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Franz Liszt
Person · male · Kingdom of Hungary · Raiding · born 1811 · died 1886 · recording since 1952
Hungarian romantic composer and virtuoso pianist (1811-1886)
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Also known as Liszt Ferenc · Ференц Ліст · Франц Лист · F. List · F. Liszt · Ferenc Liszt · +16 more
Timeline
240 events▣ Album 235✦ Award 2◦ Birth 1† Death 1★ Debut release 1
1810s
1850s
1880s
1950s
· Debut release
Debut release: The Christmas Tree
First documented Album in the MusicBrainz discography.
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Album: Dukas: The Sorcerer’s Apprentice / Weinberger: Schwanda / Liszt: Les Préludes / Strauss: Salome
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1960s
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Album: Liszt: Sonata in B minor / Weber: Sonata no. 4 in E minor / Invitation to the Dance
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Album: Liszt: Hungarian Rhapsodies 2 & 3 / Enesco: Roumanian Rhapsodies 1 & 2
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Album: Liszt: Les Préludes / Smetana: The Moldau / Moussorgsky: Night on Bald Mountain / Sibelius: Valse triste
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Album: Sonata in B Minor / Dante Sonata / Bagatelle Without Tonality / Hungarian Rhapsody No 11
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Album: Sonata in B minor / La Campanella / Valse oubliée / Sonetto 123 del Petrarca / Feux follets / Harmonies du soir
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Album: Liszt: Les Preludes Ungarische Rhapsodie Nr.2 Smetana: Vysehrad Die Moldau
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1970s
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Album: Sonata in B minor / Bénédiction de Dieu dans la solitude / Waldesrauschen / Gnomenreigen
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Album: Les Préludes / Ungarische Rhapsodien Nr. 2 und 6 / Ungarische Fantasie
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Album: "Ad nos, ad salutarem undam" / "Weinen, Klagen, Sorgen, Zagen"
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Album: Praeludium und Fuge über B.A.C.H. / Trauerode / Evocation à la Chapelle Sixtine / Tu es Petrus
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Album: Liszt: Totentanz For Piano And Orchestra / Franck: Symphonic Variations For Piano And Orchestra
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Album: Transcendental Etudes (Complete) / Dante Sonata / Les jeux d'eaux à la Villa d'Este
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1980s
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Album: Saint‐Saëns: Piano Concerto no. 2 in G minor / Liszt: Piano Concerto no. 1 in E-flat
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Album: Hungarian Rhapsody no. 5 / Peer Gynt Suite no. 1 / Les Préludes / Beethoven's 5th
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Album: Concerto pour piano et orchestre N°1 & N°2 et fantaisie hongroise
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Album: Sonate en si mineur / Deux légendes / Bénédiction de Dieu dans la solitude
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Album: Sonata in B minor / Après une lecture du Dante / Sonneti de Petrarca nos 47, 104, 123
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Album: The Piano Works, Volume 6: Venezia e Napoli / Ballade no. 2 / Les jeux d'eau à la Villa d'Este / Bénédiction de Dieu dans la solitude
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Album: Les Préludes / Procession nocturne / Méphisto-Valse / 2 Légendes
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Album: Totentanz. Malédiction. Fantasia On Hungarian Folk Themes (Fantaisie Sur Airs Populaires Hongrois, Ungarische Fantasie)
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Album: Reubke: Organ Sonata "The 94th Psalm" / Liszt: Fantasia and Fugue on "Ad Nos"
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Album: Mephisto Waltz / Après une lecture de Dante / Les jeux d'eau à la Villa d'Este
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Album: The Complete Music for Solo Piano, Volume 2: Ballades, Legends and Polonaises
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Album: Concerto n. 1 in mi bemol maggiore per pianoforte e orchestra / Concerto n. 2 in la maggiore per pianoforte e orchestra
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Album: Liszt: The Piano Concertos / Dohnányi: Variations on a Nursery Song, op. 25
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Album: The Complete Music for Solo Piano, Volume 3: Fantasy / Variations / Funeral Odes / Concert Solo
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Album: The Complete Music for Solo Piano, Volume 4: Transcendental Studies
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1990s
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Album: Liszt: Concerto per pianoforte no. 1 / Schubert: Ouverture Rosamunde / Beethoven: Sinfonia no. 8
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Album: Piano Concerto no. 2 / Hungarian Fantasy / Polonaise brillante / “Freischütz” Fantasy
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Album: Tchaikovsky: Piano Concerto no. 1 / Liszt: Piano Concerto no. 1
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Album: Symphonie Nr. 5 c-moll (Piano transcription) / "Eroica Variationen" op. 35
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Album: The Great Composers: 12 - Liszt Piano Concerto No. 1 in E flat & Piano Concerto No. 2 in A (Rochester Philharmonic Orchestra)
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Album: Sonate H-moll = Sonata In B Minor • Nuages Gris • Unstern!-Sinistre • La Lugubre Gondola I • R.W.-Venezia
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Album: The Complete Music for Solo Piano, Volume 5: Saint-Saëns, Chopin & Berlioz Transcriptions
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Album: The Complete Music for Solo Piano, Volume 6: Liszt at the Opera I
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Album: Liszt: Fantasia and Fugue on the Theme B-A-C-H / Variations on Weinen, Klagen, Sorgen, Zagen / Brahms: Variations and Fugue on a Theme of Handel, op. 24
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Album: Ungarische Rhapsodien nos. 2 (12) & 5 / Ungarische Fantasie / Mephisto-Walzer
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Album: The Complete Music for Solo Piano, Volume 7: Harmonies poétiques et religieuses
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Album: Beethoven: “Wellington’s Victory” op. 91 / Liszt: Batle of the Huns / Hungarian March to the Assault
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Album: The Complete Music for Solo Piano, Volume 8: Weihnachtsbaum / Via Crucis
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Album: FRANCK: Piano Quintet / LISZT: Pensées des morts · Andante lagrimoso · Ave Maria
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Album: Grieg: Piano Concerto, 6 Lyric Pieces / Liszt: Piano Concerto No. 2
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Album: Sonate h‐moll / Nuages gris / La notte / La lugubre gondola II / Funérailles
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Album: Liszt: De profundis / Schubert‐Liszt: Wanderer Fantasia / Liszt: Ruins of Athens
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Album: The Complete Music for Solo Piano, Volume 9: Sonata / Elegies / Consolations / Gretchen / Totentanz
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Album: The Complete Music for Solo Piano, Volume 10: Hexaméron / Symphonie fantastique
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Album: The Complete Music for Solo Piano, Volume 12: Années de pèlerinage III / Historical Hungarian Portraits / Five Hungarian Folksongs
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Album: Enesco: Roumanian Rhapsody no. 1 / Liszt: Hungarian Rhapsodies
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Album: The Complete Music for Solo Piano, Volume 13: À la chapelle Sixtine / Six Preludes and Fugues / Fantasie and Fugue in G minor
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Album: The Complete Music for Solo Piano, Volume 14: Pieces from Christus and St. Elisabeth / Polonaises de St. Stanislaus / Salve Polonia
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Album: The Complete Music for Solo Piano, Volume 15: Song Transcriptions
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Album: Sonata in B minor / Funérailles / Trübe Wolken (Nuages gris) / Richard Wagner - Venezia / Klavierstück in F sharp S 192/3 / En rêve - Nocturne
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Album: Mussorgsky: Pictures at an Exhibition / Liszt: from Douze études d'exécution transcendante
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Album: Liszt: Sonata / Zweite Elegie / Nuages gris / Berg: Sonata / Webern: Variations
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Album: Liebesträume / Consolations / Sonetti del Petrarca / Rigoletto-Paraphrase
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Album: The Complete Music for Solo Piano, Volume 17: Liszt at the Opera II
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Album: The Complete Music for Solo Piano, Volume 18: Liszt at the Theatre
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Album: The Complete Music for Solo Piano, Volume 19: Liebesträume and Other Song Transcriptions
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Album: The Complete Music for Solo Piano, Volume 20: Album d'un voyageur
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Album: Rapsodie hongroise no. 2 / Liebestraum / Dante Sonata / La leggierezza
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Album: Merktar hljóðritanir frá árunum 1948—1963: Schumann / Debussy / Liszt / Jón Þórarinsson / Jón Leifs / Hallgrímur Helgason
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Album: Piano Concertos 1 & 2 / Hungarian Rhapsody no.6 / Les Préludes / La Campanella / Liebestraum no.3
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Album: Concerto for Piano and Orchestra no. 1 in E-flat major / Concerto for Piano and Orchestra no. 2 in A major / Hungarian Rhapsody no. 2 in C-sharp minor
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Album: The Complete Music for Solo Piano, Volume 21: Soirées musicales & Soirées italiennes
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Album: The Complete Music for Solo Piano, Volume 22: The Complete Symphonies
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Album: The Complete Music for Solo Piano, Volume 24: Beethoven and Hummel Septets
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Album: The Complete Music for Solo Piano, Volume 25: The Canticle of the Sun
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Album: Schoenberg: Piano Concerto / Liszt: Piano Concertos Nos. 1 & 2
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Album: Années de pèlerinage. Seconde année: Italie / Harmonies du soir
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Album: The Complete Music for Solo Piano, Volume 27: Fantasies, Paraphrases and Transcriptions of National Songs and Anthems
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Album: The Complete Music for Solo Piano, Volume 28: Dances and Marches
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Album: Piano Concertos nos. 1 & 2 / Totentanz / Hungarian Rhapsody no. 2
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Album: The Complete Music for Solo Piano, Volume 29: Magyar dalok & Magyar rapszódiák
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Album: The Complete Music for Solo Piano, Volume 30: Liszt at the Opera III
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Biography
English biography9,568 words · 28 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1369630914
Biography
Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded.
Liszt achieved success as a concert pianist from an early age, and received lessons from the esteemed musicians Carl Czerny and Antonio Salieri. He gained further renown for his performances during tours of Europe in the 1830s and 1840s, developing a reputation for technical brilliance as well as physical attractiveness. In a phenomenon dubbed "Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who had preceded him.
During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composers of his time, including Hector Berlioz, Frédéric Chopin, Robert Schumann, Clara Schumann and Richard Wagner, among others. Liszt was the first to apply the terms "transcription" and "paraphrase" to music, and would perform arrangements of his contemporaries' music to popularise it. Alongside Wagner, Liszt was one of the most prominent representatives of the New German School, a progressive group of composers involved in the "War of the Romantics" who developed ideas of programmatic music and harmonic experimentation.
Liszt taught piano performance to hundreds of students throughout his life, many of whom went on to become notable performers. He left behind an extensive and diverse body of work that influenced his forward-looking contemporaries and anticipated 20th-century ideas and trends. Among Liszt's musical contributions were the concept of the symphonic poem, innovations in thematic transformation and Impressionism in music, and the invention of the masterclass as a method of teaching performance. In a radical departure from his earlier compositional styles, many of Liszt's later works also feature experiments in atonality, foreshadowing developments in 20th-century classical music. Today he is best known for his original piano works, such as the Hungarian Rhapsodies, Années de pèlerinage, Transcendental Études, "La campanella", and the Piano Sonata in B minor.
Early life
Franz Liszt was born to Anna Liszt (née Maria Anna Lager) and Adam Liszt on 22 October 1811, in the village of Doborján (now Raiding, Austria) in Sopron County, in the Kingdom of Hungary, which was part of the Habsburg monarchy. Liszt's father was a land steward in the service of Prince Nikolaus II Esterházy; a keen amateur musician, he played the piano, guitar and flute, and knew Joseph Haydn and Johann Nepomuk Hummel personally. A renowned child prodigy, Franz began to improvise at the piano from before the age of five, and his father diligently encouraged his progress. Franz also found exposure to music through attending Mass, as well as travelling Romani bands that toured the Hungarian countryside. His first public concert was in Sopron in 1820 at the age of nine; its success led to further appearances in Pressburg and for Prince Nikolaus' court in Eisenstadt. The publicity led to a group of wealthy sponsors offering to finance Franz's musical education in Vienna.
There, Liszt received piano lessons from Carl Czerny, who in his own youth had been a student of Beethoven and Hummel. Czerny, already extremely busy, had only grudgingly agreed to hear Liszt play, and had initially refused to entertain the idea of regular lessons. Being so impressed by the initial audition, however, Czerny taught Liszt regularly, free of charge, for the next eighteen months, at which point he felt he had nothing more to teach. Liszt remained grateful to his former teacher, later dedicating to him the Transcendental Études on their 1830 republication. Liszt also received lessons in composition from Antonio Salieri, the accomplished music director of the Viennese court who had previously taught Beethoven and Schubert. Like Czerny, Salieri was highly impressed by Liszt's improvisation and sight-reading abilities.
Liszt's public debut in Vienna on 1 December 1822 was a great success. He was greeted in Austrian and Hungarian aristocratic circles and met Beethoven and Schubert. To build on his son's success, Adam Liszt decided to take the family to Paris, the centre of the artistic world. At Liszt's final Viennese concert on 13 April 1823, Beethoven was reputed to have walked onstage and kissed Liszt on the forehead, to signify a kind of artistic christening. There is debate, however, on the extent to which this story is apocryphal. The family briefly returned to Hungary, and Liszt played a concert in traditional Hungarian dress, in order to emphasise his roots, in May 1823.
In 1824 a piece Liszt had written at the age of 11 – his Variation on a Waltz by Diabelli (S. 147) – appeared in Part II of Vaterländischer Künstlerverein as his first published composition. This volume, commissioned by Anton Diabelli, includes 50 variations on his waltz by 50 different composers (Part I being taken up by Beethoven's 33 variations on the same theme, which are now separately better known simply as his Diabelli Variations). Liszt was the youngest contributor to the project, described in it as "a boy of eleven years old"; Czerny was also a participant.
Paris
Having made significant sums from his concerts, Liszt and his family moved to Paris in 1823, with the hope of his attending the Conservatoire de Paris. Even with a letter of recommendation from Chancellor Klemens von Metternich, director Luigi Cherubini refused his entry, however, as the Conservatoire did not accept foreigners. Nevertheless, Liszt studied under Anton Reicha and Ferdinando Paer, and gave a series of highly successful concerts debuting on 8 March 1824. Paer was involved in the Parisian theatrical and operatic scene, and through his connections Liszt staged his only opera, Don Sanche, which premiered shortly before his fourteenth birthday. The premiere was warmly received, but the opera ran for only four performances, and is now obscure. Accompanied by his father, Liszt toured France and England, where he played for King George IV.
Adam Liszt died suddenly of typhoid fever in the summer of 1827, and for the next eight years Liszt continued to live in Paris with his mother. He gave up touring, and in order to earn money, he gave lessons on piano and composition, often from early morning until late at night. His students were scattered across the city and he had to cover long distances. Because of this, he kept uncertain hours and also took up smoking and drinking, habits he would continue throughout his life. During this period Liszt fell in love with one of his pupils, Caroline de Saint-Cricq, the daughter of Charles X's minister of commerce, Pierre de Saint-Cricq. Her father, however, insisted that the affair be broken off.
Liszt fell very ill, to the extent that an obituary notice was printed in a Paris newspaper, and he underwent a long period of religious doubts and introspection. He stopped playing the piano and giving lessons, and developed an intense interest in religion, having many conversations with Abbé de Lamennais and Chrétien Urhan, a German-born violinist who introduced him to the Saint-Simonists. Lamennais dissuaded Liszt from becoming a monk or priest. Urhan was an early champion of Schubert, inspiring Liszt's own lifelong love of Schubert's songs. Much of Urhan's emotive music which moved beyond the Classical paradigm, such as Elle et moi, La Salvation angélique and Les Regrets, may have helped to develop Liszt's taste and style.
During this period Liszt came into contact with many of the leading authors and artists of his day, including Victor Hugo, Alphonse de Lamartine, George Sand and Alfred de Vigny. He composed practically nothing in the years between his father's death and the July Revolution of 1830, which inspired him to sketch a symphony based on the events of the "three glorious days" (this piece was left unfinished, and later reworked as Héroïde funèbre). Liszt met Hector Berlioz on 4 December 1830, the day before the premiere of the Symphonie fantastique. Berlioz's music made a strong impression on Liszt, and the two quickly became friends. Liszt also befriended Frédéric Chopin around this time.
After attending a concert featuring Niccolò Paganini in April 1832, Liszt resolved to become as great a virtuoso on the piano as Paganini was on the violin. He dramatically increased his practice, sometimes practising for up to fourteen hours a day, and in 1838 published the six Études d'exécution transcendante d'après Paganini (later revised as Grandes études de Paganini), aiming to represent Paganini's virtuosity on the keyboard. The process of Liszt completely redeveloping his technique is often described as a direct result of attending Paganini's concert, but it is likely that he had already begun this work previously, during the period 1828–1832.
Affair with Countess Marie d'Agoult
In 1833, Liszt began a relationship with the Countess Marie d'Agoult, who was married to a French cavalry officer but living independently. In order to escape scandal they moved to Geneva in 1835; their daughter Blandine was born there on 18 December. Liszt taught at the newly founded Geneva Conservatoire and contributed essays for L'Artiste and the Revue et gazette musicale de Paris.
For the next four years, Liszt and the countess lived together. In 1835 and 1836 they travelled around Switzerland, and from August 1837 until November 1839 they toured Italy. It was these travels that later inspired the composer to write his cycle of piano collections entitled Années de pèlerinage (Years of Pilgrimage). Their daughter, Cosima, was born in Como on 24 December 1837, and their son Daniel on 9 May 1839 in Rome.
That autumn relations between them became strained. Liszt heard that plans for a Beethoven Monument in Bonn were in danger of collapse for lack of funds and pledged his support, raising funds through concerts. The countess returned to Paris with the children, while Liszt gave six concerts in Vienna, then toured Hungary. Liszt would later spend holidays with Marie and their children on the island of Nonnenwerth on the Rhine in the summers of 1841 and 1843. In May 1844, the couple finally separated.
The Ivory Duel
Sigismond Thalberg moved to Paris in 1835 after several successful years of touring. His concerts there were extremely well received, and Liszt, at the time living in Geneva, received news of them from his friends in Paris. In the autumn of 1836 Liszt published an unfavourable review of several of Thalberg's compositions in the Gazette musicale, calling them "boring" and "mediocre". A published exchange of views ensued between Liszt and Thalberg's supporter, the critic François-Joseph Fétis.
Liszt heard Thalberg perform for the first time at the Paris Conservatoire in February 1837, and to settle the disagreement the two pianists each arranged a performance for the public to compare them the following month. Liszt performed his own Grande fantaisie sur des motifs de Niobe and Weber's Konzertstück in F minor. This was considered to be inconclusive, so the two agreed to perform at the same concert for comparison on 31 March, at the salon of the Princess of Belgiojoso, in aid of Italian refugees. Thalberg opened with his Fantasia on Rossini's "Moses", then Liszt performed his Niobe fantasy.
The result of this "duel" is disputed. Critic Jules Janin's report in Journal des débats asserted that there was no clear winner: "Two victors and no vanquished; it is fitting to say with the poet, et adhuc sub iudice lis est." Belgiojoso declined to declare a winner, famously concluding that "Thalberg is the first pianist in the world – Liszt is unique." The biographer Alan Walker, however, believes that "Liszt received the ovation of the evening and all doubts about his supremacy were dispelled. As for Thalberg, his humiliation was complete. He virtually disappeared from the concert platform after this date."
Lisztomania
After his separation from Marie, Liszt continued to tour Europe. His concerts in Berlin in the winter of 1841–1842 marked the start of a period of immense public enthusiasm and popularity for his performances, dubbed "Lisztomania" by Heinrich Heine in 1844. Heine wrote of "magnetism and electricity; of contation in a sultry hall filled with innumerable wax lights and some hundred perfumed and perspiring people; of histrionic epilepsy; of the phenomenon of tickling; of musical cantharides; and other unmentionable matters." In a fashion that has been described as similar to "the mass hysteria associated with revivalist meetings or 20th-century rock stars", women fought over his cigar stubs and coffee dregs, and his silk handkerchiefs and velvet gloves, which they ripped to shreds as souvenirs. This atmosphere was fuelled in great part by the artist's mesmeric personality and stage presence: he was regarded as handsome, and Heine wrote of his showmanship during concerts: "How powerful, how shattering was his mere physical appearance".
It is estimated that Liszt appeared in public well over one thousand times during this eight-year period. Moreover, his great fame as a pianist, which he would continue to enjoy long after he had officially retired from the concert stage, was based mainly on his accomplishments during this time.
Adding to his reputation was that Liszt gave away much of the proceeds of his work to charity and humanitarian causes. He donated large sums to the building fund of Cologne Cathedral and St. Stephen's Basilica in Pest, and made private donations to public services such as hospitals and schools, as well as charitable organisations such as the Leipzig Musicians Pension Fund. After the Great Fire of Hamburg in May 1842, he gave concerts in aid of those left homeless.
During a tour of Ukraine in 1847, Liszt played in Kiev, where he met the Polish Princess Carolyne zu Sayn-Wittgenstein. For some time he had been considering retiring from the life of a travelling virtuoso to concentrate on composition, and at this point he made the decision to take up a court position in Weimar. Having known Liszt for only a few weeks, Carolyne resolved to join him there. After a tour of Turkey and Russia that summer, Liszt gave the final paid concert of his career at Elizabetgrad in September, then spent the winter with the princess at her estate in Woronińce. By retiring from the concert platform at the age of 35, while still at the height of his powers, Liszt succeeded in keeping the legend of his playing untarnished.
Weimar
In July 1848 Liszt settled in Weimar, where he had been appointed the honorary title of "Kapellmeister Extraordinaire" six years previously. He acted as the official court kapellmeister at the expense of Grand Duchess Maria Pavlovna of Russia until 1859, jointly with Hippolyte André Jean Baptiste Chélard until his retirement in 1852. During this period Liszt acted as conductor at court concerts and on special occasions at the theatre, arranged several festivals celebrating the work of Berlioz and Wagner, and produced the premiere of Lohengrin. He gave lessons to a number of pianists, including the great virtuoso Hans von Bülow, who married Liszt's daughter Cosima in 1857 (she would later marry Wagner). Liszt's work during this period made Weimar a nexus for modern music.
As kapellmeister Liszt was required to submit every programme to the court Intendant for prior approval. This did not cause large problems until the appointment of Franz von Dingelstedt in 1857, who reduced the number of music productions, rejected Liszt's choices of repertoire, and even organised a demonstration against Liszt's 1858 premiere of Der Barbier von Bagdad. Faced with this opposition, Liszt resigned in 1858.
At first, after arriving in Weimar, Princess Carolyne lived apart from Liszt, in order to avoid suspicions of impropriety. She wished eventually to marry Liszt, but since her husband, Russian military officer Prince Nicholas von Sayn-Wittgenstein, was still alive, she had to convince the Roman Catholic authorities that her marriage to him had been invalid. Her appeal to the Archbishop of St Petersburg for an annulment, lodged before leaving Russia, was ultimately unsuccessful, and the couple abandoned pretence and began to live together in the autumn of 1848.
Nicholas was aware that the couple's marriage had effectively ended, and Carolyne and Nicholas reached an agreement to annul in 1850 whereby the prince would receive some of Carolyne's estates. However, this arrangement was struck down in 1851 by the consistory court of Zhytomyr. Throughout the decade the couple would continue to negotiate through the complex situation.
The New German School and the War of the Romantics
In 1859 Franz Brendel coined the name "New German School" in his publication Neue Zeitschrift für Musik, to refer to the musicians associated with Liszt while he was in Weimar. The most prominent members other than Liszt were Wagner, though he rejected the label, and Berlioz. The group also included Peter Cornelius, Hans von Bülow and Joachim Raff. The School was a loose confederation of progressive composers, mainly grouped together as a challenge to supposed conservatives such as Mendelssohn and Brahms, and so the term is considered to be of limited use in describing a particular movement or set of unified principles. What commonalities the composers had were around the development of programmatic music, harmonic experimentation, wide-ranging modulation and formal innovations such as the use of leitmotifs and thematic transformation.
The disagreements between the two factions is often described as the "War of the Romantics". The "war" was largely carried out through articles, essays and reviews. Each side claimed Beethoven as its predecessor. A number of festivals were arranged to showcase the music of the New German School, notably in Leipzig in 1859 and Weimar in 1861. The Allgemeiner Deutscher Musikverein, intrinsically linked to the School, was founded at this time, with Liszt becoming its honorary president in 1873. However, as most of Liszt's work from the 1860s and 1870s received little attention, and Brendel and Berlioz died in the late 1860s, the focus of the progressive movement in music moved to Bayreuth with Wagner in the 1870s, who definitively moved on from the School and the Neue Zeitschrift.
Rome
After a visit to Rome and an audience with Pope Pius IX in 1860, Carolyne finally secured an annulment. It was planned that she and Liszt would marry in Rome, on 22 October 1861, Liszt's 50th birthday. Liszt arrived in Rome on 21 October, but a Vatican official had arrived the previous day in order to stop the marriage. This was a result of the machinations of Cardinal Hohenlohe, who wanted to protect a complex inheritance agreement brokered by Tsar Alexander II. Carolyne subsequently gave up all attempts to marry Liszt, even after her husband's death in 1864; she became a recluse, working for the rest of her life on a long work critical of the Catholic Church.
The 1860s were a period of great sadness in Liszt's private life. On 13 December 1859, he lost his 20-year-old son Daniel to an unknown illness. On 11 September 1862 his 26-year-old daughter Blandine also died, having contracted sepsis after surgery on a breast growth which developed shortly after giving birth to a son she named in memory of Daniel. In letters to friends, Liszt announced that he would retreat to a solitary living.
He moved to the monastery Madonna del Rosario, just outside Rome, where on 20 June 1863 he took up quarters in a small, spartan apartment. He had a piano in his cell, and he continued to compose. He had already joined the Third Order of Saint Francis previously, on 23 June 1857. On 25 April 1865 he received the tonsure at the hands of Cardinal Hohenlohe, who had previously worked against Carolyne's efforts to secure an annulment; the two men became close friends. On 31 July 1865 Liszt received the four minor orders of porter, lector, exorcist and acolyte. After this ordination he was often called "Abbé Liszt". On 14 August 1879, he was made an honorary canon of Albano.
In 1867 Liszt was commissioned to write a piece for the coronation ceremony of Franz Joseph and Elisabeth of Bavaria, and he travelled to Budapest to conduct it. The Hungarian Coronation Mass was performed on 8 June 1867, at the coronation ceremony in the Matthias Church by Buda Castle in a six-section form. After the first performance, the Offertory was added and, two years later, the Gradual.
"Tripartite existence"
Grand Duke Charles Alexander had been attempting to arrange Liszt's return to Weimar ever since he had left, and in January 1869 Liszt agreed to a residency to give masterclasses in piano playing. He was based in the Hofgärtnerei (court gardener's house), where he taught for the next seventeen years. From 1872 until the end of his life, Liszt made regular journeys between Rome, Weimar and Budapest, continuing what he called his vie trifurquée ("tripartite existence"). It is estimated that he travelled at least 6,400 km (4,000 mi) a year during this period in his life – an exceptional figure given his advancing age and the rigors of road and rail in the 1870s.
Liszt's time in Budapest was the result of efforts from the Hungarian government in attracting him to work there. The plan of the foundation of the Royal Academy of Music was agreed upon by the Hungarian Parliament in 1873, and in March 1875 Liszt was nominated its president. The academy was officially opened on 14 November 1875 with Liszt's colleague Ferenc Erkel as director and Kornél Ábrányi and Robert Volkmann on the staff. Liszt himself only arrived to deliver lessons in March 1876. From 1881 when in Budapest he would stay in an apartment in the Academy, where he taught pupils in much the same way as he did in Weimar. In 1925, the institution was renamed in honour of Liszt.
Final years
In May of 1881 celebrations were held in Antwerp to honor Franz Liszt as a composer. The organizers set out to perform as many of his works as possible, culminating in an official signing of the Golden Book of Antwerp by Liszt and the performance of his first piano concerto by Anna Mehlig. The success of this festival inspired the organizers to repeat the event four years later during the world exposition in Antwerp. The main performance was – again – Anna Mehlig with Liszt's piano concerto under the direction of Franz Servais.
Liszt fell down a flight of stairs at the Hofgärtnerei in July 1881, and remained bedridden for several weeks after this accident. He had been in good health up to that point, but a number of ailments subsequently manifested, such as a cataract in the left eye, dental issues and fatigue. Since around 1877 he had become increasingly plagued by feelings of desolation, despair and preoccupation with death—feelings that he expressed in his works from this period. As he told Lina Ramann, "I carry a deep sadness of the heart which must now and then break out in sound."
On 13 January 1886, while Claude Debussy was staying at the Villa Medici in Rome, Liszt met him there with Paul Vidal and Ernest Hébert, director of the French Academy. Liszt played "Au bord d'une source" from Années de pèlerinage, as well as his arrangement of Schubert's Ave Maria for the musicians. Debussy in later years described Liszt's pedalling as "like a form of breathing."
Liszt travelled to Bayreuth in the summer of 1886. This was in order to support his daughter Cosima, who was running the festival but struggling to generate sufficient interest. The festival was dedicated to the works of her husband Richard Wagner, and had opened ten years previously; Wagner had died in 1883. Already frail, in his final week of life Liszt's health deteriorated further, as he experienced a fever, cough and delirium.
He died during the festival, near midnight on 31 July 1886, at the age of 74—officially as a result of pneumonia, which he had contracted prior to arriving in Bayreuth, although the true cause of death may have been a heart attack. He was buried on 3 August 1886, in the Municipal Cemetery of Bayreuth, according to Cosima's wishes; despite controversy over this as his final resting place, Liszt's body was never moved.
Hector Berlioz
Berlioz and Liszt first met on 4 December 1830, the day before the premiere of Berlioz's Symphonie fantastique. The two quickly became very close friends, exchanging intimate letters on their respective love lives, which also reveal that Liszt was aware of Berlioz's fixation on suicide. Liszt acted as a witness at Berlioz's wedding to Harriet Smithson in 1833, despite cautioning Berlioz against it, and they worked together at several concerts over the following three years, and again in 1841 and 1844. In Weimar, the two composers revised Benvenuto Cellini, and Liszt organised a "Berlioz Week". It included Roméo et Juliette and part of La damnation de Faust, which was later dedicated to Liszt. In return, Liszt dedicated his Faust Symphony to Berlioz.
The orchestration of Berlioz had an influence on Liszt, especially with regards to his symphonic poems. Berlioz saw orchestration as part of the compositional process, rather than a final task to undertake after the music had already been written. Berlioz joined Liszt and Wagner as a figurehead of the New German School, but an unwilling one, as he was unconvinced by Wagner's ideas about the "music of the future".
Frédéric Chopin
Chopin and Liszt first met in the early 1830s, both moving in the same circles of artists residing in Paris. Liszt attended Chopin's first Paris performance at the Salle Pleyel on 26 February 1832, which he admired greatly, and by mid-1833 the two had become close friends. They performed together a number of times, often for charity, and since Chopin only performed in public about 12 times, these events comprise a large proportion of his total appearances.
Their relationship cooled in the early 1840s, and several reasons have been suggested for this, including that Marie d'Agoult was infatuated with Chopin, or Liszt with Aurore Dupin (also known by her pen name George Sand), or that Liszt used Chopin's home for a rendezvous with Marie Pleyel, the wife of Chopin's friend Camille. The two musicians had very different personalities, with Liszt being extroverted and outgoing while Chopin was more introverted and reflective, so it is possible that the two never had an extremely close friendship to begin with, and the fact that they did not live physically close together would have been another barrier. On the topic, Liszt commented to Chopin's biographer Frederick Niecks that Marie d'Agoult and Aurore Dupin had frequently disagreed, and the musicians had felt obliged to side with their respective partners. Alex Szilasi suggests that Chopin took offence at an equivocal 1841 review by Liszt, and was perhaps jealous of Liszt's popularity, while Liszt in turn may have been jealous of Chopin's reputation as a serious composer.
Very shortly after Chopin's death in 1849, Liszt had a monument erected in his memory and began to write a biography. Chopin's relatives and friends found the timing of this insensitive, and many declined to help with Liszt's enquiries.
Scholars disagree on the extent to which Chopin and Liszt influenced each other's compositions. Charles Rosen identifies similarities between Chopin's Étude Op. 10, No. 9 and the early version of Liszt's Transcendental Étude No. 10, but Alan Walker argues that no such connection exists. Stylistic similarities between other studies, Chopin's Nocturnes and Liszt's Consolations, and even an influence on the ornamentation and fingering of Liszt's works, have been proposed.
Robert and Clara Schumann
In 1837 Liszt wrote a positive review of Robert Schumann's Impromptus and piano sonatas no. 1 and no. 3. The two began to correspond, and the following year he met Schumann's fiancée Clara Wieck, to whom he dedicated the early version of Grandes études de Paganini. Schumann in turn dedicated Fantasie in C to Liszt. The two met for the first time in Dresden in 1840.
Schumann resigned as editor of the music journal Neue Zeitschrift für Musik in 1844, ten years after founding it. The journal was taken over the following year by Franz Brendel, who used it to publicise and support Liszt's New German School, to Schumann's chagrin. In 1848 Liszt attended a performance of the Piano Trio No. 1 being held in his honour in the Schumanns' home. Liszt arrived two hours late with Wagner (who had not been invited), derided the piece, and spoke ill of the recently deceased Mendelssohn. This upset the Schumanns, and Robert physically assaulted Liszt.
The relationship between Liszt and the couple remained frosty. Liszt dedicated his 1854 piano sonata to Robert, who had by that point been committed to a mental institution in Endenich. Clara asked for Liszt's help that year in finding a performance venue in order to earn an income. Liszt arranged an all-Schumann concert with Clara as the star performer and published an extremely positive review, but Clara did not express any gratitude. In a posthumous edition of Robert's works, Clara changed the dedication of the Fantasie from Liszt to herself. After Liszt's death, she wrote in her diary "He was an eminent keyboard virtuoso but a dangerous example for the young. ... As a composer he was terrible."
