
Photo: The original uploader was Microtonal at English Wikipedia . · Public domain · credits
Peter Cornelius
Person · male · Grand Duchy of Hesse · Mainz · born 1824 · died 1874 · recording since 2000
German composer (1824–1874)
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Also known as Carl August Peter Cornelius · 彼得·科内利乌斯
Timeline
1820s
1870s
2000s
· Debut release
Debut release: The Three Kings and Other Choral Music
First documented Album in the MusicBrainz discography.
source: musicbrainz
Biography
Biography
Carl August Peter Cornelius (24 December 1824 – 26 October 1874) was a German composer, writer about music, poet and translator.
Early life and education
He was born in Mainz to Carl Joseph Gerhard (1793–1843) and Friederike (1789–1867) Cornelius, actors in Mainz and Wiesbaden. From an early age he played the violin and composed, eventually studying composition with Heinrich Esser in 1841. He lived with his painter uncle Peter von Cornelius in Berlin from 1844 to 1852, and during this time he met prominent figures such as Alexander von Humboldt, the Brothers Grimm, Friedrich Rückert and Felix Mendelssohn.
Career
His early compositions included chamber and church music and secular songs, among which stands the Stabat Mater for soloists, choir, and orchestra, composed in 1849. Cornelius's first mature works (including the opera Der Barbier von Bagdad) were composed during his brief stay in Weimar (1852–1858). His next place of residence was Vienna, where he lived for five years. It was in Vienna that Cornelius began a friendship with Richard Wagner. At the latter's behest, Cornelius moved to Munich in 1864, where he married and fathered four children.
During his last few years in Berlin, Cornelius wrote music criticism for several major Berlin journals and entered into friendships with Joseph von Eichendorff, Paul Heyse and Hans von Bülow. Despite his long-standing association with Wagner and Franz Liszt (the latter on occasion sought Cornelius's advice when it came to matters of orchestration), Cornelius's relations with the so-called "New German School" of composition were sometimes rocky. For instance, he did not attend the premiere of Tristan und Isolde, using the premiere of his own opera Der Cid as an excuse.
Cornelius's third and final operatic project, Gunlöd, based on the Norse eddas, was left incomplete at his death (from diabetes) in Mainz. He was buried in the city's Hauptfriedhof, and his grave can still be seen there.
Legacy
The Mainz Conservatory was renamed the Peter Cornelius Conservatory in 1936. The state of Rhineland-Palatinate honors musical achievements with the Peter Cornelius Award since 1951.
A bust created by Hugo Lederer in 1930 is displayed in Park Drususwall, Mainz.
Several streets and squares are named after him in Mainz (Peter-Cornelius-Platz) and across other German cities such as Berlin, Frankfurt am Main, Augsburg and Weimar, as well as in Vienna, Salzburg, and Waalwijk, Netherlands.
The Peter Cornelius Archive is an extensive collection maintained by the Mainz City Library, consisting of the composer’s personal items, documents, and musical works. It includes around 50 original music manuscripts, 58 notebooks with diaries, sketches, and poems, personal memorabilia like death masks, and over 2,600 letters. The archive, enriched by contributions from Cornelius's family, is open to the public for research.
In Britain to this day, Cornelius's best-known work is "The Three Kings" ("Die Könige"), a song for solo voice and piano originally from his 1856 song cycle, Weihnachtslieder. The song's melody line is accompanied by the chorale tune of "Wie schön leuchtet der Morgenstern" ("How brightly shines the morning star"), written by Philipp Nicolai in 1597. An English translation made in 1928 by H.N. Bate ("Three Kings from Persian lands afar...") was arranged by Ivor Atkins in 1957 for solo voice and choir, and this version was included in the first volume of the popular David Willcocks and Reginald Jacques compilation Carols for Choirs in 1961.
Cited sources
Chisholm, Hugh, ed. (1911). "Cornelius, Carl August Peter" . Encyclopædia Britannica. Vol. 7 (11th ed.). Cambridge University Press. pp. 167–168.
