Nr. 29 "Wir danken dir, Gott, wir danken dir" BWV 29: 1. Sinfonia3:37B2Kantate Nr. 29 "Wir danken dir, Gott, wir danken dir" BWV 29: 2. Coro3:01B3Kantate Nr. 29 "Wir danken dir, Gott, wir danken dir" BWV 29: 3. Aria (Tenore)6:30B4Kantate Nr. 29 "Wir danken dir, Gott, wir danken dir" BWV 29: 4. Recitativo (Basso)0:48B5Kantate Nr. 29 "Wir danken dir, Gott, wir danken dir" BWV 29: 5. Aria (Soprano)5:47B6Kantate Nr. 29 "Wir danken dir, Gott, wir danken dir" BWV 29: 6. Recitativo (Alto, Chor)0:26B7Kantate Nr. 29 "Wir danken dir, Gott, wir danken dir" BWV 29: 7. Aria (Alto)1:52B8Kantate Nr. 29 "Wir danken dir, Gott, wir danken dir" BWV 29: 8. Choral1:22Disc 2C1Kantate Nr. 30 "Freue dich, erlöste Schar" BWV 30: Prima parte – 1. Coro4:25C2Kantate Nr. 30 "Freue dich, erlöste Schar" BWV 30: Prima parte – 2. Recitativo (Basso)0:48C3Kantate Nr. 30 "Freue dich, erlöste Schar" BWV 30: Prima parte – 3. Aria (Basso)5:12C4Kantate Nr. 30 "Freue dich, erlöste Schar" BWV 30: Prima parte – 4. Recitativo (Alto)0:34C5Kantate Nr. 30 "Freue dich, erlöste Schar" BWV 30: Prima parte – 5. Aria (Alto)4:37C6Kantate Nr. 30 "Freue dich, erlöste Schar" BWV 30: Prima parte – 6. Choral1:13D1Kantate Nr. 30 "Freue dich, erlöste Schar" BWV 30: Seconda parte – 7. Recitativo (Basso)0:56D2Kantate Nr. 30 "Freue dich, erlöste Schar" BWV 30: Seconda parte – 8. Aria (Basso)7:00D3Kantate Nr. 30 "Freue dich, erlöste Schar" BWV 30: Seconda parte – 9. Recitativo (Soprano)0:49D4Kantate Nr. 30 "Freue dich, erlöste Schar" BWV 30: Seconda parte – 10. Aria (Soprano)5:56D5Kantate Nr. 30 "Freue dich, erlöste Schar" BWV 30: Seconda parte – 11. Recitativo (Tenore)1:14D6Kantate Nr. 30 "Freue dich, erlöste Schar" BWV 30: Seconda parte – 12. Coro4:331974 · studio album
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Tracklist · 6 tracks · 40:43
1Concierto de Brandenburgo nº 5 en re mayor BWV 1050: I. Allegro10:352Concierto de Brandenburgo nº 5 en re mayor BWV 1050: II. Affettuoso5:503Concierto de Brandenburgo nº 5 en re mayor BWV 1050: III. Allegro5:254Concierto de Brandenburgo nº 6 en si bemol mayor BWV 1051: I. Allegro6:505Concierto de Brandenburgo nº 6 en si bemol mayor BWV 1051: II. Adagio ma non tanto5:406Concierto de Brandenburgo nº 6 en si bemol mayor BWV 1051: III. Allegro6:231974 · studio album
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Tracklist · 4 tracks · 53:14
A1Toccata and Fugue in D Minor, BWV 5659:39A2Toccata and Fugue in F Major, BWV 54015:25B1Toccata and Fugue in D Minor "Dorian", BWV 53813:10B2Toccata, Adagio, and Fugue in C Major, BWV 56415:00Helmut Walcha spielt Bach: Toccata und Fuge d-moll: Dorische Toccata und Fuge u.a.
1975 · studio album
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Tracklist · 5 tracks · 52:30
A1Toccata und Fuge d-Moll BWV 5659:28A2Präludium und Fuge Es-Dur BWV 55216:32B1"Dorische" Toccata und Fuge BWV 53813:08B2Fantasie G-Dur BWV 5728:49B3Fantasie c-Moll BWV 5624:331975 · studio album
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Tracklist · 23 tracks · 1:32:37
A1Suite no. 1 in E minor, BWV 996: I. Prelude2:31A2Suite no. 1 in E minor, BWV 996: II. Allemande2:00A3Suite no. 1 in E minor, BWV 996: III. Courante2:34A4Suite no. 1 in E minor, BWV 996: IV. Sarabande4:31A5Suite no. 1 in E minor, BWV 996: V. Bourrée1:14A6Suite no. 1 in E minor, BWV 996: VI. Gigue2:48A7Prelude, Fugue and Allegro, BWV 99810:26B1Suite no. 2 in A minor (Originally C minor), BWV 997: I. Prelude. Fuga9:21B2Suite no. 2 in A minor (Originally C minor), BWV 997: II. Sarabande5:01B3Suite no. 2 in A minor (Originally C minor), BWV 997: III. Gigue - Double5:47C1Suite no. 3 in A minor (Originally G minor), BWV 995: I. Prelude5:17C2Suite no. 3 in A minor (Originally G minor), BWV 995: II. Allemande3:08C3Suite no. 3 in A minor (Originally G minor), BWV 995: III. Courante2:03C4Suite no. 3 in A minor (Originally G minor), BWV 995: IV. Sarabande3:52C5Suite no. 3 in A minor (Originally G minor), BWV 995: V. Gavotte I & II4:11C6Suite no. 3 in A minor (Originally G minor), BWV 995: VI. Gigue2:14D1Suite no. 4 in E major, BWV 1006a: I. Prelude4:26D2Suite no. 4 in E major, BWV 1006a: II. Loure3:35D3Suite no. 4 in E major, BWV 1006a: III. Gavotte en Rondeau2:49D4Suite no. 4 in E major, BWV 1006a: IV. Menuett I & II4:19D5Suite no. 4 in E major, BWV 1006a: V. Bourée1:51D6Suite no. 4 in E major, BWV 1006a: VI. Gigue2:05D7Prelude in C minor and Fugue in G minor, BWV 999/10006:34Partita no. 2 in D minor / Sonata no. 3 in C major
1975 · studio album
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Tracklist · 9 tracks
A1Partita no. 2 in D minor for Solo Violin, BWV 1004: AllemandaA2Partita no. 2 in D minor for Solo Violin, BWV 1004: CorrenteA3Partita no. 2 in D minor for Solo Violin, BWV 1004: SarabandaA4Partita no. 2 in D minor for Solo Violin, BWV 1004: GigaA5Partita no. 2 in D minor for Solo Violin, BWV 1004: CiacconaB1Sonata no. 3 in C major for Solo Violin, BWV 1005: AdagioB2Sonata no. 3 in C major for Solo Violin, BWV 1005: FugaB3Sonata no. 3 in C major for Solo Violin, BWV 1005: LargoB4Sonata no. 3 in C major for Solo Violin, BWV 1005: Allegro assaiBrandenburg Concertos: Complete
1975 · studio album
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Tracklist · 6 tracks · 1:43:11
Disc 1A1Concerto No. 1 in F, BWV 104622:05B1Concerto No. 2 in F, BWV 104712:08B2Concerto No. 4 in G, BWV 104916:35Disc 2C1Concerto No. 5 in D, BWV 105022:01D1Concerto No. 3 in G, BWV 104811:04D2Concerto No. 6 in B-flat, BWV 105119:181975 · studio album
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Tracklist · 19 tracks · 2:16:30
1Toccata and Fugue in D minor, BWV 5658:252Passacaglia and Fugue in C minor, BWV 58213:303Toccata, Adagio, and Fugue in C major, BWV 56414:104Fugue in G minor, BWV 578 “The Little”4:055Fugue in G major, BWV 571 “The Jig”3:156Prelude and Fugue in E-flat major, BWV 552 “St. Anne”16:257Pastorale in F major, BWV 59010:158Prelude and Fugue in A minor, BWV 543 “The Great”10:159Schmucke Dich, O Liebe Seele, BWV 6549:0510Toccata in F major9:2011Prelude and Fugue in C minor, BWV 549 “Arnstadt”5:4812Prelude and Fugue in D minor, BWV 539 “Fiddle”7:5513Prelude and Fugue in E minor, BWV 533 “Cathedral”6:1414Wachet Auf! Ruft Uns Die Stimme, BWV 645 “Sleepers Awake! A Voice Is Calling”4:3715Wo Soll Ich Fliehen Hin, BWV 646 “O Whither Shall I Flee”1:3616Wer Nur Den Lieben GottLasst Walten, BWV 647 “If Thou But Suffer God To Guide Thee”3:2517Meine Seele Erhebet Den Herren, BWV 648 “My Soul Doth Magnify The Lord”2:2618Ach, Bleib Bei Uns, Herr Jesu Christ, BWV 649 “Lord Jesus Christ, With Us Abide”2:2719Kommst Du Nun, Jesu, Vom Himmel Herunter Auf Erden, BWV 650 “Comest Thou Now, Jesus, From Heaven To Earth?”3:171975 · studio album
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Tracklist · 14 tracks · 54:02
1Italian Concerto, for solo keyboard in F major, BWV 971: I. Allegro Moderato4:152Italian Concerto, for solo keyboard in F major, BWV 971: II. Andante4:553Italian Concerto, for solo keyboard in F major, BWV 971: III. Presto4:084Chromatic Fantasia and Fugue, for keyboard in D minor, BWV 903: I. Fantasia2:585Chromatic Fantasia and Fugue, for keyboard in D minor, BWV 903: II. Recitativo3:056Chromatic Fantasia and Fugue, for keyboard in D minor, BWV 903: III. Fuga5:387Overture in the French Manner, partita for keyboard in B minor, BWV 831: I. Ouverture8:128Overture in the French Manner, partita for keyboard in B minor, BWV 831: II. Courante2:199Overture in the French Manner, partita for keyboard in B minor, BWV 831: III. Gavotte I, II3:3310Overture in the French Manner, partita for keyboard in B minor, BWV 831: IV. Passepied I, II3:0211Overture in the French Manner, partita for keyboard in B minor, BWV 831: V. Sarabande3:1812Overture in the French Manner, partita for keyboard in B minor, BWV 831: VI. Bourrée2:4413Overture in the French Manner, partita for keyboard in B minor, BWV 831: VII. Gigue2:5014Overture in the French Manner, partita for keyboard in B minor, BWV 831: VIII. Echo3:051975 · studio album
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Tracklist · 12 tracks · 42:08
A1Suite Nr. 1 G-dur BWV 1007: 1. Prélude2:34A2Suite Nr. 1 G-dur BWV 1007: 2. Allemande5:10A3Suite Nr. 1 G-dur BWV 1007: 3. Courante2:20A4Suite Nr. 1 G-dur BWV 1007: 4. Sarabande3:42A5Suite Nr. 1 G-dur BWV 1007: 5. Menuet I. Menuet II2:53A6Suite Nr. 1 G-dur BWV 1007: 6. Gigue1:43B1Suite Nr. 2 d-moll BWV 1008: 1. Prélude4:19B2Suite Nr. 2 d-moll BWV 1008: 2. Allemande4:29B3Suite Nr. 2 d-moll BWV 1008: 3. Courante2:15B4Suite Nr. 2 d-moll BWV 1008: 4. Sarabande6:38B5Suite Nr. 2 d-moll BWV 1008: 5. Menuet I. Menuet II3:18B6Suite Nr. 2 d-moll BWV 1008: 6. Gigue2:471975 · studio album
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Tracklist · 8 tracks · 55:10
A1Violin and Oboe Concerto in D minor, BWV. 1060: I. Allegro5:17A2Violin and Oboe Concerto in D minor, BWV. 1060: II. Adagio / III. Allegro10:40A3Concerto in A minor, BWV. 1041: I. Allegro4:05A4Concerto in A minor, BWV. 1041: II. Andante7:43B1Concerto in A minor, BWV. 1041: III. Allegro Assai4:02B2Concerto in D minor, from BWV. 1052: I. Allegro8:05B3Concerto in D minor, from BWV. 1052: II. Adagio8:03B4Concerto in D minor, from BWV. 1052: III. Allegro7:151975 · studio album
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Tracklist · 25 tracks
Disc 11Messe en si mineur, BWV 232: Kyrie eleison I2Messe en si mineur, BWV 232: Christe Eleison3Messe en si mineur, BWV 232: Kyrie Eleison II4Messe en si mineur, BWV 232: Gloria in excelsis Deo5Messe en si mineur, BWV 232: Laudamus te6Messe en si mineur, BWV 232: Gratias agimus tibi7Messe en si mineur, BWV 232: Domine Deus8Messe en si mineur, BWV 232: Qui tollis9Messe en si mineur, BWV 232: Qui sedes10Messe en si mineur, BWV 232: Quoniam tu solus sanctus11Messe en si mineur, BWV 232: Cum Sancto SpirituDisc 21Messe en si mineur, BWV 232: Credo in unum Deum2Messe en si mineur, BWV 232: Patrem omnipotentem3Messe en si mineur, BWV 232: Et in unum Dominum4Messe en si mineur, BWV 232: Et incarnatus est5Messe en si mineur, BWV 232: Crucifixus6Messe en si mineur, BWV 232: Et resurrexit7Messe en si mineur, BWV 232: Et in Spiritum Sanctum8Messe en si mineur, BWV 232: Confiteor9Messe en si mineur, BWV 232: Sanctus10Messe en si mineur, BWV 232: Osanna11Messe en si mineur, BWV 232: Benedictus12Messe en si mineur, BWV 232: Osanna da capo13Messe en si mineur, BWV 232: Agnus Dei14Messe en si mineur, BWV 232: Dona nobis pacemThe [Electric] Art of the Fugue
1975 · studio album
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Tracklist · 7 tracks
A1The Art of the Fugue, BWV 1080: Contrapunctus IA2The Art of the Fugue, BWV 1080: Contrapunctus IVA3The Art of the Fugue, BWV 1080: Contrapunctus XA4The Art of the Fugue, BWV 1080: Contrapunctus IXB1The Art of the Fugue, BWV 1080: Contrapunctus VIIIB2The Art of the Fugue, BWV 1080: Contrapunctus XIB3The Art of the Fugue, BWV 1080: Contrapunctus XV1976 · studio album
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Tracklist · 8 tracks · 45:12
A1フーガ ト短調 BWV 5783:58A2シチリアーノ BWV 10313:10A3主よ、人の望みの喜びよ BWV 1472:55A4目覚めよと呼ぶ声あり BWV 6453:30A5わが心からの望み BWV 7272:17A6主よ、あわれみ給え BWV 2446:14B1シャコンヌ ニ短調 BWV 100413:19B2トッカータとフーガ ニ短調 BWV 5659:491976 · studio album
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Tracklist · 16 tracks · 47:35
A1Ricercar A Trois Voix Pour Flûte Et Cordes5:39A2Canon A Deux Violons - Canon "Crabe"0:53A3Canon A Deux Voix à L'unisson Pour Deux Violons, Clavecin Et Basse Continue0:58A4Canon A Deux Voix Par Mouvement Contraire Pour Deux Violons Et Alto0:55A5Canon A Deux Voix Par Augmentation Et Mouvement Contraire Pour Deux Violons Et Alto1:40A6Canon A Deux Voix Par Tons Pour Violon, Alto Et Violoncelle2:30A7Sonate En Trio Pour Flûte, Violon Et Basse Continue : Largo5:25A8Sonate En Trio Pour Flûte, Violon Et Basse Continue : Allegro Moderato6:08B9Sonate En Trio Pour Flûte, Violon Et Basse Continue : Andante Larghetto3:33B10Sonate En Trio Pour Flûte, Violon Et Basse Continue : Allegro3:00B11Fugue Canonique Pour Flûte, Violon Alto Et Violoncelle2:18B12Canon A Deux Voix Pour Flûte, Violon Et Basse Continue1:05B13Canon A Deux Voix Pour Violon, Violoncelle Et Basse Continue1:16B14Canon A Deux Voix Pour Alto Et Violoncelle1:31B15Canon A Quatre Voix Pour Flûte, Violon, Alto Et Violonelle3:52B16Ricercar A Six Voix - Fugue Sur Le Thème Royal6:521976 · studio album
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Tracklist · 4 tracks · 51:57
A1Toccata and Fugue in D minor, BWV.5658:10A2Toccata, Adagio and Fugue in C, BWV.56414:46B1Toccata and Fugue in D minor (Dorian), BWV.53814:42B2Toccata and Fugue in F, BWV.54014:191976 · studio album
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Tracklist · 11 tracks
Disc 1A1Schwingt Freudig Euch Empor - Kantate Am Ersten Advent BWV 36 (1731)B1Selig Ist Der Mann - Kantate Am Zweiten Weihnachtstag BWV 57 (1740)Disc 2C1Herr, Wie Du Willst, So Schicks Mit Mir - Kantate Am 3. Sonntag Nach Epiphanias BWV 73 (1724)D1Was Mein Gott Will, Das G'scheh Allzeit - Kantate Am 3. Sonntag Nach Epiphanias BWV 111 (1725)Disc 3E1Aus Der Tiefen Rufe Ich, Herr, Zu Dir - Kantate BWV 131 (1707)F1Gottes Zeit Ist Die Allerbeste Zeit - Kantate BWV 106 "Actus Tragicus" (1707)Disc 4G1Gott Fähret Auf Mit Jauchzen - Kantate Zum Himmelfahrtstag BWV 43 (1735)H1Auf Christi Himmelfahrt Allein - Kantate Zum Himmelfahrtstag BWV 128 (1725)Disc 5I1Halt Im Gedächtnis Jesum Christ - Kantate Zum Sonntag Quasimodogeniti BWV 67 (1724)I2Am Abend Aber Desselbigen Sabbats - Kantate Zum Sonntag Quasimodogeniti BWV 42 (1731)J1Am Abend Aber Desselbigen Sabbats - Kantate Zum Sonntag Quasimodogeniti BWV 42 (1731)Italienisches Konzert / Französische Ouvertüre
1976 · studio album
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Tracklist · 11 tracks · 45:25
A1Italienisches Konzert F-Dur BWV 971: I. Allegro4:12A2Italienisches Konzert F-Dur BWV 971: II. Andante4:54A3Italienisches Konzert F-Dur BWV 971: III. Presto4:08A4Partita h-Moll BWV 831: I. Ouverture12:18B1Partita h-Moll BWV 831: II. Courante2:19B2Partita h-Moll BWV 831: III. Gavotte I und II3:32B3Partita h-Moll BWV 831: IV. Passepied I und II2:57B4Partita h-Moll BWV 831: V. Sarabande2:57B5Partita h-Moll BWV 831: VI. Bourrée I und II2:45B6Partita h-Moll BWV 831: VII. Gigue2:31B7Partita h-Moll BWV 831: VIII. Echo2:521976 · studio album
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Tracklist · 3 tracks
APartiita koraali teemale „Sei gegrüsset, Jesu gütig” sol-minoor, BWV 768B1Koraal nr. 2 si-minoorB2Taevaminemise poeem nr. 3Das Orgelwerk Folge 1 - Fantasien Und Fugen BWV 537, 542 / Präludien Und Fugen BWV 541,543,545
1976 · studio album
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Tracklist · 5 tracks
A1Fantasie Und Fuge G-moll BWV 542A2Fantasie Und Fuge C-moll BWV 537B1Präludium Und Fuge A-moll BWV 543B2Präludium Und Fuge C-dur BWV 545B3Präludium Und Fuge C-dur BWV 541Cantate N° 56 "Ich Will Den Kreuzstab Gerne Tragen" / Cantate N° 169 "Got Soll Allein Herze Haben"
1976 · studio album
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Tracklist · 12 tracks · 47:37
A1Cantate N° 56 "Ich Will Den Kreuzstab Gerne Tragen": Aria9:15A2Cantate N° 56 "Ich Will Den Kreuzstab Gerne Tragen": Recitativo1:55A3Cantate N° 56 "Ich Will Den Kreuzstab Gerne Tragen": Aria6:45A4Cantate N° 56 "Ich Will Den Kreuzstab Gerne Tragen": Recitativo2:05A5Cantate N° 56 "Ich Will Den Kreuzstab Gerne Tragen": Choral1:42B1Cantate N° 169 "Gott Soll Allein Herze Haben": Sinfonia8:12B2Cantate N° 169 "Gott Soll Allein Herze Haben": Arioso - Récitatif2:45B3Cantate N° 169 "Gott Soll Allein Herze Haben": Aria6:10B4Cantate N° 169 "Gott Soll Allein Herze Haben": Récitatif0:56B5Cantate N° 169 "Gott Soll Allein Herze Haben": Aria6:05B6Cantate N° 169 "Gott Soll Allein Herze Haben": Récitatif0:35B7Cantate N° 169 "Gott Soll Allein Herze Haben": Choral1:12The 24 Organ Preludes and Fugues, Volume 1
1976 · studio album
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Tracklist · 21 tracks · 2:00:41
Disc 11Prelude and Fugue in C major, S. 5478:242Liebster Jesu, wir sind hier, S. 7061:393Toccata and Fugue in D minor, S. 5658:024Nun freut euch, liebe Christen g'mein, S. 7341:465Prelude and Fugue in E-flat major, S. 55213:156Fughetta: Nun komm' der Heiden Heiland, S. 6990:577Prelude and Fugue in F minor, S 5347:23Disc 21Fantasy and Fugue in G minor, S. 54210:192Fughetta: Lob sei dem allmächtigen Gott, S. 7040:423Prelude and Fugue in A minor, S. 5438:154Prelude and Fugue in B minor, S. 54410:205Gottes Sohn is kommen, S. 7241:206Prelude and Fugue in C major, S. 5455:407Lobt Gott, ihr Christen, allzugleich, S. 6090:47Disc 31Toccata, Adagio and Fugue in C major, S. 56414:222Jesus Christus, unser Heiland, S. 6261:233Prelude and Fugue in D minor, S. 5397:014Prelude and Fugue in E minor, S. 5334:135Wer nur den lieben Gott lässt walten, S. 6911:456Toccata and Fugue in F major, S. 54011:247Jesu, meine Freude, S. 6101:44Geistliche Kantaten BWV 61 - 63
1976 · studio album
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Tracklist · 19 tracks · 1:03:38