Richard Wagner
Wagner first met Liszt in Paris in 1841, while living in poverty after fleeing Riga to escape creditors. Liszt was at this point a famous pianist, whereas Wagner was unknown; unlike Wagner, Liszt did not remember the meeting. In 1844 Liszt attended a performance of Wagner's first major success, the opera Rienzi, in Dresden. The two met in Berlin at the instigation of Wilhelmine Schröder-Devrient, and Wagner later sent Liszt the scores of Rienzi and Tannhäuser in an attempt to elicit approval. Liszt settled in Weimar in 1848, and the two grew close, Wagner still being located in Dresden. Wagner wrote to Liszt a number of times soliciting financial help.
In 1849 Liszt sheltered Wagner after the latter's involvement in the failed May Uprising in Dresden. Liszt arranged a false passport and lent Wagner money to allow him to escape Germany for Switzerland, and for the next ten years continued to send money and visit, as well as petition officials for a pardon which eventually came in 1860.
To publicise Wagner's music, Liszt staged Tannhäuser in 1849, for the first time outside Dresden, and published two transcriptions from it, writing to Wagner "Once and for all, number me in future among your most zealous and devoted admirers; near or far, count on me and make use of me." In 1850 he arranged the premiere of Lohengrin, which Wagner dedicated to Liszt, and he also mounted performances of Der fliegende Holländer. Liszt had intended to dedicate the 1857 Dante Symphony to Wagner, but upon being told this Wagner replied that, while a fine piece, he would prefer to receive money. Liszt was offended by this comment, and did not publish the dedication.
By 1864 Wagner had begun an affair with Liszt's daughter Cosima, who was married to Liszt's erstwhile pupil Hans von Bülow. Liszt disapproved of the relationship and broke off contact with the couple for a number of years, only learning of their 1870 marriage from the newspapers. Nevertheless, the relationship recovered: Liszt contributed financially to the building of the Bayreuth Festspielhaus in 1871, and he began to correspond with Wagner and Cosima again, frequently visiting their home Wahnfried. Liszt died in 1886 while at the latest incarnation of the Bayreuth Festival, dedicated to Wagner's work, Wagner having died three years previously.
Similarities have been suggested between Wagner's Faust Overture and Liszt's Faust Symphony, but Liszt claimed that the likenesses of the themes were coincidental. Scholars also note a similarity between the opening of Liszt's song "Lorelei" and the famous "Tristan chord" from the opening of Wagner's later opera Tristan und Isolde, although there is no consensus on whether Wagner was influenced by the song. There are similarities in their musical languages, however, and Wagner once even commented to Cosima that he was looking at The Bells of the Strasbourg Cathedral to ensure he had not overtly plagiarised the work, the opening theme of Parsifal being very similar to that cantata. Both composers were also prominent members of the New German School.
Pianist
At his performing peak Liszt was considered the greatest pianist of his time, and was perhaps one of the greatest who ever lived. His popularity during the "Lisztomania" period of the 1840s was unrivalled, and the critic Peter G. Davis has written that "Perhaps [Liszt] was not the most transcendent virtuoso who ever lived, but his audiences thought he was, and no pianist since has seriously challenged the legend."
Performing style
Liszt's performance style changed throughout his life, in his interpretive decisions as well as his physicality (the young Liszt was extremely animated at the keyboard, but in old age he was very still). No known recordings of Liszt exist, so to get an impression of his style scholars must go by contemporary writings and the output of his pupils, while allowing for a certain amount of mythologising around his extraordinary talent.
From a young age Liszt had displayed an aptitude for improvisation and sight reading. Czerny observed that Liszt was a natural who played according to feeling—"one saw that Nature herself had formed a pianist." Liszt's fourteen months under Czerny solidified his technical skills as he enthusiastically studied exercises and works. In later life, however, he would express the opinion that despite his work under Czerny his early training had been unfocused, and he had excelled mainly "by force of personality". Reviews of his early concerts especially praise the brilliance, strength, and precision in his playing. At least one also mentions his ability to keep absolute tempo.
One of the most detailed descriptions of his playing from that time comes from the diary entries of Caroline Boissier-Butini, whose daughter Valerie was a pupil of Liszt's from 1831 to 1832, when he was earning a living primarily as a teacher in Paris:
Boissier records that Liszt did not keep his hands 'in a rounded position' nor were they 'altogether flat', but rather his fingers were 'so flexible as to possess no fixed position'. ... Mme Boissier writes that Liszt's 'hand is never unwieldy, for he moves it with grace according to his fancy', then she stresses that 'he does not play with his arms or shoulders'. In a later lesson, Liszt instructed Valerie to play 'without exception, entirely with a wrist action' ... without any interference by the arm ... Crucially, Liszt emphasised the role of the wrist, not the arm, in producing a full tone for individual notes, and did so not just in relation to octaves or chords.
During his performance career Liszt took unusually bold liberties with the score, changing tempo and adding embellishment at will. In one instance he decided on "a sudden, drastic slowing down" while performing the Scherzo movement of Beethoven's Sixth Symphony. In a regretful letter to George Sand from 1837 Liszt admitted that he made such decisions to gain public acclaim:
[I]n order to wring bravos from the public that is always slow, in its awesome simplicity, to comprehend beautiful things, I had no qualms about changing the tempos of the pieces or the composers' intentions. In my arrogance I even went so far as to add a host of rapid runs and cadenzas, which, by securing ignorant applause for me, sent me off in the wrong direction—one that I fortunately knew enough to abandon quickly. ... Now I no longer divorce a composition from the era in which it was written, and any claim to embellish or modernize the works of earlier periods seems just as absurd for a musician to make as it would be for an architect, for example, to place a Corinthian capital on the columns of an Egyptian temple.
This view on the topic of virtuosity is highlighted in Alan Walker's Liszt biography The Virtuoso Years, citing Liszt's 1840 obituary for Paganini:
May the artist of the future gladly and readily decline to play the conceited and egotistical role which we hope has had in Paganini its last brilliant representative. May he set his goal within, and not outside, himself, and be the means of virtuosity, and not its end. May he constantly keep in mind that, though the saying is "Noblesse oblige!", in a far higher degree than nobility—génie oblige!
Despite his apparent contrition, however, Liszt did continue to make large interpretive changes while performing, although he would be more concerned with fidelity to the score and composer's intentions later in life. He would be more open to pupils revising his own compositions, and he himself often produced different versions of his works over the course of his lifetime. This attitude was in keeping with the shift in audience preferences that began in the 1830s, which started to favour a faithfully rendered memorised performance over the improvisation that Liszt employed in these years.
Certain information about Liszt's style can be inferred from the writings of his many pupils. Musicologist Kenneth Hamilton identifies several themes which occurred through Liszt's teachings, including avoiding excessive sentimentality, imagining the orchestration of the piece, flexibility of tempo, and the importance of a sense of music. Amy Fay studied with Liszt in his later life, 1869–1875, and her writings align with Boissier's four decades earlier. She also notes that Liszt kept his fingers close to the keyboard to achieve a better legato, and that Liszt discouraged unnecessary hand movements, in contrast to his flamboyant gestures during his prime. Notes by his pupil Pauline Fichtener in the 1870s again stress freedom and flexibility of the wrist.
Concert repertoire
Up to 1840, most concerts featuring a solo pianist included other acts, such as an orchestra, singers and ballet. The increasing prominence of the solo piano virtuoso in the 1830s led to other acts on the bill being described as "assistant artists", with Liszt declaring his pre-eminence in a letter to a friend dated June 1839: "Le concert, c'est moi". Liszt is credited as the first pianist to give solo recitals in the modern sense of the word; the term was first applied to Liszt's concert at the Hanover Square Rooms in London on 9 June 1840.
During his years as a travelling virtuoso Liszt performed an enormous amount of music, usually from memory. He was the first to include the full range of repertoire, from J. S. Bach to Chopin. His concerts included original compositions such as Grand galop chromatique, Fantaisie romantique sur deux mélodies suisses and Grande Valse di Bravura; and his transcriptions of Schubert's Schwanengesang, Symphonie fantastique by Berlioz and Beethoven's sixth symphony. Liszt would champion Beethoven's work throughout his life, and his concerts helped popularise the Hammerklavier sonata and Diabelli Variations.
Piano
The best-known portion of Liszt's music is his original piano work. During the Weimar period he composed the first 15 Hungarian Rhapsodies, themselves revisions of his earlier Magyar Dalok/Rhapsódiák, which were influenced by the Romani bands he heard while visiting Hungary. Harmonies poétiques et religieuses, also the result of a long gestation, was published around the same time, and dedicated to Princess Carolyne. Likewise, the six Grandes Études de Paganini were revised from an earlier 1840 edition and published in 1851; these include the famous piece "La campanella". Other notable pieces include the thoroughly revised collections of Années de pèlerinage ("Years of Pilgrimage"), inspired by his travels around Europe; the Piano Sonata in B minor, which has been described as "one of the most original contributions to sonata form to come out of the 19th century"; and the Transcendental Études, which are stylistically varied, technically difficult, and have been described as "Liszt at his most Lisztian".
Organ
Liszt wrote his two largest organ works between 1850 and 1855 while he was living in Weimar, a city with a long tradition of organ music, most notably that of J. S. Bach. Humphrey Searle calls these works – the Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam" and the Fantasy and Fugue on the Theme B-A-C-H – Liszt's "only important original organ works"; Derek Watson considered them among the most significant organ works of the nineteenth century, heralding the work of such key organist-musicians as Reger, Franck and Saint-Saëns, among others. Liszt also wrote the monumental set of variations on the first section of the second movement chorus from Bach's cantata Weinen, Klagen, Sorgen, Zagen, BWV 12 (which Bach later reworked as the Crucifixus in the Mass in B minor), which he composed after the death of his daughter in 1862. He also wrote a Requiem for organ solo, intended to be performed liturgically during the service of the spoken Requiem Mass.
Transcriptions and paraphrases
Liszt coined the terms "transcription" and "paraphrase" with regards to music, the former being a faithful reproduction of the source material and the latter a more free reinterpretation. He wrote substantial quantities of both over the course of his life, and they form a large proportion of his total output—up to half of his solo piano output from the 1830s and 1840s is transcription and paraphrase, and of his total output only approximately a third is completely original. In the mid-19th century, orchestral performances were much less common than they are today and were not available at all outside major cities; thus, Liszt's transcriptions played a major role in popularising a wide array of music such as Beethoven's symphonies. Liszt's transcriptions of Italian opera, Schubert songs and Beethoven symphonies are also significant indicators of his artistic development, the opera allowing him to improvise in concert and the Schubert and Beethoven influence indicating his compositional development towards the Germanic tradition. He also transcribed his own orchestral and choral music for piano in an attempt to make it better known.
In addition to piano transcriptions, Liszt also transcribed about a dozen works for organ, such as Otto Nicolai's Ecclesiastical Festival Overture on the chorale "Ein feste Burg", Orlando di Lasso's motet Regina coeli and excerpts of Bach's Cantata No. 21 and Wagner's Tannhäuser.
Songs
Today, Liszt's songs are relatively obscure. There are 137 secular vocal pieces, 82 of which were original songs with piano accompaniment, mostly composed in the 1840s. In most cases the lyrics are in German, but there are also some in Italian and French, three in Hungarian and one in each of Russian and English. The influence of Italian opera can be seen in the songs' use of arioso and recitative styles. While in Weimar Liszt coached the Court Opera singers, and several prominent musicians sang his songs, including Rosa and Hans von Milde.
Program music
Liszt coined the term "program music" in an 1855 essay on Berlioz's Harold in Italy, referring to pieces which are "driven by an overarching poetic image or narrative" (in the case of Harold in Italy, the piece "describes" the scenes witnessed by the character Harold as he travels through Italy). This is presented in opposition to absolute music, which stands for itself and is intended to be appreciated without any particular reference to the outside world. This was not a new idea – such pieces had been written since the early 18th century, and Liszt himself had written works such as the early version of Années de pèlerinage which invoked his experiences travelling – but he presented the novel argument that program music was artistically superior, counter to the prevailing view that such work was unserious. This developed into the idea that the historical development of music as an art form was destined to move from absolute to representational: Beethoven's symphonies had mostly been non-representational, but his ninth symphony had included some extramusical elements, and Berlioz had taken this further with Harold in Italy and Symphonie fantastique. Wagner saw these developments as a stepping stone to the all-encompassing Gesamtkunstwerk, and in this sense Liszt's programmatic works were part of his vision of the "Music of the Future".
Liszt's main contribution to program music was his thirteen symphonic poems, one-movement orchestral works in which some extramusical program or idea provides a narrative or illustrative element. The first twelve of these were written between 1848 and 1858, and the most well-known are Les préludes and Mazeppa. The symphonic poems were poorly received by critics, especially in Weimar, where Liszt was residing at the time—they criticised Liszt's compositional style as well as the whole idea of program music as the future of music.
Believing in the power of music to transcend people's typical quotidian existence, with his program music Liszt attempted to "elevate listeners to a higher realm of consciousness". He argued that its purpose was less to do with depicting a specific scene or experience, and more about allowing the listener to reach a higher state of existence. Such music would act as a more direct method of communication than language, allowing people to share exactly their own experiences. This view was endorsed by Franz Brendel, Wagner and Friedrich Theodor Vischer.
Late works
Liszt's final period is considered to have started from about 1869, during which he wrote a number of short and independent works, such as the collection Weihnachtsbaum and a piano version of Via crucis, although he did continue to write transcriptions and paraphrases as well as sacred vocal music. Studies of his output from this period typically focus on pieces which display a willingness to push the boundaries of tonality and have an association with death and mourning, such as La lugubre gondola and Unstern!. The morbid focus on loss may be ascribed to Liszt's mental state in his final decade, when he suffered episodes of depression. Many of these pieces remained unpublished in Liszt's lifetime.
Liszt's experimentation can be seen in his 1881 piece Nuages gris. Its key signature is G minor, but ends in an ambiguous tonality; its texture is generated by a collection of fragments rather than a distinct melody and harmony; and it uses chromaticism and dissonance such as the tritone. Additional examples include Czardas macabre, which repeatedly uses a single melodic motif and rhythm accompanied dissonantly or with open fifths, and "Csárdás obstinée", which makes extensive use of false relations. Some of his sacred vocal music also shows this type of experimentation, such as Via crucis, which contains some movements without key signatures and with ambiguous tonality.
Writings
Liszt published a number of prose works and letters over the course of his life, including his 1863 Life of Chopin. Many scholars have doubted that he was their sole author, suggesting that the writings ascribed to Liszt were written partly or solely by Countess Marie d'Agoult or Princess Carolyne, but there is no consensus on this matter. It is known that the programs for some of his symphonic poems were ghost-written.
One of Liszt's notable written works was his biography of Chopin, started less than a month after Chopin's funeral. F. Chopin was serialised in the journal La France musicale in 1851 and published in book form the following year, having been edited by Carolyne. The book was poorly received. Liszt had approached Chopin's sister Ludwika and pupil Jane Stirling for information, but they had been uncooperative, finding the timing of his enquiries so soon after Chopin's death to be insensitive. As a result, the work contained several factual inaccuracies. Nevertheless George Sand, who features prominently in one of the chapters, admired the book. English translations garnered attention in the US and UK over the subsequent two decades, leading to a second edition in 1879. Once again Liszt asked Carolyne to help, but her contribution was so extensive that Liszt considered it over-involvement, going so far as to describe the book as having been "written by Carolyne".
One significant essay by Liszt is "De la situation des artistes" ("On the situation of artists"), which was serialised in the Parisian Gazette musicale in 1835. This work calls for the reform of theatres: Liszt perceived the physical buildings to be unsafe and unpleasant, and their managers to be incompetent. He argues that they would book the cheapest variety of acts without concern for artistic merit, leading to subpar concert experiences. Furthermore, owners would blacklist performers who had appeared at a rival venue. Liszt was also concerned about the lack of professionalism of educational institutions, which were run by unqualified teachers and charged high tuition. In his view, their courses lacked rigour, and had an undue preference for older music over that of living composers.
During his Weimar years, Liszt wrote essays for audiences on Harold in Italy, Lohengrin and Alfonso und Estrella. In addition he wrote the book Des Bohémiens et de leur musique en Hongrie (translated as The Gypsy in Music) about the Romani and their influence on Hungarian folk music. This work proved controversial in the country, with Hungarians disputing Liszt's assertion that Romani communities were responsible for a large contribution to the native music. The second edition, published in 1881, contains antisemitic passages included by Princess Carolyne.
Liszt also worked until at least 1885 on a treatise on modern harmony entitled Sketches for a Harmony of the Future. Arthur Friedheim, a pupil of Liszt's at the time, remembered seeing it among Liszt's papers at Weimar. Liszt told Friedheim that the time was not yet ripe to publish the manuscript. This treatise has since been lost.
Compositions
Romantic music generally fell out of favour during the first half of the 20th century, as composers such as Stravinsky, Schoenberg and Bartók took the art form in new directions. Liszt's music seemed "flamboyant and excessive" in contrast with their leaner styles, and his work had neither become part of the established canon nor received credit for being avant-garde. His piano music received attention from few pianists during this period, and only a few select popular pieces such as the Liebesträume and Hungarian Rhapsodies were published in collections. Two notable champions were Ferruccio Busoni, who delivered all-Liszt recitals in Berlin in 1904–1905 and 1911, and Humphrey Searle, who organised concerts of Liszt's chamber and orchestral music in the 1930s and 1940s. Of his orchestral works, only Les préludes and the Faust Symphony were performed regularly.
During the Romantic Revival of the 1950s Liszt's works and writings received greater attention, and scholars now appreciate the wide range and originality of his compositions. In the decades since, recordings of the vast majority of his output have become available, and a complete edition of scores is being published, to modernise the previous such collection published by Breitkopf & Härtel in 1907–1936. Liszt competitions occur across the world, and Liszt societies promote his work.
Scholar James Deaville writes that "few composers of the nineteenth century, except possibly Wagner, had the same influence upon succeeding generations as Liszt did. Indeed, one is hard-pressed to think of an innovative composer of the early twentieth century who was not influenced by Liszt's music, especially in its departures from traditional harmonies and novel approaches to form and formal unity". Prokofiev admired Liszt's concertos, which influenced his own, and Stravinsky remarked that he had "admiration for the great Liszt whose immense talent in composition is underrated." Liszt's piano music had a strong influence on the Impressionistic music of Debussy and Ravel; one example is Debussy's L'isle joyeuse, which has clear similarities with Les jeux d'eaux à la villa d'Este, a piece he heard Liszt perform in 1884. Liszt also had a marked influence on early 20th-century Hungarian composers, especially Kodály with his Psalmus Hungaricus, Dohnányi in his second string quartet, and Bartók, who admired Liszt's works greatly. Liszt's method of using Hungarian folk music in his compositions was developed further by these composers and their successors, who integrated such themes more subtly and valued the authenticity of the source material to a greater extent.
It is now held that many of Liszt's late compositions, such as Nuages gris, Les jeux d'eaux à la villa d'Este and Czardas macabre, anticipated future developments. Liszt often used symmetrical pitch collections, which equally divide octaves, such as tritones, whole tone and octatonic scales. These collections, as well as the use of parallel fifths, unresolved dissonances, and parallel diminished and augmented triads, predate similar compositional techniques used by Ravel and Bartók. Liszt helped develop chromatic tonality in many ways. He pioneered a tonal language of building chords in fourths, which was a technique later used by Schoenberg. But, tonality was not the only area that he experimented with, as he was also creative with forms. For example, he combined sonata and four-movement symphonic forms in his Sonata in B Minor. However, many of Liszt's late works were not available until the publication of José Vianna da Motta's final volume of Liszt's solo pieces in 1927, so much of his more radical experimentation cannot have influenced composers before then.
Liszt's invention of the symphonic poem had an impact across Europe from the last years of his life through to the 1920s. His friend Saint-Saëns wrote Le Rouet d'Omphale in 1869 and La jeunesse d'Hercule in 1877; Smetana, another friend, wrote Má vlast in the 1870s. Franck, d'Indy, Dvořák and Debussy all wrote symphonic poems in the 1880s and 1890s. Sibelius was introduced to the music of Liszt through his teacher Martin Wegelius, and the influence of Liszt's symphonic poems is seen in Sibelius' Kullervo and En saga. Richard Strauss also wrote his notable collection of tone poems around this time, and these are similarly indebted to Liszt.
Liszt is also credited with several proto-cinematic innovations which anticipate Wagner's more widely recognised status as the 'father of cinema', such as audio-visual performance practices and cinematic listening.
Teaching
From 1827 until the last month of his life, Liszt gave lessons in composition and piano playing. He wrote in 1829 that his schedule was "so full of lessons that each day, from half-past eight in the morning till 10 at night, I have scarcely breathing time". Estimates of the total number of pupils he taught range as high as over 400, although some of these may only have had one lesson, or perhaps even none at all.
In Weimar Liszt pioneered the concept of the masterclass, in which he would instruct each pupil in turn while the others observed. Students from this time included Karl Tausig, Hans von Bülow, Karl Klindworth and Hans Bronsart von Schellendorff as well as Sophie Menter, Anna Mehlig, Amy Fay, Adele aus der Ohe, Lina Schmalhausen und Ingeborg von Bonsart. Members of these classes would also accompany Liszt to concerts and other events. In later years some in Weimar would criticise the masterclasses as a vanity club more interested in praising Liszt than in learning pianistic excellence, although Carl Lachmund commented that the success of many of its pupils, such as Arthur Friedheim, Moriz Rosenthal, Frederic Lamond and Alexander Siloti, proved the groups' effectiveness.
One of the sources about Liszt's teaching methods are the letters and the book of Amy Fay, which she wrote and compiled during her years in Germany from 1869 to 1875. In 1873 she observes:
Liszt generally walks about, and smokes, and mutters (he can never be said to talk), and calls upon one or the other of us to play. From time to time he will sit down and play himself where a passage does not suit him, and when he is in good spirits he makes little jests all the time.
Liszt offered his students little technical advice, expecting them to "wash their dirty linen at home", as he phrased it. Instead, he focused on musical interpretation with a combination of anecdote, metaphor, and wit. He advised one student tapping out the opening chords of Beethoven's Waldstein Sonata, "Do not chop beefsteak for us." To another who blurred the rhythm in Liszt's Gnomenreigen: "There you go, mixing salad again." Liszt also wanted to avoid creating carbon copies of himself, believing instead in preserving his pupils' artistic individuality. This was in contrast to his contemporaries, who focused on drilling students in a uniform approach.
The students were expected to follow certain rules of conduct. This included that they could not ask Liszt to play a piece they wanted to hear. They also could not put themselves forward to present a piece they had rehearsed for the meeting. Amy Fay describes the process to her sister in America as follows:
You lay your notes on the table, so he can see that you want to play, and sit down. He takes a turn up and down the room, looks at the music, and if the piece interests him, he will call upon you. We bring the same piece to him but once.
She also reports home that lessons last for around four hours, in which 20 students would assemble to play for Liszt. Additionally a whole array of personalities from the musical world would come in into the room to observe the interaction between Liszt and his students. As Fay describes the situation, it must have been quite a crowd that squeezed itself into the little rooms in Weimar.
Liszt did not charge for lessons. He was troubled when German newspapers revealed that pedagogue Theodor Kullak had earned more than one million marks from teaching: "As an artist, you do not rake in a million marks without performing some sacrifice on the altar of Art". He wrote an open letter to Kullak's sons, published in the Allgemeine musikalische Zeitung, urging them to create an endowment for needy musicians, as Liszt himself frequently did.
Amy Fay who was a student of Tausig, Kullak and Liszt compared Liszts teaching with her previous teacher as:
When I think what a little savage Tausig often was, and how cuttingly sarcastic Kullak could be at times, I am astonished that Liszt so rarely loses his temper.
Hungary
On 25 March 2011, Budapest Liszt Ferenc International Airport officially adopted its name in honour of the Hungarian pianist and composer Franz Liszt.
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 127 | 99.7th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 252 | 99.6th |
| Studio albums | 236 | 99.9th |
| Awards recorded | 8 | 98.4th |
| Timeline events | 240 | 99.9th |
| Recording span (years) | -66 | 5.9th |
| Genres | 17 | 99.2th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (252 release groups · 236 studio albums)
Albums · 236
1952 · studio album
Dukas: The Sorcerer’s Apprentice / Weinberger: Schwanda / Liszt: Les Préludes / Strauss: Salome
1957 · studio album
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Tracklist · 9 tracks · 42:57
1The Sorcerer’s Apprentice9:462Schwanda the Bagpiper7:413Salome, op. 54: Dance of the 7 Veils8:524Les Préludes, S. 97: Andante - Andante maestoso2:595Les Préludes, S. 97: L’istesso tempo I1:106Les Préludes, S. 97: L’istesso tempo II3:027Les Préludes, S. 97: Allegro ma non troppo - Allegro tempestuoso3:058Les Préludes, S. 97: Allegretto pastorale - Allegro marziale3:349Les Préludes, S. 97: Allegro marziale animato - Andante maestoso2:48A Faust Symphony / Symphonic Poem: Orpheus
1959 · studio album
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Tracklist · 4 tracks
Disc 1AFaust Symphony: 1st Movement: FaustBFaust Symphony: 2nd Movement: GretchenDisc 2CFaust Symphony: 3rd Movement: Mephistopheles – Final ChorusDOrpheusLiszt: Sonata in B minor / Weber: Sonata no. 4 in E minor / Invitation to the Dance
1960 · studio album
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Tracklist · 6 tracks · 59:28