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 32 | 91.5th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 2 | 75.7th |
| Studio albums | 2 | 78.8th |
| Awards recorded | 0 | 0th |
| Timeline events | 5 | 78.8th |
| Recording span (years) | -126 | 4.5th |
| Genres | 4 | 84.7th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (2 release groups · 2 studio albums)
Albums · 2
The Three Kings and Other Choral Music
2000 · studio album
Search SpotifySearch YouTube Music
Tracklist · 20 tracks · 1:11:23
1Requiem ("Seele, vergiss sie nicht")8:082Die Vätergruft, op. 193:123Drei Chorgesänge, op. 11: Der Tod, das ist die kühle Nacht5:274Drei Chorgesänge, op. 11: An den Sturmwind2:335Drei Chorgesänge, op. 11: Die drei Frühlingstage2:106Die Könige, op. 8 no. 32:587Liebe, ein Zyklus von 3 Chorliedern, op. 18: Liebe, dir ergeb' ich mich!4:378Liebe, ein Zyklus von 3 Chorliedern, op. 18: Ich will dich lieben, meine Krone!3:189Liebe, ein Zyklus von 3 Chorliedern, op. 18: Thron der Liebe, Stern der Güte4:4210Der alte Soldat, op. 12 no. 13:4411Drei Psalmlieder, op. 13: Bußlied2:5812Drei Psalmlieder, op. 13: An Babels Wasserflüssen2:1713Drei Psalmlieder, op. 13: Jerusalem1:3414So weich und warm2:5415Trauerchöre, op. 9: Ach, wie nichtig, ach, wie flüchtig4:4716Trauerchöre, op. 9: Nicht die Träne kann es sagen2:4917Trauerchöre, op. 9: Mitten wir im Leben sind3:1518Trauerchöre, op. 9: Grablied1:5019Trauerchöre, op. 9: Von dem Dome, schwer und bang3:5820Trost in Tränen, op. 144:122004 · studio album
Search SpotifySearch YouTube Music
Tracklist · 28 tracks · 2:11:58
Disc 11Der Barbier von Bagdad: Ouvertüre7:092Der Barbier von Bagdad: Akt I. „Sanfter Schlummer wiegt ihn ein“ (Chor der Diener)5:353Der Barbier von Bagdad: Akt I. „So leb’ ich noch!“ (Nureddin) / „Vor deinem Fenster die Blumen“ (Nureddin)5:574Der Barbier von Bagdad: Akt I. „Sei Allahs Frieden über dir mein Sohn“ (Bostana)6:185Der Barbier von Bagdad: Akt I. „Ach, das Leid hab’ ich getragen“ (Nureddin)2:556Der Barbier von Bagdad: Akt I. „Mein Sohn, sei Allahs Frieden hier auf Erden“ (Abul Hassan)5:257Der Barbier von Bagdad: Akt I. „Bin Akademiker, Doktor und Chemiker“ (Abul Hassan)3:198Der Barbier von Bagdad: Akt I. „Hinaus! Hinaus!“ (Chor der Diener)2:469Der Barbier von Bagdad: Akt I. „Ich seh’, durch Strenge werd’ ich ihn nicht los“ (Nureddin)8:1010Der Barbier von Bagdad: Akt I. „So schwärmet Jugend“ (Abul Hassan)3:0711Der Barbier von Bagdad: Akt I. „So hat der Satan dich noch immer hier?“ (Nureddin)3:34Disc 21Der Barbier von Bagdad: Akt II. Zwischenakt4:062Der Barbier von Bagdad: Akt II. „Er kommt! Er kommt! O Wonne meiner Brust!“ (Margiana)6:003Der Barbier von Bagdad: Akt II. „Allah ist gross und Mohamet sein Prophet“ (Dritter Muezzin)3:494Der Barbier von Bagdad: Akt II. „O holdes Bild in Engelschöne“ (Nureddin)5:275Der Barbier von Bagdad: Akt II. „O Nureddin! Geniesse froh dein Glück“ (Abul Hassan)6:216Der Barbier von Bagdad: Akt II. „Unsel’ger Freund!“ (Abul Hassan)4:147Der Barbier von Bagdad: Akt II. „Platz dem Kalifen!“ (Chor)5:018Der Barbier von Bagdad: Akt II. „Zeig deinen Schatz, mein Kind“ (Kadi)4:189Der Barbier von Bagdad: Akt II. „Er lebt, er lebt, Beherrscher der Gläub’gen“ (Abul Hassan)3:0910Der Barbier von Bagdad: Akt II. „Ergreift den Alten“ (Kalif) / „Heil diesem Hause (Salamaleikum!)“ (Kalif)3:3611Die Entführung aus dem Serail: Akt I. „Wer ein Liebchen hat gefunden“2:2812Die Entführung aus dem Serail: Akt I. „Solche hergelauf’ne Laffen“4:1913Die Entführung aus dem Serail: Akt III. „O! wie will ich triumphieren“2:2814Die Lustigen Weiber von Windsor: Akt II. „Als Büblein klein an der Mutter Brust“4:2315Zar und Zimmermann: Akt I. „O sancta justicia“6:3016Der Waffenschmied: Akt II. „Auch ich war ein Jüngling“4:0417Don Carlo: Akt III. „Sie hat mich nie geliebt“7:30
Stats & PK
Percentile within all 23,672 published artists.Put Peter Cornelius head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 32 | 91.5th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 2 | 75.7th |
| Studio albums | 2 | 78.8th |
| Awards recorded | 0 | 0th |
| Timeline events | 5 | 78.8th |
| Recording span (years) | -126 | 4.5th |
| Genres | 4 | 84.7th |
Awards & honours
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Peter_cornelius.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/d329a84d-c7af-458d-a037-405f52ca68a5discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/d329a84d-c7af-458d-a037-405f52ca68a5core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q57257genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q57257seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Peter_Corneliusbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Peter_Cornelius
Why this artist is in the database
- List of composers by name
Tier rule: historic figure (32 language versions, career ended)
Image: The original uploader was Microtonal at English Wikipedia . · Public domain · Wikimedia Commons
Wikidata: Q57257 · MusicBrainz: d329a84d-c7af-458d-a037-405f52ca68a5
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