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Pyotr Ilyich Tchaikovsky
Person · male · Russian Empire · Votkinsk · born 1840 · died 1893 · recording since 1945
Russian composer (1840–1893)
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Also known as Piotr Czajkowski · Piotr Iljič Čajkovskij · Piotr Ilyich Tchaikovski · Pjotr Iljics Csajkovszkij · Pjotr Iljitj Tjajkovskij · Pjotr Iljitsj Tsjaikovski · +18 more
Timeline
203 events▣ Album 200◦ Birth 1† Death 1★ Debut release 1
1840s
1890s
1940s
· Debut release
Debut release: Nutcracker Suite
First documented Album in the MusicBrainz discography.
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· Album
Album: Bizet: Carmen Suite / Tchaikovsky: Capriccio italien / Pocchielli: Dance of the Hours
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1950s
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Album: Tchaikovsky: Serenade for Strings / Arensky: Variations on a Theme by Tchaikovsky
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1960s
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Album: Concerto in E minor for Violin and Orchestra / Concerto in D major for Violin and Orchestra
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Album: Tchaikovsky "1812" Overture Op. 49 + The Nutcracker Suite, Op. 71a
Album
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Album: Symphony no. 1 in G minor “Winter Dreams” / Symphony no. 2 in C minor “Little Russian” / Symphony no. 3 in D “Polish”
Album
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Album: Tschaikowsky: Streichquartett Nr. 1 D-dur / Borodin: Streichquartett Nr. 2 D-dur
Album
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1970s
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Album: Piano Concerto no. 1 in B-flat minor op. 23 / Litolff: Scherzo from Concerto Symphonique no. 4 op. 102
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Album: Strauss: Death & Transfiguration / Tchaikovsky: Francesca da Rimini･Fantasia after Dante
Album
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Album: Tchaikovsky - Piano Concerto No. 1 & Concert Fantasy for Piano and Orchestra
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Album: Tchaikovsky - The Storm (Overture), Fatum, The Voyevode, Overture in F (1865 - First Recording)
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Album: Funk & Wagnalls Family Library of Great Music, Album 2: Tchaikovsky: Symphony No. 6 in B Minor (Pathétique)
Album
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Album: Klavierkonzert Nr. 1 / Violinkonzert / Capriccio Italien / Romeo und Julia / Dornröschen / Streicherserenade / Pathétique
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1980s
· Album
Album: Les Saisons / Dumka / Chant sans paroles / Humoresque / Nocturne / Valse sentimentale
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Album: Ravel: Boléro / Liszt: Les Préludes / Tchaikovsky: Ouverture Solonelle "1812"
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Album: Tchaikovsky: 1812 Overture / Tchaikovsky: Marche Slave / Beethoven: Wellington's Victory
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Album: Piano Concerto no. 1 in B flat minor opus 23 / ‘Romeo and Juliet’ Fantasy Overture
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Album: 1812 / Slavonic March / Francesca da Rimini / Polonaise from Eugene Onegin
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Album: Smetana: Die Moldau / Dvorak: Slawische Tänze / Tchaikovsky: Dornröschen / Tchaikovsky: Romeo und Julia
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Album: Rachmaninov: The Bells (Choral Symphony) / Vocalise / Tchaikovsky: Romeo and Juliet Duo / Festival Coronation March
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Biography
English biography7,757 words · 24 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1377829308
Biography
Pyotr Ilyich Tchaikovsky ( chy-KOF-skee; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music made a lasting impression internationally. Tchaikovsky wrote some of the most popular concert and theatrical music in the classical repertoire, including the 1812 Overture, his First Piano Concerto, the Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, the opera Eugene Onegin, and the ballets Swan Lake, The Sleeping Beauty and The Nutcracker.
Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no institutional music education system. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching Tchaikovsky received there set him apart from composers of the contemporary nationalist movement embodied by the Russian composers of The Five, with whom his professional relationship was mixed.
Despite his many popular successes, Tchaikovsky's life was punctuated by personal crises and depression. Contributory factors included his early separation from his mother for boarding school followed by her early death, the death of his close friend and colleague Nikolai Rubinstein, his failed marriage to Antonina Miliukova, and the collapse of his 13-year association with the wealthy patroness Nadezhda von Meck. Tchaikovsky's homosexuality, which he kept private, has traditionally also been considered a major factor, though some scholars have downplayed its importance. His dedication of his Sixth Symphony to his nephew Vladimir Davydov and the feelings he expressed about Davydov in letters to others have been cited as evidence for romantic love between the two. Tchaikovsky's sudden death at the age of 53 is generally ascribed to cholera, but there is an ongoing debate as to whether cholera was indeed the cause and whether the death was intentional.
While his music has remained popular among audiences, critical opinions were initially mixed. Some Russians did not feel it sufficiently represented native musical values and expressed suspicion that Europeans accepted the music for its Western elements. In an apparent reinforcement of that claim, some Europeans lauded Tchaikovsky for offering music more substantive than exoticism and said he transcended the stereotypes of Russian classical music. Others dismissed Tchaikovsky's music as deficient because it did not stringently follow Western principles.
Early life and education
Tchaikovsky was born on 7 May 1840 in Votkinsk, a small town in Vyatka Governorate during the Russian Empire in present-day Udmurtia near the banks of the Kama River. His father, Ilya Petrovich Tchaikovsky, served as a lieutenant colonel and engineer in the Department of Mines and managed the Ironworks in Kamsko-Votkinsk. His grandfather, Pyotr Fedorovich Tchaikovsky, was born in the village of Nikolaevka, Yekaterinoslav Governorate, Russian Empire in present-day Mykolaivka, Ukraine, and served first as a physician's assistant in the army and later as city governor of Glazov in Vyatka. His great-grandfather, a Zaporozhian Cossack named Fyodor Chaika, served in the Russian military at the Battle of Poltava in 1709.
Tchaikovsky's mother, Alexandra Andreyevna (née d'Assier), was the second of Ilya's three wives; his first wife died several years before Pyotr's birth. His mother was 18 years younger than her husband and was of French and German descent through her paternal side. Both Ilya and Alexandra were trained in the arts, including music. Of his six siblings, Tchaikovsky was close to his sister Alexandra and twin brothers Anatoly and Modest. Alexandra's marriage to Lev Davydov produced seven children and lent Tchaikovsky the only real family life he knew as an adult, especially during his years of wandering. One of those children, Vladimir Davydov, who went by the nickname "Bob", became very close to him.
In 1844, the family hired Fanny Dürbach, a 22-year-old French governess. Four-and-a-half-year-old Tchaikovsky was initially thought too young to study alongside his older brother Nikolai and a niece of the family. His insistence convinced Dürbach otherwise. By age six, he was fluent in French and German. Tchaikovsky also became attached to Dürbach; her affection for him reportedly counterbalanced his mother's coldness and emotional distance, though others assert that the mother doted on her son. Dürbach saved much of Tchaikovsky's work from this period, including his earliest known compositions, and became a source of several childhood anecdotes.
Tchaikovsky began piano lessons at the age of five with Maria Palchikova. Within three years he had become as adept at reading sheet music as his teacher. Tchaikovsky's parents, initially supportive, hired a tutor, bought an orchestrion, a form of barrel organ that could imitate elaborate orchestral effects, and encouraged his piano study for both aesthetic and practical reasons. But in 1850 they sent Tchaikovsky to the Imperial School of Jurisprudence in Saint Petersburg. They had both graduated from institutes in Saint Petersburg and the School of Jurisprudence, which mainly served the lesser nobility, and thought that this education would prepare Tchaikovsky for a career as a civil servant. Regardless of talent, the only musical careers available in Russia at that time—except for the affluent aristocracy—were as a teacher in an academy or as an instrumentalist in one of the Imperial Theaters. Both were considered on the lowest rank of the social ladder, with individuals in them enjoying no more rights than peasants.
Tchaikovsky's father's income was also growing increasingly uncertain, so both parents may have wanted Tchaikovsky to become independent as soon as possible. As the minimum age for acceptance was 12 and Tchaikovsky was only 10 at the time, he was required to spend two years boarding at the Imperial School of Jurisprudence's preparatory school, 1,300 kilometres (800 mi) from his family. Once those two years had passed, Tchaikovsky transferred to the Imperial School of Jurisprudence to begin a seven-year course of study.
Tchaikovsky's early separation from his mother, despite the aforementioned alleged distant relationship, caused emotional trauma that lasted the rest of his life and was intensified by her death from cholera in 1854, when he was 14. The loss of his mother also prompted Tchaikovsky to make his first serious attempt at composition, a waltz in her memory. Tchaikovsky's father, who had also contracted cholera but recovered, sent him back to school immediately in the hope that classwork would occupy the boy's mind. Isolated, Tchaikovsky compensated with friendships with fellow students that became lifelong; these included Aleksey Apukhtin and Vladimir Gerard.
Music, while not an official priority at school, also bridged the gap between Tchaikovsky and his peers. They regularly attended the opera and Tchaikovsky improvised at the school's harmonium on themes he and his friends had sung during choir practice. "We were amused", Gerard later remembered, "but not imbued with any expectations of his future glory". Tchaikovsky also continued his piano studies with Franz Becker, an instrument manufacturer who made occasional visits to the school, but the results, according to the musicologist David Brown, were "negligible".
In 1855, Tchaikovsky's father funded private lessons with Rudolph Kündinger and questioned him about a musical career for his son. While impressed with the boy's talent, Kündinger said he saw nothing to suggest a future composer or performer. He later admitted that his assessment was also based on his own bad experiences as a musician in Russia and his unwillingness for Tchaikovsky to be treated likewise. Tchaikovsky was told to finish his course and then try for a post in the Ministry of Justice.
Career
On 10 June 1859, the 19-year-old Tchaikovsky graduated as a titular counselor, a low rung on the civil service ladder. Appointed to the Ministry of Justice, he became a junior assistant within six months and a senior assistant two months after that. He remained a senior assistant for the rest of his three-year civil service career.
Meanwhile, the Russian Musical Society (RMS) was founded in 1859 by the Grand Duchess Elena Pavlovna (a German-born aunt of Tsar Alexander II) and her protégé, the pianist and composer Anton Rubinstein. Previous tsars and the aristocracy had focused almost exclusively on importing European talent. The aim of the RMS was to fulfill Alexander II's wish to foster native talent. It hosted a regular season of public concerts (previously held only during the six weeks of Lent when the Imperial Theaters were closed) and provided basic professional training in music. In 1861, Tchaikovsky attended RMS classes in music theory taught by Nikolai Zaremba at the Mikhailovsky Palace (now the Russian Museum). These classes were a precursor to the Saint Petersburg Conservatory, which opened in 1862. Tchaikovsky enrolled at the Conservatory as part of its premiere class. He studied harmony and counterpoint with Zaremba and instrumentation and composition with Rubinstein. He was awarded a silver medal for his thesis, a cantata on Friedrich Schiller's "Ode to Joy".
The Conservatory benefited Tchaikovsky in two ways. It transformed him into a musical professional, with tools to help him thrive as a composer, and the in-depth exposure to European principles and musical forms gave him a sense that his art was not exclusively native or foreign. This mindset became important in Tchaikovsky's reconciliation of Russian and Western European influences in his compositional style. He believed and attempted to show that both these aspects were "intertwined and mutually dependent". His efforts became both an inspiration and a starting point for other Russian composers to build their own individual styles.
Rubinstein was impressed by Tchaikovsky's musical talent on the whole and cited him as "a composer of genius" in his autobiography. He was less pleased with the more progressive tendencies of some of Tchaikovsky's student work. Nor did he change his opinion as Tchaikovsky's reputation grew. He and Zaremba clashed with Tchaikovsky when he submitted his First Symphony for performance by the Russian Musical Society in Saint Petersburg. Rubinstein and Zaremba refused to consider the work unless substantial changes were made. Tchaikovsky complied but they still refused to perform the symphony. Tchaikovsky, distressed that he had been treated as though he were still their student, withdrew the symphony. It was given its first complete performance, minus the changes Rubinstein and Zaremba had requested, in Moscow in February 1868.
Once Tchaikovsky graduated in 1865, Rubinstein's brother Nikolai offered him the post of Professor of Music Theory at the soon-to-open Moscow Conservatory. While the salary for his professorship was only 50 rubles a month, the offer itself boosted Tchaikovsky's morale and he accepted the post eagerly. He was further heartened by news of the first public performance of one of his works, his Characteristic Dances, conducted by Johann Strauss II at a concert in Pavlovsk Park on 11 September 1865 (Tchaikovsky later included this work, re-titled Dances of the Hay Maidens, in his opera The Voyevoda).