1[BWV 61] Coro: Nun Komm Der Heiden Heiland3:422[BWV 61] Recitativo (Tenor): Der Heiland Ist Gekommen1:343[BWV 61] Aria (Tenor): Komm, Jesu, Komm Zu Deiner Kirche3:594[BWV 61] Recitativo (Bass): Siehe, Ich Stehe Vor Der Türe1:045[BWV 61] Aria (Sopran): Öffne Dich, Mein Ganzes Herze3:236[BWV 61] Choral: Amen, Amen1:097[BWV 62] Coro: Nun Komm Der Heiden Heiland4:538[BWV 62] Aria (Tenor): Bewundert, o Menschen, Dies Große Geheimnis7:299[BWV 62] Recitativo (Bass): So Geht Aus Gottes Herrlichkeit Und Thron0:3610[BWV 62] Aria (Bass): Streite, Siege, Starker Held5:0911[BWV 62] Recitativo (S, a): Wir Ehren Diese Herrlichkeit0:5812[BWV 62] Choral: Lob Sei Gott Dem Vater Ton0:4813[BWV 63] Coro: Christen Ätzet Diesen Tag5:1714[BWV 63] Recitativo (Alt): O Selger Tag, o Ungemeines Heute3:3215[BWV 63] Duetto (S, B): Gott Du Hast Es Wohl Gefüget6:2416[BWV 63] Recitativo (Tenor): So Kehret Sich Nun Heut Das Bange Leid0:5317[BWV 63] Duetto (A, T): Ruft Und Fleht Den Himmel An4:2318[BWV 63] Recitativo (Bass): Verdoppelt Euch Demnach1:0619[BWV 63] Coro: Höchster, Schau in Gnaden An7:19Das Orgelwerk - Folge 8 - Präludien Und Fugen BWV 544, 546-548
1976 · studio album
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Tracklist · 4 tracks
A1Präludium Und Fuge C-dur BWV 547A2Fantasie Und Fuge C-moll BWV 546B1Präludium Und Fuge E-moll BWV 548B2Präludium Und Fuge H-moll BWV 544Das Orgelwerk, Folge 3: Orgelbüchlein
1976 · studio album
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Tracklist · 45 tracks · 35:52
Disc 1A1Nun komm, der Heiden Heiland, BWV 5991:17A2Gottes Sohn ist kommen, BWV 6001:14A3Herr Christ, der ein'ge Gottessohn, BWV 6011:34A4Lob sei dem allmächtigen Gott, BWV 6020:52A5Puer natus in Bethlehem, BWV 6030:45A6Gelobet seist du, Jesu Christ, BWV 6041:17A7Der Tag, der ist so freudenreich, BWV 6051:37A8Vom Himmel hoch, da komm ich her, BWV 6060:45A9Vom Himmel kam der Engel Schar, BWV 6071:07A10In dulci jubilo, BWV 6081:27A11Lobt Gott, ihr Christen allzugleich, BWV 6090:38A12Jesu, meine Freude, BWV 6102:41A13Christum wir sollen loben schon, BWV 6111:52A14Wir Christenleut, BWV 6121:09B1Helft mit Gotts Güte preisen, BWV 6131:02B2Das alte Jahr vergangen ist, BWV 6142:00B3In dir ist Freude, BWV 6152:37B4Mit Fried und Freud ich fahr dahin, BWV 6161:59B5Herr Gott, nun schleuß die Himmel auf, BWV 6172:07B6O Lamm Gottes, unschuldig, BWV 6183:05B7Christe, du Lamm Gottes, BWV 6191:12B8Christus, der uns selig macht, BWV 6202:10B9Da Jesus an dem Kreuze stund, BWV 6211:25Disc 2C1O Mensch bewein dein Sünde groß, BWV 622C2Wir danken dir, Herr Jesu Christ, BWV 623C3Hilf Gott, daß mir's gelinge, BWV 624C4Christ lag in Todesbanden, BWV 625C5Jesus Christus, unser Heiland, BWV 626C6Christ ist erstanden, BWV 627C7Erstanden ist der heilge Christ, BWV 628C8Erschienen ist der herrliche Tag, BWV 629C9Heut triumphieret Gottes Sohn, BWV 630C10Komm, Gott Schöpfer, Heiliger Geist, BWV 631D1Herr Jesu Christ, dich zu uns wend, BWV 632D2Liebster Jesu, wir sind hier, BWV 633D3Dies sind die heil'gen zehn Gebot', BWV 635D4Vater unser im Himmelreich, BWV 636D5Durch Adams Fall ist ganz verderbt, BWV 637D6Es ist das Heil uns kommen her, BWV 638D7Ich ruf zu dir, Herr Jesu Christ, BWV 639D8In dich hab ich gehoffet, Herr, BWV 640D9Wenn wir in höchsten Nöten sein, BWV 641D10Wer nur den lieben Gott läßt walten, BWV 642D11Alle Menschen müssen sterben, BWV 643D12Ach wie nichtig, ach wie flüchtig, BWV 6441976 · studio album
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Tracklist · 19 tracks · 1:39:40
Disc 1A1Brandenburg Concerto No. 1 In F, BWV 1046 (Allegro)3:47A2Brandenburg Concerto No. 1 In F, BWV 1046 Adagio4:11A3Brandenburg Concerto No. 1 In F, BWV 1046 Allegro4:07A4Brandenburg Concerto No. 1 In F, BWV 1046 Minuetto-Polacca8:11B1Brandenburg Concerto No. 5 In D, BWV 1050 Allegro9:53B2Brandenburg Concerto No. 5 In D, BWV 1050 Affettuaoso6:00B3Brandenburg Concerto No. 5 In D, BWV 1050 Allegro5:07Disc 2C1Brandenburg Concerto No. 2 In F, BWV 1047 (Allegro)4:58C2Brandenburg Concerto No. 2 In F, BWV 1047 Andante4:07C3Brandenburg Concerto No. 2 In F, BWV 1047 Allegro Assai2:50C4Brandenburg Concerto No. 6 In B-flat, BWV 1051 (Allegro)6:25C5Brandenburg Concerto No. 6 In B-flat, BWV 1051 Adagio Ma Non Tanto4:20C6Brandenburg Concerto No. 6 In B-flat, BWV 1051 Allegro5:45D1Brandenburg Concerto No. 3 In G, BWV 1048 (Allegro)5:30D2Brandenburg Concerto No. 3 In G, BWV 1048 Adagio2:27D3Brandenburg Concerto No. 3 In G, BWV 1048 Allegro5:12D4Brandenburg Concerto No. 4 In G, BWV 1049 Allegro7:07D5Brandenburg Concerto No. 4 In G, BWV 1049 Andante4:46D6Brandenburg Concerto No. 4 In G, BWV 1049 Presto4:57The Complete Brandenburg Concertos Nos.1-6
1977 · studio album
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Tracklist · 19 tracks · 1:41:22
Disc 1A1Brandenburg Concerto No.2 in F Major, BWV 1047: M.1 (Allegro)5:19A2Brandenburg Concerto No.2 in F Major, BWV 1047: M.2 Andante3:58A3Brandenburg Concerto No.2 in F Major, BWV 1047: M.3 Allegro Assai3:07A4Brandenburg Concerto No.1 in F Major, BWV 1046: M.1 (Allegro)4:34A5Brandenburg Concerto No.1 in F Major, BWV 1046: M.2 Adagio4:12A6Brandenburg Concerto No.1 in F Major, BWV 1046: M.3 Allegro4:25B1Brandenburg Concerto No.1 in F Major, BWV 1046: M.4 Menuetto - Trio I - Poloinesse, Trio II6:15B2Brandenburg Concerto No.6 in B Flat Major, BWV 1051: M.1 (Allegro)6:50B3Brandenburg Concerto No.6 in B Flat Major, BWV 1051: M.2 Adagio, Ma Non Tanto4:35B4Brandenburg Concerto No.6 in B Flat Major, BWV 1051: M.3 Allegro6:16Disc 2A1Brandenburg Concerto No.4 in G Major, BWV 1049: M.1 Allegro7:23A2Brandenburg Concerto No.4 in G Major, BWV 1049: M.2 Andante3:37A3Brandenburg Concerto No.4 in G Major, BWV 1049: M.3 Presto5:21A4Brandenburg Concerto No.5 in D Major, BWV 1050: M.1 Allegro9:59B1Brandenburg Concerto No.5 in D Major, BWV 1050: M.2 Affetuoso5:29B2Brandenburg Concerto No.5 in D Major, BWV 1050: M.3 Allegro5:32B3Brandenburg Concerto No.3 in G Major, BWV 1048: M.1 (Allegro)6:08B4Brandenburg Concerto No.3 in G Major, BWV 1048: M.2 Largo2:51B5Brandenburg Concerto No.3 in G Major, BWV 1048: M.3 Allegro5:31Family Library of Great Music - Bach
1977 · studio album
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Tracklist · 3 tracks
A1Brandenburg Concerto No. 2A2Brandenburg Concerto No. 6B1Clavier Concerto in D MinorItalienisches Konzert BWV 971 / Chromatische Fantasie und Fugue BWV 903
1977 · studio album
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Tracklist · 8 tracks · 53:22
1Italian Concerto in F, BWV 971: I. (Allegro)4:212Italian Concerto in F, BWV 971: II. Andante5:413Italian Concerto in F, BWV 971: III. Presto3:394Chorale Prelude, BWV 639 (arr. F. Busoni)3:395Prelude (Fantasia) in A, BWV 9228:326Chromatic Fantasia and Fuge in D, BWV 90313:127Chorale Prelude, BWV 659 (arr. F. Busoni)5:168Fantasia and Fuge in A, BWV 9049:021977 · studio album
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Tracklist · 18 tracks · 1:38:41
Disc 11.1.1Konzert Nr. 1 F-dur: (ohne Satzbezeichnung)4:211.1.2Konzert Nr. 1 F-dur: Adagio3:451.1.3Konzert Nr. 1 F-dur: Allegro4:401.1.4Konzert Nr. 1 F-dur: Menuetto - Trio - Menuetto - Polacca (Poloinesse) - Menuetto - Trio8:441.2.1Konzert Nr. 2 F-dur: (ohne Satzbezeichnung)5:201.2.2Konzert Nr. 2 F-dur: Andante3:321.2.3Konzert Nr. 2 F-dur: Allegro assai3:021.2.4Konzert Nr. 4 G-dur: Allegro6:501.2.5Konzert Nr. 4 G-dur: Andante3:561.2.6Konzert Nr. 4 G-dur: Presto4:40Disc 22.1.1Konzert Nr. 5 D-dur: Allegro10:032.1.2Konzert Nr. 5 D-dur: Affettuoso5:532.1.3Konzert Nr. 5 D-dur: Allegro5:092.2.1Konzert Nr. 3 G-dur: (ohne Satzbezeichnung)6:082.2.3Konzert Nr. 3 G-dur: Adagio - Allegro4:592.2.4Konzert Nr. 6 B-dur: (ohne Satzbezeichnung)6:432.2.5Konzert Nr. 6 B-dur: Adagio, ma non tanto5:032.2.5Konzert Nr. 6 B-dur: Allegro5:53Brandenburgische Konzerte Nos. 1-3
1977 · studio album
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Tracklist · 10 tracks · 45:04
1Brandenburgisches Konzert No. 1 F-Dur, BWV 1046: I. (Allegro)4:142Brandenburgisches Konzert No. 1 F-Dur, BWV 1046: II. Adagio4:513Brandenburgisches Konzert No. 1 F-Dur, BWV 1046: III. Allegro4:134Brandenburgisches Konzert No. 1 F-Dur, BWV 1046: IV. Menuetto - Trio I - Menuetto da capo - Polacca - Menuetto da capo - Trio II - Menuetto da capo7:495Brandenburgisches Konzert No. 2 F-Dur, BWV 1047: I. (Allegro)5:116Brandenburgisches Konzert No. 2 F-Dur, BWV 1047: II. Andante3:527Brandenburgisches Konzert No. 2 F-Dur, BWV 1047: III. Allegro assai2:578Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: I. (Allegro)6:269Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: II. Adagio0:2110Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: III. Allegro5:10Brandenburgische Konzerte: Brandenburg Concertos nos. 2, 3, 5
1977 · studio album
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Tracklist · 9 tracks · 44:46
A1Brandenburgisches Konzert nr. 2 F-dur BWV 1047: I. (Allegro)5:10A2Brandenburgisches Konzert nr. 2 F-dur BWV 1047: II. Andante3:50A3Brandenburgisches Konzert nr. 2 F-dur BWV 1047: III. Allegro assai2:48A4Brandenburgisches Konzert nr. 3 G-dur BWV 1048: I. (Allegro)6:25A5Brandenburgisches Konzert nr. 3 G-dur BWV 1048: II. Adagio0:20A6Brandenburgisches Konzert nr. 3 G-dur BWV 1048: III. Allegro5:10B1Brandenburgisches Konzert nr. 5 D-dur BWV 1050: I. Allegro10:05B2Brandenburgisches Konzert nr. 5 D-dur BWV 1050: II. Affettuoso5:45B3Brandenburgisches Konzert nr. 5 D-dur BWV 1050: III. Allegro5:13The 24 Organ Preludes and Fugues, Volume 2
1977 · studio album
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Tracklist · 23 tracks · 1:45:24
Disc 11Passacaglia and Fugue in C minor, S.58211:212Wer nur den lieben Gott Lässt Walten, S.6901:403Prelude and Fugue in D Major, S.5329:054Prelude and Fugue in E minor, S.54811:485Nun komm' der Heiden Heiland S.5991:156Prelude and Fugue in G major, S. 5505:527Fughetta: Was fürcht'st du. Feind Herodes, sehr, S. 6960:46Disc 21Prelude and Fugue in A major, S. 5365:542Fughetta: Gottes Sohn is kommen, S. 7030:383Prelude and Fugue in C minor, S. 5461:064Christe, du Lamm Gottes, S. 6191:175Prelude and Fugue in C minor, S. 5494:506Der Tag, der ist so freudenreich, S. 6051:357Toccata and Fugue in D minor, S. 53810:298Ach Gott und Herr, S. 7141:12Disc 31Prelude and Fugue in G minor, S. 5356:432Da Jesus an dem Kreuze stund', S. 6211:553Prelude and Fugue in C major, S. 5315:564Das alte Jahr vergangen ist, S. 6143:415Prelude and Fugue in G major, S. 5416:466Jesus, meine Zuversicht, S. 7282:447Fantasy and Fugue in C minor, S. 5376:578O Lamm Gottes unschuldig (unnumbered)1:541977 · studio album
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Tracklist · 11 tracks · 40:31
A1Aud Der Tiefe Rufe Ich, B. 7455:24A2Fughetta Super: Allein Gott In Der Höh' Sei Ehr, B. 6771:12A3Herzlich Tut Mich Verlangen, B. 7272:41A4Wer Nur Den Lieben Gott Lässt Walten, B. 6421:56A5Kyrie, Gott Vater In Ewigkeit, B. 6721:52A6Liebster Jesu, Wir Sind Heir, B. 6331:40A7Nun Komm' Der Heiden Heiland, B. 6595:06B1Wir Glauben Äll'An Einen Gott, Vater, B. 7404:39B2Wir Glauben Äll'An Einen Gott, Schöpfer, B. 6803:20B3Dies Sind Die Heil'gen Zehn Gebot', B. 6784:37B4Aus Tiefer Not Schrei' Ich Zu Dir, B. 6868:04Brandenburg Concertos Nos. 1-6
1977 · studio album
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Tracklist · 19 tracks
Disc 11(F-Dúr) Brandenburgi Verseny, BWV 1046: I. Allegro2(F-Dúr) Brandenburgi Verseny, BWV 1046: II. Adagio3(F-Dúr) Brandenburgi Verseny, BWV 1046: III. Allegro4(F-Dúr) Brandenburgi Verseny, BWV 1046: III. IV. Menuet / Trio / Menuet / Polaise / Menuet / Trio / Menuet5II. (F-Dúr) Brandenburgi Verseny, BWV 1047: I. Allegro6II. (F-Dúr) Brandenburgi Verseny, BWV 1047: II. Andante7II. (F-Dúr) Brandenburgi Verseny, BWV 1047: III. Allegro Assai8III. (G-Dúr) Brandenburgi Verseny, BWV 1048: I. Allegro9III. (G-Dúr) Brandenburgi Verseny, BWV 1048: II. Adagio (Kadencia)10III. (G-Dúr) Brandenburgi Verseny, BWV 1048: III. AllegroDisc 21IV. (G-Dúr) Brandenburgi Verseny, BWV 1049: I. Allegro2IV. (G-Dúr) Brandenburgi Verseny, BWV 1049: II. Andante. Attacca3IV. (G-Dúr) Brandenburgi Verseny, BWV 1049: III. Presto4V. (D-Dúr) Brandenburgi Verseny, BWV 1050: I. Allegro5V. (D-Dúr) Brandenburgi Verseny, BWV 1050: II. Affetuoso6V. (D-Dúr) Brandenburgi Verseny, BWV 1050: III. Allegro7VI. (B-Dúr) Brandenburgi Verseny, BWV 1051: I. Allegro8VI. (B-Dúr) Brandenburgi Verseny, BWV 1051: II. Adagio Ma Non Tanto9VI. (B-Dúr) Brandenburgi Verseny, BWV 1051: III. Allegro1977 · studio album
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Tracklist · 16 tracks · 53:27
A1Musical Offering, BWV 1079: Ricercar a 37:27A2Musical Offering, BWV 1079: Canon perpetuus a 21:34A3Musical Offering, BWV 1079: Canon a 2 violini in unisono0:48A4Musical Offering, BWV 1079: Canon a 2 per motum contrarium0:52A5Musical Offering, BWV 1079: Canon a 2 per augmentationem, contrario motu2:20A6Musical Offering, BWV 1079: Canon a 20:45A7Musical Offering, BWV 1079: Canon a 21:57A8Musical Offering, BWV 1079: Canon a 2 per tonos2:24A9Musical Offering, BWV 1079: Canon perpetuus contrario motu1:21A10Musical Offering, BWV 1079: Canon a 45:11A11Musical Offering, BWV 1079: Fuga canonica2:01B1Musical Offering, BWV 1079: Sonata a 3: I. Largo4:56B2Musical Offering, BWV 1079: Sonata a 3: II. Allegro6:17B3Musical Offering, BWV 1079: Sonata a 3: III. Andante2:56B4Musical Offering, BWV 1079: Sonata a 3: IV. Allegro3:16B5Musical Offering, BWV 1079: Ricercar a 69:221977 · studio album
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Tracklist · 16 tracks · 47:31
A1Musikalisches Opfer, BWV 1079: Ricercare a 36:01A2Musikalisches Opfer, BWV 1079: Canon perpetuus super thema regium0:55A3Musikalisches Opfer, BWV 1079: Canon a 2 Violini in unisono0:24A4Musikalisches Opfer, BWV 1079: Canon a 2. Per motum contrarium0:36A5Musikalisches Opfer, BWV 1079: Canon a 2. Per augmentationem, contrario motu1:10A6Musikalisches Opfer, BWV 1079: Canon a 2. Per tonos3:25A7Musikalisches Opfer, BWV 1079: Triosonate: 1. Largo6:25A8Musikalisches Opfer, BWV 1079: Triosonate: 2. Allegro6:01B1Musikalisches Opfer, BWV 1079: Triosonate: 3. Andante3:20B2Musikalisches Opfer, BWV 1079: Triosonate: 4. Allegro3:04B3Musikalisches Opfer, BWV 1079: Canon perpetuus super thema regium2:22B4Musikalisches Opfer, BWV 1079: Canon a 2. Canon cancricans (Krebs)0:57B5Musikalisches Opfer, BWV 1079: Canon a 2. Quaerendo invenietis (Rätsel)1:04B6Musikalisches Opfer, BWV 1079: Fuga canonica in Epidiapente2:28B7Musikalisches Opfer, BWV 1079: Canon a 41:47B8Musikalisches Opfer, BWV 1079: Ricercare a 67:32Six Sonatas for Violin and Harpsichord / Two Sonatas for Violin and Basso Continuo
1978 · studio album
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Tracklist · 8 tracks · 2:01:31
Disc 1A1Sonata I in G for Violin and Basso Continuo, BWV 10219:10A2Sonata I in b for Violin and Harpsichord, BWV 101414:10B1Sonata II in A for Violin and Harpsichord, BWV 101514:40B2Sonata II in e for Violin and Basso Continuo, BWV 102310:42Disc 2C1Sonata III in E for Violin and Harpsichord, BWV 101617:55D1Sonata IV in c for Violin and Harpsichord, BWV 101718:12Disc 3E1Sonata V in f for Violin and Harpsichord, BWV 101820:10F1Sonata VI in G for Violin and Harpsichord, BWV 101916:32Six Partitas for Solo Harpsichord
1978 · studio album
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Tracklist · 6 tracks · 2:05:32
Disc 1APartita I in B-flat major, BWV 82515:48BPartita II in c minor, BWV 82617:54Disc 2CPartita III in a minor, BWV 82718:04DPartita IV in D major, BWV 82823:37Disc 3EPartita V in G major, BWV 82920:48FPartita VI in e minor, BWV 83029:211978 · studio album
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Tracklist · 32 tracks · 47:00
1Aria2:282Variatio 1, a 1 Clav.1:333Variatio 2, a 1 Clav.1:044Variatio 3, a 1 Clav. Canone all'Unisono1:005Variatio 4, a 1 Clav.0:346Variatio 5, a 1 ovvero 2 Clav.1:007Variatio 6, a 1 Clav. Canone alla Seconda0:598Variatio 7, a 1 ovvero 2 Clav. Al tempo di Giga1:039Variatio 8, a 2 Clav.1:1710Variatio 9, a 1 Clav. Canone alla Terza1:1011Variatio 10, a 1 Clav. Fughetta0:5212Variatio 11, a 2 Clav.1:2413Variatio 12, Canone all Quarta1:5214Variatio 13, a 2 Clav.2:3915Variatio 14, a 2 Clav.1:1916Variatio 15, a 1 Clav. Canone alla Quinta Andante2:5217Variatio 16, a 1 Clav. Ouverture1:2718Variatio 17, a 2 Clav.1:0219Variatio 18, a 1 Clav. Canone alla Sesta0:4420Variatio 19, a 1 Clav.0:5921Variatio 20, a 2 Clav.1:1522Variatio 21, Canone alla Settima1:5623Variatio 22, a 1 Clav. Alla breve0:4624Variatio 23, a 2 Clav.1:1925Variatio 24, a 1 Clav. Canone all'Ottava1:5426Variatio 25, a 2 Clav. Adagio4:0827Variatio 26, a 2 Clav.1:1328Variatio 27 Canone all Nona, a 2 Clav.0:5729Variatio 28, a 2 Clav.1:3230Variatio 29, a 1 ovvero 2 Clav.1:1031Variatio 30, a 1 Clav. Quodlibet1:0632Aria da capo2:261978 · studio album
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Tracklist · 3 tracks · 16:10
A1»Herz Und Mund Und Tat Und Leben« Kantate Am Feste Mariä Heimsuchung, BWV 147: Nr. 1 — 6 (Erster Teil)B1»Herz Und Mund Und Tat Und Leben« Kantate Am Feste Mariä Heimsuchung, BWV 147: Nr. 7 — 10 (Zweiter Teil)B2»O Ewigkeit, Du Donnerwort« Kantate Am 24. Sonntag Nach Trinitatis, BWV 6016:101978 · studio album
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Tracklist · 13 tracks · 46:30
1Flute Concerto in A minor, BWV 1056: I. Moderato3:192Flute Concerto in A minor, BWV 1056: II. Largo3:323Flute Concerto in A minor, BWV 1056: II. Presto3:274Flute Concerto in E minor, BWV 1059: I. Allegro5:465Flute Concerto in E minor, BWV 1059: II. Alla siciliana. Adagio5:206Flute Concerto in E minor, BWV 1059: III. Presto2:317Suite No. 2 in B minor, BWV 1067: I. Overture9:208Suite No. 2 in B minor, BWV 1067: II. Rondeau1:309Suite No. 2 in B minor, BWV 1067: III. Sarabande3:3610Suite No. 2 in B minor, BWV 1067: IV. Bourrées I & II1:5611Suite No. 2 in B minor, BWV 1067: V. Polonaise - Double3:3212Suite No. 2 in B minor, BWV 1067: VI. Menuett1:2013Suite No. 2 in B minor, BWV 1067: VII. Badinerie1:21Magnificat in D Major / Christmas Cantata "Unser Mund Sei Voll Lachens"
