Tier 3 · vertical & regionalfull biography
Mieczysław Weinberg
Person · male · Second Polish Republic · Warsaw · born 1919 · died 1996 · recording since 1994
Polish Soviet composer (1919–1996)
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Also known as Mieczysław Weinberg · Моисей Вайнберг · Mieczyslaw Weinberg · Mieczysław Wajnberg · Moisei Vainberg · Moisei Weinberg · +10 more
Timeline
113 events▣ Album 110◦ Birth 1★ Debut release 1† Death 1
1910s
1990s
· Debut release
Debut release: Ballet “The Golden Key”, op. 55: Suites 1-3 (complete) • Suite no. 4 (excerpts)
First documented Album in the MusicBrainz discography.
source: musicbrainz
· Album
Album: Ballet “The Golden Key”, op. 55: Suites 1-3 (complete) • Suite no. 4 (excerpts)
Album
source: musicbrainz
· Album
Album: Symphony no. 17, op. 137 “Memory” / The Banners of Peace, op. 143
Album
source: musicbrainz
· Album
Album: Symphony no. 19, op. 145 "The Bright May" / Chamber Symphony no. 3, op. 151
Album
source: musicbrainz
2000s
2010s
· Album
Album: The Soviet Experience, Volume 3: Shostakovich: Quartets nos. 9-12 / Weinberg: Quartet no. 6
Album
source: musicbrainz
· Album
Album: Shostakovich: Chamber Symphonies, op. 110a & 118a / Weinberg: Concertino, op. 42
Album
source: musicbrainz
· Album
Album: Symphony no. 12 "In memoriam D. Shostakovich" / The Golden Key - Ballet Suite no. 4
Album
source: musicbrainz
· Album
Album: Symphony No. 21, op.152, Kaddish / Polish Tunes, op. 47, No. 2
Album
source: musicbrainz
· Album
Album: Concertino for Cello and String Orchestra / 24 Preludes for Solo Cello
Album
source: musicbrainz
· Album
Album: Flute Concertos nos. 1 and 2 / 12 Pieces for Flute and Orchestra / 5 Pieces for Flute and Piano
Album
source: musicbrainz
2020s
Biography
English biography10,928 words · 27 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1373232264
Biography
Mieczysław Weinberg (December 8, 1919 – February 26, 1996) was a Polish, Soviet, and Russian composer and pianist. Born in Warsaw to parents who worked in the Yiddish theatre in Poland, his early years were surrounded by music. At the age of 12, he began formal music lessons. Later, he studied piano at the Warsaw Conservatory. In 1939, Weinberg fled Warsaw when Germany invaded Poland and started World War II. His family was later murdered at the Trawniki concentration camp.
Weinberg found refuge in the Soviet Union. He established himself successfully in Moscow with support from Dmitri Shostakovich and the Committee on the Arts. Postwar changes in Soviet cultural policy led to increased persecution of minority groups, including Jews. Although Weinberg
WeinbergSpotifyYouTube Music (search)Tracklist · 13 tracks1Concertino for Cello and String Orchestra, op. 43bis: I. Adagio4:172Concertino for Cello and String Orchestra, op. 43bis: II. Moderato espressivo3:133Concertino for Cello and String Orchestra, op. 43bis: III. Allegro vivace3:134Concertino for Cello and String Orchestra, op. 43bis: IV. Adagio – Adagio tempo primo4:535Concertino for Violin and String Orchestra, op. 42: I. Allegretto cantabile7:556Concertino for Violin and String Orchestra, op. 42: II. Cadenza: Lento – Adagio6:367Concertino for Violin and String Orchestra, op. 42: III. Allegro moderato poco rubato5:168Rhapsody on Moldavian Themes, op. 47 no. 310:569Symphony no. 7 in C, op. 81: I. Adagio sostenuto5:5210Symphony no. 7 in C, op. 81: II. Allegro – Adagio sostenuto6:2911Symphony no. 7 in C, op. 81: III. Andante4:3412Symphony no. 7 in C, op. 81: IV. Adagio sostenuto2:4313Symphony no. 7 in C, op. 81: V. Allegro – Adagio sostenuto12:40's music was well regarded and regularly played, he was surveilled and harassed by the MVD. On February 6, 1953, Weinberg was arrested and jailed at Lubyanka Prison. Intercession on his behalf by Shostakovich and Stalin's death led to Weinberg's release on April 25.
The 1960s were the peak of Weinberg's professional success. Aside from his concert works, his music for film also became well known. His score for Fyodor Khitruk's cartoon Winnie-the-Pooh was an immediate success and the verses sung by its titular character entered the Russian popular lexicon.
In the 1970s, Weinberg's career began to decline, in spite of increased official distinctions. He continued to compose prolifically through the 1980s, but health problems aggravated by the loss of state patronage and healthcare that resulted from the collapse of the Soviet Union left him bedridden in his final years. Belated recognition of his music outside of Russia began in the 1990s through the advocacy of Tommy Persson, a Swedish judge. In 1994, Poland awarded Weinberg the Meritorious Activist of Culture. He converted to Orthodox Christianity a few weeks before his death.
Spelling and transliteration of name
WeinbergWeinbergSpotifyYouTube Music (search)Tracklist · 13 tracks1Concertino for Cello and String Orchestra, op. 43bis: I. Adagio4:172Concertino for Cello and String Orchestra, op. 43bis: II. Moderato espressivo3:133Concertino for Cello and String Orchestra, op. 43bis: III. Allegro vivace3:134Concertino for Cello and String Orchestra, op. 43bis: IV. Adagio – Adagio tempo primo4:535Concertino for Violin and String Orchestra, op. 42: I. Allegretto cantabile7:556Concertino for Violin and String Orchestra, op. 42: II. Cadenza: Lento – Adagio6:367Concertino for Violin and String Orchestra, op. 42: III. Allegro moderato poco rubato5:168Rhapsody on Moldavian Themes, op. 47 no. 310:569Symphony no. 7 in C, op. 81: I. Adagio sostenuto5:5210Symphony no. 7 in C, op. 81: II. Allegro – Adagio sostenuto6:2911Symphony no. 7 in C, op. 81: III. Andante4:3412Symphony no. 7 in C, op. 81: IV. Adagio sostenuto2:4313Symphony no. 7 in C, op. 81: V. Allegro – Adagio sostenuto12:40's name was registered on his birth certificate as Mojsze Wajnberg. Throughout his adult life, he signed his letters in Polish using the Polish spelling of his surname. During his career in the Yiddish theater of interwar Warsaw, he was known by the German spelling of his name, Mosze Weinberg; a typical convention of the time for Polish musicians who aspired to produce recordings for export. Weinberg adopted the given name Mieczysław professionally at the beginning of his musical career because he believed it sounded more Polish and prestigious.
In the Soviet Union, he was officially known as Moisei Samuilovich Vainberg (Russian: Моисей Самуилович Вайнберг). The name was the result of legal expediency and his personal indifference when he sought to cross the border into the Soviet Union in 1939:
The order came to let the refugees in. Some kind of squad was put together to examine the documents, but quite carelessly, because there were a lot of people. When they came up to me, I was asked: "Last name?"—"Weinberg"—"First?"—"Mieczysław"—"'Mieczysław', what is that? You Jewish?"—"Jewish"—"So 'Moisei' you will be".
In the 1980s, he successfully petitioned to have his legal first name changed back to Mieczysław (Russian: Мечислав, romanized: Mechislav). Among friends in Russia, he would also go by his Polish diminutive "Mietek".
Re-transliteration of the composer's surname from Cyrillic back into the Latin alphabet produces a variety of spellings. "Vainberg" became the most common in the 1990s because of a series of compact disc releases on the Olympia label. Per Skans, the author of their liner notes, had erroneously believed that this was the composer's favored choice. Starting in the 21st century, "Weinberg" became the most widespread spelling. However, there is no evidence that the composer preferred that spelling.
Youth
Weinberg was born in Warsaw on December 8, 1919. His father, Szmuel, was a well-known conductor, composer, and violinist at the Jewish Theatre in Warsaw. He had originally come from Kishinev, Bessarabia Governorate (today part of Moldova), which he left shortly before its Jewish community was attacked in the pogrom of 1903, in the course of which WeinbergWeinbergSpotifyYouTube Music (search)Tracklist · 13 tracks1Concertino for Cello and String Orchestra, op. 43bis: I. Adagio4:172Concertino for Cello and String Orchestra, op. 43bis: II. Moderato espressivo3:133Concertino for Cello and String Orchestra, op. 43bis: III. Allegro vivace3:134Concertino for Cello and String Orchestra, op. 43bis: IV. Adagio – Adagio tempo primo4:535Concertino for Violin and String Orchestra, op. 42: I. Allegretto cantabile7:556Concertino for Violin and String Orchestra, op. 42: II. Cadenza: Lento – Adagio6:367Concertino for Violin and String Orchestra, op. 42: III. Allegro moderato poco rubato5:168Rhapsody on Moldavian Themes, op. 47 no. 310:569Symphony no. 7 in C, op. 81: I. Adagio sostenuto5:5210Symphony no. 7 in C, op. 81: II. Allegro – Adagio sostenuto6:2911Symphony no. 7 in C, op. 81: III. Andante4:3412Symphony no. 7 in C, op. 81: IV. Adagio sostenuto2:4313Symphony no. 7 in C, op. 81: V. Allegro – Adagio sostenuto12:40's grandparents and great-grandparents were killed. Weinberg's mother, Sara (née Sura Dwojra Sztern or Sara Deborah Stern), was Szmuel's second wife. She had been born in Odesa, Kherson Governorate (today part of Ukraine), and was an actress in several Yiddish theater companies in Warsaw and Łódź. One of the composer's cousins, Isay Abramovich Mishne, was the secretary of the Military Revolutionary Committee of the 1918 Baku Commune, and was executed in 1918 along with the other 26 Baku Commissars.
The Weinberg's family home was located in the Wola district, on Krochmalna Street. From an early age, Weinberg was surrounded by music; he later said that "life was [his] first music teacher". At the age of six, he began to accompany his father to musical performances. He taught himself to play the piano at an early age and eventually developed sufficient skill to substitute for his father as conductor at the Jewish Theatre. Weinberg also began to compose, although he did not accord these early works importance:
What does writing music mean to a child? I simply took down one of my father's music sheets and scribbled down something or other... But in this way, I studied music right from my birth, as it were. And when I wrote these "operettas" I probably imagined myself to be a composer.
At the age of 12, Weinberg began formal music lessons at a school in Warsaw. His teacher noted his precocity and enrolled him at the Warsaw Conservatory in October 1931, where she felt his talent would be more suitably developed. The identities of Weinberg's teachers during his first two years at the conservatory are no longer known, but in 1933 he became a student of Józef Turczyński, who considered Weinberg to be one of his best students along with Witold Małcużyński. Weinberg graduated in 1939.
Weinberg made his professional debut in a chamber concert organized by the Polish Society for Contemporary Music on December 10, 1936, wherein he was the pianist for the world premiere of Andrzej Panufnik's Piano Trio. His next appearance was in mid-1937, as one of the musicians that performed at the conservatory's annual graduation concert. The students who received diplomas at the event included Witold Lutosławski, Stefan Kisielewski, and Zbigniew Turski. The latter's Piano Concerto was included on the concert program; Weinberg was the soloist. A reviewer praised him as the best performer at the concert and described his playing as "truly manly". That same year, Weinberg also composed music for an early film by Zbigniew Ziembiński, Fredek uszczęśliwia świat, in which he made a brief appearance as a pianist. The film also included songs by his father, who may have conducted the ensemble used for the film's soundtrack.
In May 1938, Weinberg was introduced by Turczyński to his friend, the pianist Josef Hofmann, who held the post of honorary professor at the conservatory and who was then touring Poland. Weinberg played for him Johann Sebastian Bach's Italian Concerto and Mily Balakirev's Islamey. Impressed, Hofmann invited Weinberg to study with him at the Curtis Institute of Music in Philadelphia, for which he promised to obtain an American visa. Ultimately, Weinberg decided to pursue a career as a composer rather than pianist. In the event, he was unable to accept Hofmann's offer because of the invasion of Poland in 1939; Weinberg referred to this as having marked the end of "the best and happiest period" of his life.
Escape from Poland
Despite the outbreak of war, Weinberg maintained his daily routine and believed the assurances of Polish propaganda that Poland would emerge victorious against Germany's invasion. Late night on September 6, 1939, Weinberg returned home from the Café Adria, where he worked as a pianist. As he ate the meal that his mother had prepared for him, he heard a radio announcement from Roman Umiastowski that the Wehrmacht had broken through Polish defenses and urged all able-bodied men to join the Polish Army. The broadcast set off a panic in Warsaw. The next morning, Weinberg left with his sister and headed eastwards towards the Soviet Union. In mid-journey, his sister decided to return home because her shoes were badly hurting her feet. Weinberg never saw her and his parents again. It was not until 1966, during his only subsequent trip to Poland, that he learned from surviving former neighbors that his family had been murdered at the Trawniki concentration camp.
Weinberg's trek to the Soviet Union took him seventeen days. He escaped wartime dangers along the way, but witnessed other refugees who did not and died. One incident occurred near the Soviet–Polish border:
Two or three Jews were walking along the road; their clothing revealed that they were Jews. In that moment, a motorcycle came along. A German got off and, from the gesticulation, we understood that he was asking for the way somewhere. They showed him precisely... He probably said "Danke schön", sat down again, started the engine, and as the Jews resumed walking, to send them on their way he threw a hand grenade, which tore them to shreds. I could have easily died the same way. On the whole, dying was easy.
On October 3, Weinberg arrived at the border. He recalled the gratitude that he and other refugees felt and that they "blessed the Red Army which could save [them] from death".
Refugee in the Soviet Union
Weinberg arrived in the Soviet Union with few personal belongings aside from some of his musical manuscripts and family photographs. His poor health excluded him from consideration for military service. It is believed that before he settled in Minsk, he first journeyed through Brest, then Pinsk, and Luninets; he composed his Piano Sonata No. 1 in the latter town, which he nicknamed the work after. Weinberg and other recent Polish immigrants were granted Soviet citizenship by local authorities in Minsk. This permitted him the privilege to enroll at the Minsk Conservatory. He became one of Vasily Zolotarev's composition students. Weinberg also studied counterpoint, music history, harmony, orchestration, and conducting. His classmates included Eta Tyrmand, Genrikh Wagner, and Ryszard Sielicki. According to Lev Abeliovich, Weinberg was considered the best student. He settled into a room at the conservatory's dormitory. His roommate was Alexei Klumov, a pianist and alumnus of Heinrich Neuhaus. Klumov gave lessons in the Russian language to Weinberg, who quickly became fluent. After school, Weinberg worked as a pianist. He sometimes partnered in duet with Tyrmand, with whom he played medleys of themes from popular American films.
Zolotarev had been taught composition by Nikolai Rimsky-Korsakov and, through him, inherited the traditions of the Mighty Handful, particularly their use of folk music idioms. In turn, Weinberg absorbed these influences and began turning to Jewish folklore and music for inspiration. Pleased at the young man's abilities, Zolotarev described Weinberg as "a charming and handsome young man, very (extraordinarily) talented". Concern for Weinberg's health and finances led Zolotarev to solicit help for him from the Committee on the Arts. This led to Weinberg being sent to Moscow as one of the participating delegates for the Festival of Byelorussian Art in June 1940. Through Klumov, Weinberg was introduced to Nikolai Myaskovsky:
I remember how astonished I was [at meeting Myaskovsky], this first impression stayed with me my whole life. I was twenty years old back then and he was in his fifties, I think. He seemed a little old man to me. As I made to leave, he suddenly picked up my coat and helped me. I was completely dumbfounded and my hands trembled: "What are you doing, what are you doing?" And he uttered a famous phrase to me: "That is how we do things around here".
On June 22, 1941, the Germans began their invasion of the Soviet Union. All men were ordered to report to local military offices for duty. Weinberg was again exempted from military service, with his Pott's disease cited as the reason. On July 23, he received his diploma from the conservatory; it was signed by Vissarion Shebalin, the chairman of the Moscow branch of the Union of Soviet Composers. Along with his diploma, Weinberg gathered his manuscripts and family photographs, then fled Minsk with his friend Klumov. Although Weinberg was initially refused permission to leave by the authorities, he obtained forged documents from Klumov that certified him as a music teacher. With these he was able to travel as far as his finances permitted—to Tashkent in the Uzbek SSR. Most of the State Symphony Orchestra of the Byelorussian SSR musicians who had not been able to leave Minsk were killed in the subsequent German bombing and capture of the city.
Tashkent
Circumstances in Tashkent during the Great Patriotic War were difficult. The first wave of refugees who arrived in the city found plenteous food and places to live. This gave rise to a popular saying at the time, "Tashkent has bread in abundance". As the war progressed, however, nationwide supply shortages and a growing population of evacuees from elsewhere in the Soviet Union strained the city's resources. Housing and food became scarce; crime rates soared. The sight of people dead in the street from starvation was not uncommon.
In spite of these challenges, when Weinberg and Klumov disembarked in Taskent in July 1941, they were determined to secure employment and ration cards for themselves. With his skills as a piano soloist and ensemble player, as well as composer, Weinberg was in an advantageous position. He was quickly hired by the Uzbek SSR State Opera and Ballet Theatre as a tutor and répétiteur. Later, through his friendship with the Uzbek composer Tokhtasyn Dzhalilov, Weinberg was engaged to work jointly with Klumov and four other Uzbek composers on the creation of The Sword of Uzbekistan, a socialist realist opera with Uzbek folk music themes. They counted among their collaborators Mutal Burhonov, who in 1947 composed the "Anthem of the Uzbek SSR" (later adapted as the "State Anthem of Uzbekistan"). The opera, whose plot combined Uzbek national myths that were modified to support the Soviet war effort, has since been lost.
On August 4, 1941, while work proceeded on the opera, Weinberg attended a party hosted by Flora Syrkina, the second wife of the artist Alexander Tyshler. It was there that Weinberg met Natalya Mikhoels, the daughter of Solomon Mikhoels, the actor and director of GOSET. Weinberg married Natalya in 1942. They moved into a dormitory on the campus of Academy of Sciences of the Uzbek SSR, which they shared with Mikhoels and his wife. Weinberg's marriage into the family of Mikhoels, who was then at the peak of his career as leader of the Jewish Anti-Fascist Committee, significantly improved the composer's social and financial standing. He intensely admired and respected his father-in-law, to whom he dedicated his Violin Sonata No. 1 composed in 1943. In turn, Mikhoels strove to find any information for Weinberg about the fate of his family, but was unsuccessful. It was only through a meeting with the trumpeter Eddie Rosner, a fellow Polish immigrant who was touring Tashkent and had also played at the Café Adria before the war, that he learned his family had been deported from Warsaw by train to an unknown destination. This would be all Weinberg knew about his family's fate until 1966.
Weinberg composed his Symphony No. 1 in late 1942; he dedicated it to the Red Army. Despite being unperformed in public until 1967, the work was of decisive importance in Weinberg's life. Around the time of the symphony's composition, the faculty of the Leningrad Conservatory was evacuated to Tashkent. Israel Finkelstein, a former teaching assistant to Shostakovich, met Weinberg and was greatly impressed by his music. Afterwards, Finkelstein conveyed his opinions on Weinberg to Shostakovich. His enthusiasm provoked Shostakovich's curiosity, who requested to see some of Weinberg's scores. Another member of the conservatory staff, Yuri Levitin, a former Shostakovich pupil, also befriended Weinberg in Tashkent. It was to him that Weinberg consigned a copy of his Symphony No. 1 to give to Shostakovich. Weinberg may have also been assisted by Mikhoels, who had a friendly relationship with the composer. A few weeks later, Weinberg received an official invitation from the Committee on the Arts to come to Moscow.
Wartime success
WeinbergWeinbergSpotifyYouTube Music (search)Tracklist · 13 tracks1Concertino for Cello and String Orchestra, op. 43bis: I. Adagio4:172Concertino for Cello and String Orchestra, op. 43bis: II. Moderato espressivo3:133Concertino for Cello and String Orchestra, op. 43bis: III. Allegro vivace3:134Concertino for Cello and String Orchestra, op. 43bis: IV. Adagio – Adagio tempo primo4:535Concertino for Violin and String Orchestra, op. 42: I. Allegretto cantabile7:556Concertino for Violin and String Orchestra, op. 42: II. Cadenza: Lento – Adagio6:367Concertino for Violin and String Orchestra, op. 42: III. Allegro moderato poco rubato5:168Rhapsody on Moldavian Themes, op. 47 no. 310:569Symphony no. 7 in C, op. 81: I. Adagio sostenuto5:5210Symphony no. 7 in C, op. 81: II. Allegro – Adagio sostenuto6:2911Symphony no. 7 in C, op. 81: III. Andante4:3412Symphony no. 7 in C, op. 81: IV. Adagio sostenuto2:4313Symphony no. 7 in C, op. 81: V. Allegro – Adagio sostenuto12:40's Symphony No. 1 was performed in September 1943 for the Union of Soviet Composers. Myaskovsky was among those who heard the work; he described it as "talented, technically fine, but without warmth". Weinberg and his family arrived in Moscow in October. They briefly settled into an apartment on Tverskoy Boulevard, where his father-in-law Mikhoels had lived prior to the war, before they moved into another home on Nikitsky Boulevard. On October 3, the couple's only child, Viktoria, was born; her name was symbolic of their hope for Soviet victory in the war.
According to Weinberg's later reminiscences, he first met Shostakovich in person in October. He was received at the latter's apartment located on Myasnitskaya Street. Waiting with Shostakovich was his friend, the musicologist and arts critic Ivan Sollertinsky. Weinberg played for them a piano reduction of his Symphony No. 1, to which Shostakovich replied with a few appreciative comments. The meeting established a friendship between the composers that endured until Shostakovich's death. Weinberg thereafter was entrusted as a partner in many of the first hearings of Shostakovich's orchestral music in reductions for piano four-hands. Soon after this meeting, Weinberg was accepted into the Union of Soviet Composers. The benefits he received as a member permitted him to focus on composing full-time, as well as allowed him access to food and products unobtainable to ordinary Soviet citizens. Weinberg's newfound comfort, which contrasted sharply with his financial and professional standing in prewar Poland, also coincided with a gradual return to normalcy in everyday Soviet life.
By the time the Soviet Union emerged victorious in the war against Germany in 1945, Weinberg's career appeared to be headed in an auspicious direction.
Postwar
The announcement that proclaimed the Allied victory in Europe was broadcast over all radio stations in the Soviet Union on the night of May 9, 1945. Weinberg and his family were at the Mikhoels home when they heard the news. WeinbergWeinbergSpotifyYouTube Music (search)Tracklist · 13 tracks1Concertino for Cello and String Orchestra, op. 43bis: I. Adagio4:172Concertino for Cello and String Orchestra, op. 43bis: II. Moderato espressivo3:133Concertino for Cello and String Orchestra, op. 43bis: III. Allegro vivace3:134Concertino for Cello and String Orchestra, op. 43bis: IV. Adagio – Adagio tempo primo4:535Concertino for Violin and String Orchestra, op. 42: I. Allegretto cantabile7:556Concertino for Violin and String Orchestra, op. 42: II. Cadenza: Lento – Adagio6:367Concertino for Violin and String Orchestra, op. 42: III. Allegro moderato poco rubato5:168Rhapsody on Moldavian Themes, op. 47 no. 310:569Symphony no. 7 in C, op. 81: I. Adagio sostenuto5:5210Symphony no. 7 in C, op. 81: II. Allegro – Adagio sostenuto6:2911Symphony no. 7 in C, op. 81: III. Andante4:3412Symphony no. 7 in C, op. 81: IV. Adagio sostenuto2:4313Symphony no. 7 in C, op. 81: V. Allegro – Adagio sostenuto12:40's wife said that she ran downstairs to tell her father. He replied:
"It is not enough to win the war. Now the world will need to be won and that is much more difficult". With those words, he cooled our elation; and we would have the chance to see how much truth there was in his words for the rest of our lives.
Weinberg's professional reputation continued to increase in the immediate postwar period. He was in demand as both composer and performer. He was also chosen by Kara Karayev, Nikolai Peiko, and Yuri Shaporin, among others, to perform in premieres of their new works. As a composer he was supported by Shostakovich and Myaskovsky.
Beyond these personal successes, major shifts in Soviet cultural policy were taking place. Increased repression and marginalization of minority groups was signaled in 1946 when Jewish candidates for the Supreme Soviet of the Soviet Union were pressured to withdraw. Andrei Zhdanov led campaigns against formalism in the fields of literature and film in 1946; this resulted in the censure of Anna Akhmatova, Mikhail Zoshchenko, and Sergei Eisenstein. From October 2 to 8, a smaller campaign took place within the Union of Soviet Composers. Under the guises of encouraging composers to seek "more creative guidance" and to develop "closer ties between Soviet composers and Soviet reality", the campaign was designed to subjugate Soviet music to the purposes of propaganda. Lev Knipper took the stage to admonish Weinberg and Jānis Ivanovs at one of the meetings:
A slackening of bonds between formal mastery and richness of ideas... This is a dangerous tendency. Our youth has to learn from the elder generation about the importance of ideology.
Shaporin, Shostakovich, and Aram Khachaturian reacted by defending Weinberg. Instead, they urged, he needed the assistance of his colleagues to bring his musical style into alignment with the expectations of Soviet officialdom. Khachaturian expanded on this point by saying that critics who had praised Weinberg had done him a disservice by not balancing their views with diagnoses of his shortcomings. He also implored Weinberg to explore his "national melos", which the Armenian composer remarked was used "extremely rarely".
In spite of this suggestion, Weinberg showed little interest in exploring folk music idioms. Excepting his Festive Pictures for orchestra, the music he composed immediately after these remarks, instead, continued to pursue and refine stylistic traits that he had established during the war. Other works that may have reflected his acceptance of Khachaturian's advice are now partially or entirely lost.