From 1867 to 1878, Tchaikovsky combined his professorial duties with music criticism while continuing to compose. This activity exposed him to a range of contemporary music and afforded him the opportunity to travel abroad. In his reviews, he praised Ludwig van Beethoven, considered Johannes Brahms overrated and, despite his admiration, took Schumann to task for poor orchestration. He appreciated the staging of Richard Wagner's Der Ring des Nibelungen at its première at the Bayreuth Festival, but not the music, calling Das Rheingold "unlikely nonsense, through which, from time to time, sparkle unusually beautiful and astonishing details". A recurring theme he addressed was the poor state of Russian opera.
Relationship with The Five
In 1856, while Tchaikovsky was still at the School of Jurisprudence and Anton Rubinstein lobbied aristocrats to form the Russian Musical Society, the critic Vladimir Stasov and an 18-year-old pianist, Mily Balakirev, met and agreed upon a nationalist agenda for Russian music, one that would take the operas of Mikhail Glinka as a model and incorporate elements from folk music, reject traditional Western practices and use non-Western harmonic devices such as the whole tone and octatonic scales. They saw Western-style conservatories as unnecessary and antipathetic to fostering native talent.
Mily Balakirev, César Cui, Modest Mussorgsky, Nikolai Rimsky-Korsakov and Alexander Borodin became known as the moguchaya kuchka, translated into English as the "Mighty Handful" or "The Five". Rubinstein criticized their emphasis on amateur efforts in musical composition; Balakirev and later Mussorgsky attacked Rubinstein for his musical conservatism and his belief in professional music training. Tchaikovsky and his fellow conservatory students were caught in the middle.
While ambivalent about much of The Five's music, Tchaikovsky remained on friendly terms with most of its members. In 1869, he and Balakirev worked together on what became Tchaikovsky's first recognized masterpiece, the fantasy-overture Romeo and Juliet, a work which The Five wholeheartedly embraced. The group also welcomed his Second Symphony, later nicknamed the Little Russian. Despite their support, Tchaikovsky made considerable efforts to ensure his musical independence from the group as well as from the conservative faction at the Saint Petersburg Conservatory.
Rise to prominence and travel years
The infrequency of Tchaikovsky's musical successes, won with tremendous effort, exacerbated his lifelong sensitivity to criticism. Nikolai Rubinstein's private fits of rage critiquing his music, such as attacking the First Piano Concerto, did not help matters. His popularity grew, however, as several first-rate artists became willing to perform his compositions. Hans von Bülow premiered the First Piano Concerto and championed other Tchaikovsky works both as pianist and conductor. Other artists included Adele aus der Ohe, Max Erdmannsdörfer, Eduard Nápravník and Sergei Taneyev.
Another factor that helped Tchaikovsky's music become popular was a shift in attitude among Russian audiences. Whereas they had previously been satisfied with flashy virtuoso performances of technically demanding but musically lightweight works, they gradually began listening with increasing appreciation of the composition itself. Tchaikovsky's works were performed frequently, with few delays between their composition and first performances; the publication from 1867 onward of his songs and great piano music for the home market also helped boost the composer's popularity.
During the late 1860s, Tchaikovsky began to compose operas. His first, The Voyevoda, based on a play by Alexander Ostrovsky, premiered in 1869. The composer became dissatisfied with it, however, and, having re-used parts of it in later works, destroyed the manuscript. Undina followed in 1870. Only excerpts were performed and it, too, was destroyed. Between these projects, Tchaikovsky started to compose an opera called Mandragora, to a libretto by Sergei Rachinskii; the only music he completed was a short chorus of Flowers and Insects.
The first Tchaikovsky opera to survive intact, The Oprichnik, premiered in 1874. During its composition, he lost Ostrovsky's part-finished libretto. Tchaikovsky, too embarrassed to ask for another copy, decided to write the libretto himself, modeling his dramatic technique on that of Eugène Scribe. Cui wrote a "characteristically savage press attack" on the opera. Mussorgsky, writing to Vladimir Stasov, disapproved of the opera as pandering to the public. Nevertheless, The Oprichnik continues to be performed from time to time in Russia.
The last of the early operas, Vakula the Smith (Op. 14), was composed in the second half of 1874. The libretto, based on Nikolai Gogol's Christmas Eve, was to have been set to music by Alexander Serov. With Serov's death, the libretto was opened to a competition with a guarantee that the winning entry would be premiered by the Imperial Mariinsky Theatre. Tchaikovsky was declared the winner, but at the 1876 premiere, the opera enjoyed only a lukewarm reception. After Tchaikovsky's death, Rimsky-Korsakov wrote the opera Christmas Eve, based on the same story.
Other works of this period include the Variations on a Rococo Theme for cello and orchestra, the Third and Fourth Symphonies, the ballet Swan Lake, and the opera Eugene Onegin.
Tchaikovsky remained abroad for a year after the disintegration of his marriage. During this time, he completed Eugene Onegin, orchestrated his Fourth Symphony, and composed the Violin Concerto. He returned briefly to the Moscow Conservatory in the autumn of 1879. For the next few years, assured of a regular income from von Meck, he traveled incessantly throughout Europe and rural Russia, mainly alone, and avoided social contact whenever possible.
During this time, Tchaikovsky's foreign reputation grew and a positive reassessment of his music also took place in Russia, thanks in part to the novelist Fyodor Dostoevsky's call for "universal unity" with the West at the unveiling of the Pushkin Monument in Moscow in 1880. Before Dostoevsky's speech, Tchaikovsky's music had been considered "overly dependent on the West". As Dostoevsky's message spread throughout Russia, this stigma toward Tchaikovsky's music evaporated. The unprecedented acclaim for him even drew a cult following among the young intelligentsia of Saint Petersburg, including Alexandre Benois, Léon Bakst and Sergei Diaghilev.
Two musical works from this period stand out. With the Cathedral of Christ the Saviour nearing completion in Moscow in 1880, the 25th anniversary of the coronation of Alexander II in 1881, and the 1882 Moscow Arts and Industry Exhibition in the planning stage, Nikolai Rubinstein suggested that Tchaikovsky compose a grand commemorative piece. Tchaikovsky agreed and finished it within six weeks. He wrote to Nadezhda von Meck that this piece, the 1812 Overture, would be "very loud and noisy, but I wrote it with no warm feeling of love, and therefore there will probably be no artistic merits in it". He also warned the conductor Eduard Nápravník that "I shan't be at all surprised and offended if you find that it is in a style unsuitable for symphony concerts". Nevertheless, the overture became, for many, "the piece by Tchaikovsky they know best", particularly well-known for the use of cannon in the scores.
On 23 March 1881, Nikolai Rubinstein died in Paris. That December, Tchaikovsky started work on his Piano Trio in A minor, "dedicated to the memory of a great artist". First performed privately at the Moscow Conservatory on the first anniversary of Rubinstein's death, the piece became extremely popular during the composer's lifetime; in November 1893, it would become Tchaikovsky's own elegy at memorial concerts in Moscow and St. Petersburg.
Return to Russia
In 1884, Tchaikovsky began to shed his unsociability and restlessness. That March, Emperor Alexander III conferred upon him the Order of Saint Vladimir (fourth class), which included a title of hereditary nobility and a personal audience with the Tsar. This was seen as a seal of official approval which advanced Tchaikovsky's social standing and might have been cemented in the composer's mind by the success of his Orchestral Suite No. 3 at its January 1885 premiere in Saint Petersburg.
In 1885, Alexander III requested a new production of Eugene Onegin at the Bolshoi Kamenny Theatre in Saint Petersburg. By having the opera staged there and not at the Mariinsky Theatre, he served notice that Tchaikovsky's music was replacing Italian opera as the official imperial art. In addition, at the instigation of Ivan Vsevolozhsky, Director of the Imperial Theaters and a patron of the composer, Tchaikovsky was awarded a lifetime annual pension of 3,000 rubles from the Tsar. This made him the premier court composer, in practice if not in the actual title.
Despite Tchaikovsky's disdain for public life, he now participated in it as part of his increasing celebrity and out of a duty he felt to promote Russian music. He helped support his former pupil Sergei Taneyev, who was now director of Moscow Conservatory, by attending student examinations and negotiating the sometimes sensitive relations among various members of the staff. He served as director of the Moscow branch of the Russian Musical Society during the 1889–1890 season. In this post, he invited many international celebrities to conduct, including Brahms, Antonín Dvořák and Jules Massenet.
During this period, Tchaikovsky also began promoting Russian music as a conductor. In January 1887, he substituted, on short notice, at the Bolshoi Theater in Moscow for performances of his opera Cherevichki. Within a year, he was in considerable demand throughout Europe and Russia. These appearances helped him overcome life-long stage fright and boosted his self-assurance. In 1888, Tchaikovsky led the premiere of his Fifth Symphony in Saint Petersburg, repeating the work a week later with the first performance of his tone poem Hamlet. Although critics proved hostile, with César Cui calling the symphony "routine" and "meretricious", both works were received with extreme enthusiasm by audiences and Tchaikovsky, undeterred, continued to conduct the symphony in Russia and Europe. Conducting brought him to the United States in 1891, where he led the New York Music Society's orchestra in his Festival Coronation March at the inaugural concert of Carnegie Hall.
Belyayev circle and growing reputation
In November 1887, Tchaikovsky arrived at Saint Petersburg in time to hear several of the Russian Symphony Concerts, devoted exclusively to the music of Russian composers. One included the first complete performance of his revised First Symphony; another featured the final version of Third Symphony of Nikolai Rimsky-Korsakov, with whose circle Tchaikovsky was already in touch.
Rimsky-Korsakov, with Alexander Glazunov, Anatoly Lyadov and several other nationalistically-minded composers and musicians, had formed a group known as the Belyayev circle, named after a merchant and amateur musician who became an influential music patron and publisher. Tchaikovsky spent much time in this circle, becoming far more at ease with them than he had been with the 'Five' and increasingly confident in showcasing his music alongside theirs. This relationship lasted until Tchaikovsky's death.
In 1892, Tchaikovsky was voted a member of the Académie des Beaux-Arts in France, only the second Russian subject to be so honored (the first was the sculptor Mark Antokolsky). The following year, the University of Cambridge in England awarded Tchaikovsky an honorary Doctor of Music degree.
Personal life
Discussion of Tchaikovsky's personal life, especially his sexuality, has perhaps been among the most extensive of any composer in the 19th century and certainly of any Russian composer of his time. It has also at times caused considerable confusion, from Soviet efforts to expunge all references to homosexuality and portray him as a heterosexual, to efforts at analysis by Western biographers.
Biographers have generally agreed that Tchaikovsky was homosexual. He sought the company of other men in his circle for extended periods, "associating openly and establishing professional connections with them." His first love was reportedly Sergey Kireyev, a younger fellow student at the Imperial School of Jurisprudence. According to Modest Tchaikovsky, this was Pyotr Ilyich's "strongest, longest and purest love". His letters and his dedication of the Sixth Symphony to his 21-year-old nephew Vladimir "Bob" Davydov have been interpreted by scholars as evidence of a romantic attachment. The degree to which the composer might have felt comfortable with his sexual desires has, however, remained open to debate. It is still unknown whether Tchaikovsky, according to the musicologist and biographer David Brown, "felt tainted within himself, defiled by something from which he finally realized he could never escape" or whether, according to Alexander Poznansky, he experienced "no unbearable guilt" over his sexual desires and "eventually came to see his sexual peculiarities as an insurmountable and even natural part of his personality ... without experiencing any serious psychological damage".
Relevant portions of his brother Modest's autobiography, where he tells of the composer's same-sex attraction, have been published, as have letters previously suppressed by Soviet censors in which Tchaikovsky openly writes of it. Such censorship has persisted in the Russian government, resulting in many officials, including the former culture minister Vladimir Medinsky, denying his homosexuality outright. Passages in Tchaikovsky's letters which reveal his homosexual desires have been censored in Russia. In one such passage he said of a homosexual acquaintance: "Petashenka used to drop by with the criminal intention of observing the Cadet Corps, which is right opposite our windows, but I've been trying to discourage these compromising visits—and with some success." In another one, he wrote: "After our walk, I offered him some money, which was refused. He does it for the love of art and adores men with beards."