A1Sonata for Piano in B minor27:43B1Sonata for Piano no. 4 in E minor: I. Moderato10:48B2Sonata for Piano no. 4 in E minor: II. Menuetto (Presto vivace ed energico) - Trio (Leggieremente murmurando)3:09B3Sonata for Piano no. 4 in E minor: III. Andante consolante quasi Allegretto6:24B4Sonata for Piano no. 4 in E minor: IV. Final (La Tarantella) (Prestissimo)3:22B5Invitation to the Dance8:021960 · studio album
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Tracklist · 11 tracks · 47:13
1Liebestraume No.34:352Un Sospiro - Etudes de Concert5:013Hungarian Rhapsody No.115:434Il Penseroso4:085Consolation No.34:116Paganini Etudes: Preludio4:507Paganini Etudes: Octave4:328Paganini Etudes: La Campanella4:159Paganini Etudes: Arpeggio1:5310Paganini Etudes: La Chasse3:0811Paganini Etudes: Tema Con Variazioni4:57Herbert Von Karajan dirige Liszt
1961 · studio album
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Tracklist · 4 tracks
A1Mazeppa (Symphonische Dichtung Nr. 6)A2Ungarische Rhapsodie Nr. 5 E-moll (Klavierfassung Nr. 5)B1Ungarische Fantasie Für Klavier Und OrchesterB2Ungarische Rhapsodie Nr. 4 Es-Dur (Klavierfassung Nr. 12)Concertos Nos 1 et 2 pour piano
1961 · studio album
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Tracklist · 10 tracks
A1Concerto pour piano et orchestre N°1 en mi bémol majeur: Premier Mouvement : Allegro MaestosoA2Concerto pour piano et orchestre N°1 en mi bémol majeur: Deuxième Mouvement : Quasi AdagioA3Concerto pour piano et orchestre N°1 en mi bémol majeur: Troisième Mouvement : Allegretto VivaceA4Concerto pour piano et orchestre N°1 en mi bémol majeur: Quatrième Mouvement : Allegro Marziale AnimatoB1Concerto pour piano et orchestre N°2 en la majeur: Adagio Sostenuto AssaiB2Concerto pour piano et orchestre N°2 en la majeur: Allagro Agitato AssaiB3Concerto pour piano et orchestre N°2 en la majeur: Allegro ModeratoB4Concerto pour piano et orchestre N°2 en la majeur: Allegro DecisoB5Concerto pour piano et orchestre N°2 en la majeur: Marziale Un Poco Meno AllegroB6Concerto pour piano et orchestre N°2 en la majeur: Allegro AnimatoLiszt: Hungarian Rhapsodies 2 & 3 / Enesco: Roumanian Rhapsodies 1 & 2
1961 · studio album
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Tracklist · 4 tracks · 43:19
1Two Roumanian Rhapsodies, op. 11: No. 1 in A major12:032Two Roumanian Rhapsodies, op. 11: No. 2 in D major13:103Hungarian Rhapsody no. 38:264Hungarian Rhapsody no. 29:401961 · studio album
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Tracklist · 4 tracks
A1The MoldauA2A Night on Bald MountainB1Les PréludesB2Valse triste1963 · studio album
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Tracklist · 10 tracks · 39:07
1Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso - Tempo giusto5:152Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio4:333Piano Concerto no. 1 in E-flat major, S. 124: III. Allegretto vivace. Allegro animato4:044Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato4:275Piano Concerto no. 2 in A major, S. 125: 1. Adagio sostenuto assai5:216Piano Concerto no. 2 in A major, S. 125: 2. Allegro agitato assai1:507Piano Concerto no. 2 in A major, S. 125: 3. Allegro moderato5:128Piano Concerto no. 2 in A major, S. 125: 4. Allegro deciso2:579Piano Concerto no. 2 in A major, S. 125: 5. Marziale, un poco meno allegro3:4010Piano Concerto no. 2 in A major, S. 125: 6. Allegro animato1:48Sonata in B Minor / Dante Sonata / Bagatelle Without Tonality / Hungarian Rhapsody No 11
1964 · studio album
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Tracklist · 4 tracks
A1Sonata in B MinorB1Dante SonataB2Bagatelle Without TonalityB3Hungarian Rhapsody No. 11Hungarian Rhapsodies nos. 1, 4, 5 & 6
1964 · studio album
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Tracklist · 4 tracks · 43:39
A1Hungarian Rhapsody no. 1 in F minor10:47A2Hungarian Rhapsody no. 4 in D minor10:40B1Hungarian Rhapsody no. 6 in D major12:15B2Hungarian Rhapsody no. 5 in E minor9:571965 · studio album
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Tracklist · 6 tracks · 58:30
ASonata in B minor33:34B1La Campanella II, etude for piano in G-sharp minor4:33B2Valse oubliée, for piano no. 12:27B3Sonetto del Petrarca no. 1236:20B4Feux-follets, etude for piano no. 5 in B-flat major3:46B5Harmonies du soir no. 11 in D-flat7:501968 · studio album
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Tracklist · 7 tracks · 44:57
A1Ungarische Rhapsodie Nr.15 A-Moll5:35A2Ungarische Rhapsodie Nr.3 B-Dur5:30A3Ungarische Rhapsodie Nr.2 Cis-Moll10:19B1Ungarische Rhapsodie Nr. 13 A-Moll9:31B2Ungarische Rhapsodie Nr.8 Fis-Moll7:27B3Ungarische Rhapsodie Nr.17 D-Moll3:18B4Csárdás Obstiné3:17Liszt: Les Preludes Ungarische Rhapsodie Nr.2 Smetana: Vysehrad Die Moldau
1968 · studio album
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Tracklist · 4 tracks · 56:53
1Les Préludes, S. 9717:142Hungarian Rhapsody no. 211:203Má Vlast, no. 1: Vysehrad15:524Má Vlast, no. 2: Vltava (The Moldau)12:271968 · studio album
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Tracklist · 6 tracks · 55:01
A1Reminiscences de Robert le Diable - Valse Infernale10:06A2Gnomenreigen2:52A3Mephisto Polka4:00A4Mephisto Waltz10:45B1Reminiscences de Don Juan (after Mozart)17:08B2Waltzes from Gounod's Faust10:10Sonata in B minor / Bénédiction de Dieu dans la solitude / Waldesrauschen / Gnomenreigen
1970 · studio album
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Tracklist · 6 tracks · 59:13
A1Sonata in B minor: Lento assai. Allegro energico. Grandioso12:45A2Sonata in B minor: Andante sostenuto8:21A3Sonata in B minor: Allegro energico11:09B1Bénédiction de Dieu dans la solitude (From "Harmonies poétiques et religieuses")19:07B22 Concert Studies: Waldesrauschen4:37B32 Concert Studies: Gnomenreigen3:14Festival Liszt: Symphonic Poems
1970 · studio album
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Tracklist · 4 tracks
A1Les Préludes - Symphonic Poem No. 3A2Mephisto WaltzB1Orpheus - Symphonic Poem No. 4B2Mazeppa - Symphonic Poem No. 6Les Préludes / Ungarische Rhapsodien Nr. 2 und 6 / Ungarische Fantasie
1970 · studio album
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Tracklist · 4 tracks
A1Les Préludes Sinfonische Dichtung Nr. 3A2Ungarische Rhapsodie Nr. 2 c-mollB1Ungarische Rhapsodie Nr. 6 D-durB2Fantasie über ungarische Volksweisen für Klavier und Orchester"Ad nos, ad salutarem undam" / "Weinen, Klagen, Sorgen, Zagen"
1971 · studio album
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Tracklist · 2 tracks · 46:57
1Fantasy and Fugue on "Ad nos, ad salutarem undam"30:182Variations on Bach's "Weinen, Klagen, Sorgen, Zagen"16:39Praeludium und Fuge über B.A.C.H. / Trauerode / Evocation à la Chapelle Sixtine / Tu es Petrus
1971 · studio album
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Tracklist · 4 tracks · 42:55
1Prelude and Fugue on the Name B.A.C.H., S. 26012:052Funeral Ode, S. 268 no. 28:583Evocation à la Chapelle Sixtine: Miserere - Ave Verum Corpus15:564Tu es Petrus5:561972 · studio album
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Tracklist · 9 tracks · 40:50
1Piano Concerto no. 1 in E‐flat major, S 124: I. Allegro maestoso5:512Piano Concerto no. 1 in E‐flat major, S 124: II. Quasi adagio – Allegretto vivace – Allegro animato9:013Piano Concerto no. 1 in E‐flat major, S 124: III. Allegro marziale animato4:104Piano Concerto no. 2 in A major, S 125: Ia. Adagio sostenuto assai – Allegro agitato assai -5:245Piano Concerto no. 2 in A major, S 125: Ib. Allegro agitato assai1:586Piano Concerto no. 2 in A major, S 125: II. Allegro moderato – Allegro moderato – poco deciso5:427Piano Concerto no. 2 in A major, S 125: IIIa. Allegro deciso -2:568Piano Concerto no. 2 in A major, S 125: IIIb. Marziale un poco meno allegro4:039Piano Concerto no. 2 in A major, S 125: IIIc. Allegro animato1:45Piano Concertos Nos. 1 & 2 / Totentanz / Mephisto Waltz
1972 · studio album
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Tracklist · 9 tracks · 54:57
A1Piano Concerto No. 1 in E Flat Major, S.124 (LW H4) - I. Allegro Maestoso5:38A2Piano Concerto No. 1 in E Flat Major, S.124 (LW H4) - II. Quasi Adagio - Allegretto Vivace - Allegro Animato8:35A3Piano Concerto No. 1 in E Flat Major, S.124 (LW H4) - III. Allegro Marziale Animato4:11A4Piano Concerto No. 2 in a Major, S.125 (LW H6) - I. Adagio Sostenuto Assai - Allegro Agitato Assai7:23B1Piano Concerto No. 2 in a Major, S.125 (LW H6) - II. Allegro Moderato4:55B2Piano Concerto No. 2 in a Major, S.125 (LW H6) - III. Allegro Deciso - Marziale Un Poco Meno Allegro6:51B3Piano Concerto No. 2 in a Major, S.125 (LW H6) - IV. Allegro Animato1:51B4Totentanz for Piano & Orchestra, S.126 - Paraphrase on "Dies Irae" for Piano & Orchestra15:33B5Mephisto Waltz for Orchestra No. 1 (Der Tanz in Der Dorfschenke; Episoden No. 2), S.110/2Les Années de pèlerinage, 2e année: Italie
1973 · studio album
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Tracklist · 7 tracks · 45:50
A1i. Sposalizio7:14A2ii. Il Pensieroso3:34A3iii. Canzonetta del Salvator Rosa3:12A4iv. Sur le 47e Sonnet de Pétrarque5:45A5v. Sur le 104e Sonnet de Pétrarque6:10B1vi. Sur le 123e Sonnet de Pétrarque6:11B2vii. Après une lecture de Dante13:44Liszt: Missa Choralis / Bruckner: Five Motets
1973 · studio album
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Tracklist · 11 tracks · 51:44
1Missa Choralis (S. 10): Kyrie6:322Missa Choralis (S. 10): Gloria4:383Missa Choralis (S. 10): Credo6:454Missa Choralis (S. 10): Sanctus2:545Missa Choralis (S. 10): Benedictus5:046Missa Choralis (S. 10): Agnus Dei6:057Afferentur regi virgines, WAB11:328Os justi meditabitur sapientiam, WAB305:009Inveni David, WAB191:4710Pange Lingua, Gloriosi, WAB335:4811Ecce Sacerdos Magnus, WAB135:391973 · studio album
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Tracklist · 20 tracks · 2:34:41
Disc 1A1Rhapsodie Nr. 114:15A2Rhapsodie Nr. 29:13A3Rhapsodie Nr. 34:11B1Rhapsodie Nr. 44:34B2Rhapsodie Nr. 510:12B3Rhapsodie Nr. 66:23Disc 2C1Rhapsodie Nr. 75:36C2Rhapsodie Nr. 85:52C3Rhapsodie Nr. 910:42C4Rhapsodie Nr. 105:19D1Rhapsodie Nr. 115:32D2Rhapsodie Nr. 129:35D3Rhapsodie Nr. 139:01Disc 3E1Rhapsodie Nr. 1411:45E2Rhapsodie Nr. 155:57E3Rhapsodie Nr. 165:21E4Rhapsodie Nr. 173:16F1Rhapsodie Nr. 182:59F2Rhapsodie Nr. 1911:39F3Rhapsodie Espagnole13:19Doce estudios de ejecución trascendente
1973 · studio album
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Tracklist · 19 tracks
Disc 11Doce estudios de ejecución trascendente: n.º 1 en do mayor « Prélude »2Doce estudios de ejecución trascendente: n.º 2 en la menor « Molto vivace »3Doce estudios de ejecución trascendente: n.º 3 en fa mayor « Paysage »4Doce estudios de ejecución trascendente: n.º 4 en re menor « Mazeppa »5Doce estudios de ejecución trascendente: n.º 5 en si bemol mayor « Feux follets »6Doce estudios de ejecución trascendente: n.º 6 en sol menor « Vision »7Doce estudios de ejecución trascendente: n.º 7 en mi bemol mayor « Eroica »8Doce estudios de ejecución trascendente: n.º 8 en do menor « Wilde Jagd »9Doce estudios de ejecución trascendente: n.º 9 en la bemol mayor « Ricordanza »Disc 21Doce estudios de ejecución trascendente: n.º 10 en fa menor « Allegro agitato molto »2Doce estudios de ejecución trascendente: n.º 11 en re bemol mayor « Harmonies du Soir »3Doce estudios de ejecución trascendente: n.º 12 en si bemol menor « Chasse-Neige »4Consolaciones: Andante con moto5Consolaciones: Un poco piu mosso6Consolaciones: Lento placido7Consolaciones: Quasi adagio8Consolaciones: Andantino9Consolaciones: Allegretto sempre cantabile10Sueño de amor: n.º 31974 · studio album
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Tracklist · 19 tracks · 2:22:04
Disc 1A1No. 1 In C-sharp minor13:42A2No. 2 In C-sharp minor9:40A3No. 3 In B-flat5:10B1No. 4 In E-flat5:32B2No. 5 In E minor “Héroïde Elégiaque”7:56B3No. 6 In D-flat6:45B4No. 7 In D minor5:40Disc 2C1No. 8 In F-sharp minor7:08C2No. 9 In E-flat “Pester Karneval”12:10C3No. 10 In E “Preludio”5:38D1No. 11 In A minor5:51D2No. 12 In C-sharp major9:50D3No. 13 In A minor9:36Disc 3E1No. 14 In F minor12:17E2No. 15 In A minor “Rakoczy March”5:00E3No. 16 In A minor5:22F1No. 17 In D minor3:01F2No. 18 In F-sharp minor3:15F3No. 19 In D minor8:31Liszt: Totentanz For Piano And Orchestra / Franck: Symphonic Variations For Piano And Orchestra
1974 · studio album
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Tracklist · 2 tracks · 29:34
1Totentanz, S. 12615:032Variations symphoniques, FWV 4614:31Piano Concertos Nos. 1 & 2 (New Recording)
1975 · studio album
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Tracklist · 5 tracks · 21:54
A1Piano Concerto no. 1 in E flat major: I. Allegro maestosoA2Piano Concerto no. 1 in E flat major: II. Quasi adagioA3Piano Concerto no. 1 in E flat major: III. Allegretto vivace; allegro animatoA4Piano Concerto no. 1 in E flat major: IV. Allegro marziale animatoB1Piano Concerto no. 2 in A major21:54Seconde Année de pélerinage - 2 Légendes
1975 · studio album
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Tracklist · 9 tracks · 55:50
A1Années de pélerinage, seconde année (Extraits): Sposalizio - Andante - Andante Quieto - Più Lento7:25A2Années de pélerinage, seconde année (Extraits): Il Penseroso. Lento3:53A3Années de pélerinage, seconde année (Extraits): Canzonetta Del Salvator Rosa. Andante Marziale2:48A4Années de pélerinage, seconde année (Extraits): Sonnet De Pétrarque N° 47. Preludio Con Moto - Sempre Mosso, Con Intenso Sentimento5:52A5Années de pélerinage, seconde année (Extraits): Sonnet De Pétrarque N° 104. Agitato Assai - Adagio5:27A6Années de pélerinage, seconde année (Extraits): Sonnet De Pétrarque N° 123. Lento Placido - Sempre Lento - Più Lento6:21B1Venezia E Napoli: Gondoliera. Quasi Allegretto5:22B2Deux Légendes: Saint François d'Assise prêchant aux oiseaux (Allegretto - Maestoso - Tempo Primo)10:00B3Deux Légendes: Saint François de Paule marchant sur les eaux (Andante Maestoso - Allegro Maestoso E Animato - Lento)8:421975 · studio album
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Tracklist · 17 tracks · 1:49:09
Disc 1A1N°1 en mi majeur10:05A2N°2 en ut dièze mineur9:00B1N°3 en si bémol majeur4:03B2N°4 en mi bémol majeur4:34B3N°5 en mi mineur "Héroïque élégiaque"7:21B4N°6 en ré bémol majeur6:16Disc 2C1N°7 en ré mineur4:24C2N°8 En Fa Dièse Mineur "Capriccio"5:36C3N°9 en mi bémol majeur "Carnaval de Pesth"9:52D1N°10 en mi majeur "Préludio"4:41D2N°11 en la mineur4:55D3N°12 en ut dièse mineur8:39Disc 3E1N°13 en la mineur8:15E2N°14 en fa mineur10:41F1N°15 en la mineur "Marche de Rakoczy"5:25F2N°16 en la majeur5:22F3N°19 en ré mineurRhapsody Liszt Enesco Stokowski
1976 · studio album
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Tracklist · 5 tracks · 47:56
A.1No. 1, In F Minor8:42A.2No. 2, In C-Sharp Minor8:42A.3No. 3, In D-Flat7:41B.1No. 1, In A11:24B.2No. 2, In D11:27Liszt: The Complete Works For Violin & Piano
1976 · studio album
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Tracklist · 7 tracks · 39:58
A1Elegy No.1 (1874)4:25A2Elegy No.2 (1877)4:04A3Grand Duo Concertant (Ca.1837)11:50B1Epitalam (1872)3:35B2Romance Oublieé (1880)3:15B3Duo (Sonata) (1832-35)12:497Fantasy on Themes from 'Niobe' by Paccini1976 · studio album
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Tracklist · 4 tracks · 29:20
1aRhapsodies hongroises: N° 2 en Ut dièse mineur9:001bRhapsodies hongroises: N° 6 en Ré bémol majeur6:162aRhapsodies hongroises: N° 12 en Ut dièse mineur8:392bRhapsodies hongroises: N° 15 en La mineur « Marche de Rakoczy »5:251976 · studio album
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Tracklist · 12 tracks · 1:01:52
1Konzert für Klavier und Orchester Nr. 1 Es-dur: I. Allegro maestoso5:492Konzert für Klavier und Orchester Nr. 1 Es-dur: II. Quasi Adagio - Allegretto vivace - Allegro animato9:473Konzert für Klavier und Orchester Nr. 1 Es-dur: III. Allegro marziale animato - Presto4:274Konzert für Klavier und Orchester Nr. 2 A-dur: Adagio sostenuto assai5:485Konzert für Klavier und Orchester Nr. 2 A-dur: Allegro agitato assai2:086Konzert für Klavier und Orchester Nr. 2 A-dur: Allegro moderato5:237Konzert für Klavier und Orchester Nr. 2 A-dur: Allegro deciso4:098Konzert für Klavier und Orchester Nr. 2 A-dur: Marziale un poco meno allegro3:089Konzert für Klavier und Orchester Nr. 2 A-dur: Allegro animato - Stretto1:5810Venezia e Napoli: I. Gondoliera5:5811Venezia e Napoli: II. Canzone3:5812Venezia e Napoli: III. Tarantella9:19Transcendental Etudes (Complete) / Dante Sonata / Les jeux d'eaux à la Villa d'Este
1976 · studio album
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Tracklist · 14 tracks · 1:40:01
Disc 1A1The Transcendental Etudes, I. Preludio1:07A2The Transcendental Etudes, II. Molto vivace3:05A3The Transcendental Etudes, III. Paysage (Landscape)5:29A4The Transcendental Etudes, IV. Mazeppa8:54A5The Transcendental Etudes, V. Feux Follets (Will o' the Wisps)4:44B1The Transcendental Etudes, VI. Vision5:57B2The Transcendental Etudes, VII. Eroica5:56B3The Transcendental Etudes, VIII. Wilde Jagd (Wild Hunt)6:16B4The Transcendental Etudes, IX. Recordanza (Remembrance)11:49Disc 2C1The Transcendental Etudes, X. Allegro agitato molto5:15C2The Transcendental Etudes, XI. Harmonies de soir11:28C3The Transcendental Etudes, XII. Chasse-neige5:43D1Apres une lecture du Dante -- Fantasia quasi sonata (Dante sonata)16:02D2Les Jeux d'eaux a la Villa d'Este8:161977 · studio album
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Tracklist · 10 tracks
A1LiebesträumeA2Ich liebe DichA3ConsolationsA4Isoldens LiebestodA5Danse MacabreB1RigolettoB2Première Valse OubliéeB3Sonetto 123 del PetrarcaB4D-flat StudyB5Rákóczi MarchFamily Library of Great Music - Liszt
1977 · studio album
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Tracklist · 3 tracks
A1Piano Concerto No. 2 in A MajorB1Hungarian Rhapsody No. 6B2Hungarian Fantasy for Piano and Orchestra1980 · studio album
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Tracklist · 8 tracks · 49:23
1Missa coronationalis (Hungarian Coronation Mass R 487): Kyrie5:302Missa coronationalis (Hungarian Coronation Mass R 487): Gloria7:343Missa coronationalis (Hungarian Coronation Mass R 487): Graduale5:304Missa coronationalis (Hungarian Coronation Mass R 487): Credo7:215Missa coronationalis (Hungarian Coronation Mass R 487): Offertorium5:236Missa coronationalis (Hungarian Coronation Mass R 487): Sanctus3:447Missa coronationalis (Hungarian Coronation Mass R 487): Benedictus7:298Missa coronationalis (Hungarian Coronation Mass R 487): Agnus Dei6:521981 · studio album
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Tracklist · 10 tracks · 3:06:24
Disc 1A1Les Préludes14:50A2Orpheus9:41B1Tasso, Lamento e Trionfo20:30Disc 2C1Ce qu'on entend sur la montagne28:08D1Hunnen-Schlacht15:01D2Von der Wiege bis zum Grabe13:31Disc 3E1Die Ideale25:40F1Fest-Klange17:48Disc 4G1Eine Sinfonie zu Dantes Divina Commedia: Inferno18:44H1Eine Sinfonie zu Dantes Divina Commedia: Purgatorio22:311981 · studio album
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Tracklist · 11 tracks · 2:59:37
Disc 1A1Mazeppa (Symphonic Poem no. 6)15:59A2Hamlet (Symphonic Poem no. 10)14:25B1Hungaria (Symphonic Poem no. 9)20:44Disc 2C1Héroïde funèbre (Symphonic Poem no. 8)17:42D1Prometheus (Symphonic Poem no. 5)13:09D2Zweiter Mephisto-Walzer10:33Disc 3E1Eine Faust-Symphonie: Faust25:28F1Eine Faust-Symphonie: Gretchen15:00Disc 4G1Eine Faust-Symphonie: Mephistopheles20:48H1Der Nachtiche Zug14:50H2Der Tanz in der Dorfschenke (Mephisto-Walzer)10:591981 · studio album
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Tracklist · 8 tracks · 43:49
1Piano Concerto No. 1 in E-flat major, S.124: Allegro Maestoso6:142Piano Concerto No. 1 in E-flat major, S.124: Quasi Adagio5:433Piano Concerto No. 1 in E-flat major, S.124: Allegretto Vivace - Allegro Animato4:344Piano Concerto No. 1 in E-flat major, S.124: Allegro Marziale Animato4:415Piano Concerto No. 2 in A major, S.125: Adagio Sostenuto Assai - Allegro Agitato Assai7:546Piano Concerto No. 2 in A major, S.125: Allegro Moderato5:347Piano Concerto No. 2 in A major, S.125: Allegro Deciso - Marziale Un Poco Meno Allegro7:098Piano Concerto No. 2 in A major, S.125: Allegro Animato2:001981 · studio album
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Tracklist · 13 tracks · 51:53
1Die Loreley, S. 2737:152Ne brany menya moy drug, S. 340a2:283Enfant, si j’étais roi, S. 2833:234Es muss ein Wunderbares sein, S. 3142:045Vergiftet sind meine Lieder, S. 2891:356Kling leise, mein Lied, S. 3014:527Es war ein König in Thule, S. 2784:248Die drei Zigeuner, S. 3207:1495 Songs, Sz. 63: no. 1, Három öszi Könnycsepp2:11105 Songs, Sz. 63: no. 2, Az öszi lárma3:32115 Songs, Sz. 63: no. 3, Az ágyam hívogat4:55125 Songs, Sz. 63: no. 4, Egyedül a tengerrel4:35135 Songs, Sz. 63: no. 5, Nem mehetek hozzád3:25Sonata in B minor / Trauergondel I & II / Légendes
1982 · studio album
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Tracklist · 5 tracks · 1:02:09
1Sonata in B minor31:182Légendes: 1. «St. François d'Assise: la prédiction aux oiseaux»10:263Légendes: 2. «St. François de Paule marchant sur les flots»8:504«La lugubre gondola» no. 14:255«La lugubre gondola» no. 27:10Saint‐Saëns: Piano Concerto no. 2 in G minor / Liszt: Piano Concerto no. 1 in E-flat
1982 · studio album
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Tracklist · 6 tracks · 43:47
1Piano Concerto no. 2 in G minor: I. Andante sostenuto11:392Piano Concerto no. 2 in G minor: II. Allegro scherzando5:403Piano Concerto no. 2 in G minor: III. Presto6:544Piano Concerto no. 1 in E-flat: I. Allegro maestoso5:495Piano Concerto no. 1 in E-flat: II. Allegretto vivace9:266Piano Concerto no. 1 in E-flat: III. Allegro marziale animato4:191982 · studio album
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Tracklist · 9 tracks · 50:18
1Aux Cyprès de la Villa d'Este I ("Années de Pèlerinage" 3e année Nr. 2)6:542Les jeux d'eau à la Villa d'Este ("Années de Pèlerinage" 3e année Nr. 4)8:113Sunt lacrymae rerum ("Années de Pèlerinage" 3e année Nr. 5)7:154Schlummerlied ("Arbre de Noël" Nr. 7)4:025"Valse oubliée" Nr. 1 Fis-dur2:396Unstern, Sinistre – Disastro4:107Schlaflos! Frage und Antwort2:238Mosonyis Grabgeleit6:469Csárdás macabre7:581983 · studio album
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Tracklist · 4 tracks · 1:05:36
1Symphonie Nr. 9 D-moll, op. 125: Allegro ma non troppo, un poco maestoso14:212Symphonie Nr. 9 D-moll, op. 125: Molto vivace14:423Symphonie Nr. 9 D-moll, op. 125: Adagio molto e cantabile · Andante moderato · Adagio13:394Symphonie Nr. 9 D-moll, op. 125: Presto · Allegro, ma non troppo · Allegro assai22:54Hungarian Rhapsody no. 5 / Peer Gynt Suite no. 1 / Les Préludes / Beethoven's 5th
1984 · studio album
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Tracklist · 10 tracks · 1:14:12
1Symphony no. 5 in C Minor, op. 67: 1. Allegro con brio7:242Symphony no. 5 in C Minor, op. 67: 2. Andante con moto9:173Symphony no. 5 in C Minor, op. 67: 3. Scherzo. Allegro4:474Symphony no. 5 in C Minor, op. 67: 4. Allegro8:505Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Morning Mood)4:066Peer Gynt Suite no. 1, op. 46: II. Aases Dod (The Death Of Aase)4:317Peer Gynt Suite no. 1, op. 46: III. Anitras Dans (Anitra's Dance)3:208Peer Gynt Suite no. 1, op. 46: IV. Dovregubbens Hall (In The Hall Of The Mountain King)2:159Les Préludes, S 9716:4710Hungarian Rhapsody no. 5 in E Minor, S 244/512:551984 · studio album
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Tracklist · 6 tracks · 54:46
1Widmung3:392Orage4:193Harmonies du soir10:024Consolation no. 34:465Ballade no. 214:266Bénédiction de Dieu17:34The Piano Works, Volume 5: Années de pèlerinage – Suisse
1984 · studio album
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Tracklist · 9 tracks · 50:14
1Années de pèlerinage, Première année: Suisse, S. 160: I. La Chapelle de Guillaume Tell6:202Années de pèlerinage, Première année: Suisse, S. 160: II. Au lac de Wallenstadt3:133Années de pèlerinage, Première année: Suisse, S. 160: III. Pastorale2:114Années de pèlerinage, Première année: Suisse, S. 160: IV. Au bord d'une source3:525Années de pèlerinage, Première année: Suisse, S. 160: V. Orage4:436Années de pèlerinage, Première année: Suisse, S. 160: VI. Vallée d'Obermann13:567Années de pèlerinage, Première année: Suisse, S. 160: VII. Eglogue (Hirtengesang)3:498Années de pèlerinage, Première année: Suisse, S. 160: VIII. Le mal du pays5:459Années de pèlerinage, Première année: Suisse, S. 160: IX. Les cloches de Genève6:251984 · studio album
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Tracklist · 8 tracks · 39:10
1Piano Concerto no. 1 in E-flat major: I. Allegro maestoso5:112Piano Concerto no. 1 in E-flat major: II. Quasi adagio -5:003Piano Concerto no. 1 in E-flat major: II. Allegretto vivace - allegro animato -3:594Piano Concerto no. 1 in E-flat major: III. Allegro marziale animato4:145Piano Concerto no. 2 in A major: I. Adagio sostenuto assai - Allegro agitato assai -7:216Piano Concerto no. 2 in A major: II. Allegro moderato -4:587Piano Concerto no. 2 in A major: III. Allegro deciso - Marziale un poco meno allegro -6:428Piano Concerto no. 2 in A major: IV. Allegro animato1:451984 · studio album
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Tracklist · 5 tracks · 1:06:24
1Sonata for Piano in B minor34:322Mephisto Waltz11:483Les Jeux D'Eaux a La Villa D'Este7:174Il Pensieroso6:205Hungarian Rhapsody No. 15 'Rakoczy March'6:271984 · studio album
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Tracklist · 6 tracks · 50:28
1Hungarian Rhapsody no. 12 in C-sharp minor, S. 24410:272Liebestraum no. 3 in A-flat major, S. 541 no. 34:553Mephisto Waltz no. 1, S. 51411:354Harmonies poétiques et religieuses, S. 173: No. 7. Funérailles11:205Concert Paraphrase on Rigoletto, S. 4347:0466 Etudes d'exécution transcendante d'après Paganini, S. 140: No. 3. La Campanella5:07Concerto pour piano et orchestre N°1 & N°2 et fantaisie hongroise
1984 · studio album
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Tracklist · 3 tracks · 55:46
1Concertos nº 2 pour piano et orchestre21:532Concertos nº 1 pour piano et orchestre18:393Fantaisie hongroise15:14Sonate en si mineur / Deux légendes / Bénédiction de Dieu dans la solitude
1985 · studio album
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Tracklist · 4 tracks · 1:02:25
1Sonate en Si Mineur28:012Deux Légendes: Ft François d'Assise. La Prédication au oiseaux9:473Deux Légendes: St François de Paule marchant sur les flots8:244Bénédiction de Dieu Dans la Solitude16:13Piano Sonata in B minor / Mephisto Waltz No.1
1985 · studio album
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Tracklist · 5 tracks · 1:06:29
1Piano Sonata in B Minor34:342Mephisto Waltz No.111:503Les Jeux d'Eaux À La Ville d'Este7:184Il Penseroso6:205Hungarian Rhapsody No. 15 "Rakoczy March"6:27The Piano Works, Volume 4: Années de pèlerinage – Italie
1985 · studio album
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Tracklist · 7 tracks · 50:46
1Années de pèlerinage, Deuxième année: Italie, S. 161: I. Sposalizio7:412Années de pèlerinage, Deuxième année: Italie, S. 161: II. Il Penseroso4:113Années de pèlerinage, Deuxième année: Italie, S. 161: III. Canzonetta del Salvator Rosa3:064Années de pèlerinage, Deuxième année: Italie, S. 161: IV. Sonetto 47 del Petrarca5:435Années de pèlerinage, Deuxième année: Italie, S. 161: V. Sonetto 104 del Patrarca6:596Années de pèlerinage, Deuxième année: Italie, S. 161: VI. Sonetto 123 del Petrarca6:537Années de pèlerinage, Deuxième année: Italie, S. 161: VII. Après une lecture du Dante (Fantasia quasi Sonata)16:13The Piano Works, Volume 2: Schubert Song Transcriptions
1985 · studio album
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Tracklist · 12 tracks · 51:02
1Die Forelle3:592Der Müller und der Bach6:073Wohin?3:004Lebe wohl!4:425Das Wandern1:546Der Lindenbaum5:117Horch, horch, die Lerch3:288Auf dem Wasser zu singen5:129Die Post2:5810Aufenthalt3:4311Lob der Tränen5:3912Erlkönig5:091985 · studio album
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Tracklist · 4 tracks · 49:57
Disc 2A1A Faust Symphony in Three Character Sketches (Beginning)28:40B1A Faust Symphony in Three Character Sketches (Continuation)21:17Disc 3A1A Faust Symphony in Three Character Sketches (Conclusion) / Third Part / MephistophelesB1Two Episodes from Lenau's Faust / Procession by Night / Dance in the Village Inn (First Nephisto Waltz)Piano Sonata in B minor / Grandes Études de Paganini
1985 · studio album
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Tracklist · 7 tracks · 55:05
A1Piano Sonata in B minor, S. 17829:26B1Grandes Études de Paganini, S. 141 No. 1 in G minor: Preludio: Andante5:08B2Grandes Études de Paganini, S. 141 No. 2 in E-flat major: Andante - Andantino capriccioso5:44B3Grandes Études de Paganini, S. 141 No. 3 in G-sharp minor "La Campanella": Allegretto4:46B4Grandes Études de Paganini, S. 141 No. 4 in E major: Vivo2:08B5Grandes Études de Paganini, S. 141 No. 5 in E major: Allegretto2:45B6Grandes Études de Paganini, S. 141 No. 6 in A minor: Quasi presto5:08Sonata in B minor / Après une lecture du Dante / Sonneti de Petrarca nos 47, 104, 123
1985 · studio album
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Tracklist · 5 tracks · 1:11:25
1Sonata in B minor31:452Sonetto 47 del Petrarca6:423Sonetto 104 del Petrarca8:404Sonetto 123 del Petrarca7:275Après une lecture du Dante, Fantasia quasi Sonata16:511985 · studio album
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Tracklist · 6 tracks · 57:59
1Venezia e Napoli, S. 162: I. Gondoliera5:002Venezia e Napoli, S. 162: II. Canzone4:083Venezia e Napoli, S. 162: III. Tarantella9:484Années de pèlerinage, Troisième année, S. 163: No. 4. Les jeux d'eau à la Villa d'Este7:465Harmonies poétiques et religieuses, S. 173: No. 3. Bénédiction de Dieu dans la solitude16:476Ballade no. 2 in B minor, S. 17114:30Die Legende von der heiligen Elisabeth
1985 · studio album
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Tracklist · 28 tracks · 2:26:11