1979 · studio album
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Tracklist · 2 tracks · 53:50
AMagnificat en Ré majeur28:31BCantate pour le premier jour de Noël "Unser Mund sei voll Lachens"25:191979 · studio album
Goldberg Variations / Aria and Ten Variations in the Italian Style
1979 · studio album
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Tracklist · 5 tracks · 1:39:13
Disc 1A1Goldberg Variations: Aria and Variations 1-1024:52B1Goldberg Variations: Variations 11-1823:17Disc 2C1Goldberg Variations: Variations 19-2624:16D1Goldberg Variations: Variations 27-30; Aria da Capo10:34D2Aria and Variations in the Italian Style, BWV 98916:14Johann Sebastian Bach / Fernando Sor
1979 · studio album
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Tracklist · 4 tracks · 40:39
A1Fuga G-moll BWV 1000 Preludium, Fuga Och Allegro Ess-dur5:52A2BWV 99813:21B1Morceau De Concert Op. 5416:05B2Sonat C-dur Op. 155:21German Lute Music of the Eighteenth Century
1979 · studio album
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Tracklist · 13 tracks · 58:01
A1Violin Sonata No. 1 in G minor, BWV 1001: I. Adagio/Fugue in G minor, BWV 100010:58A2Lute Partita in C minor, BWV 997: I. Prelude3:13A3Lute Partita in C minor, BWV 997: II. Fuga8:32A4Lute Partita in C minor, BWV 997: III. Sarabande5:00A5Lute Partita in C minor, BWV 997: IV. Gigue3:09B1Tombeau sur la mort de Mr. Cajetan, Baron d'Hartig4:30B2Suite No. 3 in D minor: I. Prelude2:03B3Suite No. 3 in D minor: II. Un poco andante4:12B4Suite No. 3 in D minor: III. La Badinage3:5710Suite No. 3 in D minor: IV. Le Sicilien5:0011Suite No. 3 in D minor: V. Gavotte2:1812Suite No. 3 in D minor: VI. Menuet2:0613Suite No. 3 in D minor: VII. Gigue3:03Das Musikalische Opfer BWV 1079
1979 · studio album
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Tracklist · 16 tracks · 48:06
1Musikalisches Opfer, BWV 1079: Ricercar a 3 (Cembalo)5:462Musikalisches Opfer, BWV 1079: Canon 1, a 2 cancrizans (Violino I/II)0:523Musikalisches Opfer, BWV 1079: Canon 2, a 2 Violini in unisono (Violino I/II, Viola da Gamba, Cembalo)0:474Musikalisches Opfer, BWV 1079: Canon 3. a 2 per Motum contrarium (Traversa, Violino I/II)0:345Musikalisches Opfer, BWV 1079: Canon 4, a 2, per Augmentationem, contrario Motu (Violino I/II, Viola da Gamba)2:456Musikalisches Opfer, BWV 1079: Canon 5, a 2 per Tonos (Violino, Cembalo)2:397Musikalisches Opfer, BWV 1079: Fuga canonica in Epidiapente (Traversa, Violino, Cembalo)2:088Musikalisches Opfer, BWV 1079: Canon perpetuus super Thema Regium (Traversa, Violino, Viola da Gamba)1:039Musikalisches Opfer, BWV 1079: Canon perpetuus (Traversa, Violino, Viola da Gamba, Cembalo)2:1910Musikalisches Opfer, BWV 1079: Canon a 2 (Cembalo)1:4111Musikalisches Opfer, BWV 1079: Canon a 4 (Violino I/II, Cembalo)1:5712Musikalisches Opfer, BWV 1079: Sonata sopr'Il Soggetto Reale a Traversa, Violino e Continuo (Traversa, Violino, Viola da Gamba): I. Largo6:0013Musikalisches Opfer, BWV 1079: Sonata sopr'Il Soggetto Reale a Traversa, Violino e Continuo (Traversa, Violino, Viola da Gamba): II. Allegro6:0414Musikalisches Opfer, BWV 1079: Sonata sopr'Il Soggetto Reale a Traversa, Violino e Continuo (Traversa, Violino, Viola da Gamba): III. Andante2:4815Musikalisches Opfer, BWV 1079: Sonata sopr'Il Soggetto Reale a Traversa, Violino e Continuo: (Traversa, Violino, Viola da Gamba): IV. Allegro3:1616Musikalisches Opfer, BWV 1079: Ricercar a 6 (Cembalo)7:271979 · studio album
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Tracklist · 8 tracks
A1Ricercar 1A2Canones 1-5A3Trisonate / Trio Sonata / Sonate En Trio: LargoA4Trisonate / Trio Sonata / Sonate En Trio: Allegro ModeratoB1Trisonate / Trio Sonata / Sonate En Trio: Andante LarghettoB2Trisonate / Trio Sonata / Sonate En Trio: AllegroB3Canones 6-10B4Ricercar 2Das Musikalisches Opfer • Musical Offering • L'Offrande Musicale
1979 · studio album
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Tracklist · 16 tracks · 48:02
A1Musikalisches Opfer, BWV 1079: Ricercar, A 3 (Cembalo)5:46A2Musikalisches Opfer, BWV 1079: Thematis Regii Elaborationes Canonicae / Canones Diversi Super Thema Regium: Canon 1, A 2 Cancrizans (Violino I/II)0:52A3Musikalisches Opfer, BWV 1079: Thematis Regii Elaborationes Canonicae / Canones Diversi Super Thema Regium: Canon 2, A 2 Violini In Unisono (Violino I/II, Viola da Gamba, Cembalo)0:48A4Musikalisches Opfer, BWV 1079: Thematis Regii Elaborationes Canonicae / Canones Diversi Super Thema Regium: Canon 3, A 2, Per Motum Contrarium (Traversa, Violino I/II)0:34A5Musikalisches Opfer, BWV 1079: Thematis Regii Elaborationes Canonicae / Canones Diversi Super Thema Regium: Canon 4, A 2, Per Augmentationem, Contrario Motu (Violino I/II, Viola da Gamba)2:45A6Musikalisches Opfer, BWV 1079: Thematis Regii Elaborationes Canonicae / Canones Diversi Super Thema Regium: Canon 5, A 2, Per Tonos (Violino,Cembalo)2:38A7Musikalisches Opfer, BWV 1079: Fuga Canonica In Epidiapente (Traversa, Violino, Cembalo)2:08A8Musikalisches Opfer, BWV 1079: Canon Perpetuus Super Thema Regium (Traversa, Violino, Viola da Gamba)1:03A9Musikalisches Opfer, BWV 1079: Canon Perpetuus (Traversa, Violino, Viola da Gamba, Cembalo)2:19A10Musikalisches Opfer, BWV 1079: Canon A 2 (Cembalo)1:41A11Musikalisches Opfer, BWV 1079: Canon A 4 (Violino I/II,Cembalo)1:57B1.1Musikalisches Opfer, BWV 1079: Sonata Sopr'Il Soggetto Reale A Traversa, Violino E Continuo: Largo6:02B1.2Musikalisches Opfer, BWV 1079: Sonata Sopr'Il Soggetto Reale A Traversa, Violino E Continuo: Allegro6:03B1.3Musikalisches Opfer, BWV 1079: Sonata Sopr'Il Soggetto Reale A Traversa, Violino E Continuo: Andante2:49B1.4Musikalisches Opfer, BWV 1079: Sonata Sopr'Il Soggetto Reale A Traversa, Violino E Continuo: Allegro3:12B2Musikalisches Opfer, BWV 1079: Ricercar, A 6 (Cembalo)7:251979 · studio album
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Tracklist · 9 tracks · 43:46
A1Sinfonia F-dur (Für Oboe, Streicher Und B.c.)2:50A2Hirtenmusik (Sinfonia G-dur) Aus Dem Weihnachtsoratorium, BWV 248, 2. Teil4:56A3Sonfonia D-dur Aus Der Kantate »Wir Danken Dir, Gott, Wir Danken Dir«, BWV 293:24A4Air aus der Suite (Ouvertüre) Für Orchester Nr. 3 D-dur, BWV 10684:24A5Choral aus der Kantate »Wachet Auf, Ruft Uns Die Stimme«, BWV 140 (Für Bläser, Streicher und B.c.)3:51B1Choral »Jesus Bleibet Meine Freude« (Für Streicher Und B.c.) Aus Der Kantate »Herz Und Mund Und Tat Und Leben«, BWV 1473:14B2Fuge D-dur (Für Streicher und B.c.) Aus Präludium Und Fuge, BWV 5452:46B3Adagio H-moll (Für Oboe, Streicher Und B.c.) Aus Dem Oster-Oratorium, BWV 2494:10B4Chaconne Aus Der Partita Für Violine Allein Nr. 2 D-moll, BWV 100414:11Overtures BWV 1066, 1068 - Original Instruments
1979 · studio album
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Tracklist · 12 tracks · 37:50
A1Overture In C Major, BWV 1066: Ouverture5:35A2Overture In C Major, BWV 1066: Courante2:00A3Overture In C Major, BWV 1066: Gavotte I/II2:45A4Overture In C Major, BWV 1066: Forlane1:14A5Overture In C Major, BWV 1066: Menuet I/II3:10A6Overture In C Major, BWV 1066: Bourrée I/II2:21A7Overture In C Major, BWV 1066: Passepied I/II2:25B1Overture In D Major, BWV 1068: Ouverture6:06B2Overture In D Major, BWV 1068: Air4:50B3Overture In D Major, BWV 1068: Gavotte I/II3:19B4Overture In D Major, BWV 1068: Bourrée1:13B5Overture In D Major, BWV 1068: Gigue2:52Suite no. 2 / Concerto / Trio Sonatas
1979 · studio album
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Tracklist · 18 tracks · 1:08:58
1Concerto in E minor BWV 1059: I. Allegro5:482Concerto in E minor BWV 1059: II. Alla siciliana: Adagio5:223Concerto in E minor BWV 1059: III. Presto2:404Trio Sonata no. 2 in G major BWV 1039: I. Adagio3:495Trio Sonata no. 2 in G major BWV 1039: II. Allegro ma non tanto3:396Trio Sonata no. 2 in G major BWV 1039: III. Adagio e piano3:097Trio Sonata no. 2 in G major BWV 1039: IV. Allegro moderato3:028Trio Sonata no. 4 in C minor BWV 1079: I. Largo5:369Trio Sonata no. 4 in C minor BWV 1079: II. Allegro6:4110Trio Sonata no. 4 in C minor BWV 1079: III. Andante3:2011Trio Sonata no. 4 in C minor BWV 1079: IV. Allegro3:1512Suite 2 in B minor BWV 1067: I. Overture9:2113Suite 2 in B minor BWV 1067: II. Rondeau1:3014Suite 2 in B minor BWV 1067: III. Sarabande3:3615Suite 2 in B minor BWV 1067: IV. Bourrees I and II1:5716Suite 2 in B minor BWV 1067: V. Polonaise3:3217Suite 2 in B minor BWV 1067: VI. Menuet1:2018Suite 2 in B minor BWV 1067: VII. Badinerie1:211980 · studio album
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Tracklist · 11 tracks · 48:58
A1Groupe 1. Fugues Simples: 14:24A2Groupe 1. Fugues Simples: 23:12A3Groupe 1. Fugues Simples: 32:43A4Groupe 1. Fugues Simples: 45:14A5Groupe 2. Fugues Strettes: 53:34A6Groupe 2. Fugues Strettes: 64:03A7Groupe 2. Fugues Strettes: 74:03B1Groupe 3. Double Fugues: 82:46B2Groupe 3. Double Fugues: 94:17B3Groupe 3. Double Fugues: 107:23B4Groupe 3. Double Fugues: 117:191980 · studio album
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Tracklist · 18 tracks · 1:39:22
Disc 11Brandenburg Concerto no. 1 in F major, BWV 1046: I.3:552Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio4:053Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro4:154Brandenburg Concerto no. 1 in F major, BWV 1046: IV. Menuetto - Trio - Polonaise7:365Brandenburg Concerto no. 2 in F major, BWV 1047: I.5:066Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante3:357Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai3:018Brandenburg Concerto no. 3 in G major, BWV 1048: I.6:099Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio (BWV 1019a)1:4210Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro5:37Disc 21Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro7:272Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante - III. Presto8:493Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro10:174Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso5:405Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro5:256Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I.6:317Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto4:098Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro6:031980 · studio album
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Tracklist · 8 tracks
1Toccata and Fugue in D minor, BWW 5652Chorale Prelude: Liebster Jesu, BWV 7313Chorale Prelude: O Mensch, Bewein', BWV 6224Fantasia in G, BWV 5725Prelude and Fugue in C, BWV 5456Chorale Prelude: Wachet Auf, BWV 6457Chorale Prelude: Ach, Bleib' Bei Uns, BWV 6498Fugue in E-flat, BWV 552Toccata und Fuge - Die schönsten Melodien von Bach
1980 · studio album
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Tracklist · 20 tracks · 1:11:34
1Jesus bleibt meine Freude, BWV 1473:252Es ist gewisslich an der Zeit, BWV 307/7342:393O Jesulein Süss, BWV 4931:434Nun Komm, der Heiden Heiland, BWV 6594:315Schafe können sicher weiden, BWV 2084:476Englische Suite No. 2 A-moll, BWV 807: I. Prélude4:217Englische Suite No. 2 A-moll, BWV 807: II. Sarabande4:088Englische Suite No. 2 A-moll, BWV 807: Bourrée 1 - Bourrée 23:589Fuge E-dur, BWV 8783:1410Largo, BWV 10563:4111Ich ruf zu Dir, Herr Jesu Christ, BWV 6392:3012Konzert für Orgel No. 5 D-moll, BWV 596: I. [ohne Satzbezeichnung]1:2413Konzert für Orgel No. 5 D-moll, BWV 596: II. Fuga3:5414Konzert für Orgel No. 5 D-moll, BWV 596: III. Largo2:2915Konzert für Orgel No. 5 D-moll, BWV 596: IV. Finale3:2616In dulci jubilo, BWV 7512:0917Toccata und Fuge D-moll, BWV 5659:4518Siciliano G-moll, BWV 10313:3819Ich steh' an deiner Krippen hier, BWV 4691:3520Sinfonia, BWV 2494:17La Passion selon Saint-Matthieu, BWV 244 : Chœurs et airs
1980 · studio album
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Tracklist · 11 tracks · 54:32
A1La Passion selon Saint-Matthieu, BWV 244 : 1. Kommet, ihr Töchter, helft mir klagen (Chœur)54:32A2La Passion selon Saint-Matthieu, BWV 244 : 9. Du lieber Heiland du (Récitatif : Alto)A3La Passion selon Saint-Matthieu, BWV 244 : 10. Buss' und Reu' (Air : Alto)A4La Passion selon Saint-Matthieu, BWV 244 : 12. Blute nur, du liebes Herz (Air : Soprano)A5La Passion selon Saint-Matthieu, BWV 244 : 26. Ich will bei meinem Jesu wachen (Air : Ténor / Chœur)A6La Passion selon Saint-Matthieu, BWV 244 : 31. Was mein Gott will, das g'scheh' allzeit (Choral : Chœur)B7La Passion selon Saint-Matthieu, BWV 244 : 47. Erbarme dich, mein Gott (Air : Alto)B8La Passion selon Saint-Matthieu, BWV 244 : 72. Wenn ich einmal soll scheiden (Choral : Chœur)B9La Passion selon Saint-Matthieu, BWV 244 : 75. Mache dich, mein Herze, rein (Air : Basse)B10La Passion selon Saint-Matthieu, BWV 244 : 77. Nun ist der Herr zur Ruh' gebracht (Récitatif : Basse / Ténor / Alto / Soprano / Chœur)B11La Passion selon Saint-Matthieu, BWV 244 : 78. Wir setzen uns mit Tränen nieder (Chœur)1980 · studio album
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Tracklist · 23 tracks · 1:27:48
Disc 1A1Sonate a-Moll, "L'infidèle": Entrée3:10A2Sonate a-Moll, "L'infidèle": Courante2:54A3Sonate a-Moll, "L'infidèle": Sarabande3:57A4Sonate a-Moll, "L'infidèle": Menuet2:20A5Sonate a-Moll, "L'infidèle": Musette4:38A6Sonate a-Moll, "L'infidèle": Paysanne3:02B1Phantasia C-Dur3:35B2Phantasia a-Moll3:12B3Präludium, Fuge und Allegro Es-Dur, BWV 998: Präludium3:04B4Präludium, Fuge und Allegro Es-Dur, BWV 998: Fuge7:23B5Präludium, Fuge und Allegro Es-Dur, BWV 998: Allegro4:02Disc 2C1Suite für Laute g-Moll, BWV 995: Präludium6:35C2Suite für Laute g-Moll, BWV 995: Allemande5:16C3Suite für Laute g-Moll, BWV 995: Courante2:23C4Suite für Laute g-Moll, BWV 995: Sarabande2:46C5Suite für Laute g-Moll, BWV 995: Gavotte I - Gavotte II (Gavotte en Rondeau)5:31C6Suite für Laute g-Moll, BWV 995: Gigue2:38D1Suite C-Dur: Prélude2:31D2Suite C-Dur: Allemande3:56D3Suite C-Dur: Courante2:20D4Suite C-Dur: Menuet1:27D5Suite C-Dur: Gigue2:18D6Tombeau sur la mort de M. Comte de Logy8:501980 · studio album
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Tracklist · 11 tracks · 43:54
A1Groupe 4, Fugues Canoniques: 12.2:38A2Groupe 4, Fugues Canoniques: 13.2:45A3Groupe 4, Fugues Canoniques: 14.5:16A4Groupe 4, Fugues Canoniques: 15.7:03A5Groupe 5, Fugues Miroir à 3 Voix: 16a.2:36A6Groupe 5, Fugues Miroir à 3 Voix: 16b.2:36B1Groupe 5 (Suite), Variante à 4 Voix: 17a.2:24B2Groupe 5 (Suite), Variante à 4 Voix: 17b.2:24B3Groupe 6, Fugues Miroir à 4 Voix (Triple Fugue Inachevée): 18a.3:34B4Groupe 6, Fugues Miroir à 4 Voix (Triple Fugue Inachevée): 18b.3:31B5Groupe 6, Fugues Miroir à 4 Voix (Triple Fugue Inachevée): 19.9:071980 · studio album
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Tracklist · 8 tracks · 3:24:57
Disc 1AMatthäus-Passion, BWV 244: Salbung in Bethanien23:45BMatthäus-Passion, BWV 244: Abendmahl26:08Disc 2CMatthäus-Passion, BWV 244: Am Ölberg22:40DMatthäus-Passion, BWV 244: Falsches Zeugnis29:26Disc 3EMatthäus-Passion, BWV 244: Verhör von Kaiphas und Pilatus25:59FMatthäus-Passion, BWV 244: Überantwortung und Geißelung26:21Disc 4GMatthäus-Passion, BWV 244: Kreuzigung26:05HMatthäus-Passion, BWV 244: Grablegung24:33Toccata BWV 911 / Partita BWV 826 / English Suite no. 2 BWV 807
1980 · studio album
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Tracklist · 13 tracks · 50:13
1Toccata in C minor, BWV 91111:022Partita no. 2 in C minor, BWV 826: I. Sinfonia4:153Partita no. 2 in C minor, BWV 826: II. Allemande4:184Partita no. 2 in C minor, BWV 826: III. Courante2:085Partita no. 2 in C minor, BWV 826: IV. Sarabande3:546Partita no. 2 in C minor, BWV 826: V. Rondeau1:177Partita no. 2 in C minor, BWV 826: VI. Capriccio3:118English Suite no. 2 in A minor, BWV 807: I. Prelude4:199English Suite no. 2 in A minor, BWV 807: II. Allemande2:5610English Suite no. 2 in A minor, BWV 807: III. Courante1:3111English Suite no. 2 in A minor, BWV 807: IV. Sarabande4:0812English Suite no. 2 in A minor, BWV 807: V. Bourrée I & II3:5513English Suite no. 2 in A minor, BWV 807: VI. Gigue3:19Motets BWV 225-231 / Cantatas BWV 50 & 118
1981 · studio album
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Tracklist · 9 tracks · 1:30:25
Disc 1A1Komm, Jesu, komm9:35A2O Jesu Christ, meins Lebens Licht10:02A3Der Geist hilft unser Schwachheit auf7:58B1Lobet den Herrn, alle Heiden6:36B2Sei Lob und Preis mit Ehren4:17B3Der Gerechte kömmt um / Fürchte dich nicht6:54Disc 2C1Motet BWV 227: "Jesu, meine Freude"22:10D1Motet BWV 225: "Singet dem Herrn ein neues Lied"19:23D2Kantate BWV 50: "Nun ist clas Heil und die Kraft"3:30Motetten: Singet dem Herrn ein neues Lied BWV 225 / Jesu, meine Freude BWV 227
1981 · studio album
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Tracklist · 2 tracks · 42:17
1Singet dem Herrn ein neues Lied: Motette für zwei vierstimmige Chöre a cappella BWV 22520:252Jesu, meine Freude: Motette für drei- bis fünfstimmigen Chor a cappella BWV 22721:521981 · studio album
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Tracklist · 6 tracks · 45:22
A1Chaconne in Dm (BWV1004)15:07A2Fugue in Am (BWV1001)5:52A3Prelude in Cm (BWV999)1:59B1Prelude, Fugue and Allegro (BWV998)11:02B2Sarabande and Double (BWV1002)6:40B3Sarabande in Em (BWV996)4:42Magnificat BWV 243 / Kantate "Meine Seel erhebt den Herren" BWV 10
1981 · studio album
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Tracklist · 19 tracks · 51:13