Tchaikovsky lived as a bachelor for most of his life. In 1868, he met Belgian soprano Désirée Artôt with whom he considered marriage, but, owing to various circumstances, the relationship ended. Tchaikovsky later claimed she was the only woman he ever loved. In 1877, at the age of 37, he wed a former student, Antonina Miliukova. The marriage was a disaster. Mismatched psychologically and sexually, the couple lived together for only two and a half months before Tchaikovsky left, overwrought emotionally and suffering from acute writer's block. Tchaikovsky's family remained supportive of him during this crisis and throughout his life. Tchaikovsky's marital debacle may have forced him to face the full truth about his sexuality. He never blamed Antonina for the failure of their marriage.
Tchaikovsky was also aided by Nadezhda von Meck, the widow of a railway magnate, who had begun contact with him not long before the marriage. As well as an important friend and emotional support, she became his patroness for the next 13 years, which allowed him to focus exclusively on composition. Although Tchaikovsky called her his "best friend", they agreed never to meet.
Death
On 6 November 1893, Tchaikovsky died in Saint Petersburg, aged 53. He was interred in Tikhvin Cemetery at the Alexander Nevsky Monastery, near the graves of his fellow composers Alexander Borodin, Mikhail Glinka, and Modest Mussorgsky; later, Nikolai Rimsky-Korsakov and Mily Balakirev were also buried nearby.
Tchaikovsky's death is attributed to cholera, caused by drinking unboiled water at a local restaurant. In the 1980s in Britain, however, there was academic speculation that he killed himself, either with poison or by contracting cholera intentionally; in the New Grove Dictionary of Music, Roland John Wiley wrote: "the polemics over Tchaikovsky's death have reached an impasse ... . As for illness, problems of evidence offer little hope of satisfactory resolution: the state of diagnosis; the confusion of witnesses; disregard of long-term effects of smoking and alcohol. We do not know how Tchaikovsky died. We may never find out."
Antecedents and influences
Of Tchaikovsky's Western predecessors, Robert Schumann stands out as an influence in formal structure, harmonic practices, and piano writing, according to Brown and the musicologist Roland John Wiley. Boris Asafyev comments that Schumann left his mark on Tchaikovsky not just as a formal influence but also as an example of musical dramaturgy and self-expression. Leon Botstein argues the music of Franz Liszt and Richard Wagner also left their imprints on Tchaikovsky's orchestral style. The late-Romantic trend for writing orchestral suites, begun by Franz Lachner, Jules Massenet, and Joachim Raff after the rediscovery of Johann Sebastian Bach's works in that genre, may have influenced Tchaikovsky to try his own hand at them.
Tchaikovsky's teacher Anton Rubinstein's opera The Demon became a model for the final tableau of Eugene Onegin. So did Léo Delibes' ballets Coppélia and Sylvia for The Sleeping Beauty and Georges Bizet's opera Carmen (a work Tchaikovsky admired tremendously) for The Queen of Spades. Otherwise, it was to composers of the past that Tchaikovsky turned—Beethoven, whose music he respected; Wolfgang Amadeus Mozart, whom he considered his favourite composer; Glinka, whose opera A Life for the Tsar made an indelible impression on him as a child and whose scoring he studied assiduously; and Adolphe Adam, whose ballet Giselle was a favorite of his from his student days and whose score he consulted while working on The Sleeping Beauty. Beethoven’s symphonies and string quartets may have influenced Tchaikovsky's attempts in the mediums. Other composers whose work interested Tchaikovsky included Hector Berlioz, Felix Mendelssohn, Giacomo Meyerbeer, Gioachino Rossini, Giuseppe Verdi, Vincenzo Bellini, Carl Maria von Weber and Henry Litolff.
Creative range
Tchaikovsky displayed a wide stylistic and emotional range, from light salon works to grand symphonies. Some of his works, such as the Variations on a Rococo Theme, employ a Classical form reminiscent of 18th-century composers such as Mozart. Other compositions, such as his Little Russian symphony and his opera Vakula the Smith, flirt with musical practices more akin to those of The Five, especially in their use of folk song. Other works, such as Tchaikovsky's last three symphonies, employ a personal musical idiom that facilitated intense emotional expression.
Melody
The American music critic and journalist Harold C. Schonberg wrote of Tchaikovsky's "sweet, inexhaustible, supersensuous fund of melody", a feature that has ensured his music's continued success with audiences. Tchaikovsky's complete range of melodic styles was as wide as that of his compositions. Sometimes he used Western-style melodies, sometimes original melodies written in the style of Russian folk song; sometimes he used actual folk songs. According to The New Grove, Tchaikovsky's melodic gift could also become his worst enemy in two ways.
The first challenge arose from his ethnic heritage. Unlike Western themes, the melodies that Russian composers wrote tended to be self-contained: they functioned with a mindset of stasis and repetition rather than one of progress and ongoing development. On a technical level, it made modulating to a new key to introduce a contrasting second theme exceedingly difficult, as this was literally a foreign concept that did not exist in Russian music.
The second way melody worked against Tchaikovsky was a challenge that he shared with the majority of Romantic-age composers. They did not write in the regular, symmetrical melodic shapes that worked well with sonata form, such as those favored by Classical composers such as Joseph Haydn, Mozart or Beethoven; rather, the themes favored by Romantics were complete and independent in themselves. This completeness hindered their use as structural elements in combination with one another. This challenge was why the Romantics "were never natural symphonists". All a composer like Tchaikovsky could do with them was to essentially repeat them, even when he modified them to generate tension, maintain interest, and satisfy listeners.
Harmony
Harmony could be a potential trap for Tchaikovsky, according to Brown, since Russian creativity tended to focus on inertia and self-enclosed tableaux, while Western harmony worked against this to propel the music onward and, on a larger scale, shape it. Modulation, the shifting from one key to another, was a driving principle in both harmony and sonata form, the primary Western large-scale musical structure since the middle of the 18th century. Modulation maintained harmonic interest over an extended time scale, provided a clear contrast between musical themes, and showed how those themes were related to each other.
One point in Tchaikovsky's favor was "a flair for harmony" that "astonished" Rudolph Kündinger, Tchaikovsky's music tutor during his time at the School of Jurisprudence. Added to what he learned at the Saint Petersburg Conservatory studies, this talent allowed Tchaikovsky to employ a varied range of harmony in his music, from the Western harmonic and textural practices of his first two string quartets to the use of the whole-tone scale in the center of the finale of the Second Symphony, a practice more typically used by The Five.
Rhythm
Rhythmically, Tchaikovsky sometimes experimented with unusual meters. More often, he used a firm, regular meter, a practice that served him well in dance music. At times, his rhythms became pronounced enough to become the main expressive agent of the music. They also became a means, found typically in Russian folk music, of simulating movement or progression in large-scale symphonic movements—a "synthetic propulsion", as Brown phrases it, which substituted for the momentum that would be created in strict sonata form by the interaction of melodic or motivic elements. This interaction generally does not take place in Russian music.
Structure
Tchaikovsky struggled with sonata form. Its principle of organic growth through the interplay of musical themes was alien to Russian practice. The traditional argument that Tchaikovsky seemed unable to develop themes in this manner fails to consider this point; it also discounts the possibility that Tchaikovsky might have intended the development passages in his large-scale works to act as "enforced hiatuses" to build tension, rather than grow organically as smoothly progressive musical arguments.
According to Brown and the musicologists Hans Keller and Daniel Zhitomirsky, Tchaikovsky found his solution to large-scale structure while composing the Fourth Symphony. He essentially sidestepped thematic interaction and kept sonata form only as an "outline", as Zhitomirsky phrases it. Within this outline, the focus centered on periodic alternation and juxtaposition. Tchaikovsky placed blocks of dissimilar tonal and thematic material alongside one another, with what Keller calls "new and violent contrasts" between musical themes, keys, and harmonies. This process, according to Brown and Keller, builds momentum and adds intense drama. While the result, John Warrack charges, is still "an ingenious episodic treatment of two tunes rather than a symphonic development of them" in the Germanic sense, Brown counters that it took the listener of the period "through a succession of often highly charged sections which added up to a radically new kind of symphonic experience" (italics Brown), one that functioned not on the basis of summation, as Austro-German symphonies did, but on one of accumulation.
Partly owing to the melodic and structural intricacies involved in this accumulation and partly due to the composer's nature, Tchaikovsky's music became intensely expressive. This intensity was entirely new to Russian music and prompted some Russians to place Tchaikovsky's name alongside that of Dostoevsky. The German musicologist Hermann Kretzschmar credits Tchaikovsky in his later symphonies with offering "full images of life, developed freely, sometimes even dramatically, around psychological contrasts ... This music has the mark of the truly lived and felt experience". Leon Botstein, in elaborating on this comment, suggests that listening to Tchaikovsky's music "became a psychological mirror connected to everyday experience, one that reflected on the dynamic nature of the listener's own emotional self". This active engagement with the music "opened for the listener a vista of emotional and psychological tension and an extremity of feeling that possessed relevance because it seemed reminiscent of one's own 'truly lived and felt experience' or one's search for intensity in a deeply personal sense".
Repetition
As mentioned above, repetition was a natural part of Tchaikovsky's music, just as it is an integral part of Russian music. His use of sequences within melodies (repeating a tune at a higher or lower pitch in the same voice) could go on for extreme length. The problem with repetition is that, over a period of time, the melody being repeated remains static, even when there is a surface level of rhythmic activity added to it. Tchaikovsky kept the musical conversation flowing by treating melody, tonality, rhythm and sound color as one integrated unit, rather than as separate elements.
By making subtle but noticeable changes in the rhythm or phrasing of a tune, modulating to another key, changing the melody itself or varying the instruments playing it, Tchaikovsky could keep a listener's interest from flagging. By extending the number of repetitions, he could increase the musical and dramatic tension of a passage, building "into an emotional experience of almost unbearable intensity", as Brown phrases it, controlling when the peak and release of that tension would take place. The musicologist Martin Cooper calls this practice a subtle form of unifying a piece of music and adds that Tchaikovsky brought it to a high point of refinement.
Orchestration
Like other late Romantic composers, Tchaikovsky relied heavily on orchestration for musical effects. Tchaikovsky, however, became noted for the "sensual opulence" and "voluptuous timbrel virtuosity" of his orchestration. Like Glinka, Tchaikovsky tended toward bright primary colors and sharply delineated contrasts of texture. However, beginning with the Third Symphony, Tchaikovsky experimented with an increased range of timbres. Tchaikovsky's scoring was noted and admired by some of his peers. Rimsky-Korsakov regularly referred his students at the Saint Petersburg Conservatory to it and called it "devoid of all striving after effect, [to] give a healthy, beautiful sonority". This sonority, the musicologist Richard Taruskin pointed out, is essentially Germanic in effect. Tchaikovsky's expert use of having two or more instruments play a melody simultaneously (a practice called doubling) and his ear for uncanny combinations of instruments resulted in "a generalized orchestral sonority in which the individual timbres of the instruments, being thoroughly mixed, would vanish".
Pastiche (Passé-ism)
In works like the "Serenade for Strings" and the Variations on a Rococo Theme, Tchaikovsky showed he was highly gifted at writing in a style of 18th-century European pastiche. Tchaikovsky graduated from imitation to full-scale evocation in the ballet The Sleeping Beauty and the opera The Queen of Spades. This practice, which Alexandre Benois calls "passé-ism", lends an air of timelessness and immediacy, making the past seem as though it were the present. On a practical level, Tchaikovsky was drawn to past styles because he felt he might find the solution to certain structural problems within them. His Rococo pastiches also may have offered escape into a musical world purer than his own, into which he felt himself irresistibly drawn. (In this sense, Tchaikovsky operated in the opposite manner to Igor Stravinsky, who turned to Neoclassicism partly as a form of compositional self-discovery.) Tchaikovsky's attraction to ballet might have allowed a similar refuge into a fairy-tale world, where he could freely write dance music within a tradition of French elegance.
Aesthetic impact
Maes maintains that, regardless of what he was writing, Tchaikovsky's main concern was how his music affected his listeners on an aesthetic level, at specific moments in the piece, and on a cumulative level once the music had finished. What his listeners experienced on an emotional or visceral level became an end in itself. Tchaikovsky's focus on pleasing his audience might be considered closer to that of Mendelssohn or Mozart.