Persecution and arrest
On January 5, 1948, Joseph Stalin and members of the Politburo attended the Bolshoi Theatre for a performance of the opera The Great Friendship by the Georgian composer Vano Muradeli. For reasons that are unknown, the opera outraged Stalin, who immediately directed Andrei Zhdanov to organize a wider and renewed campaign against musical formalism. A few days later, on January 12, WeinbergWeinbergSpotifyYouTube Music (search)Tracklist · 13 tracks1Concertino for Cello and String Orchestra, op. 43bis: I. Adagio4:172Concertino for Cello and String Orchestra, op. 43bis: II. Moderato espressivo3:133Concertino for Cello and String Orchestra, op. 43bis: III. Allegro vivace3:134Concertino for Cello and String Orchestra, op. 43bis: IV. Adagio – Adagio tempo primo4:535Concertino for Violin and String Orchestra, op. 42: I. Allegretto cantabile7:556Concertino for Violin and String Orchestra, op. 42: II. Cadenza: Lento – Adagio6:367Concertino for Violin and String Orchestra, op. 42: III. Allegro moderato poco rubato5:168Rhapsody on Moldavian Themes, op. 47 no. 310:569Symphony no. 7 in C, op. 81: I. Adagio sostenuto5:5210Symphony no. 7 in C, op. 81: II. Allegro – Adagio sostenuto6:2911Symphony no. 7 in C, op. 81: III. Andante4:3412Symphony no. 7 in C, op. 81: IV. Adagio sostenuto2:4313Symphony no. 7 in C, op. 81: V. Allegro – Adagio sostenuto12:40's father-in-law Mikhoels was murdered in Minsk on the orders of Stalin. The actor had been lured to his death by the critic and covert MVD informant, Vladimir Golubov; both were killed in what was officially ruled a traffic accident. Mikhoels' body was returned to Moscow and given a state funeral. Lazar Kaganovich surreptitiously conveyed to Weinberg's family his condolences, but urged them not to inquire any further about the actor's death. Weinberg was placed under constant MVD surveillance, regularly harassed by the police, and had his travel privileges curtailed.
Meanwhile, the ongoing anti-formalist campaign in music necessitated a convocation of the Union of Soviet Composers. Tikhon Khrennikov, who was appointed general secretary of the union, led the proceedings, but refused to engage in anti-Semitic tactics. This resulted in a number of anonymous letters accusing him of having sold out the interests of Soviet culture. On February 10, the Politburo published its "Resolution on the Opera 'The Great Friendship'" in Pravda. This was followed on February 14 by a ruling that listed composers and works banned from performance. Although Weinberg was not one of the six composers who were the campaign's most prominent targets, his music for children was censured. He was also further compromised professionally by his association with Shostakovich, who had been among the six denounced composers.
In spite of these developments, Weinberg appeared to have no cause for concern about his personal welfare. One of his works, the Sinfonietta No. 1, was received warmly by the press. It was also praised by Khrennikov after it was performed at the December 1948 plenum of the Union of Composers:
Shining evidence of the fruitfulness of the path to realism is to be found in the Sinfonietta by Weinberg, a composer who used to be under the powerful influence of modernistic art which distorted his unquestionable talent in an ugly way. Turning to the sources of Jewish folk music, Weinberg has created a brilliant work full of joie de vivre and devoted to the joyous, free working life of Jewish people in the Land of Socialism. In this work Weinberg has revealed outstanding skill and richness of imagination.
The work soon established itself as a part of the Soviet orchestral repertoire and was one of Weinberg's most played works through the mid-1950s. Another work, the cantata In My Native Land, which set texts that glorified Stalin, was conducted by Alexander Gauk. Weinberg also composed a number of other populist works during the late 1940s, but suppressed them from being performed. Other works, like the Violin Sonatina composed for Leonid Kogan, were only first played years later. Much of Weinberg's energies in these years were devoted to music for films and the circus; the latter was considered by the Soviet government to be second only to the film industry in importance.
Around Weinberg, official persecution of Jews intensified. In November 1948, the government dissolved the Jewish Anti-Fascist Committee and arrested several of its members. Benjamin Zuskin, Mikhoels' successor at GOSET, was arrested in February 1950. He was interrogated by authorities about Weinberg, but told them he knew little except that he knew he was a composer, one of Shostakovich's friends, and that Khrennikov considered him a "formalist". Zuskin's arrest led Weinberg and his wife to believe that their arrest would soon follow. One of his wife's relatives, Miron Vovsi, was arrested in late January 1953 and accused of being one of the conspirators in the "doctors' plot".
On February 6, Weinberg attended a performance of his Rhapsody on Moldavian Themes in an arrangement for violin and orchestra played by David Oistrakh. After the concert, Weinberg went back to his home for a late night meal accompanied by Nikolai Peiko, Boris Tchaikovsky, and his wife. At 2:00 a.m., the police arrived with an arrest warrant for Weinberg. When the composer demanded to know why he was being arrested, the police replied that it was because of allegations of "Jewish bourgeois nationalism". He got dressed, stated to his friends that he was innocent, and surrendered himself into police custody. His office was sealed and his apartment was searched until the morning. In a 1995 interview with the musicologist Manashir Yakubov, Weinberg recalled:
But back then I was still a cocky young guy strutting around, so I said to [to the police], "But I don't even know a single letter of the Hebrew alphabet, and I have two thousand books in Polish." "Might as well go with Polish bourgeois nationalism then — we know better than you!" was the reply. I was placed in solitary confinement. You could only sit. You weren't permitted to lie down. At nighttime, a bright light would sometimes shine right in my eyes, making sleep impossible.
Fear of torture impelled him to admit culpability to whatever charges he was accused of, irrespective of their plausibility. These included accusations of digging a tunnel to England under his home in order to flee the country. His wife inquired regularly with officials at the Lubyanka Prison to determine Weinberg's state and to ensure that he was alive. She was soon contacted by Shostakovich, who informed her that he vouched for Weinberg's innocence in a personal letter to Lavrenty Beria. Shostakovich also arranged to assume power of attorney over the Weinbergs' affairs and the responsibility of raising their daughter in the event that Natalya was also arrested. Matters changed course after Stalin's death on March 5, an event which Weinberg did not learn of until weeks later. He was released from jail on April 25.
Khrushchev Thaw
Following the composition of the Overture for orchestra soon after his release from prison, Weinberg temporarily shifted his creative efforts away from concert works. Those that he did compose tended to be chamber music, which by their relative economy of resources were more likely to be performed. Instead, he concentrated on composing music for films and cartoons. His score for the 1954 film Tiger Girl, starring Lyudmila Kasatkina in the title role, became successful enough that he extracted an orchestral suite for concert performances. The resulting suite became one of his most often performed works, with only the Rhapsody on Moldavian Themes exceeding it in popularity. Another successful film score was the one he composed for The Last Inch, a drama directed by Nikita Kurikhin and Teodor Vulfovich; the music secured the film its enduring fame in Russia. The writer Mikhail Veller, who saw the film in his childhood, recalled it and its music:
It [sent] chills down my spine, needles pricking me in the chest and knees, a spasm in my throat, tears in my eyes, hope, grim delight, and joy. We could not know the word "catharsis". I do not think you can comprehend what it meant to a nine-year-old to see The Last Inch for the first time: in the Soviet Union, behind the Iron Curtain, without television, virtually no radio, without any commercials, and in totalitarian-filtered austerity; everything is Soviet, nothing is foreign, imported, capitalist, unfamiliar, in this rarefied space—a movie theatre. It was a revelation, a shock, a bitter tragedy with an exalted conclusion that was ripped from destiny. It was a song we all sang. Soon a record came out and I bought it. Music by Weinberg, lyrics by Sobol The bass, a soloist with the Kiev Philharmonic Orchestra, Mikhail Ryba. The harps (!) began to strum, the basses entered, and a piano solo rattled the nerves at the heights of its passages.
His most notable feature film music success was his score to the 1957 war drama by Mikhail Kalatozov, The Cranes are Flying. A contemporary Soviet film encyclopedia praised Weinberg for the skill and precision with which he used his music, which it described as being guided by "dreams, love, and hope". The score, which includes a sequence for piano and orchestra in the style of Richard Addinsell's Warsaw Concerto, became so popular in the Soviet Union that there was great demand for arrangements of it in various styles.
Weinberg also composed incidental music for a theatrical production of Honoré de Balzac's Les Ressources de Quinola. Some of Weinberg's notable concert works of the period include his Piano Sonata No. 4, Partita, and Violin Sonata No. 5, the latter dedicated to Shostakovich.
As a pianist, Weinberg was involved as one of the principal figures in the dissemination and early reception of Shostakovich's Symphony No. 10 in 1954. Weinberg first played it with the composer in an arrangement for piano four-hands for selected staff and students at the Moscow Conservatory. They later played it for Yevgeny Mravinsky, who subsequently conducted the symphony's premiere, and then for a session in April of the Leningrad branch of the RSFSR Union of Composers. At the latter performance, the symphony provoked intense debate, to which Weinberg replied in its defense. That same year, Weinberg and Shostakovich made a recording, which the former later described as a "treasure, a kind of talisman". They also made a private recording of Shostakovich's 24 Preludes and Fugues in an arrangement for four-hands, but recording nor arrangement are both considered lost.
A 1955 ballet, The Golden Key, based on the eponymous children's tale by Alexei Tolstoy that was itself adapted from Carlo Collodi's Pinocchio, became Weinberg's major work of the era. The work had originated from music Weinberg had composed for a "vaudeville for children" by the writer Vadim Korostolyov; its success led to the commissioning of The Golden Key. The ballet was described by the musicologist Nataliya Gounko as a "grandchild" of Igor Stravinsky's Petrushka.
As Weinberg's reputation and income improved during the late 1950s, he indulged in his delight in shopping for clothes and second-hand books. His daughter Viktoria described him in these years as cutting the figure of a "real Polish dandy".
"Stellar years"
Success and intense productivity marked WeinbergWeinbergSpotifyYouTube Music (search)Tracklist · 13 tracks1Concertino for Cello and String Orchestra, op. 43bis: I. Adagio4:172Concertino for Cello and String Orchestra, op. 43bis: II. Moderato espressivo3:133Concertino for Cello and String Orchestra, op. 43bis: III. Allegro vivace3:134Concertino for Cello and String Orchestra, op. 43bis: IV. Adagio – Adagio tempo primo4:535Concertino for Violin and String Orchestra, op. 42: I. Allegretto cantabile7:556Concertino for Violin and String Orchestra, op. 42: II. Cadenza: Lento – Adagio6:367Concertino for Violin and String Orchestra, op. 42: III. Allegro moderato poco rubato5:168Rhapsody on Moldavian Themes, op. 47 no. 310:569Symphony no. 7 in C, op. 81: I. Adagio sostenuto5:5210Symphony no. 7 in C, op. 81: II. Allegro – Adagio sostenuto6:2911Symphony no. 7 in C, op. 81: III. Andante4:3412Symphony no. 7 in C, op. 81: IV. Adagio sostenuto2:4313Symphony no. 7 in C, op. 81: V. Allegro – Adagio sostenuto12:40's life in the 1960s. He received renewed support from the RSFSR Union of Composers, through the auspices of Muzfond, as well as access to the union's circuit of creative resorts across the Soviet Union. Weinberg composed a number of important works, including his Symphony No. 10 and String Quartet No. 12, at the resort in Dilijan, Armenian SSR. However, his favorite was in the town of Ruza, near Moscow. During visits there between 1953 and 1983, Weinberg composed four symphonies, three string quartets, six instrumental sonatas, the opera Congratulations!, and numerous other works. Increased royalties from performances of his concert music in combination with steady film work, which was the most profitable available to Soviet composers, provided Weinberg with the freedom to earn a comfortable living from composition alone.
The decade augured a streak of symphonic triumphs that began with the premiere of the Symphony No. 3 conducted by Alexander Gauk on March 23, 1960. With the Symphony No. 5 of 1962, Weinberg reached his maturity as a symphonic composer. According to the musicologist Lyudmila Nikitina, who had first met the composer in the early 1960s, the symphony crystallized procedures that Weinberg would continue to use throughout his life; wherein he drew from personal experience, treated the act of creation as a "mirror of his individual perception", and produced music of social significance. The non-vocal symphonies that followed, Nos. 7 and 10, were by their chamber orchestra scoring comparatively restrained in its use of resources. The latter was enthusiastically praised by Shostakovich, while the former shows traces of being influenced by the sonorism that was characteristic of the emerging new Polish music.
Weinberg's music was occasionally heard and his career reported on in his native Poland. A 1964 issue of the bi-monthly music magazine Ruch Muzyczny mentioned that he was a highly regarded composer in the Soviet Union whose name was often mentioned in connection with Shostakovich. In 1963, Weinberg's String Quartet No. 8 was played by the Komitas Quartet at that year's Warsaw Autumn. Audiences and critics considered the work old-fashioned and mostly ignored it. In 1966, an ultimately aborted attempt by Kirill Kondrashin to conduct Weinberg's Symphony No. 8 with the Moscow Philharmonic Orchestra on tour in Poland led to the composer's first and only visit to the country of his birth since the war. Accompanied by his friend Tchaikovsky, Weinberg walked through the streets of Warsaw. Although he found his family home still standing, he was appalled as much by how the city had transformed as it had remained the same. Of its restored prewar buildings, Weinberg likened them to empty shells bereft of souls. "His great disappointment", said the composer Krzysztof Meyer, who befriended Weinberg on this trip, "was that the city he knew no longer existed". Despite much searching, he found virtually nobody who had known him before the war, aside from his former classmate Turski. He also finally learned about his family's death. Weinberg's feelings of unease on this trip were reinforced by the snubbing he received from most Polish composers; an outcome that was based on their perceptions of him as a stylistic reactionary and a member of the Soviet establishment, as well as their general suspicion of Russian culture. This did not preclude his enjoyment of their works such as Grażyna Bacewicz's String Quartet No. 7 and Krzysztof Penderecki's St. Luke Passion, which he heard at that year's installment of the Warsaw Autumn. All the same, the visit left him disillusioned: he came to the conclusion that there was no country for him to return to.
Throughout the 1960s, Weinberg continued to compose music for films and cartoons. While the feature films he scored in those years did not attain a similar level of fame to those he scored in the 1950s, his music for the 1969 adaptation of Winnie-the-Pooh directed by Fyodor Khitruk became an instant favorite with Soviet audiences; it has since been recognized as the best known of all his cartoon scores. Weinberg's music continued to be renowned in Russia long after the cartoon's release, with the verses sung by its titular character entering the popular lexicon. The composer said that off all his music for films and cartoons, Winnie-the-Pooh contributed the most to the preservation of his legacy. One commentator described the cartoon's patter songs as being so simple that they could have been created by a child; another held them up as a "salient example of early Soviet rap".
From the vantage point of an interview in 1994, Weinberg looked back on the 1960s with fondness. He referred to the decade as his "stellar years".
Transitions, setbacks, and honors
In the mid-1960s, Weinberg began an extramarital affair with Olga Rakhalskaya, daughter of the psychiatrist Yuliy Rakhalsky, that quickly developed into a romantic relationship. The couple had been introduced to each other to by WeinbergWeinbergSpotifyYouTube Music (search)Tracklist · 13 tracks1Concertino for Cello and String Orchestra, op. 43bis: I. Adagio4:172Concertino for Cello and String Orchestra, op. 43bis: II. Moderato espressivo3:133Concertino for Cello and String Orchestra, op. 43bis: III. Allegro vivace3:134Concertino for Cello and String Orchestra, op. 43bis: IV. Adagio – Adagio tempo primo4:535Concertino for Violin and String Orchestra, op. 42: I. Allegretto cantabile7:556Concertino for Violin and String Orchestra, op. 42: II. Cadenza: Lento – Adagio6:367Concertino for Violin and String Orchestra, op. 42: III. Allegro moderato poco rubato5:168Rhapsody on Moldavian Themes, op. 47 no. 310:569Symphony no. 7 in C, op. 81: I. Adagio sostenuto5:5210Symphony no. 7 in C, op. 81: II. Allegro – Adagio sostenuto6:2911Symphony no. 7 in C, op. 81: III. Andante4:3412Symphony no. 7 in C, op. 81: IV. Adagio sostenuto2:4313Symphony no. 7 in C, op. 81: V. Allegro – Adagio sostenuto12:40's daughter Viktoria, who was Rakhalskaya's classmate at Moscow State University. Weinberg divorced his wife Natalya in 1970 after dithering on the matter for a long period; she and their daughter emigrated to Israel in 1972. That same year, he married Rakhalskaya, who had given birth to their daughter Anna in 1971. Many of his peers and friends, who respected Natalya's family and its legacy, shunned the composer after his divorce. Shostakovich was one of his few friends who remained supportive. There is no evidence that Weinberg's career suffered as a direct result of his divorce and new marriage.
The rupture of Weinberg's first marriage notwithstanding, his personal life stabilized in his later years, dominated mostly by work and increasingly illness. He continued to enjoy steady income from film work, which permitted him to continue composing full-time, although he complained that it occupied too much of his time. Olga described Weinberg as thinking nothing else but of musical work during these years:
He worked every single minute, day and night. If he wasn't sleeping, he was working. Even in his sleep. When he was dozing off he would often drum his fingers without realizing it, as though they were grasping the piano keys. That's why there are no memorable data in his biography: the only important landmarks in his life are what he composed.
Much of Weinberg's time during these years was spent in his unsuccessful attempts to stage his opera The Passenger, based on the 1962 eponymous novel by Zofia Posmysz, which in turn she had adapted from her original radio play. The novel was translated into Russian and published in the Soviet Union in 1963. One of its admirers was Shostakovich, who discerned the novel's potential as a basis for an opera. He shared a copy with the writer Alexander Medvedev who, in turn, gave it to Weinberg. Its plot, about a former Auschwitz guard who believes she sees a long-dead inmate while traveling on an ocean liner, may have reminded Weinberg of a similar incident that had occurred to him while he met with Małcużyński, when the composer became agitated upon seeing one of the jailers from his 1953 arrest sitting nearby at a restaurant. Despite the enthusiastic approval of the board of the RSFSR Union of Composers, including Rodion Shchedrin, Shostakovich, Khrennikov, and Sviridov—who as union chairman praised the opera as being "written with the heart's blood"—plans for a premiere at the Bolshoi Theatre were rejected by the Ministry of Culture. Later research has neither been able to determine a cause for this decision, nor other later rejections of proposed performances elsewhere in the Soviet Union.
Exponents of Weinberg's music began to diminish or lose influence in the 1970s. His friend Sviridov's term as chairman of the RSFSR Union of Composers ended in 1973; he was not reelected. A more serious loss was the death of Shostakovich on August 9, 1975. The two composers were in close contact almost to the very end; their mutual amity evident in that Weinberg's name is the one that appeared the most in Shostakovich's diary. In 1976, Weinberg composed his Symphony No. 12 in Shostakovich's memory and asked Kondrashin to conduct its premiere. The conductor had previously balked at Weinberg's vocal symphonies. When he was offered the Symphony No. 12, he accused the composer of having become "arid, variable in quality, and expressionless" since his Symphony No. 8. He stipulated furthermore that he would only conduct the Symphony No. 12 contingent on extensive cuts to the score to be approved by him. Exasperated by Kondrashin's behavior, Weinberg terminated his friendship with him. Another friendship that ended was with Rostropovich, for whom the 24 Preludes for solo cello had been intended. By the time of its composition in 1968, his relationship with Weinberg worsened to the point that he never performed the work, despite having edited it for publication. Weinberg said near the end of his life that Rostropovich had become "too busy" to play his music. Rostropovich, on the other hand, said little other than calling Weinberg "a coward". Other performers who regularly played Weinberg's music, like Barshai, had emigrated. Still, he acquired a few new advocates, including Maxim Shostakovich and Vladimir Fedoseyev; the latter became a close friend and was entrusted with a series of premieres in the last decades of the composer's life.
Concurrently, Weinberg received in 1971 the first of his official honors, Honored Artist of the RSFSR, and was written about widely in the musical press. He found contentment in life with his second wife and daughter, with whom he often spent time with in excursions to the town of Valentinovka outside of Moscow.
Final years
In 1980, Weinberg was awarded the People's Artist of the RSFSR. His career, nevertheless, declined significantly in his last years. His friendship with Boris Tchaikovsky worsened, despite living in the same apartment building, and finally ruptured over what Olga described as "pseudo-ideological reasons". Poor health prevented Weinberg from socializing and attending concerts; he became increasingly reclusive as a result. Changes in leadership at the Union of Composers also affected Weinberg professionally. He described his life and outlook during this period in a letter to Sviridov dated March 29, 1981:
As always, I work. I live quieter than a mouse, keeping a low profile. ... I now get sick often. People upset me more and more. I do not hope for anything and expect nothing.
In another letter to Sviridov dated January 5, 1988, Weinberg expressed his dismay at how quickly loneliness became entrenched into his life, especially after the activity he experienced in the 1960s. "I do not lament it and accept it as a fact of life", he added.
His interest in new musical developments continued and he sought out personal acquaintance with some of the composers of the Soviet and Polish avant-garde, including Sofia Gubaidulina, Alfred Schnittke, and Penderecki; he developed a cordial rapport with the latter two. In a 1988 interview, he named Sergei Berinsky, Vladimir Dovgan, Elena Firsova, Andrei Golovin, Vasily Lobanov, Alexander Raskatov, Vladimir Ryabov, Tatyana Sergeyeva, and Dmitri Smirnov as his favorite young Soviet composers.
After being diagnosed with Crohn's disease in the late 1980s, Weinberg's health sharply deteriorated. In 1990, he was awarded the USSR State Prize, his last Soviet honor. Despite discomfort from health problems, including a fever, Weinberg attended the ceremony at the Kremlin, which was broadcast on television. By the time of the collapse of the Soviet Union in 1991, his creative energies diminished. The change from a communist to capitalist system had an immediate and adverse effect on Weinberg. Dependent on state support his whole life, he was immediately left without any sources of income after the new Russian Federation halted funding for the renamed Union of Russian Composers. Fedoseyev, Raskatov, and Shostakovich's widow, Irina, were among those who thereafter provided Weinberg and his family with financial support.
Of more immediate concern was the loss of state healthcare. The Russian medical system had deteriorated to such a degree that he could not receive treatment after breaking his hip at his apartment in late 1992. Henceforth, he was homebound; in the last two years of his life he was bedridden. His wife Olga quit her job in order to devote herself to his care.
Belated recognition outside of Russia finally came at the very end of Weinberg's life, facilitated by Tommy Persson, a Swedish judge who learned about the composer from reading Boris Schwartz's Music and Musical Life in Soviet Russia: 1917–1970. In the 1990s, Persson was the foremost promoter of the composer's music outside of Russia. On December 8, 1994, Weinberg received at his apartment a delegation from the Polish Embassy in Russia, who awarded him the Meritorious Activist of Culture. Eugeniusz Mielcarek, then a cultural attaché, recalled:
The composer was weak, bedridden, and evidently exhausted by illness, but calm. ... During my two-hour visit, he was clearly animated and interested in our conversation. He asked me about Polish composers, regretted that he could not return to Poland, and stressed his hope that his pieces could be performed in Poland. I officially informed him about awarding him the Polish medal and asked if I might decorate him. He agreed. It was an unconventional ceremony, but at the same time very emotional. When I was pinning the decoration on him, I saw that he did not hide the fact that he was very moved. ... "I have to complain to you about the Creator", said [he]. "As you can see, his idea of old age was not a success".
On March 8, 1995, Vadim Altskan, a representative of the United States Holocaust Memorial Museum, presented Weinberg with a recording that had been made there of his Piano Trio. Although he noted that Weinberg's speech was impeded by severe breathing problems and that he looked "very thin, very faint, like a shadow", Altskan said his face retained a youthful countenance.
Conversion to Christianity
In late November 1995, Weinberg discussed with his wife his interest in converting to Orthodox Christianity. His decision had been influenced from reading Joseph Brodsky's poem "Nunc Dimittis", whose depiction of Simeon Stylites the composer found moving. Weinberg was baptized in February 1996. A letter from Weinberg to Sviridov contains annotations from the latter that suggest the two composers may have discussed matters pertaining to the Orthodox Church in person or over the telephone in late 1988. In the same letter, Weinberg wrote of his concern over the "inevitability of losing one's physical shell" and of his music's "contact with spiritual, eternal values, without which a man is not a man".
Fanning believed that Weinberg converted under pressure from his wife, who was a Sunday school teacher of Jewish ancestry. Weinberg's first daughter, Viktoria, said in a 2016 interview that because of Weinberg's chronic illnesses, she doubted that his conversion had been voluntary. In her experience, Weinberg had "never engaged in pursuit of God and was not religious at all". Olga denied that Weinberg had been coerced into conversion. She replied that involuntary baptism is sinful and of no value, and that Weinberg had been considering his conversion for about a year before he asked to be baptized. In his monograph on Weinberg, the British musicologist Daniel Elphick said that Weinberg's conversion must be considered in context of the fact that there is no evidence that he ever practiced the Jewish faith:
Weinberg made extremely few statements about religion, but he evidently believed in God. His decision to convert was, according to [his daughter Anna], "made entirely in his right mind". Although his first daughter has attempted to question this, all signs point to the conclusion that Weinberg made this very personal decision when faced with his imminent death.
Gwizdalanka said that although Weinberg may not have been aware that anti-Semitism in the Orthodox Church exceeded that in Western Christianity, the message of death as freedom and the promise of eternity in Brodsky's poem had been decisive in his conversion. "[Weinberg] was not just baptized, but he was a profoundly devout, Orthodox man", according to Fedoseyev. "Nobody forced him to do anything, he did everything with conviction and of his own will".
Death
Weinberg died on February 26, 1996, in Moscow. Minutes before his death, Weinberg asked Olga to read to him from The Gospel. His last words were a request for "some water", after which he sipped, then died. After a small funeral service presided by Alexander Medvedev, the librettist of The Passenger, and Valentin Berlinsky, Weinberg was buried on March 1, 1996, at Domodedovo Cemetery.
Recollections
WeinbergWeinbergSpotifyYouTube Music (search)Tracklist · 13 tracks1Concertino for Cello and String Orchestra, op. 43bis: I. Adagio4:172Concertino for Cello and String Orchestra, op. 43bis: II. Moderato espressivo3:133Concertino for Cello and String Orchestra, op. 43bis: III. Allegro vivace3:134Concertino for Cello and String Orchestra, op. 43bis: IV. Adagio – Adagio tempo primo4:535Concertino for Violin and String Orchestra, op. 42: I. Allegretto cantabile7:556Concertino for Violin and String Orchestra, op. 42: II. Cadenza: Lento – Adagio6:367Concertino for Violin and String Orchestra, op. 42: III. Allegro moderato poco rubato5:168Rhapsody on Moldavian Themes, op. 47 no. 310:569Symphony no. 7 in C, op. 81: I. Adagio sostenuto5:5210Symphony no. 7 in C, op. 81: II. Allegro – Adagio sostenuto6:2911Symphony no. 7 in C, op. 81: III. Andante4:3412Symphony no. 7 in C, op. 81: IV. Adagio sostenuto2:4313Symphony no. 7 in C, op. 81: V. Allegro – Adagio sostenuto12:40's first wife, Natalya, mentioned him only twice in her memoirs. Viktoria, his first daughter, spoke at length about her father's character in a 2016 interview with the pianist Elisaveta Blumina. She said that her father avoided discussions about his past. The trauma Weinberg experienced, his daughter said, left enduring traits and habits. He was paranoid of continued anti-Semitic persecution, extremely fearful of being unpunctual, and greatly worried that his connections with people outside of the Soviet Union would draw official scrutiny. When Weinberg's former classmate, Małcużyński, requested to visit with him during a tour of the Soviet Union, the composer sought repeated reassurances from authorities that it was acceptable to meet with the pianist and invite him home. In general, Viktoria described Weinberg as being an unworldly person with a childish sense of helplessness at dealing with the world beyond music and that he constantly depended on the aid of family and friends. She also said that he was not an optimist by nature. "Given all the tragic twists in his destiny", she continued, "it was difficult for him to keep optimism and, maybe, even faith in God".