1Magnificat D-Dur, BWV 243: I. Magnificat anima mea (Chorus)3:212Magnificat D-Dur, BWV 243: II. Et exultavit spiritus meus (Soprano)2:333Magnificat D-Dur, BWV 243: III. Quia respexit humilitatem (Soprano)2:564Magnificat D-Dur, BWV 243: IV. Omnes generationes (Chorus)1:345Magnificat D-Dur, BWV 243: V. Quia fecit mihi magna (Bass)1:586Magnificat D-Dur, BWV 243: VI. Et misericordia (Alto, Tenor)4:027Magnificat D-Dur, BWV 243: VII. Fecit potentiam (Chorus)2:068Magnificat D-Dur, BWV 243: VIII. Deposuit potentes (Tenor)2:089Magnificat D-Dur, BWV 243: IX. Esurientes (Alto)2:5810Magnificat D-Dur, BWV 243: X. Suscepit Israel puerum suum (Soprano, Alto)2:0111Magnificat D-Dur, BWV 243: XI. Sicut locutus est (Chorus)1:4612Magnificat D-Dur, BWV 243: XII. Gloria (Chorus)2:1413Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro: Meine Seel erhebt den Herren4:0114Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano): Herr, der du stark7:1215Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore): Des Höchsten Güt und Treu1:2316Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso): Gewaltige stößt Gott vom Stuhl3:0017Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Aria (Duetto: Alto, Tenore): Er denket der Barmherzigkeit2:3018Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore): Was Gott den Vätern alter Zeiten2:2119Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral (Coro): Lob und Preis sei Gott dem Vater1:09Concerti Brandeburghesi No. 1, 2, 3
1981 · studio album
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Tracklist · 9 tracks
A1Concerto No. 1 In Fa Maggiore, Bwv 1046: AllegroA2Concerto No. 1 In Fa Maggiore, Bwv 1046: AdagioA3Concerto No. 1 In Fa Maggiore, Bwv 1046: Allegro-Adagio-AllegroA4Concerto No. 1 In Fa Maggiore, Bwv 1046: Minuetto-Trio I-Polacca-Trio IIB1Concerto No. 2 In Fa Maggiore, Bwv 1047: AllegroB2Concerto No. 2 In Fa Maggiore, Bwv 1047: AndanteB3Concerto No. 2 In Fa Maggiore, Bwv 1047: Allegro AssaiB4Concerto No. 3 In Sol Maggiore, Bwv 1048: Allegro Moderatto-AdagioB5Concerto No. 3 In Sol Maggiore, Bwv 1048: AllegroBergen Domkantori synger tre motetter av Johan Sebastian Bach
1981 · studio album
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Tracklist · 3 tracks
A1Jesu meine Freude BWV 225B1Der Geist hilft BWV 226B2Singet dem Herrn BWV 2271981 · studio album
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Tracklist · 7 tracks
A1Toccata E Fuga In Re Minore BWV 565A2Preludio Corale - "Wenn Wir In Höchsten Nöten Sein" BWV 641A3Preludio Corale - "In Dulci Jubilo" BWV 608A4Preludio Corale - "Wir Glauben Allen Einen Gott" BWV 680A5Preludio Corale - "Wir Glauben Allen Einen Gott" BWV 740B1Preludio E Fuga In Si Minore BWV 544B2Preludio E Fuga In La Minore BWV 543John Williams and Peter Hurford Play Bach
1981 · studio album
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Tracklist · 13 tracks · 46:55
1Wachet auf, ruft uns die Stimme, BWV 140: I. Chorale (Transcribed for Guitar and Organ)6:062Fugue in G Major, BWV 577 "Gigue" (Transcribed for Guitar and Organ)3:003Violin Sonata No. 4 in C Minor, BWV 1017: III. Adagio (Transcribed for Guitar and Organ)3:144Trio Sonata No. 6 in G Major, BWV 530 (Transcribed for Guitar and Organ): I. Vivace3:445Trio Sonata No. 6 in G Major, BWV 530 (Transcribed for Guitar and Organ): II. Lento4:206Trio Sonata No. 6 in G Major, BWV 530 (Transcribed for Guitar and Organ): III. Allegro3:317Italian Concerto in F Major, BWV 971: I. - (Transcribed for Guitar and Organ)4:088Pastorale in F Major, BWV 590: III. Adagio (Transcribed for Guitar and Organ)3:479Trio in G Major, BWV 1027/4a (Transcribed for Guitar and Organ)2:5310French Suite No. 6 in E Major, BWV 817: I. Allemande (Transcribed for Guitar and Organ)2:3511English Suite No. 2 in A Minor, BWV 807: VI. Bourrée II (Transcribed for Guitar and Organ)1:3212English Suite No. 3 in G Minor, BWV 808: Gavotte I & II (Transcribed for Guitar and Organ by John Williams)4:1913French Suite No. 5 in G Major, BWV 816: VII. Gigue (Transcribed for Guitar and Organ by John Williams)3:46Konzerte für Cembalo und Streicher
1981 · studio album
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Tracklist · 9 tracks · 57:50
1Konzert für Cembalo und Streicher d-moll, BWV 1052: 1. Allegro7:262Konzert für Cembalo und Streicher d-moll, BWV 1052: 2. Adagio6:183Konzert für Cembalo und Streicher d-moll, BWV 1052: 3. Allegro7:564Konzert für Cembalo und Streicher E-dur, BWV 1053: 1. ohne Satzbezeichnung7:395Konzert für Cembalo und Streicher E-dur, BWV 1053: 2. Siciliano5:176Konzert für Cembalo und Streicher E-dur, BWV 1053: 3. Allegro6:097Konzert für Cembalo und Streicher D-dur, BWV 1054: 1. ohne Satzbezeichnung7:418Konzert für Cembalo und Streicher D-dur, BWV 1054: 2. Adagio e piano sempre6:499Konzert für Cembalo und Streicher D-dur, BWV 1054: 3. Allegro2:351981 · studio album
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Tracklist · 10 tracks
A1Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": I. Recitativo (soprano) "O holder Tag, erwünschte Zeit"A2Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": II. Aria (soprano) "Spielet, ihr beseelten Lieder"A3Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": III. Recitativo (soprano) "Doch, haltet ein"A4Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": IV. Aria (soprano) "Ruht hie, matte Töne"B1Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": V. Recitativo (soprano) "So glaubt man denn, dass die Musik verführe"B2Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": VI. Aria (soprano) "Schweigt, ihr Flöten, schweigt, ihr Töne"B3Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": VII. Recitativo (soprano) "Was luft? was Grab?"B4Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": VIII. Aria (soprano) "Grosser Gönner, dein Vergnügen"B5Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": IX. Recitativo (soprano) "Hochteurer Mann, so fahre ferner fort"B6Kantate, BWV 210 "O holder Tag, erwuenschte Zeit": X. Aria (soprano) "Seid beglückt, edle beide"Trio Sonatas BWV 1038 1039 & 1079
1981 · studio album
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Tracklist · 12 tracks · 42:03
1Trio Sonata No. 2 in G major, BWV 1039: I. Adagio3:502Trio Sonata No. 2 in G major, BWV 1039: II. Allegro ma non presto3:393Trio Sonata No. 2 in G major, BWV 1039: III. Adagio e piano3:094Trio Sonata No. 2 in G major, BWV 1039: IV. Presto2:565Trio Sonata No. 3 in G major, BWV 1038: I. Largo4:556Trio Sonata No. 3 in G major, BWV 1038: II. Vivace0:567Trio Sonata No. 3 in G major, BWV 1038: III. Adagio2:348Trio Sonata No. 3 in G major, BWV 1038: IV. Presto1:189Trio Sonata No. 4 in C minor, BWV 1079 (from the Musical Offering): I. Largo5:3610Trio Sonata No. 4 in C minor, BWV 1079 (from the Musical Offering): II. Allegro6:4111Trio Sonata No. 4 in C minor, BWV 1079 (From the Musical Offering): III. Andante3:2012Trio Sonata No. 4 in C minor, BWV 1079 (from the Musical Offering): IV. Allegro3:09Brandenburg Concertos / Musical Offering
1982 · studio album
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Tracklist · 34 tracks · 2:27:07
Disc 11Brandenburgisches Konzert, Nr. 1: I. [ohne Bezeichnung]4:082Brandenburgisches Konzert, Nr. 1: II. Adagio3:233Brandenburgisches Konzert, Nr. 1: II. Allegro4:204Brandenburgisches Konzert, Nr. 1: IV. Menuet - Trio - Menuet - Polonaise - Menuet - Trio - Menuet7:365Brandenburgisches Konzert, Nr. 2: I. [ohne Bezeichnung]5:226Brandenburgisches Konzert, Nr. 2: II. Andante3:377Brandenburgisches Konzert, Nr. 2: III. Allegro assai3:088Brandenburgisches Konzert, Nr. 3: I. [ohne Bezeichnung]5:459Brandenburgisches Konzert, Nr. 3: II. (Adagio) - Allegro5:2810Brandenburgisches Konzert, Nr. 4: I. Allegro7:2511Brandenburgisches Konzert, Nr. 4: II. Andante3:5412Brandenburgisches Konzert, Nr. 4: III. Presto5:0513Brandenburgisches Konzert, Nr. 6: I. Allegro6:1414Brandenburgisches Konzert, Nr. 6: II. Adagio ma non troppo4:3015Brandenburgisches Konzert, Nr. 6: III. Allegro5:40Disc 21Brandenburgisches Konzert, Nr. 5: I. Allegro10:322Brandenburgisches Konzert, Nr. 5: II. Affettuoso5:253Brandenburgisches Konzert, Nr. 5: II. Allegro5:424Musikalisches Opfer BWV 1079: I. Ricercar a 35:555Musikalisches Opfer BWV 1079: II. Canon perpetuus1:076Musikalisches Opfer BWV 1079: III. Canon a 2, cancrizans1:027Musikalisches Opfer BWV 1079: IV. Canon a 20:588Musikalisches Opfer BWV 1079: V. Canon a 20:539Musikalisches Opfer BWV 1079: VI. Canon a 21:1610Musikalisches Opfer BWV 1079: VII. Canon a 2, per tonos3:0811Musikalisches Opfer BWV 1079: VIII. Fuga canonica in epidiapente2:2512Musikalisches Opfer BWV 1079: IX. Ricercar a 66:5713Musikalisches Opfer BWV 1079: X. Canon a 21:0614Musikalisches Opfer BWV 1079: XI. Canon a 43:1615Musikalisches Opfer BWV 1079: XII. Largo6:2016Musikalisches Opfer BWV 1079: XIII. Allegro7:1617Musikalisches Opfer BWV 1079: XIV. Andante3:3218Musikalisches Opfer BWV 1079: XV. Allegro3:2419Musikalisches Opfer BWV 1079: XVI. Canon perpetuus1:18Brandenburgische Konzerte Nos. 3-5
1982 · studio album
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Tracklist · 7 tracks · 48:57
1Brandenburgisches Konzert, Nr. 3, BWV 1048, in G-dur I. (without tempo indications) II. Adagio - Allegro11:072Brandenburgisches Konzert, Nr. 4, BWV 1049, in G-dur. I. Allegro7:263Brandenburgisches Konzert, Nr. 4, BWV 1049, in G-dur.II. Andante3:544Brandenburgisches Konzert, Nr. 4, BWV 1049, in G-dur.III. Presto5:015Brandenburgisches Konzert, Nr. 5, BWV 1050, in D-dur I. Allegro10:306Brandenburgisches Konzert, Nr. 5, BWV 1050, in D-dur II. Affettuoso5:257Brandenburgisches Konzert, Nr. 5, BWV 1050, in D-dur III. Allegro5:341982 · studio album
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Tracklist · 10 tracks · 38:43
A1Suite in E major (from BWV 1006a): I. Prèlude4:03A2Suite in E major (from BWV 1006a): II. Loure3:55A3Suite in E major (from BWV 1006a): III. Gavotte en Rondeau3:04A4Suite in E major (from BWV 1006a): IV. Menuett I - Menuett II4:27A5Suite in E major (from BWV 1006a): V. Bourrée1:44A6Suite in E major (from BWV 1006a): VI. Gigue1:55B1Suite in A minor (from BWV 997): I. Preludio2:57B2Suite in A minor (from BWV 997): II. Fuga6:39B3Suite in A minor (from BWV 997): III. Sarabande4:31B4Suite in A minor (from BWV 997): IV. Gigue - Double5:28Toccata & Fugue in D minor / Prelude & Fugue in E-flat / Prelude, Largo & Fugue in C
1982 · studio album
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Tracklist · 6 tracks · 50:27
A1Toccata and Fugue in D Minor (BWV 565)11:44A2Prelude, Largo (BWV 529 No. 2) and Fugue in C (BWV 545): Prelude3:07A3Prelude, Largo (BWV 529 No. 2) and Fugue in C (BWV 545): Largo7:02A4Prelude, Largo (BWV 529 No. 2) and Fugue in C (BWV 545): Fugue5:17B1Prelude and Fugue in E Flat (BWV 552): Prelude12:05B2Prelude and Fugue in E Flat (BWV 552): Fugue11:121982 · studio album
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Tracklist · 8 tracks · 56:14
1Toccata and Fugue in D minor, BWV 5659:292Jesu bleibet meine Freude, BWV 147-103:433Wacht auf, ruft uns die Stimme, BWV 6454:414Fugue in G minor, BWV 5785:385Nun komm der Heiden Heiland, BWV 6595:586Chaconne in D minor, BWV 1004-516:547Ich ruf zu dir, Herr, BWV 6394:338Siciliano in G minor, BWV 10315:181982 · studio album
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Tracklist · 4 tracks · 50:17
A1Concerto en ré mineurpour hautbois, op 9, n° 2 : Allegro e non presto - Adagio - Allegro14:05A2Concerto en sol mineur pour heutbois, BWV 1056 : Moderato - Adagio - Presto (allegro)11:14B1Concerto en Si b majeur pour hautbois et violon, F XII, n° 16 : Allegro - Largo - Allegro8:47B2Concerto en ré mineurpour hautbois et violon, BWV 1060 : Allegro - Adagio - Allegro16:111982 · studio album
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Tracklist · 8 tracks · 42:29
1Organ Prelude and Fugue in E-flat major ("St. Anne's Fugue"), BWV 552: Prelude7:542Organ Prelude and Fugue in E-flat major ("St. Anne's Fugue"), BWV 552: Fugue6:213Organ Chorale Prelude, "Ich ruf' zu dir, Herr," BWV 6393:174Prelude in B minor3:105"Jesu Joy of Man's Desiring" (from Cantata No. 147)3:266Organ Chorale Prelude, "Nun komm', der Heiden Heiland," BWV 6595:307Organ Prelude and Fugue in D major, BWV 532: Prelude6:418Organ Prelude and Fugue in D major, BWV 532: Fugue6:10Konzerte für Violine a-moll BWV 1041 und E-dur BWV 1042 / Konzert für zwei Violinen d-moll BWV 1043
1982 · studio album
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Tracklist · 9 tracks · 46:44
1Konzert d-moll, BWV 1043 für 2 Violinen, Streicher und Basso continuo: Vivace3:402Konzert d-moll, BWV 1043 für 2 Violinen, Streicher und Basso continuo: Largo, ma non tanto7:353Konzert d-moll, BWV 1043 für 2 Violinen, Streicher und Basso continuo: Allegro4:394Konzert a-moll, BWV 1041 für Violine, Streicher und Basso continuo: (Allegro)3:405Konzert a-moll, BWV 1041 für Violine, Streicher und Basso continuo: Andante6:376Konzert a-moll, BWV 1041 für Violine, Streicher und Basso continuo: Allegro Assai3:337Konzert e-dur, BWV 1042 für Violine, Streicher und Basso continuo: Allegro - Adagio - Allegro7:398Konzert e-dur, BWV 1042 für Violine, Streicher und Basso continuo: Adagio6:379Konzert e-dur, BWV 1042 für Violine, Streicher und Basso continuo: Allegro assai2:44Violin Concertos No. 1&2 / Concerto for 2 violins
1982 · studio album
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Tracklist · 9 tracks · 45:10
1Concerto No. 1 in A minor, BWV 1041: I. Allegro3:552Concerto No. 1 in A minor, BWV 1041: II. Andante5:083Concerto No. 1 in A minor, BWV 1041: III. Allegro assai3:574Concerto No. 2 in E major, BWV 1042: I. Allegro7:575Concerto No. 2 in E major, BWV 1042: II. Adagio5:516Concerto No. 2 in E major, BWV 1042: III. Allegro assai3:047Concerto for 2 Violins in D minor, BWV 1043: I. Vivace3:528Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto6:409Concerto for 2 Violins in D minor, BWV 1043: III. Allegro4:46Gavrilov Plays Bach Keyboard Concertos
1982 · studio album
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Tracklist · 12 tracks · 1:13:45
1Concerto no. 2 in E major, BWV 1053: Allegro8:192Concerto no. 2 in E major, BWV 1053: Siciliano7:273Concerto no. 2 in E major, BWV 1053: Allegro5:544Concerto no. 3 in D major, BWV 1054: Allegro8:055Concerto no. 3 in D major, BWV 1054: Adagio e piano sempre8:376Concerto no. 3 in D major, BWV 1054: Allegro2:487Concerto no. 4 in A major, BWV 1055: Allegro4:058Concerto no. 4 in A major, BWV 1055: Larghetto6:399Concerto no. 4 in A major, BWV 1055: Allegro ma non tanto4:0610Concerto no. 6 in F major, BWV 1057: Allegro8:1111Concerto no. 6 in F major, BWV 1057: Andante4:4212Concerto no. 6 in F major, BWV 1057: Allegro assai4:52Violin Concertos 1 & 2 / Concerto for 2 Violins
1982 · studio album
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Tracklist · 9 tracks · 45:10
1Concerto No. 1 in A minor, BWV 1041: I. Allegro3:552Concerto No. 1 in A minor, BWV 1041: II. Andante5:083Concerto No. 1 in A minor, BWV 1041: III. Allegro assai3:574Concerto No. 2 in E major, BWV 1042: I. Allegro7:575Concerto No. 2 in E major, BWV 1042: II. Adagio5:516Concerto No. 2 in E major, BWV 1042: III. Allegro assai3:047Concerto for 2 Violins in D minor, BWV 1043: I. Vivace3:528Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto6:409Concerto for 2 Violins in D minor, BWV 1043: III. Allegro4:46The Grand Silbermann Organ in the Freiberg Cathedral
1982 · studio album
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Tracklist · 13 tracks · 55:33
1Toccata and Fugue in D minor, BWV 5659:122Choral: Wachet auf, ruft uns die Stimme, BWV 6453:583Choral: Wo soll ich fliehen hin, BWV 6461:584Choral: Wer nur den lieben Gott lässt walten, BWV 6473:035Choral: Meine Seele erhebt Herren, BWV 6482:466Choral: Ach bleib' bei uns, Herr Jesu Christ, BWV 6493:037Choral: Kommst du nun, Jesu, vom Himmel herunter, BWV 6503:258Prelude and Fugure in G minor, BWV 5356:439Trio in C minor, BWV 5854:5410Fantasia in C major, BWV 5702:2711Trio in D minor, BWV 5834:4312Prelude and Fugue in C major, BWV 5455:3413Fugue in G minor, BWV 5783:47Die Konzerte für 3 und 4 Cembali
1982 · studio album
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Tracklist · 9 tracks · 40:04
1Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: I. []4:042Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: II. Largo2:083Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: III. Allegro3:284Concerto for 3 Harpsichords and Strings in C major, BWV 1064: I. Allegro6:195Concerto for 3 Harpsichords and Strings in C major, BWV 1064: II. Adagio5:296Concerto for 3 Harpsichords and Strings in C major, BWV 1064: III. Allegro4:457Concerto for 3 Harpsichords and Strings in D minor, BWV 1063: I. []5:098Concerto for 3 Harpsichords and Strings in D minor, BWV 1063: II. Alla Siciliana3:459Concerto for 3 Harpsichords and Strings in D minor, BWV 1063: III. Allegro4:571983 · studio album
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Tracklist · 6 tracks · 1:06:23
1Toccata In C Minor, BWV 911: Introduction. Largo. Fugue13:382Toccata In G Minor, BWV 915: Toccata (Adagio). Allegro. Adagio. Fugue9:413Toccata In D Minor, BWV 913: Toccata. Theme (Presto). Adagissimo (Adagio). Fugue (Allegro)14:054Toccata In D Major, BWV 912: Toccata. Fugue11:335Toccata In E Minor, BWV 914: Toccata. Un Poco Allegro. Adagio. Fugue (Allegro)9:106Toccata In G Major, BWV 916: Toccata. Fugue8:161983 · studio album
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Tracklist · 17 tracks · 1:22:06