And yet, even when writing so-called 'programme' music, for example, his Romeo and Juliet fantasy overture, he cast it in sonata form. His use of stylized 18th-century melodies and patriotic themes was geared toward the values of Russian aristocracy. He was aided in this by Ivan Vsevolozhsky, who commissioned The Sleeping Beauty from Tchaikovsky and the libretto for The Queen of Spades from Modest with their use of 18th-century settings stipulated firmly. Tchaikovsky also used the polonaise frequently, the dance being a musical code for the Romanov dynasty and a symbol of Russian patriotism. Using it in the finale of a work could assure its success with Russian listeners.
Dedicatees and collaborators
Tchaikovsky's relationship with collaborators was mixed. Like Nikolai Rubinstein with the First Piano Concerto, the virtuoso and pedagogue Leopold Auer rejected the Violin Concerto initially but changed his mind; he played it to great public success and taught it to his students, who included Jascha Heifetz and Nathan Milstein. Wilhelm Fitzenhagen "intervened considerably in shaping what he considered 'his' piece", the Variations on a Rococo Theme, according to the music critic Michael Steinberg. Tchaikovsky was angered by Fitzenhagen's license but did nothing; the Rococo Variations were published with the cellist's amendments.
His collaboration on the three ballets went better and in Marius Petipa, who worked with him on the last two, he might have found an advocate. When The Sleeping Beauty was seen by its dancers as needlessly complicated, Petipa convinced them to put in the extra effort. Tchaikovsky compromised to make his music as practical as possible for the dancers and was accorded more creative freedom than ballet composers were usually accorded at the time. He responded with scores that minimized the rhythmic subtleties normally present in his work but were inventive and rich in melody, with more refined and imaginative orchestration than in the average ballet score.
Critics
Critical reception to Tchaikovsky's music was varied but also improved over time. Even after 1880, some inside Russia held it suspect for not being nationalistic enough and thought Western European critics lauded it for exactly that reason. There might have been a grain of truth in the latter, according to the musicologist and conductor Leon Botstein, as German critics especially wrote of the "indeterminacy of [Tchaikovsky's] artistic character ... being truly at home in the non-Russian".
Of the foreign critics who did not care for his music, Eduard Hanslick lambasted the Violin Concerto as a musical composition "whose stink one can hear" and William Foster Apthorp wrote of the Fifth Symphony, "The furious peroration sounds like nothing so much as a horde of demons struggling in a torrent of brandy, the music growing drunker and drunker. Pandemonium, delirium tremens, raving, and above all, noise worse confounded!"
The division between Russian and Western critics remained through much of the 20th century but for a different reason. According to Brown and Wiley, the prevailing view of Western critics was that the same qualities in Tchaikovsky's music that appealed to audiences—its strong emotions, directness and eloquence and colorful orchestration—added up to compositional shallowness. The music's use in popular and film music, Brown says, lowered its esteem in their eyes still further. There was also the fact, pointed out earlier, that Tchaikovsky's music demanded active engagement from the listener and, as Botstein phrases it, "spoke to the listener's imaginative interior life, regardless of nationality". Conservative critics, he adds, may have felt threatened by the "violence and 'hysteria'" they detected and felt such emotive displays "attacked the boundaries of conventional aesthetic appreciation—the cultured reception of art as an act of formalist discernment—and the polite engagement of art as an act of amusement".
There has also been the fact that the composer did not follow sonata form strictly, relying instead on juxtaposing blocks of tonalities and thematic groups. Maes states this point has been seen at times as a weakness rather than a sign of originality. Even with what Schonberg termed "a professional reevaluation" of Tchaikovsky's work, the practice of faulting Tchaikovsky for not following in the steps of the Viennese masters has not gone away entirely, while his intention of writing music that would please his audiences is also sometimes taken to task. In an article in 1992, critic Allan Kozinn from the New York Times writes, "It is Tchaikovsky's flexibility, after all, that has given us a sense of his variability.... Tchaikovsky was capable of turning out music—entertaining and widely beloved though it is—that seems superficial, manipulative and trivial when regarded in the context of the whole literature. The First Piano Concerto is a case in point. It makes a joyful noise, it swims in pretty tunes and its dramatic rhetoric allows (or even requires) a soloist to make a grand, swashbuckling impression. But it is entirely hollow".
In the 21st century, however, critics are reacting more positively to Tchaikovsky's tunefulness, originality, and craftsmanship. "Tchaikovsky is being viewed again as a composer of the first rank, writing music of depth, innovation and influence," according to the cultural historian and author Joseph Horowitz. Important in this reevaluation is a shift in attitude away from the disdain for overt emotionalism that marked half of the 20th century. "We have acquired a different view of Romantic 'excess,'" Horowitz says. "Tchaikovsky is today more admired than deplored for his emotional frankness; if his music seems harried and insecure, so are we all".
Public
Horowitz maintains that, while the standing of Tchaikovsky's music has fluctuated among critics, for the public, "it never went out of style, and his most popular works have yielded iconic Sound bites, such as the love theme from Romeo and Juliet". Along with those tunes, Botstein adds, "Tchaikovsky appealed to audiences outside of Russia with an immediacy and directness that were startling even for music, an art form often associated with emotion". Tchaikovsky's melodies, stated with eloquence and matched by his inventive use of harmony and orchestration, have always ensured audience appeal. His popularity is considered secure, with his following in many countries, including the United States and the United Kingdom, second only to that of Beethoven. His music has also been used frequently in popular music and film.
Legacy
According to Wiley, Tchaikovsky was a pioneer in several ways. "Thanks in large part to Nadezhda von Meck", Wiley writes, "he became the first full-time professional Russian composer". This, Wiley adds, allowed him the time and freedom to consolidate the Western compositional practices he had learned at the Saint Petersburg Conservatory with Russian folk song and other native musical elements to fulfill his own expressive goals and forge an original, deeply personal style. He made an impact in not only complete works such as the symphony but also program music and, as Wiley phrases it, "transformed Liszt's and Berlioz's achievements ... into matters of Shakespearean elevation and psychological import". Wiley and Holden both note that Tchaikovsky did all this without a native school of composition upon which to fall back. They point out that only Glinka had preceded him in combining Russian and Western practices and his teachers in Saint Petersburg had been thoroughly Germanic in their musical outlook. He was, they write, for all intents and purposes alone in his artistic quest.
Maes and Taruskin write that Tchaikovsky believed that his professionalism in combining skill and high standards in his musical works separated him from his contemporaries in The Five. Maes adds that, like them, he wanted to produce music that reflected Russian national character but which did so to the highest European standards of quality. Tchaikovsky, according to Maes, came along at a time when the nation itself was deeply divided as to what that character truly was. Like his country, Maes writes, it took him time to discover how to express his Russianness in a way that was true to himself and what he had learned. Because of his professionalism, Maes says, he worked hard at this goal and succeeded. The composer's friend the music critic Herman Laroche wrote of The Sleeping Beauty that the score contained "an element deeper and more general than color, in the internal structure of the music, above all in the foundation of the element of melody. This basic element is undoubtedly Russian".
Tchaikovsky was inspired to reach beyond Russia with his music, according to Maes and Taruskin. His exposure to Western music, they write, encouraged him to think it belonged to not just Russia but also the world at large. Solomon Volkov adds that this mindset made him think seriously about Russia's place in European musical culture—the first Russian composer to do so. It steeled him to become the first Russian composer to acquaint foreign audiences personally with his own works, Warrack writes, as well as those of other Russian composers. In his biography of Tchaikovsky, Anthony Holden recalls the dearth of Russian classical music before Tchaikovsky's birth, then places the composer's achievements into historical perspective: "Twenty years after Tchaikovsky's death, in 1913, Igor Stravinsky's The Rite of Spring erupted onto the musical scene, signaling Russia's arrival into 20th-century music. Between these two very different worlds, Tchaikovsky's music became the sole bridge".
Voice recording
A recording was made in Moscow in January 1890, by Julius Block on behalf of Thomas Edison. A transcript of the recording follows (identification of the speakers is speculative):
According to the musicologist Leonid Sabaneyev, Tchaikovsky was uncomfortable with being recorded for posterity and tried to shy away from it. On an apparently separate visit from the one related above, Block asked him to play something on the piano or at least say something. He refused, telling Block: "I am a bad pianist and my voice is raspy. Why should one eternalize it?"
Other languages
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 192 | 99.9th |
| Spotify monthly listeners | 6,315,969 | 3.8th |
| Release groups in DB | 268 | 99.7th |
| Studio albums | 203 | 99.9th |
| Awards recorded | 2 | 92.6th |
| Timeline events | 203 | 99.9th |
| Recording span (years) | -52 | 6.4th |
| Genres | 15 | 98.8th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (268 release groups · 203 studio albums)
Albums · 203
1945 · studio album
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Tracklist · 10 tracks
Disc 11Overture Miniature2March3Dance of the Sugar-Plum FairyDisc 21Trepak2Arabian Dance, Part 13Arabian Dance (Concluded)4Chinese Dance5Dance of the FlutesDisc 31Waltz of the Flowers, Part 12Waltz of the Flowers (Concluded)Bizet: Carmen Suite / Tchaikovsky: Capriccio italien / Pocchielli: Dance of the Hours