Olga, Weinberg's second wife, dismissed Viktoria's recollections, which she criticized as making the composer seem like a "mental defective, who sometimes appeared to be more like a psychopath or schizophrenic":
[Her] image of an idiot savant who is irresponsible for his own actions because he understood nothing outside of music reflects little of Weinberg's personality. A man who had financially supported his family since the age of 13, who beat out a living at the piano; a man who—while imprisoned was tortured by lack of sleep and the lights of nightsticks beamed into his eyes—never signed a single denunciation, must have known about personal responsibility. Closer to the essence of who he was are the words spoken about him in an article by his friend, the composer Lev Solin: "A mighty spirit in a fragile body".
Fedoseyev remembered Weinberg's "remarkable kindness" as a friend.
Work ethic
At home, family life was arranged entirely around WeinbergWeinbergSpotifyYouTube Music (search)Tracklist · 13 tracks1Concertino for Cello and String Orchestra, op. 43bis: I. Adagio4:172Concertino for Cello and String Orchestra, op. 43bis: II. Moderato espressivo3:133Concertino for Cello and String Orchestra, op. 43bis: III. Allegro vivace3:134Concertino for Cello and String Orchestra, op. 43bis: IV. Adagio – Adagio tempo primo4:535Concertino for Violin and String Orchestra, op. 42: I. Allegretto cantabile7:556Concertino for Violin and String Orchestra, op. 42: II. Cadenza: Lento – Adagio6:367Concertino for Violin and String Orchestra, op. 42: III. Allegro moderato poco rubato5:168Rhapsody on Moldavian Themes, op. 47 no. 310:569Symphony no. 7 in C, op. 81: I. Adagio sostenuto5:5210Symphony no. 7 in C, op. 81: II. Allegro – Adagio sostenuto6:2911Symphony no. 7 in C, op. 81: III. Andante4:3412Symphony no. 7 in C, op. 81: IV. Adagio sostenuto2:4313Symphony no. 7 in C, op. 81: V. Allegro – Adagio sostenuto12:40's work schedule, which began early in the morning daily. When compositions were completed, he would play them for his family and friends, often late into the night. According to Viktoria, Weinberg preferred to spend his time at home, rather than socializing. Music was the common bond between him and his closest friends. In letters to Olga, Weinberg declared that the act of composition was something he did not approach lightly. "[Composition] is an eternal conversation", he told her, "an eternal search for harmony between mankind and nature". He went on to declare his disdain for the ostentatious personal affectations cultivated by other artists. A true artist, according to him, must radiate their intrinsic quality and distinctiveness in everyday fellowship with his audience.
"He was quite strict as a professional", Fedoseyev recalled, but warm and humble to friends and colleagues:
Even on his deathbed, he managed to utter words that were crucial to me. In the very hushed voice of a dying man, he said: "Thank you, Vladimir Ivanovich". That was how he expressed his thanks to me for the fact that I always conducted many of his works. He was very courteous, always even-tempered with colleagues, but, unfortunately, they did not respond in kind, somehow did not notice it. I would even say—they crushed him. It is difficult for me to judge the reasons for such coldness. Envy perhaps?
The neglect of his music in later years personally disappointed Weinberg, but he made no effort to promote his own music and often lost interest in his works after he completed them.
Identification with Poland
"Poland is my homeland", Weinberg said after his visit to the country in 1966, "but my second homeland remains Russia". Nevertheless, the Polish language became for him a symbol of what was lost in his birthplace; he maintained his command of it and regularly read in the language. Meyer observed that Weinberg's Polish was perfect, formal, and bourgeois. Similarly, Mielcarek recalled Weinberg's reaction when asked whether he preferred to speak Polish before he received his honor in 1994:
It was as if he was waiting for that opportunity, as if he needed it. His Polish was beautiful, flawless, and typical of the prewar Polish intelligentsia. He spoke fluently with an extraordinary richness of vocabulary.
Afterwards, Weinberg talked about his frustration at having the realization of his musical ideas impeded by the decay of his body. When Mielcarek asked him how he coped, the composer replied: "Sir, fortunately there is still wonderful Polish music. Every day, I play Chopin's pieces in my mind and I also listen to Moniuszko's operas".
Political beliefs
Weinberg was a member of the CPSU. Alexander Tchaikovsky called him a "great patriot of the Soviet Union and Russia". Weinberg admonished detractors, whom he said did not understand wartime terrors and how his adopted homeland had saved his life. Throughout his life, Weinberg rejected suggestions that the official persecution endured by him or other composers, including Shostakovich, had been severe, and denied facts relating to these. "Evidently he had invested too much in his search for freedom to give up on it", wrote Fanning. Olga said in an essay published in 2023 that Weinberg's patriotism for the Soviet Union and Russia should not be misunderstood as an "imaginary love of Soviet officialdom".
Overview
WeinbergWeinbergSpotifyYouTube Music (search)Tracklist · 13 tracks1Concertino for Cello and String Orchestra, op. 43bis: I. Adagio4:172Concertino for Cello and String Orchestra, op. 43bis: II. Moderato espressivo3:133Concertino for Cello and String Orchestra, op. 43bis: III. Allegro vivace3:134Concertino for Cello and String Orchestra, op. 43bis: IV. Adagio – Adagio tempo primo4:535Concertino for Violin and String Orchestra, op. 42: I. Allegretto cantabile7:556Concertino for Violin and String Orchestra, op. 42: II. Cadenza: Lento – Adagio6:367Concertino for Violin and String Orchestra, op. 42: III. Allegro moderato poco rubato5:168Rhapsody on Moldavian Themes, op. 47 no. 310:569Symphony no. 7 in C, op. 81: I. Adagio sostenuto5:5210Symphony no. 7 in C, op. 81: II. Allegro – Adagio sostenuto6:2911Symphony no. 7 in C, op. 81: III. Andante4:3412Symphony no. 7 in C, op. 81: IV. Adagio sostenuto2:4313Symphony no. 7 in C, op. 81: V. Allegro – Adagio sostenuto12:40's work catalog consists of over 150 compositions designated with opus numbers, in addition to various incidental scores for feature films, cartoons, theatre, and the circus. His works include twenty-two symphonies, seventeen string quartets, nineteen instrumental sonatas, seven operas, four cantatas, four chamber symphonies, and more than one-hundred songs. Critical discourse about his music is mostly centered on his symphonies. Of all his works, the string quartets cover the widest span of his career, from 1937 to 1986. The composer used the genre to test ideas and stylistic motifs that he later developed in other compositions.
Weinberg's compositions from his youth in Poland consisted of a pair of mazurkas, the Three Pieces for violin and piano, and his String Quartet No. 1; the latter was dedicated to Turczyński. It was not until after he became a pupil of Zolotarev that Weinberg began to seriously pursue composition as a vocation. While resident in Minsk, Weinberg composed several works. These included his Piano Sonata No. 2; Acacias, his first song cycle, with texts by Julian Tuwim; and his Symphonic Poem. Weinberg said that Acacias was meant to be a distraction from wartime stresses. He dedicated it to an unnamed woman whom he may have been romantically interested in. The Symphonic Poem had initially been named the Chromatic Symphony. It was premiered on June 21, 1941, by the State Symphony Orchestra of the Byelorussian SSR conducted by Ilya Musin.
In Tashkent, Weinberg developed his skills and composed prolifically. Aside from the Violin Sonata No. 1, he composed the Piano Sonata No. 2, which was premiered in Moscow by Emil Gilels, whom he had met in Tashkent. Two pieces for string quartet, the "Aria" and "Capriccio", were also composed, but these remained unperformed during the composer's lifetime. In addition, he also composed his Children's Songs for voice and piano, based on texts by I. L. Peretz; they were the first of his compositions to be published.
Following Weinberg's move to Moscow in 1943, he no longer dealt with privation and successfully integrated into the city's musical culture. In the immediate postwar years, he added to his work catalog twenty-one compositions during these years—a total of approximately seven hours' worth of music. Many of them were quickly premiered after their completion. They were performed by Gilels, Maria Grinberg, Dmitri Tsyganov, and the Beethoven Quartet. Some of the most notable works Weinberg composed in this period include his Piano Quintet, Piano Trio, Symphony No. 2, and his String Quartets Nos. 3 – 6.
During the period immediately following his release from jail, Weinberg established a career that accommodated his personal goals with those of the state. By the end of the 1950s he began to reorient his energies back into concert music; a turn signaled in 1957 by the composition of the String Quartet No. 7, his first essay in the genre in eleven years. As his prosperity and visibility increased in the 1960s, so did his connections with the top Soviet musicians of the era. Along with longstanding friends like Kogan, who premiered the Violin Concerto, a new generation of musicians—including Rudolf Barshai, Timofei Dokschitzer, Mikhail Fichtenholz, Kirill Kondrashin, and Mstislav Rostropovich—incorporated his music into their repertoire. The "Allegretto" from Weinberg's String Quartet No. 7 became a favorite encore piece of the Borodin Quartet, while its successor, the String Quartet No. 8 from 1959, gained recognition in the West; for many years, it was the only one of the composer's quartets played in the West. Works which had long remained unperformed, such as the Symphony No. 2, were premiered and played in the Soviet Union and elsewhere within the Eastern Bloc.
Weinberg continued to be prolifically creative through the 1980s. Among the works he composed during this period were five symphonies, four solo sonatas, three song cycles, two chamber symphonies, two operas, two string quartets, an operetta, and a concerto. His output dropped as a consequence of chronic health problems and the collapse of the Soviet Union. Weinberg completed a few works in the 1990s, including the sketch score of his Symphony No. 22, his last. Worsening health prevented him from orchestrating it and from continuing any further composition after 1994. Elphick said that Weinberg's late music was both a product and reflection of the unraveling of Soviet society that occurred in the 1980s and 1990s. His final works, according to the British musicologist, "marked him out as something of a survivor, in terms of his main influences and his own musical language".
Themes
Childhood experiences and the trauma of World War II are recurring programmatic themes in WeinbergWeinbergSpotifyYouTube Music (search)Tracklist · 13 tracks1Concertino for Cello and String Orchestra, op. 43bis: I. Adagio4:172Concertino for Cello and String Orchestra, op. 43bis: II. Moderato espressivo3:133Concertino for Cello and String Orchestra, op. 43bis: III. Allegro vivace3:134Concertino for Cello and String Orchestra, op. 43bis: IV. Adagio – Adagio tempo primo4:535Concertino for Violin and String Orchestra, op. 42: I. Allegretto cantabile7:556Concertino for Violin and String Orchestra, op. 42: II. Cadenza: Lento – Adagio6:367Concertino for Violin and String Orchestra, op. 42: III. Allegro moderato poco rubato5:168Rhapsody on Moldavian Themes, op. 47 no. 310:569Symphony no. 7 in C, op. 81: I. Adagio sostenuto5:5210Symphony no. 7 in C, op. 81: II. Allegro – Adagio sostenuto6:2911Symphony no. 7 in C, op. 81: III. Andante4:3412Symphony no. 7 in C, op. 81: IV. Adagio sostenuto2:4313Symphony no. 7 in C, op. 81: V. Allegro – Adagio sostenuto12:40's music. His outlook as a composer was defined by personal humanism and opposition to fascism. His later music was motivated by his need to memorialize the violence of war, death of his family, and loss of Poland as homeland. Seven of Weinberg's compositions are dedicated to his family, of which four alone bear dedications to his mother; he commemorated the war in nine works, including the late symphonic trilogy, Having Crossed the Threshold of War. However, Weinberg adhered to the Soviet perception of World War II as a multinational tragedy to which no single group of peoples could claim having been exceptionally victimized. Therefore, his music neither explicitly commemorates the consequences that Jewish people experienced in the war nor the Holocaust in particular. His opera, The Passenger, while taking the Holocaust as its main subject, depicts prisoners from a wide range of nationalities and makes little specific mention of Jewish suffering.
Influences
Little is known about the influences and musical activities Weinberg experienced as a composer in Poland. While resident in Minsk, Weinberg first heard the music of Dmitri Shostakovich, an experience he later described as being like "the discovery of a continent". This occurred during a performance by the State Symphony Orchestra of the Byelorussian SSR of Shostakovich's Symphony No. 5. Because the orchestra lacked a harp and celesta, Weinberg, who was the staff pianist, played both parts on the piano:
And so this was the first time I found out any music by [Shostakovich]... I understood that being just any composer was for more or less talented craftsmen, but a real composer was a reasoning and comprehending personality. I remember how, sitting and playing in the orchestra, I was amazed by every phrase, every musical idea, as if a thousand electrical charges were piercing me. Probably this is the feeling felt by everyone who at one time or another has felt the urge to exclaim "Eureka!"
Aside from the Three Fantastic Dances, Weinberg had little previous familiarity with Shostakovich's music, a fact he expressed regret for later in life. "Even today I feel aggrieved because I was deprived of his music in the strongest, freshest years of my youth", he said.
Fanning and Elphick wrote that Shostakovich, in turn, was also influenced by Weinberg, particularly in his early string quartets. When the composer Grigory Frid pointed out this mutual influence to Weinberg, the latter dismissed it. "What are you, crazy?", Weinberg replied.
Sergei Prokofiev was another important influence on Weinberg's music, as were Béla Bartók, Paul Hindemith, Gustav Mahler, and Myaskovsky. Nikitina noted that Weinberg adopted from Mahler a desire to express through music a perception of reality that was profound and tragic. She said that the composer's programmatic attitudes to composition and what she described as the pantheistic outlook of works such as the Sixth and Eighth symphonies best exemplified the connection between the two composers. Weinberg's chamber music also evinces the influence of Alexander Borodin, Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, and Pyotr Ilyich Tchaikovsky. His music also contains elements of traditional Polish, Russian, and Jewish music. Deliberate choice and circumstances beyond Weinberg's control led him to be influenced by the Polish and Soviet avant-garde in his late music.
According to Nikitina, the decisive event in Weinberg's career was his move to the Soviet Union, where he matured as a composer. As a result, she said, his work was "inextricably bound with Soviet artistic and quotidian life" and is stylistically interlinked with the music of his compatriot contemporaries.
In the Soviet Union and Russia
WeinbergWeinbergSpotifyYouTube Music (search)Tracklist · 13 tracks1Concertino for Cello and String Orchestra, op. 43bis: I. Adagio4:172Concertino for Cello and String Orchestra, op. 43bis: II. Moderato espressivo3:133Concertino for Cello and String Orchestra, op. 43bis: III. Allegro vivace3:134Concertino for Cello and String Orchestra, op. 43bis: IV. Adagio – Adagio tempo primo4:535Concertino for Violin and String Orchestra, op. 42: I. Allegretto cantabile7:556Concertino for Violin and String Orchestra, op. 42: II. Cadenza: Lento – Adagio6:367Concertino for Violin and String Orchestra, op. 42: III. Allegro moderato poco rubato5:168Rhapsody on Moldavian Themes, op. 47 no. 310:569Symphony no. 7 in C, op. 81: I. Adagio sostenuto5:5210Symphony no. 7 in C, op. 81: II. Allegro – Adagio sostenuto6:2911Symphony no. 7 in C, op. 81: III. Andante4:3412Symphony no. 7 in C, op. 81: IV. Adagio sostenuto2:4313Symphony no. 7 in C, op. 81: V. Allegro – Adagio sostenuto12:40's music was generally received positively in his early years in the Soviet Union, but it faced insinuations about its perceived derivativeness and dependence on wartime imagery. Postwar music critics, particularly Daniel Zhitomirsky, wrote about Weinberg's music more favorably. His Piano Quintet was nominated for a Stalin Prize in 1945. The work was denied a prize because one of the jury members, the architect Arkady Mordvinov, objected to the work's use of pizzicato, a common string technique that he was unfamiliar with. His rebuke of the work was also interpreted as a proxy attack against Shostakovich. In the event, Weinberg's friend, Georgy Sviridov, ultimately won the first class prize in the chamber music category with his Piano Trio. In 1952, Shostakovich nominated Weinberg's Rhapsody on Moldavian Themes for a Stalin Prize, but it lost. Weinberg was one of the few major Soviet composers of the 1940s and early 1950s who neither won a Stalin Prize nor whose nominations ever progressed beyond the first round of voting.
The "stellar years" of the 1960s generated most of the Russian publications about Weinberg during his lifetime. The reception of his instrumental music proceeded largely without negative commentary. Mixed reactions and hostility from colleagues met his vocal music, however, such as his Symphony No. 6. A work that the musicologist Lyudmila Nikitina said is structured "akin to a dramatic monologue", it is the first of his six vocal symphonies, and consists of settings of texts by Leib Kvitko, Shmuel Halkin, and Mikhail Lukonin; all of whom were considered to be politically suspect by authorities. After its premiere on November 12, 1963, Dmitry Kabalevsky confided his intense dislike of the work to Karen Khachaturian and Rodion Shchedrin. The details of his criticism were relayed to Weinberg. Later, at a meeting of the Ministry of Culture, the musicologist Boris Yarustovsky attacked the symphony for being what he called a "ballad of dead children". Their opposition resulted in the cancellation of an article about the symphony that had been scheduled for a forthcoming issue of Sovyetskaya Kultura. Weinberg was later personally confronted about the symphony by Kabalevsky, who related to him that he was "immensely despondent and aghast at [its] extraordinary failure". When pressed about why the symphony was "hopeless, sad, and even demoralizing", Weinberg responded that his symphony was nothing of the kind. "The whole point of the symphony", he told Kabalevsky, "was about the struggle against the most terrible evil of all—war—and that the Soviet people, who had suffered from fascism the most, would never permit war and, therefore, could sleep in peace".
In 1976, Weinberg composed his Symphony No. 12 in Shostakovich's memory and asked Kondrashin to conduct its premiere. The conductor had previously balked at Weinberg's vocal symphonies. When he was offered the Symphony No. 12, he accused the composer of having become "arid, variable in quality, and expressionless" since his Symphony No. 8. He stipulated that he would only conduct the new symphony contingent on extensive cuts to the score to be approved by him. Exasperated by Kondrashin's behavior, Weinberg terminated his friendship with him. Another friendship that ended was with Rostropovich, for whom the 24 Preludes for solo cello had been intended. By the time of its composition in 1968, his relationship with Weinberg worsened to the point that he never performed the work, despite having edited it for publication. Weinberg said near the end of his life that Rostropovich had become "too busy" to play his music. Rostropovich, on the other hand, said little other than calling Weinberg "a coward". Other performers who regularly played Weinberg's music, like Barshai, had emigrated.
According to Alexander Tchaikovsky, Weinberg's rapid marginalization from the mainstream of Soviet music in the 1980s was the by-product of increased interest in avant-gardists of the time such as Alfred Schnittke, Sofia Gubaidulina, and Edison Denisov that had occurred because of glasnost and perestroika. "Weinberg somehow [did] not exist for Soviet music", Tchaikovsky said. Many of Weinberg's friends and colleagues had also died or left the Soviet Union. Because Weinberg never taught, he was unable to benefit from the help of a network of colleagues and students.
Weinberg's 75th birthday in 1994 elicited no response from the Russian government and various musical organizations. The 80th anniversary of his birth in 1999, however, was commemorated with six concerts that programmed twenty-four of his chamber works and was followed by a symposium. Interest in Weinberg's music within Russia has increased in the 21st century, but not to the same degree as in the West.
In German
Sapper, Manfred (2010). Die Macht der Musik (in German). Berlin: BWV, Berliner Wiss.-Verl. ISBN 978-3-8305-1710-8.
Gwizdalanka, Danuta (April 14, 2020). Der Passagier (in German). Wiesbaden: Harrassowitz. ISBN 978-3-447-11409-7.
In Polish
Gwizdalanka, Danuta; (Poznań)., Teatr Wielki im. Stanisława Moniuszki (2013). Mieczysław Wajnberg (in Polish). Poznań: Teatr Wielki im. Stanisława Moniuszki. ISBN 978-83-913521-6-8.
In Russian
Khazdan, Evgenia Петербургская опера: «Идиот» в Мариинском театре (Petersburg Opera: "The Idiot
The IdiotSpotifyYouTube Music (search)Tracklist · 39 tracks · 3 discsDisc 11The Idiot, op. 144: Act I: Prelude1:462The Idiot, op. 144: Act I: Scene 1: Well? Cold?6:253The Idiot, op. 144: Act I: Scene 1: I can’t live without her, I can’t3:364The Idiot, op. 144: Act I: Scene 1: Is it you, Ganya?7:305The Idiot, op. 144: Act I: Scene 2: Will seventy thousand be enough?9:416The Idiot, op. 144: Act I: Scene 2: Do you like her, Prince?4:437The Idiot, op. 144: Act I: Scene 2: I remember… I was taken away from Russia5:088The Idiot, op. 144: Act I: Scene 2: You devils! You money‐monger!2:499The Idiot, op. 144: Act I: Scene 2: As I saw your faces, my heart became lighter7:0110The Idiot, op. 144: Act I: Scene 2: Just one word and I’m saved!6:2711The Idiot, op. 144: Act II: Scene 3: The Truth! The Truth!5:5012The Idiot, op. 144: Act II: Scene 3: Nastassya Filippovna6:1413The Idiot, op. 144: Act II: Scene 3: Hello, Ganka!6:5614The Idiot, op. 144: Act II: Scene 3: Prince, I played it badly, would you forgive me!4:17Disc 21The Idiot, op. 144: Act II: Scene 4: My soul is on fire6:282The Idiot, op. 144: Act II: Scene 4: The Prince is the first person in my entire life that I believed in!6:563The Idiot, op. 144: Act II: Scene 4: Am I a princess now?6:204The Idiot, op. 144: Act II: Scene 4: Why are you crying?3:475The Idiot, op. 144: Act II: Scene 4: I am ready, my queen!6:356The Idiot, op. 144: Act III: Scene 5: Rumors, rumors!2:297The Idiot, op. 144: Act III: Scene 5: Parfyon, perhaps I came at a bad time?5:368The Idiot, op. 144: Act III: Scene 5: Knife grinder, knife grinder!4:339The Idiot, op. 144: Act III: Scene 5: I feel so guilty!5:0710The Idiot, op. 144: Act III: Scene 6: How is the Prince?5:2211The Idiot, op. 144: Act III: Scene 6: Why do you stand on the tips of your toes?1:2712The Idiot, op. 144: Act III: Scene 6: They come… They come…7:3013The Idiot, op. 144: Act III: Scene 6: Oh my God! How do I feel!2:3814The Idiot, op. 144: Act III: Scene 6: Come together!1:31Disc 31The Idiot, op. 144: Act III: Scene 7: I will be waiting for you in the park at seven o’clock in the morning3:142The Idiot, op. 144: Act III: Scene 7: I have to change my life6:493The Idiot, op. 144: Act III: Scene 7: Oh, my God! Why is this happening?6:474The Idiot, op. 144: Act IV: Scene 8: I don’t understand anything!5:385The Idiot, op. 144: Act IV: Scene 8: They write… They write…8:476The Idiot, op. 144: Act IV: Scene 9: There is no one home, except the four of us6:157The Idiot, op. 144: Act IV: Scene 9: Just look at this young lady!8:068The Idiot, op. 144: Act IV: Scene 9: Ah, my prize, my prize5:289The Idiot, op. 144: Act IV: Scene 10: Nowhere to go… have nowhere to go3:5410The Idiot, op. 144: Act IV: Scene 10: Enter2:0011The Idiot, op. 144: Act IV: Scene 10: Now what, Parfyon?6:44" at the Mariinsky Theatre). Музыкальная академия. 2016, No. 4. С. 20–23. (in Russian, registration required)
Мечислав Вайнберг (1919–1996). Страницы биографии. Письма (Материалы международного форума). Москва, 2017.
Мечислав Вайнберг (1919–1996). Возвращение. Международный форум. Москва, Большой театр России, 2017.
In English
Krielaars, Michel (2025). The Sound of Utopia. London: Pushkin Press. ISBN 978-1-80533-002-8. Ch. 5, pp. 147-178: "Celebrated, Persecuted, Rehabilitated". Translated from the Dutch.