Disc 11Die Legende von der heiligen Elisabeth, Erster Teil: Einleitung10:012Die Legende von der heiligen Elisabeth, Erster Teil, 1. Ankunft der Elisabeth auf Wartburg: "Willkommen die Braut"3:213Die Legende von der heiligen Elisabeth, Erster Teil, 1. Ankunft der Elisabeth auf Wartburg: "So leg' ich dieses teure Pfand"4:094Die Legende von der heiligen Elisabeth, Erster Teil, 1. Ankunft der Elisabeth auf Wartburg: "Was Vaterliebe treu vermag"1:575Die Legende von der heiligen Elisabeth, Erster Teil, 1. Ankunft der Elisabeth auf Wartburg: "Sieh um dich!"0:496Die Legende von der heiligen Elisabeth, Erster Teil, 1. Ankunft der Elisabeth auf Wartburg: Fröhliche Spiele / "Willkommen die liebliche Braut"4:597Die Legende von der heiligen Elisabeth, Erster Teil, 2. Landgraf Ludwig: "Aus dem Nebel der Thäler"5:288Die Legende von der heiligen Elisabeth, Erster Teil, 2. Landgraf Ludwig: "Doch sieh, was schimmert"4:349Die Legende von der heiligen Elisabeth, Erster Teil, 2. Landgraf Ludwig: "Was seh' ich – Rosen!"3:3910Die Legende von der heiligen Elisabeth, Erster Teil, 2. Landgraf Ludwig: "Ihm, der uns diesen Segen gab"8:10Disc 21Die Legende von der heiligen Elisabeth, Erster Teil, 3. Die Kreuzritter: "Ins heil'ge Land, ins Palmenland"5:472Die Legende von der heiligen Elisabeth, Erster Teil, 3. Die Kreuzritter: "Versammelt hab' ich meine Treuen"3:243Die Legende von der heiligen Elisabeth, Erster Teil, 3. Die Kreuzritter: "Leb wohl, mein Weib!"8:264Die Legende von der heiligen Elisabeth, Erster Teil, 3. Die Kreuzritter: "Ins heilge Land, ins Palmenland"7:445Die Legende von der heiligen Elisabeth, Zweiter Teil, 4. Landgräfin Sophie: "Herein, herein! Hast du die Botschaft"5:166Die Legende von der heiligen Elisabeth, Zweiter Teil, 4. Landgräfin Sophie: "O Tag der Trauer, Tag der Klage"1:507Die Legende von der heiligen Elisabeth, Zweiter Teil, 4. Landgräfin Sophie: "Entschieden ist dein Los"7:528Die Legende von der heiligen Elisabeth, Zweiter Teil, 4. Landgräfin Sophie: "Die Pforte schloß sich"4:49Disc 31Die Legende von der heiligen Elisabeth, Zweiter Teil, 5. Elisabeth: "Beruhigt ist das Toben"7:062Die Legende von der heiligen Elisabeth, Zweiter Teil, 5. Elisabeth: "O Kindheitstraum!"4:593Die Legende von der heiligen Elisabeth, Zweiter Teil, 5. Elisabeth: "Hier wohnt sie unterm Hüttendach"9:384Die Legende von der heiligen Elisabeth, Zweiter Teil, 5. Elisabeth: "Die Lüfte schauern kühl"4:085Die Legende von der heiligen Elisabeth, Zweiter Teil, 5. Elisabeth: "Der Schmerz ist aus"6:436Die Legende von der heiligen Elisabeth, Zweiter Teil, 6. Feierliche Bestattung der Elisabeth: Orchesterinterludium7:597Die Legende von der heiligen Elisabeth, Zweiter Teil, 6. Feierliche Bestattung der Elisabeth: "Vereinigt seh' um den Thron"3:438Die Legende von der heiligen Elisabeth, Zweiter Teil, 6. Feierliche Bestattung der Elisabeth: "Mit Trauerkränzen kommen"3:329Die Legende von der heiligen Elisabeth, Zweiter Teil, 6. Feierliche Bestattung der Elisabeth: "Der du im heil'gen Lande"1:0310Die Legende von der heiligen Elisabeth, Zweiter Teil, 6. Feierliche Bestattung der Elisabeth: "Decorata novo fiore"5:05Les Préludes / Procession nocturne / Méphisto-Valse / 2 Légendes
1985 · studio album
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Tracklist · 5 tracks · 1:05:26
1Les préludes: Andante - Allegro - Allegretto pastorale - Allegro marciale - Andante maestoso16:542Deux épisodes d'après le Faust de Lenau: Procession nocturne15:203Deux épisodes d'après le Faust de Lenau: Danse dans l'auberge du village (Méphisto-Valse)12:104Deux légendes: St. François d'Assise. La prédication aux oiseaux12:215Deux légendes: St. François de Paule marchant sur les flots8:411985 · studio album
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Tracklist · 3 tracks · 46:53
1Totentanz (Danse Macabre), S12615:592Malédiction, S12115:183Fantasia On Hungarian Folk Themes (Fantaisie Sur Airs Populaires Hongrois, Ungarische Fantasie), S12315:36Reubke: Organ Sonata "The 94th Psalm" / Liszt: Fantasia and Fugue on "Ad Nos"
1985 · studio album
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Tracklist · 6 tracks · 53:45
1Sonata on the 94th Psalm, in C minor: Grave - Larghetto - Allegro con fuoco - Grave12:392Sonata on the 94th Psalm, in C minor: Adagio - Lento7:253Sonata on the 94th Psalm, in C minor: Fugue - Allegro6:164Fantasy and Fugue on "Ad nos, ad salutarem undam": Moderato - Allegro - Vivace9:115Fantasy and Fugue on "Ad nos, ad salutarem undam": Adagio8:316Fantasy and Fugue on "Ad nos, ad salutarem undam": Allegro deciso - Fuga (Allegretto con moto)9:431986 · studio album
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Tracklist · 15 tracks · 49:27
1Andante maestoso 'Vexilla Regis prodeunt'5:162Station I: Jesus wird zum Tode verdammt1:473Station II: Jesus trägt sein Kreuz2:504Station III: Jesus fält zum ersten Mal1:455Station IV: Jesus begegnet seine heiligen Mutter2:546Station V: Simon von Kyrene hilft Jesus das Kreuz tragen3:377Station VI: Sancta Veronica3:198Station VII: Jesus fällt zum zweiten Mal1:469Station VIII: Die Frauen von Jerusalem3:0710Station IX: Jesus fällt zum dritten Mal1:4911Station X: Jesus wird entkleidet2:2712Station XI: Jesus wird ans Kreuz geslagen1:0513Station XII: Jesus stirbt am Kreuze7:2514Station XIII: Jesus wird vom Kreuz genommen4:2215Station XIV: Jesus wird ins Grab gelegt5:58Concert Studies / Consolations / Réminiscences de Don Juan
1986 · studio album
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Tracklist · 12 tracks · 1:05:01
1Two Concert Studies, S. 145: I. Waldesrauschen3:592Two Concert Studies, S. 145: II. Gnomenreigen3:073Three Concert Studies, S. 144: I. Il lamento10:214Three Concert Studies, S. 144: II. La leggierezza4:565Three Concert Studies, S. 144: III. Un sospiro5:356Consolations, S. 172: No. 1. Andante con moto1:287Consolations, S. 172: No. 2. Un poco più mosso3:198Consolations, S. 172: No. 3. Lento placido3:499Consolations, S. 172: No. 4. Quasi adagio3:1210Consolations, S. 172: No. 5. Andantino2:5411Consolations, S. 172: No. 6. Allegretto sempre cantabile3:1912Réminiscences de Don Juan, S. 41819:021986 · studio album
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Tracklist · 8 tracks · 2:00:08
Disc 11Mephisto-Walzer11:052Les Préludes17:023Fantasie über ungarische Volksmelodien15:484Ungarische Rhapsodie Nr. 513:18Disc 21Mazeppa15:162Ungarische Rhapsodie Nr. 213:413Tasso: Lamento e trionfo22:414Ungarische Rhapsodie Nr. 411:171986 · studio album
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Tracklist · 2 tracks · 50:55
1Symphonie pour la “Divine Comédie” du Dante: I. Inferno21:042Symphonie pour la “Divine Comédie” du Dante: II. Purgatoire – Magnificat29:511986 · studio album
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Tracklist · 8 tracks · 59:57
1Symphonie no. 4, B flat major, op. 60: I. Adagio - Allegro vivace9:202Symphonie no. 4, B flat major, op. 60: II. Adagio10:243Symphonie no. 4, B flat major, op. 60: III. Menuetto. Allegro vivace5:484Symphonie no. 4, B flat major, op. 60: IV. Allegro ma non troppo7:075Symphonie no. 8, F major, op. 93: I. Allegro Vivace e con brio9:426Symphonie no. 8, F major, op. 93: II. Allegretto scherzando4:177Symphonie no. 8, F major, op. 93: III. Tempo di menuetto4:318Symphonie no. 8, F major, op. 93: IV. Allegro vivace8:481986 · studio album
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Tracklist · 12 tracks · 1:02:56
1Transcendental Etudes: I Preludio0:552Transcendental Etudes: II.Etude in A Minor1:563Transcendental Etudes: III. Paysage5:324Transcendental Etudes: IV. Mazeppa7:135Transcendental Etudes: V. Feux-Follets3:496Transcendental Etudes: VI. Vision5:327Transcendental Etudes: VII. Eroica4:428Transcendental Etudes: VIII. Wilde Jagd4:449Transcendental Etudes: IX. Ricordanza9:3410Transcendental Etudes: X. Etude in F Minor4:0811Transcendental Etudes: XI. Harmonies du Soir9:4412Transcendental Etudes: XII. Chasse-Neige5:07The Unknown Liszt - Piano Pieces 1
1986 · studio album
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Tracklist · 10 tracks · 43:24
1Urbi et orbi. Bénédiction papale R. 69 (1864)6:052Resignazione R. 388 (1877)1:333Recueillement R. 86 (1877)3:524Sancta Dorothea R. 73 (1877)1:575Wiegenlied - Chant du berceau R. 58 (1881)3:186Stabat Mater (1860 - 1870)3:557Berceuse R. 57b (2nd Version, 1863)9:468Impromptu R. 59 (1872)3:569En rêve. Nocturne R. 87 (1885)2:0010Vexilla regis prodeunt R. 70 (1864)7:0212 Études d'exécution transcendante
1986 · studio album
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Tracklist · 12 tracks · 1:06:30
1Études d'exécution transcendante, S. 139, R. 2b: I. Preludio in C major. Presto1:042Études d'exécution transcendante, S. 139, R. 2b: II. Étude in A minor. Molto vivace2:183Études d'exécution transcendante, S. 139, R. 2b: III. "Paysage" in F major. Poco adagio4:164Études d'exécution transcendante, S. 139, R. 2b: IV. "Mazeppa" in D minor. Allegro7:395Études d'exécution transcendante, S. 139, R. 2b: V. "Feux follets" in B-flat major. Allegretto4:266Études d'exécution transcendante, S. 139, R. 2b: VI. "Vision" in G minor. Lento6:057Études d'exécution transcendante, S. 139, R. 2b: VII. "Eroica" in E-flat major. Allegro4:538Études d'exécution transcendante, S. 139, R. 2b: VIII. "Wilde Jagd" in C minor. Presto furioso5:079Études d'exécution transcendante, S. 139, R. 2b: IX. "Ricordanza" in A-flat major. Andantino, improvisato11:0010Études d'exécution transcendante, S. 139, R. 2b: X. Étude in F minor. Allegro agitato molto4:4611Études d'exécution transcendante, S. 139, R. 2b: XI. "Harmonies du soir" in D-flat major. Andantino8:5312Études d'exécution transcendante, S. 139, R. 2b: XII. "Chasse-neige" in B-flat minor. Andante con moto6:031986 · studio album
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Tracklist · 8 tracks · 1:06:53
1Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio10:302Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto7:333Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace3:564Symphony no. 1 in C major, op. 21: IV. Finale. Adagio – Allegro molto e vivace6:265Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio12:436Symphony no. 2 in D major, op. 36: II. Larghetto13:217Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro4:218Symphony no. 2 in D major, op. 36: IV. Allegro molto8:031986 · studio album
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Tracklist · 19 tracks · 4:55:22
Disc 11Ce qu’on entend sur la montagne30:252Tasso: Lamento e Trionfo21:203Les Préludes15:52Disc 21Orpheus11:262Prometheus13:233Mazeppa15:464Festklänge19:46Disc 31Héroïde funèbre24:032Hungaria22:163Hamlet14:35Disc 41Hunnenschlacht13:502Die Ideale26:483Von der Wiege bis zum Grabe: Die Wiege6:264Von der Wiege bis zum Grabe: Der Kampf ums Dasein3:085Von der Wiege bis zum Grabe: Zum Grabe: Die Wiege des zukünftigen Lebens7:39Disc 51Zwei Episoden aus Lenaus Faust: Der nächtliche Zug15:052Zwei Episoden aus Lenaus Faust: Der Tanz in der Dorfschenke (Erster Mephisto-Walzer)11:483Zweiter Mephisto-Walzer11:344Szózat und Hymnus – Fantasie10:12Années de Pèlerinage: Première Année - Suisse
1986 · studio album
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Tracklist · 9 tracks · 51:08
1Années de pèlerinage: Première année - Suisse, S. 160: I. Chapelle de Guillaume Tell7:062Années de pèlerinage: Première année - Suisse, S. 160: II. Au lac de Wallenstadt2:483Années de pèlerinage: Première année - Suisse, S. 160: III. Pastorale1:374Années de pèlerinage: Première année - Suisse, S. 160: IV. Au bord d’une source3:175Années de pèlerinage: Première année - Suisse, S. 160: V. Orage4:386Années de pèlerinage: Première année - Suisse, S. 160: VI. Vallée d’Obermann15:167Années de pèlerinage: Première année - Suisse, S. 160: VII. Eglogue3:398Années de pèlerinage: Première année - Suisse, S. 160: VIII. Le mal du pays6:459Années de pèlerinage: Première année - Suisse, S. 160: IX. Les cloches de Genève. Nocturne6:021986 · studio album
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Tracklist · 4 tracks · 51:15
1Symphonie N°3 "Eroica" : I. Allegro Con Brio15:152Symphonie N°3 "Eroica" : II. Marcia Funebre (Adagio Assai)16:423Symphonie N°3 "Eroica" : III. Scherzo (Allegro Vivace). Trio6:144Symphonie N°3 "Eroica" : IV. Finale (Allegro Molto. Poco Andante. Presto)13:04André Watts Plays Liszt, Album 2
1986 · studio album
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Tracklist · 8 tracks · 57:26
1Sonata in B minor32:092Un Sospiro5:453Valse Oubliee No. 13:314Nuages Gris2:465Bagatelle Ohne Tonart2:436Schlaflos, Frage und Antwort3:087En Reve, Nocturne2:198Transcendental Etude No. 105:051986 · studio album
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Tracklist · 6 tracks · 1:03:28
1Hungarian Rhapsody no. 1 in F11:042Hungarian Rhapsody no. 2 in D minor10:333Hungarian Rhapsody no. 3 in D7:374Hungarian Rhapsody no. 4 in D11:305Hungarian Rhapsody no. 5 in E minor9:506Hungarian Rhapsody no. 6 in D "Pesther Carneval"12:541987 · studio album
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Tracklist · 11 tracks · 50:03
1Konzert für Klavier und Orchester Nr. 1 Es‐dur: Allegro maestoso5:252Konzert für Klavier und Orchester Nr. 1 Es‐dur: Quasi adagio – Allegretto vivace – Allegro animato9:123Konzert für Klavier und Orchester Nr. 1 Es‐dur: Allegro marziale animato4:074Konzert für Klavier und Orchester Nr. 2 A‐dur: Adagio sostenuto assai5:155Konzert für Klavier und Orchester Nr. 2 A‐dur: Allegro agitato assai2:006Konzert für Klavier und Orchester Nr. 2 A‐dur: Allegro moderato5:287Konzert für Klavier und Orchester Nr. 2 A‐dur: Allegro deciso2:568Konzert für Klavier und Orchester Nr. 2 A‐dur: Marziale un poco meno allegro1:079Konzert für Klavier und Orchester Nr. 2 A‐dur: Allegro animato1:4010Liebestraum Nr. 3 As‐dur: Poco allegro, con affeto3:3111Ungarische Rhapsodie Nr. 2: Lento capriccio – Lassan, Andante, Mesto Friska, Vivace – Tempo giusto vivace – Prestissimo9:2212 études d'éxécution transcendante
1987 · studio album
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Tracklist · 12 tracks · 1:04:08
1Études d'exécution transcendante: n° 1 en ut majeur "Preludio"0:512Études d'exécution transcendante: n° 2 en la mineur "Fusées"2:043Études d'exécution transcendante: n° 3 en fa majeur "Paysage"5:164Études d'exécution transcendante: n° 4 en ré mineur "Mazeppa"7:235Études d'exécution transcendante: n° 5 en si bémol majeur "Feux-follets"4:016Études d'exécution transcendante: n° 6 en sol mineur "Vision"4:537Études d'exécution transcendante: n° 7 en mi bémol majeur "Eroïca"5:038Études d'exécution transcendante: n° 8 en ut mineur "Wilde Jagd"5:349Études d'exécution transcendante: n° 9 en la bémol majeur "Ricordanza"9:0310Études d'exécution transcendante: n° 10 en fa mineur "Appassionata"5:1111Études d'exécution transcendante: n° 11 en ré bémol majeur "Harmonies du soir"10:1212Études d'exécution transcendante: n° 12 en si bémol mineur "Chasse-Neige"4:37Années de pèlerinage: Première année: Suisse
1987 · studio album
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Tracklist · 10 tracks · 53:44
1Chapelle de Guillame Tell5:482Au luc de Wallenstadt3:273Pastorale1:374Au bord d'un source3:495Orage4:196Vallee d Obermann12:397Eglogue3:098Le mal du pays5:589Les cloches de Geneve6:2010Isoldens Liebestod Wagner6:381987 · studio album
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Tracklist · 8 tracks · 1:02:06
1Symphonie n°5 en do mineur, op. 67: I. Allegro con brio7:462Symphonie n°5 en do mineur, op. 67: II. Andante con moto9:353Symphonie n°5 en do mineur, op. 67: III. Allegro5:294Symphonie n°5 en do mineur, op. 67: IV. Allegro9:225Sonate n°19 en do mineur, D. 958: I. Allegro10:476Sonate n°19 en do mineur, D. 958: II. Adagio7:257Sonate n°19 en do mineur, D. 958: III. Menuetto (Allegro) – Trio2:548Sonate n°19 en do mineur, D. 958: IV. Allegro8:481987 · studio album
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Tracklist · 19 tracks · 2:22:12
Disc 11Hungarian Rhapsody no. 1 in C-sharp minor, S. 244/114:252Hungarian Rhapsody no. 2 in C-sharp minor, S. 244/28:593Hungarian Rhapsody no. 3 in B-flat major, S. 244/35:494Hungarian Rhapsody no. 4 in E-flat major, S. 244/44:375Hungarian Rhapsody no. 5 in E minor, S. 244/58:576Hungarian Rhapsody no. 6 in D-flat major, S. 244/66:547Hungarian Rhapsody no. 7 in D minor, S. 244/75:428Hungarian Rhapsody no. 8 in F-sharp minor, S. 244/86:519Hungarian Rhapsody no. 9 in E-flat major, S. 244/910:31Disc 21Hungarian Rhapsody no. 10 in E major, S. 244/105:372Hungarian Rhapsody no. 11 in A minor, S. 244/115:533Hungarian Rhapsody no. 12 in C-sharp minor, S. 244/129:134Hungarian Rhapsody no. 13 in A minor, S. 244/138:575Hungarian Rhapsody no. 14 in F major, S. 244/1411:256Hungarian Rhapsody no. 15 in A minor "Rákóczi March", S. 244/155:367Hungarian Rhapsody no. 16 in A minor, S. 244/165:348Hungarian Rhapsody no. 17 in D minor, S. 244/173:199Hungarian Rhapsody no. 18 in F-sharp minor, S. 244/183:2510Hungarian Rhapsody no. 19 in D minor, S. 244/1910:2812 Études d’exécution transcendante
1987 · studio album
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Tracklist · 12 tracks · 1:05:05
112 Études d’exécution transcendante : Preludio0:49212 Études d’exécution transcendante : Molto vivace2:17312 Études d’exécution transcendante : Paysage5:06412 Études d’exécution transcendante : Mazeppa7:53512 Études d’exécution transcendante : Feux follets3:46612 Études d’exécution transcendante : Vision5:23712 Études d’exécution transcendante : Eroica4:50812 Études d’exécution transcendante : Wilde Jagd5:23912 Études d’exécution transcendante : Ricordanza9:481012 Études d’exécution transcendante : Allegro agitato molto4:271112 Études d’exécution transcendante : Harmonies du soir9:391212 Études d’exécution transcendante : Chasse‐Neige5:44Liszt: Symphonische Dichtungen
1987 · studio album
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Tracklist · 4 tracks · 1:01:14
1Les Préludes15:032Mazeppa15:593Tasso. Lamento e Trionfo20:364Orpheus9:36Années de pèlerinage (Deuxième année: Italie)
1987 · studio album
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Tracklist · 7 tracks · 47:54
1Années de Pèlerinage, Deuxième année: Italie: I. Sposalizio7:202Années de Pèlerinage, Deuxième année: Italie: II. Il Penseroso4:113Années de Pèlerinage, Deuxième année: Italie: III. Canzonetta del Salvator Rosa2:584Années de Pèlerinage, Deuxième année: Italie: IV. Sonetto 47 del Petrarca5:035Années de Pèlerinage, Deuxième année: Italie: V. Sonetto 104 del Petrarca6:066Années de Pèlerinage, Deuxième année: Italie: VI. Sonetto 123 del Petrarca6:457Années de Pèlerinage, Deuxième année: Italie: VII. Aprés une lecture du Dante (Fantasia quasi Sonata)15:311987 · studio album
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Tracklist · 16 tracks · 2:10:38
Disc 11N°1 en mi majeur12:432N°2 en ut dièse mineur10:123N°3 en si bémol majeur4:244N°4 en mi bémol majeur5:205N°5 en mi mineur9:046N°6 en ré bémol majeur6:597N°7 en ré mineur5:108N°8 en fa dièse mineur6:409N°9 en mi bémol majeur11:44Disc 21N°10 en mi majeur5:032N° 11 en la mineur5:183N°12 en ut dièse mineur10:074N°13 en la mineur8:335N°14 en fa mineur12:126N°15 en la mineur (marche de Rakoczy)4:487Rhapsodie espagnole12:211987 · studio album
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Tracklist · 6 tracks · 1:04:03
1Ungarische Rhapsodien nos. 1–6: No. 1 in F minor11:062Ungarische Rhapsodien nos. 1–6: No. 4 in D minor11:353Ungarische Rhapsodien nos. 1–6: No. 6 in D-flat major, “Carnival in Pest”11:094Ungarische Rhapsodien nos. 1–6: No. 2 in C minor10:175Ungarische Rhapsodien nos. 1–6: No. 3 in D major7:596Ungarische Rhapsodien nos. 1–6: No. 5 in E minor11:57Liszt: Piano Concerto no. 2 / Prokofiev: Piano Concerto no. 3
1987 · studio album
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Tracklist · 4 tracks · 52:39
1Concerto no. 2 in A major22:292Concerto no. 3 in C major, op. 26: Andante - Allegro9:463Concerto no. 3 in C major, op. 26: Tema10:204Concerto no. 3 in C major, op. 26: Allegro10:041987 · studio album
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Tracklist · 20 tracks · 58:39
1Vergiftet sind meine Lieder2:082Über allen Gipfeln ist Ruh4:143Ein Fichttenbaum steht einsam3:114Die drei Zigeuner7:085Es muß ein Wunderbares sein2:086Oh! quand je dors4:587Comment, disaient-ils2:328S'il est un charmant gazon2:439Enfant, si j'étais roi3:0510Liebeshymnus1:4111Die Nacht2:4712Allerseelen3:0713Zueignung1:4614Morgen!3:5315Am Ufer2:2016Fünf Lieder, op. 15: Madrigal2:3517Fünf Lieder, op. 15: Winternacht1:5318Fünf Lieder, op. 15: Lob des Leidens2:1619Fünf Lieder, op. 15: Aus den Liedern der Trauer1:4820Fünf Lieder, op. 15: Heimkehr2:26Annees de Pelerinage: Troiseme annee
1987 · studio album
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Tracklist · 7 tracks · 52:15
1Angelus! (Priere aux anges gardiens)8:152Aux cypres de la Villa d’Este, no. 1 (Threnodie)5:433Aux cypres de la Villa d’Este, no. 2 (Threnodie)11:014Les jeux d’eaux a la Villa d’Este7:545Sunt lacrymae rerum (En mode hongrois)9:066Marche funebre (En memoire de Maximilien I)7:357Sursum corda (Erhebet eure Herzen)2:411987 · studio album
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Tracklist · 5 tracks · 59:17
1Mephisto Waltz no. 1, S. 514 "Der Tanz in der Dorfschenke"11:042Etude no. 3 in A-flat minor, S. 141 "La Campanella"4:543Transcendental Etude no. 11 in D-flat, S. 139 "Harmonies du soir"9:044Transcendental Etude no. 5 in B-flat, S. 139 "Feux follets"3:405Sonata in B Minor - Grande Sonate pour le Pianoforte S.178 - Lento Assai - Recitativo - Allegro Energico30:35The Complete Music for Solo Piano, Volume 1: Liszt Waltzes
1987 · studio album
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Tracklist · 14 tracks · 1:14:42
1Valse oubliée no. 2, S. 215 no. 25:322Mephisto Waltz no. 2, S. 5159:453Valse oubliée no. 3, S. 215 no. 35:044Mephisto Waltz no. 3, S. 2167:445Valse oubliée no. 4, S. 215 no. 42:496Mephisto Waltz no. 4, S. 6966:447Ländler in A‐flat, S. 2110:598Album Leaf in Waltz Form, S. 1660:519Valse‐Impromptu, S. 2135:0910Valse mélancolique, S. 214 no. 26:1711Valse de bravoure, S. 214 no. 17:1012Bagatelle sans tonalité, S. 216a2:2713Valse oubliée no. 1, S. 215 no. 12:5314Mephisto Waltz no. 1, S. 514 “Der Tanz in der Dorfschenke”11:18Mephisto Waltz / Après une lecture de Dante / Les jeux d'eau à la Villa d'Este
1988 · studio album
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Tracklist · 15 tracks · 2:22:07
Disc 11Mephisto Waltz no. 110:532Tarentella8:303Rhapsodie espagnole13:204Pensée des morts13:545Saint François d'Assise prêchant aux oiseaux11:046Bénédiction de Dieu dans la solitude17:51Disc 21Ave Maria2:412Aux cyprès de la Villa d'Este6:573Aux cyprès de la Villa d'Este9:404Les jeux d'eau à la Villa d'Este7:495Recueillement3:146La lugubre gondole4:407La lugubre gondole8:528Après une lecture de Dante16:039Ave Maria (Die Glocken von Rom)6:391988 · studio album
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Tracklist · 4 tracks · 1:10:44
1Symphonie n° 9 en ré mineur, op. 125 transcrite pour deux pianos par Franz Liszt: 1. Allegro ma non troppo, un poco maestoso16:292Symphonie n° 9 en ré mineur, op. 125 transcrite pour deux pianos par Franz Liszt: 2. Scherzo molto vivace - Trio presto14:153Symphonie n° 9 en ré mineur, op. 125 transcrite pour deux pianos par Franz Liszt: 3. Adagio molto e cantabile - Andante moderato - Adagio stesso tempo16:004Symphonie n° 9 en ré mineur, op. 125 transcrite pour deux pianos par Franz Liszt: 4. Presto - Allegro assai - Presto - Recitativo - Allegro - Allegro assai vivace alla marcia - Andante maestoso - Adagio ma non troppo ma devoto - Allegro energico - Allegro ma non tanto - Poco allegro stringendo il tempo sempre più allegro - Prestissimo - Maestoso - Prestissimo24:001988 · studio album
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Tracklist · 7 tracks · 2:08:30
Disc 11Symphonic Poem No. 3: Les Preludes15:102Symphonic Poem No. 2: Tasso, Lamento e trionfo20:363Symphonic Poem No. 1: Ce qu'on entend sur la montagne "Bergsymphonie"28:04Disc 21Symphonic Poem No. 5: Prometheus13:132Symphonic Poem No. 7: Festklange17:543Symphonic Poem No. 6: Mazeppa16:014Symphonic Poem No. 8: Heroide funebre17:321988 · studio album
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Tracklist · 8 tracks · 1:03:28
1Klavierkonzert No. 1 Es-dur: I. Allegro maestoso5:112Klavierkonzert No. 1 Es-dur: II. Quasi adagio - Allegro vivace - Allegro animato8:413Klavierkonzert No. 1 Es-dur: III. Allegro marciale animato4:274Klavierkonzert No. 2 A-dur: I. Adagio sostenuto assai / II. Allegro agitato assai / III. Allegro moderato / IV. Allegro deciso / V. Marciale, un poco meno allegro / VI. Allegro animato20:565Zwei Konzertstudien, S. 145: Waldesrauschen4:256Zwei Konzertstudien, S. 145: Gnomenreigen3:257Liebestraum No. 3 As-dur4:198Mephisto-Walzer No. 112:041988 · studio album
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Tracklist · 8 tracks · 1:00:41
1Symphony no. 1 in C major, op. 21, S. 464: I. Adagio molto - Allegro con brio8:302Symphony no. 1 in C major, op. 21, S. 464: II. Andante cantabile con moto9:013Symphony no. 1 in C major, op. 21, S. 464: III. Menuetto. Allegro molto e vivace3:254Symphony no. 1 in C major, op. 21, S. 464: IV. Finale. Adagio - Allegro molto e vivace5:215Symphony no. 2 in D major, op. 36, S. 464: I. Adagio molto - Allegro con brio12:406Symphony no. 2 in D major, op. 36, S. 464: II. Larghetto12:037Symphony no. 2 in D major, op. 36, S. 464: III. Scherzo. Allegro3:378Symphony no. 2 in D major, op. 36, S. 464: IV. Allegro molto6:041988 · studio album
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Tracklist · 8 tracks · 54:39
1Hungarian Rhapsody no. 139:422Hungarian Rhapsody no. 67:143Hungarian Rhapsody no. 34:214Hungarian Rhapsody no. 155:575Hungarian Rhapsody no. 58:406Hungarian Rhapsody no. 115:417Hungarian Rhapsody no. 173:138Hungarian Rhapsody no. 29:511988 · studio album
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Tracklist · 6 tracks · 1:17:38
1Mephisto Waltz no. 1, G.51410:432Tarantella G.162 Années de pèlerinage8:253Rapsodie espagnole, G.25413:114Pensées des morts (Harmonies poétiques et religieuse, G.173)13:475St François d'Assise: La prédication aux oiseaux (légend, G.175)13:476Bénédiction de dieu dans la solitude (Harmonies poétiques et religieuses, G.153)17:451988 · studio album
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Tracklist · 10 tracks · 1:03:44
1Resignazione1:482Angelus, Prier Aux Anges Gardiens8:373Rosario6:134Requiem Pour Orgue17:085Ungarn's Gott3:456"Am Grabe Richard Wagner's"4:057"Il Sposalizio"7:148O Sacrum Convivium8:229Ave Maria3:1010Introitus3:22Liszt: Funérailles / Rhapsodie No. 12 / Sonata
1988 · studio album
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Tracklist · 3 tracks · 55:52
1Funérailles13:022Rhapsodie Hongroise No. 1211:003Sonata in b minor31:50Reminiscences des Puritains and Other Rare Piano Works
1988 · studio album
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Tracklist · 5 tracks · 1:07:43
1Fantasia e Fuga sul Tema B.A.C.H. (S. 529, seconda versione)13:332"Litanei" (da Schubert) (S. 562)4:253Variazioni sul Tema di Bach "Weinen, klagen, sorgen, zagen" (S. 180)18:554Berceuse (S. 174, seconda versione)10:275"Réminiscences des Puritains" (S. 390)20:231988 · studio album
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Tracklist · 10 tracks · 1:00:39
1Consolations: N° 1 / N° 2 / N° 3 / N° 4 / N° 5 / N° 618:112Elegy6:443Second Elegy6:094Nuages gris3:045Preludio funèbre1:486La lugubre gondola (First version)4:477La lugubre gondola (Second version)9:568Recueillement4:079Schlaflos, Frage und Antwort3:1410En reve. Nocturne.2:39Im Herzen der Klassik, Vol. 8: Liszt
1988 · studio album
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Tracklist · 11 tracks · 40:56
1Klavierkonzert no. 1 Es-Dur: I. Allegro maestoso5:522Klavierkonzert no. 1 Es-Dur: II. Quasi adagio4:553Klavierkonzert no. 1 Es-Dur: III. Allegretto vivace2:314Klavierkonzert no. 1 Es-Dur: IV. Allegro animato1:495Klavierkonzert no. 1 Es-Dur: V. Allegro marziale animato4:336Klavierkonzert no. 2 A-Dur: I. Adagio sostenuto assai5:067Klavierkonzert no. 2 A-Dur: II. Allegro agitato assai1:588Klavierkonzert no. 2 A-Dur: III. Allegro moderato5:189Klavierkonzert no. 2 A-Dur: IV. Allegro deciso3:1510Klavierkonzert no. 2 A-Dur: V. Marziale, un poco meno allegro3:5411Klavierkonzert no. 2 A-Dur: VI. Allegro animato1:45Klavierkonzerte nos. 1 & 2 / Totentanz
1988 · studio album
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Tracklist · 8 tracks · 55:47
1Konzert für Klavier und Orchester Nr. 1 Es‐dur: I. Allegro maestoso5:322Konzert für Klavier und Orchester Nr. 1 Es‐dur: II. Quasi adagio – Allegretto vivace – Allegro animato8:543Konzert für Klavier und Orchester Nr. 1 Es‐dur: III. Allegro marziale animato – Presto4:094Konzert für Klavier und Orchester Nr. 2 A‐dur: I. Adagio sostenuto assai – Allegro agitato assai7:275Konzert für Klavier und Orchester Nr. 2 A‐dur: II. Allegro moderato – Allegro deciso8:196Konzert für Klavier und Orchester Nr. 2 A‐dur: III. Marziale un poco meno allegro4:237Konzert für Klavier und Orchester Nr. 2 A‐dur: IV. Allegro animato – Stretto (molto accelerando)1:518Totentanz (Danse macabre): Andante – Allegro – Allegro moderato (Var. I & II) – Molto Vivace (Var. III) – Lento (Var. IV) – Vivace (Var. V) – Sempre allegro (Ma non troppo) – Un poco meno allegro – Presto – Allegro animato15:12The Complete Music for Solo Piano, Volume 2: Ballades, Legends and Polonaises
1988 · studio album
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Tracklist · 9 tracks · 1:12:33
1Première Ballade in D‐flat major, S. 170 “Le Chant du croisé”7:342Deuxième Ballade in B minor, S. 17113:243Légendes, S. 175: No. 1. St. François d’Assise “La Prédication aux oiseaux”8:504Légendes, S. 175: No. 2. St. François de Paule marchant sur les flots7:355Berceuse, S. 174 (second version)9:286Impromptu, S. 1913:037Klavierstück in A‐flat major, S. 1892:588Deux polonaises, S. 223: No. 1. Polonaise mélancolique in C minor11:179Deux polonaises, S. 223: No. 2. Polonaise in E major8:24The Instruments of Liszt in the Budapest Liszt Ferenc Museum
1989 · studio album
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Tracklist · 13 tracks · 59:49
1Mephisto Waltz no. 1, S. 51410:202Funérailles, S. 173/710:413Romance oubliée, S. 5273:224En rève, S. 2072:035Hungarian Rhapsody no. 6, S. 244/67:366Liebesträume no. 3, S. 541/34:197First Elegy, S. 1964:448Wiegenlied2:459Carousel de Madame P-N, S. 214/a0:5510Die Hirten an der Krippe, S. 186/32:5511Scherzoso, S. 186/52:1612Adeste Fideles, S. 186/44:3813Consolation no. 4 in D flat Major, S. 172/43:151989 · studio album
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Tracklist · 21 tracks · 1:05:32
1Missa choralis: Kyrie5:402Missa choralis: Gloria5:083Missa choralis: Credo7:454Missa choralis: Sanctus2:245Missa choralis: Benedictus4:086Missa choralis: Agnus Dei4:237Via crucis: Andante maestoso4:008Via crucis: Statio I. Jesus wird zum Tode verdammt1:119Via crucis: Statio II. Jesus trägt sein Kreuz1:5110Via crucis: Statio III. Jesus fällt zum ersten Mal1:1711Via crucis: Statio IV. Jesus begegnet seiner heiligen Mutter1:4212Via crucis: Statio V. Simon von Kyrene hilft Jesus das Kreuz tragen2:2413Via crucis: Statio VI. Sancta Veronica2:3114Via crucis: Statio VII. Jesus fällt zum zweiten Mal1:1915Via crucis: Statio VIII. Die Frauen von Jerusalem2:0716Via crucis: Statio IX. Jesus fällt zum dritten Mal1:1817Via crucis: Statio X. Jesus wird entkleidet1:2418Via crucis: Statio XI. Jesus wird ans Kreuz geschlagen0:5019Via crucis: Statio XII. Jesus stirbt am Kreuze6:3720Via crucis: Statio XIII. Jesus wird vom Kreuz genommen2:4621Via crucis: Statio XIV. Jesus wird ins Grab gelegt4:471989 · studio album
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Tracklist · 8 tracks · 39:25
1Concerto n. 1 in mi bemol maggiore per pianoforte e orchestra: Allegro maestoso5:172Concerto n. 1 in mi bemol maggiore per pianoforte e orchestra: Quasi adagio4:393Concerto n. 1 in mi bemol maggiore per pianoforte e orchestra: Allegretto vivace4:234Concerto n. 1 in mi bemol maggiore per pianoforte e orchestra: Allegro marziale animato4:245Concerto n. 2 in la maggiore per pianoforte e orchestra: Adagio sostenuto assai7:116Concerto n. 2 in la maggiore per pianoforte e orchestra: Allegro moderato5:177Concerto n. 2 in la maggiore per pianoforte e orchestra: Allegro deciso6:288Concerto n. 2 in la maggiore per pianoforte e orchestra: Allegro animato1:461989 · studio album