1949 · studio album
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Tracklist · 9 tracks · 40:29
1Carmen Suite: Prélude (Prelude to Act 1)1:232Carmen Suite: Aragonaise (Prelude to Act IV)2:283Carmen Suite: Les Dragons d’Alcala (Prelude to Act II)1:414Carmen Suite: Les Toréadors (Introduction to Act I)2:085Carmen Suite: Intermezzo (Prelude to Act II)I2:246Carmen Suite: La Garde montante (Children’s Chorus, Act I)2:237Carmen Suite: Danse bohème (Chanson bohème, Act I)4:108Capriccio italien, op. 4516:009Dance of the Hours7:521952 · studio album
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Tracklist · 4 tracks
1Трио ля минор: Часть 1 — Элегия. Модерато ассаи2Трио ля минор: Часть 2 — A. Тема с вариациями. Анданте кон мото3Трио ля минор: Часть 2 — A. Тема с вариациями (окончание)4Трио ля минор: Часть 2 — B. Финальная вариация и кода. Аллегро ризолюто э кон фуоко1952 · studio album
The Sleeping Beauty (Complete Ballet)
1953 · studio album
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Tracklist · 25 tracks · 1:45:44
Disc 11The Sleeping Beauty, op. 66, Prologue: 1. Marche (Entrance of King and Court)6:252The Sleeping Beauty, op. 66, Prologue: 2. Scène dansante (Entrance of Fairies)4:093The Sleeping Beauty, op. 66, Prologue: 3. Pas de six7:314The Sleeping Beauty, op. 66, Prologue: 4. Final (La Fée des lilas sort)11:085The Sleeping Beauty, op. 66, Act 1: 5. Scène (The Palace Garden)2:336The Sleeping Beauty, op. 66, Act 1: 6. Valse3:207The Sleeping Beauty, op. 66, Act 1: 7. Scène (The Four Princes)2:088The Sleeping Beauty, op. 66, Act 1: 8. Pas d'action11:509The Sleeping Beauty, op. 66, Act 1: 9. Final (La Fée des lilas paraît)4:5910The Sleeping Beauty, op. 66, Act 2: 10. Entr'acte et scène2:1611The Sleeping Beauty, op. 66, Act 2: 11. Colin-maillard (Allegro vivo)1:33Disc 21The Sleeping Beauty, op. 66, Act 2: 12. Scène2:232The Sleeping Beauty, op. 66, Act 2: 13. Farandole: Scène - Danse1:443The Sleeping Beauty, op. 66, Act 2: 14. Scène (Arrival of Huntsmen)4:134The Sleeping Beauty, op. 66, Act 2: 15. Pas d'action - Variation d'Aurore - Coda7:115The Sleeping Beauty, op. 66, Act 2: 16/19. Finale0:586The Sleeping Beauty, op. 66, Act 3: 20. Panorama2:157The Sleeping Beauty, op. 66, Act 3: 21. Marche1:548The Sleeping Beauty, op. 66, Act 3: 22. Polacca (Allegro moderato)3:139The Sleeping Beauty, op. 66, Act 3: 23. Pas de quatre4:2910The Sleeping Beauty, op. 66, Act 3: 24. Pas de caractère (Puss in Boots)2:2811The Sleeping Beauty, op. 66, Act 3: 25. Pas de quatre: Adagio - Var. I-II - Coda4:5912The Sleeping Beauty, op. 66, Act 3: 26. Pas de caractère (Red Riding Hood) - Cendrillon et le prince Fortune1:1913The Sleeping Beauty, op. 66, Act 3: 28. Pas de deux: Aurora and Prince Desire5:4214The Sleeping Beauty, op. 66, Act 3: 30. Final: Allegro brillante - Apothéose5:04Water Music / Casse-Noisette Suite
1953 · studio album
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Tracklist · 7 tracks · 10:20
A1The Water Music: Allegro2:33A2The Water Music: Air6:04A3The Water Music: Bourree / Hornpipe1:43A4The Water Music: Andante espressivo / Allegro decisoB1"Nutcracker" Suite: Miniature OvertureB2"Nutcracker" Suite: March / Dance Of The Sugar Plum Fairy / Russian Dance / Arab Dance / Chinese Dance / Dance Of The FlutesB3"Nutcracker" Suite: Waltz of the FlowersConcerto Pour Violon Et Orchestre En Ré Majeur Op. 35
1954 · studio album
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Tracklist · 3 tracks · 34:00
A1Concerto pour violon et orchestre en ré majeur, op. 35 : I. Allegro moderato34:00B1Concerto pour violon et orchestre en ré majeur, op. 35 : II. Canzonetta (Andante)B2Concerto pour violon et orchestre en ré majeur, op. 35 : III. Final (Allegro vivacissimo)Konzert für Violine und Orchester d‐dur, op. 35
1955 · studio album
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Tracklist · 3 tracks · 35:28
AKonzert für Violine und Orchester d‐dur, op. 35: I. Allegro moderato18:56B1Konzert für Violine und Orchester d‐dur, op. 35: II. Canzonetta. Andante6:57B2Konzert für Violine und Orchester d‐dur, op. 35: III. Finale. Allegro vivacissimo9:351956 · studio album
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Tracklist · 4 tracks
A1Sérénade en Ut majeur: 1ᵉʳ Mouvement: Pièce en forme de sonateA2Sérénade en Ut majeur: 2ᵉ Mouvement: ValseB1Sérénade en Ut majeur: 3ᵉ Mouvement: ElégieB2Sérénade en Ut majeur: 4ᵉ Mouvement: Final sur un thème russeThe Nutcracker: Suites 1 and 2
1957 · studio album
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Tracklist · 14 tracks · 46:20
1The Nutcracker: Suite no. 1: Miniature Overture2:592The Nutcracker: Suite no. 1: March1:593The Nutcracker: Suite no. 1: Dance of the Sugar Plum Fairy1:404The Nutcracker: Suite no. 1: Russian Dance1:025The Nutcracker: Suite no. 1: Arab Dance3:516The Nutcracker: Suite no. 1: Chinese Dance1:097The Nutcracker: Suite no. 1: Dance of the Mirlitons2:218The Nutcracker: Suite no. 1: Waltz of the Flowers6:119The Nutcracker: Suite no. 2 (selected by Anatole Fistoulari): Scene (Act 1) And Coda4:0110The Nutcracker: Suite no. 2 (selected by Anatole Fistoulari): Pas de Deux, Scene and Grandfather Dance4:3211The Nutcracker: Suite no. 2 (selected by Anatole Fistoulari): Pas de Deux (Andante Maestoso)4:1012The Nutcracker: Suite no. 2 (selected by Anatole Fistoulari): Waltz of the Snowflakes4:0013The Nutcracker: Suite no. 2 (selected by Anatole Fistoulari): Scene (Act 2), Spanish Dance5:0614The Nutcracker: Suite no. 2 (selected by Anatole Fistoulari): Final Waltz and Apotheosis3:19Sinfonie Nr. 6 h-Moll, op. 74 (Pathétique)
1957 · studio album
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Tracklist · 4 tracks · 45:22
1Sinfonie Nr. 6 h-Moll, op. 74 (Pathétique): Adagio. Allegro non troppo18:062Sinfonie Nr. 6 h-Moll, op. 74 (Pathétique): Allegro con grazia8:003Sinfonie Nr. 6 h-Moll, op. 74 (Pathétique): Allegro molto vivace9:154Sinfonie Nr. 6 h-Moll, op. 74 (Pathétique): Finale: Adagio lamentoso10:011958 · studio album
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Tracklist · 3 tracks · 33:47
AViolin Concerto in D, op. 35: I. Allegro moderato18:04B1Violin Concerto in D, op. 35: II. Canzonetta. Andante6:05B2Violin Concerto in D, op. 35: III. Allegro vivacissiomo9:38Swan Lake – Suite from the Ballet
1958 · studio album
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Tracklist · 10 tracks · 53:27
1Swan Lake: Introduction3:062Swan Lake, Act I: No. 2. Valse6:563Swan Lake, Act I: No. 4. Pas de trois10:044Swan Lake, Act I: No. 5. Pas de deux, no. 1 and no. 27:175Swan Lake, Act I: No. 5. Pas de deux, no. 3 and no. 43:226Swan Lake, Act II: No. 10. Scene2:517Swan Lake, Act II: No. 13. Danse des cygnes, no. 1, 2 and 45:158Swan Lake, Act II: No. 13. Danse des cygnes, no. 57:229Swan Lake, Act III: No. 20. Danse hongroise3:0310Swan Lake: Danse russe4:111958 · studio album
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Tracklist · 15 tracks · 49:39
A1Swan Lake Ballet Suite: Act I, Introduction and Opening Scene5:23A2Swan Lake Ballet Suite: Act I, Waltz5:02A3Swan Lake Ballet Suite: Act I, Sujet and Peasant Dance4:18A4Swan Lake Ballet Suite: Act II, Scene (Introduction)2:48A5Swan Lake Ballet Suite: Act II, Waltz No. 132:37A6Swan Lake Ballet Suite: Act II, Dance of the Cygnets5:58A7Swan Lake Ballet Suite: Act II, Pas de Deux1:27B1Swan Lake Ballet Suite: Act III, Introduction2:37B2Swan Lake Ballet Suite: Act III, Waltz2:41B3Swan Lake Ballet Suite: Act III, Danse Espagnole1:56B4Swan Lake Ballet Suite: Act III, Danse Napolitane2:24B5Swan Lake Ballet Suite: Act III, Finale2:03B6Swan Lake Ballet Suite: Act IV, Introduction (Danse des petits cygnes)3:38B7Swan Lake Ballet Suite: Storm and Entry of the Prince2:10B8Swan Lake Ballet Suite: Finale4:37Tchaikovsky: Sonata in G major / Schumann: Humoreske
1959 · studio album
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Tracklist · 5 tracks
1Sonata in G major, op. 37: 1. Moderato e risoluto2Sonata in G major, op. 37: 2. Andante non troppo quasi moderato — L'istesso tempo — Moderato con animazione — Tempo I — L'istesso tempo3Sonata in G major, op. 37: 3. Scherzo (Allegro giocoso)4Sonata in G major, op. 37: 4. Finale (Allegro vivace)5Humoreske in B flat majorKonzert für Klavier und Orchester Nr. 1 b-Moll, op. 23
1959 · studio album
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Tracklist · 3 tracks · 33:53
A1Konzert für Klavier und Orchester Nr. 1 b-moll, Op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito20:08B1Konzert für Klavier und Orchester Nr. 1 b-moll, Op. 23: 2. Andantino semplice - Prestissimo - Tempo I7:19B2Konzert für Klavier und Orchester Nr. 1 b-moll, Op. 23: 3. Allegro con fuoco6:26Tchaikovsky: Serenade for Strings / Arensky: Variations on a Theme by Tchaikovsky
1959 · studio album
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Tracklist · 5 tracks
A1Serenade for String Orchestra, op. 48: Andante non troppo - Allegro moderatoA2Serenade for String Orchestra, op. 48: WaltzA3Serenade for String Orchestra, op. 48: ElegyB1Serenade for String Orchestra, op. 48: FinaleB2Variations on a Theme by Tchaikovsky, op. 35a1959 · studio album
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Tracklist · 4 tracks · 48:41
1Overture "1812", op. 4916:272In the Steppes of Central Asia7:143Polovtsian Dances (From "Prince Igor")13:234Night on Bald Mountain11:371959 · studio album
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Tracklist · 12 tracks
1.1The Months: January. At the fireside (Moderato semplice ma espressivo)1.2The Months: February. Carnival (Allegro giusto)1.3The Months: March. Song of the Lark (Andantino espressivo)1.4The Months: April. Snowdrop (Allegretto con moto ed un poco rubato)1.5The Months: May. May Night (Andantino)1.6The Months: June. Barcarolle (Andante cantabile)2.1The Months: July. Reapers' Song (Allegro moderato con moto)2.2The Months: August. Harvest (Allegro vivace)2.3The Months: September. Hunting (Allegro non troppo)2.4The Months: October. Autumn Song (Andante doloroso e molto cantabile)2.5The Months: November. Troïka en traîneaux (Allegro moderato)2.6The Months: December. Christmas (Tempo di Valse)Concerto in E minor for Violin and Orchestra / Concerto in D major for Violin and Orchestra
1960 · studio album
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Tracklist · 6 tracks
A1Concerto in E minor for Violin and Orchestra, op. 64: I. Allegro molto appassionatoA2Concerto in E minor for Violin and Orchestra, op. 64: II. AndanteA3Concerto in E minor for Violin and Orchestra, op. 64: III. Allegretto non troppoB1Concerto in D major for Violin and Orchestra, op. 35: I. Allegro moderatoB2Concerto in D major for Violin and Orchestra, op. 35: II. Canzonetta (Andante)B3Concerto in D major for Violin and Orchestra, op. 35: III. Finale (Allegro vivacissimo)Symphonie Espagnole / Sérénade Mélancolique
1960 · studio album
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Tracklist · 6 tracks · 40:57