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 22 | 83.8th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 120 | 98.4th |
| Studio albums | 113 | 99.8th |
| Awards recorded | 3 | 95.4th |
| Timeline events | 113 | 99.8th |
| Recording span (years) | 2 | 14.7th |
| Genres | 4 | 84.7th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (120 release groups · 113 studio albums)
Albums · 113
Ballet “The Golden Key”, op. 55: Suites 1-3 (complete) • Suite no. 4 (excerpts)
1994 · studio album
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Tracklist · 26 tracks · 1:07:18
1The Golden Key, Suite no. 1: I. Prelude4:052The Golden Key, Suite no. 1: II. Papa Carlo Makes the Puppet Buratino3The Golden Key, Suite no. 1: III. Buratino’s Dance2:004The Golden Key, Suite no. 1: IV. Malvina’s Dance1:575The Golden Key, Suite no. 1: V. Arlecchino’s Dance1:076The Golden Key, Suite no. 1: VI. Pierrot’s Dance7The Golden Key, Suite no. 1: VII. Tarantella1:348The Golden Key, Suite no. 1: VIII. Adagio5:159The Golden Key, Suite no. 1: IX. (interlude)5:3310The Golden Key, Suite no. 2: I. Interlude no. 23:3611The Golden Key, Suite no. 2: II. The Arrival of the Theatre12The Golden Key, Suite no. 2: III. Gossips; Girl and Boy3:3313The Golden Key, Suite no. 2: IV. Colombina and the Chimney-Sweep1:5814The Golden Key, Suite no. 2: V. Adagio no. 26:1815The Golden Key, Suite no. 2: VI. Scherzo1:5316The Golden Key, Suite no. 2: VII. Scuffle3:0717The Golden Key, Suite no. 3: I. The Stage4:3718The Golden Key, Suite no. 3: II. Papa Carlo2:1719The Golden Key, Suite no. 3: III. Fire-Fly’s March1:2120The Golden Key, Suite no. 3: IV. The Tortoise1:5321The Golden Key, Suite no. 3: V. Karabas Examines Buratino1:2622The Golden Key, Suite no. 3: VI. At the Police Station2:2323The Golden Key, Suite no. 3: VII. The Skipping-Rope3:2624The Golden Key, Suite no. 4: I. Dance of Rat Shushera1:1325The Golden Key, Suite no. 4: II. The Lesson2:4826The Golden Key, Suite no. 4: III. The Chase3:58Symphony no. 10 in A minor / Symphony no. 6 in A minor
1994 · studio album
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Tracklist · 5 tracks · 1:13:09
1Symphony no. 10 in A minor: I. Concerto grosso8:522Symphony no. 10 in A minor: II. Pastoral / III. Canzone / IV. Burlesque / V. Inversion22:213Symphony no. 6 in A minor: I. Adagio sostenuto12:444Symphony no. 6 in A minor: II. Allegretto5:405Symphony no. 6 in A minor: III. Allegro molto / IV. Largo / V. Andantino23:32Symphony no. 7, op. 81 / Symphony no. 12, op. 114
1994 · studio album
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Tracklist · 9 tracks · 1:18:28
1Symphony no. 7, op. 81: I. Allegro moderato5:002Symphony no. 7, op. 81: II. Allegro4:413Symphony no. 7, op. 81: III. Andante4:154Symphony no. 7, op. 81: IV. Adagio sostenuto2:175Symphony no. 7, op. 81: V. Allegro9:566Symphony no. 12, op. 114 “In Memory of Dmitri Shostakovich”: I. Allegro moderato19:217Symphony no. 12, op. 114 “In Memory of Dmitri Shostakovich”: II. Allegretto7:168Symphony no. 12, op. 114 “In Memory of Dmitri Shostakovich”: III. Adagio11:009Symphony no. 12, op. 114 “In Memory of Dmitri Shostakovich”: IV. Allegro14:42Symphony no. 12 / Flute Concerto
1994 · studio album
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Tracklist · 5 tracks · 1:06:32
1Symphony no. 12 (in memoriam D. Shostakovich), op. 114: Allegro moderato19:222Symphony no. 12 (in memoriam D. Shostakovich), op. 114: Allegretto7:213Symphony no. 12 (in memoriam D. Shostakovich), op. 114: Adagio - Allegro25:454Flute Concerto in D minor, op. 75: Allegro molto4:445Flute Concerto in D minor, op. 75: Largo - Allegro commodo9:20String Quartet no. 12, op. 103 / Piano Quintet, op. 18
1995 · studio album
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Tracklist · 9 tracks · 1:10:10
1Piano Quintet, op. 18: I. Moderato con moto7:322Piano Quintet, op. 18: II. Allegretto5:563Piano Quintet, op. 18: III. Presto5:134Piano Quintet, op. 18: IV. Largo12:555Piano Quintet, op. 18: V. Allegro agitato8:296String Quartet no. 12, op. 103: I. Largo7:387String Quartet no. 12, op. 103: II. Allegretto5:008String Quartet no. 12, op. 103: III. Presto6:409String Quartet no. 12, op. 103: IV. Moderato10:471996 · studio album
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Tracklist · 27 tracks · 57:27
1Twenty-Four Preludes for Cello Solo, op. 100: I1:482Twenty-Four Preludes for Cello Solo, op. 100: II1:193Twenty-Four Preludes for Cello Solo, op. 100: III0:594Twenty-Four Preludes for Cello Solo, op. 100: IV1:355Twenty-Four Preludes for Cello Solo, op. 100: V2:186Twenty-Four Preludes for Cello Solo, op. 100: VI1:237Twenty-Four Preludes for Cello Solo, op. 100: VII1:448Twenty-Four Preludes for Cello Solo, op. 100: VIII1:119Twenty-Four Preludes for Cello Solo, op. 100: IX1:5310Twenty-Four Preludes for Cello Solo, op. 100: X2:0411Twenty-Four Preludes for Cello Solo, op. 100: XI2:1912Twenty-Four Preludes for Cello Solo, op. 100: XII2:2113Twenty-Four Preludes for Cello Solo, op. 100: XIII1:3114Twenty-Four Preludes for Cello Solo, op. 100: XIV0:4815Twenty-Four Preludes for Cello Solo, op. 100: XV3:0416Twenty-Four Preludes for Cello Solo, op. 100: XVI1:4917Twenty-Four Preludes for Cello Solo, op. 100: XVII2:1218Twenty-Four Preludes for Cello Solo, op. 100: XVIII3:0419Twenty-Four Preludes for Cello Solo, op. 100: XIX2:0220Twenty-Four Preludes for Cello Solo, op. 100: XX1:2521Twenty-Four Preludes for Cello Solo, op. 100: XXI1:2122Twenty-Four Preludes for Cello Solo, op. 100: XXII1:2423Twenty-Four Preludes for Cello Solo, op. 100: XXIII1:5124Twenty-Four Preludes for Cello Solo, op. 100: XXIV2:2525Sonata No. 1 for Cello Solo, op. 72: I. Adagio6:1626Sonata No. 1 for Cello Solo, op. 72: II. Allegretto3:2727Sonata No. 1 for Cello Solo, op. 72: III. Allegro3:54Symphony no. 17, op. 137 “Memory” / The Banners of Peace, op. 143
1996 · studio album
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Tracklist · 5 tracks · 1:11:04
1Symphony no. 17, op. 137 “Memory”: I. Adagio Sostenuto11:002Symphony no. 17, op. 137 “Memory”: II. Allegro molto14:523Symphony no. 17, op. 137 “Memory”: III. Allegro moderato5:374Symphony no. 17, op. 137 “Memory”: IV.16:505Symphonic Poem “The Banners of Peace”, op. 14322:45Volume 5: Children’s Notebooks 1-3 / Trio, op. 24
1996 · studio album
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Tracklist · 27 tracks · 1:10:36
1Notebook no. 1: I. Larghetto1:312Notebook no. 1: II. Allegro1:233Notebook no. 1: III. Moderato maestoso1:574Notebook no. 1: IV. Tempo di valse1:125Notebook no. 1: V. Allegretto1:236Notebook no. 1: VI. Presto0:567Notebook no. 1: VII. Andante tranquillo2:498Notebook no. 1: VIII. Larghetto1:339Notebook no. 2: I. Largo2:5910Notebook no. 2: II. Allegretto1:1711Notebook no. 2: III. Moderato1:1912Notebook no. 2: IV. Lento3:0813Notebook no. 2: V. Allegro1:3314Notebook no. 2: VI. Andantino1:3115Notebook no. 2: VII. Marziala lugubre2:0816Notebook no. 2: VIII. Andante2:0917Notebook no. 3: I. Allegro marcato1:2918Notebook no. 3: II. Allegto commodo0:5819Notebook no. 3: III. Moderato2:0620Notebook no. 3: IV. Prestissimo0:5921Notebook no. 3: V. Allegretto quasi andantino2:1022Notebook no. 3: VI. Lento funebre, Allegro appassionato3:2023Notebook no. 3: VII. Andantino semplice1:2224Trio, op. 24: I. Prelude and Aria. Larghetto4:2925Trio, op. 24: II. Toccata. Allegro4:2226Trio, op. 24: III. Poem. Moderato8:5127Trio, op. 24: IV. Finale. Allegro moderato11:421996 · studio album
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Tracklist · 6 tracks · 1:14:25
1Symphony no. 14, op. 11716:292Symphony no. 14, op. 117 (continued)14:393Symphony no. 18, op. 138 "War, there is no word more cruel": I. Adagio - Allegro14:034Symphony no. 18, op. 138 "War, there is no word more cruel": II. "They buried him in the earth"12:155Symphony no. 18, op. 138 "War, there is no word more cruel": III. "Dearest little berry, you do not know the pain in my heart"13:016Symphony no. 18, op. 138 "War, there is no word more cruel": IV. "War - there is no word more cruel"3:58Symphony no. 19, op. 145 "The Bright May" / Chamber Symphony no. 3, op. 151
1997 · studio album
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Tracklist · 7 tracks · 1:05:20
1Symphony no. 19, op. 142 “The Bright May”10:202Symphony no. 19, op. 142 “The Bright May”13:233Symphony no. 19, op. 142 “The Bright May”10:034Chamber Symphony no. 3, op. 151: I. Lento8:365Chamber Symphony no. 3, op. 151: II. Allegro molto5:176Chamber Symphony no. 3, op. 151: III. Adagio7:307Chamber Symphony no. 3, op. 151: IV. Andantino10:111997 · studio album
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Tracklist · 10 tracks · 1:00:45
1String Quartet no. 1, op. 2: I. Allegro commodo6:572String Quartet no. 1, op. 2: II. Andante tranquillo6:053String Quartet no. 1, op. 2: III. Allegro molto6:464String Quartet no. 10, op. 85: I. Adagio8:115String Quartet no. 10, op. 85: II. Allegro5:166String Quartet no. 10, op. 85: III. Adagio3:167String Quartet no. 10, op. 85: IV. Allegretto7:438String Quartet no. 17, op. 146: I. Allegro4:009String Quartet no. 17, op. 146: II. Andantino7:5910String Quartet no. 17, op. 146: III. Allegro4:321998 · studio album
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Tracklist · 9 tracks · 1:07:00
1Piano Sonata no. 4, op. 56: I. Allegro7:072Piano Sonata no. 4, op. 56: II. Allegro3:173Piano Sonata no. 4, op. 56: III. Adagio8:174Piano Sonata no. 4, op. 56: IV. Allegro8:145Piano Sonata no. 5, op. 58: I. Allegro8:446Piano Sonata no. 5, op. 58: II. Andante10:327Piano Sonata no. 5, op. 58: III. Allegretto7:598Piano Sonata no. 6, op. 73: I. Adagio6:599Piano Sonata no. 6, op. 73: II. Allegro molto5:511998 · studio album
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Tracklist · 8 tracks · 1:01:11
1Chamber Symphony no. 1, op. 145: I. Allegro9:052Chamber Symphony no. 1, op. 145: II. Andante9:243Chamber Symphony no. 1, op. 145: III. Allegretto4:294Chamber Symphony no. 1, op. 145: IV. Presto4:245Chamber Symphony no. 4, op. 153: Lento –8:076Chamber Symphony no. 4, op. 153: Allegro Molto – Moderato –7:167Chamber Symphony no. 4, op. 153: Adagio –7:518Chamber Symphony no. 4, op. 153: Meno Mosso – Andantino – Adagissimo10:351998 · studio album
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Tracklist · 28 tracks · 1:10:39
1Piano Sonata no. 1, op. 5: I. Adagio7:062Piano Sonata no. 1, op. 5: II. Allegretto2:163Piano Sonata no. 1, op. 5: III. Andantino2:174Piano Sonata no. 1, op. 5: IV. Allegro molto3:145Piano Sonata no. 2, op. 8: I. Allegro4:176Piano Sonata no. 2, op. 8: II. Allegretto2:157Piano Sonata no. 2, op. 8: III. Adagio6:448Piano Sonata no. 2, op. 8: IV. Vivace3:369Piano Sonata no. 3, op. 31: I. Allegro tranquillo9:3810Piano Sonata no. 3, op. 31: II. Adagio7:2911Piano Sonata no. 3, op. 31: III. Moderato con moto5:471217 Easy Pieces, op. 34: 1. Merry March0:241317 Easy Pieces, op. 34: 2. The Nightingale1:151417 Easy Pieces, op. 34: 3. The Skipping Rope0:321517 Easy Pieces, op. 34: 4. Baba Yaga0:251617 Easy Pieces, op. 34: 5. Playmates0:511717 Easy Pieces, op. 34: 6. The Sick Doll1:111817 Easy Pieces, op. 34: 7. A Tin Soldier0:561917 Easy Pieces, op. 34: 8. Grandmother’s Fairy Tale1:122017 Easy Pieces, op. 34: 9. The Little Shepherd0:582117 Easy Pieces, op. 34: 10. Hide and Seek0:382217 Easy Pieces, op. 34: 11. Father Frost0:552317 Easy Pieces, op. 34: 12. Melancholy Waltz1:092417 Easy Pieces, op. 34: 13. The Goldfish0:502517 Easy Pieces, op. 34: 14. Petrushka’s Lament0:372617 Easy Pieces, op. 34: 15. Catch Me If You Can0:162717 Easy Pieces, op. 34: 16. The Dolls2:072817 Easy Pieces, op. 34: 17. Good Night1:44Symphony no. 2 / Chamber Symphony no. 2
1999 · studio album
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Tracklist · 6 tracks · 56:48
1Symphony no. 2, op. 30: I. Allegro moderato13:232Symphony no. 2, op. 30: II. Adagio9:343Symphony no. 2, op. 30: III. Allegretto9:424Chamber Symphony no. 2, op. 147: I. Allegro molto8:535Chamber Symphony no. 2, op. 147: II. Pesante5:036Chamber Symphony no. 2, op. 147: III. Andante sostenuto10:13Complete Music for Solo Cello ● 2: Sonatas Nos. 2, 3 And 4
1999 · studio album
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Tracklist · 12 tracks · 1:00:12
1Sonata no. 2, op. 86: I. Moderato sostenuto3:172Sonata no. 2, op. 86: II. Allegretto3:213Sonata no. 2, op. 86: III. Adagio6:174Sonata no. 2, op. 86: IV. Presto6:125Sonata no. 3, op. 106: I. Allegro7:226Sonata no. 3, op. 106: II. Allegretto2:357Sonata no. 3, op. 106: III. Lento5:148Sonata no. 3, op. 106: IV. Presto4:299Sonata no. 4, op. 140: I. Andante5:3410Sonata no. 4, op. 140: II. Allegretto3:3111Sonata no. 4, op. 140: III. Allegro molto3:1512Sonata no. 4, op. 140: I. Andante (original version)9:05Symphonies, Volume 1: Symphony no. 5 / Sinfonietta no. 1
2003 · studio album
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Tracklist · 8 tracks · 1:07:47
1Symphony no. 5 in F minor, op. 76: I. Allegro moderato13:112Symphony no. 5 in F minor, op. 76: II. Adagio sostenuto12:363Symphony no. 5 in F minor, op. 76: III. Allegro7:244Symphony no. 5 in F minor, op. 76: IV. Andantino12:265Sinfonietta no. 1, op. 41: I. Allegro risoluto4:536Sinfonietta no. 1, op. 41: II. Lento7:487Sinfonietta no. 1, op. 41: III. Allegretto vivace3:238Sinfonietta no. 1, op. 41: IV. Vivace6:06On the Threshold of Hope: Mieczyslaw Weinberg Chamber Music
2006 · studio album
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Tracklist · 14 tracks · 1:16:44
1Sonata for Clarinet and Piano, Op. 28: I. Allegro5:222Sonata for Clarinet and Piano, Op. 28: II. Allegretto6:453Sonata for Clarinet and Piano, Op. 28: III. Adagio6:364Jewish Songs After Shmuel Halkin, Op. 17: Tsu di royte kriger1:595Jewish Songs After Shmuel Halkin, Op. 17: Di muter1:456Jewish Songs After Shmuel Halkin, Op. 17: Nayyor lid2:557Jewish Songs After Shmuel Halkin, Op. 17: Tsum libn1:438Jewish Songs After Shmuel Halkin, Op. 17: Tife griber, royte leym4:549Jewish Songs After Shmuel Halkin, Op. 17: Tsum shlakhtman1:2510Piano Quintet, Op. 18: I. Moderato con moto8:0311Piano Quintet, Op. 18: II. Allegretto6:3912Piano Quintet, Op. 18: III. Presto6:0313Piano Quintet, Op. 18: IV. Largo14:0014Piano Quintet, Op. 18: V. Allegro agitato8:352007 · studio album
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Tracklist · 8 tracks · 1:05:42
1Violin Sonata No. 3, Op. 37: I. Allegro Moderato4:122Violin Sonata No. 3, Op. 37: II. Andantino6:433Violin Sonata No. 3, Op. 37: III. Allegretto Cantabile8:004Violin Sonata No. 4, Op. 39: I. Adagio8:275Violin Sonata No. 4, Op. 39: II. Allegro Ma Non Troppo - III. Adagio Primo7:596Violin Sonata, Op. 134: I. Andante10:207Violin Sonata, Op. 134: II. Allegretto6:378Violin Sonata, Op. 134: III. Largo - Andante13:242007 · studio album
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Tracklist · 8 tracks · 55:44
1Sonata no. 1 for Cello and Piano, op. 21: I. Lento ma non troppo8:492Sonata no. 1 for Cello and Piano, op. 21: II. Un poco moderato - Lento ma non troppo10:203Sonata no. 1 for Cello Solo, op. 72: I. Adagio7:164Sonata no. 1 for Cello Solo, op. 72: II. Allegretto3:305Sonata no. 1 for Cello Solo, op. 72: III. Allegro4:156Sonata no. 2 for Cello and Piano, op. 63: I. Moderato6:437Sonata no. 2 for Cello and Piano, op. 63: II. Andante8:218Sonata no. 2 for Cello and Piano, op. 63: III. Allegro6:302007 · studio album
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Tracklist · 8 tracks · 1:05:18
1Quartet for Strings no. 4 in E-flat major, op. 20: I. Allegro comodo10:452Quartet for Strings no. 4 in E-flat major, op. 20: II. Moderato assai7:163Quartet for Strings no. 4 in E-flat major, op. 20: III. Largo marciale9:444Quartet for Strings no. 4 in E-flat major, op. 20: IV. Allegro moderato7:175Quartet for Strings no. 16 in A-flat minor, op. 130: I. Allegro9:046Quartet for Strings no. 16 in A-flat minor, op. 130: II. Allegro - Andantino - Allegro5:157Quartet for Strings no. 16 in A-flat minor, op. 130: III. Lento6:398Quartet for Strings no. 16 in A-flat minor, op. 130: IV. Moderato9:182008 · studio album
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Tracklist · 36 tracks · 3:58:18
Disc 11Fantasia for cello and orchestra, Op. 52: I. Adagio - andante leggiero - adagio -8:242Fantasia for cello and orchestra, Op. 52: II. Allegro con fuoco - Cadenza (Lento) -7:343Fantasia for cello and orchestra, Op. 52: III. Andantino leggiero - Adagio3:054Concerto No. 2 for flute and orchestra, Op. 148: I. Allegro8:225Concerto No. 2 for flute and orchestra, Op. 148: II. Largo4:326Concerto No. 2 for flute and orchestra, Op. 148: III. Allegretto - Andante molto ritenuto - Largo6:467Concerto No. 1 for flute and string orchestra, Op. 75: I. Allegro molto5:038Concerto No. 1 for flute and string orchestra, Op. 75: II. Largo -4:289Concerto No. 1 for flute and string orchestra, Op. 75: III. Allegro comodo5:2110Concerto for clarinet and string orchestra, Op. 104: I. Allegro9:3011Concerto for clarinet and string orchestra, Op. 104: II. Andante -9:1212Concerto for clarinet and string orchestra, Op. 104: III. Allegretto7:09Disc 21Fantasia for cello and orchestra, Op. 52: I. Adagio - andante leggiero - adagio -8:242Fantasia for cello and orchestra, Op. 52: II. Allegro con fuoco - Cadenza (Lento) -7:343Fantasia for cello and orchestra, Op. 52: III. Andantino leggiero - Adagio3:054Concerto No. 2 for flute and orchestra, Op. 148: I. Allegro8:225Concerto No. 2 for flute and orchestra, Op. 148: II. Largo4:326Concerto No. 2 for flute and orchestra, Op. 148: III. Allegretto - Andante molto ritenuto - Largo6:467Concerto No. 1 for flute and string orchestra, Op. 75: I. Allegro molto5:038Concerto No. 1 for flute and string orchestra, Op. 75: II. Largo -4:289Concerto No. 1 for flute and string orchestra, Op. 75: III. Allegro comodo5:2110Concerto for clarinet and string orchestra, Op. 104: I. Allegro9:3011Concerto for clarinet and string orchestra, Op. 104: II. Andante -9:1212Concerto for clarinet and string orchestra, Op. 104: III. Allegretto7:09Disc 31Fantasia for cello and orchestra, Op. 52: I. Adagio - andante leggiero - adagio -8:242Fantasia for cello and orchestra, Op. 52: II. Allegro con fuoco - Cadenza (Lento) -7:343Fantasia for cello and orchestra, Op. 52: III. Andantino leggiero - Adagio3:054Concerto No. 2 for flute and orchestra, Op. 148: I. Allegro8:225Concerto No. 2 for flute and orchestra, Op. 148: II. Largo4:326Concerto No. 2 for flute and orchestra, Op. 148: III. Allegretto - Andante molto ritenuto - Largo6:467Concerto No. 1 for flute and string orchestra, Op. 75: I. Allegro molto5:038Concerto No. 1 for flute and string orchestra, Op. 75: II. Largo -4:289Concerto No. 1 for flute and string orchestra, Op. 75: III. Allegro comodo5:2110Concerto for clarinet and string orchestra, Op. 104: I. Allegro9:3011Concerto for clarinet and string orchestra, Op. 104: II. Andante -9:1212Concerto for clarinet and string orchestra, Op. 104: III. Allegretto7:092008 · studio album
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Tracklist · 8 tracks · 1:04:03
1String Quartet no. 7 in C, op. 59: I. Adagio8:482String Quartet no. 7 in C, op. 59: II. Allegretto5:493String Quartet no. 7 in C, op. 59: III. Adagio - Allegro - Adagio13:434String Quartet no. 11 in F, op. 89: I. Allegro assai6:495String Quartet no. 11 in F, op. 89: II. Allegretto3:106String Quartet no. 11 in F, op. 89: III. Adagio semplice5:187String Quartet no. 11 in F, op. 89: IV. Allegro leggiero6:198String Quartet no. 13, op. 118, in one movement14:07Works for Violin and Piano Vol. 1
2009 · studio album
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Tracklist · 10 tracks · 57:28
1Violin Sonata no. 4, op 39 (dedicated to L. B. Kogan): I. Adagio11:122Violin Sonata no. 4, op 39 (dedicated to L. B. Kogan): II. Allegro ma non troppo3:503Violin Sonata no. 4, op 39 (dedicated to L. B. Kogan): III. Adagio tenuto molto rubato - Adagio primo5:144Violin Sonata no. 5, op. 53 (dedicated to D. Schostakowitsch): I. Andante con moto5:525Violin Sonata no. 5, op. 53 (dedicated to D. Schostakowitsch): II. Allegro molto5:316Violin Sonata no. 5, op. 53 (dedicated to D. Schostakowitsch): III. Allegro moderato4:247Violin Sonata no. 5, op. 53 (dedicated to D. Schostakowitsch): IV. Allegro - Andante - Allegretto7:298Three Pieces for Violin and Piano: Nokturn. Moderato6:169Three Pieces for Violin and Piano: Scherzo. Allegro2:0810Three Pieces for Violin and Piano: Sen a lalce. Moderato5:322009 · studio album
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Tracklist · 8 tracks · 1:10:57
1Symphony no. 1, op. 10: I. Allegro moderato15:272Symphony no. 1, op. 10: II. Lento8:163Symphony no. 1, op. 10: III. Vivace8:124Symphony no. 1, op. 10: IV. Allegro con fuoco8:275Cello concerto, op. 43: I. Adagio6:596Cello concerto, op. 43: II. Moderato4:597Cello concerto, op. 43: III. Allegro9:328Cello concerto, op. 43: IV. Allegro9:052009 · studio album
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Tracklist · 53 tracks · 1:11:47
1Children's Notebooks, Book 1, Op. 16: No. 1. Larghetto1:332Children's Notebooks, Book 1, Op. 16: No. 2. Allegro1:093Children's Notebooks, Book 1, Op. 16: No. 3. Moderato Maestoso1:484Children's Notebooks, Book 1, Op. 16: No. 4. Tempo Di Valse1:165Children's Notebooks, Book 1, Op. 16: No. 5. Allegretto1:066Children's Notebooks, Book 1, Op. 16: No. 6. Presto0:457Children's Notebooks, Book 1, Op. 16: No. 7. Andante Tranquillo2:308Children's Notebooks, Book 1, Op. 16: No. 8. Larghetto1:48920 Sketches: No. 1.1:221020 Sketches: No. 2.1:081120 Sketches: No. 3.2:111220 Sketches: No. 4.0:571320 Sketches: No. 5.0:281420 Sketches: No. 6.1:041520 Sketches: No. 7.0:251620 Sketches: No. 8.0:291720 Sketches: No. 9.0:441820 Sketches: No. 10.0:531920 Sketches: No. 11.1:232020 Sketches: No. 12.0:272120 Sketches: No. 13.1:152220 Sketches: No. 14.1:152320 Sketches: No. 15.0:412420 Sketches: No. 16.0:392520 Sketches: No. 17.0:292620 Sketches: No. 18.1:132720 Sketches: No. 19.0:542820 Sketches: No. 20.1:3229Children's Notebooks, Book 2, Op. 19: No. 1. Largo2:5530Children's Notebooks, Book 2, Op. 19: No. 2. Allegretto1:2531Children's Notebooks, Book 2, Op. 19: No. 3. Moderato1:2032Children's Notebooks, Book 2, Op. 19: No. 4. Lento2:0733Children's Notebooks, Book 2, Op. 19: No. 5. Allegro1:3334Children's Notebooks, Book 2, Op. 19: No. 6. Andantino1:2535Children's Notebooks, Book 2, Op. 19: No. 7. Marziale Lugubre2:2736Children's Notebooks, Book 2, Op. 19: No. 8. Andante2:3237Aphorisms, Op. 13: No. 1. Recitative0:5238Aphorisms, Op. 13: No. 2. Serenade1:2839Aphorisms, Op. 13: No. 3. Nocturne1:3840Aphorisms, Op. 13: No. 4. Elegy1:1241Aphorisms, Op. 13: No. 5. Funeral March1:3042Aphorisms, Op. 13: No. 6. Etude0:3643Aphorisms, Op. 13: No. 7. Danse Macabre0:5744Aphorisms, Op. 13: No. 8. Canon0:5545Aphorisms, Op. 13: No. 9. Legend1:3446Aphorisms, Op. 13: No. 10. Berceuse2:4247Children's Notebooks, Book 3, Op. 23: No. 1. Allegro Marcato1:0248Children's Notebooks, Book 3, Op. 23: No. 2. Allegro Commodo0:5749Children's Notebooks, Book 3, Op. 23: No. 3. Moderato1:0550Children's Notebooks, Book 3, Op. 23: No. 4. Prestissmo1:0451Children's Notebooks, Book 3, Op. 23: No. 5. Allegretto Quasi Andantino2:2752Children's Notebooks, Book 3, Op. 23: No. 6. Lento Funebre2:5153Children's Notebooks, Book 3, Op. 23: No. 7. Andantino Semplice1:49Cello Sonatas, opp. 21, 63, 72 / String Trio, op. 48