Disc 11Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro3:572Brandenburg Concerto No. 1 in F major, BWV 1046: II. Adagio4:243Brandenburg Concerto No. 1 in F major, BWV 1046: III. Allegro4:324Brandenburg Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio I - Menuetto da capo - Polacca - Menuetto da capo - Trio II - Menuetto da capo7:565Brandenburg Concerto No. 5 in D major, BWV 1050: I. Allegro10:286Brandenburg Concerto No. 5 in D major, BWV 1050: II. Affetuoso4:587Brandenburg Concerto No. 5 in D major, BWV 1050: III. Allegro5:17Disc 21Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro4:392Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante3:403Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai2:354Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro5:255Brandenburg Concerto No. 3 in G major, BWV 1048: II. Adagio0:336Brandenburg Concerto No. 3 in G major, BWV 1048: III. Allegro2:547Brandenburg Concerto No. 6 in B-flat major, BWV 1051: I. Allegro5:448Brandenburg Concerto No. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto4:369Brandenburg Concerto No. 6 in B-flat major, BWV 1051: III. Allegro5:3010Brandenburg Concerto No. 4 in G major, BWV 1049: III. Presto (excerpt)4:58Brandenburgische konzerte 2,4,5
1983 · studio album
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Tracklist · 4 tracks · 49:49
1Konzert 2 F-Dur, BWV 104712:202Konzert 4 G-Dur, BWV 1049 (A)11:123Konzert 4 G-Dur, BWV 1049 (B)4:584Konzert 5 D-Dur, BWV 105021:19Concerto for Two Violins in D minor / Violin Concertos in A minor & E major
1983 · studio album
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Tracklist · 9 tracks · 53:16
1Concerto for Violin and Orchestra in E major, BWV 1042: I. Allegro8:472Concerto for Violin and Orchestra in E major, BWV 1042: II. Adagio8:193Concerto for Violin and Orchestra in E major, BWV 1042: III. Allegro assai3:024Double Concerto for Two Violins and Orchestra in D minor, BWV 1043: I. Vivace4:045Double Concerto for Two Violins and Orchestra in D minor, BWV 1043: II. Largo ma non tanto7:426Double Concerto for Two Violins and Orchestra in D minor, BWV 1043: III. Allegro5:137Concerto for Violin and Orchestra in A minor, BWV 1041: I. [ ]4:108Concerto for Violin and Orchestra in A minor, BWV 1041: II. Andante8:129Concerto for Violin and Orchestra in A minor, BWV 1041: III. Allegro assai3:471983 · studio album
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Tracklist · 13 tracks · 59:09
1Chorus I,II Soprano "Kommt, Ihr Töchter, Helft Mir Klagen"6:552Aria : Soprano "Blute Nur, Du Liebes Herz"4:473Recitativo : Tenor - Chorus II "O Schmerz ! Hier Zittert Das Gequälte Herz"2:114Aria : Tenor - Chorus II "Ich Will Bei Meinem Jesu Wachen"5:475Aria : Soprano, Alto Chorus I, II "So Ist Mein Jesus Nun Gefangen"4:106Choral - Soprano In Ripiento "O Mensch, Bewein Dein Sünde Gross"5:537Aria : Alto "Erbarme Dich"6:558Choral "Bin Ich Gleich Von Dir Gewichen "1:209Recitativo : Alto "Ach Golgatha"2:0110Aria : Alto - Chorus Ii "sehet, Jesus Hat Die Hand, Uns Zu Fassen, Ausgespannt"3:2111Aria : Basso "Mache Dich, Mein Herze, Rein"6:5912Recitativo : Basso, Tenore, Alto, Soprano, Chorus II "Nun Ist Der Herr Zur Ruh Gebracht"2:4913Chorus I, II "Wir Setzen Uns Mit Tränen Nieder "6:016 Violin Sonatas, BWV 1014-1019a
1983 · studio album
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Tracklist · 27 tracks · 1:41:17
Disc 11Sonata no. 1 in B minor, BWV 1014: I. Adagio3:352Sonata no. 1 in B minor, BWV 1014: II. Allegro2:533Sonata no. 1 in B minor, BWV 1014: III. Andante3:014Sonata no. 1 in B minor, BWV 1014: IV. Allegro3:245Sonata no. 2 in A major, BWV 1015: I. (Andante)2:506Sonata no. 2 in A major, BWV 1015: II. Allegro assai3:157Sonata no. 2 in A major, BWV 1015: III. Andante un poco3:088Sonata no. 2 in A major, BWV 1015: IV. Presto4:169Sonata no. 3 in E major, BWV 1016: I. Adagio3:5610Sonata no. 3 in E major, BWV 1016: II. Allegro2:4611Sonata no. 3 in E major, BWV 1016: III. Adagio ma non tanto5:0212Sonata no. 3 in E major, BWV 1016: IV. Allegro3:57Disc 21Sonata no. 4 in C minor, BWV 1017: I. Siciliano; Largo4:332Sonata no. 4 in C minor, BWV 1017: II. Allegro4:383Sonata no. 4 in C minor, BWV 1017: III. Adagio3:194Sonata no. 4 in C minor, BWV 1017: IV. Allegro4:485Sonata no. 5 in F minor, BWV 1018: I.6:316Sonata no. 5 in F minor, BWV 1018: II. Allegro4:387Sonata no. 5 in F minor, BWV 1018: III. Adagio3:458Sonata no. 5 in F minor, BWV 1018: IV. Vivace2:379Sonata no. 6 in G major, BWV 1019: I. Vivace3:4010Sonata no. 6 in G major, BWV 1019: II. Largo1:4611Sonata no. 6 in G major, BWV 1019: III. Allegro4:3612Sonata no. 6 in G major, BWV 1019: IV. Adagio2:5113Sonata no. 6 in G major, BWV 1019: V. Allegro3:2214Adagio, BWV 1019a/21:5115Cantabile, ma un poco adagio, BWV 1019a/16:191983 · studio album
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Tracklist · 11 tracks · 44:18
1Fugue in G minor, BWV 10005:382Suite in G minor, BWV 996: I. Praeludio. Passagio - Presto2:493Suite in G minor, BWV 996: II. Allemande2:174Suite in G minor, BWV 996: III. Courante2:485Suite in G minor, BWV 996: IV. Sarabande3:516Suite in G minor, BWV 996: V. Bourrée1:157Suite in G minor, BWV 996: VI. Gigue3:208Suite in C minor, BWV 997: I. Preludio3:239Suite in C minor, BWV 997: II. Fuga7:3810Suite in C minor, BWV 997: III. Sarabande5:1011Suite in C minor, BWV 997: IV. Gigue. Double6:091983 · studio album
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Tracklist · 5 tracks · 56:49
1Toccata & Fugue in D minor, BWV 56510:152Fugue in G minor, BWV 5784:293Prelude & Fugue in B minor, BWV 54412:434Fantasia & Fugue in G minor, BWV 54214:345Passacaglia in C minor, BWV 58214:48Le Clavier bien tempéré, Livre I
1983 · studio album
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Tracklist · 48 tracks · 1:51:13
Disc 11Prélude et Fugue en ut majeur BWV 846: I. Prélude2:052Prélude et Fugue en ut majeur BWV 846: II. Fugue2:443Prélude et Fugue en ut mineur BWV 847: I. Prélude2:024Prélude et Fugue en ut mineur BWV 847: II. Fugue1:265Prélude et Fugue en ut dièse majeur BWV 848: I. Prélude1:266Prélude et Fugue en ut dièse majeur BWV 848: II. Fugue3:057Prélude et Fugue en ut dièse mineur BWV 849: I. Prélude1:278Prélude et Fugue en ut dièse mineur BWV 849: II. Fugue3:419Prélude et Fugue en ré majeur BWV 850: I. Prélude1:4810Prélude et Fugue en ré majeur BWV 850: II. Fugue2:1511Prélude et Fugue en ré mineur BWV 851: I. Prélude1:4612Prélude et Fugue en ré mineur BWV 851: II. Fugue1:4213Prélude et Fugue en mi bémol majeur BWV 852: I. Prélude4:1714Prélude et Fugue en mi bémol majeur BWV 852: II. Fugue2:1415Prélude et Fugue en mi bémol mineur BWV 853: I. Prélude2:4816Prélude et Fugue en mi bémol mineur BWV 853: II. Fugue4:3017Prélude et Fugue en mi majeur BWV 854: I. Prélude1:1718Prélude et Fugue en mi majeur BWV 854: II. Fugue1:1719Prélude et Fugue en mi mineur BWV 855: I. Prélude2:0320Prélude et Fugue en mi mineur BWV 855: II. Fugue1:2121Prélude et Fugue en fa majeur BWV 856: I. Prélude1:4422Prélude et Fugue en fa majeur BWV 856: II. Fugue1:1023Prélude et Fugue en fa mineur BWV 857: I. Prélude1:4424Prélude et Fugue en fa mineur BWV 857: II. Fugue4:21Disc 21Prélude et Fugue en fa dièse majeur BWV 858: I. Prélude1:382Prélude et Fugue en fa dièse majeur BWV 858: II. Fugue2:153Prélude et Fugue en fa dièse mineur BWV 859: I. Prélude1:074Prélude et Fugue en fa dièse mineur BWV 859: II. Fugue2:095Prélude et Fugue en sol majeur BWV 860: I. Prélude1:256Prélude et Fugue en sol majeur BWV 860: II. Fugue2:437Prélude et Fugue en sol mineur BWV 861: I. Prélude1:218Prélude et Fugue en sol mineur BWV 861: II. Fugue2:199Prélude et Fugue en la bémol majeur BWV 862: I. Prélude1:2410Prélude et Fugue en la bémol majeur BWV 862: II. Fugue1:5411Prélude et Fugue en sol dièse mineur BWV 863: I. Prélude1:2612Prélude et Fugue en sol dièse mineur BWV 863: II. Fugue2:3413Prélude et Fugue en la majeur BWV 864: I. Prélude1:5514Prélude et Fugue en la majeur BWV 864: II. Fugue2:3915Prélude et Fugue en la mineur BWV 865: I. Prélude1:1916Prélude et Fugue en la mineur BWV 865: II. Fugue5:5717Prélude et Fugue en si bémol majeur BWV 866: I. Prélude1:2918Prélude et Fugue en si bémol majeur BWV 866: II. Fugue1:3919Prélude et Fugue en si bémol mineur BWV 867: I. Prélude3:0720Prélude et Fugue en si bémol mineur BWV 867: II. Fugue2:2321Prélude et Fugue en si majeur BWV 868: I. Prélude1:1422Prélude et Fugue en si majeur BWV 868: II. Fugue2:1723Prélude et Fugue en si mineur BWV 869: I. Prélude4:2824Prélude et Fugue en si mineur BWV 869: II. Fugue6:18The Organs at First Congregational Church, Los Angeles
1983 · studio album
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Tracklist · 6 tracks · 46:23
1Toccata and Fugue in D minor, BWV 5658:382Concerto no. 2 in A minor, BWV 593: I. Allegro3:543Concerto no. 2 in A minor, BWV 593: II. Adagio4:024Concerto no. 2 in A minor, BWV 593: III. Allegro4:185Prelude and Fugue in B minor, BWV 54413:376Prelude and Fugue in D major, BWV 53211:541983 · studio album
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Tracklist · 42 tracks · 2:25:10
Disc 11Suite No. 1 in G major, BWV 1007, Prelude2:242Suite No. 1 in G major, BWV 1007, Allemande4:213Suite No. 1 in G major, BWV 1007, Courante2:374Suite No. 1 in G major, BWV 1007, Sarabande3:095Suite No. 1 in G major, BWV 1007, Menuet 11:206Suite No. 1 in G major, BWV 1007, Menuet 22:097Suite No. 1 in G major, BWV 1007, Gigue2:048Suite No. 2 in D minor, BWV 1008, Prelude4:009Suite No. 2 in D minor, BWV 1008, Allemande3:5610Suite No. 2 in D minor, BWV 1008, Courante2:0611Suite No. 2 in D minor, BWV 1008, Sarabande4:5012Suite No. 2 in D minor, BWV 1008, Menuet 11:2013Suite No. 2 in D minor, BWV 1008, Menuet 21:5914Suite No. 2 in D minor, BWV 1008, Gigue2:49Disc 21Suite for solo cello No. 3 in C major, BWV 1009 I. Prélude3:292Suite for solo cello No. 3 in C major, BWV 1009II. Allemande3:503Suite for solo cello No. 3 in C major, BWV 1009 III. Courante3:024Suite for solo cello No. 3 in C major, BWV 1009 IV. Sarabande5:235Suite for solo cello No. 3 in C major, BWV 1009 V. Bourrée I1:406Suite for solo cello No. 3 in C major, BWV 1009 VI. Bourrée II2:267Suite for solo cello No. 3 in C major, BWV 1009 VII. Gigue3:218Suite for solo cello No. 4 in E flat major, BWV 1010 I. Praeludium5:559Suite for solo cello No. 4 in E flat major, BWV 1010 II. Allemande3:5710Suite for solo cello No. 4 in E flat major, BWV 1010 III. Courante3:2611Suite for solo cello No. 4 in E flat major, BWV 1010 IV. Sarabande5:0112Suite for solo cello No. 4 in E flat major, BWV 1010 V. Bourrée I2:5213Suite for solo cello No. 4 in E flat major, BWV 1010 VI. Bourrée II2:0814Suite for solo cello No. 4 in E flat major, BWV 1010 VII. Gigue2:47Disc 31Suite 5 - Prelude7:422Suite 5 - Allemande7:103Suite 5 - Courante2:154Suite 5 - Sarabande3:175Suite 5 - Gavotte I2:166Suite 5 - Gavotte II2:217Suite 5 - Gigue2:418Suite 6 - Prelude5:439Suite 6 - Allemande6:3110Suite 6 - Courante3:2911Suite 6 - Sarabande5:3312Suite 6 - Gavotte I1:4013Suite 6 - Gavotte II2:1514Suite 6 - Gigue3:56The Complete Sonatas and Partitas for Solo Violin
1983 · studio album
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Tracklist · 19 tracks · 2:26:50
Disc 11Sonata in G minor, BWV 1001: I. Adagio4:402Sonata in G minor, BWV 1001: II. Fuga: Allegro5:173Sonata in G minor, BWV 1001: III. Siciliano3:244Sonata in G Minor, BWV 1001: IV. Presto3:405Partita in D Minor, BWV 1004: I. Allemande/Courante8:096Partita in D minor, BWV 1004: II. Sarabande/Gigue8:347Partita in D minor, BWV 1004: III. Chaconne15:078Sonata in C Major, BWV 1005: I. Adagio-Fuga: Alla breve14:579Sonata in C major, BWV 1005: II. Largo3:2410Sonata in C major, BWV 1005: III. Allegro assai5:21Disc 21Partita in B minor, BWV 1002: I. Allemande/Courante17:532Partita in B minor, BWV 1002: II. Sarabande/Tempo di Bourrée13:293Sonata in A minor, BWV 1003: I. Grave - Fuga11:584Sonata in A minor, BWV 1003: II. Andante5:245Sonata in A minor, BWV 1003: III. Allegro5:546Partita in E major, BWV 1006: I. Preludio3:537Partita in E major, BWV 1006: II. Loure/Gavotte en Rondeau7:388Partita in E major, BWV 1006: III. Menuet4:449Partita in E major, BWV 1006: IV. Bourrée/Gigue3:241983 · studio album
1983 · studio album
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Tracklist · 8 tracks · 36:11
1Adagio in G minor for Organ, Solo Violin and Strings9:312Overture to "Berenice"3:223Air on a G String (Air From Third orchestral Suite in D)4:584Entry of the Queen of Sheba (Act III Sinfonia From ‘Solomon’)3:025Canon for Three Violins and Cello4:306Rondeau From ‘Abdelazer’1:167Chacony in G minor in 4 Parts5:408Allegro Assai from Violin Concerto No. 1 in A minor, BWV10413:52Concertos Brandebourgeois Nr. 2
1983 · studio album
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Tracklist · 18 tracks · 1:15:16
1Orchestral Suite No. 3 in D major, BWV 1068: I. Overture6:202Orchestral Suite No. 3 in D major, BWV 1068: II. Air4:563Orchestral Suite No. 3 in D major, BWV 1068: III. Gavotte3:504Orchestral Suite No. 3 in D major, BWV 1068: IV. Bourée1:215Orchestral Suite No. 3 in D major, BWV 1068: V. Gigue3:156Concerto for Violin, Oboe and Strings in D minor, BWV 1060R: I. Allegro5:187Concerto for Violin, Oboe and Strings in D minor, BWV 1060R: II. Adagio4:468Concerto for Violin, Oboe and Strings in D minor, BWV 1060R: III. Allegro3:529Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro4:5010Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante4:1811Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai2:5512Harpsichord Concerto No. 5 in F minor, BWV 1056: I. Allegro3:2513Harpsichord Concerto No. 5 in F minor, BWV 1056: II. Largo3:0314Harpsichord Concerto No. 5 in F minor, BWV 1056: III. Presto3:3215Cantata No. 51 "Jauchzet Gott in allen Landen", BWV 51: I. Jauchzet Gott in allen Landen4:3016Cantata No. 51 "Jauchzet Gott in allen Landen", BWV 51: II. Wir beten zu dem Tempel an4:2717Cantata No. 51 "Jauchzet Gott in allen Landen", BWV 51: III. Jichster mache deine Gute4:4818Cantata No. 51 "Jauchzet Gott in allen Landen", BWV 51: IV. Sei Lob und Preis mit Ehren5:50Sonatas for Viola da Gamba & Harpsichord
1983 · studio album
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Tracklist · 11 tracks · 42:23
1Sonata for Cello and Harpsichord No. 1 in G major, BWV 1027: I. Adagio3:502Sonata for Cello and Harpsichord No. 1 in G major, BWV 1027: II. Allegro ma non tanto3:183Sonata for Cello and Harpsichord No. 1 in G major, BWV 1027: III. Andante3:004Sonata for Cello and Harpsichord No. 1 in G major, BWV 1027: IV. Allegro moderato3:025Sonata for Cello and Harpsichord No. 2 in D major, BWV 1028: I. Adagio2:106Sonata for Cello and Harpsichord No. 2 in D major, BWV 1028: II. Allegro3:487Sonata for Cello and Harpsichord No. 2 in D major, BWV 1028: III. Andante5:038Sonata for Cello and Harpsichord No. 2 in D major, BWV 1028: IV. Allegro4:009Sonata for Cello and Harpsichord No. 3 in G minor, BWV 1029: I. Vivace5:1010Sonata for Cello and Harpsichord No. 3 in G minor, BWV 1029: II. Adagio5:2911Sonata for Cello and Harpsichord No. 3 in G minor, BWV 1029: III. Allegro3:331983 · studio album
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Tracklist · 5 tracks · 39:56
1Fantasia and Fugue in G minor, BWV 542 ("The Great")11:392Toccata in F major, BWV 5408:223Passacaglia and Fugue in C minor, BWV 58214:464Vater unser im Himmelreich, BWV 7372:325Alle Menschen müssen sterben, BWV 6432:37Der zufriedengestellte Äolus – Aeolus Propitiated – Éole apaisé
1983 · studio album
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Tracklist · 15 tracks · 40:53
1Der zufriedengestellte Äolus: Chor der Winde: „Zerreißet, zersprenget, zertrümmert die Gruft“6:272Der zufriedengestellte Äolus: Rezitativ (acc.) Baß: „Ja! Ja! Die Stunden sind nunmehro nah“1:393Der zufriedengestellte Äolus: Arie Baß: „Wie will ich lustig lachen“4:154Der zufriedengestellte Äolus: Rezitativ Tenor: „Gefürcht’ter Äolus“0:385Der zufriedengestellte Äolus: Arie Tenor: „Frische Schatten, meine Freude“4:436Der zufriedengestellte Äolus: Rezitativ Baß: „Beinahe wirst du mich bewegen“0:377Der zufriedengestellte Äolus: Arie Alt: „Können nicht die roten Wangen“3:148Der zufriedengestellte Äolus: Rezitativ Sopran, Alt: „So willst du, grimmger Äolus“0:479Der zufriedengestellte Äolus: Arie Sopran: „Angenehmer Zephyrus“4:1010Der zufriedengestellte Äolus: Rezitativ (acc.) Sopran, Baß: „Mein Äolus, ach! Störe nicht die Fröhlichkeiten“2:2011Der zufriedengestellte Äolus: Arie Baß: „Zurücke, zurücke, geflügelten Winde“3:2412Der zufriedengestellte Äolus: Rezitativ Sopran, Alt, Tenor: „Was Lust!“1:3813Der zufriedengestellte Äolus: Duett Alt, Tenor: „Zweig und Äste“3:1514Der zufriedengestellte Äolus: Rezitativ Sopran: „Ja, ja! Ich lad’ euch selbst zu dieser Feier ein“0:4115Der zufriedengestellte Äolus: Chor: „Vivat! Vivat!“3:05Brandenburg Concertos nos. 1, 2 & 3
1983 · studio album
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Tracklist · 3 tracks · 45:01
1Concerto no. 1 in F, BWV 104619:502Concerto no. 2 in F, BWV 104711:453Concerto no. 3 in G, BWV 104813:261983 · studio album
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Tracklist · 9 tracks · 42:24
1Concerto in D Minor for Oboe, reconstructed from BWV 1059 & 35: I. Allegro5:502Concerto in D Minor for Oboe, reconstructed from BWV 1059 & 35: II. Siciliana6:103Concerto in D Minor for Oboe, reconstructed from BWV 1059 & 35: III. Presto4:374Concerto in G Minor for Viola da Gamba, reconstructed from BWV 1056 & BWV 156: I. Allegro4:365Concerto in G Minor for Viola da Gamba, reconstructed from BWV 1056 & BWV 156: II. Largo5:446Concerto in G Minor for Viola da Gamba, reconstructed from BWV 1056 & BWV 156: III. Presto4:257Concerto in A Major for Oboe D'Amore, BWV 1055: I. Allegro3:568Concerto in A Major for Oboe D'Amore, BWV 1055: II. Larghetto2:539Concerto in A Major for Oboe D'Amore, BWV 1055: III. Allegro Ma Non Tanto4:13Brandenburg Concertos nos. 1, 2 & 4