1Symphonie espagnole, for Violin and Orchestra, op. 21: Allegro non troppo7:362Symphonie espagnole, for Violin and Orchestra, op. 21: Scherzando: Allegro molto4:143Symphonie espagnole, for Violin and Orchestra, op. 21: Intermezzo: Allegro non troppo5:524Symphonie espagnole, for Violin and Orchestra, op. 21: Andante6:135Symphonie espagnole, for Violin and Orchestra, op. 21: Rondo: Allegro8:106Sérénade Mélancolique, Op. 268:52Konzert für Klavier und Orchester Nr. 2 G-Dur Op. 44
1961 · studio album
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Tracklist · 3 tracks · 35:19
1Konzert für Klavier und Orchester Nr. 2 G-dur, Op. 44: 1. Allegro brillante20:002Konzert für Klavier und Orchester Nr. 2 G-dur, Op. 44: 2. Andante non troppo8:093Konzert für Klavier und Orchester Nr. 2 G-dur, Op. 44: 3. Allegro con fuoco7:101961 · studio album
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Tracklist · 4 tracks
A1Symphonie N° 6 en si mineur "Pathétique": Adagio - Allegro Non TroppoA2Symphonie N° 6 en si mineur "Pathétique": Allegro Con GraziaB1Symphonie N° 6 en si mineur "Pathétique": Allegro Molto VivaceB2Symphonie N° 6 en si mineur "Pathétique": Finale : Adagio LamentosoCellokonzert A-Moll / Rokoko-Variationen
1961 · studio album
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Tracklist · 2 tracks · 44:09
A1Konzert Für Violoncello Und Orchester A-Moll Op. 129: 1. Satz: Nicht Zu Schnell / 2. Satz: Langsam / 3. Satz: Sehr Lebhaft25:30B1Variationen Über Ein Rokoko-Thema Für Cello Und Orchester Op. 3318:391961 · studio album
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Tracklist · 4 tracks · 43:22
A1Symphonie nr. 6 H‐moll, op. 74 »Pathétique«: I. Adagio – Allegro non troppo17:27A2Symphonie nr. 6 H‐moll, op. 74 »Pathétique«: II. Allegro con grazia8:00B1Symphonie nr. 6 H‐moll, op. 74 »Pathétique«: III. Allegro molto vivace8:17B2Symphonie nr. 6 H‐moll, op. 74 »Pathétique«: IV. Finale. Adagio lamentoso9:381961 · studio album
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Tracklist · 4 tracks · 47:18
1Symphony no. 6 in B minor, op. 7420:292Symphony no. 6 in B minor, op. 747:163Symphony no. 6 in B minor, op. 748:454Symphony no. 6 in B minor, op. 7410:48Khachaturian: Gayne Ballet / Tchaikovsky: Romeo and Juliet
1961 · studio album
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Tracklist · 9 tracks
A1Gayne Ballet Music: Sabre DanceA2Gayne Ballet Music: Ayesha’s DanceA3Gayne Ballet Music: Dance of the Rose MaidensA4Gayne Ballet Music: Dance of the KurdsA5Gayne Ballet Music: LullabyA6Gayne Ballet Music: Dance of the Young KurdsA7Gayne Ballet Music: Armen’s VariationA8Gayne Ballet Music: LezghinkaBRomeo and Juliet: Overture-Fantasy After ShakespearePiano Concerto no. 1 in B‐flat minor
1962 · studio album
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Tracklist · 3 tracks · 36:09
1Piano Concerto no. 1 in B‐flat minor: 1. Allegro non troppo e molto maestoso – Allegro con spirito22:032Piano Concerto no. 1 in B‐flat minor: 2. Andantino semplice – Prestissimo6:583Piano Concerto no. 1 in B‐flat minor: 3. Allegro con fuoco7:081962 · studio album
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Tracklist · 12 tracks
A1Songs and Dances of Death: 1. TrepakA2Songs and Dances of Death: 2. LullabyA3Songs and Dances of Death: 3. SerenadeA4Songs and Dances of Death: 4. The Field MarshalB1Three Songs from op. 6: 1. None but the Longing HeartB2Three Songs from op. 6: 2. Be Silent, BelovedB3Three Songs from op. 6: 3. Believe Not, My LoveB4Five Poems by Anna Akhmatova: 1. The Sun Filled the RoomB5Five Poems by Anna Akhmatova: 2. True LoveB6Five Poems by Anna Akhmatova: 3. Memory of the SunlightB7Five Poems by Anna Akhmatova: 4. GreetingB8Five Poems by Anna Akhmatova: 5. The Grey-Eyed KingSuite no. 3 in G major, op. 55
1962 · studio album
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Tracklist · 4 tracks · 42:20
1I. Elégie. Andantino molto cantabile10:572II. Valse mélancolique. Allegro moderato6:383III. Scherzo. Presto4:434IV. Tema con variazioni. Andante con moto20:02Nutcracker Suite / Music from Peer Gynt
1962 · studio album
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Tracklist · 14 tracks · 45:53
1Nutcracker: Miniature Overture3:322Nutcracker: March2:383Nutcracker: Dance of the Sugar Plum Fairy1:274Nutcracker: Trépak1:045Nutcracker: Arab Dance2:556Nutcracker: Chinese Dance1:157Nutcracker: Dance of the Reed Pipes2:338Nutcracker: Walz of the Flowers5:569Music from Peer Gynt, op. 23: Morning3:5410Music from Peer Gynt, op. 23: The Death of Ase4:4211Music from Peer Gynt, op. 23: Anitra's Dance3:3312Music from Peer Gynt, op. 23: In the Hall of the Mountain King2:2613Music from Peer Gynt, op. 23: Ingrid's Lament4:2214Music from Peer Gynt, op. 23: Solveig's Song5:36Tchaikovsky: Romeo & Juliet / Strauss: Till Eulenspiegel
1962 · studio album
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Tracklist · 2 tracks · 33:59
A1Romeo & Juliet: Overture-Fantasy19:05B1Till Eulenspiegel's Merry Pranks14:541962 · studio album
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Tracklist · 4 tracks · 40:31
ASymphony no. 4 in F minor, op. 36: 1. Andante sostenuto – Moderato con anima17:21B1Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzona9:14B2Symphony no. 4 in F minor, op. 36: 3. Scherzo: Allegro5:27B3Symphony no. 4 in F minor, op. 36: 4. Finale: Allegro con fuoco8:291962 · studio album
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Tracklist · 4 tracks
A1Symphony no. 5 in E minor, op. 64: 1. Andante – Allegro con animaA2Symphony no. 5 in E minor, op. 64: 2. Andante cantabile con alcuna licenza – Moderato con animaB1Symphony no. 5 in E minor, op. 64: 3. Valse: Allegro moderatoB2Symphony no. 5 in E minor, op. 64: 4. Finale: Andante maestoso – Allegro vivace1962 · studio album
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Tracklist · 4 tracks
A1Symphony no. 6 in B minor, op. 74 “Pathétique”: 1st Mov.: Adagio – Allegro non troppoA2Symphony no. 6 in B minor, op. 74 “Pathétique”: 2nd Mov.: Allegro con graziaB1Symphony no. 6 in B minor, op. 74 “Pathétique”: 3rd Mov.: Allegro molto vivaceB2Symphony no. 6 in B minor, op. 74 “Pathétique”: 4th Mov.: Finale (Adagio lamentoso – Andante)Concerto N° 1 pour piano et orchestre
1962 · studio album
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Tracklist · 3 tracks
A1Konzert Für Klavier Und Orchester Nr. 1 B-moll Op.23: 1. Satz : Allegro Non Troppo E Molto Maestoso - Allegro Con SpiritoB1Konzert Für Klavier Und Orchester Nr. 1 B-moll Op.23: 2. Satz: Andantino Semplice - PrestissimoB2Konzert Für Klavier Und Orchester Nr. 1 B-moll Op.23: 3. Satz: Allegro Con Fuoco1962 · studio album
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Tracklist · 23 tracks · 1:19:13
Disc 1A1The Nutcracker, Ballet, op. 71: Overture2:56A2The Nutcracker, Ballet, op. 71: Act I, Tableau I: Decorating and Lighting the Christmas Tree3:46A3The Nutcracker, Ballet, op. 71: Act I, Tableau I: March2:12A4The Nutcracker, Ballet, op. 71: Act I, Tableau I: Dance Scene: Galop and Dance of the Parents2:12A5The Nutcracker, Ballet, op. 71: Act I, Tableau I: Scene: Presents for the Children5:02A6The Nutcracker, Ballet, op. 71: Act I, Tableau I: Scene: The Grandfather Dance5:40B1The Nutcracker, Ballet, op. 71: Act I, Tableau I: Scene: The Guests Depart – The Children Go to Bed – The Magic Spell Begins5:56B2The Nutcracker, Ballet, op. 71: Act I, Tableau I: The Nutcracker Battles the Army of the Mouse King – He Wins and Is Transformed into Prince Charming3:14B3The Nutcracker, Ballet, op. 71: Act I, Tableau II: Scene: Journey Through the Snow3:16B4The Nutcracker, Ballet, op. 71: Act I, Tableau II: Waltz of the Snowflakes6:18Disc 2C1The Nutcracker, Ballet, op. 71: Act II: Scene: Arrival in Fairyland / Festival in Honor of the Children and Prince Charming8:45C2The Nutcracker, Ballet, op. 71: Act II: Character Dances (Divertissement): a) Chocolate (Spanish Dance)1:05C3The Nutcracker, Ballet, op. 71: Act II: Character Dances (Divertissement): b) Coffee (Arabian Dance)2:45C4The Nutcracker, Ballet, op. 71: Act II: Character Dances (Divertissement): c) Tea (Chinese Dance)1:00C5The Nutcracker, Ballet, op. 71: Act II: Character Dances (Divertissement): d) Russian Dance (Trepak)1:05C6The Nutcracker, Ballet, op. 71: Act II: Character Dances (Divertissement): e) Dance of the Toy Flutes2:10C7The Nutcracker, Ballet, op. 71: Act II: Character Dances (Divertissement): f) Dance of the Clowns2:55D1The Nutcracker, Ballet, op. 71: Act II: Character Dances (Divertissement): g) Waltz of the Flowers6:05D2The Nutcracker, Ballet, op. 71: Act II: Dances of the Sugar-Plum Fairy and Prince Charming: a) Pas de deux4:07D3The Nutcracker, Ballet, op. 71: Act II: Dances of the Sugar-Plum Fairy and Prince Charming: b) Dance of Prince Charming0:36D4The Nutcracker, Ballet, op. 71: Act II: Dances of the Sugar-Plum Fairy and Prince Charming: c) Dance of the Sugar-Plum Fairy2:06D5The Nutcracker, Ballet, op. 71: Act II: Dances of the Sugar-Plum Fairy and Prince Charming: d) Coda1:14D6The Nutcracker, Ballet, op. 71: Act II: Waltz Finale and Apotheosis4:48Tchaikovsky "1812" Overture Op. 49 + The Nutcracker Suite, Op. 71a
1963 · studio album
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Tracklist · 9 tracks · 38:00
A"1812" Overture, Op. 49 (original version for Orchestra, Military Band, Bells and Cannons)16:32B.1The Nutcracker Suite, Op. 71a Miniature Overture3:13B.2The Nutcracker Suite, Op. 71a March2:37B.3The Nutcracker Suite, Op. 71a Dance of the Sugar Plum Fairy1:48B.4The Nutcracker Suite, Op. 71a Russian Dance1:07B.5The Nutcracker Suite, Op. 71a Arab Dance3:53B.6The Nutcracker Suite, Op. 71a Chinese Dance1:09B.7The Nutcracker Suite, Op. 71a Dance of the Flutes2:17B.8The Nutcracker Suite, Op. 71a Waltz of the Flowers5:241963 · studio album
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Tracklist · 9 tracks · 36:12
11812 Overture, op. 49 (original version for Orchestra, Military Band, Bells and Cannons)16:212Nutcracker Suite, op. 71a: Miniature Overture3:093Nutcracker Suite, op. 71a: March2:324Nutcracker Suite, op. 71a: Dance of the Sugar Plum Fairy1:455Nutcracker Suite, op. 71a: Russian Dance1:046Nutcracker Suite, op. 71a: Arab Dance3:497Nutcracker Suite, op. 71a: Chinese Dance1:018Nutcracker Suite, op. 71a: Dance of the Flutes2:099Nutcracker Suite, op. 71a: Waltz of the Flowers4:221963 · studio album
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Tracklist · 4 tracks · 44:17
A1Symphony no. 6 in B minor (“Pathétique”): 1. Adagio – Allegro non troppo18:53A2Symphony no. 6 in B minor (“Pathétique”): 2. Allegro con grazia6:56B1Symphony no. 6 in B minor (“Pathétique”): 3. Allegro molto vivace8:51B2Symphony no. 6 in B minor (“Pathétique”): 4. Adagio lamentoso – Andante9:371963 · studio album
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Tracklist · 4 tracks · 45:49
1Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima13:462Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza12:193Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato6:314Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace13:13Swan Lake & Sleeping Beauty Suites
1965 · studio album
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Tracklist · 11 tracks · 47:38