2009 · studio album
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Tracklist · 11 tracks · 1:07:24
1Cello Sonata no. 1 in C, op. 21: I. Lento ma non troppo7:542Cello Sonata no. 1 in C, op. 21: II. Un poco moderato; Lento ma non troppo10:003String Trio, op. 48: I. Allegro con moto; attacca5:144String Trio, op. 48: II. Andante; attacca5:275String Trio, op. 48: III. Moderato assai4:266Cello Sonata no. 2 in G minor, op. 63: I. Moderato6:267Cello Sonata no. 2 in G minor, op. 63: II. Andante8:188Cello Sonata no. 2 in G minor, op. 63: III. Allegro5:559Sonata for Solo Cello no. 1, op. 72: I. Adagio6:3410Sonata for Solo Cello no. 1, op. 72: II. Allegretto3:1511Sonata for Solo Cello no. 1, op. 72: III. Allegro3:552009 · studio album
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Tracklist · 16 tracks · 1:17:07
1String Quartet no. 6 in E minor, op. 35: I. Allegro semplice8:432String Quartet no. 6 in E minor, op. 35: II. Presto agitato2:283String Quartet no. 6 in E minor, op. 35: III. Allegro con fuoco1:524String Quartet no. 6 in E minor, op. 35: IV. Adagio7:535String Quartet no. 6 in E minor, op. 35: V. Moderato commodo5:236String Quartet no. 6 in E minor, op. 35: VI. Andante maestoso7:147String Quartet no. 8, op. 6617:258String Quartet no. 15, op. 124: I. ♩=693:459String Quartet no. 15, op. 124: II. ♩=562:1610String Quartet no. 15, op. 124: III. ♩.=841:5211String Quartet no. 15, op. 124: IV. ♩=1121:5912String Quartet no. 15, op. 124: V. ♩=1922:4613String Quartet no. 15, op. 124: VI. ♩=1762:1614String Quartet no. 15, op. 124: VII. ♩=721:3215String Quartet no. 15, op. 124: VIII. ♩=804:3416String Quartet no. 15, op. 124: IX. ♩=605:092010 · studio album
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Tracklist · 27 tracks · 3:28:12
Disc 11Symphony No. 1, Op. 10 In G Minor: Allegro Moderato - Doppio Pi - Larghetto - Doppio Movimento (Tempo I) - Larghetto - Tempo I15:152Symphony No. 1, Op. 10 In G Minor: Lento9:113Symphony No. 1, Op. 10 In G Minor: Vivace - Allegretto grazioso - Tempo I7:404Symphony No. 1, Op. 10 In G Minor: Allegro con fuoco7:435Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Adagio Sostenuto5:236Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Allegro - Adagio Sostenuto5:317Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Andante4:288Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Adagio Sostenuto2:349Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Allegro - Adagio sostenuto11:39Disc 21Symphony No. 1, Op. 10 In G Minor: Allegro Moderato - Doppio Pi - Larghetto - Doppio Movimento (Tempo I) - Larghetto - Tempo I15:152Symphony No. 1, Op. 10 In G Minor: Lento9:113Symphony No. 1, Op. 10 In G Minor: Vivace - Allegretto grazioso - Tempo I7:404Symphony No. 1, Op. 10 In G Minor: Allegro con fuoco7:435Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Adagio Sostenuto5:236Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Allegro - Adagio Sostenuto5:317Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Andante4:288Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Adagio Sostenuto2:349Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Allegro - Adagio sostenuto11:39Disc 31Symphony No. 1, Op. 10 In G Minor: Allegro Moderato - Doppio Pi - Larghetto - Doppio Movimento (Tempo I) - Larghetto - Tempo I15:152Symphony No. 1, Op. 10 In G Minor: Lento9:113Symphony No. 1, Op. 10 In G Minor: Vivace - Allegretto grazioso - Tempo I7:404Symphony No. 1, Op. 10 In G Minor: Allegro con fuoco7:435Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Adagio Sostenuto5:236Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Allegro - Adagio Sostenuto5:317Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Andante4:288Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Adagio Sostenuto2:349Symphony No. 7, Op. 81 In C Major For Harpsichord And String Orchestra: Allegro - Adagio sostenuto11:39Complete Violin Sonatas, Volume One
2010 · studio album
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Tracklist · 13 tracks · 1:18:07
1Sonata no. 1 for Violin and Piano, op. 12: I. Allegro6:042Sonata no. 1 for Violin and Piano, op. 12: II. Adagietto7:003Sonata no. 1 for Violin and Piano, op. 12: III. Allegro8:554Sonata no. 1 for Violin Solo, op. 82: I. Adagio - Allegro - Adagio5:245Sonata no. 1 for Violin Solo, op. 82: II. Andante6:116Sonata no. 1 for Violin Solo, op. 82: III. Allegretto3:517Sonata no. 1 for Violin Solo, op. 82: IV. Lento3:298Sonata no. 1 for Violin Solo, op. 82: V. Presto5:469Sonata no. 4 for Violin and Piano, op. 39: I. Adagio -8:5710Sonata no. 4 for Violin and Piano, op. 39: II. Allegro ma non troppo - Adagio tenuto molto rubato (quasi Cadenza) - Adagio primo7:4511Sonatina for Violin and Piano, op. 46: I. Allegretto4:5912Sonatina for Violin and Piano, op. 46: II. Lento - Allegro - Tempo primo5:4213Sonatina for Violin and Piano, op. 46: III. Allegro moderato - Lento4:042010 · studio album
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Tracklist · 14 tracks · 1:17:52
1String Quartet no. 5 in B-flat major, op. 27: I. Melodia. Andante sostenuto5:552String Quartet no. 5 in B-flat major, op. 27: II. Humoreska. Andantino5:373String Quartet no. 5 in B-flat major, op. 27: III. Scherzo. Allegro molto2:204String Quartet no. 5 in B-flat major, op. 27: IV. Improvisation. Lento4:515String Quartet no. 5 in B-flat major, op. 27: V. Serenata. Moderato con moto7:046String Quartet no. 9 in F-sharp minor, op. 80: I. Allegro - attacca6:267String Quartet no. 9 in F-sharp minor, op. 80: II. Allegretto - attacca5:308String Quartet no. 9 in F-sharp minor, op. 80: III. Andante - attacca9:349String Quartet no. 9 in F-sharp minor, op. 80: IV. Allegro moderato7:1310String Quartet no. 14, op. 122: I. ♩ = 96 - attacca3:0411String Quartet no. 14, op. 122: II. ♩ = 63 - attacca3:2512String Quartet no. 14, op. 122: III. ♩ = 108 - attacca5:0313String Quartet no. 14, op. 122: IV. ♩. = 54 - attacca4:0214String Quartet no. 14, op. 122: V. ♩ = 1527:482011 · studio album
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Tracklist · 20 tracks · 1:04:11
1Cello Solo Sonata no. 2, op. 121: I. Andante6:052Cello Solo Sonata no. 2, op. 121: II. Allegro5:403Cello Solo Sonata no. 2, op. 121: III. Adagio8:584Cello Solo Sonata no. 2, op. 121: IV. Allegretto11:34524 Preludes, op. 100: Prelude no. 42:04624 Preludes, op. 100: Prelude no. 30:57724 Preludes, op. 100: Prelude no. 101:30824 Preludes, op. 100: Prelude no. 112:26924 Preludes, op. 100: Prelude no. 122:491024 Preludes, op. 100: Prelude no. 140:501124 Preludes, op. 100: Prelude no. 81:141224 Preludes, op. 100: Prelude no. 71:501324 Preludes, op. 100: Prelude no. 172:311424 Preludes, op. 100: Prelude no. 192:031524 Preludes, op. 100: Prelude no. 201:341624 Preludes, op. 100: Prelude no. 211:251724 Preludes, op. 100: Prelude no. 221:181824 Preludes, op. 100: Prelude no. 232:141924 Preludes, op. 100: Prelude no. 24: Menuet3:3220From the Lyrics of Zhukovsky, op. 116: Die Nacht (The Night)3:37Children’s Notebooks / Piano Sonata no. 1
2011 · studio album
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Tracklist · 27 tracks · 1:00:40
1Children’s Notebook, Book 1, op. 16: I. Larghetto1:242Children’s Notebook, Book 1, op. 16: II. Allegro1:283Children’s Notebook, Book 1, op. 16: III. Moderato maestoso2:144Children’s Notebook, Book 1, op. 16: IV. Tempo di valse1:385Children’s Notebook, Book 1, op. 16: V. Allegretto1:446Children’s Notebook, Book 1, op. 16: VI. Presto0:557Children’s Notebook, Book 1, op. 16: VII. Andante tranquillo2:348Children’s Notebook, Book 1, op. 16: VIII. Larghetto1:359Children’s Notebook, Book 2, op. 19: I. Largo4:2510Children’s Notebook, Book 2, op. 19: II. Allegretto1:3611Children’s Notebook, Book 2, op. 19: III. Moderato1:3612Children’s Notebook, Book 2, op. 19: IV. Lento2:4313Children’s Notebook, Book 2, op. 19: V. Allegro1:2614Children’s Notebook, Book 2, op. 19: VI. Andantino1:3015Children’s Notebook, Book 2, op. 19: VII. Marziale lugubre3:1916Children’s Notebook, Book 2, op. 19: VIII. Andante2:1017Children’s Notebook, Book 3, op. 23: I. Allegro marcato1:2918Children’s Notebook, Book 3, op. 23: II. Allegro commodo1:0919Children’s Notebook, Book 3, op. 23: III. Moderato1:5520Children’s Notebook, Book 3, op. 23: IV. Prestissmo1:0521Children’s Notebook, Book 3, op. 23: V. Allegretto quasi andantino2:2922Children’s Notebook, Book 3, op. 23: VI. Lento funebre3:2923Children’s Notebook, Book 3, op. 23: VII. Andantino semplice1:5224Piano Sonata no. 1, op. 5: I. Adagio6:1925Piano Sonata no. 1, op. 5: II. Allegretto2:2026Piano Sonata no. 1, op. 5: III. Andantino2:5827Piano Sonata no. 1, op. 5: IV. Allegro molto3:18Symphony no. 3 / Suite no. 4 from "The Golden Key"
2011 · studio album
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Tracklist · 12 tracks · 49:22
1Symphony no. 3 in B minor, op. 45: I. Allegro - [ ] - Tempo I - Largo10:232Symphony no. 3 in B minor, op. 45: II. Allegro giocoso - [ ] - Andante sostenuto - Tempo I4:393Symphony no. 3 in B minor, op. 45: III. Adagio - Doppio movimento - Tempo I9:134Symphony no. 3 in B minor, op. 45: IV. Allegro vivace - Moderato - Tempo I8:115Suite no. 4 from "The Golden Key", op. 55d: 1. Burattino's Dance with the Key. Allegretto - Presto - Allegro2:086Suite no. 4 from "The Golden Key", op. 55d: 2. Elegy. Andante tranquillo3:037Suite no. 4 from "The Golden Key", op. 55d: 3. Dance of Artemon. Allegretto1:158Suite no. 4 from "The Golden Key", op. 55d: 4. Dance of the Cricket. Moderato -0:449Suite no. 4 from "The Golden Key", op. 55d: 5. Dance of the Cat and the Fox. Allegro moderato1:4410Suite no. 4 from "The Golden Key", op. 55d: 6. Dance of Shushera the Rat. Allegretto1:0411Suite no. 4 from "The Golden Key", op. 55d: 7. The Lesson. Allegretto - Allegro2:4512Suite no. 4 from "The Golden Key", op. 55d: 8. The Pursuit. Allegro - Presto - Prestissimo4:132011 · studio album
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Tracklist · 12 tracks · 1:17:17
1String Quartet no. 1 in C major, op. 2/141: I. Allegro commodo7:162String Quartet no. 1 in C major, op. 2/141: II. Andante tranquillo6:173String Quartet no. 1 in C major, op. 2/141: III. Allegro molto7:344String Quartet no. 3 in D minor, op. 14: I. Presto attacca7:245String Quartet no. 3 in D minor, op. 14: II. Andante sostenuto attacca8:096String Quartet no. 3 in D minor, op. 14: III. Allegretto5:197String Quartet no. 10 in A minor, op. 85: I. Adagio6:548String Quartet no. 10 in A minor, op. 85: II. Allegro5:459String Quartet no. 10 in A minor, op. 85: III. Adagio2:5710String Quartet no. 10 in A minor, op. 85: IV. Allegretto8:4211Capriccio, op. 116:3512Aria, op. 94:252012 · studio album
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Tracklist · 22 tracks · 1:13:22
1Sonata for Clarinet and Piano, op. 28: Allegro6:112Sonata for Clarinet and Piano, op. 28: Allegretto7:543Sonata for Clarinet and Piano, op. 28: Adagio6:39412 Miniatures for Flute and Piano, op. 29: No. 1. Introduction: Maestoso1:22512 Miniatures for Flute and Piano, op. 29: No. 2. Arietta: Andante con moto1:17612 Miniatures for Flute and Piano, op. 29: No. 3. Burlesque: Allegro moderato1:10712 Miniatures for Flute and Piano, op. 29: No. 4. Capriccio: Marziale marcatissimo0:45812 Miniatures for Flute and Piano, op. 29: No. 5. Nocturne: Andantino1:36912 Miniatures for Flute and Piano, op. 29: No. 6. Waltz: Allegro molto1:211012 Miniatures for Flute and Piano, op. 29: No. 7. Ode: Largo1:411112 Miniatures for Flute and Piano, op. 29: No. 8. Duet: Andante tranquillo1:351212 Miniatures for Flute and Piano, op. 29: No. 9. Barcarole: Moderato comodo1:461312 Miniatures for Flute and Piano, op. 29: No. 10. Etude: Presto0:501412 Miniatures for Flute and Piano, op. 29: No. 11. Adagio1:581512 Miniatures for Flute and Piano, op. 29: No. 12. Pastorale: Allegretto2:2916Sonata for Bassoon Solo, op. 133: I.5:4217Sonata for Bassoon Solo, op. 133: II.4:3818Sonata for Bassoon Solo, op. 133: III.4:1919Sonata for Bassoon Solo, op. 133: IV.6:3820Trio for Flute, Viola and Harp, op. 127: I.4:1921Trio for Flute, Viola and Harp, op. 127: II.5:5822Trio for Flute, Viola and Harp, op. 127: III.3:142012 · studio album
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Tracklist · 14 tracks · 1:00:57
1Sonata no. 1, op. 5: I. Adagio6:122Sonata no. 1, op. 5: II. Allegretto2:403Sonata no. 1, op. 5: III. Andantino3:124Sonata no. 1, op. 5: IV. Allegro molto3:505Lullaby, op. 15:086Sonata no. 2, op. 8: I. Allegro5:067Sonata no. 2, op. 8: II. Allegretto3:098Sonata no. 2, op. 8: III. Adagio attacca7:489Sonata no. 2, op. 8: IV. Vivace4:2710Two Mazurkas, op. 10: No. 1 in F minor2:5511Two Mazurkas, op. 10: No. 2 in A minor1:2012Sonata, op. 49bis: I. Allegro leggiero4:5413Sonata, op. 49bis: II. Andantino4:4014Sonata, op. 49bis: III. Allegretto5:36Symphony no. 6 / Rhapsody on Moldavian Themes
2012 · studio album
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Tracklist · 6 tracks · 1:01:01
1Rhapsody on Moldavian Themes, op. 47 no. 113:172Symphony no. 6, op. 79: I. Adagio sostenuto14:523Symphony no. 6, op. 79: II. Allegretto7:264Symphony no. 6, op. 79: III. Allegro molto7:295Symphony no. 6, op. 79: IV. Largo -7:446Symphony no. 6, op. 79: V. Andantino10:13Cello Concerto / Symphony No. 20
2012 · studio album
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Tracklist · 9 tracks · 1:10:53
1Symphony No. 20, Op. 150: I. Adagio-Meno mosso-Meno mosso12:542Symphony No. 20, Op. 150: II. Allegretto-Coda4:503Symphony No. 20, Op. 150: III. Con moto5:174Symphony No. 20, Op. 150: IV. Allegro molto4:325Symphony No. 20, Op. 150: V. Lento-Meno mosso12:166Cello Concerto, Op. 43: I. Adagio7:207Cello Concerto, Op. 43: II. Moderato5:428Cello Concerto, Op. 43: III. Allegro8:449Cello Concerto, Op. 43: IV. Allegro9:182012 · studio album
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Tracklist · 17 tracks · 57:25
1Partita, op. 54: I. Prelude0:572Partita, op. 54: II. Chorale1:563Partita, op. 54: III. Serenade1:194Partita, op. 54: IV. Sarabande3:005Partita, op. 54: V. Intermezzo1:356Partita, op. 54: VI. March4:567Partita, op. 54: VII. Aria3:128Partita, op. 54: VIII. Ostinato1:399Partita, op. 54: IX. Etude1:4310Partita, op. 54: X. Canon2:1911Piano Sonatina, op. 49: I. Allegro leggiero2:1912Piano Sonatina, op. 49: II. Adagietto lugubre2:5513Piano Sonatina, op. 49: III. Allegretto1:2614Piano Sonata no. 4 in B minor, op. 56: I. Allegro8:0615Piano Sonata no. 4 in B minor, op. 56: II. Allegro4:0716Piano Sonata no. 4 in B minor, op. 56: III. Adagio6:2917Piano Sonata no. 4 in B minor, op. 56: IV. Allegro9:272012 · studio album
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Tracklist · 12 tracks · 1:14:48
1String Quartet no. 2, op. 3/145: I. Allegro8:352String Quartet no. 2, op. 3/145: II. Andante9:423String Quartet no. 2, op. 3/145: III. Allegretto4:224String Quartet no. 2, op. 3/145: IV. Presto4:015String Quartet no. 12, op. 103: I. Largo7:056String Quartet no. 12, op. 103: II. Allegretto5:177String Quartet no. 12, op. 103: III. Presto6:088String Quartet no. 12, op. 103: IV. Moderato13:089String Quartet no. 17, op. 146: I. Allegro4:1610String Quartet no. 17, op. 146: II. Andantino3:3111String Quartet no. 17, op. 146: III. Lento4:1712String Quartet no. 17, op. 146: IV. Allegro4:262012 · studio album
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Tracklist · 45 tracks · 1:00:24
1Children's Notebook, Book 1, op. 16: I. Larghetto1:472Children's Notebook, Book 1, op. 16: II. Allegro1:313Children's Notebook, Book 1, op. 16: III. Moderato maestoso1:454Children's Notebook, Book 1, op. 16: IV. Tempo di valse1:365Children's Notebook, Book 1, op. 16: V. Allegretto1:206Children's Notebook, Book 1, op. 16: VI. Presto1:017Children's Notebook, Book 1, op. 16: VII. Andante tranquilo2:338Children's Notebook, Book 1, op. 16: VIII. Larghetto1:349Children's Notebook, Book 2, op. 19: IX. Largo3:4810Children's Notebook, Book 2, op. 19: I. Allegretto1:2211Children's Notebook, Book 2, op. 19: II. Moderato1:1612Children's Notebook, Book 2, op. 19: III. Lento2:3713Children's Notebook, Book 2, op. 19: IV. Allegro1:4514Children's Notebook, Book 2, op. 19: V. Andantino1:5415Children's Notebook, Book 2, op. 19: VI. Marziale lugubre1:5216Children's Notebook, Book 2, op. 19: VII. Andante2:2817Children's Notebook, Book 3, op. 23: I. Allegro marcato1:4118Children's Notebook, Book 3, op. 23: II. Allegro comodo1:0719Children's Notebook, Book 3, op. 23: III. Moderato1:2520Children's Notebook, Book 3, op. 23: IV. Prestissimo1:2021Children's Notebook, Book 3, op. 23: V. Allegretto quasi andantino2:1722Children's Notebook, Book 3, op. 23: VI. Lento funebre3:0423Children's Notebook, Book 3, op. 23: VII. Andantino semplice1:472421 Easy Pieces, op. 34: No. 1. Merry March0:242521 Easy Pieces, op. 34: No. 2. The Nightingale1:002621 Easy Pieces, op. 34: No. 3. The Skipping Rope0:302721 Easy Pieces, op. 34: No. 4. Baba Yaga0:282821 Easy Pieces, op. 34: No. 5. Playmates0:452921 Easy Pieces, op. 34: No. 6. The Sick Doll0:193021 Easy Pieces, op. 34: No. 7. A Tin Soldier0:553121 Easy Pieces, op. 34: No. 8. A Grandmother's Fairy Tale1:053221 Easy Pieces, op. 34: No. 9. The Shepherd Boy0:453321 Easy Pieces, op. 34: No. 10. Hide and Seek0:423421 Easy Pieces, op. 34: No. 11. Old Man Frost0:463521 Easy Pieces, op. 34: No. 12. Melancholy Waltz1:303621 Easy Pieces, op. 34: No. 13. The Goldfish0:353721 Easy Pieces, op. 34: No. 14. Petrusha's Lament0:323821 Easy Pieces, op. 34: No. 15. Game of Tag0:163921 Easy Pieces, op. 34: No. 16. The Little Ball0:234021 Easy Pieces, op. 34: No. 17. Lullaby for a Doll2:024121 Easy Pieces, op. 34: No. 18. Bear Cubs0:414221 Easy Pieces, op. 34: No. 19. Little Rabbits0:394321 Easy Pieces, op. 34: No. 20. The Grey Wolf0:414421 Easy Pieces, op. 34: No. 21. Good Night1:3145Can-Can1:05Symphony no. 19 “Bright May” / The Banners of Peace
2012 · studio album
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Tracklist · 4 tracks · 55:36
1Symphony no. 19 “Bright May”, op. 142: I. –11:032Symphony no. 19 “Bright May”, op. 142: II. –12:543Symphony no. 19 “Bright May”, op. 142: III.10:074The Banners of Peace – Symphonic Poem, op. 14321:32Complete Violin Sonatas Volume Two
2013 · studio album
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Tracklist · 15 tracks · 1:10:57
1Rapsodiya na Moldavskikh temakh, Op. 47, No. 39:572Violin Sonata No. 2, Op. 15 - I. Allegro8:323Violin Sonata No. 2, Op. 15 - II. Lento -7:454Violin Sonata No. 2, Op. 15 - III. Allegro moderato5:275Sonata for Violin Solo No. 2, Op. 95 - I. Monody -1:276Sonata for Violin Solo No. 2, Op. 95 - II. Rests -1:357Sonata for Violin Solo No. 2, Op. 95 - III. Interval -1:338Sonata for Violin Solo No. 2, Op. 95 - IV. Repliques -2:209Sonata for Violin Solo No. 2, Op. 95 - V. Accompaniment -2:3410Sonata for Violin Solo No. 2, Op. 95 - VI. Invocation -3:3811Sonata for Violin Solo No. 2, Op. 95 - VII. Syncopations2:5812Violin Sonata No. 5, Op. 53 - I. Andante con moto5:4013Violin Sonata No. 5, Op. 53 - II. Allegro molto5:5414Violin Sonata No. 5, Op. 53 - III. Allegro moderato4:1715Violin Sonata No. 5, Op. 53 - IV. Allegro - Andante - Allegretto - Andante7:202013 · studio album
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Tracklist · 10 tracks · 1:04:30
1Piano Sonata no. 3, op. 31: I. Allegro tranquilo9:252Piano Sonata no. 3, op. 31: II. Adagio5:323Piano Sonata no. 3, op. 31: III. Moderato con moto6:554Piano Sonata no. 5, op. 58: I. Allegro9:155Piano Sonata no. 5, op. 58: II. Andante7:126Piano Sonata no. 5, op. 58: III. Allegretto8:387Two Fugues for Ludmila Berlinskaya: No. 11:558Two Fugues for Ludmila Berlinskaya: No. 21:449Piano Sonata no. 6, op. 73: I. Adagio6:4910Piano Sonata no. 6, op. 73: II. Allegro molto7:05Symphony no. 8 "Polish Flowers"
2013 · studio album
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Tracklist · 10 tracks · 58:31
1Symphony no. 8, op. 83 "Polish Flowers": I. Gust of Spring3:552Symphony no. 8, op. 83 "Polish Flowers": II. Children of Baluty4:023Symphony no. 8, op. 83 "Polish Flowers": III. In Front of the Old Hut3:594Symphony no. 8, op. 83 "Polish Flowers": IV. There was an Orchard5:135Symphony no. 8, op. 83 "Polish Flowers": V. Elderberry3:166Symphony no. 8, op. 83 "Polish Flowers": VI. Lesson7:337Symphony no. 8, op. 83 "Polish Flowers": VII. Warsaw Dogs5:448Symphony no. 8, op. 83 "Polish Flowers": VIII. Mother6:249Symphony no. 8, op. 83 "Polish Flowers": IX. Justice6:1410Symphony no. 8, op. 83 "Polish Flowers": X. The Vistula flows12:11The Soviet Experience, Volume 3: Shostakovich: Quartets nos. 9-12 / Weinberg: Quartet no. 6
2013 · studio album
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Tracklist · 24 tracks · 2:08:32
Disc 11String Quartet no. 9 in E-flat major, op. 117: I. Moderato con moto4:472String Quartet no. 9 in E-flat major, op. 117: II. Adagio5:063String Quartet no. 9 in E-flat major, op. 117: III. Allegretto3:594String Quartet no. 9 in E-flat major, op. 117: IV. Adagio3:425String Quartet no. 9 in E-flat major, op. 117: V. Allegro9:546String Quartet no. 10 in A-flat major op. 118: I. Andante4:347String Quartet no. 10 in A-flat major op. 118: II. Allegretto furioso4:108String Quartet no. 10 in A-flat major op. 118: III. Adagio6:269String Quartet no. 10 in A-flat major op. 118: IV. Allegretto9:4610String Quartet no. 11 in F minor, op. 122: I. Introduction - Andantino2:2811String Quartet no. 11 in F minor, op. 122: II. Scherzo - Allegretto2:4112String Quartet no. 11 in F minor, op. 122: III. Recitative - Adagio1:2713String Quartet no. 11 in F minor, op. 122: IV. Etude - Allegro1:1814String Quartet no. 11 in F minor, op. 122: V. Humoresque - Allegro1:0415String Quartet no. 11 in F minor, op. 122: VI. Elegy - Adagio5:0516String Quartet no. 11 in F minor, op. 122: VII. Finale - Moderato3:44Disc 21String Quartet no. 12 in D-flat major, op. 133: I. Moderato6:472String Quartet no. 12 in D-flat major, op. 133: II. Allegretto19:303String Quartet no. 6 in E minor, op. 35: I. Allegro semplice8:274String Quartet no. 6 in E minor, op. 35: II. Presto agitato2:305String Quartet no. 6 in E minor, op. 35: III. Allegro con fuoco1:416String Quartet no. 6 in E minor, op. 35: IV. Adagio7:227String Quartet no. 6 in E minor, op. 35: V. Moderato comodo5:188String Quartet no. 6 in E minor, op. 35: VI. Andante maestoso6:462013 · studio album
