Michael Vetter

Biography

Michael Vetter (18 September 1943 – 7 December 2013) was a German composer, novelist, poet, performer, calligrapher, artist, and teacher.

Biography

Vetter was born in Oberstdorf in the Allgäu region of Germany, and received a conventional school education. He adopted the recorder as his preferred instrument, and began experimenting in the late 1950s with its timbres and techniques, such as multiphonics and microtones. He inspired composers such as Louis Andriessen, and Rob du Bois in the Netherlands, Sylvano Bussotti in Italy, and Mauricio Kagel and Karlheinz Stockhausen in Germany to use the instrument in their compositions. His technical discoveries were codified in a text, Il flauto dolce ed acerbo (The Sweet and Sour Flute, 1969), which included tables of some 2000 fingerings.
He began studying philosophy and theology in 1964, while continuing his career as a performer. In 1967 he began composing graphically and verbally notated music, and beginning in 1968 turned to writing experimental/improvisational vocal music for children.

From March to September 1970, together with nineteen other musicians, he performed works by Stockhausen (including Hymnen, Spiral, Pole, and Aus den sieben Tagen ) in the spherical auditorium of the German Pavilion at Expo '70 in Osaka, Japan. Back in Europe, he continued his association with Stockhausen, taking part in the world premieres of Sternklang (1971) and Alphabet für Liège (1972). In 1973 he returned to Japan, where he stayed for ten years as a Zen monk. During this period he performed what he called "structural theatre" and in 1981 published a collection of writings on "experimental Zen arts" in a book titled Shijima no oto [The Sound of Silence]. He returned to Germany in 1983 to found the Zentrum für meditative Kommunikation und kommunikative Meditation in Todtmoos-Rütte. In 1993 he moved his "school in the art of living", now renamed Accademia Capraia, to Italy.
In 1997, Stockhausen composed for Vetter the central role of Luca, the Operator, in Michaelion, the fourth scene of his opera Mittwoch aus Licht. Vetter performed the part in the world premiere on 26 July 1998 in the Prinzregententheater, Munich (musica viva series).
Vetter died in Munich on 7 December 2013.

Musical style

Vetter's compositions are based in improvisation. His earlier works are for voice, recorder, and piano, while later he turned to the koto, Tibetan singing bowls, tanpura, and gongs.

Visual art

Vetter's early interest in graphically notated music turned to purely visual expression during his time in Japan, with works such as the ink-brush paintings in The Book of Signs, his 120 colour etched monotypes titled Strukturelle Mandalas and Zweistimmige Inventionen (Two-part Inventions), and the Codex Aureum (Gold-Violet Dialogue between Intention and Chance). Later works, executed after his return to Germany, include a series of panel paintings as entrances and views, titled Symphonies, Duets, Trios, Quartets, Der Kreuzweg des Lichtes, Wolkenbilder, and Die Gesetzestafeln.

Writings

1969. Il flauto dolce ed acerbo 1: Anweisungen und Übungen für Spieler neuer Blockflötenmusik. Celle: Moeck-Verlag.
1973. Handbewegungen I/II—Roman, with a foreword by Helmut Heißenbüttel. Stuttgart: E. Klett. ISBN 3-12-908930-6 (v. 1); ISBN 3-12-908940-3 (v. 2)
1981. With Satoshi Yamanaka. しじまの音 : あるいは、音楽は精神の身体語 [Shijima no oto: arui wa ongaku wa seishin no shintaigo] [The Sound of Silence, or The Physical Language of the Music of the Soul]. Tokyo: Asahishuppansha.
1983. Blockflötenschule, 10 vols. Wiener Instrumentalschulen. Vienna: Universal Edition; Stuttgart: E. Klett.
1988. Seinserfahrung: das Buch von der Liebe zum Leben. Edition Esotera. Freiburg im Breisgau: Bauer. ISBN 3-7626-0357-X.
1990. Transverbal. Kirchzarten-Geroldstal: Selbstverlag.
1991. Sesshin: das Fest der Aufnahme des Herzens; dreizehn Vorträge gehalten gelegentlich des Jahreswendesesshins 1990/91 im Griesgethof bei St. Georgen im Schwarzwald. Geroldstal: Vetter-Verlag.
1995. Musik: Texte und Bilder zur Einführung in die Kunst, sich in Nichts zu verlieben. Spiritueller Reichtum. Petersberg: Verlag Via Nova. ISBN 3-928632-14-0.
1997. Die Psychologie der Seinserfahrung. Freiburg i. Br.: Lüchow. ISBN 3-925898-73-5.
2000. Form ist Leere und Leere ist Form: Vorträge während des Sommersesshins 1992 im Griesgethof. Oberried-Geroldstal: Vetter-Verlag.
2000. "Karlheinz Stockhausen: Spiral für einen Solisten mit Kurzwellenempfänger—Zur Interpretation des Werkes", transcribed by Henning Moersen. In Komposition und Musikwissenschaft im Dialog I (1997–1998), edited by Imke Misch and Christoph von Blumröder, 95–113. Signale aus Köln 3. Saarbrücken: Pfau-Verlag, ISBN 3-89727-049-8.

Compositions

Felder II, ein musikalisches Projekt für Kinder (1967)
Rezitative, für einen Blockflötisten (1967)
Figurationen III, für ein beliebiges Instrument (1968)
Linienspiel (1973)
Liebesspiele: musikalische Konzepte (1973)
Schreibspiele ohne Worte (1973)
Cosmic Comic (1975)
Hörspiele I–IV (1977)
Die Wiener Blockflötenschule (1983)
Wenn Himmel und Erde wieder vereinen: Gedanken, Meditationen und Übungen zum Weg der Stimme (1987)
Die Oberton-Schule (1987)
Maria: muzikalische Auslegung eines mantrischen Namens (1991)
Musik (1995)
Pianissimo: Konzepte für Tasteninstrumente (1996)
Sei-Un-Sho: ein musikalisches Orakel (1997)

Cited sources

Lasocki, David. 2001. "Vetter, Michael". The New Grove Dictionary of Music and Musicians, 2nd edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
Nikeprelevic, Natascha. 2013. "Michael Vetter: 18.9.1943 – 7.12.2013". Transverbal Structural Music Theatre website (Accessed 1 January 2014).
O'Kelly, Eve. 1990. The Recorder Today. Cambridge, New York, Port Chester, Melbourne, Sydney: Cambridge University Press. ISBN 0-521-36681-X.
O'Loughlin, Niall. 1982. "The Recorder in 20th-Century Music". Early Music 10, no. 1 (January: The Recorder, Past and Present): 36–37.
Stockhausen, Karlheinz, and Michael Vetter. 1996. "SPIRAL (1968) für einen Solisten mit Kurzwellen-Empfänger". Booklet accompanying Stockhausen: Spiral, Integrale Version. Michael Vetter, voice and short-wave receiver. 2-CD set. Stockhausen Complete Edition CD 46 A–B. Kürten: Stockhausen-Verlag, 1996.
Stockhausen, Karlheinz. 2002. Michaelion: 4. Szene vom Mittwoch aus Licht, für Chor, Baß mit Kurzwellen-Empfänger, Flöte, Bassetthorn, Trompete, Posaune, Einen Synthesizer-Spieler, Tonband, 2 Tänzer, Klangregisseur. Werk Nr. 70. Kürten: Stockhausen-Verlag.