1Swan Lake: Scene2:392Swan Lake: Waltz7:103Swan Lake: Dance of the little Swans1:314Swan Lake: Scene and Second Dance of the Queen of the Swans6:335Swan Lake: Czárdás3:376Swan Lake: Finale4:167Sleeping Beauty: Introduction and Lilac Fairy5:268Sleeping Beauty: Pas d'action (Adagio)6:339Sleeping Beauty: Pas de caractère: Puss in boots2:0310Sleeping Beauty: Panorama3:3511Sleeping Beauty: Waltz4:151965 · studio album
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Tracklist · 2 tracks · 46:50
A1Selections from Swan Lake (Le Lac Des Cygnes) Ballet, Op. 2022:50B1Selections from The Sleeping Beauty Ballet, Op. 6624:00Concertos pour violon en ré & en mi-mineur
1965 · studio album
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Tracklist · 6 tracks
A1Violinkonzert No. 2 In E-Moll, Op 64: 1. Satz: Allegro Molto AppassionatoA2Violinkonzert No. 2 In E-Moll, Op 64: 2. Satz: AndanteA3Violinkonzert No. 2 In E-Moll, Op 64: 3. Satz: Allegretto Non TroppoB1Violinkonzert In D-Dur, Op. 35: 1. Satz: Allegro ModeratoB2Violinkonzert In D-Dur, Op. 35: 2. Satz: Canzonetta, AndanteB3Violinkonzert In D-Dur, Op. 35: 3. Satz: Finale. Allegro Vivacissimo1965 · studio album
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Tracklist · 4 tracks
ASymphony no. 4 in F minor, op. 36: 1st Movt.: Andante sostenuto – Moderato con animaB1Symphony no. 4 in F minor, op. 36: 2nd Movt.: Andantino in modo di canzonaB2Symphony no. 4 in F minor, op. 36: 3rd Movt.: Scherzo: AllegroB3Symphony no. 4 in F minor, op. 36: 4th Movt.: Finale: Allegro con fuoco1965 · studio album
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Tracklist · 4 tracks · 51:42
1Concerto no. 2 in G major for Piano and Orchestra, op. 44: 1st movement20:552Concerto no. 2 in G major for Piano and Orchestra, op. 44: 2nd movement7:493Concerto no. 2 in G major for Piano and Orchestra, op. 44: 3rd movement7:374Concerto no. 3 in E-flat major for Piano and Orchestra, op. 7515:211965 · studio album
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Tracklist · 4 tracks
A1Manfred, op. 58: 1st Movt: Lento lugubre – Moderato con moto – AndanteA2Manfred, op. 58: 2nd Movt: Vivace con spiritoB1Manfred, op. 58: 3rd Movt: Andante con motoB2Manfred, op. 58: 4th Movt: Allegro con fuoco1965 · studio album
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Tracklist · 13 tracks
Disc 1A1Symphony no. 1 in G minor: I. Allegro tranquilloA2Symphony no. 1 in G minor: II. Adagio cantabile ma non tantoA3Symphony no. 1 in G minor: III. Scherzo – Allegro scherzando giocosoB1Symphony no. 1 in G minor: IV. Finale – Andante lugubreB2Symphony no. 3 in D major: I. Introduzione e allegroDisc 2C1Symphony no. 3 in D major: II. Alla tedesca – Allegro moderato e sempliceC2Symphony no. 3 in D major: III. Andante elegiacoC3Symphony no. 3 in D major: IV. Scherzo – Allegro vivoC4Symphony no. 3 in D major: V. Finale – Allegro con fuocoD1Symphony no. 2 in C minor: I. Andante sostenuto; Allegro vivoD2Symphony no. 2 in C minor: II. Andantino marziale, quasi moderatoD3Symphony no. 2 in C minor: III. Scherzo – Allegro molto vivaceD4Symphony no. 2 in C minor: IV. Finale – Moderato assai1965 · studio album
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Tracklist · 3 tracks
A1Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro Non Troppo e molto maestosoB1Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simpliceB2Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuocoTschaikowsky-Wettbewerb Moskau 1966
1966 · studio album
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Tracklist · 6 tracks
Disc 11Konzert für Klavier und Orchester Nr. 1 b-moll, op. 23: I. Andante non troppo e molto maestoso2Konzert für Klavier und Orchester Nr. 1 b-moll, op. 23: II. Andante semplice3Konzert für Klavier und Orchester Nr. 1 b-moll, op. 23: III. Finale, Allegro con fuocoDisc 21Konzert für Violine und Orchester D-dur, op. 35: I. Allegro moderato2Konzert für Violine und Orchester D-dur, op. 35: II. Canzonetta, Andante3Konzert für Violine und Orchester D-dur, op. 35: III.. Finale, Allegro vivacissiomoSymphony no. 2 in C minor, op. 17 “Little Russian”
1966 · studio album
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Tracklist · 4 tracks · 35:55
A1Symphony no. 2 in C minor, op. 17 “Little Russian”: 1st movt: Andante sostenuto – Allegro vivo12:05A2Symphony no. 2 in C minor, op. 17 “Little Russian”: 2nd movt: Andantino marziale, quasi moderato7:51B1Symphony no. 2 in C minor, op. 17 “Little Russian”: 3rd movt: Scherzo (Allegro molto vivace)5:22B2Symphony no. 2 in C minor, op. 17 “Little Russian”: 4th movt: Finale (Moderato assai)10:37Piano Concerto no. 2 / Piano Concerto no. 1
1966 · studio album
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Tracklist · 6 tracks · 1:03:14
1Piano Concerto no. 1 in B-flat minor, opus 23: Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito18:552Piano Concerto no. 1 in B-flat minor, opus 23: Andantino Semplico - Prestissimo - Tempo6:483Piano Concerto no. 1 in B-flat minor, opus 23: Allegro Con Fuoco6:484Piano Concerto no. 2 in C minor, opus 18: Moderato10:135Piano Concerto no. 2 in C minor, opus 18: Adagio Sostenuto9:526Piano Concerto no. 2 in C minor, opus 18: Allegro Scherzando10:381966 · studio album
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Tracklist · 4 tracks · 48:42
1Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima14:542Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I15:083Symphony no. 5 in E minor, op. 64: III. Valse: Allegro moderato6:044Symphony no. 5 in E minor, op. 64: IV. Finale: Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto12:361812 / Caprice Italien / Polonaise from 'Eugene Onegin'
1966 · studio album
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Tracklist · 3 tracks · 36:38
A1812 Overture15:32B1Caprice Italien16:39B2Polonaise From "Eugene Onegin"4:271966 · studio album
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Tracklist · 5 tracks
A1Symphony no. 3 in D, op. 29 “Polish”: 1st Movt: Introduzione e allegroA2Symphony no. 3 in D, op. 29 “Polish”: 2nd Movt: Alla tedesca (Allegro moderato)B1Symphony no. 3 in D, op. 29 “Polish”: 3rd Movt: Andante elegiacoB2Symphony no. 3 in D, op. 29 “Polish”: 4th Movt: Scherzo (Allegro vivo)B3Symphony no. 3 in D, op. 29 “Polish”: 5th Movt: Finale (Allegro con fuoco)Symphony no. 1 in G minor, op. 13 “Winter Reveries”
1966 · studio album
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Tracklist · 4 tracks
A1Symphony no. 1 in G minor, op. 13 “Winter Reveries”: 1st Movt: Allegro tranquilloA2Symphony no. 1 in G minor, op. 13 “Winter Reveries”: 2nd Movt: Adagio cantabile ma non tantoB1Symphony no. 1 in G minor, op. 13 “Winter Reveries”: 3rd Movt: Scherzo (Allegro scherzando giocoso)B2Symphony no. 1 in G minor, op. 13 “Winter Reveries”: 4th Movt: Finale (Andante lugubre – Allegro maestoso)Symphony no. 5 in E minor, op. 64
1966 · studio album
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Tracklist · 4 tracks
A1Symphony no. 5 in E minor: 1st Movt: Andante – Allegro con animaA2Symphony no. 5 in E minor: 2nd Movt: Allegro cantabile, con alcuna licenza – Moderato con animaB1Symphony no. 5 in E minor: 3rd Movt: Valse (Allegro moderato)B2Symphony no. 5 in E minor: 4th Movt: Finale (Andante maestoso – Allegro vivace)1967 · studio album
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Tracklist · 3 tracks · 35:44
1Violin Concerto in D major, op. 35: I. Allegro moderato19:142Violin Concerto in D major, op. 35: II. Canzonetta: Andante - attacca:7:173Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo9:13Konzert für Violine und Orchester D‐Dur, op. 35
1967 · studio album
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Tracklist · 3 tracks · 31:05
AKonzert für Violine und Orchester D‐Dur, op. 35: 1. Allegro moderato18:24B1Konzert für Violine und Orchester D‐Dur, op. 35: 2. Canzonetta andante7:41B2Konzert für Violine und Orchester D‐Dur, op. 35: 3. Allegro vivacissimo5:00Symphony No. 5 In E Minor, Op. 64
1967 · studio album
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Tracklist · 4 tracks · 50:39
1Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima15:512Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza15:053Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato6:384Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace13:051967 · studio album
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Tracklist · 12 tracks · 1:40:54
Disc1:1The Swan Lake Ballet, Op. 20: Introduction: Moderato Assai; Allegro; Scène (Allegro Giusto)6:272The Swan Lake Ballet, Op. 20: Valse6:173The Swan Lake Ballet, Op. 20: Pas de Trois7:404The Swan Lake Ballet, Op. 20: Pas de Deux (Beginning)6:215The Swan Lake Ballet, Op. 20: Pas de Deux (Completion); Sujet; Danse Des Coupes9:246The Swan Lake Ballet, Op. 20: Scène (Moderato); Scène (Allegro Moderato); Scène (Allegro); Danse Des Cygnes (Beginning)15:22Disc2:1The Swan Lake Ballet, Op. 20: Danses Des Cygnes (Conclusion)9:572The Swan Lake Ballet, Op. 20: Allegro Giusto; Scène (Allegro / Tempo Di Valse); Scène (Allegro / Allegro Giusto); Danse Espagnole; Danse Napolitaine14:333The Swan Lake Ballet, Op. 20: Danse Hongroise; Czardas; Mazurka; Scène (Allegro); Valse (Allegro Vivo)9:464The Swan Lake Ballet, Op. 20: Danse Des Petits Cygnes; Scène (Allegro Agitato / Allegro Vivace); Scène Finale (Andante / Allegro Agitato / Alla Breve / Moderato E Maestoso / Meno Mosso / Moderato)15:07Nutcracker & Sleeping Beauty Suites
1967 · studio album
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Tracklist · 10 tracks
A1Nutcracker Suite, Op.71a: Miniature Overture - March - Dance Of The Sugar Plum Fairy - Russian Dance (Trepak) - Arab Dance - Chinese Dance - Dance Of The Reed PipesA2Nutcracker Suite, Op.71a: Pas De Deux (No. 14a From The Complete Ballet, Op. 71)A3Nutcracker Suite, Op.71a: Waltz Of The FlowersB1Suite From The Sleeping Beauty, (Op.66): Introduction - March (Prologue, No.1)B2Suite From The Sleeping Beauty, (Op.66): Waltz (Act 1, No.6)B3aSuite From The Sleeping Beauty, (Op.66): Pas De Caractere (Puss In Boots And The White Cat) (Act 3, No.24)B3bSuite From The Sleeping Beauty, (Op.66): Polacca (Act 3, No.22)B3cSuite From The Sleeping Beauty, (Op.66): Pas De Deux (Variation 2 - Aurora) (Act 3, No.28)B3dSuite From The Sleeping Beauty, (Op.66): Pas D'Action (Aurora's Variation) (Act 1, No.8c)B3eSuite From The Sleeping Beauty, (Op.66): Pas D'Action (Adagio) (Act 1, No.8)1968 · studio album
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Tracklist · 11 tracks
A1Romeo And Juliet (Fantasy Overture)A2Trepak From The Nutcracker Ballet, Op.71A3Waltz From The Sleeping Beauty Ballet, Op.66A4Symphony N.6 In B Minor, Op. 74A5Marche Slave, Op.31B1Piano Concerto N.1 In B Flat Minor, Op.23B2Symphony N.4 In F Minor, Op.36B3Symphony N.5 In E Minor, Op.64B4Song Without Words, Op.2, N.2B5Pique Dame, Op.68B61812 Overture, Op.49Semprini Plays Golden Melodies of Tchaikovsky
1968 · studio album
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Tracklist · 12 tracks
A1Swan Lake WaltzA2TroikaA3Chanson parolesA4Serenade for StringsA5NocturneA6Andante cantabileB1Sleeping Beauty WaltzB2TrepakB3BarcarolleB4Chanson tristeB5Third Movement Concerto No.2B6None But the Lonely HeartStreicherserenade - Nussknacker-Suite Op. 71 a