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Tracklist · 26 tracks · 2:43:55
Disc 11Sonata for Violin and Piano no. 5, op. 53: Andante con moto5:172Sonata for Violin and Piano no. 5, op. 53: Allegro molto5:333Sonata for Violin and Piano no. 5, op. 53: Allegro moderato4:474Sonata for Violin and Piano no. 5, op. 53: Allegro - Andante - Allegro - Andante - Allegretto - Andante7:145Sonata for Violin and Piano no. 4, op. 39: Adagio9:426Sonata for Violin and Piano no. 4, op. 39: Allegro ma non troppo - Adagio tenuto molto rubato5:487Sonata for Violin and Piano no. 4, op. 39: Adagio primo3:058Rhapsody no. 3 on Moldavian Themes for Violin and Piano, op. 47: Adagio - Allegro vivace - Doppio più lento - Doppio movimento - Prestissimo10:30Disc 21Sonata for Violin and Piano no. 3, op. 37: Allegro moderato4:182Sonata for Violin and Piano no. 3, op. 37: Andantino7:503Sonata for Violin and Piano no. 3, op. 37: Allegretto cantabile8:594Sonatina for Violin and Piano in D major, op. 46: Allegretto4:115Sonatina for Violin and Piano in D major, op. 46: Lento - Allegro - Tempo primo7:016Sonatina for Violin and Piano in D major, op. 46: Allegro moderato - Lento5:097Sonata for Violin and Piano no. 2, op. 15: Allegro - Meno mosso8:358Sonata for Violin and Piano no. 2, op. 15: Lento6:279Sonata for Violin and Piano no. 2, op. 15: Allegro moderato - Allegro con fuoco - Tempo primo5:14Disc 31Sonata for Violin and Piano no. 1, op. 12: Allegro6:332Sonata for Violin and Piano no. 1, op. 12: Adagietto6:423Sonata for Violin and Piano no. 1, op. 12: Allegro - Meno mosso9:124Sonata no. 6, op. 136: Moderato7:405Sonata no. 6 op. 136: Adagio3:266Sonata no. 6 op. 136: Moderato - Adagio4:3873 Pieces: Nokturn - Allegro6:3983 Pieces: Scherzo - Moderato2:1293 Pieces: Sen o Lalce - Moderato7:13Shostakovich: Chamber Symphonies, op. 110a & 118a / Weinberg: Concertino, op. 42
2013 · studio album
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Tracklist · 12 tracks · 1:05:38
1Chamber Symphony in C minor, op. 110a: I. Largo4:562Chamber Symphony in C minor, op. 110a: II. Allegro molto3:133Chamber Symphony in C minor, op. 110a: III. Allegretto5:104Chamber Symphony in C minor, op. 110a: IV. Largo5:275Chamber Symphony in C minor, op. 110a: V. Largo4:246Concertino for Violin, op. 42: I. Allegretto cantabile6:177Concertino for Violin, op. 42: II. Lento, Adagio5:378Concertino for Violin, op. 42: III. Allegro moderato poco rubato5:019Chamber Symphony in A-flat major, op. 118a: I. Andante5:0510Chamber Symphony in A-flat major, op. 118a: II. Allegro furioso4:2611Chamber Symphony in A-flat major, op. 118a: III. Adagio6:1812Chamber Symphony in A-flat major, op. 118a: IV. Allegretto - Andante9:44Weinberg: Piano Trio / Violin Sonatina / Double Bass Sonata
2014 · studio album
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Tracklist · 13 tracks · 1:08:03
1Piano Trio, Op. 24 - I. Prelude and Aria: Larghetto5:122Piano Trio, Op. 24 - II. Toccata: Allegro4:143Piano Trio, Op. 24 - III. Poem: Moderato10:044Piano Trio, Op. 24 - IV. Finale: Allegro moderato10:545Violin Sonatina, Op. 46 - I. Allegretto5:216Violin Sonatina, Op. 46 - II. Lento - Allegro - Tempo primo6:397Violin Sonatina, Op. 46 - III. Allegro moderato - Lento5:008Double Bass Sonata, Op. 108 - I. Adagio4:239Double Bass Sonata, Op. 108 - II. Allegretto2:5610Double Bass Sonata, Op. 108 - III. Moderato2:4511Double Bass Sonata, Op. 108 - IV. Allegretto1:2912Double Bass Sonata, Op. 108 - V. Lento3:5313Double Bass Sonata, Op. 108 - VI. Allegro molto5:13Symphony no. 4 and Violin concerto
2014 · studio album
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Tracklist · 8 tracks · 1:01:48
1Violin concerto in G minor, op. 67: I. Allegro molto9:052Violin concerto in G minor, op. 67: II. Allegretto6:403Violin concerto in G minor, op. 67: III. Adagio6:314Violin concerto in G minor, op. 67: IV. Allegro risoluto7:355Symphony no. 4 in A minor, op. 61: I. Allegro8:176Symphony no. 4 in A minor, op. 61: II. Allegretto6:087Symphony no. 4 in A minor, op. 61: III. Adagio - Andantino10:198Symphony no. 4 in A minor, op. 61: IV. Vivace7:13Symphony no. 12 "In memoriam D. Shostakovich" / The Golden Key - Ballet Suite no. 4
2014 · studio album
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Tracklist · 12 tracks · 1:15:38
1Symphony no. 12 "In memoriam D. Shostakovich": I. Allegro moderato20:412Symphony no. 12 "In memoriam D. Shostakovich": II. Allegretto8:183Symphony no. 12 "In memoriam D. Shostakovich": III. Adagio11:054Symphony no. 12 "In memoriam D. Shostakovich": IV. Allegro17:215The Golden Key - Ballet Suite no. 4: I. Burattino's Dance with the Key2:056The Golden Key - Ballet Suite no. 4: II. Elegy3:157The Golden Key - Ballet Suite no. 4: III. Dance of Artemon1:128The Golden Key - Ballet Suite no. 4: IV. Dance of the Cricket0:549The Golden Key - Ballet Suite no. 4: V. Dance of the Cat and the Fox1:3510The Golden Key - Ballet Suite no. 4: VI. Dance of Shushera the Rat1:4111The Golden Key - Ballet Suite no. 4: VII. The Lesson2:4812The Golden Key - Ballet Suite no. 4: VIII. The Pursuit4:432014 · studio album
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Tracklist · 7 tracks · 1:02:48
1Concerto for Violin and Orchestra, op. 15: I. Moderato con moto10:002Concerto for Violin and Orchestra, op. 15: II. Vivace9:013Concerto for Violin and Orchestra, op. 15: III. Passacaglia15:034Concerto for Violin, op. 67: I. Allegro molto8:095Concerto for Violin, op. 67: II. Allegretto6:246Concerto for Violin, op. 67: III. Adagio7:067Concerto for Violin, op. 67: IV. Allegro risoluto7:052014 · studio album
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Tracklist · 15 tracks · 1:41:06
Disc 11Sonata no. 3 for violin solo, op. 126: Dem Andenken an meinen Vater22:232Trio for violin, viola, and violoncello, op. 48: I. Allegro con moto5:573Trio for violin, viola, and violoncello, op. 48: II. Andante4:234Trio for violin, viola, and violoncello, op. 48: III. Moderato assai4:385Sonatina for violin and piano, op. 46: I. Allegretto4:116Sonatina for violin and piano, op. 46: II. Lento5:187Sonatina for violin and piano, op. 46: III. Allegro moderato3:49Disc 21Concertino for violin and string orchestra, op. 42: I. Allegretto cantabile5:422Concertino for violin and string orchestra, op. 42: II. Lento5:303Concertino for violin and string orchestra, op. 42: III. Allegro moderato poco rubato4:474Symphony no. 10 for string orchestra, op. 98: I. Concerto grosso. Grave9:265Symphony no. 10 for string orchestra, op. 98: II. Pastorale. Lento8:526Symphony no. 10 for string orchestra, op. 98: III. Canzona. Andantino8:177Symphony no. 10 for string orchestra, op. 98: IV. Burlesque. Allegro molto3:168Symphony no. 10 for string orchestra, op. 98: V. Inversion. L'istesso tempo4:37Symphony no. 18 "War - there is no word more cruel"
2014 · studio album
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Tracklist · 7 tracks · 1:10:26
1Trumpet Concerto, op. 94: I. Etudes9:082Trumpet Concerto, op. 94: II. Episodes10:413Trumpet Concerto, op. 94: III. Fanfares6:164Symphony no. 18, op. 138 "War - there is no word more cruel": I. Adagio. Allegro -15:315Symphony no. 18, op. 138 "War - there is no word more cruel": II. "He was buried in the Earth" -12:366Symphony no. 18, op. 138 "War - there is no word more cruel": III. My dear little berry, you do not know the pain that is in my heart" -12:037Symphony no. 18, op. 138 "War - there is no word more cruel": IV. "War - there is no word more cruel"4:11Symphony No. 21, op.152, Kaddish / Polish Tunes, op. 47, No. 2
2014 · studio album
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Tracklist · 10 tracks · 1:07:27
1Suite "Polish Tunes", op. 47, No. 2: I Adagio - Allegro2:112Suite "Polish Tunes", op. 47, No. 2: II Andantino4:063Suite "Polish Tunes", op. 47, No. 2: III Allegro3:274Suite "Polish Tunes", op. 47, No. 2: IV Allegro moderato3:545Symphony No. 21 "Kaddish", op. 152: I Largo17:476Symphony No. 21 "Kaddish", op. 152: II Allegro molto7:187Symphony No. 21 "Kaddish", op. 152: III Largo5:268Symphony No. 21 "Kaddish", op. 152: IV Presto3:009Symphony No. 21 "Kaddish", op. 152: V Andantino7:0810Symphony No. 21 "Kaddish", op. 152: VI Lento13:10Chamber Symphonies Nos 3 And 4
2015 · studio album
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Tracklist · 24 tracks · 3:17:45
Disc 11Chamber Symphony No. 3, Op. 151 (1990): I Lento - Meno Mosso10:402Chamber Symphony No. 3, Op. 151 (1990): II Allegro Molto5:143Chamber Symphony No. 3, Op. 151 (1990): III Adagio7:054Chamber Symphony No. 3, Op. 151 (1990): IV Andantino - Meno Mosso - Largo10:155Chamber Symphony No. 4, Op. 153 (1992): Lento - Meno Mosso7:436Chamber Symphony No. 4, Op. 153 (1992): Allegro Molto - Moderato - Meno Mosso7:237Chamber Symphony No. 4, Op. 153 (1992): Adagio - Meno Mosso9:458Chamber Symphony No. 4, Op. 153 (1992): Andantino - Molto Ritenuto - Meno Mosso - Doppio Più Lento (adagissimo)7:50Disc 21Chamber Symphony No. 3, Op. 151 (1990): I Lento - Meno Mosso10:402Chamber Symphony No. 3, Op. 151 (1990): II Allegro Molto5:143Chamber Symphony No. 3, Op. 151 (1990): III Adagio7:054Chamber Symphony No. 3, Op. 151 (1990): IV Andantino - Meno Mosso - Largo10:155Chamber Symphony No. 4, Op. 153 (1992): Lento - Meno Mosso7:436Chamber Symphony No. 4, Op. 153 (1992): Allegro Molto - Moderato - Meno Mosso7:237Chamber Symphony No. 4, Op. 153 (1992): Adagio - Meno Mosso9:458Chamber Symphony No. 4, Op. 153 (1992): Andantino - Molto Ritenuto - Meno Mosso - Doppio Più Lento (adagissimo)7:50Disc 31Chamber Symphony No. 3, Op. 151 (1990): I Lento - Meno Mosso10:402Chamber Symphony No. 3, Op. 151 (1990): II Allegro Molto5:143Chamber Symphony No. 3, Op. 151 (1990): III Adagio7:054Chamber Symphony No. 3, Op. 151 (1990): IV Andantino - Meno Mosso - Largo10:155Chamber Symphony No. 4, Op. 153 (1992): Lento - Meno Mosso7:436Chamber Symphony No. 4, Op. 153 (1992): Allegro Molto - Moderato - Meno Mosso7:237Chamber Symphony No. 4, Op. 153 (1992): Adagio - Meno Mosso9:458Chamber Symphony No. 4, Op. 153 (1992): Andantino - Molto Ritenuto - Meno Mosso - Doppio Più Lento (adagissimo)7:502015 · studio album
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Tracklist · 19 tracks · 1:03:05
1Pas de basse: I. Port de bras2:152Pas de basse: II. Déboulés2:093Pas de basse: III. Arabesque3:344Pas de basse: IV. Ballotté2:235Pas de basse: V. Dégagé1:306Pas de basse: VI. Chassé2:257Sonata for double bass and piano: I. Adagio. Presto4:518Sonata for double bass and piano: II. Andante semplice3:029Sonata for double bass and piano: III. Allegretto scherzando1:4510Sonata for double bass and piano: IV. Largo4:3611Sonata op. 108: I. Adagio4:1412Sonata op. 108: II. Allegretto2:5413Sonata op. 108: III. Moderato2:4114Sonata op. 108: IV. Allegretto1:2615Sonata op. 108: V. Lento4:0516Sonata op. 108: VI. Allegro molto4:5717Double Bass Concerto: I. Andante moderato5:4418Double Bass Concerto: II. Allegro energico3:1119Double Bass Concerto: III. Adagio. Vivace5:232015 · studio album
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Tracklist · 8 tracks · 54:22
1Violin Sonata no. 2 in D major, op. 94bis: I. Moderato8:182Violin Sonata no. 2 in D major, op. 94bis: II. Scherzo6:143Violin Sonata no. 2 in D major, op. 94bis: III. Andante3:394Violin Sonata no. 2 in D major, op. 94bis: IV. Allegro con brio7:515Sonata for Clarinet and Piano, op. 28: I. Allegro5:326Sonata for Clarinet and Piano, op. 28: II. Allegretto7:007Sonata for Clarinet and Piano, op. 28: III. Adagio6:238Overture on Hebrew Themes in C minor, op. 349:252015 · studio album
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Tracklist · 10 tracks · 1:18:42
1Piano Quintet, op. 18: I. Moderato con moto8:152Piano Quintet, op. 18: II. Allegretto6:273Piano Quintet, op. 18: III. Presto5:474Piano Quintet, op. 18: IV. Largo14:075Piano Quintet, op. 18: V. Allegro agitato8:276String Quartet no. 10, op. 85: I. Adagio7:237String Quartet no. 10, op. 85: II. Allegro5:458String Quartet no. 10, op. 85: III. Adagio2:529String Quartet no. 10, op. 85: IV. Allegretto6:4210String Quartet no. 13, op. 11812:572016 · studio album
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Tracklist · 12 tracks · 1:11:45
1Cello Concerto no. 1 in E-flat major, op. 107: I. Allegretto6:272Cello Concerto no. 1 in E-flat major, op. 107: II. Moderato11:503Cello Concerto no. 1 in E-flat major, op. 107: III. Cadenza5:214Cello Concerto no. 1 in E-flat major, op. 107: IV. Allegro Con Moto4:415Mala suita: Fujarka2:306Mala suita: Hurra Polka1:427Mala suita: Piosenka2:348Mala suita: Taniec3:319Concerto for Cello and Orchestra in C minor, op. 43: I. Adagio8:4610Concerto for Cello and Orchestra in C minor, op. 43: II. Moderato - Lento5:2711Concerto for Cello and Orchestra in C minor, op. 43: III. Allegro - Cadenza9:3412Concerto for Cello and Orchestra in C minor, op. 43: IV. Allegro9:22Solo Sonatas for Violin nos. 1 - 3
2016 · studio album
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Tracklist · 16 tracks · 1:14:09
13 Fantastic Dances: Dance no. 1: Allegretto1:362Solo Violin Sonata no. 1, op. 82: Adagio - Allegro - Adagio4:483Solo Violin Sonata no. 1, op. 82: Andante7:104Solo Violin Sonata no. 1, op. 82: Allegretto3:525Solo Violin Sonata no. 1, op. 82: Lento4:326Solo Violin Sonata no. 1, op. 82: Presto - Adagio5:1273 Fantastic Dances: Dance no. 2: Andantino1:468Solo Violin Sonata no. 2, op. 95: Monody1:519Solo Violin Sonata no. 2, op. 95: Andantino grazioso1:3710Solo Violin Sonata no. 2, op. 95: Presto agitato1:2711Solo Violin Sonata no. 2, op. 95: Andantino non tanto2:3412Solo Violin Sonata no. 2, op. 95: Allegretto leggiero2:4813Solo Violin Sonata no. 2, op. 95: Lento affettuoso3:3714Solo Violin Sonata no. 2, op. 95: Vivace marcato3:08153 Fantastic Dances: Dance no. 3: Allegretto1:0316Solo Violin Sonata no. 3, op. 12627:08Symphony no. 17 "Memory" / Suite for Orchestra
2016 · studio album
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Tracklist · 9 tracks · 1:04:42
1Suite for Orchestra: I. Romance3:132Suite for Orchestra: II. Humoresque4:143Suite for Orchestra: III. Waltz5:124Suite for Orchestra: IV. Polka3:245Suite for Orchestra: V. Galop3:036Symphony no. 17, op. 137 "Memory": I. Adagio sostenuto9:517Symphony no. 17, op. 137 "Memory": II. Allegro molto15:118Symphony no. 17, op. 137 "Memory": III. Allegro moderato, pesante4:349Symphony no. 17, op. 137 "Memory": IV. Andante16:002017 · studio album
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Tracklist · 21 tracks · 1:09:29
1Flute Concerto no. 1, op. 75: I. Allegro5:372Flute Concerto no. 1, op. 75: II. Largo4:333Flute Concerto no. 1, op. 75: III. Allegro comodo6:12412 Miniatures for Flute & Orchestra, op. 29 Bis: no. 1, Introduction (Maestoso)1:26512 Miniatures for Flute & Orchestra, op. 29 Bis: no. 2, Arietta (Andante con moto)1:09612 Miniatures for Flute & Orchestra, op. 29 Bis: no. 3, Burlesque (Allegro moderato)1:18712 Miniatures for Flute & Orchestra, op. 29 Bis: no. 4, Capriccio (Marziale marcatissimo)0:50812 Miniatures for Flute & Orchestra, op. 29 Bis: no. 5, Nocturne (Andantino)2:01912 Miniatures for Flute & Orchestra, op. 29 Bis: no. 6, Waltz (Allegro molto)1:171012 Miniatures for Flute & Orchestra, op. 29 Bis: no. 7, Ode (Largo)1:561112 Miniatures for Flute & Orchestra, op. 29 Bis: no. 8, Duet (Andante tranquillo)1:501212 Miniatures for Flute & Orchestra, op. 29 Bis: no. 9, Barcarole (Moderato comodo)1:571312 Miniatures for Flute & Orchestra, op. 29 Bis: no. 10, Etude (Presto)0:511412 Miniatures for Flute & Orchestra, op. 29 Bis: no. 11, Adagio1:441512 Miniatures for Flute & Orchestra, op. 29 Bis: no. 12, Pastorale (Allegretto)2:3116Flute Concerto no. 2, op. 148: I. Allegro8:5217Flute Concerto no. 2, op. 148: II. Largo4:3918Flute Concerto no. 2, op. 148: III. Allegretto - Andante molto ritenuto6:5819Trio for Flute, Viola & Harp, op. 127: I. —4:2420Trio for Flute, Viola & Harp, op. 127: II. —5:5421Trio for Flute, Viola & Harp, op. 127: III. —3:30Complete Sonatas for Violin and Piano / Violin Sonatina
2017 · studio album
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Tracklist · 20 tracks · 2:08:39
Disc 11Violin Sonata no. 1, op. 12: I. Allegro6:072Violin Sonata no. 1, op. 12: II. Adagietto6:433Violin Sonata no. 1, op. 12: III. Allegro8:294Violin Sonata no. 2, op. 15: I. Allegro8:225Violin Sonata no. 2, op. 15: II. Lento6:326Violin Sonata no. 2, op. 15: III. Allegro moderato - Allegro con fuoco - Tempo primo5:137Violin Sonata no. 3, op. 37: I. Allegro moderato4:378Violin Sonata no. 3, op. 37: II. Andantino6:549Violin Sonata no. 3, op. 37: III. Allegretto cantabile - Lento (quasi adagio)9:14Disc 21Violin Sonata no. 4, op. 39: I. Adagio9:232Violin Sonata no. 4, op. 39: II. Allegro ma non troppo4:033Violin Sonata no. 4, op. 39: III. Adagio tenuto molto rubato - Adagio primo4:244Violin Sonata no. 5, op. 53: I. Andante con moto5:185Violin Sonata no. 5, op. 53: II. Allegro molto5:486Violin Sonata no. 5, op. 53: III. Allegro moderato4:147Violin Sonata no. 5, op. 53: IV. Allegro - Andante - Allegretto - Andante7:178Violin Sonata no. 6, op. 136bis12:009Violin Sonatina, op. 46: I. Allegretto4:3610Violin Sonatina, op. 46: II. Lento - Allegro - Tempo primo5:3111Violin Sonatina, op. 46: III. Allegro moderato - Lento3:54String Quartet no. 7 / Piano Quintet
2017 · studio album
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Tracklist · 8 tracks · 1:09:38
1String Quartet no. 7 in C major, op. 59: I. Adagio7:032String Quartet no. 7 in C major, op. 59: II. Allegretto5:563String Quartet no. 7 in C major, op. 59: III. Adagio - Allegro - Adagio11:584Piano Quintet in F minor, op. 18: I. Moderato con moto8:165Piano Quintet in F minor, op. 18: II. Allegretto6:226Piano Quintet in F minor, op. 18: III. Presto5:527Piano Quintet in F minor, op. 18: IV. Largo15:508Piano Quintet in F minor, op. 18: V. Allegro agitato8:21Concertino for Cello and String Orchestra / 24 Preludes for Solo Cello
2018 · studio album
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Tracklist · 28 tracks · 1:03:51
1Concertino for Violoncello & String Orchestra, op. 43: I. Adagio4:052Concertino for Violoncello & String Orchestra, op. 43: II. Moderato3:023Concertino for Violoncello & String Orchestra, op. 43: III. Allegro3:204Concertino for Violoncello & String Orchestra, op. 43: IV. Adagio4:50524 Preludes for Solo Cello, op. 100: Prelude no. 11:43624 Preludes for Solo Cello, op. 100: Prelude no. 20:57724 Preludes for Solo Cello, op. 100: Prelude no. 31:04824 Preludes for Solo Cello, op. 100: Prelude no. 41:53924 Preludes for Solo Cello, op. 100: Prelude no. 51:491024 Preludes for Solo Cello, op. 100: Prelude no. 61:501124 Preludes for Solo Cello, op. 100: Prelude no. 72:061224 Preludes for Solo Cello, op. 100: Prelude no. 81:081324 Preludes for Solo Cello, op. 100: Prelude no. 92:331424 Preludes for Solo Cello, op. 100: Prelude no. 101:421524 Preludes for Solo Cello, op. 100: Prelude no. 112:521624 Preludes for Solo Cello, op. 100: Prelude no. 121:591724 Preludes for Solo Cello, op. 100: Prelude no. 131:461824 Preludes for Solo Cello, op. 100: Prelude no. 140:461924 Preludes for Solo Cello, op. 100: Prelude no. 153:532024 Preludes for Solo Cello, op. 100: Prelude no. 162:152124 Preludes for Solo Cello, op. 100: Prelude no. 172:372224 Preludes for Solo Cello, op. 100: Prelude no. 18. Sarabande3:592324 Preludes for Solo Cello, op. 100: Prelude no. 192:222424 Preludes for Solo Cello, op. 100: Prelude no. 201:082524 Preludes for Solo Cello, op. 100: Prelude no. 211:152624 Preludes for Solo Cello, op. 100: Prelude no. 221:252724 Preludes for Solo Cello, op. 100: Prelude no. 232:212824 Preludes for Solo Cello, op. 100: Prelude no. 24. Menuet3:11Piano Quintet / Cello Sonata no. 2 / Piano Sonatine
2018 · studio album
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Tracklist · 11 tracks · 1:16:39
1Quintet for Piano and String Quartet, op. 18: Moderato con moto9:212Quintet for Piano and String Quartet, op. 18: Allegretto7:093Quintet for Piano and String Quartet, op. 18: Presto7:164Quintet for Piano and String Quartet, op. 18: Largo13:525Quintet for Piano and String Quartet, op. 18: Allegro agitato9:426Sonatine for Piano, op. 49: Allegro leggiero2:167Sonatine for Piano, op. 49: Adagietto lugubre3:178Sonatine for Piano, op. 49: Allegretto1:199Sonata no. 2 for Cello and Piano, op. 63: Moderato6:5810Sonata no. 2 for Cello and Piano, op. 63: Andante8:4511Sonata no. 2 for Cello and Piano, op. 63: Allegro6:44Symphony no. 13 / Serenade for Orchestra
2018 · studio album
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Tracklist · 5 tracks · 52:55
1Symphony no. 13, op. 11534:382Serenade, op. 47 no. 4: I. Allegretto3:493Serenade, op. 47 no. 4: II. Allegro molto5:294Serenade, op. 47 no. 4: III. Adagio2:505Serenade, op. 47 no. 4: IV. Allegro giocoso6:09Music of Alexander Krein and Mieczysław Weinberg
2018 · studio album
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Tracklist · 16 tracks · 1:10:35
1Sketches of Youth, op. 2: I. Prologue3:242Sketches of Youth, op. 2: II. Presentiment2:403Sketches of Youth, op. 2: III. Arabesque2:564Sketches of Youth, op. 2: IV. Nocturne5:015Sketches of Youth, op. 2: V. Sentimental Moment2:326Sketches of Youth, op. 2: VI. Fairy-tale3:267Sketches of Youth, op. 2: VII. Valse4:108Sketches of Youth, op. 2: VIII. Epilogue3:0994 Pieces, op. 7: No. 1. Étude4:24104 Pieces, op. 7: No. 2. Mazurka3:03114 Pieces, op. 7: No. 3. Poem-Fantasy6:22124 Pieces, op. 7: No. 4. Valse3:0613Piano Sonata no. 4 in B minor, op. 56: I. Allegro7:3214Piano Sonata no. 4 in B minor, op. 56: II. Allegro3:4315Piano Sonata no. 4 in B minor, op. 56: III. Adagio6:2416Piano Sonata no. 4 in B minor, op. 56: IV. Allegro8:43Cello Concerto Op. 43 / Fantasy Op. 52 / Concertino Op. 43bis
2019 · studio album
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Tracklist · 8 tracks · 1:07:00
1Cello Concerto, Op. 43: I. Adagio7:542Cello Concerto, Op. 43: II. Moderato5:473Cello Concerto, Op. 43: III. Allegro9:474Cello Concerto, Op. 43: IV. Allegro9:525Fantasy, Op. 5217:096Concertino, Op. 43bis: I. Adagio4:367Concertino, Op. 43bis: II. Moderato espressivo3:238Concertino, Op. 43bis: III. Allegro vivace8:322019 · studio album
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Tracklist · 24 tracks · 47:56