1983 · studio album
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Tracklist · 10 tracks · 48:25
1Brandenburgisches Konzert No. 2 F-Dur, BWV 1047: I. Allegro5:242Brandenburgisches Konzert No. 2 F-Dur, BWV 1047: II. Andante3:313Brandenburgisches Konzert No. 2 F-Dur, BWV 1047: III. Allegro assai3:054Brandenburgisches Konzert No. 4 G-Dur, BWV 1049: I. Allegro7:125Brandenburgisches Konzert No. 4 G-Dur, BWV 1049: II. Andante3:576Brandenburgisches Konzert No. 4 G-Dur, BWV 1049: III. Presto5:017Brandenburgisches Konzert No. 1 F-Dur, BWV 1046: I. Allegro4:118Brandenburgisches Konzert No. 1 F-Dur, BWV 1046: II. Adagio4:029Brandenburgisches Konzert No. 1 F-Dur, BWV 1046: III. Allegro4:1810Brandenburgisches Konzert No. 1 F-Dur, BWV 1046: IV. Menuetto - Trio I - Menuetto da capo - Polacca - Menuetto da capo - Trio II - Menuetto da capo7:441983 · studio album
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Tracklist · 39 tracks · 2:17:14
Disc 11Partita no. 1 in B-flat major, BWV 825: I. Praeludium2:042Partita no. 1 in B-flat major, BWV 825: II. Allemande2:563Partita no. 1 in B-flat major, BWV 825: III. Corrente2:534Partita no. 1 in B-flat major, BWV 825: IV. Sarabande4:355Partita no. 1 in B-flat major, BWV 825: V. Menuet I1:206Partita no. 1 in B-flat major, BWV 825: VI. Menuet II1:257Partita no. 1 in B-flat major, BWV 825: VII. Gigue2:188Partita no. 2 in C minor, BWV 826: I. Sinfonia4:399Partita no. 2 in C minor, BWV 826: II. Allemande4:2110Partita no. 2 in C minor, BWV 826: III. Courante2:0811Partita no. 2 in C minor, BWV 826: IV. Sarabande3:0012Partita no. 2 in C minor, BWV 826: V. Rondeau1:4213Partita no. 2 in C minor, BWV 826: VI. Capriccio3:2714Partita no. 6 in E minor, BWV 830: I. Toccata7:3715Partita no. 6 in E minor, BWV 830: II. Allemande3:4616Partita no. 6 in E minor, BWV 830: III. Corrente - Air6:2817Partita no. 6 in E minor, BWV 830: IV. Sarabande6:1018Partita no. 6 in E minor, BWV 830: V. Tempo di Gavotta2:1319Partita no. 6 in E minor, BWV 830: VI. Gigue5:59Disc 21Partita no. 3 in A minor, BWV827: I. Fantasia1:532Partita no. 3 in A minor, BWV 827: II. Allemande2:563Partita no. 3 in A minor, BWV 827: III. Corrente2:474Partita no. 3 in A minor BWV 827: IV. Sarabande - Burlesca5:275Partita no. 3 in A minor BWV 827: V. Scherzo1:026Partita no. 3 in A minor, BWV 827: VI. Gigue3:057Partita no. 4 in D, BWV 828: I. Ouverture6:048Partita no. 4 in D, BWV 828: II. Allemande8:039Partita no. 4 in D, BWV 828: III. Courante3:2510Partita no. 4 in D, BWV 828: IV. Aria2:1711Partita no. 4 in D, BWV 828: V. Sarabande5:4912Partita no. 4 in D, BWV 828: VI. Menuet1:3513Partita no. 4 in D, BWV 828: VII. Gigue3:4614Partita no. 5 in G, BWV 829: I. Praeambulum2:0915Partita no. 5 in G, BWV 829: II. Allemande4:0716Partita no. 5 in G, BWV 829: III. Corrente1:3117Partita no. 5 in G, BWV 829: IV. Sarabande4:0418Partita no. 5 in G BWV 829: V. Tempo di Minuetta2:3519Partita no. 5 in G, BWV 829: VI. Passepied1:4220Partita no. 5 in G, BWV 829: VII. Gigue3:56Siebzehn Konzerte Nach Verschiedenen Meistern Für Cembalo Solo - 1
1983 · studio album
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Tracklist · 6 tracks · 58:03
A1Nr. 1 BWV 9728:38A2Nr. 2 BWV 9738:05A3Nr. 3 BWV 9749:50B1Nr. 9 BWV 98010:05B2Nr. 10 BWV 98113:08B3Nr. 11 BWV 9828:171983 · studio album
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Tracklist · 13 tracks · 1:02:17
1Trio Sonata in E-flat major, BWV 5252:522Trio Sonata in E-flat major, BWV 5257:323Trio Sonata in E-flat major, BWV 5252:454Fantasia, BWV 5728:105Canzona, BWV 5886:006Allabreve, BWV 5894:227Trio sonata in C major, BWV 5295:018Trio sonata in C major, BWV 5295:479Trio sonata in C major, BWV 5293:4010Prelude, BWV 5693:4811Trio sonata in C minor, BWV 5263:4512Trio sonata in C minor, BWV 5264:1113Trio sonata in C minor, BWV 5264:24Sonatas & Partitas BWV 1001-1006
1983 · studio album
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Tracklist · 31 tracks · 2:08:56
Disc 11Sonata I in G minor, BWV 1001: I. Adagio3:192Sonata I in G minor, BWV 1001: II. Fuga. Allegro5:273Sonata I in G minor, BWV 1001: III. Siciliana3:194Sonata I in G minor, BWV 1001: IV. Presto3:405Partita I in B minor, BWV 1002: I. Allemanda4:346Partita I in B minor, BWV 1002: II. Double2:417Partita I in B minor, BWV 1002: III. Correnta3:078Partita I in B minor, BWV 1002: IV. Double. Presto3:319Partita I in B minor, BWV 1002: V. Sarabande3:3710Partita I in B minor, BWV 1002: VI. Double2:3011Partita I in B minor, BWV 1002: VII. Tempo di Borea2:5812Partita I in B minor, BWV 1002: VIII. Double2:5813Sonata II in A minor, BWV 1003: I. Grave3:1314Sonata II in A minor, BWV 1003: II. Fuga8:0315Sonata II in A minor, BWV 1003: III. Andante5:3416Sonata II in A minor, BWV 1003: IV. Allegro5:00Disc 21Partita in D minor, BWV 1004: I. Allemanda4:132Partita in D minor, BWV 1004: II. Corrente2:353Partita in D minor, BWV 1004: III. Sarabanda4:014Partita in D minor, BWV 1004: IV. Giga3:515Partita in D minor, BWV 1004: V. Ciaccona11:206Sonata III in C major, BWV 1005: I. Adagio3:237Sonata III in C major, BWV 1005: II. Fuga10:178Sonata III in C major, BWV 1005: III. Largo3:139Sonata III in C major, BWV 1005: IV. Allegro assai4:5510Partita III in E major, BWV 1006: I. Preludio3:3511Partita III in E major, BWV 1006: II. Loure4:0612Partita III in E major, BWV 1006: III. Gavotte en Rondeaux3:0213Partita III in E major, BWV 1006: IV. Menuet I-II3:5014Partita III in E major, BWV 1006: V. Bourée1:2115Partita III in E major, BWV 1006: VI. Gigue1:431983 · studio album
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Tracklist · 15 tracks · 1:48:55
Disc 1A1Toccata Con Fuga - BWV 5658:50A2Schübler Choräle BWV 645 - 65018:49B1Passaglia BWV 58212:49B2BWV 7215:52B3BWV 7185:04B4BWV 7612:58Disc 2C1Fantasia E Fuga In G m BWV 54211:42C2BWV 730 - 7314:30C3BWV 7342:32C4BWV 7354:01C5BWV 7203:31D1Toccata BWV 56415:30D2BWV 7281:57D3BWV 7272:32D4BWV 5928:18Brandenburgische Konzerte Nos. 3, 6, 5
1983 · studio album
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Tracklist · 9 tracks · 51:03
1Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro6:252Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio0:223Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro5:064Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. Allegro6:175Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non troppo4:536Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro6:087Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro10:428Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso5:289Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro5:42Partita II in D minor / Partita III in E major
1983 · studio album
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Tracklist · 12 tracks
A1Violin Partita no. 2 in D minor, BWV 1004: I. AllemandeA2Violin Partita no. 2 in D minor, BWV 1004: II. CouranteA3Violin Partita no. 2 in D minor, BWV 1004: III. SarabandeA4Violin Partita no. 2 in D minor, BWV 1004: IV. GigueA5Violin Partita no. 2 in D minor, BWV 1004: V. ChaconneB1Violin Partita no. 3 in E major, BWV 1006: I. PreludioB2Violin Partita no. 3 in E major, BWV 1006: II. LoureB3Violin Partita no. 3 in E major, BWV 1006: III. Gavotte en rondeauB4Violin Partita no. 3 in E major, BWV 1006: IV. Menuet IB5Violin Partita no. 3 in E major, BWV 1006: V. Menuet IIB6Violin Partita no. 3 in E major, BWV 1006: VI. BourréeB7Violin Partita no. 3 in E major, BWV 1006: VII. GigueSonatas and Partitas for Solo Violin, BWV 1001–1006
1983 · studio album
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Tracklist · 27 tracks · 1:59:17
1Partita for Solo Violin no. 1 in B minor, BWV 1002: I. Allemande & Double7:292Partita for Solo Violin no. 1 in B minor, BWV 1002: II. Corrente & Double. Presto5:423Partita for Solo Violin no. 1 in B minor, BWV 1002: III. Sarabande & Double5:424Partita for Solo Violin no. 1 in B minor, BWV 1002: IV. Tempo di bourrée & Double5:365Sonata for Solo Violin no. 1 in G minor, BWV 1001: I. Adagio3:266Sonata for Solo Violin no. 1 in G minor, BWV 1001: II. Fuga. Allegro4:477Sonata for Solo Violin no. 1 in G minor, BWV 1001: III. Siciliana2:368Sonata for Solo Violin no. 1 in G minor, BWV 1001: IV. Presto3:209Sonata for Solo Violin no. 2 in A minor, BWV 1003: I. Grave3:1810Sonata for Solo Violin no. 2 in A minor, BWV 1003: II. Fuga7:0411Sonata for Solo Violin no. 2 in A minor, BWV 1003: III. Andante3:1912Sonata for Solo Violin no. 2 in A minor, BWV 1003: IV. Allegro5:0213Partita for Solo Violin no. 2 in D minor, BWV 1004: I. Allemande4:5114Partita for Solo Violin no. 2 in D minor, BWV 1004: II. Courante2:0315Partita for Solo Violin no. 2 in D minor, BWV 1004: III. Sarabande3:1716Partita for Solo Violin no. 2 in D minor, BWV 1004: IV. Gigue3:5717Partita for Solo Violin no. 2 in D minor, BWV 1004: V. Chaconne11:1818Sonata for Solo Violin no. 3 in C major, BWV 1005: I. Adagio3:4219Sonata for Solo Violin no. 3 in C major, BWV 1005: II. Fuga9:4620Sonata for Solo Violin no. 3 in C major, BWV 1005: III. Largo2:3921Sonata for Solo Violin no. 3 in C major, BWV 1005: IV. Allegro assai4:5122Partita for Solo Violin no. 3 in E major, BWV 1006: I. Preludio3:4923Partita for Solo Violin no. 3 in E major, BWV 1006: II. Loure3:1924Partita for Solo Violin no. 3 in E major, BWV 1006: III. Gavotte en rondeau2:2925Partita for Solo Violin no. 3 in E major, BWV 1006: IV. Menuets I & II2:5426Partita for Solo Violin no. 3 in E major, BWV 1006: V. Bourrée1:1827Partita for Solo Violin no. 3 in E major, BWV 1006: VI. Gigue1:43Brandenburg Concertos nos. 4-6
1983 · studio album
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Tracklist · 9 tracks · 52:39
1Concerto No. 4 in G major, BWV 1049: I. Allegro6:582Concerto No. 4 in G major, BWV 1049: II. Andante3:463Concerto No. 4 in G major, BWV 1049: III. Presto4:524Concerto No. 5 in D major, BWV 1050: I. Allegro9:495Concerto No. 5 in D major, BWV 1050: II. Affettuoso5:116Concerto No. 5 in D major, BWV 1050: III. Allegro5:147Concerto No. 6 in B-flat major, BWV 1051: I. Ohne Satzbezeichnung6:058Concerto No. 6 in B-flat major, BWV 1051: II. Adagio ma non tanto5:209Concerto No. 6 in B-flat major, BWV 1051: III. Allegro5:24Brandenburg Concertos nos. 1 - 3
1983 · studio album
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Tracklist · 10 tracks · 43:27
1Concerto no. 1 in F major, BWV 1046: I. [without tempo indication]4:112Concerto no. 1 in F major, BWV 1046: II. Adagio4:133Concerto no. 1 in F major, BWV 1046: III. Allegro4:104Concerto no. 1 in F major, BWV 1046: IV. Menuetto - trio I - polacca - trio II7:315Concerto no. 2 in F major, BWV 1047: I. [without tempo indication]5:186Concerto no. 2 in F major, BWV 1047: II. Andante3:537Concerto no. 2 in F major, BWV 1047: III. Allegro assai3:078Concerto no. 3 in G major, BWV 1048: I. [without tempo indication]5:459Concerto no. 3 in G major, BWV 1048: II. Adagio0:3410Concerto no. 3 in G major, BWV 1048: III. Allegro4:45Bach: Concerto in C minor, BWV 1060 / Vivaldi: Concerti RV 576 & 582
1984 · studio album
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Tracklist · 10 tracks · 42:57
1Concerto for Violin, Oboe, Strings and Continuo in C minor, BWV 1060: I. Allegro4:502Concerto for Violin, Oboe, Strings and Continuo in C minor, BWV 1060: II. Adagio5:213Concerto for Violin, Oboe, Strings and Continuo in C minor, BWV 1060: III. Allegro3:494Easter Oratorio, Sinfonia, BWV 249: II. Adagio4:165Concerto for Oboe, Violin and Orchestra in G minor, RV 576: I. Allegro4:166Concerto for Oboe, Violin and Orchestra in G minor, RV 576: II. Larghetto4:067Concerto for Oboe, Violin and Orchestra in G minor, RV 576: III. Allegro4:068Concerto for Violin and two Cori in D major, RV 582: I. Allegro5:189Concerto for Violin and two Cori in D major, RV 582: II. Largo2:1210Concerto for Violin and two Cori in D major, RV 582: III. Allegro4:431984 · studio album
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Tracklist · 15 tracks · 49:38
1Fugue in G minor “The Little”4:042Sheep May Safely Graze4:393Two‐Part Invention in F major0:434Two‐Part Invention in B‐flat major1:305Two‐Part Invention in D minor0:516Arioso4:327“Gavotte” from Fourth Lute Suite3:128Art Thou With Me (Bist du bei mir)2:229In dulci jubilo1:4810Brandenburg Concerto no. 2 in F major: I. [Allegro]4:1411Brandenburg Concerto no. 2 in F major: II. Andante4:4012Brandenburg Concerto no. 2 in F major: III. Allegro assai2:4313Prelude & Fugue in C major (from The Well‐Tempered Clavier, Book I)4:2114Prelude & Fugue in C minor (from The Well‐Tempered Clavier, Book I)3:4715Fugue in G minor “The Great”6:121984 · studio album
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Tracklist · 4 tracks · 48:21
1Prelude and Fugue in D Major, BWV 53212:042Prelude and Fugue in B Minor, BWV 54412:473Prelude and Fugue in G Major, BWV 5417:584Prelude and Fugue in E Minor (The Wedge), BWV 54815:321984 · studio album
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Tracklist · 9 tracks · 52:36
1Musikalisches Opfer, BWV 1079: Ricercar a 36:412Musikalisches Opfer, BWV 1079: Canon perpetuus super thema regium0:553Musikalisches Opfer, BWV 1079: Canon a 2 cancrizans / Canon a 2 violini in unisono / Canon a 2 per motum contrarium / Canon a 2 per augmentationem contrario motu / Canon a 2 per tonos6:574Musikalisches Opfer, BWV 1079: Fuga canonica in epidiapente2:455Musikalisches Opfer, BWV 1079: Canon a 2 quaerendo invenietis1:026Musikalisches Opfer, BWV 1079: Canon a 4 quaerendo invenietis2:357Musikalisches Opfer, BWV 1079: Canon perpetuus1:388Musikalisches Opfer, BWV 1079: Sonata sopr'il soggetto reale a traversa, violino e continuo22:069Musikalisches Opfer, BWV 1079: Ricercar a 67:571984 · studio album
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Tracklist · 10 tracks · 52:10
1Concerto no. 1 in F major, BWV 1046: I. Allegro4:042Concerto no. 1 in F major, BWV 1046: II. Adagio3:503Concerto no. 1 in F major, BWV 1046: III. Allegro4:334Concerto no. 1 in F major, BWV 1046: IV. Menuet - Trio - Menuet - Polonaise7:115Concerto no. 3 in G major, BWV 1048: I. Allegro5:486Concerto no. 3 in G major, BWV 1048: II. Adagio1:007Concerto no. 3 in G major, BWV 1048: III. Allegro5:008Concerto no. 5 in D major, BWV 1050: I. Allegro10:289Concerto no. 5 in D major, BWV 1050: II. Affetuoso4:4910Concerto no. 5 in D major, BWV 1050: III. Allegro5:271984 · studio album
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Tracklist · 16 tracks · 49:38
1Kantate "Lobe den Herrn, meine Seele", BWV 143: I. Chor "Lobe den Herrn, meine Seele"1:162Kantate "Lobe den Herrn, meine Seele", BWV 143: II. Choral "Du Friedensfürst, Herr Jesu Christ"2:243Kantate "Lobe den Herrn, meine Seele", BWV 143: III. Recitativo "Wohl dem, dess Hülfe"0:244Kantate "Lobe den Herrn, meine Seele", BWV 143: IV. Aria "Tausendfaches Unglück"3:465Kantate "Lobe den Herrn, meine Seele", BWV 143: V. Aria "Der Herr ist König"1:446Kantate "Lobe den Herrn, meine Seele", BWV 143: VI. Aria "Jesu, Retter deiner Herde"2:157Kantate "Lobe den Herrn, meine Seele", BWV 143: VII. Chor "Halleluja"2:228Kantate "Wär Gott nicht mit uns diese Zeit", BWV 14: I. Chor "Wär Gott nicht mit uns diese Zeit"6:009Kantate "Wär Gott nicht mit uns diese Zeit", BWV 14: II. Aria "Unsre Stärke heißt zu schwach"4:3910Kantate "Wär Gott nicht mit uns diese Zeit", BWV 14: III. Recitativo "Ja, hätt' es Gott nicht zugegeben"0:4111Kantate "Wär Gott nicht mit uns diese Zeit", BWV 14: IV. Aria "Gott, bei deinem starken Schützen"4:4412Kantate "Wär Gott nicht mit uns diese Zeit", BWV 14: V. Choral "Gott Lob und Dank"1:1513Kantate "Jauchzet Gott in allen Landen", BWV 51: I. Aria "Jauchzet Gott in allen Landen"4:3214Kantate "Jauchzet Gott in allen Landen", BWV 51: II. Recitativo "Wir beten zu dem Tempel an"2:1115Kantate "Jauchzet Gott in allen Landen", BWV 51: III. Aria "Höchster, mache deine Güte..."4:2916Kantate "Jauchzet Gott in allen Landen", BWV 51: IV. Choral "Sei Lob und Preis mit Ehren"6:56Das wohltemperierte Clavier 1 & 2
1984 · studio album
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Tracklist · 48 tracks · 4:15:53