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Tracklist · 13 tracks · 1:14:28
1Wanderer-Fantasie - Allegro con fuoco6:212Wanderer-Fantasie - Adagio6:493Wanderer-Fantasie - Presto4:594Wanderer-Fantasie - Allegro3:465Liebestraum No.35:046Au Bord d'une source4:027Sonetto 104 del Petrarca7:108Les Jeux d'eau à la Villa d'Este7:569Die Forelle4:0510Auf dem Wasser zu singen5:2011Gnomenreigen3:2112Un sospiro5:4213Tarantella9:53Piano Concertos nos. 1 & 2 / Totentanz
1989 · studio album
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Tracklist · 9 tracks · 57:59
1Piano Concerto no. 1 in E-flat: Allegro maestoso. Tempo giusto5:152Piano Concerto no. 1 in E-flat: Quasi adagio5:103Piano Concerto no. 1 in E-flat: Allegretto vivace4:074Piano Concerto no. 1 in E-flat: Allegro marziale animato4:285Piano Concerto no. 2 in A: Adagio sostenuto assai7:556Piano Concerto no. 2 in A: Allegro moderato8:477Piano Concerto no. 2 in A: Marziale, un poco meno allegro4:048Piano Concerto no. 2 in A: Allegro animato1:599Totentanz16:141989 · studio album
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Tracklist · 14 tracks · 50:07
1Angiolin dal biondo crin5:032Bist du!3:423Es rauschen die Winde2:474Schwebe, schwebe, blaues Auge2:335O lieb4:556Kling leise, mein Lied3:387Gestorben war ich2:198Es muss ein wunderbares sein2:099Ich möchte hingehn7:4410Die drei Zigeuner5:4411In Liebeslust1:5712Ich liebe dich3:0713Der Glückliche1:4714Go Not, Happy Day2:42Liszt: The Piano Concertos / Dohnányi: Variations on a Nursery Song, op. 25
1989 · studio album
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Tracklist · 24 tracks · 1:00:17
1Piano Concerto no. 1 in E-flat: 1. Allegro maestoso. Tempo giusto5:062Piano Concerto no. 1 in E-flat: 2. Quasi adagio4:353Piano Concerto no. 1 in E-flat: 3. Allegretto vivace - Allegro animato4:094Piano Concerto no. 1 in E-flat: 4. Allegro marziale animato3:505Piano Concerto no. 2 in A: 1. Adagio sostenuto assai -4:416Piano Concerto no. 2 in A: 2. Allegro agitato assai -2:037Piano Concerto no. 2 in A: 3. Allegro moderato -4:418Piano Concerto no. 2 in A: 4a.. Allegro deciso -2:519Piano Concerto no. 2 in A: 4b. Marziale un poco meno allegro -3:5610Piano Concerto no. 2 in A: 4c. Allegro animato1:3911Variations on a Nursery Song, op. 25: 1. Introduzione (Maestoso)3:4212Variations on a Nursery Song, op. 25: Thema (Allegro)0:4613Variations on a Nursery Song, op. 25: Var. 1: Poco più mosso0:3414Variations on a Nursery Song, op. 25: Var. 2: Risoluto0:3015Variations on a Nursery Song, op. 25: Var. 31:1016Variations on a Nursery Song, op. 25: Var. 4: Molto meno mosso (Allegretto moderato)1:0417Variations on a Nursery Song, op. 25: Var. 5: Più mosso1:0118Variations on a Nursery Song, op. 25: Var. 6: Ancora più mosso (Allegro)0:3819Variations on a Nursery Song, op. 25: Var. 7: Walzer (Tempo giusto)1:5320Variations on a Nursery Song, op. 25: Var. 8: Alla marcia (Allegro moderato)1:2921Variations on a Nursery Song, op. 25: Var. 9: Presto - Andante rubato1:5022Variations on a Nursery Song, op. 25: Var. 10: Passacaglia (Adagio non troppo)3:2923Variations on a Nursery Song, op. 25: Var. 11: Choral (Maestoso)1:4124Variations on a Nursery Song, op. 25: Finale fugato (Allegro vivace - Tempo del tema - Molto allegro)2:59Harmonies Poétiques Et Religieuses
1989 · studio album
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Tracklist · 15 tracks
Disc 11Invocation2Ave Maria3Bénédiction de dieu dans la solitude4Pensées des morts5Pater nosterDisc 21Hymne de l'enfant à son réveil2Funérailles3Misère d'après Palestrina4Andante lagrimoso5Cantique d'amour6Consolations : Andante con moto / Un poco più mosso7Consolations : Lento placido8Consolations : Quasi adagio9Consolations : Andantino10Consolations : Allegretto sempre cantabileLiszt: Les Préludes, Strauss: Don Juan
1989 · studio album
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Tracklist · 7 tracks · 1:10:14
1Symphonic Poem No. 3: Les Préludes16:452Don Juan, Op. 2017:363La Valse12:424The Pines of Rome: The Pines of Villa Borghese2:365The Pines of Rome: Pines Near a Catacomb7:156The Pines of Rome: The Pines of the Janiculum7:317The Pines of Rome: The Pines of the Appian Way5:491989 · studio album
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Tracklist · 26 tracks · 2:31:41
Disc 11Premiere année: La Suisse no. 1 - La chapelle de Guillaume Tell6:352Premiere année: La Suisse no. 2 - Au lac de Wallenstadt2:433Premiere année: La Suisse no. 3 - Pastorale1:394Premiere année: La Suisse no. 4 - Au bord d'une source3:145Premiere année: La Suisse no. 5 - Orage3:576Premiere année: La Suisse no. 6 - Vallée d'Obermann12:437Premiere année: La Suisse no. 7 - Eglogue3:358Premiere année: La Suisse no. 8 - Le mal du pays5:459Premiere année: La Suisse no. 9 - Les cloches de Geneve, nocturne5:2710Deuxieme année: L'Italie no. 1 - Sposalizio7:1311Deuxieme année: L'Italie no. 2 - Il penseroso3:3412Deuxieme année: L'Italie no. 3 - Canzonetta del Salvator Rosa3:1113Deuxieme année: L'Italie no. 4 - Sonetto 47 del Petrarca5:4414Deuxieme année: L'Italie no. 5 - Sonetto 104 del Petrarca6:0915Deuxieme année: L'Italie no. 6 - Sonetto 123 del Petrarca6:09Disc 21Deuxieme année: L’Italie no. 7 - Après une lecture de Dante13:492Deuxieme année: L’Italie no. 8 - Gondoliera5:113Deuxieme année: L’Italie no. 9 - Canzone3:504Deuxieme année: L’Italie no. 10 - Tarentella8:255Troisieme année: L’Italie no. 1 - Angelus6:056Troisieme année: L’Italie no. 2 - Aux cyprès de la Villa d’ Este5:567Troisieme année: L’Italie no. 3 - Aux cyprès de la Villa d’ Este 28:448Troisieme année: L’Italie no. 4 - Les Jeux d’eau à la Villa d’ Este7:319Troisieme année: L’Italie no. 5 - Sunt lacrimae rerum5:1310Troisieme année: L’Italie no. 6 - Marche funébre6:1911Troisieme année: L’Italie no. 7 - Sursum corda3:00The Complete Music for Solo Piano, Volume 3: Fantasy / Variations / Funeral Odes / Concert Solo
1989 · studio album
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Tracklist · 7 tracks · 1:17:54
1Fantasie und Fuge über das Thema B‐A‐C‐H, S. 52910:552Weinen, Klagen, Sorgen, Zagen, S. 1795:373Variationen über das Motiv von Bach, S. 18013:144Trois Odes funèbres: Les Morts – Oraison, S. 5167:435Trois Odes funèbres: La Notte, S. 516a10:386Trois Odes funèbres: Le Triomphe funèbre du Tasse, S. 51710:527Grosses Konzertsolo, S. 17618:55The Complete Music for Solo Piano, Volume 4: Transcendental Studies
1989 · studio album
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Tracklist · 15 tracks · 1:17:50
1Douze études d’exécution transcendante, S. 139: No. 1. Preludio0:512Douze études d’exécution transcendante, S. 139: No. 22:293Douze études d’exécution transcendante, S. 139: No. 3. Paysage5:204Douze études d’exécution transcendante, S. 139: No. 4. Mazeppa7:285Douze études d’exécution transcendante, S. 139: No. 5. Feux follets4:116Douze études d’exécution transcendante, S. 139: No. 6. Vision6:067Douze études d’exécution transcendante, S. 139: No. 7. Eroica4:478Douze études d’exécution transcendante, S. 139: No. 8. Wilde Jagd5:379Douze études d’exécution transcendante, S. 139: No. 9. Ricordanza10:3910Douze études d’exécution transcendante, S. 139: No. 104:2411Douze études d’exécution transcendante, S. 139: No. 11. Harmonies du soir9:3712Douze études d’exécution transcendante, S. 139: No. 12. Chasse‐neige6:2913Mariotte – Valse de Marie1:1714Adagio in C0:5415Élégie sur des motifs du Prince Louis Ferdinand de Prusse, S. 1687:41Sonata in B minor / Tre sonetti del Petrarca
1989 · studio album
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Tracklist · 7 tracks · 1:01:47
1Sonata in B minor: Lento assai, allegro energico12:072Sonata in B minor: Andante sostenuto7:203Sonata in B minor: Allegro energico11:274Tre sonetti del Petrarca: Sonetto 47 del Petrarca6:065Tre sonetti del Petrarca: Sonetto 104 del Petrarca6:476Tre sonetti del Petrarca: Sonetto 123 del Petrarca6:597St. François d'Assise : La Prédication aux oiseaux11:011990 · studio album
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Tracklist · 10 tracks · 56:39
1Concerto No. 1 in E flat major for piano and orchestra - 1. Allegro maestoso - Tempo giusto5:322Concerto No. 1 in E flat major for piano and orchestra - 2. Quasi adagio5:073Concerto No. 1 in E flat major for piano and orchestra - 3. Allegretto vivace - Allegro animato4:004Concerto No. 1 in E flat major for piano and orchestra - 4. Allegro marziale animato - Alla breve - Più mosso (ma non troppo)4:175Concerto No. 2 in A major for piano and orchestra - 1. Adagio sostenuto assai - Allegro agitato assai6:386Concerto No. 2 in A major for piano and orchestra - 2. Tempo del andante - Allegro moderato5:297Concerto No. 2 in A major for piano and orchestra - 3. Allegro deciso - Marziale un poco meno allegro4:088Concerto No. 2 in A major for piano and orchestra - 4. Un poco meno mosso (tempo rubato)2:559Concerto No. 2 in A major for piano and orchestra - 5. Allegro animato - Stretto (molto accelerando)1:5310Totentanz - Paraphrase on "Dies Irae" for piano and orchestra16:40Romantic Masterworks for Organ, Volume 2
1990 · studio album
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Tracklist · 13 tracks · 1:13:09
1Carillon-Sortie4:142Organ Symphony no. 1, op. 14: Allegro3:503Organ Symphony no. 1, op. 14: Finale5:044Organ Symphony no. 6 in G minor, op. 42 no. 2: Intermezzo5:595Organ Symphony no. 6 in G minor, op. 42 no. 2: Cantabile4:206Organ Symphony no. 6 in G minor, op. 42 no. 2: Finale5:137Organ Symphony no. 2, op. 20: Allegro5:498Organ Symphony no. 2, op. 20: Chorale5:459Organ Symphony no. 2, op. 20: Scherzo3:2310Organ Symphony no. 2, op. 20: Cantabile7:0611Organ Symphony no. 2, op. 20: Finale6:2112Prelude and Fugue on B.A.C.H.9:1113Dieu parmi nous from La Nativité du Seigneur6:541990 · studio album
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Tracklist · 1 track · 16:40
10Totentanz - Paraphrase on DIes Irae for piano and orchestra16:401990 · studio album
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Tracklist · 3 tracks
1A Faust Symphony in Three Character Portrayals (After Goethe): I. Faust (Lento assai – Allegro impetuoso – Allegro agitato ed appassionato assai – Meno mosso, misterioso – Affetuoso (poco Andante) – Allegro con fuoco – Grandioso (un poco meno Allegro)))2A Faust Symphony In Three Character Portrayals (After Goethe): II. Gretchen (Andante soave)3A Faust Symphony In Three Character Portrayals (After Goethe): III. Mephistopheles (Allegro vivace, ironico)Liszt: Concerto per pianoforte no. 1 / Schubert: Ouverture Rosamunde / Beethoven: Sinfonia no. 8
1990 · studio album
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Tracklist · 8 tracks · 53:56
1Ouverture Rosamunde: L'Arpa Magica D 64410:022Concerto per pianoforte e orchestra no.1 in Mi bemolle maggiore: I. Allegro maestoso - Tempo giusto5:083Concerto per pianoforte e orchestra no.1 in Mi bemolle maggiore: II. Quasi adagio - Allegretto vivace - Allegro animato8:294Concerto per pianoforte e orchestra no.1 in Mi bemolle maggiore: III. Allegro marciale animato3:545Sinfonia no. 8 in Fa maggiore, op. 93: I. Allegro vivace e con brio10:036Sinfonia no. 8 in Fa maggiore, op. 93: II. Allegretto scherzando4:147Sinfonia no. 8 in Fa maggiore, op. 93: III. Tempo di menuetto4:378Sinfonia no. 8 in Fa maggiore, op. 93: IV. Allegro vivace7:291990 · studio album
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Tracklist · 17 tracks · 57:02
1Tell Me, Some Pitying Angel8:342Die Loreley, S. 2736:223"Comment disaient-ils", S. 2762:094"Oh, quand je dors" S 2825:095Tre Sonetti di Petrarca, S. 270: I. Pace non trovo6:336Cinq Mélodies populaires grecques: I. Le réveil de la mariée, M. 91:327Cinq Mélodies populaires grecques: II. Là-bas, vers l'église, M. 101:408Cinq Mélodies populaires grecques: III. Quel galant m'est comparable, M. 40:579Cinq Mélodies populaires grecques: IV. Chanson des ceuilleuses de lentisques, M. 52:4910Cinq Mélodies populaires grecques: V. Tout gai!, M. 110:5711Vocalise op. 34, no. 145:0912Goyescas: La maja y el ruiseñor6:1813Canciones clásicas españolas: I. Al amor1:0814Canciones clásicas españolas: II. Corazón, porqué pasáis?1:3115Canciones clásicas españolas: III. Con amores, la mi madre1:5716Canciones clásicas españolas: VII. Del cabello más sutil1:3017Canciones clásicas españolas: V. Copla del curro dolce2:47Klaviersonate h‐moll / Fantasia quasi sonata
1990 · studio album
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Tracklist · 4 tracks · 1:05:12
1Klaviersonate h‐moll33:112Petrarca-Sonett Nr. 1046:563Petrarca-Sonett Nr. 1238:144Après une lecture du Dante : Fantasia quasi sonata16:51Piano Concerto no. 2 / Hungarian Fantasy / Polonaise brillante / “Freischütz” Fantasy
1990 · studio album
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Tracklist · 9 tracks · 1:00:25
1Piano Concerto no. 2: I. Adagio sostenuto assai5:032Piano Concerto no. 2: II. Allegro agitato assai2:013Piano Concerto no. 2: III. Allegro moderato5:074Piano Concerto no. 2: IV. Allegro deciso2:585Piano Concerto no. 2: V. Marziale, in poco meno allegro3:536Piano Concerto no. 2: VI. Allegro animato1:537Fantasy on Hungarian Folk-Tunes15:258Polonaise Brillante (after Weber)10:339Fantasy on Weber's “Freischütz”13:32Piano Concertos nos. 1 & 2 / Hungarian Fantasy
1990 · studio album
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Tracklist · 6 tracks · 54:40
1Concerto no. 1 in E‐flat: Allegro maestoso5:182Concerto no. 1 in E‐flat: Quasi adagio4:383Concerto no. 1 in E‐flat: Allegretto vivace; Allegro animato4:194Concerto no. 1 in E‐flat: Allegro marziale animato4:265Concerto no. 2 in A21:126Hungarian Fantasy14:471990 · studio album
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Tracklist · 8 tracks · 1:13:16
1Harmonies poétiques et religieuses: III. Bénédiction de Dieu dans la solitude, S. 173,3. Moderato17:1121. Mephisto-Walzer "Der Tanz in der Dorfschenke", S. 110,2. Allegro vivace (quasi presto)11:1032. Mephisto-Walzer, S. 111. Allegro vivace11:0743. Mephisto-Walzer, s. 216. Allegro8:455Bagatelle sans tonalité. Allegretto mosso2:4164. Mephisto-Walzer, S. 696. Allegro vivace2:537Mephisto-Polka, S. 217. Allegretto4:268Variationen über "Weinen, Klagen, Sorgen, Zagen" (Bach-Kantate 12)15:031990 · studio album
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Tracklist · 16 tracks · 1:03:26
1Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso5:072Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio - Allegretto vivace - Allegro animato8:133Piano Concerto no. 1 in E-flat major, S. 124: III. Allegro marziale animato4:074Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai4:395Piano Concerto no. 2 in A major, S. 125: II. Allegro agitato assai2:056Piano Concerto no. 2 in A major, S. 125: III. Allegro moderato4:577Piano Concerto no. 2 in A major, S. 125: IV. Allegro deciso2:438Piano Concerto no. 2 in A major, S. 125: V. Marziale un poco meno allegro3:369Piano Concerto no. 2 in A major, S. 125: VI. Allegro animato1:4010Hungarian Rhapsody no. 6 in D-flat major, S. 244 no. 66:2111Valse oubliée no. 1, S. 215 no. 12:5312Romance in F-sharp major “Einfach”, op. 28 no. 23:1013Novellette in F major, op. 21. no. 15:0014The Three-Cornered Hat Suite, no. 1: Dance of the Miller1:4215Années de pèlerinage, Deuxième année: Italie, S. 161 no. 5: Sonetto 104 del Petrarca5:5916The Harmonica Player1:141990 · studio album
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Tracklist · 11 tracks · 40:56
1Klavierkonzert no. 1 Es-Dur: 1. Allegro maestoso5:522Klavierkonzert no. 1 Es-Dur: 2. Quasi adagio4:553Klavierkonzert no. 1 Es-Dur: 3. Allegretto vivace2:314Klavierkonzert no. 1 Es-Dur: 4. Allegro animato1:495Klavierkonzert no. 1 Es-Dur: 5. Allegro marziale animato4:336Klavierkonzert no. 2 A-Dur: 1. Adagio sostenuto assai5:067Klavierkonzert no. 2 A-Dur: 2. Allegro agitato assai1:588Klavierkonzert no. 2 A-Dur: 3. Allegro moderato5:189Klavierkonzert no. 2 A-Dur: 4. Allegro deciso3:1510Klavierkonzert no. 2 A-Dur: 5. Marziale, un poco meno allegro3:5411Klavierkonzert no. 2 A-Dur: 6. Allegro Animato1:451990 · studio album
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Tracklist · 4 tracks · 40:57
1Adelaide11:442Fantasie über Beethoven's "Ruinen von Athen"11:433Soirée de Vienne no. 77:094Marche no. 2 Si mineur10:211990 · studio album
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Tracklist · 11 tracks · 1:05:22
1Mephisto Waltz no. 111:302Venezia e Napoli: Gondoliera5:313Venezia e Napoli: Canzone3:104Venezia e Napoli: Tarantella8:585The Maiden's Wish3:226Hark, Hark, the Lark2:597Transcendental Etudes: Feux follets3:478Transcendental Etudes: Chasse-neige4:439Transcendental Etudes: Ricordanza10:2910Sonetto 123 del Petrarca6:5311Widmung4:001990 · studio album
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Tracklist · 5 tracks · 45:43
1Sonate H-moll29:232Nuages gris2:223Unstern! (Sinistre)6:094La lugubre gondola I4:055R.W.-Venezia3:441990 · studio album
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Tracklist · 6 tracks · 49:59
1Einzug der Gäste auf der Wartburg (from Tannhäuser)10:332Spinnerlied (from the Flying Dutchman)5:583Elsas Traum und Lohengrins Verweis (from Lohengrin)10:284Isoldens Liebestod (Final Scene from Tristan und Isolde)7:275Ballade (from the Flying Dutchman)5:456Santo spirito cavaliere (Fantaisie on Themes from Rienzi)9:48Tchaikovsky: Piano Concerto no. 1 / Liszt: Piano Concerto no. 1
1990 · studio album
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Tracklist · 6 tracks · 53:13
1Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito20:172Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Tempo I7:083Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco7:064Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso5:275Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio, attacca Allegretto vivace, attacca Allegro animato9:116Piano Concerto no. 1 in E-flat major, S. 124: III. Allegro marziale animato4:041990 · studio album
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Tracklist · 5 tracks · 1:06:09
1Sonate in B minor31:212Après une lecture du Dante (Fantasia quasi sonata)15:373Invocation7:374La lugubre gondola no. 14:255La lugubre gondola no. 27:09Symphonie Nr. 5 c-moll (Piano transcription) / "Eroica Variationen" op. 35
1990 · studio album
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Tracklist · 5 tracks · 1:00:36
1Symphonie Nr. 5 c-moll, op. 67: Allegro con brio7:372Symphonie Nr. 5 c-moll, op. 67: Andante maestoso11:163Symphonie Nr. 5 c-moll, op. 67: Scherzo: Allegro6:284Symphonie Nr. 5 c-moll, op. 67: Allegro12:115Fünfzehn Variationen mit einer Fuge Es-Dur, op.35 "Eroica-Variationen"23:041990 · studio album
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Tracklist · 11 tracks · 40:52
1Piano Concerto No. 1 in E flat: I. Allegro maestoso5:522Piano Concerto No. 1 in E flat: II. Quasi adagio4:563Piano Concerto No. 1 in E flat: III. Allegro vivace2:314Piano Concerto No. 1 in E flat: IV. Allegro animato1:495Piano Concerto No. 1 in E flat: V. Allegro marziale4:286Piano Concerto No. 2 in A: I. Adagio sostenuto assai5:077Piano Concerto No. 2 in A: II. Allegro agitato assai1:588Piano Concerto No. 2 in A: III. Allegro moderato5:189Piano Concerto No. 2 in A: IV. Allegro deciso3:1510Piano Concerto No. 2 in A: V. Marziale un poco meno allegro3:5411Piano Concerto No. 2 in A: VI. Allegro Animato1:441990 · studio album
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Tracklist · 12 tracks · 1:12:18
1Transcendental Étude no. 1 in C major, S. 139/1 "Preludio"1:052Transcendental Étude no. 2 in A minor, S. 139/2 "Molto vivace"2:303Transcendental Étude no. 3 in F major, S. 139/3 "Paysage"5:454Transcendental Étude no. 4 in D minor, S. 139/4 "Mazeppa"8:255Transcendental Étude no. 5 in B-flat major, S. 139/5 "Feux follets"4:306Transcendental Étude no. 6 in G minor, S. 139/6 "Vision"5:587Transcendental Étude no. 7 in E-flat major, S. 139/7 "Eroica"5:158Transcendental Étude no. 8 in C minor, S. 139/8 "Wilde Jagd"5:459Transcendental Étude no. 9 in A-flat major, S. 139/9 "Ricordanza"11:5010Transcendental Étude no. 10 in F minor, S. 139/10 "Allegro agitato molto"4:5911Transcendental Étude no. 11 in D-flat major, S. 139/11 "Harmonies du soir"10:4912Transcendental Étude no. 12 in B-flat minor, S. 139/12 "Chasse-neige"5:271990 · studio album
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Tracklist · 5 tracks · 45:13
1Sonate H-moll (In B Minor = En Si Mineur = In Si Minore): Lento Assai – / Allegro Energico – / Grandioso – / Recitativo – / Andante Sostenuto – / Quasi Adagio – / Allegro Energico – / Più Mosso – / Stretta Quasi Presto – / Presto – Prestissimo – / Andante Sostenuto – / Allegro Moderato – / Lento Assai –29:082Nuages Gris2:183Unstern!-Sinistre6:044La Lugubre Gondola I3:595R. W.-Venezia3:441990 · studio album
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Tracklist · 9 tracks · 2:14:19
Disc 11Hungaria, Symphonic Poem no. 920:292Hamlet, Symphonic Poem no. 1014:153Orpheus, Symphonic Poem no. 49:354Die Ideale, Symphonic Poem no. 1225:38Disc 21Hunnenschlacht, Symphonic Poem no. 1114:582Von der Wiege bis zum Grabe, Symphonic Poem no. 1313:183Two Episodes from Lenau’s Faust: Der nächtliche Zug14:434Two Episodes from Lenau’s Faust: Der Tanz in der Dorfschenke (First Mephisto Waltz)10:495Second Mephisto Waltz10:341990 · studio album
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Tracklist · 4 tracks · 50:15
1Nine Variations in D Major on a Minuet by Duport, K.57314:212Variations sérieuses in D Minor, Op.5410:453Variations on <Weinen, Klagen, Sorgen, Zagen> from Bach's Bwv 12 & Bwv 23214:144Theme With Variations, Arrangement of 2nd Mvmt of the String Sextet, Op.1810:55The Complete Music for Solo Piano, Volume 5: Saint-Saëns, Chopin & Berlioz Transcriptions
1990 · studio album
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Tracklist · 12 tracks · 1:15:59
1Danse macabre, S. 5559:582Six chants polonais, S. 480: No. 1. Życzenie3:333Six chants polonais, S. 480: No. 2. Wiosna2:204Six chants polonais, S. 480: No. 3. Pierścień3:035Six chants polonais, S. 480: No. 4. Hulanka1:446Six chants polonais, S. 480: No. 5. Moja pieszczotka4:237Six chants polonais, S. 480: No. 6. Narzeczony1:418L'Idée fixe, S. 3956:359Ouverture des Francs-Juges, S. 47113:1210Marche des pèlerins – Chantant la prière du soir, S. 4738:4811Valse des Sylphes, S. 4754:1612Ouverture du Roi Lear, S. 47416:26The Complete Music for Solo Piano, Volume 6: Liszt at the Opera I
1990 · studio album
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Tracklist · 19 tracks · 2:35:55
Disc 11Ouverture aus der Oper Der Freischütz, S. 5759:152Réminiscences de Don Juan, S. 41819:393Aida di Verdi - Danza sacra e duetto finale, S. 43610:464Polonaise aus Tschaikowskys Oper Jewgeny Onegin, S. 4295:475Tscherkessenmarsch aus Russlan und Ludmilla, S. 4065:536Sarabande und Chaconne aus dem Singspiel Almira, S. 18111:307Bénédiction et Serment - Deux motifs de Benvenuto Cellini, S. 3966:238Valse de l'opéra Faust, S. 4079:24Disc 21Isoldens Liebestod - Schluss-Szene aus Tristan und Isolde, S. 4477:182Réminiscences de Lucia de Lammermoor, S. 3974:463Marche funèbre et Cavatine de Lucia de Lammermoor, S. 39811:534Halloh! – Jagdchor und Steyrer aus der Oper Tony, S. 4047:055Illustrations de l'opéra L'Africaine, S. 415: Prière des matelots "Ô grand Saint Dominique"7:536Illustrations de l'opéra L'Africaine, S. 415: Marche indienne11:037Three Pieces on Themes by Auber, S. 387: Introduction0:298Three Pieces on Themes by Auber, S. 387: Piece no. 12:209Three Pieces on Themes by Auber, S. 387: Piece no. 24:4010Three Pieces on Themes by Auber, S. 387: Piece no. 32:5111Réminiscences de Norma, S. 39417:001990 · studio album
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Tracklist · 3 tracks · 53:13
1Fantasia and Fugue on the Theme B-A-C-H11:222Variations on Weinen, Klagen, Sorgen, Zagen14:473Variations and Fugue on a Theme of Handel, op. 2427:04Ungarische Rhapsodien nos. 2 (12) & 5 / Ungarische Fantasie / Mephisto-Walzer
1990 · studio album
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Tracklist · 4 tracks · 54:09
1Mephisto Waltz No.1, S. 110 No.2: "The Dance in the Village Inn" (after Lenau)11:102Fantasia on Hungarian Folk tunes, S.12315:573Hungarian Rhapsody No.5 in E minor, S.244: Heroïde-Elégiaque13:254Hungarian Rhapsody No.4 in D minor, S.359 No.4 (Corresponds piano version no. 12 in C sharp minor)13:37The Complete Music for Solo Piano, Volume 7: Harmonies poétiques et religieuses
1990 · studio album
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Tracklist · 32 tracks · 2:36:53
Disc 11Ave Maria in E major, S. 182 "Die Glocken von Rom"5:252Ave maris stella, S. 5064:483Invocation, S. 172a no. 13:004Hymne du matin, S. 172a no. 24:115Hymne de la nuit, S. 172a no. 37:016Harmonies poétiques et religieuses, S. 1547:457Harmonies poétiques et religieuses, S. 173: No. 1. Invocation6:398Harmonies poétiques et religieuses, S. 173: No. 2. Ave Maria in B-flat major5:339Harmonies poétiques et religieuses, S. 173: No. 3. Bénédiction de Dieu dans la solitude14:3210Harmonies poétiques et religieuses, S. 173: No. 4. Pensée des morts11:5311Harmonies poétiques et religieuses, S. 173: No. 5. Pater noster1:5812Harmonies poétiques et religieuses, S. 173: No. 6. Hymne de l'Enfant à son réveil5:28Disc 21Harmonies poétiques et religieuses, S. 173: No. 7. Funérailles11:462Harmonies poétiques et religieuses, S. 173: No. 8. Miserere d'après Palestrina3:303Harmonies poétiques et religieuses, S. 173: No. 9. [Andante lagrimoso]7:174Harmonies poétiques et religieuses, S. 173: No. 10. Cantique d'amour5:565Alleluia, S. 183 no. 13:386Ave Maria (d'Arcadelt) in F major, S. 183 no. 23:577In domum Domini ibimus, S. 5052:578O Roma nobilis, S. 546a1:249Slavimo slavno Slaveni!, S. 5031:4410Ave Maria in D major, S. 504 (first version)1:4111Ave Maria in D-flat major, S. 504 (second version)4:0812L'Hymne du Pape, S. 5303:0113In festo transfigurationis Domini nostri Jesu Christi, S. 1881:3214Sancta Dorothea, S. 1871:4815Ave Maria in G major, S. 5451:3816Hungarian Coronation Mass, S. 501: Benedictus5:1917Hungarian Coronation Mass, S. 501: Offertorium4:0918Stabat mater, S. 172b3:5719Urbi et orbi - Bénédiction papale, S. 1843:5720Vexilla Regis prodeunt, S. 1855:21Piano Sonata & 3 Verdi Paraphrases
1990 · studio album
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Tracklist · 5 tracks · 1:17:56
1Piano Sonata in B Minor, S. 17832:142Paraphrase de concert sur Rigoletto, S. 4347:243Miserere du Trovatore, S. 4339:294Danza sacra e duetto finale d’Aida, S. 43612:215Années de pèlerinage, Deuxième Année, Italie, S. 161: Après une lecture du Dante (Fantasia quasi Sonata)16:28Beethoven: “Wellington’s Victory” op. 91 / Liszt: Batle of the Huns / Hungarian March to the Assault
1990 · studio album
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Tracklist · 3 tracks · 35:46
1“Wellington’s Victory”, op. 9115:172Battle of the Huns15:403Hungarian March to the Assault4:49The Complete Music for Solo Piano, Volume 8: Weihnachtsbaum / Via Crucis
1990 · studio album
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Tracklist · 39 tracks · 1:16:23
1Weihnachtsbaum, S. 186: Psallite1:582Weihnachtsbaum, S. 186: O heilige Nacht!3:403Weihnachtsbaum, S. 186: Die Hirten an der Krippe (In dulci jubilo)2:324Weihnachtsbaum, S. 186: Adeste fideles3:005Weihnachtsbaum, S. 186: Scherzoso2:086Weihnachtsbaum, S. 186: Carillon1:447Weihnachtsbaum, S. 186: Schlummerlied2:448Weihnachtsbaum, S. 186: Altes provenzalisches Wiehnachtslied1:319Weihnachtsbaum, S. 186: Abendglocken3:3310Weihnachtsbaum, S. 186: Ehemals!2:5911Weihnachtsbaum, S. 186: Ungarisch1:4712Weihnachtsbaum, S. 186: Polnisch5:4613Weihnachtslied "Christus ist geboren", S. 5020:5214Via Crucis, S. 504a: Vexilla regis2:5215Via Crucis, S. 504a: Station I: Jésus est condamné à mort0:4216Via Crucis, S. 504a: Station II: Jésus est chargé de sa croix2:1717Via Crucis, S. 504a: Station III: Jésus tombe pour la première fois0:5718Via Crucis, S. 504a: Station IV: Jésus rencontre sa très sainte mère1:2619Via Crucis, S. 504a: Station V: Simon le Cyrénéen aide Jésus à porter sa croix2:0220Via Crucis, S. 504a: Station VI: Sancta Veronica2:0221Via Crucis, S. 504a: Station VII: Jésus tombe pour la seconde fois0:5622Via Crucis, S. 504a: Station VIII: Les Femmes de Jérusalem1:3723Via Crucis, S. 504a: Station IX: Jésus tombe une troisième fois0:5924Via Crucis, S. 504a: Station X: Jésus est dépouillé de ses vêtements1:3225Via Crucis, S. 504a: Station XI: Jésus est attaché à la croix0:3726Via Crucis, S. 504a: Station XII: Jésus meurt sur la croix4:5827Via Crucis, S. 504a: Station XIII: Jésus est déposé de la croix2:2028Via Crucis, S. 504a: Station XIV: Jésus est mis dans le sepulcre4:1829Choräle, S. 506a: Crux ave benedicta1:2330Choräle, S. 506a: Jesu Christe: Die fünf Wunden1:3231Choräle, S. 506a: Meine Seele erhebt den Herrn (Der Kirchensegen, Psalm 67)0:4932Choräle, S. 506a: Nun danket alle Gott0:4033Choräle, S. 506a: Nun ruhen all Wälder1:0534Choräle, S. 506a: O Haupt voll Blut und Wunden1:1235Choräle, S. 506a: O Lamm Gottes1:1336Choräle, S. 506a: O Traurigkeit1:1737Choräle, S. 506a: Vexilla regis1:2238Choräle, S. 506a: Was Gott tut, das ist wohlgetan1:0539Choräle, S. 506a: Wer nur den lieben Gott lässt walten?0:56FRANCK: Piano Quintet / LISZT: Pensées des morts · Andante lagrimoso · Ave Maria
1991 · studio album
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Tracklist · 6 tracks · 1:10:01
1Piano Quintet in F minor: 1. Molto moderato quasi lento - Allegro16:302Piano Quintet in F minor: 2. Lento, con molto sentimento11:333Piano Quintet in F minor: 3. Allegro con troppo ma non fuoco10:30410 Harmonies poétiques et religieuses, S. 173: No. 4. Pensée des morts17:07510 Harmonies poétiques et religieuses, S. 173: No. 9. Andante lagrimoso8:486Ave Maria “Die Glocken von Rom”, S. 1825:33Dvořák: Mass in D major, Op. 86 / Liszt: Missa choralis
1991 · studio album
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Tracklist · 12 tracks · 1:14:22
1Mass in D major, Op. 86: I. Kyrie5:442Mass in D major, Op. 86: II. Gloria8:393Mass in D major, Op. 86: III. Credo13:164Mass in D major, Op. 86: IV. Sanctus2:295Mass in D major, Op. 86: V. Benedictus6:456Mass in D major, Op. 86: VI. Agnus Dei5:297Missa choralis: I. Kyrie6:318Missa choralis: II. Gloria4:379Missa choralis: III. Credo6:4510Missa choralis: IV. Sanctus2:5411Missa choralis: V. Benedictus5:0412Missa choralis: VI. Agnus Dei6:09Liszt: Piano Concerto No.3 / De Profundis / Totentanz
1991 · studio album
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Tracklist · 4 tracks · 1:06:33
1De Profundis (Psaume Instrumental): Andante22:122De Profundis (Psaume Instrumental): Allegro Moderato11:493Piano Concerto No.3 In E Flat Major, Opus Posth14:534Totentanz (1853 Version)17:391991 · studio album
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Tracklist · 8 tracks · 1:17:17
1Mephisto Waltz No. 111:212Au lac de Wallenstadt3:403Au bord d’une source3:474Fantasia and Fugue on the Theme B-A-C-H11:415Liebestraum No. 3 in A flat5:356Hungarian Rhapsody No. 12 in C sharp minor10:477Les jeux d’eau à la Villa d’Este8:208Bénédiction de Dieu dans la solitude22:06Mephisto Walzer / Präludium und Fuge über B-A-C-H / u.a.