124 Preludes, op. 100: No. 12:11224 Preludes, op. 100: No. 21:21324 Preludes, op. 100: No. 31:07424 Preludes, op. 100: No. 41:59524 Preludes, op. 100: No. 52:33624 Preludes, op. 100: No. 61:02724 Preludes, op. 100: No. 71:44824 Preludes, op. 100: No. 81:02924 Preludes, op. 100: No. 91:361024 Preludes, op. 100: No. 101:501124 Preludes, op. 100: No. 111:561224 Preludes, op. 100: No. 122:511324 Preludes, op. 100: No. 131:411424 Preludes, op. 100: No. 140:591524 Preludes, op. 100: No. 154:001624 Preludes, op. 100: No. 161:541724 Preludes, op. 100: No. 172:231824 Preludes, op. 100: No. 183:151924 Preludes, op. 100: No. 192:022024 Preludes, op. 100: No. 202:022124 Preludes, op. 100: No. 211:452224 Preludes, op. 100: No. 221:122324 Preludes, op. 100: No. 232:152424 Preludes, op. 100: No. 243:16Shostakovich / Weinberg / Kobekin
2019 · studio album
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Tracklist · 6 tracks · 52:31
1Cello Concerto no. 1 in E‐flat major, op. 107: I. Allegretto6:332Cello Concerto no. 1 in E‐flat major, op. 107: II. Moderato11:483Cello Concerto no. 1 in E‐flat major, op. 107: III. Cadenza5:534Cello Concerto no. 1 in E‐flat major, op. 107: IV. Allegro con moto4:335Fantasy for Cello & Orchestra, op. 52: Adagio – Andantino leggiero – Allegro con fuoco – Cadenza – Andantino leggiero – Adagio17:556Bacchants for Cello & Orchestra5:492019 · studio album
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Tracklist · 9 tracks · 1:29:03
1Symphony no. 2 for String Orchestra, op. 30: 1. Allegro moderato12:482Symphony no. 2 for String Orchestra, op. 30: 2. Adagio11:113Symphony no. 2 for String Orchestra, op. 30: 3. Allegretto10:264Symphony no. 21, op. 152 „Kaddish“: 1. Largo18:385Symphony no. 21, op. 152 „Kaddish“: 2. Allegro molto6:036Symphony no. 21, op. 152 „Kaddish“: 3. Largo5:387Symphony no. 21, op. 152 „Kaddish“: 4. Presto3:128Symphony no. 21, op. 152 „Kaddish“: 5. Andantino7:179Symphony no. 21, op. 152 „Kaddish“: 6. Lento13:50Chamber Symphonies nos. 1 and 3
2019 · studio album
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Tracklist · 8 tracks · 58:17
1Chamber Symphony no. 1, op. 145 : I. Allegro8:392Chamber Symphony no. 1, op. 145 : II. Andante9:143Chamber Symphony no. 1, op. 145 : III. Allegretto3:594Chamber Symphony no. 1, op. 145 : IV. Presto3:585Chamber Symphony no. 3, op. 151: I. Lento9:556Chamber Symphony no. 3, op. 151: II. Allegro molto4:567Chamber Symphony no. 3, op. 151: III. Adagio7:358Chamber Symphony no. 3, op. 151: IV. Andantino10:012019 · studio album
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Tracklist · 10 tracks · 58:47
13 Pieces for Violin and Piano: 1. Nocturne6:3323 Pieces for Violin and Piano: 2. Scherzo2:1933 Pieces for Violin and Piano: 3. Traum von einer Puppe6:124Piano Trio in A minor, op. 24: 1. Praeludium and Aria5:385Piano Trio in A minor, op. 24: 2. Toccata4:066Piano Trio in A minor, op. 24: 3. Poem9:437Piano Trio in A minor, op. 24: 4. Finale10:028Sonata no. 6 for Violin and Piano, op. 136bis: 1. Moderato6:289Sonata no. 6 for Violin and Piano, op. 136bis: 2. Adagio2:5610Sonata no. 6 for Violin and Piano, op. 136bis: 3. Moderato4:50Flute Concertos nos. 1 and 2 / 12 Pieces for Flute and Orchestra / 5 Pieces for Flute and Piano
2019 · studio album
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Tracklist · 23 tracks · 1:08:29
1Flute Concerto No. 1, Op. 75: I. Allegro molto5:232Flute Concerto No. 1, Op. 75: II. Largo4:073Flute Concerto No. 1, Op. 75: III. Allegro commodo5:304Flute Concerto No. 2, Op. 148b: I. Allegro8:475Flute Concerto No. 2, Op. 148b: II. Largo4:176Flute Concerto No. 2, Op. 148b: III. Allegretto6:51712 Miniatures, Op. 29b: No. 1, Improvisation1:40812 Miniatures, Op. 29b: No. 2, Arietta1:23912 Miniatures, Op. 29b: No. 3, Burleske1:141012 Miniatures, Op. 29b: No. 4, Capriccio0:431112 Miniatures, Op. 29b: No. 5, Nocturne1:411212 Miniatures, Op. 29b: No. 6, Waltz1:021312 Miniatures, Op. 29b: No. 7, Ode1:391412 Miniatures, Op. 29b: No. 8, Duet1:391512 Miniatures, Op. 29b: No. 9, Barcarolle1:521612 Miniatures, Op. 29b: No. 10, Etude0:481712 Miniatures, Op. 29b: No. 11, Intermezzo1:491812 Miniatures, Op. 29b: No. 12, Pastorale2:05195 Pieces for Flute & Piano: No. 1, Landscape3:06205 Pieces for Flute & Piano: No. 2, First Dance1:40215 Pieces for Flute & Piano: No. 3, Second Dance6:15225 Pieces for Flute & Piano: No. 4, Melody3:03235 Pieces for Flute & Piano: No. 5, Third Dance1:552019 · studio album
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Tracklist · 5 tracks · 45:28
1Piano Quintet, op. 18: Moderato con moto8:432Piano Quintet, op. 18: Allegretto7:153Piano Quintet, op. 18: Presto6:184Piano Quintet, op. 18: Largo14:105Piano Quintet, op. 18: Allegro agitato9:02String Quartets nos. 14 & 15 + Three Palms
2020 · studio album
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Tracklist · 15 tracks · 1:07:30
1String Quartet no. 14, op. 122: ♩ = 963:002String Quartet no. 14, op. 122: ♩ = 633:143String Quartet no. 14, op. 122: ♩ = 1084:264String Quartet no. 14, op. 122: ♩. = 543:355String Quartet no. 14, op. 122: ♩ = 1527:386Three Palms, op. 12021:057String Quartet no. 15, op. 124: ♩ = 693:318String Quartet no. 15, op. 124: ♩ = 562:089String Quartet no. 15, op. 124: ♩. = 841:3910String Quartet no. 15, op. 124: ♩ = 1122:0311String Quartet no. 15, op. 124: ♩ = 1922:3812String Quartet no. 15, op. 124: ♩ = 1762:0213String Quartet no. 15, op. 124: ♩ = 721:3514String Quartet no. 15, op. 124: ♩ = 804:0015String Quartet no. 15, op. 124: ♩ = 604:562020 · studio album
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Tracklist · 10 tracks · 1:22:23
1Clarinet Concerto, op. 104: I. Allegro11:062Clarinet Concerto, op. 104: II. Andante10:303Clarinet Concerto, op. 104: III. Allegretto7:464Clarinet Sonata, op. 28: I. Allegro6:065Clarinet Sonata, op. 28: II. Allegretto7:026Clarinet Sonata, op. 28: III. Adagio6:557Chamber Symphony no. 4, op. 153: I. Lento8:088Chamber Symphony no. 4, op. 153: II. Allegro molto - Moderato7:039Chamber Symphony no. 4, op. 153: III. Adagio - Meno mosso9:4810Chamber Symphony no. 4, op. 153: IV. Andantino - Adagissimo7:59String Quartets, Vol. One: Nos. 2, 5 and 8
2021 · studio album
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Tracklist · 12 tracks · 1:08:24
1String Quartet no. 2 in G major, op. 3: I. Allegro9:002String Quartet no. 2 in G major, op. 3: II. Andante – Meno mosso – Allegro – Tempo I – Poco meno mosso9:013String Quartet no. 2 in G major, op. 3: III. Allegretto – Coda4:054String Quartet no. 2 in G major, op. 3: IV. Presto4:095String Quartet no. 5 in B-flat major, op. 27: 1. Melodie. Andante sostenuto6:186String Quartet no. 5 in B-flat major, op. 27: 2. Humoreske. Andantino –6:047String Quartet no. 5 in B-flat major, op. 27: 3. Scherzo. Allegro molto –2:298String Quartet no. 5 in B-flat major, op. 27: 4. Improvisation. Lento –5:209String Quartet no. 5 in B-flat major, op. 27: 5. Serenade. Moderato con moto – Pochissimo più mosso – Allegro – Andante sostenuto6:2910String Quartet no. 8 in C major, op. 66: Adagio – Andante – Adagio –7:2211String Quartet no. 8 in C major, op. 66: Allegretto – Allegro – Allegretto –5:4512String Quartet no. 8 in C major, op. 66: Doppio più lento – Andante2:22Violin Concerto / Sonata for Two Violins
2021 · studio album
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Tracklist · 7 tracks · 51:01
1Violin Concerto in G minor, op. 67: I. Allegro molto9:182Violin Concerto in G minor, op. 67: II. Allegretto8:273Violin Concerto in G minor, op. 67: III. Andante6:174Violin Concerto in G minor, op. 67: IV. Allegro risoluto8:235Sonata for 2 Violins, op. 69: I. Allegro molto5:596Sonata for 2 Violins, op. 69: II. Adagio7:067Sonata for 2 Violins, op. 69: III. Allegro5:31Complete Violin Sonatas, Volume Three
2021 · studio album
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Tracklist · 14 tracks · 1:00:34
1Violin Sonata No. 3, Op. 37: I. Allegro moderato4:062Violin Sonata No. 3, Op. 37: II. Andantino8:173Violin Sonata No. 3, Op. 37: III. Allegretto cantabile - Lento8:464Sonata No. 3 for Violin Solo, Op. 126: Bars 1-713:395Sonata No. 3 for Violin Solo, Op. 126: Bars 72-1363:166Sonata No. 3 for Violin Solo, Op. 126: Bars 137-1813:577Sonata No. 3 for Violin Solo, Op. 126: Bars 182-2873:288Sonata No. 3 for Violin Solo, Op. 126: Bars 288-5814:129Sonata No. 3 for Violin Solo, Op. 126: Bars 582-5960:5410Sonata No. 3 for Violin Solo, Op. 126: Bars 597-6191:3811Sonata No. 3 for Violin Solo, Op. 126: Bars 620-7412:3612Violin Sonata No. 6, Op. 136bis: I. Moderato7:1513Violin Sonata No. 6, Op. 136bis: II. Adagio3:5614Violin Sonata No. 6, Op. 136bis: III. Moderato - Adagio4:34String Quartets Nos. 1, 16 & 17
2021 · studio album
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Tracklist · 8 tracks · 1:02:58
1String Quartet No. 16, op. 130: I. Allegro8:042String Quartet No. 16, op. 130: II. Allegro - Andantino4:413String Quartet No. 16, op. 130: III. Lento6:084String Quartet No. 16, op. 130: IV. Moderato9:295String Quartet No. 1, op. 2: I. Allegro comodo6:406String Quartet No. 1, op. 2: II. Andante tranquillo5:567String Quartet No. 1, op. 2: III. Allegro molto6:408String Quartet No. 17, op. 14615:20Tchaikovsky / Weinberg / Dvořák
2021 · studio album
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Tracklist · 13 tracks · 1:18:08
1Variations on a Rococo Theme, op. 33: Moderato assai quasi Andante1:052Variations on a Rococo Theme, op. 33: Thema. Moderato semplice1:503Variations on a Rococo Theme, op. 33: var. 1. Tempo della Thema1:004Variations on a Rococo Theme, op. 33: var. 2. Tempo della Thema1:295Variations on a Rococo Theme, op. 33: var. 3. Andante sostenuto3:586Variations on a Rococo Theme, op. 33: var. 4. Andante grazioso2:077Variations on a Rococo Theme, op. 33: var. 5. Allegro moderato – Cadenza4:158Variations on a Rococo Theme, op. 33: var. 6. Andante2:359Variations on a Rococo Theme, op. 33: var. 7 e Coda. Allegro vivo2:3110Fantasia for Cello and Orchestra, op. 5216:5511Cello Concerto, op. 104: I. Allegro16:0012Cello Concerto, op. 104: II. Adagio ma non troppo11:3213Cello Concerto, op. 104: III. Finale. Allegro moderato12:512022 · studio album
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Tracklist · 10 tracks · 1:02:46
1Piano trio op. 24 : I. Praeludium and aria5:562Piano trio op. 24 : II. Toccata4:093Piano trio op. 24 : III. Poem9:114Piano trio op. 24 : IV. Finale10:335Sonata for 2 violins op. 69 : I. Allegro molto6:466Sonata for 2 violins op. 69 : II. Adagio7:237Sonata for 2 violins op. 69 : III. Allegro ma non troppo5:5682 songs without words (1947) : I. Andantino4:0692 songs without words (1947) : II. Larghetto3:4310Sonatensatz II woo : Largo5:03Mieczysław Weinberg (1919-1996)
2022 · studio album
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Tracklist · 9 tracks · 1:08:25
1Cello Concertino Op.43bis: Adagio4:212Cello Concertino Op.43bis: Moderato Espressivo3:043Cello concertino op.43bis: Allegro vivace3:164Cello concertino op.43bis: Adagio5:555Fantasy for Cello and Orchestra op.52: Adagio - Andantino leggiero - Allegro con fuoco - Andantino leggiero - Adagio17:406Chamber Symphony No.4 op.153: Lento8:187Chamber Symphony No.4 op.153: Allegro molto-Moderato7:078Chamber Symphony No.4 op.153: Adagio10:039Chamber Symphony No.4 op.153: Andantino8:412022 · studio album
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Tracklist · 11 tracks · 52:14
1Piano Sonata no. 1, op. 5: Adagio5:402Piano Sonata no. 1, op. 5: Allegretto2:193Piano Sonata no. 1, op. 5: Andantino3:014Piano Sonata no. 1, op. 5: Allegro molto3:085Piano Sonata no. 2, op. 8: Allegro4:526Piano Sonata no. 2, op. 8: Allegretto2:447Piano Sonata no. 2, op. 8: Adagio6:518Piano Sonata no. 2, op. 8: Vivace3:009Piano Sonata no. 3, op. 31: Allegro tranquillo9:0910Piano Sonata no. 3, op. 31: Adagio4:4311Piano Sonata no. 3, op. 31: Moderato con moto6:472022 · studio album
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Tracklist · 19 tracks · 1:17:35
17 Romances on Poems, Op. 127: No. 1, Lied der Ophelia2:5427 Romances on Poems, Op. 127: No. 2, Gamajun, der Prophetenvogel4:0037 Romances on Poems, Op. 127: No. 3, Wir waren zusammen3:0447 Romances on Poems, Op. 127: No. 4, Die Stadt schläft3:0157 Romances on Poems, Op. 127: No. 5, Sturm2:0267 Romances on Poems, Op. 127: No. 6, Geheimnisvolle Zeichen4:4677 Romances on Poems, Op. 127: No. 7, Musik5:158Piano Trio No. 1 in C Minor, Op. 811:339Jewish Songs, Op. 13 (Arr. A. Oratovski for Soprano, Violin, Cello & Piano): No. 1, Einleitung1:1610Jewish Songs, Op. 13 (Arr. A. Oratovski for Soprano, Violin, Cello & Piano): No. 2, Brejtele0:5711Jewish Songs, Op. 13 (Arr. A. Oratovski for Soprano, Violin, Cello & Piano): No. 3, Viglid2:1012Jewish Songs, Op. 13 (Arr. A. Oratovski for Soprano, Violin, Cello & Piano): No. 4, Der jeger1:3913Jewish Songs, Op. 13 (Arr. A. Oratovski for Soprano, Violin, Cello & Piano): No. 5, Ojfn grinem bergele1:5214Jewish Songs, Op. 13 (Arr. A. Oratovski for Soprano, Violin, Cello & Piano): No. 6, Der Jesojmes brivele4:1415Jewish Songs, Op. 13 (Arr. A. Oratovski for Soprano, Violin, Cello & Piano): No. 7, Schluss0:5316Piano Trio, Op. 24: I. Prelude & Aria. Larghetto5:3417Piano Trio, Op. 24: II. Toccata. Allegro3:5518Piano Trio, Op. 24: III. Poem. Moderato8:3319Piano Trio, Op. 24: IV. Finale. Allegro moderato9:572022 · studio album
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Tracklist · 13 tracks · 1:05:28
1Sonata no. 3, op. 12622:252Sonata no. 2, op. 95: I. Monody1:283Sonata no. 2, op. 95: II. Rests1:444Sonata no. 2, op. 95: III. Intervals1:595Sonata no. 2, op. 95: IV. Replies2:186Sonata no. 2, op. 95: V. Accompaniment2:417Sonata no. 2, op. 95: VI. Invocation3:488Sonata no. 2, op. 95: VII. Syncopes3:239Sonata no. 1, op. 82: I. Adagio - Allegro5:3010Sonata no. 1, op. 82: II. Andante5:3811Sonata no. 1, op. 82: III. Allegretto3:4712Sonata no. 1, op. 82: IV. Lento5:0513Sonata no. 1, op. 82: V. Presto5:422022 · studio album
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Tracklist · 11 tracks · 1:14:45
1Adagio from Lady Macbeth of Mtsensk5:282Concertino for Violin and String Orchestra, Op. 42: I. Allegretto cantabile6:223Concertino for Violin and String Orchestra, Op. 42: II. Lento; Adagio6:134Concertino for Violin and String Orchestra, Op. 42: III. Allegro moderato poco rubato5:035Symphony for String Orchestra and Timpani: I. Andante patetico; Allegro moderato11:526Symphony for String Orchestra and Timpani: II. Allegro ma non troppo6:427Symphony for String Orchestra and Timpani: III. Adagio; Andante doloroso8:148Symphony for String Orchestra and Timpani: IV. Allegro vivo7:359"What does censorship sound like?" an exploration: I. Ian Niederhoffer on Shostakovich's Adagio4:1810"What does censorship sound like?" an exploration: II. Ian Niederhoffer on Weinberg's Concertino4:4211"What does censorship sound like?" an exploration: III. Ian Niederhoffer on Mirzoyan's Symphony8:16String Quartets, Vol. Two: nos. 1, 7 and 11
2022 · studio album
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Tracklist · 10 tracks · 1:09:44
1String Quartet no. 1 in C major, op. 2/141: I. Allegro comodo7:222String Quartet no. 1 in C major, op. 2/141: II. Andante tranquillo6:263String Quartet no. 1 in C major, op. 2/141: III. Allegro molto7:054String Quartet no. 7 in C major, op. 59: I. Adagio – Meno mosso –8:515String Quartet no. 7 in C major, op. 59: II. Allegretto5:436String Quartet no. 7 in C major, op. 59: III. Adagio – Allegro – Adagio13:177String Quartet no. 11 in F major, op. 89: I. Allegro assai6:338String Quartet no. 11 in F major, op. 89: II. Allegretto – Coda3:079String Quartet no. 11 in F major, op. 89: III. Adagio semplice –5:1310String Quartet no. 11 in F major, op. 89: IV. Allegro leggiero6:07Symphonies nos. 3 & 7 / Flute Concerto no. 1
2022 · studio album
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Tracklist · 12 tracks · 1:21:01
1Symphony no. 7, op. 81: 1. Adagio sostenuto (attacca)6:332Symphony no. 7, op. 81: 2. Allegro (attacca)5:313Symphony no. 7, op. 81: 3. Andante (attacca)5:064Symphony no. 7, op. 81: 4. Adagio sostenuto (attacca)3:035Symphony no. 7, op. 81: 5. Allegro10:506Concerto for Flute and Orchestra no. 1, op. 75: 1. Allegro molto5:187Concerto for Flute and Orchestra no. 1, op. 75: 2. Largo (attacca)4:468Concerto for Flute and Orchestra no. 1, op. 75: 3. Allegro comodo5:589Symphony no. 3, op. 45: 1. Allegro11:4510Symphony no. 3, op. 45: 2. Allegro giocoso4:5911Symphony no. 3, op. 45: 3. Adagio8:5512Symphony no. 3, op. 45: 4. Allegro vivace8:17String Quartets, Vol. Three: nos. 4 and 16
2023 · studio album
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Tracklist · 8 tracks · 1:06:32
1String Quartet no. 4, op. 20: I. Allegro comodo11:182String Quartet no. 4, op. 20: II. Moderato assai7:113String Quartet no. 4, op. 20: III. Largo marciale10:184String Quartet no. 4, op. 20: IV. Allegro moderato6:555String Quartet no. 16, op. 130: I. Allegro9:046String Quartet no. 16, op. 130: II. Allegro – Andantino – Allegro5:197String Quartet no. 16, op. 130: III. Lento6:508String Quartet no. 16, op. 130: IV. Moderato9:37Complete Works for Violin and Piano, Volume Four
2023 · studio album
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Tracklist · 12 tracks · 1:02:11
1Violin Concertino in A Minor, Op. 42: I. Allegretto cantabile6:432Violin Concertino in A Minor, Op. 42: II. Cadenza. Lento - Adagio6:353Violin Concertino in A Minor, Op. 42: III. Allegro moderato poco rubato5:0442 Songs Without Words: No. 1, Andantino3:4252 Songs Without Words: No. 2, Larghetto3:1063 Pieces for Violin & Piano: No. 1, Nocturne. Moderato6:1973 Pieces for Violin & Piano: No. 2, Scherzo. Allegro2:1683 Pieces for Violin & Piano: No. 3, Dream About a Doll6:139Sonata in F Major: Largo3:5710Sonata for 2 Violins, Op. 69: I. Allegro molto6:1711Sonata for 2 Violins, Op. 69: II. Adagio6:2712Sonata for 2 Violins, Op. 69: III. Allegro5:282023 · studio album
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Tracklist · 13 tracks · 1:18:37
1Concertino for Cello and String Orchestra, op. 43bis: I. Adagio4:172Concertino for Cello and String Orchestra, op. 43bis: II. Moderato espressivo3:133Concertino for Cello and String Orchestra, op. 43bis: III. Allegro vivace3:134Concertino for Cello and String Orchestra, op. 43bis: IV. Adagio – Adagio tempo primo4:535Concertino for Violin and String Orchestra, op. 42: I. Allegretto cantabile7:556Concertino for Violin and String Orchestra, op. 42: II. Cadenza: Lento – Adagio6:367Concertino for Violin and String Orchestra, op. 42: III. Allegro moderato poco rubato5:168Rhapsody on Moldavian Themes, op. 47 no. 310:569Symphony no. 7 in C, op. 81: I. Adagio sostenuto5:5210Symphony no. 7 in C, op. 81: II. Allegro – Adagio sostenuto6:2911Symphony no. 7 in C, op. 81: III. Andante4:3412Symphony no. 7 in C, op. 81: IV. Adagio sostenuto2:4313Symphony no. 7 in C, op. 81: V. Allegro – Adagio sostenuto12:402023 · studio album
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Tracklist · 5 tracks · 1:13:33
1Dawn, Op. 6017:192Symphony No. 12, Op. 114: I. Allegro moderato20:213Symphony No. 12, Op. 114: II. Allegretto7:474Symphony No. 12, Op. 114: III. Adagio10:045Symphony No. 12, Op. 114: IV. Allegro18:022024 · studio album
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Tracklist · 13 tracks · 1:12:22
1Piano Trio, op. 24: I. Präludium and Aria5:392Piano Trio, op. 24: II. Toccata3:503Piano Trio, op. 24: III. Poem9:224Piano Trio, op. 24: IV. Finale10:445Piano Trio no. 1, op. 28: I. Prelude1:376Piano Trio no. 1, op. 28: II. Andante lamentoso5:507Piano Trio no. 1, op. 28: III. Presto4:408Piano Trio no. 4 in E minor, op. 90, B. 166 “Dumky”: I. Lento maestoso3:509Piano Trio no. 4 in E minor, op. 90, B. 166 “Dumky”: II. Poco adagio7:3010Piano Trio no. 4 in E minor, op. 90, B. 166 “Dumky”: III. Andante5:4811Piano Trio no. 4 in E minor, op. 90, B. 166 “Dumky”: IV. Andante moderato4:4312Piano Trio no. 4 in E minor, op. 90, B. 166 “Dumky”: V. Allegro4:1713Piano Trio no. 4 in E minor, op. 90, B. 166 “Dumky”: VI. Lento maestoso4:322024 · studio album
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Tracklist · 12 tracks · 57:30
1This too shall pass8:192Chamber Symphony: David's Lamentation2:453Kaddish-Prelude for Violin and Percussion3:064Penultimate Kaddish7:025Chamber Symphony: Postlude. The Luminous Lament4:276Nocturne for Violin and String Orchestra3:107Aria for String Quartet, op. 9: Arie3:468Children Jewish Songs, op. 13: 2. Breytele2:029Children Jewish Songs, op. 13: 4. Der yeger1:5110Children Jewish Songs, op. 13: 5. Ofn grinem bergele5:2911Kujawiak3:1712Lignum12:162024 · studio album
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Tracklist · 8 tracks · 1:14:01
1Piano Trio in A Minor, Op. 24: I. Prelude & Aria. Larghetto5:082Piano Trio in A Minor, Op. 24: II. Toccata. Allegro4:013Piano Trio in A Minor, Op. 24: III. Poem. Moderato10:244Piano Trio in A Minor, Op. 24: IV. Finale. Allegro moderato10:305Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: I. Allegro15:256Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: II. Andante con moto8:597Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: III. Scherzando. Allegro moderato6:318Piano Trio No. 2 in E-Flat Major, Op. 100, D. 929: IV. Allegro moderato13:032024 · studio album
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Tracklist · 57 tracks · 1:05:53