Disc 11Praeludium & Fuga (a 4 voci) in C-Dur, BWV 8464:132Praeludium & Fuga (a 3 voci) in c-Moll, BWV 8473:303Praeludium & Fuga (a 3 voci) in Cis-Dur, BWV 8484:084Praeludium & Fuga (a 5 voci) in cis-Moll, BWV 8496:205Praeludium & Fuga (a 4 voci) in D-Dur, BWV 8503:136Praeludium & Fuga (a 3 voci) in d-Moll, BWV 8513:457Praeludium & Fuga (a 3 voci) in Es-Dur, BWV 8526:038Praeludium in es-Moll & Fuga (a 3 voci) in dis-Moll, BWV 8538:049Praeludium & Fuga (a 3 voci) in E-Dur, BWV 8542:5510Praeludium & Fuga (a 2 voci) in e-Moll, BWV 8554:1011Praeludium & Fuga (a 3 voci) in F-Dur, BWV 8562:4212Praeludium & Fuga (a 4 voci) in f-Moll, BWV 8576:32Disc 21Praeludium & Fuga (a 3 voci) in Fis-Dur, BWV 8583:432Praeludium & Fuga (a 4 voci) in fis-Moll, BWV 8594:103Praeludium & Fuga (a 3 voci) in G-Dur, BWV 8604:064Praeludium & Fuga (a 4 voci) in g-Moll, BWV 8613:515Praeludium & Fuga (a 4 voci) in As-Dur, BWV 8624:006Praeludium & Fuga (a 4 voci) in gis-Moll, BWV 8634:187Praeludium & Fuga (a 3 voci) in A-Dur, BWV 8643:578Praeludium & Fuga (a 4 voci) in a-Moll, BWV 8655:549Praeludium & Fuga (a 3 voci) in B-Dur, BWV 8663:0710Praeludium & Fuga (a 5 voci) in b-Moll, BWV 8675:0511Praeludium & Fuga (a 4 voci) in H-Dur, BWV 8683:3312Praeludium & Fuga (a 4 voci) in h-Moll, BWV 8699:43Disc 31Praeludium & Fuga (a 3 voci) in C-Dur, BWV 8704:152Praeludium & Fuga (a 4 voci) in c-Moll, BWV 8714:553Praeludium & Fuga (a 3 voci) in Cis-Dur, BWV 8724:024Praeludium & Fuga (a 3 voci) in cis-Moll, BWV 8736:235Praeludium & Fuga (a 4 voci) in D-Dur, BWV 8748:206Praeludium & Fuga (a 3 voci) in d-Moll, BWV 8753:357Praeludium & Fuga (a 4 voci) in Es-Dur, BWV 8764:568Praeludium & Fuga (a 4 voci) in dis-Moll, BWV 8778:199Praeludium & Fuga (a 4 voci) in E-Dur, BWV 8788:1610Praeludium & Fuga (a 3 voci) in e-Moll, BWV 8797:3311Praeludium & Fuga (a 3 voci) in F-Dur, BWV 8805:3012Praeludium & Fuga (a 3 voci) in f-Moll, BWV 8816:25Disc 41Praeludium & Fuga (a 3 voci) in Fis-Dur, BWV 8825:552Praeludium & Fuga (a 3 voci) in fis-Moll, BWV 8837:443Praeludium & Fuga (a 3 voci) in G-Dur, BWV 8844:074Praeludium & Fuga (a 4 voci) in g-Moll, BWV 8855:335Praeludium & Fuga (a 4 voci) in As-Dur, BWV 8867:246Praeludium & Fuga (a 3 voci) in gis-Moll, BWV 8876:577Praeludium & Fuga (a 3 voci) in A-Dur, BWV 8883:228Praeludium & Fuga (a 3 voci) in a-Moll, BWV 8894:449Praeludium & Fuga (a 3 voci) in B-Dur, BWV 8906:3910Praeludium & Fuga (a 4 voci) in b-Moll, BWV 8918:3511Praeludium & Fuga (a 4 voci) in H-Dur, BWV 8926:2212Praeludium & Fuga (a 3 voci) in h-Moll, BWV 8935:00Cembalokonzerte BWV 1052, 1057, 1064
1984 · studio album
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Tracklist · 9 tracks · 55:11
1Konzert D Moll BWV 1052: I. Allegro8:032Konzert D Moll BWV 1052: II. Adagio6:013Konzert D Moll BWV 1052: III. Allegro8:064Konzert F Dur BWV 1057: I. Allegro6:545Konzert F Dur BWV 1057: II. Andante4:086Konzert F Dur BWV 1057: III. Allegro assai5:077Konzert C Dur BWV 1064: I. Allegro6:238Konzert C Dur BWV 1064: II. Adagio5:499Konzert C Dur BWV 1064: III. Allegro4:40Die Schukeorgel der Thomaskirche zu Leipzig: Hannes Kästner spielt Bach
1984 · studio album
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Tracklist · 6 tracks · 49:05
A1Fantasie G-dur BWV 5728:35A2Choralbearbeitung: Wachet auf, ruft uns die Stimme, BWV 6455:00A3Fantasie und Fuge G-moll BWV 54212:45B1Toccata und Fuge D-moll BWV 5659:25B2Choralbearbeitung: Ich ruf zu dir, Herr Jesu Christ, BWV 6393:25B3Präludium und Fuge C-dur BWV 5479:551984 · studio album
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Tracklist · 42 tracks · 1:29:29
Disc 1A1Die Kunst der Fuge, BWV 1080/1: Contrapunctus 12:54A2Die Kunst der Fuge, BWV 1080/2: Contrapunctus 22:56A3Die Kunst der Fuge, BWV 1080/3: Contrapunctus 32:54A4Die Kunst der Fuge, BWV 1080/4: Contrapunctus 43:09A5Die Kunst der Fuge, BWV 1080/15: Canon alla Ottava3:52A6Die Kunst der Fuge, BWV 1080/5: Contrapunctus 53:25A7Die Kunst der Fuge, BWV 1080/6: Contrapunctus 63:34A8Die Kunst der Fuge, BWV 1080/7: Contrapunctus 7, A4, per Augmentationem et Diminutionem2:50B1Die Kunst der Fuge, BWV 1080/16: Canon alla Decima in Contrapunto alla Terza4:18B2Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9, alla Duodecima2:21B3Die Kunst der Fuge, BWV 1080/10: Contrapunctus 10, alla Decima4:12B4Die Kunst der Fuge, BWV 1080/8: Contrapunctus 8, A34:54B5Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11, A44:11B6Die Kunst der Fuge, BWV 1080/17: Canon alla Duodecima in Contrapunto alla Quinta3:47Disc 2C1Die Kunst der Fuge, BWV 1080/12: Contrapunctus 12, A44:39C2Die Kunst der Fuge, BWV 1080/13: Contrapunctus 13, A34:25C3Die Kunst der Fuge, BWV 1080/18,1: Fuga à 2 Clav.2:11C4Die Kunst der Fuge, BWV 1080/18,2: Alio modo. Fuga à 2 Clav.2:13C5Die Kunst der Fuge, BWV 1080/14: Canon per Augmentationem in Contrario Motu4:17C6Die Kunst der Fuge, BWV 1080/19: Fuga à 3 Soggetti (Contrapunctus 14)7:25D1Canon Trias Harmonica, à 8, BWV 10720:42D2Canon à 4, perpetuus, BWV 10731:36D3Canon à 4, BWV 10741:48D4Canon à 2, perpetuus, BWV 10750:32D5Canon Triplex, à 6, BWV 10760:29D6Canone doppio sopr'il Soggetto, A 4, BWV 10770:50D7Canon Concordia discors, A 2, BWV 10861:20D8Canon Fa Mi, á 7, BWV 10781:34D9Canones BWV 1087: 1. Canon simplex0:21D10Canones BWV 1087: 2. All'rovescio0:21D11Canones BWV 1087: 3. Beede vorigen Canones zugleich, Motu recto e contrario0:16D12Canones BWV 1087: 4. Motu contrario e recto0:19D13Canones BWV 1087: 5. Canon duplex, à 40:21D14Canones BWV 1087: 6. Canon simplex Über besagtes Fundament, à 30:40D15Canones BWV 1087: 7. Idem, à 30:20D16Canones BWV 1087: 8. Canon simplex, à 3, il Soggetto in Alto0:23D17Canones BWV 1087: 9. Canon in unisono post semifusam, à 30:20D18Canones BWV 1087: 10a. Alio modo, per Syncopationes et per Ligaturas, à 2; 10b. Evolutio0:21D19Canones BWV 1087: 11. Canon Duplex Über Fundament, à 50:50D20Canones BWV 1087: 12. Canon Duplex Über besagte Fundamental-Noten, à 50:32D21Canones BWV 1087: 13. Canon Triplex, à 60:35D22Canones BWV 1087: 14. Canon à 4, per Augmentaionem et Diminutionem0:321984 · studio album
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Tracklist · 8 tracks · 51:52
1Concerto in D Minor (after Vivaldi Op. 3/11), BWV 59612:132Concerto in A minor (after Vivaldi Op. 3/8), BWV 593: I. Introduction4:393Concerto in A minor (after Vivaldi Op. 3/8), BWV 593: II. Adagio3:564Concerto in A minor (after Vivaldi Op. 3/8), BWV 593: III. Allegro4:105Concerto in C (after Vivaldi Op. 7/11 «Il Grosso Mogul»), BWV 594: I. Introduction7:246Concerto in C (after Vivaldi Op. 7/11 «Il Grosso Mogul»), BWV 594: II. Recitativo. Adagio3:577Concerto in C (after Vivaldi Op. 7/11 «Il Grosso Mogul»), BWV 594: III. Allegro9:258Fugue in B minor on a theme by Corelli (Op. 3/4), BWV 5796:08Brandenburgische Konzerte: Früh- und Spätfassungen
1984 · studio album
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Tracklist · 10 tracks · 49:57
1Sinfonia F-dur, BWV 1046a: I. ohne Bezeichnung3:582Sinfonia F-dur, BWV 1046a: II. Adagio, sempre piano3:503Sinfonia F-dur, BWV 1046a: III. Menuet5:594Concerto II F-dur, BWV 1047a: I. ohne Bezeichnung5:085Concerto II F-dur, BWV 1047a: II. ohne BezeichnungAndante3:346Concerto II F-dur, BWV 1047a: III. ohne Bezeichnungohne Bezeichnung2:487Sinfonia G-dur zur Kantate "Ich liebe den Höchsten von ganzem Gemüte" BWV 1746:178Concerto V D-dur BWV 1050a: I. Allegro8:079Concerto V D-dur BWV 1050a: II. Adagio5:1310Concerto V D-dur BWV 1050a: III. Allegro5:031984 · studio album
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Tracklist · 13 tracks · 44:29
1Chorale: Wachet auf, ruft uns die Stimme, BWV 6454:092Chorale: Wo soll ich fliehen hin, BWV 6461:413Chorale: Wer nur den lieben Gottl l sst walten, BWV 6474:264Chorale: Meine Seele erhebet der Herrn, BWV 6482:275Chorale: Ach bleib' bei uns, Herr Jesu Christ, BWV 6492:326Chorale: Kommst du num, Jesu, vom Himmel herunter, BWV 6502:567Chorale: Erbarm' dich mein, o Herre Gott, BWV 7215:008Chorale: Jesus que ma joie demeure / Jesu bleibet meine Freude3:519Chorale "Nun freut euch, lieben Christen g'mein", BWV 7342:1210Chorale: O Mensch, bewein' dein' S nde gross, BWV 6225:0211Chorale 'Wir glauben all' an einen Gott' BWV 6803:1312Chorale "Ich ruf zu dir, Herr Jesu Christ", BWV 6392:2213Chorale "Nun komm, der Heiden Heiland" BWV 6594:381984 · studio album
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Tracklist · 12 tracks · 1:47:32
Disc 1A1Präludium und Fuge Es-Dur BWV 55215:14A2Choraltrio „Allein Gott in der Höh sei Ehr“ BWV 6765:08A3Toccata d-Moll BWV 5658:10B1Fantasie G-Dur BWV 57210:14B2Choralbearbeitung „Jesus Christus, unser Heiland“ BWV 6663:10B3Choralbearbeitung „O Lamm Gottes, unschuldig“ BWV 6184:19B4Präludium und Fuge C-Dur BWV 54710:30Disc 2C1Dorische Toccata und Fuge BWV 53811:16C2Präludium und Fuge D-Dur BWV 53210:36C3Choralbearbeitung „Wer nur den lieben Gott läßt walten“ BWV 6423:36D1Fantasie und Fuge g-Moll BWV 54212:10D2Präludium und Fuge e-Moll BWV 54813:091984 · studio album
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Tracklist · 42 tracks · 1:29:29
Disc 1A1Die Kunst der Fuge, BWV 1080: Contrapunctus 12:54A2Die Kunst der Fuge, BWV 1080: Contrapunctus 22:56A3Die Kunst der Fuge, BWV 1080: Contrapunctus 32:54A4Die Kunst der Fuge, BWV 1080: Contrapunctus 43:09A5Die Kunst der Fuge, BWV 1080: Canon alla Ottava3:52A6Die Kunst der Fuge, BWV 1080: Contrapunctus 53:25A7Die Kunst der Fuge, BWV 1080: Contrapunctus 63:34A8Die Kunst der Fuge, BWV 1080: Contrapunctus 72:50B1Die Kunst der Fuge, BWV 1080: Canon alla Decima4:18B2Die Kunst der Fuge, BWV 1080: Contrapunctus 92:21B3Die Kunst der Fuge, BWV 1080: Contrapunctus 104:12B4Die Kunst der Fuge, BWV 1080: Contrapunctus 84:54B5Die Kunst der Fuge, BWV 1080: Contrapunctus 114:11B6Die Kunst der Fuge, BWV 1080: Canon alla Duodecima3:47Disc 2C1Die Kunst der Fuge, BWV 1080: Contrapunctus 124:39C2Die Kunst der Fuge, BWV 1080: Contrapunctus 134:25C3Die Kunst der Fuge, BWV 1080: Fuga a 2 Clav.2:11C4Die Kunst der Fuge, BWV 1080: Alla modo. Fuga a 2 Clav.2:13C5Die Kunst der Fuge, BWV 1080: Canon per Augmentationem4:17C6Die Kunst der Fuge, BWV 1080: Fuga a 3 Soggetti (Contrapunctus 14)7:25D1Canon Trias Harmonica, a 8, BWV 10720:42D2Canon a 4 perpetuus, BWV 10731:36D3Canon a 4, BWV 10741:48D4Canon a 2 perpetuus, BWV 10750:32D5Canon triplex, a 6, BWV 10760:29D6Canone doppio sopr'il Soggetto, a 4, BWV 10770:50D7Canon Concordia discors, a 2, BWV 10861:20D8Canon Fa Mi, a 7, BWV 10781:34D9.1Verschiedene Canones, BWV 1087: 1. Canon simplex0:21D9.2Verschiedene Canones, BWV 1087: 2. All'roverscio0:21D9.3Verschiedene Canones, BWV 1087: 3. Beede vorigen Canones zugleich Motu recto e contrario0:16D9.4Verschiedene Canones, BWV 1087: 4. Motu contrario e recto0:19D9.5Verschiedene Canones, BWV 1087: 5. Canon duplex, a 40:21D10.1Verschiedene Canones, BWV 1087: 6. Canon simplex über besagtes Fundamenbt, a 30:40D10.2Verschiedene Canones, BWV 1087: 7. Idem, a 30:20D10.3Verschiedene Canones, BWV 1087: 8. Canon simplex, a3, il soggetto in Alto0:23D10.4Verschiedene Canones, BWV 1087: 9. Canon in unisono post semifusam, a 30:20D10.5Verschiedene Canones, BWV 1087: 10. Alio modo, per syncopationes et per ligaturas, a 2; Evolutio0:21D10.6Verschiedene Canones, BWV 1087: 11. Canon duplx über Fundament, a 50:50D11.1Verschiedene Canones, BWV 1087: 12. Canon duplx über besagte Fundamental-Noten, a 50:32D11.2Verschiedene Canones, BWV 1087: 13. Canon triplx, a 60:35D11.3Verschiedene Canones, BWV 1087: 14. Canon a 4 per Augmentaionem et Diminutionem0:32Brandenburgische Konzerte No. 1-2-3
1984 · studio album
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Tracklist · 10 tracks · 44:23
1Concerto I F Major BWV 1046 - 1. ohne Bezeichnung4:112Concerto I F Major BWV 1046 - 2. Adagio4:033Concerto I F Major BWV 1046 - 3. Allegro4:294Concerto I F Major BWV 1046 - 4. Menuet7:445Concerto II F Major BWV 1047 - 1. ohne Bezeichnung5:106Concerto II F Major BWV 1047 - 2. Andante3:377Concerto II F Major BWV 1047 - 3. Allegro assai2:428Concerto III G Major BWV 1048 - 1. ohne Bezeichnung6:119Concerto III G Major BWV 1048 - 2. Adagio1:0810Concerto III G Major BWV 1048 - 3. Allegro5:081984 · studio album
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Tracklist · 23 tracks · 1:49:37
Disc 11Mass in B minor. Kyrie: Kyrie eleison8:292Mass in B minor. Kyrie: Christe eleison5:233Mass in B minor. Kyrie: Kyrie eleison3:054Mass in B minor. Gloria: Gloria in excelsis Deo, et in terra pax6:175Mass in B minor. Gloria: Laudamus te4:306Mass in B minor. Gloria: Gratias agimus tibi2:337Mass in B minor. Gloria: Domine Deus, qui tollis peccata mundi9:328Mass in B minor. Gloria: Qui sedes ad dextram patris4:489Mass in B minor. Gloria: Quoniam tu solus sanctus, cum sancto spiritu8:56Disc 210Mass in B minor. Credo: Credo in unum Deum2:0911Mass in B minor. Credo: Patrem omnipotentem2:0812Mass in B minor. Credo: Et in unum Dominum4:5813Mass in B minor. Credo: Et incarnatus est3:1614Mass in B minor. Credo: Crucifixus2:3115Mass in B minor. Credo: Et resurrexit4:2616Mass in B minor. Credo: Et in spiritum, sanctum Dominum, confiteor5:5117Mass in B minor. Credo: Et expecto6:4618Mass in B minor. Sanctus: Sanctus4:3419Mass in B minor. Agnus Dei: Osanna in excelsis3:0120Mass in B minor. Bedidictus: Benidictus4:5321Mass in B minor. Agnus Dei: Osanna in excelsis3:0122Mass in B minor. Agnus Dei: Agnus Dei5:4323Mass in B minor. Dona nobis pacem2:471984 · studio album
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Tracklist · 10 tracks · 42:10
1Kantate "Ich will den Kreuzstab gerne Tragen", BWV 56: I. Arie "Ich will den Kreuzstab gerne tragen"6:502Kantate "Ich will den Kreuzstab gerne Tragen", BWV 56: II. Recitativo "Mein Wandel auf der Welt"2:173Kantate "Ich will den Kreuzstab gerne Tragen", BWV 56: III. Arie "Endlich, endlich wird mein Joch"7:034Kantate "Ich will den Kreuzstab gerne Tragen", BWV 56: IV. Recittivo "Ich stehe fertig und bereit"1:595Kantate "Ich will den Kreuzstab gerne Tragen", BWV 56: V. Choral "Komm, o Tod, du Schlafes Bruder"1:366Kantate "Ich habe genug", BWV 82: I. Arie "Ich habe genug"7:127Kantate "Ich habe genug", BWV 82: II. Recitativo "Ich habe genug"1:278Kantate "Ich habe genug", BWV 82: III. Aria "Schlummert ein, ihr matten Augen"8:529Kantate "Ich habe genug", BWV 82: IV. Recitativo "Mein Gott! wann kommt das schöne : Nun!"1:0410Kantate "Ich habe genug", BWV 82: V. Arie "Ich freue mich auf meinen Tod"3:501984 · studio album
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Tracklist · 2 tracks · 45:57
1Goldberg Variations: Aria — Variations 1–1522:122Goldberg Variations: Variations 16–30 — Aria23:451984 · studio album
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Tracklist · 20 tracks · 1:41:29
Disc 11Contrapunctus 12:362Contrapunctus 22:543Contrapunctus 32:144Contrapunctus 43:105Contrapunctus 53:046Contrapunctus 65:257Contrapunctus 73:328Contrapunctus 84:229Contrapunctus 92:4010Contrapunctus 106:3111Contrapunctus 1111:51Disc 21Contrapunctus 125:112Contrapunctus 134:033Contrapunctus 148:054Contrapunctus 153:595Contrapunctus 165:056Contrapunctus 173:417Contrapunctus 187:438Canon in Hypodiatessaron11:169Contrapunctus 194:071984 · studio album
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Tracklist · 26 tracks · 1:46:37
Disc 11Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison8:442Messe in H-moll, BWV 232: I. Missa. Kyrie. Christie eleison6:003Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison3:054Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo1:515Messe in H-moll, BWV 232: I. Missa. Gloria. Et in terra pax4:436Messe in H-moll, BWV 232: I. Missa. Gloria. Laudamus te4:397Messe in H-moll, BWV 232: I. Missa. Gloria. Gratias agimus tibi2:548Messe in H-moll, BWV 232: I. Missa. Gloria. Domine Deus5:479Messe in H-moll, BWV 232: I. Missa. Gloria. Qui tollis2:2910Messe in H-moll, BWV 232: I. Missa. Gloria. Qui sedes5:0411Messe in H-moll, BWV 232: I. Missa. Gloria. Quoniam tu solus4:3212Messe in H-moll, BWV 232: I. Missa. Gloria. Cum Sancto Spiritu4:17Disc 21Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Credo in unum Deum2:072Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Patrem omnipotentem2:053Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. En in unum Dominum5:384Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et incarnatus est2:405Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Crucifixus2:206Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et resurrexit4:207Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et in Spiritum5:248Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Confiteor3:339Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Ex expecto2:1910Messe in H-moll, BWV 232: III. Sanctus. Sanctus4:5211Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Osanna2:5312Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Benedictus6:3413Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Agnus Dei4:4614Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Donna nobis pacem3:011984 · studio album
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Tracklist · 6 tracks · 1:02:38
1Motette, BWV 225 "Singet dem Herrn ein neues Lied"12:512Motette, BWV 226 "Der Geist hilft unser Schwachheit auf"7:483Motette, BWV 229 "Komm, Jesu, komm"7:544Motette, BWV 227 "Jesu, meine Freude"20:115Motette, BWV 228 "Fürchte dich nicht, ich bin bei dir"8:096Motette, BWV 230 "Lobet den Herrn, alle Heiden"5:451984 · studio album
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Tracklist · 20 tracks · 58:12
1Dir, dir Jehova, will ich singen BWV 2993:392Polonaise g-moll BWV Anh. 1231:583So oft ich meine Tobacks Pfeife BWV 515a5:394Menuet I & II G-dur, g-moll BWV Anh. 114 / 1154:545Willst du dein Herz mir schenken BWV 5183:126Präludium c-moll BWV 9992:117Warum betrübst du dich BWV 5161:398Siciliano BWV 1001 Nr.32:399O Ewigkeit, du Donnerwort BWV 513, 3974:3910Gedenke doch, mein Geist BWV 5091:2511Bist du bei mir BWV 5082:3912Marche Es-dur BWV Anh. 1271:5013Wie|wohl ist mir BWV 5171:3914Marche D-dur BWV Anh. 1221:3115Musette D-dur BWV Anh. 1261:2316Gib dich zufrieden BWV 5111:1117Menuet d-moll BWV Anh. 1321:1718Rezitativo & Aria from BWV 827:2719Menuet G-dur BWV Anh. 1162:1220Wer nur den lieben Gott läßt walten BWV 6915:081984 · studio album
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Tracklist · 19 tracks · 1:29:57