1991 · studio album
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Tracklist · 6 tracks · 53:36
1Konzert für Klavier und Orchester Nr. 1 in Es-Dur: I. Allegro maestoso5:292Konzert für Klavier und Orchester Nr. 1 in Es-Dur: II. Quasi adagio - Allegretto vivace - Allegro animato9:113Konzert für Klavier und Orchester Nr. 1 in Es-Dur: III. Allegro marciale animato4:104Funérailles G 173/711:465Mephisto Walzer11:436Präludium und Fuge über B-A-C-H11:171991 · studio album
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Tracklist · 15 tracks · 2:01:53
Disc 11Concerto for Piano no. 1 in E flat major: I. Allegro maestoso5:322Concerto for Piano no. 1 in E flat major: II. Quasi adagio - Allegretto vivace - Allegro animato8:543Concerto for Piano no. 1 in E flat major: III. Allegro marziale animato - Presto4:094Concerto for Piano no. 2 in A major: I. Adagio sostenuto assai - Allegro agitato assai7:275Concerto for Piano no. 2 in A major: II. Allegro moderato - Allegro deciso8:196Concerto for Piano no. 2 in A major: III. Marziale un poco meno allegro4:237Concerto for Piano no. 2 in A major: IV. Allegro animato - Stretto (molto accelerando)1:518Totentanz (Danse macabre)15:12Disc 21Piano Sonata in B minor: I. Lento assai - Allegro energico12:192Piano Sonata in B minor: II. Andante sostenuto7:213Piano Sonata in B minor: III. Allegro energico11:034Nuages gris3:165La notte9:496La lugubre gondola II9:597Funérailles12:19Grieg: Piano Concerto, 6 Lyric Pieces / Liszt: Piano Concerto No. 2
1991 · studio album
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Tracklist · 13 tracks · 1:17:59
1Piano Concerto: I. Allegro molto moderato13:342Piano Concerto: II. Adagio6:533Piano Concerto: III. Allegro moderato molto e marcato10:244Piano Concerto No. 2 in A minor: I. Allegro agitato7:165Piano Concerto No. 2 in A minor: II. Allegro moderato5:376Piano Concerto No. 2 in A minor: III. Allegro deciso3:497Piano Concerto No. 2 in A minor: IV. Allegro animato5:228Lyrical Pieces op. 65: I. From Early Years4:559Lyrical Pieces op. 65: II. Peasants' Song2:2510Lyrical Pieces op. 65: III. Melancholy4:5011Lyrical Pieces op. 65: IV. Salon2:0412Lyrical Pieces op. 65: V. Ballad4:1413Lyrical Pieces op. 65: VI. Wedding Day at Troldhaugen6:36Sonate h‐moll / Nuages gris / La notte / La lugubre gondola II / Funérailles
1991 · studio album
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Tracklist · 5 tracks · 1:06:05
1Sonata in B‐minor30:422Nuages gris3:163La notte9:494La lugubre gondola II10:005Funérailles12:18Malédiction / Fantasies: “Lelio” / “The Ruins of Athens”
1991 · studio album
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Tracklist · 3 tracks · 50:20
1Fantasy on Beethoven's “The Ruins of Athens”11:162Malédiction14:293Grande Fantaisie symphonique on Berlioz's “Lelio”24:35Piano Concertos 1 & 2 / Hungarian Fantasy / Totentanz
1991 · studio album
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Tracklist · 10 tracks · 1:08:32
1Fantasia on Hungarian Folk Themes14:122Concerto for Piano and Orchestra no. 1 in E-flat major: I. Allegro maestoso5:063Concerto for Piano and Orchestra no. 1 in E-flat major: II. Quasi Adagio4:364Concerto for Piano and Orchestra no. 1 in E-flat major: III. Allegretto vivace4:075Concerto for Piano and Orchestra no. 1 in E-flat major: IV. Allegro marziale animato4:136Concerto for Piano and Orchestra no. 2 in A major: I. Adagio sostenuto assai - Allegro agitato assai7:047Concerto for Piano and Orchestra no. 2 in A major: II. Allegro moderato5:048Concerto for Piano and Orchestra no. 2 in A major: III. Allegro deciso - Marziale, un poco meno Allegro6:579Concerto for Piano and Orchestra no. 2 in A major: VI. Allegro animato1:5210Totentanz15:21Liszt: De profundis / Schubert‐Liszt: Wanderer Fantasia / Liszt: Ruins of Athens
1991 · studio album
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Tracklist · 3 tracks · 1:08:08
1De profundis (Instrumental psalm for piano and orchestra)34:502Wanderer Fantasia in C op. 1522:303Fantasy on themes from Beethoven’s “Ruins of Athens”10:481991 · studio album
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Tracklist · 45 tracks · 5:14:56
Disc 11Années de pèlerinage: Après une lecture du Dante18:1726 Chants polonais de Frédéric Chopin: Souhait d'une jeune fille4:2236 Chants polonais de Frédéric Chopin: Printemps2:5646 Chants polonais de Frédéric Chopin: Le petit anneau3:2456 Chants polonais de Frédéric Chopin: Bacchanale1:5666 Chants polonais de Frédéric Chopin: Ma mignonne4:0376 Chants polonais de Frédéric Chopin: Le Fiancé1:478Funérailles13:08Disc 21Études d'exécution transcendante: I. Preludio in C major1:052Études d'exécution transcendante: II. Étude in A minor. Molto vivace2:133Études d'exécution transcendante: III. "Paysage" in F major. Poco adagio4:164Études d'exécution transcendante: IV. "Mazeppa" in D minor. Allegro7:355Études d'exécution transcendante: V. "Feux follets" in B-flat major. Allegretto4:226Études d'exécution transcendante: VI. "Vision" in G minor. Lento6:017Études d'exécution transcendante: VII. "Eroica" in E-flat major. Allegro4:508Études d'exécution transcendante: VIII. "Wilde Jagd" in C minor. Presto furioso5:049Études d'exécution transcendante: IX. "Ricordanza" in A-flat major. Andantino10:5810Études d'exécution transcendante: X. Étude in F minor. Allegro agitato molto4:4411Études d'exécution transcendante: XI. "Harmonies du soir" in D-flat major. Andantino8:5012Études d'exécution transcendante: XII. "Chasse-neige" in B-flat minor. Andante con moto6:04Disc 31Paraphrases de concert sur des opéras de Verdi: Rigoletto7:172Paraphrases de concert sur des opéras de Verdi: Ernani8:403Paraphrases de concert sur des opéras de Verdi: Il trovatore8:084Paraphrases de concert sur des opéras de Verdi: I lombardi5:575Paraphrases de concert sur des opéras de Verdi: Aida11:366Paraphrases de concert sur des opéras de Verdi: Don Carlos7:407Paraphrases de concert sur des opéras de Verdi: Simone Boccanegra10:53Disc 41Sonata in B minor: Lento assai - Allegro energico3:172Sonata in B minor: Grandioso - Recitativo9:273Sonata in B minor: Andante sostenuto8:204Sonata in B minor: Allegro energico11:095Bénédiction de Dieu dans la solitude: Moderato8:096Bénédiction de Dieu dans la solitude: Andante2:197Bénédiction de Dieu dans la solitude: Più sostenuto quasi preludio8:408Trois Études de concert: Il lamento10:429Trois Études de concert: La leggierezza5:2910Trois Études de concert: Un sospiro6:01Disc 51Années de pèlerinage: Sonetto 104 del Petrarca7:062Ballade no. 2 in B minor13:583Années de pèlerinage: Sonetto 123 del Petrarca8:484Années de pèlerinage: Vallée d'Obermann14:595Valse oubliée in F-sharp major3:586Années de pèlerinage: Les Jeux d'eaux à la Villa d'Este8:4472 Etudes de concert: Murmures de la forêt4:3182 Etudes de concert: Ronde des lutins3:13The Complete Music for Solo Piano, Volume 9: Sonata / Elegies / Consolations / Gretchen / Totentanz
1991 · studio album
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Tracklist · 23 tracks · 1:16:36
1Piano Sonata in B minor, S. 178: Lento assai0:302Piano Sonata in B minor, S. 178: Allegro energico2:183Piano Sonata in B minor, S. 178: Grandioso1:394Piano Sonata in B minor, S. 178: Third Theme Melody3:005Piano Sonata in B minor, S. 178: Codetta0:286Piano Sonata in B minor, S. 178: Development2:077Piano Sonata in B minor, S. 178: Andante sostenuto5:238Piano Sonata in B minor, S. 178: Fugato1:289Piano Sonata in B minor, S. 178: Recapitulation0:3410Piano Sonata in B minor, S. 178: Più mosso0:5211Piano Sonata in B minor, S. 178: Second Subject Reprise2:0412Piano Sonata in B minor, S. 178: Stretta1:1913Piano Sonata in B minor, S. 178: Slow Movement Theme2:2214Première Élégie, S. 1964:2215Zweite Elegie, S. 1973:4316Consolations, six pensées poétiques, S. 172: No. 1 in E major1:0217Consolations, six pensées poétiques, S. 172: No. 2 in E major2:3518Consolations, six pensées poétiques, S. 172: No. 3 in D‐flat major3:5019Consolations, six pensées poétiques, S. 172: No. 4 in D‐flat major “Stern‐Consolation on a theme by Grand Duchess Maria Pavlovna”2:1120Consolations, six pensées poétiques, S. 172: No. 5 in E major1:5621Consolations, six pensées poétiques, S. 172: No. 6 in E major2:5222Gretchen aus Faust‐Symphonie, S. 51315:4823Totentanz, S. 52514:13The Complete Music for Solo Piano, Volume 10: Hexaméron / Symphonie fantastique
1991 · studio album
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Tracklist · 22 tracks · 1:16:14
1Hexaméron, S. 392: I. Introduction3:262Hexaméron, S. 392: II. Tema. Allegro marziale1:173Hexaméron, S. 392: III. Variation I. Ben marcato1:004Hexaméron, S. 392: IV. Variation II. Moderato2:375Hexaméron, S. 392: V. Variation III di bravura - Ritornello1:586Hexaméron, S. 392: VI. Variation IV. Legato e grazioso1:457Hexaméron, S. 392: VII. Variation V. Vivo e brillante - Fuocoso molto energico - Lento quasi recitativo3:208Hexaméron, S. 392: VIII. Variation VI. Largo - Coda2:249Hexaméron, S. 392: IX. Finale. Molto vivace quasi prestissimo3:2810Un portrait en musique de la Marquise de Blocqueville, S. 190: I. Tempo rubato0:3411Un portrait en musique de la Marquise de Blocqueville, S. 190: II. Lento e religioso1:0012Un portrait en musique de la Marquise de Blocqueville, S. 190: III. Même mouvement mais avec incertitude1:4313Symphonie fantastique, S. 470: Rêveries. Largo5:0414Symphonie fantastique, S. 470: Passions. Allegro agitato e appassionato assai9:1815Symphonie fantastique, S. 470: Un bal. Valse, Allegro non troppo6:4716Symphonie fantastique, S. 470: Scène aux champs. Adagio13:2917Symphonie fantastique, S. 470: Marche au supplice. Allegretto non troppo6:4718Symphonie fantastique, S. 470: Songe d'une nuit du Sabbat: Larghetto1:4519Symphonie fantastique, S. 470: Songe d'une nuit du Sabbat: Allegro assai0:1420Symphonie fantastique, S. 470: Songe d'une nuit du Sabbat: Allegro1:1321Symphonie fantastique, S. 470: Songe d'une nuit du Sabbat: Lontano (Dies Irae)2:1322Symphonie fantastique, S. 470: Songe d'une nuit du Sabbat: Ronde du Sabbat4:52The Complete Music for Solo Piano, Volume 11: The Late Pieces
1991 · studio album
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Tracklist · 30 tracks · 1:19:40
1Schlaflos!, S. 2031:562Trübe Wolken, S. 1992:423Recueillement, S. 2042:284Toccata, S. 197a1:005Resignazione, S. 187a1:016Wiegenlied, S. 1982:397Unstern! - Sinistre, S. 2083:158Carrousel de Madame P-N., S. 214a0:519Fünf Klavierstücke, S. 192: No. 5. Sospiri!2:3310Schlaflos!, S. 203 (alternative version)1:4611Klavierstück in F-sharp major, S. 1931:5612Fünf Klavierstücke, S. 192: No. 1. Piano Piece in E major2:2813Fünf Klavierstücke, S. 192: No. 2. Piano Piece in A-flat major2:0814En rêve - Nocturne, S. 2072:0415Fünf Klavierstücke, S. 192: No. 3. Piano Piece in F-sharp major1:1816Romance oubliée, S. 5272:5217Fünf Klavierstücke, S. 192: No. 4. Piano Piece in F-sharp major1:1218Die Trauergondel I, S. 2003:4919Die Trauergondel II, S. 2006:2220RW - Venezia, S. 2011:5921Am Grabe Richard Wagners, S. 2022:1422Abschied, S. 2511:5923Slyepoi, S. 542a5:3924Ungarns Gott, S. 5433:0225Ungarisches Königslied, S. 5443:2226Epithalam, S. 5263:2627Mosonyis Grabgeleit, S. 1945:1628Dem Andenken Petöfis, S. 1953:1129Trauervorspiel und Trauermarsch, S. 206: Trauervorspiel1:3530Trauervorspiel und Trauermarsch, S. 206: Trauermarsch3:371991 · studio album
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Tracklist · 21 tracks · 1:11:09
1Five Hungarian Folksongs, S. 245: Lassan (Lento)1:152Five Hungarian Folksongs, S. 245: Mérsekélve (Allegretto)0:383Five Hungarian Folksongs, S. 245: Lassan (Andante)1:024Five Hungarian Folksongs, S. 245: Kissé élénken (Vivace)0:525Five Hungarian Folksongs, S. 245: Búsongva (Lento)1:406Historical Hungarian Portraits, S. 205: Széchényi Istvan2:347Historical Hungarian Portraits, S. 205: Eötvös Jozsef2:188Historical Hungarian Portraits, S. 205: Vörösmarty Mihaly2:419Historical Hungarian Portraits, S. 205: Teleki Laszlo2:4810Historical Hungarian Portraits, S. 205: Deák Ferenc2:0811Historical Hungarian Portraits, S. 205: Petöfi Sandor4:4812Historical Hungarian Portraits, S. 205: Mosonyi Mihály5:4213Puszta Wehmut, S. 2462:2314Ungarns Gott for the left hand, S. 543a3:3015Années de pèlerinage, troisième année, S. 163: Angelus! Prière aux anges gardiens5:3016Années de pèlerinage, troisième année, S. 163: Aux cyprès de la Villa d'Este. Threnodie (I)4:4717Années de pèlerinage, troisième année, S. 163: Aux cyprès de la Villa d'Este. Threnodie (II)7:4318Années de pèlerinage, troisième année, S. 163: Les Jeux d'eaux à la Villa d'Este6:2919Années de pèlerinage, troisième année, S. 163: Sunt lacrimae rerum. En mode hongrois5:2520Années de pèlerinage, troisième année, S. 163: Marche funèbre. En mémoire de Maximilien I, Empereur du Mexique, 19 juin 18674:0421Années de pèlerinage, troisième année, S. 163: Sursum corda. Erhebet eure Herzen2:52Enesco: Roumanian Rhapsody no. 1 / Liszt: Hungarian Rhapsodies
1991 · studio album
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Tracklist · 7 tracks · 1:13:50
1Roumanian Rhapsody no. 1, op. 1112:032Hungarian Rhapsody no. 1 in F minor, S. 359/110:473Hungarian Rhapsody no. 2 in D minor, S. 359/29:414Hungarian Rhapsody no. 3 in D major, S. 359/38:265Hungarian Rhapsody no. 4 in D minor, S. 359/410:416Hungarian Rhapsody no. 5 in E minor "Héroïde Élégiaque", S. 359/510:007Hungarian Rhapsody no. 6 in D major "Carnival in Pesth", S. 359/612:121991 · studio album
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Tracklist · 15 tracks · 1:17:22
1À la chapelle Sixtine, S. 46111:552Six Preludes and Fugues, S. 462: Prelude in A minor, BWV 5433:263Six Preludes and Fugues, S. 462: Fugue in A minor, BWV 5435:244Six Preludes and Fugues, S. 462: Prelude in C major, BWV 5451:595Six Preludes and Fugues, S. 462: Fugue in C major, BWV 5453:246Six Preludes and Fugues, S. 462: Prelude in C minor, BWV 5465:077Six Preludes and Fugues, S. 462: Fugue in C minor, BWV 5464:168Six Preludes and Fugues, S. 462: Prelude in C major, BWV 5474:119Six Preludes and Fugues, S. 462: Fugue in C major, BWV 5473:3210Six Preludes and Fugues, S. 462: Prelude in E minor, BWV 5486:0011Six Preludes and Fugues, S. 462: Fugue in E minor, BWV 5487:1012Six Preludes and Fugues, S. 462: Prelude in B minor, BWV 5445:3213Six Preludes and Fugues, S. 462: Fugue in B minor, BWV 5444:3714Fantasia and Fugue in G minor, S. 463 (BWV 542): Fantasia5:1515Fantasia and Fugue in G minor, S. 463 (BWV 542): Fugue5:34Murray Perahia Plays Franck & Liszt
1991 · studio album
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Tracklist · 9 tracks · 1:00:15
1Prélude, Choral et Fugue, M. 21: Prélude: Moderato4:382Prélude, Choral et Fugue, M. 21: Choral: Poco più lento6:073Prélude, Choral et Fugue, M. 21: Fugue: Tempo I (largamente)6:474Mephisto Waltz No. 1, S. 51411:285Sonetto 104 del Petrarca, S. 161, No. 56:056Two Concert Studies Etudes, S. 145, No. 1 "Waldesrauschen"4:407Two Concert Studies Etudes, S. 145, No. 2 "Gnomenreigen"3:048Au bord d'une source, S. 160, No. 44:009Rhapsodie espagnole, S. 25413:261991 · studio album
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Tracklist · 8 tracks · 1:12:00
1Drei Stücke aus der Legende der heiligen Elisabeth, S. 498a: Orchester Einleitung6:582Drei Stücke aus der Legende der heiligen Elisabeth, S. 498a: Marsch der Kreuzritter6:463Drei Stücke aus der Legende der heiligen Elisabeth, S. 498a: Interludium7:214Zwei Orchestersätze aus dem Oratorium Christus, S. 498b: Hirtengesang an der Krippe10:455Zwei Orchestersätze aus dem Oratorium Christus, S. 498b: Die heiligen drei Könige – Marsch10:486Deux Polonaises de l'oratorio St. Stanislas, S. 519: Polonaise I5:327Deux Polonaises de l'oratorio St. Stanislas, S. 519: Polonaise II8:038Salve Polonia – Interludium aus dem Oratorium Stanislaus, S. 51815:471991 · studio album
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Tracklist · 4 tracks · 56:04
1Piano Sonata in B minor31:022Les jeux d'eau à la Villa d'Este7:213Vallée d'Obermann12:584La campanella4:431991 · studio album
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Tracklist · 9 tracks · 1:09:13
1Invocation, op. 1358:232Hosannah6:013U-Tangia-Na5:244Invocation I5:155Schall und Hall12:206Invocation II5:447Lacrimæ, lacrimæ8:278Cujus animam6:479De profundis, op. 7110:52Fantasie "Wanderer", Lieder / Fantasien / Hungarian Rhapsody
1991 · studio album
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Tracklist · 16 tracks · 1:13:05
1Fantasy in C major, D 760 “Wanderer”: I. Allegro con fuoco ma non troppo6:122Fantasy in C major, D 760 “Wanderer”: II. Adagio7:293Fantasy in C major, D 760 “Wanderer”: III. Presto4:294Fantasy in C major, D 760 “Wanderer”: IV. Allegro3:3454 Lieder: Gretchen am Spinnrade, D 118 (trans. Liszt)3:5364 Lieder: Horch, Horch die Lerch’ (Ständchen aus “Cymbeline”), D 889 (trans. Liszt)2:3874 Lieder: Die Schüne Müllerin: 19. Der Müller und der Bach, D 795 No. 19 (trans. Liszt)6:1484 Lieder: Auf dem Wasser zu singen, D 774 (trans. Liszt)3:589Fantasien, Op. 116: I. Capriccio: Presto energico2:1110Fantasien, Op. 116: II. Intermezzo: Andante4:0611Fantasien, Op. 116: III. Capriccio: Allegro passionato3:2112Fantasien, Op. 116: IV. Intermezzo: Adagio5:1713Fantasien, Op. 116: V. Intermezzo: Andante con grazia ed intimissimo sentimento4:0614Fantasien, Op. 116: VI. Intermezzo. Andantino teneramente3:2815Fantasien, Op. 116: VII. Capriccio: Allegro agitato2:1216Hungarian Rhapsody No. 129:57The Complete Music for Solo Piano, Volume 15: Song Transcriptions
1991 · studio album
1992 · studio album
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Tracklist · 14 tracks · 56:49
1Nocturne op. 27 nr.2 í Des-dúr6:292Skógarþytur ("Walderauschen") Konsertetýda, S. 1455:263Torrek (Lamento), Intermezzo op. 1 nr. 23:574þrjú píanóstykki (Three piano pieces) op. 5: 1. Burlesca2:145þrjú píanóstykki (Three piano pieces) op. 5: 2. Intermezzo4:546þrjú píanóstykki (Three piano pieces) op. 5: 3. Capriccio3:147Etýða (Study) op. 2 nr. 1 í cís-moll3:218Toccata5:439Sónata 1.X.1905, samin í minningu verkamanns ("From the Street" - To the memory of a workman): 1. Hugboð (Presentiment)6:1010Sónata 1.X.1905, samin í minningu verkamanns ("From the Street" - To the memory of a workman): 2. Dauði (Death)7:1611Rímnadanslög (Icelandic Dances), op. 11: 1.2:3812Rímnadanslög (Icelandic Dances), op. 11: 2.1:5813Rímnadanslög (Icelandic Dances), op. 11: 3.2:0314Rímnadanslög (Icelandic Dances), op. 11: 4.1:261992 · studio album
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Tracklist · 8 tracks · 49:27
1Funérailles11:222Sonata in B minor: I. Lento assai - Allegro energico11:503Sonata in B minor: II. Andante sostenuto6:534Sonata in B minor: III. Allegro energico - Andante sostenuto - Lento assai10:405Trübe Wolken (Nuages gris)2:276Klavierstück in F-sharp major, S. 192 no. 31:277En rêve - Nocturne2:148Richard Wagner - Venezia2:34Mussorgsky: Pictures at an Exhibition / Liszt: from Douze études d'exécution transcendante
1992 · studio album
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Tracklist · 13 tracks · 1:08:07
1Pictures at an Exhibition: Promenade, The Gnome4:092Pictures at an Exhibition: Promenade, The Old Castle5:313Pictures at an Exhibition: Promenade, Tuileries - Bydlo4:024Pictures at an Exhibition: Promenade, Ballet of the Unhatched Chicks - Two Polish Jews4:195Pictures at an Exhibition: The Market Place at Limoges - The Catacombs7:046Pictures at an Exhibition: The Hut on Fowl's Legs - The Great Gate of Kiev9:157Douze etudes d'execution transcendante: I. Prelude in C Major0:498Douze etudes d'execution transcendante: II. Molto vivace in A minor2:129Douze etudes d'execution transcendante: III. Paysage in F Major5:5210Douze etudes d'execution transcendante: V. Feux follets in B flat Major3:4011Douze etudes d'execution transcendante: VIII. Wilde Jagd in C minor5:2012Douze etudes d'execution transcendante: X. Allegro agitato molto in F minor4:5213Douze etudes d'execution transcendante: XI. Harmonies du soir in D flat Major11:021992 · studio album
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Tracklist · 20 tracks · 1:02:28
1Songs Without Words Op. 19 No. 1: Andante con moto3:442Songs Without Words Op. 19 No. 2: Andante espressivo2:533Songs Without Words Op. 53 No. 3: Presto agitato2:524Songs Without Words Op. 53 No. 1: Andante con moto3:185Songs Without Words Op. 38 No. 2: Allegro ma non troppo1:466Songs Without Words Op. 38 No. 6: Duetto - Andante con moto2:557Songs Without Words Op. 67 No. 6: Allegretto con troppo2:008Songs Without Words Op. 53 No. 2: Allegro con troppo2:519Songs Without Words Op. 38 No. 5: Agitato2:0410Songs Without Words Op. 62 No. 1: Andante espressivo2:4911Songs Without Words Op. 19 No. 5: Piano agitato3:1112Songs Without Words Op. 30 No. 5: Andante grazioso1:4213Songs Without Words Op. 30 No. 6: Venetian Gondola Song - Allegretto tranquillo3:0914Songs Without Words Op. 30 No. 4: Agitato e con fuoco2:3315Songs Without Words Op. 102 No. 1: Un poco agitato, ma andante2:2816Songs Without Words Op. 38 No. 3: Presto e molto vivace2:2717Schubert Song Transcriptions: Der Müller und der Bach S.565 No. 25:5518Schubert Song Transcriptions: Gretchen am Spinnrade S.558 No. 84:1419Schubert Song Transcriptions: Auf dem Wasser zu singen S.558 No. 24:4320Schubert Song Transcriptions: Erlkönig S.558 No. 44:541992 · studio album
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Tracklist · 24 tracks · 1:13:33
1Air des Mystères D'Isis from Mozart's "Die Zauberflöte"4:432Ave Verum Corpus (after Mozart's, K.618)3:253Fantaisie brillante sur divers motifs de "Le nozze di Figaro" Op 49310:214Eleven Variations in F Major on "Se vuol ballare" (From "Le nozze de Figaro"): Tema - Allegretto0:445Eleven Variations in F Major on "Se vuol ballare" (From "Le nozze de Figaro"): Var I0:276Eleven Variations in F Major on "Se vuol ballare" (From "Le nozze de Figaro"): Var II0:237Eleven Variations in F Major on "Se vuol ballare" (From "Le nozze de Figaro"): Var III0:298Eleven Variations in F Major on "Se vuol ballare" (From "Le nozze de Figaro"): Var IV0:249Eleven Variations in F Major on "Se vuol ballare" (From "Le nozze de Figaro"): Var V0:4110Eleven Variations in F Major on "Se vuol ballare" (From "Le nozze de Figaro"): Var VI0:3711Eleven Variations in F Major on "Se vuol ballare" (From "Le nozze de Figaro"): Var VII0:4512Eleven Variations in F Major on "Se vuol ballare" (From "Le nozze de Figaro"): Var VIII0:2713Eleven Variations in F Major on "Se vuol ballare" (From "Le nozze de Figaro"): Var IX0:3114Eleven Variations in F Major on "Se vuol ballare" (From "Le nozze de Figaro"): Var X0:2215Eleven Variations in F Major on "Se vuol ballare" (From "Le nozze de Figaro"): Var XI0:2216Eleven Variations in F Major on "Se vuol ballare" (From "Le nozze de Figaro"): Coda1:3017Lacrimosa (After "Requiem K 626")3:1518Fantasia on the Serenade and Minuet from"Don Giovanni" Op. 42: Part I6:4019Fantasia on the Serenade and Minuet from"Don Giovanni" Op. 42: Part II9:0420La ci darem la mano (after the opera/nach der Oper/d'apres l'opera/dall'opera: "Don Giovanni")3:0521Das Donnerwetter (After Kontretanz K 534)2:1522Pastorale variee (After K Anh 287)5:1923In Memoriam Mozart (1985)5:5224Mozartiana (1991)11:52André Watts Plays Liszt, Album 1
1992 · studio album
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Tracklist · 10 tracks · 51:58
1Six Grand Etudes after Paganini no. 1 in G minor4:582Six Grand Etudes after Paganini no. 2 in E flat6:153Six Grand Etudes after Paganini no. 3, La Campanella4:354Six Grand Etudes after Paganini no. 4 in E2:015Six Grand Etudes after Paganini no. 5, La Chasse3:146Six Grand Etudes after Paganini no. 6 in A minor5:567Au Lac de Wallenstadt3:358Il Penseroso4:399Les Jeux d'eau a la villa d'este7:4810Hungarian Rhapsody no. 13 in A minor8:571992 · studio album
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Tracklist · 4 tracks · 1:02:18
1Symphonische Dichtung Nr. 3: Les Preludes16:552Symphonische Dichtung Nr. 4: Orpheus12:063Hungarische Rhapsodie für Klavier Nr. 5 in e-moll13:014Symphonische Dichtung Nr. 2: Tasso, Lamento e Trionfo20:16Piano Concertos nos. 1 & 2 / Hungarian Fantasy
1992 · studio album
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Tracklist · 10 tracks · 54:50
1Hungarian Fantasy15:212Piano Concerto no. 1 in E-flat: I. Allegro maestoso5:093Piano Concerto no. 1 in E-flat: II. Quasi Adagio - Allegretto vivace - Allegro animato8:464Piano Concerto no. 1 in E-flat: III. Allegro marziale animato4:155Piano Concerto no. 2 in A: I. Adagio sostenuto assai5:216Piano Concerto no. 2 in A: II. Allegro agitato assai1:587Piano Concerto no. 2 in A: III. Allegro moderato5:198Piano Concerto no. 2 in A: IV. Allegro deciso2:579Piano Concerto no. 2 in A: V. Marziale, un poco meno Allegro4:0110Piano Concerto no. 2 in A: VI. Allegro animato1:431992 · studio album
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Tracklist · 11 tracks · 1:16:18
1Lento assai - Allegro energico - Grandioso8:502Development Part I4:113Andante sostenuto - Quasi adagio7:594Development Part II: Allegro energico - Fugue1:375Recapitulation5:006Coda: Presto - Prestissimo - Andante sostenuto - Allegro moderato - Lento assai5:257Sonetto 477:468Sonetto 1047:049Sonetto 1239:0810St. Françoise D'Assise: La Predication Aux Oiseaux10:3311St. Françoise de Paule marchant sur les flots8:45Brahms: Piano Sonata No. 1 / Liszt: Consolations
1992 · studio album
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Tracklist · 8 tracks · 1:02:58
1Sonata No. 1 In C Major, Op. 1: 1. Allegro12:042Sonata No. 1 In C Major, Op. 1: 2. Andante6:043Sonata No. 1 In C Major, Op. 1: 3. Scherzo. Allegro Molto E Con Fuoco6:284Sonata No. 1 In C Major, Op. 1: 4. Finale. Allegro Con Fuoco8:185Consolations, S 172: 6. Allegro Amabile2:476Hungarian Rhapsody No. 17 In D Minor2:527Scherzo And March, S 17714:008Étude 11, In D Flat Major: Evening Harmonies (Andantino)10:25Prokofiev: Piano Sonatas nos. 7 & 8 / Liszt: Mephisto Waltz
1992 · studio album
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Tracklist · 10 tracks · 1:11:35
1Piano Sonata no. 7, op. 83: I. Allegro inquieto8:212Piano Sonata no. 7, op. 83: II. Andante caloroso6:043Piano Sonata no. 7, op. 83: III. Precipitato3:374Two Pieces from “Romeo and Juliet”, op. 75: no. 10 “Romeo and Juliet before departing”7:025Two Pieces from “Romeo and Juliet”, op. 75: no. 5 ’Masks’2:176Piano Sonata no. 8, op. 84: I. Andante dolce16:257Piano Sonata no. 8, op. 84: II. Andante sognando3:478Piano Sonata no. 8, op. 84: III. Vivace9:549Impromptu (“Nocturne”)3:0210Mephisto Waltz no. 111:06Liszt: Sonata / Zweite Elegie / Nuages gris / Berg: Sonata / Webern: Variations
1992 · studio album
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Tracklist · 12 tracks · 1:00:51
1Sonata in B minor: Lento assai; Allegro energico12:162Sonata in B minor: Andante sostenuto7:253Sonata in B minor: Allegro energico7:444Sonata in B minor: Andante sostenuto3:235Variationen für Klavier, op. 27: Sehr mäßig1:276Variationen für Klavier, op. 27: Sehr schnell0:367Variationen für Klavier, op. 27: Ruhig fließend4:218Sonate für Klavier, op. 111:529Nuages gris2:1110Richard Wagner - Venezia2:4411Schaflos, Frage und Antwort2:1712Zweite Elegie4:35Liszt: Sonate h-moll / Scriabin: Klaviersonate no. 2
1992 · studio album
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Tracklist · 3 tracks · 48:16
1Sonate h-moll33:552Sonate no. 2 gis-moll, op. 19: I. Andante10:053Sonate no. 2 gis-moll, op. 19: II. Presto4:161992 · studio album
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Tracklist · 4 tracks · 1:09:14
1Tasso21:372Les Préludes16:583Mazeppa17:134Prometheus13:26Années de Pèlerinage, Volume 2: Second Year, Italy
1992 · studio album
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Tracklist · 10 tracks · 1:06:26
1Années de Pèlerinage, Deuxième annee, Italie: Sposalizio8:212Années de Pèlerinage, Deuxième annee, Italie: Il pensieroso5:043Années de Pèlerinage, Deuxième annee, Italie: Canzonetta del Salvator Rosa2:404Années de Pèlerinage, Deuxième annee, Italie: Sonetto 47 del Petrarca5:285Années de Pèlerinage, Deuxième annee, Italie: Sonetto 104 del Petrarca6:176Années de Pèlerinage, Deuxième annee, Italie: Sonetto 123 del Petrarca6:447Années de Pèlerinage, Deuxième annee, Italie: Après une lecture du Dante, fantasia quasi una sonata15:418Années de Pèlerinage, Venezia e Napoli: Gondoliera4:209Années de Pèlerinage, Venezia e Napoli: Canzone3:0310Années de Pèlerinage, Venezia e Napoli: Tarantella8:48Années de Pèlerinage, Volume 3: Third Year