1Symphony no. 2 in D major, op. 43: I. Allegretto: I1:032Symphony no. 2 in D major, op. 43: I. Allegretto: II1:003Symphony no. 2 in D major, op. 43: I. Allegretto: III1:234Symphony no. 2 in D major, op. 43: I. Allegretto: IV1:155Symphony no. 2 in D major, op. 43: I. Allegretto: V1:096Symphony no. 2 in D major, op. 43: I. Allegretto: VI1:027Symphony no. 2 in D major, op. 43: I. Allegretto: VII1:288Symphony no. 2 in D major, op. 43: I. Allegretto: VIII1:279Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato: I1:0110Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato: II1:0111Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato: III1:2812Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato: IV1:0613Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato: V1:1714Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato: VI1:2015Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato: VII1:0216Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato: VIII1:0517Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato: IX1:0418Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato: X1:0419Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato: XI1:2120Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato: XII0:4721Symphony no. 2 in D major, op. 43: III. Vivacissimo: I0:5922Symphony no. 2 in D major, op. 43: III. Vivacissimo: II0:4723Symphony no. 2 in D major, op. 43: III. Vivacissimo: III1:1224Symphony no. 2 in D major, op. 43: III. Vivacissimo: IV1:0325Symphony no. 2 in D major, op. 43: III. Vivacissimo: V1:0126Symphony no. 2 in D major, op. 43: III. Vivacissimo: VI0:5627Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato: I0:3328Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato: II0:4129Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato: III1:0930Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato: IV1:0131Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato: V1:1032Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato: VI1:0333Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato: VII1:0034Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato: VIII1:0935Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato: IX1:1736Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato: X1:2637Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato: XI1:0438Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato: XII1:0739Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato: XIII1:3640Trumpet Concerto in B-flat major, op. 94: I. Etudes: I0:5841Trumpet Concerto in B-flat major, op. 94: I. Etudes: II1:0142Trumpet Concerto in B-flat major, op. 94: I. Etudes: III1:0943Trumpet Concerto in B-flat major, op. 94: I. Etudes: IV1:2144Trumpet Concerto in B-flat major, op. 94: I. Etudes: V1:1845Trumpet Concerto in B-flat major, op. 94: I. Etudes: VI1:4746Trumpet Concerto in B-flat major, op. 94: II. Episodes: I1:1047Trumpet Concerto in B-flat major, op. 94: II. Episodes: II1:1748Trumpet Concerto in B-flat major, op. 94: II. Episodes: III1:1349Trumpet Concerto in B-flat major, op. 94: II. Episodes: IV1:1850Trumpet Concerto in B-flat major, op. 94: II. Episodes: V1:1951Trumpet Concerto in B-flat major, op. 94: II. Episodes: VI1:3452Trumpet Concerto in B-flat major, op. 94: II. Episodes: VII1:1353Trumpet Concerto in B-flat major, op. 94: III. Fanfares: I1:0054Trumpet Concerto in B-flat major, op. 94: III. Fanfares: II0:5955Trumpet Concerto in B-flat major, op. 94: III. Fanfares: III1:1156Trumpet Concerto in B-flat major, op. 94: III. Fanfares: IV1:0757Trumpet Concerto in B-flat major, op. 94: III. Fanfares: V1:21The Four Sonatas for Solo Cello
2024 · studio album
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Tracklist · 14 tracks · 1:27:21
1Sonata no. 1 for solo cello, op. 72: I. Adagio7:562Sonata no. 1 for solo cello, op. 72: II. Allegretto3:223Sonata no. 1 for solo cello, op. 72: III. Allegro4:564Sonata no. 2 for solo cello, op. 121: I. Andante5:565Sonata no. 2 for solo cello, op. 121: II. Allegro6:256Sonata no. 2 for solo cello, op. 121: III. Adagio8:497Sonata no. 2 for solo cello, op. 121: IV. Allegretto11:368Sonata no. 3 for solo cello, op. 106: I. Allegro7:009Sonata no. 3 for solo cello, op. 106: II. Allegretto2:4910Sonata no. 3 for solo cello, op. 106: III. Lento6:2911Sonata no. 3 for solo cello, op. 106: IV. Presto5:2212Sonata no. 4 for solo cello, op. 140bis: I. Andante6:3513Sonata no. 4 for solo cello, op. 140bis: II. Adagio5:0414Sonata no. 4 for solo cello, op. 140bis: III. Allegro5:02String Quartets, Vol. Four: nos 6, 13, and 15
2024 · studio album
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Tracklist · 16 tracks · 1:15:43
1String Quartet no. 6 in E minor, op. 35: I. Allegro semplice9:412String Quartet no. 6 in E minor, op. 35: II. Presto agitato2:453String Quartet no. 6 in E minor, op. 35: III. Allegro con fuoco2:094String Quartet no. 6 in E minor, op. 35: IV. Adagio7:175String Quartet no. 6 in E minor, op. 35: V. Moderato commodo5:556String Quartet no. 6 in E minor, op. 35: VI. Andante maestoso7:247String Quartet no. 13, op. 11814:378String Quartet no. 15, op. 124: I. Quarter Note = 694:019String Quartet no. 15, op. 124: II. Quarter Note = 582:1010String Quartet no. 15, op. 124: III. Dotted Quarter Note = 841:4411String Quartet no. 15, op. 124: IV. Quarter Note = 1122:1212String Quartet no. 15, op. 124: V. Quarter Note = 1922:4713String Quartet no. 15, op. 124: VI. Quarter Note = 1762:1214String Quartet no. 15, op. 124: VII. Quarter Note = 721:4015String Quartet no. 15, op. 124: VIII. Quarter Note = 803:5716String Quartet no. 15, op. 124: IX. Quarter Note = 605:122024 · studio album
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Tracklist · 8 tracks · 1:02:55
1Trumpet Concerto in B-flat major, op. 94: I. Etudes7:442Trumpet Concerto in B-flat major, op. 94: II. Episodes10:333Trumpet Concerto in B-flat major, op. 94: III. Fanfares6:144Trumpet Concerto: I. Tempo I - Maestoso10:505Trumpet Concerto: II. Molto adagio9:386Trumpet Concerto: III. Allegretto - Un poco meno mosso8:53714 Romances, op. 34: No. 14. Vocalise5:428Etude concertante in G minor, op. 493:212024 · studio album
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Tracklist · 8 tracks · 1:05:47
1Clarinet Sonata, Op. 28: I. Allegro6:002Clarinet Sonata, Op. 28: II. Allegretto7:173Clarinet Sonata, Op. 28: III. Adagio6:574Clarinet Sonata: I. Andantino7:375Clarinet Sonata: II. In a Klezmer Style6:016Clarinet Sonata: III. Andante Giocoso5:557Variations for Bass Clarinet & Piano on a Ukrainian Theme14:598Rhapsody on Moldavian Themes, Op. 47 (Arr. for Ensemble by Michael Csányi-Wills)11:012025 · studio album
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Tracklist · 47 tracks · 2:35:58
1The Passenger, Act I Scene 1: Prelude2:282The Passenger, Act I Scene 1: Das Ufer in der Ferne ist nicht mehr zu sehn5:043The Passenger, Act I Scene 1: Drei Jahre sind im Nu vorbei1:274The Passenger, Act I Scene 1: Was ist los mit Ihnen, Aufseherin Franz?1:455The Passenger, Act I Scene 1: Marta? Kann das Marta sein?1:436The Passenger, Act I Scene 1: Negro paredón2:117The Passenger, Act I Scene 1: Das ist alles Unsinn!3:208The Passenger, Act I Scene 1: Sei still, sei still2:199The Passenger, Act I Scene 1: Angst hat mir nachts die Kehle zugeschnürt3:1410The Passenger, Act I Scene 1: Für ein schweres Vergehen, da kam sie in den "Todesblock"5:2711The Passenger, Act I Scene 1: Fort, Gespenster der Vergangenheit!3:1612The Passenger, Act I Scene 2: Appell2:3413The Passenger, Act I Scene 2: Wie langweilig ist’s hier, Hans!3:5914The Passenger, Act I Scene 2: Ty ukryt ot nyeba reshyotkoy3:1215The Passenger, Act I Scene 2: Du hast gut gelernt, mein Kindchen0:5716The Passenger, Act I Scene 2: Ta Niemka patrzy na mnie tak badawczo2:3317The Passenger, Act I Scene 3: Novenkiye, novenkiye, kha, kha, kha!2:3718The Passenger, Act I Scene 3: Prokhodite, ustawaytes, podrugi!1:1119The Passenger, Act I Scene 3: Moi, je m’appelle Yvette1:5520The Passenger, Act I Scene 3: Další den minul, uplynul4:0521The Passenger, Act I Scene 3: Vspomnyat li nas kogda-nibud lyudi?4:3722The Passenger, Act I Scene 3: Święty Boże, Jezu Chryste!3:5523The Passenger, Act I Scene 3: Mais pourqoui tant de rage dans ta voix?2:2124The Passenger, Act I Scene 3: Skoreye, vody!2:4725The Passenger, Act I Scene 3: „Geliebter, mein geliebter Tadek!“2:0326The Passenger, Act I Scene 3: Spasibo. Vyruchila.4:3627The Passenger, Act II Scene 4: Heil! Du kennst dich mit Geigen aus, verdammte Dinger!2:4228The Passenger, Act II Scene 4: Ty żyjesz?8:3129The Passenger, Act II Scene 4: Ach, ihr kennt euch?1:5930The Passenger, Act II Scene 4: Beregites!3:5931The Passenger, Act II Scene 5: Twój raport dotarł na czas do Krakowa7:3032The Passenger, Act II Scene 6: Pozdravlyayu, Marta!2:2133The Passenger, Act II Scene 6: Jeśliby zawezwał mnie do siebie Bóg5:0534The Passenger, Act II Scene 6: Du vest lebn, dos iz emes2:3535The Passenger, Act II Scene 6: Hör mal, Marta, wenn du möchtest, besucht dich morgen hier dein Tadeusz2:1636The Passenger, Act II Scene 6: Tiene razón, Tadeusz tiene razón1:0137The Passenger, Act II Scene 6: Bon, après moi répète: je vis4:3538The Passenger, Act II Scene 6: Ty, dolinushka dolina, razdolye shirokoye4:2439The Passenger, Act II Scene 6: Ne zabyvayte nas!5:2240The Passenger, Act II Scene 7: Es ist hier so schön, und du bleibst in der Kabine2:3641The Passenger, Act II Scene 7: Walter, du denkst nur voll Sorge an deine Karriere5:3342The Passenger, Act II Scene 7: Your Good Health, Sir3:1443The Passenger, Act II Scene 7: Was ist los, Lisa?2:3744The Passenger, Act II Scene 8: Spiel tüchtig auf, Geiger!1:0445The Passenger, Act II Scene 8: J. S. Bach: Chaconne in D Minor1:5946The Passenger, Act II Scene 8: Negro paredón4:2447The Passenger, Act II Epilogue: Jak cicho wokół mnie!6:35String Quartets, Vol. Five: nos 3, 9 and 14
2025 · studio album
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Tracklist · 14 tracks · 1:21:33
1String Quartet no. 3 in D minor, op. 14: I. Presto7:362String Quartet no. 3 in D minor, op. 14: II. Andante sostenuto7:493String Quartet no. 3 in D minor, op. 14: III. Allegretto4:534Improvisation & Romance for String Quartet: I. improvisation. Adagio3:255Improvisation & Romance for String Quartet: II. Romance. Andante3:596String Quartet no. 9 in F‐sharp minor, op. 80: I. Allegro molto6:247String Quartet no. 9 in F‐sharp minor, op. 80: II. Allegretto6:028String Quartet no. 9 in F‐sharp minor, op. 80: III. Andante10:219String Quartet no. 9 in F‐sharp minor, op. 80: IV. Allegro moderato6:4010String Quartet no. 14, op. 122: I. Quarter Note = 963:0411String Quartet no. 14, op. 122: II. Quarter Note = 633:5112String Quartet no. 14, op. 122: III. Quarter Note = 1085:1113String Quartet no. 14, op. 122: IV. Dotted Quarter Note = 543:4614String Quartet no. 14, op. 122: V. Quarter Note = 1528:32Complete Music for Cello and Orchestra
2025 · studio album
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Tracklist · 9 tracks · 1:03:30
1Cello Concertino, op. 43bis: I. Adagio4:592Cello Concertino, op. 43bis: II. Moderato espressivo3:053Cello Concertino, op. 43bis: III. Allegro vivace3:194Cello Concertino, op. 43bis: IV. Adagio5:105Fantasia for Cello & Orchestra, op. 5215:476Cello Concerto, op. 43: I. Adagio7:177Cello Concerto, op. 43: II. Moderato5:288Cello Concerto, op. 43: III. Allegro – Cadenza9:249Cello Concerto, op. 43: IV. Allegro9:012025 · studio album
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Tracklist · 10 tracks · 1:03:53
1Sonata for viola and piano: I. Andante6:552Sonata for viola and piano: II. Andante non troppo4:053Sonata for viola and piano: III. Allegro ma non troppo5:544Kaddish, op. 67:475Sonata for viola and piano, op. 28: I. Allegro5:456Sonata for viola and piano, op. 28: II. Allegretto6:257Sonata for viola and piano, op. 28: III. Adagio6:098Rapsodia Notturna, op. 667:379Serenada9:1110Romance, op. 324:05String Quartets, Vol. Six: nos. 10, 12 and 17
2026 · studio album
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Tracklist · 14 tracks · 1:25:51
1String Quartet no. 10, op. 85: I. Adagio7:382String Quartet no. 10, op. 85: II. Allegro5:373String Quartet no. 10, op. 85: III. Adagio3:004String Quartet no. 10, op. 85: IV. Allegretto. Adagio7:545String Quartet no. 12, op. 103: I. Largo8:426String Quartet no. 12, op. 103: II. Allegretto. Largo5:407String Quartet no. 12, op. 103: III. Presto6:288String Quartet no. 12, op. 103: IV. Moderato14:369String Quartet no. 17, op. 146: I. Allegro. Adagio3:5210String Quartet no. 17, op. 146: II. Andantino. Adagio3:3111String Quartet no. 17, op. 146: III. Lento4:1612String Quartet no. 17, op. 146: IV. Allegro4:3713Aria, op. 94:0114Capriccio, op. 115:59— · studio album
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Tracklist · 13 tracks · 1:01:24
1String Quartet no. 5 in B-flat major, op. 27: I. Melodia. Andante sostenuto5:452String Quartet no. 5 in B-flat major, op. 27: II. Humoreska. Andantino5:163String Quartet no. 5 in B-flat major, op. 27: III. Scherzo. Allegro molto2:084String Quartet no. 5 in B-flat major, op. 27: IV. Improvisation. Lento4:455String Quartet no. 5 in B-flat major, op. 27: V. Serenata. Moderato con moto5:456String Quartet no. 6 in E minor, op. 35: I. Allegro semplice8:177String Quartet no. 6 in E minor, op. 35: II. Presto agitato2:268String Quartet no. 6 in E minor, op. 35: III. Allegro con fuoco1:509String Quartet no. 6 in E minor, op. 35: IV. Adagio6:4210String Quartet no. 6 in E minor, op. 35: V. Moderato comodo5:0811String Quartet no. 6 in E minor, op. 35: VI. Andante maestoso7:1112Improvisation and Romance for String Quartet: 1. Improvisation. Adagio3:0113Improvisation and Romance for String Quartet: 2. Romance. Andante3:10Symphony no. 10, arrangement for piano 4-hands by author (recorded in 1954)
— · studio album
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Tracklist · 4 tracks · 47:23
1Symphony no. 10 in E minor, op. 93 (version for 2 pianos 4 hands): I. Moderato21:032Symphony no. 10 in E minor, op. 93 (version for 2 pianos 4 hands): II. Allegro3:423Symphony no. 10 in E minor, op. 93 (version for 2 pianos 4 hands): III. Allegretto11:594Symphony no. 10 in E minor, op. 93 (version for 2 pianos 4 hands): IV. Andante10:39— · studio album
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Tracklist · 11 tracks · 1:09:37
1Cello Concerto in D minor, op. 43: I. Adagio7:202Cello Concerto in D minor, op. 43: II. Moderato5:303Cello Concerto in D minor, op. 43: III. Allegro8:034Cello Concerto in D minor, op. 43: IV. Allegro8:475Violin Concerto in G minor, op. 67: I. Allegro molto7:066Violin Concerto in G minor, op. 67: II. Allegretto6:087Violin Concerto in G minor, op. 67: III. Adagio6:198Violin Concerto in G minor, op. 67: IV. Allegro risoluto6:219Flute Concerto in D minor, op. 75: I. Allegro4:4410Flute Concerto in D minor, op. 75: II. Largo4:3111Flute Concerto in D minor, op. 75: III. Allegro commodo4:48
Album · 6
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 2011 | RequiemSearch SpotifySearch YouTube MusicTracklist · 6 tracks · 1:00:451Requiem, op. 96: Bread and Iron2:59 2Requiem, op. 96: And Then …5:01 3Requiem, op. 96: There Will Come Soft Rains15:15 4Requiem, op. 96: Hiroshima Five-Line Stanzas21:47 5Requiem, op. 96: People Walked …5:14 6Requiem, op. 96: Sow the Seed10:29 | Live | 2011 | |
| 2015 | The IdiotSearch SpotifySearch YouTube MusicTracklist · 39 tracks · 3:28:24Disc 1 1The Idiot, op. 144: Act I: Prelude1:46 2The Idiot, op. 144: Act I: Scene 1: Well? Cold?6:25 3The Idiot, op. 144: Act I: Scene 1: I can’t live without her, I can’t3:36 4The Idiot, op. 144: Act I: Scene 1: Is it you, Ganya?7:30 5The Idiot, op. 144: Act I: Scene 2: Will seventy thousand be enough?9:41 6The Idiot, op. 144: Act I: Scene 2: Do you like her, Prince?4:43 7The Idiot, op. 144: Act I: Scene 2: I remember… I was taken away from Russia5:08 8The Idiot, op. 144: Act I: Scene 2: You devils! You money‐monger!2:49 9The Idiot, op. 144: Act I: Scene 2: As I saw your faces, my heart became lighter7:01 10The Idiot, op. 144: Act I: Scene 2: Just one word and I’m saved!6:27 11The Idiot, op. 144: Act II: Scene 3: The Truth! The Truth!5:50 12The Idiot, op. 144: Act II: Scene 3: Nastassya Filippovna6:14 13The Idiot, op. 144: Act II: Scene 3: Hello, Ganka!6:56 14The Idiot, op. 144: Act II: Scene 3: Prince, I played it badly, would you forgive me!4:17 Disc 21The Idiot, op. 144: Act II: Scene 4: My soul is on fire6:28 2The Idiot, op. 144: Act II: Scene 4: The Prince is the first person in my entire life that I believed in!6:56 3The Idiot, op. 144: Act II: Scene 4: Am I a princess now?6:20 4The Idiot, op. 144: Act II: Scene 4: Why are you crying?3:47 5The Idiot, op. 144: Act II: Scene 4: I am ready, my queen!6:35 6The Idiot, op. 144: Act III: Scene 5: Rumors, rumors!2:29 7The Idiot, op. 144: Act III: Scene 5: Parfyon, perhaps I came at a bad time?5:36 8The Idiot, op. 144: Act III: Scene 5: Knife grinder, knife grinder!4:33 9The Idiot, op. 144: Act III: Scene 5: I feel so guilty!5:07 10The Idiot, op. 144: Act III: Scene 6: How is the Prince?5:22 11The Idiot, op. 144: Act III: Scene 6: Why do you stand on the tips of your toes?1:27 12The Idiot, op. 144: Act III: Scene 6: They come… They come…7:30 13The Idiot, op. 144: Act III: Scene 6: Oh my God! How do I feel!2:38 14The Idiot, op. 144: Act III: Scene 6: Come together!1:31 Disc 31The Idiot, op. 144: Act III: Scene 7: I will be waiting for you in the park at seven o’clock in the morning3:14 2The Idiot, op. 144: Act III: Scene 7: I have to change my life6:49 3The Idiot, op. 144: Act III: Scene 7: Oh, my God! Why is this happening?6:47 4The Idiot, op. 144: Act IV: Scene 8: I don’t understand anything!5:38 5The Idiot, op. 144: Act IV: Scene 8: They write… They write…8:47 6The Idiot, op. 144: Act IV: Scene 9: There is no one home, except the four of us6:15 7The Idiot, op. 144: Act IV: Scene 9: Just look at this young lady!8:06 8The Idiot, op. 144: Act IV: Scene 9: Ah, my prize, my prize5:28 9The Idiot, op. 144: Act IV: Scene 10: Nowhere to go… have nowhere to go3:54 10The Idiot, op. 144: Act IV: Scene 10: Enter2:00 11The Idiot, op. 144: Act IV: Scene 10: Now what, Parfyon?6:44 | Live | 30 October 2015 | |
| 2017 | Chamber Symphonies / Chamber QuintetSearch SpotifySearch YouTube MusicTracklist · 20 tracks · 2:39:15Disc 1 1Chamber Symphony no. 3, op. 151: I. Lento10:02 2Chamber Symphony no. 3, op. 151: II. Allegro molto —4:45 3Chamber Symphony no. 3, op. 151: III. Adagio —6:42 4Chamber Symphony no. 3, op. 151: IV. Andantino12:14 5Chamber Symphony no. 2, op. 147: I. Allegro molto8:43 6Chamber Symphony no. 2, op. 147: II. Pesante5:23 7Chamber Symphony no. 2, op. 147: III. Andantesostenuto8:35 8Chamber Symphony no. 1, op. 145: I. Allegro6:30 9Chamber Symphony no. 1, op. 145: II. Andante8:41 10Chamber Symphony no. 1, op. 145: III. Allegretto4:24 11Chamber Symphony no. 1, op. 145: IV. Presto3:43 Disc 21Piano Quintet, op. 18: I. Moderato con moto8:10 2Piano Quintet, op. 18: II. Allegretto6:22 3Piano Quintet, op. 18: III. Presto6:00 4Piano Quintet, op. 18: IV. Largo14:28 5Piano Quintet, op. 18: V. Allegro agitato8:26 6Chamber Symphony no. 4, op. 153: I. Lento —8:55 7Chamber Symphony no. 4, op. 153: II. Allegro molto — Moderato —7:56 8Chamber Symphony no. 4, op. 153: III. Adagio — Meno mosso —10:18 9Chamber Symphony no. 4, op. 153: IV. Andantino — Adagissimo8:58 | Live | 13 January 2017 | |
| 2017 | 3x3Search SpotifySearch YouTube MusicTracklist · 9 tracks · 1:12:011Piano Trio no. 1 in C minor, op. 812:41 2Piano Trio, op. 24: I. Prelude and Aria5:34 3Piano Trio, op. 24: II. Toccata4:13 4Piano Trio, op. 24: III. Poem9:53 5Piano Trio, op. 24: IV. Finale12:03 6Piano Trio in A minor, M. 67: I. Modéré9:07 7Piano Trio in A minor, M. 67: II. Pantoum4:30 8Piano Trio in A minor, M. 67: III. Passacaille7:35 9Piano Trio in A minor, M. 67: IV. Final6:25 | Live | 13 June 2017 | |
| 2017 | Works for fluteSearch SpotifySearch YouTube MusicTracklist · 21 tracks1Concerto No. 1 Op. 75 for Flute and Orchestra (1961) Allegro 2Largo 3Allegro Comodo 412 Miniatures Op. 29Bis for Flute and String Orchestra (1945/1983) 1. Improvisation 52. Arietta 63. Burleske 74. Capriccio 85. Nocturne 96. Walzer 107. Öde (Bleakness) 118. Duett 129. Barkarole 1310. Etüde 1411. Intermezzo 1512. Pastorale 16Concert No. 2 Op. 148 for Flute and Orchestra (1987) Allegro 17Lento 18Allegretto 19Trio Op. 127 for Flute, Viola and Harp I 20II 21III | Compilation,Live | 22 June 2017 | |
| 2019 | Selected WorksSearch SpotifySearch YouTube MusicTracklist · 26 tracksDisc 1 1Violin Sonatina, Op. 46: I. Allegretto 2Violin Sonatina, Op. 46: II. Lento 3Violin Sonatina, Op. 46: III. Allegro moderato 4Sonata No. 2 for Violin Solo, Op. 95: I. Monody. Allegro moderato 5Sonata No. 2 for Violin Solo, Op. 95: II. Pauses. Andantino grazioso 6Sonata No. 2 for Violin Solo, Op. 95: III. Intervals. Presto agitato 7Sonata No. 2 for Violin Solo, Op. 95: IV. Replies. Andantino con moto 8Sonata No. 2 for Violin Solo, Op. 95: V. Accompanement. Allegretto leggiero 9Sonata No. 2 for Violin Solo, Op. 95: VI. Invocatio. Lento affettuoso 10Sonata No. 2 for Violin Solo, Op. 95: VII. Syncopes. Vivace marcato 11Sonata No. 1 for Viola Solo, Op. 107: I. Adagio 12Sonata No. 1 for Viola Solo, Op. 107: II. Allegretto 13Sonata No. 1 for Viola Solo, Op. 107: III. Adagio 14Sonata No. 1 for Viola Solo, Op. 107: IV. Allegro Disc 21Cello Sonata No. 1 in C major, Op. 21: I. Lento ma non troppo 2Cello Sonata No. 1 in C major, Op. 21: II. Un poco moderato 3Cello Sonata No. 2 in G minor, Op. 63: I. Moderato 4Cello Sonata No. 2 in G minor, Op. 63: II. Andante 5Cello Sonata No. 2 in G minor, Op. 63: III. Allegro 6Fantasy for Cello and Orchestra in F Sharp minor, Op. 52 Disc 31String Quartet No. 7 in C major, Op. 59: I. Adagio 2String Quartet No. 7 in C major, Op. 59: II. Allegretto 3String Quartet No. 7 in C major, Op. 59: III. Allegro moderato 4Trumpet Concerto in B Flat major, Op. 94: I. Etudes - Allegro molto 5Trumpet Concerto in B Flat major, Op. 94: II. Episodes - Andante 6Trumpet Concerto in B Flat major, Op. 94: III. Fanfares. Andante. Allegretto | Compilation | 2019 |
EP · 1
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 2025 | Polish MelodiesSearch SpotifySearch YouTube MusicTracklist · 4 tracks · 13:311Polish Melodies, op. 47 no. 2: I. Adagio – Allegro2:30 2Polish Melodies, op. 47 no. 2: II. Andantino3:23 3Polish Melodies, op. 47 no. 2: III. Allegro3:45 4Polish Melodies, op. 47 no. 2: IV. Allegro moderato3:53 | 23 May 2025 |
Stats & PK
Percentile within all 23,672 published artists.Put Mieczysław Weinberg head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 22 | 83.8th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 120 | 98.4th |
| Studio albums | 113 | 99.8th |
| Awards recorded | 3 | 95.4th |
| Timeline events | 113 | 99.8th |
| Recording span (years) | 2 | 14.7th |
| Genres | 4 | 84.7th |
Awards & honours
| Year | Award | Category | Result |
|---|---|---|---|
| — | Honored art worker of the Russian Soviet Federative Socialist Republic | won | |
| — | People's Artist of the RSFSR | won | |
| — | USSR State Prize | won |
Line-up
| Name | From | To | Role |
|---|---|---|---|
| Union of composers of Russian Federation(band) | — | present |
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Weinberg_sketch_circa_1949.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/554fbabf-54f4-4640-8eb6-88693b6085c7discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/554fbabf-54f4-4640-8eb6-88693b6085c7core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q919127genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q919127seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Mieczys%C5%82aw_Weinbergbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Mieczys%C5%82aw_Weinberg
Why this artist is in the database
- List of composers by name
Tier rule: curated genre/region list
Image: Unknown · Public domain · Wikimedia Commons
Wikidata: Q919127 · MusicBrainz: 554fbabf-54f4-4640-8eb6-88693b6085c7
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