Disc 11Die Kunst der Fuge BWV 1080: Contrapunctus 13:332Die Kunst der Fuge BWV 1080: Contrapunctus 23:013Die Kunst der Fuge BWV 1080: Contrapunctus 33:124Die Kunst der Fuge BWV 1080: Contrapunctus 44:345Die Kunst der Fuge BWV 1080: Canon alla Ottava5:026Die Kunst der Fuge BWV 1080: Contrapunctus 53:587Die Kunst der Fuge BWV 1080: Contrapunctus 64:228Die Kunst der Fuge BWV 1080: Contrapunctus 74:439Die Kunst der Fuge BWV 1080: Canon per Augmentationem in Contrario Motu4:39Disc 21Die Kunst der Fuge BWV 1080: Contrapunctus 86:372Die Kunst der Fuge BWV 1080: Contrapunctus 93:083Die Kunst der Fuge BWV 1080: Contrapunctus 104:284Die Kunst der Fuge BWV 1080: Contrapunctus 116:055Die Kunst der Fuge BWV 1080: Canon alla Decima5:366Die Kunst der Fuge BWV 1080: Contrapunctus 125:207Die Kunst der Fuge BWV 1080: Contrapunctus 134:338Die Kunst der Fuge BWV 1080: Contrapunctus 13 alio modo4:529Die Kunst der Fuge BWV 1080: Canon alla Duodecima4:1510Die Kunst der Fuge BWV 1080: Fuga a tre soggetti7:591984 · studio album
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Tracklist · 7 tracks · 58:51
1Praeludium & Fuge c-moll, BWV 54611:532"Nun komm, der Heiden Heiland", Choral BWV 6594:413Praeludium & Fuge h-moll, BWV 54411:474Praeludium & Fuge G-dur, BWV 5417:195"An Wasserflüssen Babylon", Choral BWV 6535:436Trio super: "Herr Jesu Christ, dich zu uns wend" BWV 6553:397Praeludium & Fuge e-moll, BWV 54813:491984 · studio album
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Tracklist · 9 tracks · 37:19
1We Thank Thee, Lord, We Thank Thee4:062Arioso3:053Jesu, Joy of Man's Desiring3:174How Joyful Is My Heart - with Allan Vogel, oboe d'amore3:275Sheep May Safely Graze - with David Shostac & Susan Greenberg, flutes5:446God Alone Should Have My Heart3:187Sleepers Awake4:188Withstand Firmly All Sin7:259What God Hath Done Is Rightly Done2:391984 · studio album
1984 · studio album
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Tracklist · 6 tracks · 49:13
1Fantasie G-dur, BWV 5728:382"Wachet auf, ruft uns die Stimme" BWV 6455:033Fantasie & Fuge g-moll, BWV 54212:464Toccata & Fuge d-moll, BWV 5659:285"Ich ruf zu dir, Herr Jesu Christ" BWV 6393:256Praeludium & Fuge C-dur, BWV 5479:531984 · studio album
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Tracklist · 8 tracks · 43:23
1Violin Concerto no. 2: I. Allegro8:072Violin Concerto no. 2: II. Adagio6:423Violin Concerto no. 2: III. Allegro assai3:084Aria: Andante5:085Organ Concerto in F major, op. 4 no. 5: Larghetto - Allegro - Alla Siciliana - Presto8:356Oboe Concerto: I. Allegro moderato3:217Oboe Concerto: II. Adagio4:068Oboe Concerto: III. Allegro4:16Konzerte für Violine, Violine und Oboe, Cembali
1984 · studio album
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Tracklist · 12 tracks · 1:02:15
1Konzert für 4 Cembali, Streicher und Basso continuo a-moll BWV 1065, 1. Satz ohne Satzbezeichnung4:042Konzert für 4 Cembali, Streicher und Basso continuo a-moll BWV 1065, 2. Satz Largo2:083Konzert für 4 Cembali, Streicher und Basso continuo a-moll BWV 1065, 3. Satz Allegro3:364Konzert für Violine, Streicher und Basso continuo E-Dur BWV 1042, 1. Satz Allegro7:385Konzert für Violine, Streicher und Basso continuo E-Dur BWV 1042, 2. Satz Adagio6:396Konzert für Violine, Streicher und Basso continuo E-Dur BWV 1042, 3. Satz Allegro assai2:477Konzert für Oboe, Violine, Streicher und Basso continuo c-moll BWV 1060R, 1. Satz Allegro5:068Konzert für Oboe, Violine, Streicher und Basso continuo c-moll BWV 1060R, 2. Satz Adagio5:059Konzert für Oboe, Violine, Streicher und Basso continuo c-moll BWV 1060R, 3. Satz Allegro3:3910Konzert für Flöte, Violine, Cembalo, Streicher und Basso continuo a-moll BWV 1044 'Tripelkonzert', 1. Satz Allegro8:4311Konzert für Flöte, Violine, Cembalo, Streicher und Basso continuo a-moll BWV 1044 'Tripelkonzert', 2. Satz Adagio5:3912Konzert für Flöte, Violine, Cembalo, Streicher und Basso continuo a-moll BWV 1044 'Tripelkonzert', 3. Satz Allabreve7:111984 · studio album
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Tracklist · 4 tracks · 45:01
1Capriccio B-dur BWV 99211:162Toccata g-moll BWV 9158:373Toccata G-dur BWV 9168:074Aria variata a-moll BWV 98917:01Die Sonaten für Viola da gamba und Cembalo
1984 · studio album
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Tracklist · 11 tracks · 42:44
1Sonata G-dur, BWV 1027: I. Adagio3:442Sonata G-dur, BWV 1027: II. Allegro ma non troppo3:383Sonata G-dur, BWV 1027: III. Andante2:174Sonata G-dur, BWV 1027: IV. Allegro moderato3:135Sonata D-dur, BWV 1028: I. Adagio1:426Sonata D-dur, BWV 1028: II. Allegro4:127Sonata D-dur, BWV 1028: III. Andante3:588Sonata D-dur, BWV 1028: IV. Allegro4:139Sonata g-moll, BWV 1029: I. Vivace5:5210Sonata g-moll, BWV 1029: II. Adagio5:5411Sonata g-moll, BWV 1029: III. Allegro4:011984 · studio album
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Tracklist · 32 tracks · 2:22:30
Disc 11Sonata No. 1 in G minor, BWV 1001 1. Adagio4:362Sonata No. 1 in G minor, BWV 1001 2. Fuga. Allegro5:293Sonata No. 1 in G minor, BWV 1001 3. Siciliana3:194Sonata No. 1 in G minor, BWV 1001 4. Presto3:385Partita No. 1 in B minor, BWV 1002 1. Allemanda5:126Partita No. 1 in B minor, BWV 1002 2. Double2:087Partita No. 1 in B minor, BWV 1002 3. Corrente3:468Partita No. 1 in B minor, BWV 1002 4. Double. Presto3:269Partita No. 1 in B minor, BWV 1002 5. Sarabande3:5910Partita No. 1 in B minor, BWV 1002 6. Double2:2511Partita No. 1 in B minor, BWV 1002 7. Tempo di Borea3:5112Partita No. 1 in B minor, BWV 1002 8. Double3:40Disc 21Sonata No. 2 in A minor, BWV 1003 1. Grave4:302Sonata No. 2 in A minor, BWV 1003 2. Fuga7:523Sonata No. 2 in A minor, BWV 1003 3. Andante5:414Sonata No. 2 in A minor, BWV 1003 4. Allegro5:355Partita No. 2 in D minor, BWV 1004 1. Allemanda5:056Partita No. 2 in D minor, BWV 1004 2. Corrente2:507Partita No. 2 in D minor, BWV 1004 3. Sarabanda4:158Partita No. 2 in D minor, BWV 1004 4. Giga4:429Partita No. 2 in D minor, BWV 1004 5. Ciaconna15:07Disc 31Sonata No. 3 in C major, BWV 1005 1. Adagio5:282Sonata No. 3 in C major, BWV 1005 2. Fuga. Allabreve10:023Sonata No. 3 in C major, BWV 1005 3. Largo3:124Sonata No. 3 in C major, BWV 1005 4. Allegro assai4:555Partita No. 3 in E major, BWV 1006 1. Preludio3:516Partita No. 3 in E major, BWV 1006 2. Loure4:137Partita No. 3 in E major, BWV 1006 3. Gavotte en Rondeau3:048Partita No. 3 in E major, BWV 1006 4. Menuet I1:409Partita No. 3 in E major, BWV 1006 5. Menuet II1:3410Partita No. 3 in E major, BWV 1006 6. Bourrée1:3011Partita No. 3 in E major, BWV 1006 7. Gigue1:551984 · studio album
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Tracklist · 9 tracks · 1:01:38
1Praeludium und Fuge C-dur, BWV 5455:582In dulci jubilo, BWV 7511:563Allein Gott in der Höh', BWV 7113:234Wie schön leucht' der Morgenstern, BWV 7394:405Canonische Veränderungen über "Vom Himmel hoch, da komm ich her", BWV 76914:396Praeludium und Fuge Es-dur, BWV 55215:307"Wir glauben all an einen Gott", Choralbearbeitung, BWV 6803:258"Wir glauben all an einen Gott", Choral, BWV 4372:379Fantasie & Fuge c-moll, BWV 5379:301984 · studio album
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Tracklist · 4 tracks · 46:32
1Toccata und Fuge d-Moll, BWV 5658:042Toccata, Adagio und Fuge C-Dur, BWV 56413:473Toccata und Fuge F-Dur, BWV 54012:544Toccata und Fuge d-Moll “Dorisch”, BWV 53811:471984 · studio album
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Tracklist · 9 tracks · 46:17
1Violin Concerto in A minor, BWV 1041: I. (Allegro moderato)3:422Violin Concerto in A minor, BWV 1041: II. Andante7:163Violin Concerto in A minor, BWV 1041: III. Allegro assai3:354Violin Concerto in E major, BWV 1042: I. Allegro7:395Violin Concerto in E major, BWV 1042: II. Adagio6:396Violin Concerto in E major, BWV 1042: III. Allegro assai2:397Concerto in D minor for 2 Violins, BWV 1043: I. Vivace3:428Concerto in D minor for 2 Violins, BWV 1043: II. Largo ma non tanto6:349Concerto in D minor for 2 Violins, BWV 1043: III. Allegro4:311984 · studio album
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Tracklist · 9 tracks · 50:14
1Concerto for Flute, Violin, Harpsichord, Strings and Basso Continuo in A minor, BWV 1044: I. Allegro8:452Concerto for Flute, Violin, Harpsichord, Strings and Basso Continuo in A minor, BWV 1044: II. Adagio ma non tanto, e dolce5:393Concerto for Flute, Violin, Harpsichord, Strings and Basso Continuo in A minor, BWV 1044: III. Allabreve7:144Concerto for Oboe, Violin, Strings and Basso Continuo in C minor, BWV 1060: I. Allegro5:075Concerto for Oboe, Violin, Strings and Basso Continuo in C minor, BWV 1060: II. Adagio5:056Concerto for Oboe, Violin, Strings and Basso Continuo in C minor, BWV 1060: III. Allegro3:307Concerto for Oboe d'amore, Strings and Basso Continuo in A major, BWV 1055: I. (Allegro)4:428Concerto for Oboe d'amore, Strings and Basso Continuo in A major, BWV 1055: II. Larghetto5:509Concerto for Oboe d'amore, Strings and Basso Continuo in A major, BWV 1055: III. Allegro ma non tanto4:22Toccata et Fugue / Passacaglia / Fugue / Concerto / Fantaisie & Fugue
1984 · studio album
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Tracklist · 5 tracks · 49:41
1Toccata et Fugue en Ré Mineur, BWV 5658:222Fugue en Sol Minor, BWV 5784:333Concerto en La Mineur, BWV 59311:484Fantaisie et Fugue en Sol Mineur, BWV 542l12:005Passacaille et Thèmé Fugué en Ut Mineur, BWV 58212:581984 · studio album
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Tracklist · 27 tracks · 1:46:23
Disc 11Mass in B minor BWV 232: I. Kyrie: Kyrie eleison9:292Mass in B minor BWV 232: II. Kyrie: Christe eleison4:523Mass in B minor BWV 232: III. Kyrie: Kyrie eleison3:334Mass in B minor BWV 232: IV. Gloria: Gloria in excelsis (attacca)1:435Mass in B minor BWV 232: V. Gloria: Et in terra pax4:056Mass in B minor BWV 232: VI. Gloria: Laudamus te3:537Mass in B minor BWV 232: VII. Gloria: Gratias agimus tibi3:038Mass in B minor BWV 232: VIII. Gloria: Domine Deus (attacca)5:189Mass in B minor BWV 232: IX. Gloria: Qui tollis peccata mundi3:1910Mass in B minor BWV 232: X. Gloria: Qui sedes ad dextram Patris4:2411Mass in B minor BWV 232: XI. Gloria: Quoniam tu solus sanctus (attacca)4:2412Mass in B minor BWV 232: XII. Gloria: Cum Sancto Spiritu3:48Disc 21Mass in B minor BWV 232: XIII. Credo: Credo in unum Deum1:552Mass in B minor BWV 232: XIV. Credo: Credo in unum Deum / Patrem omnipotentem1:533Mass in B minor BWV 232: XV. Credo: Et in unum Dominum4:114Mass in B minor BWV 232: XVI. Credo: Et incarnatus est3:265Mass in B minor BWV 232: XVII. Credo: Crucifixus3:096Mass in B minor BWV 232: XVIII. Credo: Et resurrexit3:497Mass in B minor BWV 232: XIX. Credo: Et in Spiritum Sanctum5:308Mass in B minor BWV 232: XX. Credo: Confiteor (attacca)2:329Mass in B minor BWV 232: XXI: Credo: Et exspecto resurrectionem3:3410Mass in B minor BWV 232: XXII. Sanctus: Sanctus5:2611Mass in B minor BWV 232: XXIII. Sanctus: Osanna in excelsis2:3612Mass in B minor BWV 232: XXIV. Sanctus: Benedictus, qui venit4:4813Mass in B minor BWV 232: XXV. Sanctus: Osanna (da capo)2:3614Mass in B minor BWV 232: XXVI. Agnus Dei: Agnus Dei5:4715Mass in B minor BWV 232: XXVII. Agnus Dei: Dona nobis pacem3:20
Other · 6
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1992 | Brandenburgische Konzerte Nr. 5 & 6Search SpotifySearch YouTube MusicTracklist · 13 tracks · 1:14:521Brandenburgische Konzerte Nr. 5 D-Dur BWV 1050: I. Allegro9:53 2Brandenburgische Konzerte Nr. 5 D-Dur BWV 1050: II. Affetuoso5:55 3Brandenburgische Konzerte Nr. 5 D-Dur BWV 1050: III. Allegro5:31 4Brandenburgische Konzerte Nr. 6 B-Dur BWV 1051: I. (ohne Bezeichnung)7:04 5Brandenburgische Konzerte Nr. 6 B-Dur BWV 1051: II. Andante4:32 6Brandenburgische Konzerte Nr. 6 B-Dur BWV 1051: III. Allegro assai5:59 7Violinkonzerte Nr. 1 A-Moll BWV 1041: I. (ohne Bezeichnung)4:06 8Violinkonzerte Nr. 1 A-Moll BWV 1041: II. Andante6:50 9Violinkonzerte Nr. 1 A-Moll BWV 1041: III. Allegro assai4:02 10Violinkonzerte Nr. 2 E-Dur BWV 1042: I. Allegro8:22 11Violinkonzerte Nr. 2 E-Dur BWV 1042: II. Adagio6:44 12Violinkonzerte Nr. 2 E-Dur BWV 1042: III. Allegro assai2:38 13Orchester-Suite Nr. 3 D-Dur BWV 1068 : Air3:16 | 1992 | ||
| 1993 | Concerto BWV 1041, Concerto BWV 1042, Concerto BWV 1043, Concerto BWV 1060aSearch SpotifySearch YouTube Music | 1993 | ||
| 1994 | Grandes Maestros Del Barroco. Johann S. BachSearch SpotifySearch YouTube MusicTracklist · 11 tracks1Concierto de Brandenburgo no.1, Fa mayor, BWV 1046: I. Allegro 2Concierto de Brandenburgo no.1, Fa mayor, BWV 1046: II. Adagio 3Concierto de Brandenburgo no.1, Fa mayor, BWV 1046: III. Allegro 4Concierto de Brandenburgo no.1, Fa mayor, BWV 1046: IV. Minueto 5Concierto de Brandenburgo no.5, Re mayor, BWV 1050: I. Allegro 6Concierto de Brandenburgo no.5, Re mayor, BWV 1050: II. Affectuoso 7Concierto de Brandenburgo no.5, Re mayor, BWV 1050: III. Allegro 8Concierto de Brandenburgo no.6, Si bemol mayor, BWV 1051: I. Allegro 9Concierto de Brandenburgo no.6, Si bemol mayor, BWV 1051: II. Adagio ma non tanto 10Concierto de Brandenburgo no.6, Si bemol mayor, BWV 1051: III. Allegro 11Suite nº 3 en Re mayor, BWV 1068: Air | Compilation | 1994 | |
| 1994 | Best of the Classics: Brandenburg Concerto No. 1-2-3Search SpotifySearch YouTube MusicTracklist · 13 tracks · 1:00:031Brandenburg Concerto no. 1 in F major: I. Allegro4:11 2Brandenburg Concerto no. 1 in F major: II. Adagio5:19 3Brandenburg Concerto no. 1 in F major: III. Allegro4:38 4Brandenburg Concerto no. 1 in F major: IV. Menuetto - Trio - Polacca8:30 5Brandenburg Concerto no. 2 in F major: I. Allegro5:58 6Brandenburg Concerto no. 2 in F major: II. Andante4:02 7Brandenburg Concerto no. 2 in F major: III. Allegro assai3:19 8Brandenburg Concerto no. 3 in G major: I. Allegro7:14 9Brandenburg Concerto no. 3 in G major: II. Allegro5:08 10Sonata for Flute in A minor: I. Allemande3:10 11Sonata for Flute in A minor: II. Courante2:39 12Sonata for Flute in A minor: III. Sarabande4:03 13Sonata for Flute in A minor: IV. Bourree anglaise1:52 | Compilation | 1994 | |
| 2005 | Violin ConcertosSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 49:021Concierto para Violin en La menor BWV 1041: I. Allegro4:07 2Concierto para Violin en La menor BWV 1041: II. Andante6:50 3Concierto para Violin en La menor BWV 1041: III. Allegro assai4:03 4Concierto para Violin en Mi mayor BWV 1042: I. Allegro8:22 5Concierto para Violin en Mi mayor BWV 1042: II. Adagio6:44 6Concierto para Violin en Mi mayor BWV 1042: III. Allegro assai2:37 7Concierto para dos Violines en Re menor BWV 1043: I. Vivace3:56 8Concierto para dos Violines en Re menor BWV 1043: II. Largo ma non tanto7:13 9Concierto para dos Violines en Re menor BWV 1043: III. Allegro5:10 | 2005 | ||
| — | Brandenburg Concertos (complete)Search SpotifySearch YouTube MusicTracklist · 19 tracks · 1:32:30Disc 1 1-1Concerto No. 1 In F Major BMV 1046, Without Tempo Indication3:56 1-2Concerto No. 1 In F Major BMV 1046, Adagio3:33 1-3Concerto No. 1 In F Major BMV 1046, Allegro4:07 1-4Concerto No. 1 In F Major BMV 1046, Menuet - Trio I - Polonaise - Trio II8:05 1-5Concerto No. 2 In F Major BMV 1047, Without Tempo Indication4:50 1-6Concerto No. 2 In F Major BMV 1047, Andante3:15 1-7Concerto No. 2 In F Major BMV 1047, Allegro Assai2:37 1-8Concerto No. 3 In G Major BMV 1048, Without Tempo Indication5:21 1-9Concerto No. 3 In G Major BMV 1048, Adagio0:20 1-10Concerto No. 3 In G Major BMV 1048, Allegro4:43 Disc 21Concerto No. 4 In G Major BMV 1049, Allegro6:42 2Concerto No. 4 In G Major BMV 1049, Andante3:31 3Concerto No. 4 In G Major BMV 1049, Presto4:32 4Concerto No. 5 In D Major BMV 1050, Allegro9:47 5Concerto No. 5 In D Major BMV 1050, Affetuoso5:42 6Concerto No. 5 In D Major BMV 1050, Allegro5:10 7Concerto No. 6 In B Flat Major BMV 1051, Without Tempo Indication5:56 8Concerto No. 6 In B Flat Major BMV 1051, Adagio Ma Non Tanto4:43 9Concerto No. 6 In B Flat Major BMV 1051, Allegro5:40 | — |
Stats & PK
Percentile within all 23,672 published artists.Put Johann Sebastian Bach head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 259 | 100th |
| Spotify monthly listeners | 7,950,608 | 20.3th |
| Release groups in DB | 261 | 99.7th |
| Studio albums | 255 | 100th |
| Awards recorded | 0 | 0th |
| Timeline events | 254 | 99.9th |
| Recording span (years) | -204 | 3.3th |
| Genres | 24 | 99.8th |
Awards & honours
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Johann_Sebastian_Bach.pngpopularity—kworb.net · no licence published · retrieved 11 October 2026
https://kworb.net/spotify/listeners.htmlaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/24f1766e-9635-4d58-a4d4-9413f9f98a4cdiscography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/24f1766e-9635-4d58-a4d4-9413f9f98a4ccore—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q1339genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q1339seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Johann_Sebastian_Bachbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Johann_Sebastian_Bach
Why this artist is in the database
- Spotify monthly listeners (kworb.net) — rank #1774 · 7,950,608
Johann Sebastian Bach
- List of composers by name
Tier rule: global reach (259 language versions)
Image: Elias Gottlob Haussmann · Public domain · Wikimedia Commons
Wikidata: Q1339 · MusicBrainz: 24f1766e-9635-4d58-a4d4-9413f9f98a4c
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1 shared genre tag · debut 1960
50 wikis
Claudio Monteverdi
Republic of Venice · Person
Baroque music
1 shared genre tag
88 wikis
Jan Dismas Zelenka
Kingdom of Bohemia · Person
Baroque music · classical music
2 shared genre tags
32 wikis
Louis Marchand
France · Person
Baroque music · classical music
2 shared genre tags
26 wikis
Richard Leveridge
Kingdom of Great Britain · Person
Baroque music
1 shared genre tag
8 wikis