1992 · studio album
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Tracklist · 7 tracks · 46:16
1Années de Pèlerinage, Troisième année: Angelus! Prière aux anges gardiens7:052Années de Pèlerinage, Troisième année: Aux cyprès de la Villa d'Este I: Threnody6:233Années de Pèlerinage, Troisième année: Aux cyprès de la Villa d'Este II: Threnody9:264Années de Pèlerinage, Troisième année: Les jeux d'eau à la Villa d'Este7:305Années de Pèlerinage, Troisième année: Sunt lacrymae rerum (en mode hongrois)7:196Années de Pèlerinage, Troisième année: Marche funèbre5:437Années de Pèlerinage, Troisième année: Sursum corda2:50Années de Pèlerinage, Volume 1: First Year, Switzerland
1992 · studio album
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Tracklist · 9 tracks · 50:14
1Années de Pèlerinage, Première année, Suisse: La Chapelle de Guillaume Tell6:382Années de Pèlerinage, Première année, Suisse: Au lac de Wallenstadt2:483Années de Pèlerinage, Première année, Suisse: Pastorale1:424Années de Pèlerinage, Première année, Suisse: Au bord d'une source3:505Années de Pèlerinage, Première année, Suisse: Orage4:236Années de Pèlerinage, Première année, Suisse: Vallée d'Obermann14:367Années de Pèlerinage, Première année, Suisse: Éclogue3:478Années de Pèlerinage, Première année, Suisse: Le Mal du pays6:089Années de Pèlerinage, Première année, Suisse: Les Cloches de Genève6:22The Complete Music for Solo Piano, Volume 16: Bunte Reihe
1992 · studio album
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Tracklist · 25 tracks · 1:14:47
1Bunte Reihe, S. 484: No. 1. Scherzo in C major1:582Bunte Reihe, S. 484: No. 2. Erinnerung in C minor3:283Bunte Reihe, S. 484: No. 3. Mazurka in D-flat major1:584Bunte Reihe, S. 484: No. 4. Tanz in C-sharp minor2:015Bunte Reihe, S. 484: No. 5. Kinderlied in D major2:006Bunte Reihe, S. 484: No. 6. Capriccio in D minor2:077Bunte Reihe, S. 484: No. 7. Bolero in E-flat major3:318Bunte Reihe, S. 484: No. 8. Elegie in E-flat minor3:099Bunte Reihe, S. 484: No. 9. Marsch in E major2:5910Bunte Reihe, S. 484: No. 10. Toccata in E minor3:1411Bunte Reihe, S. 484: No. 11. Gondellied in F major4:1012Bunte Reihe, S. 484: No. 12. Im Sturm in F minor2:4413Bunte Reihe, S. 484: No. 13. Romanze in F-sharp major2:0514Bunte Reihe, S. 484: No. 14. Allegro agitato in F-sharp minor1:3015Bunte Reihe, S. 484: No. 15. Menuetto in G major3:5916Bunte Reihe, S. 484: No. 16. Étude in G minor3:5117Bunte Reihe, S. 484: No. 17. Intermezzo in A-flat major2:2518Bunte Reihe, S. 484: No. 18. Serenade in G-sharp minor4:4319Bunte Reihe, S. 484: No. 19. Ungarisch in A major4:2520Bunte Reihe, S. 484: No. 20. Tarantelle in A minor3:1321Bunte Reihe, S. 484: No. 21. Impromptu in B-flat major1:5122Bunte Reihe, S. 484: No. 22. In russischer Weise in B-flat minor3:5623Bunte Reihe, S. 484: No. 23. Lied in B major2:3424Bunte Reihe, S. 484: No. 24. Capriccio in B minor2:1225Bunte Reihe, S. 484: No. 19bis. Ungarisch (fantasy on the theme of no. 19)4:44Liebesträume / Consolations / Sonetti del Petrarca / Rigoletto-Paraphrase
1992 · studio album
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Tracklist · 13 tracks · 1:00:34
16 Consolations, S.172: No. 1 in E major (Andante con moto)1:2226 Consolations, S.172: No. 2 in E major (Un poco più mosso)3:1436 Consolations, S.172: No. 3 in D flat major (Lento, placido)4:1446 Consolations, S.172: No. 4 in D-flat major (Quasi adagio)3:1456 Consolations, S.172: No. 5 in E major (Andantino)2:2766 Consolations, S.172: No. 6 in E major (Allegretto, sempre cantabile)2:507Liebestraum no. 1 in A-flat major, S. 541 no. 1: Notturno I: Hohe Liebe (Andante espressivo assai)7:338Liebestraum no. 2 in E-flat major, S. 541 no. 2: Notturno II: Seliger Tod (Quasi lento, abbandonandosi)4:119Liebestraum no. 3 In A-flat major, S. 541 no. 3: Notturno III: O lieb, so lang du lieben kannst (Poco Allegro, con affetto)4:4210Tre Sonetti di Petrarca, S. 270: Sonetto no. 47: "Benedetto sia 'l giorno" (Preludio con moto - Sempre mosso, con intimo sentimento)5:2311Tre Sonetti di Petrarca, S. 270: Sonetto no. 104: "Pace non trovo" (Agitato assai - Adagio)6:4212Tre Sonetti di Petrarca, S. 270: Sonetto no. 123: "I' vidi in terra angelici costumi" (Lento placido - Sempre lento - Più lento)7:1713Paraphrase de concert sur Rigoletto, S. 434: Preludio (Allegro - Andante - Presto)7:25The Complete Music for Solo Piano, Volume 17: Liszt at the Opera II
1992 · studio album
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Tracklist · 17 tracks · 2:21:10
Disc 11Illustrations du Prophète, S. 414: No. 1. Prière - Hymne triomphal - Marche du sacre15:342Illustrations du Prophète, S. 414: No. 2: Les Patineurs: Scherzo13:263Illustrations du Prophète, S. 414: No. 3: Pastorale - Appel aux armes12:154Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S. 624: Fantasy8:305Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S. 624: Adagio9:076Fantasie und Fuge über den Choral Ad nos, ad salutarem undam, S. 624: Fugue7:55Disc 21Spirto gentil, S. 400a10:122Marche funèbre de Dom Sébastien, S. 4028:053Die Rose - Romance, S. 5714:144Spinnerlied aus Der fliegende Holländer, S. 4405:555Ballade aus Der fliegende Holländer, S. 4415:186Pilgerchor aus Tannhäuser, S. 4437:087O du, mein holder Abenstern - Rezitativ und Romanze aus Tannhäuser, S. 4446:548Walhall aus Der Ring des Nibelungen, S. 4497:039Feierlicher Marsch zum heiligen Gral aus Parsifal, S. 4507:5910Les Sabéenes - Berceuse, S. 4075:5611Fantasie sur l'ópera hongrois Szép Ilonka, S. 4175:39The Complete Music for Solo Piano, Volume 18: Liszt at the Theatre
1992 · studio album
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Tracklist · 11 tracks · 1:18:09
1Marche turque des Ruines d'Athènes, S. 388a3:022Pastorale - Schnitter-Chor aus dem Entfesselten Prometheus, S. 5085:273Einsam bin ich, nicht alleine - Volkslied aus dem Schauspiel Preciosa von Carl Maria von Weber, S. 4535:004Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum, S. 4109:525Fantasie über Motive aus Beethovens Ruinen von Athen, S. 38912:376Symphonisches Zwischenspiel (Intermezzo) zu Calderóns fantastischem Schauspiel Über allen Zauber Liebe von Eduard Lassen, S. 49710:427Aus der Musik von Eduard Lassen zu Hebbels Nibelungen und Goethes Faust, S. 496: I. Nibelungen: 1. Hagen und Kriemhild5:318Aus der Musik von Eduard Lassen zu Hebbels Nibelungen und Goethes Faust, S. 496: I. Nibelungen: 2. Bechlarn5:149Aus der Musik von Eduard Lassen zu Hebbels Nibelungen und Goethes Faust, S. 496: II. Faust: 1. Osterhymne3:4410Aus der Musik von Eduard Lassen zu Hebbels Nibelungen und Goethes Faust, S. 496: II. Faust: 2. Hoffest: Marsch und Polonaise8:1411Capriccio alla turca sur des motifs de Beethoven (Ruines d'Athènes), S. 3888:461992 · studio album
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Tracklist · 29 tracks · 1:07:03
1Piano Sonata in B minor, S 178: I. Lento assai -0:562Piano Sonata in B minor, S 178: II. Allegro energico -2:403Piano Sonata in B minor, S 178: III. Grandioso -2:354Piano Sonata in B minor, S 178: IV. Cantando espressivo -4:275Piano Sonata in B minor, S 178: V. Pesante - Recitativo -2:436Piano Sonata in B minor, S 178: VI. Andante sostenuto -1:057Piano Sonata in B minor, S 178: VII. Quasi Adagio -6:528Piano Sonata in B minor, S 178: VIII. Allegro energico -1:209Piano Sonata in B minor, S 178: IX. Allegro energico -0:5110Piano Sonata in B minor, S 178: X. Più mosso -2:1511Piano Sonata in B minor, S 178: XI. Cantando espressivo -1:5312Piano Sonata in B minor, S 178: XII. Stretta quasi presto - Presto -0:4113Piano Sonata in B minor, S 178: XIII. Prestissimo -0:5514Piano Sonata in B minor, S 178: XIV. Andante sostenuto -1:1815Piano Sonata in B minor, S 178: XV. Allegro moderato -1:1616Piano Sonata in B minor, S 178: XVI. Lento assai1:1017St Francis of Assisi preaching to the birds, Legend, S 175: I. Allegretto -2:5118St Francis of Assisi preaching to the birds, Legend, S 175: II. Recitativo -1:4719St Francis of Assisi preaching to the birds, Legend, S 175: III. Solennemente -0:5620St Francis of Assisi preaching to the birds, Legend, S 175: IV. Dolcissimo -2:2621St Francis of Assisi preaching to the birds, Legend, S 175: V. Dolce2:4522St Francis of Paola walking on the waves, Legend, S 175: I. Andante maestoso -4:4323St Francis of Paola walking on the waves, Legend, S 175: II. Allegro maestoso ed animato -1:4324St Francis of Paola walking on the waves, Legend, S 175: III. Lento2:4925Scherzo and March, S 177: I. Allegro vivace, spiritoso -6:4926Scherzo and March, S 177: II. Allegro moderato, marziale -4:0227Scherzo and March, S 177: III. Allegro vivace, spiritoso -1:2328Scherzo and March, S 177: IV. Stretta -0:1729Scherzo and March, S 177: V. Molto più animato, quasi presto1:35The Complete Music for Solo Piano, Volume 19: Liebesträume and Other Song Transcriptions
1992 · studio album
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Tracklist · 16 tracks · 1:14:18
1Liebesträume, S. 541: Hohe Liebe5:522Liebesträume, S. 541: Seliger Tod4:073Liebesträume, S. 541: O lieb, so lang du lieben kannst!4:144Buch der Lieder für Piano allein I, S. 531: Die Lorelei6:555Buch der Lieder für Piano allein I, S. 531: Am Rhein, im schönen Strome3:196Buch der Lieder für Piano allein I, S. 531: Mignons Lied6:007Buch der Lieder für Piano allein I, S. 531: Der König von Thule2:568Buch der Lieder für Piano allein I, S. 531: Der du von dem Himmel bist4:529Buch der Lieder für Piano allein I, S. 531: Angiolin dal biondo crin5:3610Buch der Lieder für Piano allein II: Oh! quand je dors, S. 5364:5511Buch der Lieder für Piano allein II: Comment, disaient-ils, S. 5352:2612Buch der Lieder für Piano allein II: Enfant, si j'étais roi, S. 5374:0913Buch der Lieder für Piano allein II: S'il est un charmant gazon, S. 5383:2914Buch der Lieder für Piano allein II: La Tombe et la rose, S. 5394:1515Buch der Lieder für Piano allein II: Gastibelza, S. 5404:4816Die Lorelei, S. 5326:25The Complete Music for Solo Piano, Volume 20: Album d'un voyageur
1992 · studio album
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Tracklist · 22 tracks · 2:22:14
Disc 11Fantaisie romantique sur deux mélodies suisses, S. 15718:052Album d'un voyageur, S. 156: I. Impressions et poésies: 1. Lyon7:013Album d'un voyageur, S. 156: I. Impressions et poésies: 2a. Le Lac de Wallenstadt2:544Album d'un voyageur, S. 156: I. Impressions et poésies: 2b. Au bord d'une source4:435Album d'un voyageur, S. 156: I. Impressions et poésies: 3. Les Cloches de G*****11:576Album d'un voyageur, S. 156: I. Impressions et poésies: 4. Vallée d'Obermann14:047Album d'un voyageur, S. 156: I. Impressions et poésies: 5. La chapelle de Guillaume Tell7:118Album d'un voyageur, S. 156: I. Impressions et poésies: 6. Psaume2:54Disc 21Album d'un voyageur, S. 156: II. Fleurs mélodiques des Alpes: 7a. Allegro1:482Album d'un voyageur, S. 156: II. Fleurs mélodiques des Alpes: 7b. Lento4:203Album d'un voyageur, S. 156: II. Fleurs mélodiques des Alpes: 7c. Allegro pastorale2:524Album d'un voyageur, S. 156: II. Fleurs mélodiques des Alpes: 8a. Andante con sentimento4:215Album d'un voyageur, S. 156: II. Fleurs mélodiques des Alpes: 8b. Andante molto espressivo7:156Album d'un voyageur, S. 156: II. Fleurs mélodiques des Alpes: 8c. Allegro moderato3:267Album d'un voyageur, S. 156: II. Fleurs mélodiques des Alpes: 9a. Allegretto3:588Album d'un voyageur, S. 156: II. Fleurs mélodiques des Alpes: 9b. Allegretto3:129Album d'un voyageur, S. 156: II. Fleurs mélodiques des Alpes: 9c. Andantino con molto sentimento4:1310Album d'un voyageur, S. 156: III. Paraphrases: 10. Ranz de vaches [de F. Huber] - Aufzug auf die Alp - Improvisata10:4411Album d'un voyageur, S. 156: III. Paraphrases: 11. Un soir dans les montagnes [de Knop] - Nocturne pastorale11:0512Album d'un voyageur, S. 156: III. Paraphrases: 12. Ranz de chevres [de F. Huber] - Allegro finale6:3213Faribolo pastour - Chanson tirée du poème de Françonetto de Jasmin, S. 236 no. 14:3814Chanson du Béarn, S. 236 no. 25:011992 · studio album
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Tracklist · 11 tracks · 1:03:12
1Der Leiermann2:042Täuschung1:423Gretchen am Spinnrade4:254Die junge Nonne4:425Ave Maria6:106Erlkönig5:157Isoldens Liebestod6:558Sonetto 104 del Petrarca6:029Funérailles12:2410Mephisto Waltz, No. 110:4211Moment Musical in E minor, Op. 16 No. 42:51Rapsodie hongroise no. 2 / Liebestraum / Dante Sonata / La leggierezza
1993 · studio album
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Tracklist · 9 tracks · 1:01:02
1Rhapsodie hongroise no. 29:122Meine Freuden4:233Widmung4:324Die Forelle3:465Après une lecture de Dante16:116Étude de concert no. 2 in F minor "La leggierezza"5:017Etude d'exécution transcendante no. 10 in F minor4:428Liebestraum in As4:379Il trovatore: Miserere8:381993 · studio album
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Tracklist · 15 tracks · 1:17:46
1Píanókvintett op. 44: Allegro brilliant6:102Píanókvintett op. 44: In moto d'una Marcia9:463Píanókvintett op. 44: Scherzo.Molto vivace4:534Píanókvintett op. 44: Allegro ma non troppo6:575Spönsk rapsódía, S. 25411:556La soirée dans Grenade4:477Bruyères2:188Sónatína: Moderately fast1:359Sónatína: Slow, expressive2:4610Sónatína: Light and gay2:3711Strákalag (Boys' Song)2:4512Rondo Islanda4:2213Au bord d'une source, S. 160.43:1914Sonetto 123 del Petrarcha, S. 161.64:1515Mephisto-vals no. 1, S. 5149:211993 · studio album
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Tracklist · 5 tracks · 1:06:49
1Piano Sonata in B minor, S. 17831:552Rhapsodie espagnole, S. 25412:453Nuages gris, S. 1993:104Études d'exécution transcendante, S. 139 No. 4 "Mazeppa"7:575Mephisto Waltz No. 1 in E major, S. 514 "Der Tanz in der Dorfschenke"11:02Piano Concertos 1 & 2 / Hungarian Rhapsody no.6 / Les Préludes / La Campanella / Liebestraum no.3
1993 · studio album
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Tracklist · 10 tracks
Disc 11Rakoczy March S.1172La Campanella (No 3 of Transcendental Studies after Paganini) S.1403Piano Concerto No 1 in E flat major S.124 (1st movement)4Piano Concerto No 1 in E flat major S.124 (2nd-4th movements)5Petrach Sonnet No 104 S.1586Concerto Pathetique (Piano Concerto No 4) in E minor S.258Disc 21Hungarian Rhapsody No 6 in D S.3592Liebestraum No 3 S.5413Piano Concerto No 2 in A major S.125 (rev 1861)4Les Preludes (Symphonic Poem No 3) S.971993 · studio album
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Tracklist · 9 tracks · 1:08:25
1Rigoletto: paraphrase de concert6:362Valse de concert sur deux motifs de Lucia et Parisina9:063Valse de l'opéra Faust9:034Polonaise from Eugene Onegin5:425Spinning Chorus from Der fliegende Holländer5:406Recitative and Romance (‘O du mein holder Abendstern’) from Tannhäuser6:107Lohengrin's Verweis an Elsa (‘Lohengrin's Admonition’) from Lohengrin4:428Schluss-Szene aus Tristan und Isolde – Isoldens Liebestod7:459Fantasie uber 2 Motive aus W.A. Mozarts Die Hochzeit des Figaro13:411993 · studio album
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Tracklist · 4 tracks · 53:23
1Kammer-Fantasie über Bizets “Carmen”8:222Pastiche on the Habanera from “Carmen” by Bizet6:493Réminiscences de Norma (Bellini)19:204Réminiscences de Don Juan (Mozart)18:521993 · studio album
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Tracklist · 12 tracks · 59:46
1Piano Concerto no. 1 in E-flat major: I. Allegro maestoso5:292Piano Concerto no. 1 in E-flat major: II. Quasi adagio9:113Piano Concerto no. 1 in E-flat major: III. Allegro marziale animato - Presto4:134Piano Concerto no. 2 in A major: I. Adagio sostenuto assai5:145Piano Concerto no. 2 in A major: II. Allegro agitato assai2:026Piano Concerto no. 2 in A major: III. Allegro moderato5:287Piano Concerto no. 2 in A major: IV. Allegro deciso2:558Piano Concerto no. 2 in A major: V. Marziale un poco meno allegro1:079Piano Concerto no. 2 in A major: VI. Allegro animato1:4610Love Dream no. 3 in A-flat major4:2211Hungarian Rhapsody no. 2 in C-sharp minor9:2612Evening Harmony in D-flat major8:331993 · studio album
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Tracklist · 4 tracks · 53:59
1Symphonic Poem No. 3, S. 97 "Les Préludes"16:462Symphonic Poem No. 2, S. 96 "Tasso, Lamento e Trionfo"20:163Symphonic Poem No. 4, S. 98 "Orpheus"12:024March, S. 117 "Rákóczy March"4:551993 · studio album
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Tracklist · 6 tracks · 1:07:16
1Concerto for Piano no. 1 in D minor op. 15 - Maestoso23:042Concerto for Piano no. 1 in D minor op. 15 - Adagio13:193Concerto for Piano no. 1 in D minor op. 15 - Rondo- allegro ma non troppo12:064Concerto for Piano and Orchestra no. 1 in E-flat major G 124 - Allegro maestoso5:295Concerto for Piano and Orchestra no. 1 in E-flat major G 124 - Quasi adagio - Allegretto vivace - Allegro animato9:126Concerto for Piano and Orchestra no. 1 in E-flat major G 124 - Allegro marciale animato4:061993 · studio album
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Tracklist · 9 tracks · 1:01:02
1Rhapsodie hongroise no. 29:122Meine Freuden4:233Widmung4:324Die Forelle3:465Après une lecture de Dante16:116Étude de concert no. 2 in F minor "La leggierezza"5:017Etude d'exécution transcendante no. 10 in F minor4:428Liebestraum in As4:379Il trovatore: Miserere8:381993 · studio album
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Tracklist · 32 tracks · 1:59:49
Disc 11Piano Concerto No. 1 in E flat major, S. 124: I. Allegro maestoso5:402Piano Concerto No. 1 in E flat major, S. 124: II. Quasi adagio5:153Piano Concerto No. 1 in E flat major, S. 124: III. Allegretto vivace4:134Piano Concerto No. 1 in E flat major, S. 124: IV. Allegro marziale animato4:285Piano Concerto No. 2 in A major, S. 125: Movement I. Adagio Sostenuto Assai6:426Piano Concerto No. 2 in A major, S. 125: Movement II. Tempo Del Andante5:457Piano Concerto No. 2 in A major, S. 125: Movement III. Allegro Deciso2:588Piano Concerto No. 2 in A major, S. 125: Movement IV. Marziale Un Poco Meno Allegro1:079Piano Concerto No. 2 in A major, S. 125: Movement V. Un Poco Meno Mosso3:0210Piano Concerto No. 2 in A major, S. 125: Movement VI. Allegro Animato1:5811Totentanz, for piano & orchestra, S. 126: Andante; Allegro; Allegro Moderato1:5012Totentanz, for piano & orchestra, S. 126: Variation I0:5213Totentanz, for piano & orchestra, S. 126: Variation II0:4714Totentanz, for piano & orchestra, S. 126: Variation III15Totentanz, for piano & orchestra, S. 126: Variation IV3:1216Totentanz, for piano & orchestra, S. 126: Variation V3:0117Totentanz, for piano & orchestra, S. 126: Cadenza1:2218Totentanz, for piano & orchestra, S. 126: Variation VI2:4919Totentanz, for piano & orchestra, S. 126: Cadenza0:4620Totentanz, for piano & orchestra, S. 126: Allegro Animato0:31Disc 21Études d'exécution transcendante (12 Transcendental Etudes), for piano, S. 139: No. 1, Preludio0:532Études d'exécution transcendante (12 Transcendental Etudes), for piano, S. 139: No. 2, Fusees2:173Études d'exécution transcendante (12 Transcendental Etudes), for piano, S. 139: No. 3, Paysage5:374Études d'exécution transcendante (12 Transcendental Etudes), for piano, S. 139: No. 4, Mazeppa6:565Études d'exécution transcendante (12 Transcendental Etudes), for piano, S. 139: No. 5, Feux follets3:466Études d'exécution transcendante (12 Transcendental Etudes), for piano, S. 139: No. 6, Vision6:017Études d'exécution transcendante (12 Transcendental Etudes), for piano, S. 139: No. 7, Erotica4:218Études d'exécution transcendante (12 Transcendental Etudes), for piano, S. 139: No. 8, Wilde Jagd5:009Études d'exécution transcendante (12 Transcendental Etudes), for piano, S. 139: No. 9, Ricordanza9:5710Études d'exécution transcendante (12 Transcendental Etudes), for piano, S. 139: No. 10, Appassionata4:1211Études d'exécution transcendante (12 Transcendental Etudes), for piano, S. 139: No. 11, Harmonies du soir9:1212Études d'exécution transcendante (12 Transcendental Etudes), for piano, S. 139: No. 12, Chasse-neige5:191993 · studio album
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Tracklist · 3 tracks · 1:09:00
1A Faust Symphony: I. Faust28:062A Faust Symphony: II. Gretchen18:383A Faust Symphony: III. Mephistopheles — Final Chorus22:16The Complete Symphonic Poems for Two Pianos, Volume I
1993 · studio album
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Tracklist · 4 tracks · 1:05:59
1Ce qu’on entend sur la montagne27:312Tasso, Lamento e Trionfo15:453Les préludes14:004Orpheus8:431993 · studio album
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Tracklist · 4 tracks · 1:02:20
1Variations on the Theme of the Cantata BWV 12, S 18017:012"Tu es Petrus", Pontifical Anthem, S 6645:343Prelude and Fugue on the Name of BACH, S 26012:384Fantasy and Fugue on the Chorale "Ad nos, ad salutarem undam", Theme from Meyerbeer's Opera "Le Prophète", S 25927:07The Complete Music for Solo Piano, Volume 21: Soirées musicales & Soirées italiennes
1993 · studio album
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Tracklist · 30 tracks · 2:36:52
Disc 11Soirées musicales, S. 424: La promessa (Canzonetta)4:292Soirées musicales, S. 424: La regata veneziana (Notturno)3:353Soirées musicales, S. 424: L'invito (Bolero)3:034Soirées musicales, S. 424: La gita in gondola (Barcarola)6:065Soirées musicales, S. 424: Il rimprovero (Canzonetta)3:166Soirées musicales, S. 424: La pastorella dell' Alpi (Tirolese)2:017Soirées musicales, S. 424: La partenza (Canzonetta)4:188Soirées musicales, S. 424: La pesca (Notturno)4:469Soirées musicales, S. 424: La danza (Tarantella)4:0310Soirées musicales, S. 424: La serenata (Notturno)5:4611Soirées musicales, S. 424: L'orgia (Arietta)3:2412Soirées musicales, S. 424: Li marinari (Duetto)7:0313Soirées italiennes, S. 411: La primavera (Canzonetta)4:3914Soirées italiennes, S. 411: Il galop2:2615Soirées italiennes, S. 411: Il pastore svizzero (Tirolese)6:3816Soirées italiennes, S. 411: La serenata del marinaro3:3717Soirées italiennes, S. 411: Il brindisi (Rondoletto)3:5118Soirées italiennes, S. 411: La zingarella spagnola (Bolero)6:08Disc 21Nuits d'été à Pausilippe, S. 399: Barcajuolo (Bacarola)3:562Nuits d'été à Pausilippe, S. 399: L'alito di bice (Notturno)4:043Nuits d'été à Pausilippe, S. 399: La torre di Biasone (Canzona napoletana)4:144Tre sonetti di Petrarca, S. 158: Sonetto XLVII. Benedetto sia il giorno6:195Tre sonetti di Petrarca, S. 158: Sonetto CIV. Pace non trovo6:356Tre sonetti di Petrarca, S. 158: Sonetto CXXIII. I' vidi in terra5:477Venezia e Napoli, S. 159: Lento8:348Venezia e Napoli, S. 159: Allegro2:399Venezia e Napoli, S. 159: Andante placido3:3410Venezia e Napoli, S. 159: Tarantelles napolitaines9:1611Grande Fantaisie sur des motifs de Soirées musicales, S. 42212:1812Deuxième Fantaisie sur des motifs des Soirées musicales, S. 42310:27Années de pèlerinage: Complete Recording
1993 · studio album
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Tracklist · 26 tracks · 2:56:05
Disc 11Années de Pèlerinage, Première année ~ Suisse, S. 160: I. Chapelle de Guillaume Tell. Lento – Più lento – Allegro vivace6:422Années de Pèlerinage, Première année ~ Suisse, S. 160: II. Au lac de Wallenstadt. Andante placido3:063Années de Pèlerinage, Première année ~ Suisse, S. 160: III. Pastorale. Vivace1:334Années de Pèlerinage, Première année ~ Suisse, S. 160: IV. Au bord d'une source. Allegro grazioso3:335Années de Pèlerinage, Première année ~ Suisse, S. 160: V. Orage. Allegro molto – Presto furioso – Meno Allegro – Più moto3:586Années de Pèlerinage, Première année ~ Suisse, S. 160: VI. Vallée d'Obermann. Lento assai – Più lento – Recitativo – Più mosso – Presto – Lento14:277Années de Pèlerinage, Première année ~ Suisse, S. 160: VII. Eglogue (Hirtengesang). Allegretto con moto2:448Années de Pèlerinage, Première année ~ Suisse, S. 160: VIII. Le Mal du pays. Lento – Adagio dolente – Lento – Andantino – Adagio dolente – Più lento6:079Années de Pèlerinage, Première année ~ Suisse, S. 160: IX. Les Cloches de Genève (Nocturne). Quasi Allegretto – Cantabile con moto – Animato – Più lento6:18Disc 21Années de Pèlerinage, Deuxième année ~ Italie, S. 161: I. Sposalizio. Andante – Andante quieto – Più lento – Quasi allegretto mosso – Adagio8:132Années de Pèlerinage, Deuxième année ~ Italie, S. 161: II. Il Penseroso. Lento4:393Années de Pèlerinage, Deuxième année ~ Italie, S. 161: III. Canzonetta del Salvator Rosa. Andante marziale2:494Années de Pèlerinage, Deuxième année ~ Italie, S. 161: IV. Sonetto 47 del Petrarca. Preludio con moto – Sempre mosso intimo sentimento5:175Années de Pèlerinage, Deuxième année ~ Italie, S. 161: V. Sonetto 104 del Petrarca. Agitato assai – Adagio6:426Années de Pèlerinage, Deuxième année ~ Italie, S. 161: VI. Sonetto 123 del Petrarca. Lento placido – Sempre lento – Più lento – (Tempo iniziale)7:057Années de Pèlerinage, Deuxième année ~ Italie, S. 161: VII. Après une lecture du Dante (Fantasia quasi Sonata). Andante maestoso – Presto agitato assai – Tempo I (Andante) – Recitativo – Adagio – Allegro moderato – Più mosso – Tempo rubato e molto ritenuto – Andante – Più mosso – Allegro – Allegro vivace – Presto – Andante (Tempo I)16:598Années de Pèlerinage, Deuxième année ~ Italie (supplément), Venezia e Napoli, S. 162: I. Gondoliera. Quasi Allegretto – (La Biondina in Gondoletta. Canzone del Cavaliere Peruchini)6:009Années de Pèlerinage, Deuxième année ~ Italie (supplément), Venezia e Napoli, S. 162: II. Canzone. Lento doloroso – (Nessùn maggior dolore. Canzone del Gondoliere ne "Otello" di Rossini)3:5910Années de Pèlerinage, Deuxième année ~ Italie (supplément), Venezia e Napoli, S. 162: III. Tarantella. Presto – Più vivace – Canzona napolitana – Prestissimo9:19Disc 31Années de Pèlerinage, Troisième année, S. 163: I. Angelus! (Prière aux anges gardiens). Andante pietoso10:142Années de Pèlerinage, Troisième année, S. 163: II. Aux Cyprès de la Villa d'Este, No. 1 Thrénodie. Andante7:193Années de Pèlerinage, Troisième année, S. 163: III. Aux Cyprès de la Villa d'Este, No. 2 Thrénodie. Andante, non troppo lento10:554Années de Pèlerinage, Troisième année, S. 163: IV. Les jeux d'eaux à la Villa d'Este. Allegretto7:445Années de Pèlerinage, Troisième année, S. 163: V. Sunt lacrymae rerum (En mode hongrois). Lento assai7:566Années de Pèlerinage, Troisième année, S. 163: VI. Marche funèbre (En mémoire de Maximilien I). Andante. Maestoso, funebre8:127Années de Pèlerinage, Troisième année, S. 163: VII. Sursum corda (Erhebet eure Herzen). Andante maestoso, non troppo lento4:15The Complete Music for Solo Piano, Volume 22: The Complete Symphonies
1993 · studio album
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Tracklist · 37 tracks · 5:57:12
Disc 11Symphony no. 1 in C major, op. 21, S. 464 no. 1: I. Adagio molto – Allegro con brio8:222Symphony no. 1 in C major, op. 21, S. 464 no. 1: II. Andante cantabile con moto7:073Symphony no. 1 in C major, op. 21, S. 464 no. 1: III. Menuetto. Allegro molto e vivace – Trio – Menuetto da capo3:174Symphony no. 1 in C major, op. 21, S. 464 no. 1: IV. Adagio – Allegro molto e vivace5:425Symphony no. 3 in E‐flat major, op. 55, S. 464 no. 3 “Sinfonia eroica”: I. Allegro con brio16:346Symphony no. 3 in E‐flat major, op. 55, S. 464 no. 3 “Sinfonia eroica”: II. Marcia funebre. Adagio assai16:307Symphony no. 3 in E‐flat major, op. 55, S. 464 no. 3 “Sinfonia eroica”: III. Scherzo. Allegro vivace – Trio (– Scherzo)5:588Symphony no. 3 in E‐flat major, op. 55, S. 464 no. 3 “Sinfonia eroica”: IV. Finale. Allegro molto – Poco andante – Presto11:46Disc 21Symphony no. 2 in D major, op. 36, S. 464 no. 2: I. Adagio molto – Allegro con brio12:312Symphony no. 2 in D major, op. 36, S. 464 no. 2: II. Larghetto11:503Symphony no. 2 in D major, op. 36, S. 464 no. 2: III. Scherzo. Allegro – Trio – Scherzo da capo4:194Symphony no. 2 in D major, op. 36, S. 464 no. 2: IV. Allegro molto6:155Symphony no. 4 in B‐flat major, op. 60, S. 464 no. 4: I. Adagio – Allegro vivace10:286Symphony no. 4 in B‐flat major, op. 60, S. 464 no. 4: II. Adagio9:027Symphony no. 4 in B‐flat major, op. 60, S. 464 no. 4: III. Menuetto. Allegro vivace – Trio. Un poco meno allegro – Tempo I – Un poco meno Allegro – Tempo I5:228Symphony no. 4 in B‐flat major, op. 60, S. 464 no. 4: IV. Allegro ma non troppo6:56Disc 31Symphony no. 5 in C minor, op. 67, S. 464 no. 5: I. Allegro con brio8:092Symphony no. 5 in C minor, op. 67, S. 464 no. 5: II. Andante con moto (– Più mosso – Tempo I)11:093Symphony no. 5 in C minor, op. 67, S. 464 no. 5: III. Scherzo (– Trio – Scherzo)5:414Symphony no. 5 in C minor, op. 67, S. 464 no. 5: IV. Allegro – Tempo I (Scherzo) – Allegro – Presto11:325Symphony no. 6 in F major, op. 68, S. 464 no. 6 “Sinfonia pastorale”: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo11:346Symphony no. 6 in F major, op. 68, S. 464 no. 6 “Sinfonia pastorale”: II. Szene am Bach. Andante molto moto13:097Symphony no. 6 in F major, op. 68, S. 464 no. 6 “Sinfonia pastorale”: III. Lustiges Zusammensein der Landleute. Allegro 3/4 – Allegro 2/4 – Da capo tutto – Tempo I5:118Symphony no. 6 in F major, op. 68, S. 464 no. 6 “Sinfonia pastorale”: IV. Donner – Sturm. Allegro3:239Symphony no. 6 in F major, op. 68, S. 464 no. 6 “Sinfonia pastorale”: V. Hirtengesang “Frohe dankbare Gefühle nach dem Sturm”. Allegretto9:07Disc 41Symphony no. 7 in A major, op. 92, S. 464 no. 7: I. Poco sostenuto – Vivace14:502Symphony no. 7 in A major, op. 92, S. 464 no. 7: II. Allegretto9:563Symphony no. 7 in A major, op. 92, S. 464 no. 7: III. Presto – Assai meno presto – Da capo tutto – Presto – Assai meno presto – Presto9:094Symphony no. 7 in A major, op. 92, S. 464 no. 7: IV. Allegro con brio9:125Symphony no. 8 in F major, op. 93, S. 464 no. 8: I. Allegro vivace e con brio9:326Symphony no. 8 in F major, op. 93, S. 464 no. 8: II. Allegretto scherzando4:237Symphony no. 8 in F major, op. 93, S. 464 no. 8: III. Tempo di menuetto (– Trio – Menuetto)4:398Symphony no. 8 in F major, op. 93, S. 464 no. 8: IV. Allegro vivace7:49Disc 51Symphony no. 9 in D minor, op. 125, S. 464 no. 9: I. Allegro ma non troppo, un poco maestoso15:342Symphony no. 9 in D minor, op. 125, S. 464 no. 9: II. Molto vivace – Presto – Da capo tutto – Coda – Presto13:483Symphony no. 9 in D minor, op. 125, S. 464 no. 9: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio13:574Symphony no. 9 in D minor, op. 125, S. 464 no. 9: IV. Presto – Allegro assai “Ode to Joy”23:29The Complete Music for Solo Piano, Volume 23: Harold in Italy
1993 · studio album
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Tracklist · 8 tracks · 1:16:21
1Harold en Italie - Symphonie en quatre parties, S. 472: I. Harold aux montagnes. Scènes de mélancolie, de bonheur et de joie: Adagio — Allegro16:362Harold en Italie - Symphonie en quatre parties, S. 472: II. Marche de pèlerins, chantant la prière du soir: Allegretto6:593Harold en Italie - Symphonie en quatre parties, S. 472: III. Sérénade d'un montagnard des Abruzzes à sa maîtresse: Allegro assai — Allegretto6:374Harold en Italie - Symphonie en quatre parties, S. 472: IV. Orgie de brigands. Souvenirs des scènes précédentes: Allegro frenetico12:565Romance oubliée, S. 1323:396Hymne à Sainte Cécile, S. 49111:237Le moine, S. 4168:438Festmarsch zu Schillers 100jähriger Geburtsfeier, S. 5499:28The Complete Music for Solo Piano, Volume 24: Beethoven and Hummel Septets
1993 · studio album
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Tracklist · 25 tracks · 2:28:50
Disc 11Beethovens Septett, S. 465: I. Adagio - Allegro con brio10:362Beethovens Septett, S. 465: II. Adagio cantabile9:073Beethovens Septett, S. 465: III. Tempo di menuetto3:114Beethovens Septett, S. 465: IV. Andante con variazioni7:545Beethovens Septett, S. 465: V. Scherzo: Allegro molto e vivace - Trio - Scherzo da capo3:366Beethovens Septett, S. 465: VI. Andante con moto alla marcia - Presto7:587Zwei Transcriptionen aus Mozarts Requiem, S. 550: 1. Confutatis maledictis2:598Zwei Transcriptionen aus Mozarts Requiem, S. 550: 2. Lacrimosa3:469Ave verum corpus de Mozart, S. 461a2:5410Agnus Dei della Messa da Requiem di Giuseppe Verdi, S. 4375:4911Deux Transcriptions d'après Rossini, S. 553: 1. Air du Stabat mater6:1212Deux Transcriptions d'après Rossini, S. 553: 2. La Charité10:02Disc 21Liebesszene und Fortunas Kugel aus "Die sieben Todsünden", S. 490: 1. Liebesszene7:152Liebesszene und Fortunas Kugel aus "Die sieben Todsünden", S. 490: 2. Fortunas Kugel4:023Wasserfahrt und der Jäger Abschied, S. 548: 1. Wasserfahrt3:374Wasserfahrt und der Jäger Abschied, S. 548: 2. Der Jäger Abschied5:065Schlummerlied mit Arabesken, S. 4547:446Leyer und Schwert - Heroïde, S. 452: I. [Introduction]0:327Leyer und Schwert - Heroïde, S. 452: II. Schwertlied2:128Leyer und Schwert - Heroïde, S. 452: III. Gebet (vor der Schlacht)4:029Leyer und Schwert - Heroïde, S. 452: IV. Lutzows wilde Jagd2:4110Grosses Septett, S. 493: I. Allegro con spirito14:4411Grosses Septett, S. 493: II. Menuetto o Scherzo. Allegro - Alternativo5:3512Grosses Septett, S. 493: III. Andante con variazioni9:0713Grosses Septett, S. 493: IV. Finale. Vivace8:09The Complete Music for Solo Piano, Volume 25: The Canticle of the Sun
1993 · studio album
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Tracklist · 16 tracks · 1:17:30
1San Francesco - Preludio per il Cantico del Sol, S. 498d3:552Cantico del Sol di San Francesco d'Assisi, S. 49910:553Von der Wiege bis zum Grabe, S. 512: Die Wiege5:194Von der Wiege bis zum Grabe, S. 512: Der Kampf um's Dasein2:495Von der Wiege bis zum Grabe, S. 512: Zum Grabe - Die Wiege des zukünftigen Lebens6:386O sacrum convivium, S. 674a4:127Salve regina, S. 669 no. 14:328Ave maris stella, S. 669 no. 24:519Gebet, S. 2651:2710Ora pro nobis - Litanei, S. 2624:4711O sacrum convivium, S. 674a bis (alternative version)4:2212Resignazione, S. 187a/23:1313Il m'aimait tant, S. 5336:1814Romance "Ô pourquoi donc", S. 1693:1315Ich liebe dich, S. 542a3:2216Die Zelle in Nonnenwerth, S. 534/37:37Schoenberg: Piano Concerto / Liszt: Piano Concertos Nos. 1 & 2
1993 · studio album
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Tracklist · 12 tracks · 58:18
1Concerto for Piano and Orchestra, Op 42: I. Andante4:232Concerto for Piano and Orchestra, Op 42: II. Molto allegro2:423Concerto for Piano and Orchestra, Op 42: III. Adagio6:154Concerto for Piano and Orchestra, Op 42: IV. Giocoso [Moderato]6:195Concerto for Piano and Orchestra No. 2 in A major: I. Adagio sostenuto assai - Allegro agitato assai6:576Concerto for Piano and Orchestra No. 2 in A major: II. Allegro moderato4:597Concerto for Piano and Orchestra No. 2 in A major: III. Allegro deciso - Marziale un poco meno Allegro6:538Concerto for Piano and Orchestra No. 2 in A major: IV. Allegro animato1:499Concerto for Piano and Orchestra No. 1 in A-flat major: I. Allegro maestoso5:1810Concerto for Piano and Orchestra No. 1 in A-flat major: II. Quasi Adagio4:1311Concerto for Piano and Orchestra No. 1 in A-flat major: III. Allegretto vivace - Allegro animato4:1612Concerto for Piano and Orchestra No. 1 in A-flat major: IV. Allegretto marziale animato4:14Années de pèlerinage. Seconde année: Italie / Harmonies du soir
1994 · studio album
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Tracklist · 8 tracks · 56:47
1Années de pèlerinage – Seconde Année (‘Italie’): I. Sposalizio6:232Années de pèlerinage – Seconde Année (‘Italie’): II. Il Penseroso4:003Années de pèlerinage – Seconde Année (‘Italie’): III. Canzonetta del Salvator Rosa2:274Années de pèlerinage – Seconde Année (‘Italie’): IV. Sonetto 47 del Petrarca5:125Années de pèlerinage – Seconde Année (‘Italie’): V. Sonetto 104 del Petrarca5:456Années de pèlerinage – Seconde Année (‘Italie’): VI. Sonetto 123 del Petrarca7:127Années de pèlerinage – Seconde Année (‘Italie’): VII. Après une lecture du Dante. Fantasia quasi sonata16:168Harmonies du soir9:321994 · studio album
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Tracklist · 23 tracks · 2:52:39
Disc 11Concerto N. 11 in Re Maggiore Hob XVIII:11: I. Vivace8:172Concerto N. 11 in Re Maggiore Hob XVIII:11: II. Un poco adagio5:543Concerto N. 11 in Re Maggiore Hob XVIII:11: III. Rondò all'ungherese (Allegro assai)4:414Concerto N. 13 in Do Maggiore K 415: I. Allegro10:255Concerto N. 13 in Do Maggiore K 415: II. Andante6:346Concerto N. 13 in Do Maggiore K 415: III. Allegro8:127Concerto N. 15 in Si Bemolle Maggiore K 450: I. Allegro10:178Concerto N. 15 in Si Bemolle Maggiore K 450: II. Andante5:449Concerto N. 15 in Si Bemolle Maggiore K 450: III. Allegro8:07Disc 21Concerto N. 20 in Re Minore K 466: I. Allegro13:462Concerto N. 20 in Re Minore K 466: II. Romanza9:483Concerto N. 20 in Re Minore K 466: III. Rondò - Allegro assai7:564Concerto N. 23 in La Maggiore K 488: I. Allegro10:385Concerto N. 23 in La Maggiore K 488: II. Adagio6:056Concerto N. 23 in La Maggiore K 488: III. Allegro assai8:12Disc 31Concerto in La Minore Op. 54: I. Allegro affettuoso14:172Concerto in La Minore Op. 54: II. Intermezzo (Andantino grazioso)5:133Concerto in La Minore Op. 54: III. Allegro vivace10:154Concerto N. 1 in Mi Bemolle Maggiore: I. Allegro maestoso5:015Concerto N. 1 in Mi Bemolle Maggiore: II. Quasi adagio4:216Concerto N. 1 in Mi Bemolle Maggiore: III. Allegretto vivace2:397Concerto N. 1 in Mi Bemolle Maggiore: IV. Allegro animato1:478Concerto N. 1 in Mi Bemolle Maggiore: V. Allegro marziale - Presto4:301994 · studio album
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Tracklist · 4 tracks · 1:06:31
1Dante Symphony, S 109: I. Inferno21:412Dante Symphony, S 109: II. Purgatorio20:493Dante Symphony, S 109: II. Magnificat7:434Dante Sonata, S 161 no. 716:18Liszt: Organ Music / Schumann: 4 Sketches
1994 · studio album
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Tracklist · 7 tracks · 1:09:46
1Fantasia and Fugue "Ad nos, ad salutarem undam", S25926:122Prelude and Fugue on the name B-A-C-H, S26012:063Variations on "Weinen, Klagen, Sorgen, Zagen", S67317:074Four Sketches, op. 58: No. 1 in C minor. Moderato e maestoso2:385Four Sketches, op. 58: No. 2 in C. Allegro maestoso marcato3:236Four Sketches, op. 58: No. 3 in F minor. Vivace ma non troppo5:157Four Sketches, op. 58: No. 4 in D-flat. Allegretto3:05The Complete Music for Solo Piano, Volume 26: The Young Liszt
1994 · studio album
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Tracklist · 37 tracks · 2:21:20
Disc 11Variation über einen Walzer von Diabelli, S. 1471:592Walzer in A major, S. 208a1:113Fünf Variationen über die Romanze aus der Oper Joseph von Méhul, S. 147a7:264Huit variations, op. 1, S. 14814:415Sept variations brillantes sur un thème de Rossini, op. 2, S. 1499:196Impromptu brillant sur des thèmes de Rossini et Spontini, op. 3, S. 15012:147Allegro di bravura, op. 4 no. 1, S. 1519:088Rondo di bravura, op. 4 no. 2, S. 15212:09Disc 21Étude en douze exercices, op. 6, S. 136: No. 1 in C major1:132Étude en douze exercices, op. 6, S. 136: No. 2 in A minor1:143Étude en douze exercices, op. 6, S. 136: No. 3 in F major2:194Étude en douze exercices, op. 6, S. 136: No. 4 in D minor1:105Étude en douze exercices, op. 6, S. 136: No. 5 in B-flat major2:466Étude en douze exercices, op. 6, S. 136: No. 6 in G minor1:237Étude en douze exercices, op. 6, S. 136: No. 7 in E-flat major2:248Étude en douze exercices, op. 6, S. 136: No. 8 in C minor1:479Étude en douze exercices, op. 6, S. 136: No. 9 in A-flat major3:1710Étude en douze exercices, op. 6, S. 136: No. 10 in F minor1:5511Étude en douze exercices, op. 6, S. 136: No. 11 in D-flat major2:5612Étude en douze exercices, op. 6, S. 136: No. 12 in B-flat minor2:0813Scherzo in G minor, S. 1531:0614Two Hungarian Recruiting Dances, S. 241 "Zum Andenken": No. 1. Kinizsi nótája2:3715Two Hungarian Recruiting Dances, S. 241 "Zum Andenken": No. 2. Lassú magyar2:4616Waltz in E-flat major, S. 209a1:3017Galop de bal, S. 2200:4318Marche hongroise, S. 233b1:0119Klavierstück aus der Bonn Beethoven-Kantate, S. 5072:3220Klavierstück in D-flat major, S. 189b0:4921Klavierstück in A-flat major, S. 189a0:5922Liebesträume no. 2 (first version), S. 541a: Gestorben war ich1:1523Berceuse (first version), S. 174i4:5024Feuille d’album no. 1 in E major, S. 1642:2125Feuille d'album no. 2 in A minor, S. 167 (Die Zelle in Nonnenwerth, third version)5:4426Feuilles d’album, S. 1652:4027Apparitions, S. 155: I. Senza lentezza quasi allegretto6:1928Apparitions, S. 155: II. Vivamente3:4329Apparitions, S. 155: III. Fantaisie sur une valse de François Schubert (D. 365/33)7:461994 · studio album
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Tracklist · 15 tracks · 1:12:35
1Szózat und Ungarischer Hymnus, S. 48610:052God Save the Queen, S. 2356:513Canzone napolitana, S. 248i5:104Ungarische Nationalmelodien, S. 243: 1. Tempo giusto1:305Ungarische Nationalmelodien, S. 243: 2. Animato0:466Ungarische Nationalmelodien, S. 243: 3. Prélude - Allegretto2:407Canzone napolitana - Notturno, S. 248ii4:348Hussitenlied, S. 2346:529Glanes de Woronince, S. 249: 1. Ballade ukraine (Dumka)9:1510Glanes de Woronince, S. 249: 2. Mélodies polonaises4:4911Glanes de Woronince, S. 249: 3. Complainte (Dumka)6:5712La Marseillaise, S. 2375:1213Vive Henri IV, S. 2391:3514La cloche sonne, S. 2381:5415Rákóczi March, S. 242a4:25Felix Mendelssohn: Symphony No. 3 / Franz Liszt: Les Préludes
1994 · studio album
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Tracklist · 6 tracks · 1:02:28
1Sinfonie a-Moll op. 56, die "Schottische": Introduzione18:162Sinfonie a-Moll op. 56, die "Schottische": Scherzo4:413Sinfonie a-Moll op. 56, die "Schottische": Adagio11:274Sinfonie a-Moll op. 56, die "Schottische": Allegro8:055Sinfonie a-Moll op. 56, die "Schottische": Finale2:296Les Préludes Sinfonische Dichtung Nr. 317:30The Complete Music for Solo Piano, Volume 28: Dances and Marches
1994 · studio album
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Tracklist · 24 tracks · 2:25:46
Disc 11Scherzo und Marsch, S. 17712:182Petite Valse favorite, S. 212a3:403Mazurka brillante, S. 2214:384Grand Galop chromatique, S. 2194:125Galop (in A minor), S. 2188:166Festpolonaise, S. 230a4:087Csárdás, S. 225 no. 11:298Csárdás obstinée, S. 225 no. 23:149Csárdás macabre, S. 2247:3010Mephisto-Polka, S. 217i4:3111Festvorspiel, S. 2264:3112Heroischer Marsch im ungarischem Stil, S. 2316:2113Ungarischer Sturmmarsch, S. 5245:16Disc 21Goethe-Festmarsch, S. 52110:122Zweite Festmarsch nach Motiven von E H z S-C-G, S. 5228:183Marche héroïque, S. 5108:054Huldigungsmarsch, S. 228ii5:565Ungarischer Marsch zur Krönungsfeier in Ofen-Pest, S. 5234:316Siegesmarsch, S. 233a3:467Ungarischer Geschwindmarsch, S. 2333:108Vom Fels zum Meer!, S. 2296:369Bülow-Marsch, S. 2305:1210Künstlerfestzug, S. 520ii9:0811Rákóczi-Marsch nach der Orchesterbearbeitung, S. 244a10:48Piano Concertos nos. 1 & 2 / Totentanz / Hungarian Rhapsody no. 2
1994 · studio album
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Tracklist · 12 tracks · 1:04:53
1Piano Concerto no. 1: Allegro maestoso5:182Piano Concerto no. 1: Quasi adagio4:373Piano Concerto no. 1: Allegretto vivace; Allegro animato4:184Piano Concerto no. 1: Allegro marziale animato4:235Totentanz15:336Piano Concerto no. 2: Adagio sostenuto assai5:177Piano Concerto no. 2: Allegro agitato assai2:008Piano Concerto no. 2: Allegro moderato5:139Piano Concerto no. 2: Allegro deciso2:5310Piano Concerto no. 2: Marziale un poco meno allegro3:5911Piano Concerto no. 2: Allegro animato1:4712Hungarian Rhapsody no. 29:35The Complete Music for Solo Piano, Volume 29: Magyar dalok & Magyar rapszódiák
1994 · studio album
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Tracklist · 22 tracks · 2:39:19
Disc 11Magyar dalok, S. 242: No. 1 in C minor2:452Magyar dalok, S. 242: No. 2 in C major1:193Magyar dalok, S. 242: No. 3 in D-flat major2:554Magyar dalok, S. 242: No. 4 in C-sharp major0:475Magyar dalok, S. 242: No. 5 in D-flat major1:136Magyar dalok, S. 242: No. 6 in G minor4:497Magyar dalok, S. 242: No. 7 in E-flat major7:038Magyar dalok, S. 242: No. 8 in F minor4:179Magyar dalok, S. 242: No. 9 in A minor10:1210Magyar dalok, S. 242: No. 10 in D major5:3811Magyar dalok, S. 242: No. 11 in B-flat major4:0912Magyar rapszódiák, S. 242: No. 12 in E minor "Heroïde élégiaque"10:2513Magyar rapszódiák, S. 242: No. 13 in A minor "Rákóczi-Marsch"6:2114Magyar rapszódiák, S. 242: No. 14 in A minor7:3715Magyar rapszódiák, S. 242: No. 15 in D minor10:03Disc 21Magyar rapszódiák, S. 242: No. 16 in E major6:472Magyar rapszódiák, S. 242: No. 17 in A minor9:073Magyar rapszódiák, S. 242: No. 18 in C-sharp minor12:204Magyar rapszódiák, S. 242: No. 19 in F-sharp minor11:245Magyar rapszódiák, S. 242: No. 20 in G minor "Rumanian Rhapsody"15:446Magyar rapszódiák, S. 242: No. 21 in E minor12:347Magyar rapszódiák, S. 242: No. 22 in E flat major "Pester Carneval"11:50The Complete Music for Solo Piano, Volume 30: Liszt at the Opera III
1994 · studio album
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Tracklist · 16 tracks · 2:33:07
Disc 11Ouverture Oberon, S. 5748:382Fantasie über Themen aus Figaro und Don Giovanni, S. 69721:393Ernani - Paraphrase de concert, S. 4328:394Miserere du Trovatore - Paraphrase de concert, S. 4338:535Rigoletto - Paraphrase de concert, S. 4347:516Réminiscences de Simon Boccanegra, S. 43811:077Valse de concert sur deux motifs de Lucia di Lammermoor et Parisina, S. 214/39:08Disc 21Réminiscences de Robert le Diable: Cavatine, S. 413a6:122Réminiscences de Robert le Diable: Valse infernale, S. 41310:223Les Adieux - Rêverie sur un motif de Roméo et Juliette, S. 40911:294Schwanengesang und Marsch aus Hunyadi László, S. 40511:145Elsas Brautzug zum Münster, S. 445/28:596Aus Richard Wagners Lohengrin, S. 446: No. 1. Festspiel und Brautlied11:097Aus Richard Wagners Lohengrin, S. 446: No. 2. Elsas Traum5:118Aus Richard Wagners Lohengrin, S. 446: No. 3. Lohengrins Verweis an Elsa3:489Phantasiestück über Motive aus Rienzi, S. 4398:48
Other · 16
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1989 | Transcendental Studies (1838 Version)Search SpotifySearch YouTube MusicTracklist · 12 tracks · 1:12:491Presto1:02 2Molto Vivace2:41 3Poco Adagio5:27 4Mazeppa: A Capriccio6:40 5Egualmente3:53 6Largo Patetico5:50 7Allegro Deciso5:28 8Presto Strepitoso6:53 9Andantino10:32 10Presto Molto Agitato5:20 11Lento Assai12:33 12Andantino6:30 | 1989 | ||
| 1994 | Symphonic Poems & Hungarian RhapsodiesSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:10:251Les Préludes (Symphonic Poem No. 3)16:49 2Tasso, Lamento e Trionfo (Symphonic Poem No. 2)20:19 3Hungarian Rhapsody No. 111:57 4Hungarian Rhapsody No. 38:27 5Hungarian Rhapsody No. 512:53 | 1994 | ||
| 1994 | Hungarian Fantasy - Orchestral FavouritesSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:00:051Hungarian Rhapsody no. 210:42 2Fantasy on Hungarian Folk Tunes15:18 3Hungarian Rhapsody no. 410:44 4Hungarian Rhapsody no. 6 "Pest Carnival"12:48 5Rákóczi March10:33 | 1994 | ||
| 1999 | Hungarian RhapsodiesSearch SpotifySearch YouTube MusicTracklist · 7 tracks · 1:04:371Mephisto Waltz11:42 2Hungarian Rhapsody No. 1 In Fa Minor12:00 3Hungarian Rhapsody No. 3 In B Flat Major8:29 4Hungarian Rhapsody No. 6 "Pesther Carneval"14:01 5Adagio Sostenuto Assai5:15 6Allegro Agitato Assai10:23 7Marziaqle Un Poco Meno Allegro2:47 | 1999 | ||
| 2001 | The organ works, vol. 1Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:05:381Präludium und Fuge über B‐A‐C‐H: Präludium3:54 2Präludium und Fuge über B‐A‐C‐H: Fuge8:11 3Ora pro nobis Litanei: Molto lento e pietoso7:15 4« Weinen, Klagen, Sorgen, Zagen »: Variationen14:56 5Adagio Consolation IV en ré bémol majeur/D flat major/Des‐Dur3:12 6Fantaisie und Fuge über den Choral « Ad nos, ad salutarem undam »: Moderato9:59 7Fantaisie und Fuge über den Choral « Ad nos, ad salutarem undam »: Adagio8:26 8Fantaisie und Fuge über den Choral « Ad nos, ad salutarem undam »: Allegro deciso9:45 | 2001 | ||
| 2002 | The organ works, vol. 2Search SpotifySearch YouTube MusicTracklist · 31 tracks · 1:36:37Disc 1 1Einleitung und Fugue aus der Kantate "Ich hatte viel Bekümmernis"4:24 2Aus tiefer Not schrei ich zu dir BWV 384:25 3Gebet2:00 4Slavimo slavno slaveni !1:58 5Ave Maria von Arcadelt5:20 6Prélude op. 28/41:37 7Prélude op. 28/91:30 8Andante religioso4:07 9Der Papst-Hymnus3:57 10Salve Regina4:48 11Rosario4:54 12O sacrum convivium5:17 13In donum Domini ibimus3:45 Disc 21Introïtus3:50 2Missa pro organo: Kyrie1:38 3Missa pro organo: Gloria2:23 4Missa pro organo: Graduale1:06 5Missa pro organo: Credo2:47 6Missa pro organo: Offertorium1:58 7Missa pro organo: Sanctus1:49 8Missa pro organo: Benedictus1:57 9Missa pro organo: Agnus Dei2:27 10A magyarok Istene3:46 11Offertorium aus der "Ungarischen Krönungsmesse"3:54 12Ave Maria II2:20 13Resignazione1:10 14Ave Maria IV2:00 15Ave maris stella4:25 16Ave verum corpus K. 6182:26 17Agnus Dei aus der Messa da Requiem2:26 18Pilgerchor aus Tannhäuser6:13 | 2002 | ||
| 2004 | SongsSearch SpotifySearch YouTube MusicTracklist · 18 tracks · 1:13:2713 Lieder aus Schillers William Tell, S. 292 No. 1. I. Der Fischerknabe13:22 23 Lieder aus Schillers William Tell, S. 292 No. 1. II. Der Hirt4:11 33 Lieder aus Schillers William Tell, S. 292 No. 1. III. Der Alpenjäger3:28 4Der du von dem Himmel bist, S. 279 / R. 5675:14 5Über allen Gipfeln ist Ruh (Wandrers Nachtlied II), S. 306 / 1 / R. 610a4:50 6Im Rhein, S. 272 / R. 5672:22 7Vergiftet sind meine Lieder, S. 289 / R. 6081:31 8Nimm einen Strahl der Sonne (Ihr Auge), S. 310 / R. 6000:51 9Was Liebe sei?, S. 288 / R. 5750:58 10Kling leise, mein Lied, S. 301 / R. 5804:29 11Einst, S. 332 / R. 6290:43 12Tre Sonetti del Petrarca, S 270. I. Pace non trovo7:21 13Tre Sonetti del Petrarca, S 270. II. Benedetto sia 'l giorno6:29 14Tre Sonetti del Petrarca, S 270. III. l' vidi in terra5:39 15Enfant, si j'étais roi, S. 283 / R. 5713:03 16S'il est un charmant gazon, S. 284 / R. 5722:19 17Comment, disaient-ils, S. 276 / R. 5701:48 18O quand je dors S. 282 / R. 569b4:49 | 2004 | ||
| 2005 | Franz LisztSearch SpotifySearch YouTube MusicTracklist · 6 tracks · 1:08:231Concerto for Piano & Orchestra Nr.1 in E Flat Major - Allegro Maestoso5:24 2Concerto for Piano & Orchestra Nr.1 in E Flat Major - Quasi Adagio12:43 3Concerto for Piano & Orchestra Nr.2 in A Major22:04 4Hungarian Rhapsody Nr.2 in C Sharp Major10:40 5Les Funérailles12:39 6Hungarian Rhapsody Nr.15 in a Minor4:53 | 2005 | ||
| 2009 | Liszt: 12 Transcendental EtudesSearch SpotifySearch YouTube MusicTracklist · 12 tracks · 1:03:13112 Transcendental Etudes: I. Preludio (Presto)0:54 212 Transcendental Etudes: II. Molto Vivace2:20 312 Transcendental Etudes: III. Paysage (Poco adagio)4:00 412 Transcendental Etudes: IV. Mazeppa (Allegro)7:48 512 Transcendental Etudes: V. Feux Follets (Allegretto)3:56 612 Transcendental Etudes: VI. Vision (Lento)5:19 712 Transcendental Etudes: VII. Eroïca (Allegro)5:06 812 Transcendental Etudes: VIII. Wilde Jagd (Presto furioso)5:08 912 Transcendental Etudes: IX. Ricordanza (Andantino)9:51 1012 Transcendental Etudes: X. Allegro Agitato Molto4:40 1112 Transcendental Etudes: XI. Harmonies du Soir (Andantino)9:01 1212 Transcendental Etudes: XII. Chasse Neige (Andante con moto)5:10 | 28 July 2009 | ||
| 2023 | Major Works By Franz Liszt (Live Concert Recording)Search SpotifySearch YouTube MusicTracklist · 3 tracks · 59:141Vallée d'Obermann S.160/613:34 2Après une lecture du Dante, S.161/715:42 3Sonata, S.17829:58 | 22 December 2023 | ||
| 2026 | Liszt: 12 Grandes Études, S. 137Search SpotifySearch YouTube MusicTracklist · 12 tracks · 1:23:30112 Grandes Études, S. 137: No. 1 in C Major. Presto1:08 212 Grandes Études, S. 137: No. 2 in A Minor. Molto vivace3:19 312 Grandes Études, S. 137: No. 3 in F Major. Poco adagio6:09 412 Grandes Études, S. 137: No. 4 in D Minor. Allegro patetico7:06 512 Grandes Études, S. 137: No. 5 in B-Flat Major. Egualmente4:51 612 Grandes Études, S. 137: No. 6 in G Minor. Largo patetico6:19 712 Grandes Études, S. 137: No. 7 in E-Flat Major. Allegro deciso6:41 812 Grandes Études, S. 137: No. 8 in C Minor. Presto strepitoso9:23 912 Grandes Études, S. 137: No. 9 in A-Flat Major. Andantino12:15 1012 Grandes Études, S. 137: No. 10 in F Minor. Presto molto agitato6:59 1112 Grandes Études, S. 137: No. 11 in D-Flat Major. Lento assai11:26 1212 Grandes Études, S. 137: No. 12 in B-Flat Minor. Andantino7:54 | 2026 | ||
| 2026 | LisztSearch SpotifySearch YouTube MusicTracklist · 6 tracks · 1:10:251Piano Sonata in B minor, S.17831:07 2En rêve: Nocturne, S. 2072:36 3Élégie No. 2, S.1975:02 4Gnomenreigen, S.145 No. 23:13 5Mephisto Waltz No. 1, S.51411:04 6Après une lecture du Dante: Fantasia quasi Sonata, S161/717:23 | 28 August 2026 | ||
| — | Jorge Bolet joue LisztSearch SpotifySearch YouTube MusicTracklist · 8 tracks · 1:11:451Liebestraum No. 3 la bémol majeur4:59 2Mephisto Waltz No. 111:35 3Funérailles11:21 4Réminiscences de Don Juan19:01 5La campanella (Paganini)5:12 6Die Forelle (Schubert)3:58 7Erlkonig (Schubert)5:10 8Hungarian Rhapsody No. 12 en ut dièse mineur10:29 | — | ||
| — | Sonata in B minorSearch SpotifySearch YouTube MusicTracklist · 7 tracks · 59:081Piano Sonata in B minor: I. Lento assai - Allegro Energico11:30 2Piano Sonata in B minor: II. Andante sostenuto6:57 3Piano Sonata in B minor: III. Allegro energico10:35 4Concert Paraphrases - Aida (Verdi): Danza sacra5:51 5Concert Paraphrases - Aida (Verdi): Duetto finale5:09 6Concert Paraphrases - Rigoletto (Verdi): Preludio7:09 7Vallée d'Obermann: Lento assai11:57 | — | ||
| — | Peter Lang - Concertos pour piano n°1 - Orchestre, Rhapsodie hongroise - Funerailles - TassoSearch SpotifySearch YouTube MusicTracklist · 6 tracks · 1:03:291Rhapsodie hongroise n°513:00 2Concerto pour piano et orchestre n°1 - Allegro Maestoso5:29 3Concerto pour piano et orchestre n°1 - Quasi Adagio, Allegretto vivace, Allegro animato8:37 4Concerto pour piano et orchestre n°1 - Allegro Marziale Animato - presto4:17 5Funerailles11:51 6Tasso, Lamento e trionfo20:15 | — | ||
| — | LiebestraumSearch SpotifySearch YouTube MusicTracklist · 8 tracks · 1:03:211Concerto for Piano and orchestra no. 1 in E-flat - Allegro maestoso5:24 2Concerto for Piano and orchestra no. 1 in E-flat - Quasi adagio - Allegro vivace - Allegro animato9:12 3Concerto for Piano and orchestra no. 1 in E-flat - Allegro Marziale animato4:05 4Liebestraum no. 3 in A-flat major4:25 5Consolation in E-major3:09 6Consolation no. 3 in D-flat major3:56 7Symphonic Poem no. 2 - Tasso, Lamento e Trionfo20:15 8Hungarian Rhapsody no. 5 in E-minor12:55 | — |
Stats & PK
Percentile within all 23,672 published artists.Put Franz Liszt head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 127 | 99.7th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 252 | 99.6th |
| Studio albums | 236 | 99.9th |
| Awards recorded | 8 | 98.4th |
| Timeline events | 240 | 99.9th |
| Recording span (years) | -66 | 5.9th |
| Genres | 17 | 99.2th |
Awards & honours
| Year | Award | Category | Result |
|---|---|---|---|
| 1859 | Knight of the Order of the Iron Crown (Austria) | won | |
| 1884 | Bavarian Maximilian Order for Science and Art | won | |
| — | Commander of the Order of Christ | won | |
| — | Order of the Golden Spur | won | |
| — | Order of the Iron Crown (Austria) | won | |
| — | Pour le Mérite | won | |
| — | Pour le Mérite for Sciences and Arts order | won | |
| — | honorary doctor of the University of Königsberg | won |
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:FLisztFXD.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/2cd475bb-1abd-40c4-9904-6d4b691c752cdiscography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/2cd475bb-1abd-40c4-9904-6d4b691c752ccore—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q41309genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q41309seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Franz_Lisztbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Franz_Liszt
Why this artist is in the database
- List of Austrian musicians
- List of composers by name
- List of Scottish musicians
Tier rule: global reach (127 language versions)
Image: Franz Hanfstaengl · Public domain · Wikimedia Commons
Wikidata: Q41309 · MusicBrainz: 2cd475bb-1abd-40c4-9904-6d4b691c752c
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