1968 · studio album
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Tracklist · 12 tracks · 16:18
1Serenade for Strings: I. Pezzo in forma di Sonatina2Serenade for Strings: II. Walzer3Serenade for Strings: III. Elegie4Serenade for Strings: IV. Finale: Tema Russo5The Nutcracker Suite: I. Ouverture Miniature: Allegro giusto3:246The Nutcracker Suite: II. Danse caractéristiques: a. Marche: Tempo di marcia viva2:227The Nutcracker Suite: II. Danse caractéristiques: b. Danse de la Fée Dragée: Andante non troppo1:598The Nutcracker Suite: II. Danse caractéristiques: c. Danse russe Trépak: Tempo di Trepak, molto vivace1:099The Nutcracker Suite: II. Danse caractéristiques: d. Danse arabe: Allegretto3:2710The Nutcracker Suite: II. Danse caractéristiques: e. Danse chinoise: Allegro moderato1:2111The Nutcracker Suite: II. Danse caractéristiques: f. Danse des mirlitons: Moderato assai2:3612The Nutcracker Suite III. Valse des FleursSerenade for Strings / Souvenir de Florence
1969 · studio album
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Tracklist · 8 tracks · 57:48
A1Serenade for Strings in C, op. 48: I. Pezzo in forma di sonatina. Andante non troppo – Allegro moderato9:16A2Serenade for Strings in C, op. 48: II. Waltzer. Moderato, tempo di valse3:38A3Serenade for Strings in C, op. 48: III. Élegie. Larghetto elegiaco9:57A4Serenade for Strings in C, op. 48: IV. Finale (tema russo). Andante – Allegro con spirito7:37B1Souvenir de Florence, op. 70: I. Allegro con spirito9:18B2Souvenir de Florence, op. 70: II. Adagio cantabile e con moto7:56B3Souvenir de Florence, op. 70: III. Allegro moderato4:34BSouvenir de Florence, op. 70: IV. Allegro vivace5:32Symphony No. 6 In B Minor "Pathetique"
1969 · studio album
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Tracklist · 4 tracks · 48:04
1Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo19:262Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia9:253Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace9:334Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale (Adagio lamentoso - Andante)9:40Romeo and Juliet / Boris Godunov
1969 · studio album
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Tracklist · 2 tracks · 42:54
1Romeo and Juliet. Fantasy Overture after Shakespeare19:532Boris Godunov23:01Dvořák: Cellokonzert / Tschaikowsky: Rokoko‐Variationen
1969 · studio album
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Tracklist · 4 tracks · 1:00:19
A1Konzert für Violoncello und Orchester h‐moll, op. 104: 1. Satz: Allegro15:42A2Konzert für Violoncello und Orchester h‐moll, op. 104: 2. Satz: Adagio, ma non troppo12:41B1Konzert für Violoncello und Orchester h‐moll, op. 104: 3. Satz: Finale: Allegro moderato13:04B2Variationen über ein Rokoko‐Thema für Violoncello und Orchester, op. 3318:52Tschaikowsky: Streichquartett Nr. 1 D-dur / Borodin: Streichquartett Nr. 2 D-dur
1969 · studio album
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Tracklist · 8 tracks
A1Streichquartett Nr. 1 D-dur, op. 11: 1. Satz: Moderato e sempliceA2Streichquartett Nr. 1 D-dur, op. 11: 2. Satz: Andante CantabileA3Streichquartett Nr. 1 D-dur, op. 11: 3. Satz: Scherzo: Allegro non tantoA4Streichquartett Nr. 1 D-dur, op. 11: 4. Satz: Finale: Allegro giustoB1Streichquartett Nr. 2 D-dur: 1. Satz: Allegro moderatoB2Streichquartett Nr. 2 D-dur: 2. Satz: Scherzo: AllegroB3Streichquartett Nr. 2 D-dur: 3. Satz: Notturno: AndanteB4Streichquartett Nr. 2 D-dur: 4. Satz: Finale: Andante - Vivace1969 · studio album
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Tracklist · 54 tracks · 2:28:43
Disc 11Swan Lake, op. 20: Introduction2:512Swan Lake, op. 20, Act I: no. 1, Scène2:513Swan Lake, op. 20, Act I: no. 2, Waltz6:554Swan Lake, op. 20, Act I: no. 3, Scène3:435Swan Lake, op. 20, Act I: no. 4, Pas de trois - Intrada2:046Swan Lake, op. 20, Act I: no. 4, Pas de trois - Andante sostenuto2:317Swan Lake, op. 20, Act I: no. 4, Pas de trois - Allegro semplice1:128Swan Lake, op. 20, Act I: no. 4, Pas de trois - Moderato1:049Swan Lake, op. 20, Act I: no. 4, Pas de trois - Allegro1:0610Swan Lake, op. 20, Act I: no. 4, Pas de trois - Coda1:3911Swan Lake, op. 20, Act I: no. 5, Pas de deux - Tempo di Valse, ma non troppo vivo, quasi moderato2:0912Swan Lake, op. 20, Act I: no. 5, Pas de deux - Andante - Allegro5:0413Swan Lake, op. 20, Act I: no. 5, Pas de deux - Tempo di Valse1:3314Swan Lake, op. 20, Act I: no. 5, Pas de deux - Coda1:5115Swan Lake, op. 20, Act I: no. 6, Pas d’action1:4416Swan Lake, op. 20, Act I: no. 7, Sujet0:3617Swan Lake, op. 20, Act I: no. 8, Dance with Goblets6:0118Swan Lake, op. 20, Act I: no. 9, Finale2:4119Swan Lake, op. 20, Act II: no. 10, Scène2:4020Swan Lake, op. 20, Act II: no. 11, Scène4:4821Swan Lake, op. 20, Act II: no. 12, Scène3:2622Swan Lake, op. 20, Act II: no. 13, Dances of the Swans - Tempo di Valse I2:2523Swan Lake, op. 20, Act II: no. 13, Dances of the Swans - Moderato assai1:3224Swan Lake, op. 20, Act II: no. 13, Dances of the Swans - Tempo di Valse II1:4825Swan Lake, op. 20, Act II: no. 13, Dances of the Swans - Allegro moderato1:1926Swan Lake, op. 20, Act II: no. 13, Dances of the Swans - Andante6:3727Swan Lake, op. 20, Act II: no. 13, Dances of the Swans - Tempo di Valse III1:2928Swan Lake, op. 20, Act II: no. 13, Dances of the Swans - Coda1:3829Swan Lake, op. 20, Act II: no. 14, Scène2:35Disc 21Swan Lake, op. 20, Act III: no. 15, Scène2:252Swan Lake, op. 20, Act III: no. 16, Dance of the Corps de Ballet and the Dwarves2:323Swan Lake, op. 20, Act III: no. 17, Scène. Entrance of the Guests and Waltz7:324Swan Lake, op. 20, Act III: no. 18, Scène1:355Swan Lake, op. 20, Act III: no. 19, Pas de six - Intrada2:266Swan Lake, op. 20, Act III: no. 19, Pas de six - Variation I4:507Swan Lake, op. 20, Act III: no. 19, Pas de six - Variation II1:028Swan Lake, op. 20, Act III: no. 19, Pas de six - Variation III0:549Swan Lake, op. 20, Act III: no. 19, Pas de six - Variation IV1:2110Swan Lake, op. 20, Act III: no. 19, Pas de six - Coda1:4111Swan Lake, op. 20, Act III: no. 19a, Pas de deux - Introduction4:1612Swan Lake, op. 20, Act III: no. 19a, Pas de deux - Variation I0:4313Swan Lake, op. 20, Act III: no. 19a, Pas de deux - Variation II0:5014Swan Lake, op. 20, Act III: no. 19a, Pas de deux - Coda2:3115Swan Lake, op. 20, Act III: no. 20, Hungarian Dance. Czárdás2:2516Swan Lake, op. 20, Act III: no. 20a, Russian Dance4:4217Swan Lake, op. 20, Act III: no. 21, Spanish Dance2:2518Swan Lake, op. 20, Act III: no. 22, Neapolitan Dance1:5519Swan Lake, op. 20, Act III: no. 23, Mazurka3:4720Swan Lake, op. 20, Act III: no. 24, Scène3:1921Swan Lake, op. 20, Act IV: no. 25, Entr’acte1:5522Swan Lake, op. 20, Act IV: no. 26, Scène2:1723Swan Lake, op. 20, Act IV: no. 27, Dances of the Little Swans4:2224Swan Lake, op. 20, Act IV: no. 28, Scène2:5925Swan Lake, op. 20, Act IV: no. 29, Scène finale6:07Symphony no. 4 / Jota Aragonesa
1970 · studio album
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Tracklist · 5 tracks · 49:02
A1Symphony no. 4, op. 36: I. Andante sostenuto - Moderato con anima18:38A2Symphony no. 4, op. 36: II. Andantino in modo di canzona8:16B1Symphony no. 4, op. 36: III. Scherzo. Pizzicato ostinato - Allegro5:04B2Symphony no. 4, op. 36: IV. Finale. Allegro con fuoco7:53B3Jota aragonesa9:111970 · studio album
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Tracklist · 14 tracks · 44:06
A1Je vous bénis, forets4:53A2J'ai ouvert ma croisée1:57A3Sérénade2:56A4Jamais je ne lui dis un mot d'amour3:58A5Dans le gouffre de l'enfer3:56A6Rondel1:25A7Tous me disent : « Grand sot !... »2:18B1Pas un mot, pas une réponse2:26B2J'aurai voulu en un seul mot...2:00B3L'amour est mort4:30B4Durant le bal2:35B5L'exploit4:17B6Déception (« Le soleil rayonnait encore... »)3:20B7La nuit3:351970 · studio album
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Tracklist · 2 tracks · 35:25
AConcerto n° 1 en si bémol mineur: 1ᵉʳ Mouvement: Allegro non troppo e molto maestoso - Allegro con spirito21:00BConcerto n° 1 en si bémol mineur: 2ᵉ Mouvement: Andante simplice prestissimo - Andante simplice; 3ᵉ Mouvement: Allegro con fuoco14:251970 · studio album
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Tracklist · 4 tracks
AOverture 1812, op. 49B1Overture "Russlan & Ludmilla"B2"Lohengrin" - Prelude Act IIIB3A Night on the Bare Mountain1970 · studio album
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Tracklist · 23 tracks · 2:29:00
Disc 11Eugène Onéguine: Acte I, 1ᵉʳ Tableau: Prélude2:462Eugène Onéguine: Acte I, 1ᵉʳ Tableau: n° 1 Duo et Quatuor5:503Eugène Onéguine: Acte I, 1ᵉʳ Tableau: n° 2 Chœur et danse des paysans5:174Eugène Onéguine: Acte I, 1ᵉʳ Tableau: n° 3 Scène et arioso d'Olga3:505Eugène Onéguine: Acte I, 1ᵉʳ Tableau: n° 4 Scène de Larina3:186Eugène Onéguine: Acte I, 1ᵉʳ Tableau: n° 5 Scène et quatuor4:117Eugène Onéguine: Acte I, 1ᵉʳ Tableau: n° 6 Scène et arioso de Lenski6:138Eugène Onéguine: Acte I, 1ᵉʳ Tableau: n° 7 Scène finale2:56Disc 21Eugène Onéguine: Acte I, 2ᵐᵉ Tableau: n° 8 Introduction et scène de la nourrice8:402Eugène Onéguine: Acte I, 2ᵐᵉ Tableau: n° 9 Scène de la lettre14:303Eugène Onéguine: Acte I, 2ᵐᵉ Tableau: n° 10 Scène et duo6:584Eugène Onéguine: Acte I, 3ᵐᵉ Tableau: n° 11 Chœur des jeunes filles3:305Eugène Onéguine: Acte I, 3ᵐᵉ Tableau: n° 12 Scène et aria d'Onéguine9:00Disc 31Eugène Onéguine: Acte II, 1ᵉʳ Tableau: n° 13 Entracte et valse avec scène et chœur7:362Eugène Onéguine: Acte II, 1ᵉʳ Tableau: n° 14 Scène et couplets de Monsieur Triquet5:053Eugène Onéguine: Acte II, 1ᵉʳ Tableau: n° 15 Mazurka et scène4:354Eugène Onéguine: Acte II, 1ᵉʳ Tableau: n° 16 Finale4:355Eugène Onéguine: Acte II, 2ᵐᵉ Tableau: n° 17 Introduction, scène et air9:506Eugène Onéguine: Acte II, 2ᵐᵉ Tableau: n° 18 Scène du duel5:457Eugène Onéguine: Acte III, 1ᵉʳ Tableau: n° 19 Polonaise4:358Eugène Onéguine: Acte III, 1ᵉʳ Tableau: n° 20 Scène et aria du Prince Grémine11:209Eugène Onéguine: Acte III, 1ᵉʳ Tableau: n° 21 Scène et arioso d'Onéguine3:4510Eugène Onéguine: Acte III, 2ᵐᵉ Tableau: n° 22 Scène finale14:551970 · studio album
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Tracklist · 4 tracks
1Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso2Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice3Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco4Scherzo from Concerto SymphoniqueRomeo and Juliet / The Tempest
1970 · studio album
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Tracklist · 2 tracks · 41:43
1Romeo and Juliet Fantasy Overture18:452The Tempest (Fantasy)22:58Pictures at an Exhibition / Serenade For Strings
1970 · studio album
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Tracklist · 15 tracks · 49:55
A1Fantasy Overture - Romeo And Juliet19:03A2aPictures at an Exhibition: Promenade1:43A2bPictures at an Exhibition: The Gnome2:10A2cPictures at an Exhibition: Promenade1:02B1aPictures at an Exhibition: The Old Castle4:08B1bPictures at an Exhibition: Promenade0:32B1cPictures at an Exhibition: In the Tuileries Gardens1:05B1dPictures at an Exhibition: Bydlo2:30B1ePictures at an Exhibition: Promenade0:36B1fPictures at an Exhibition: Ballet of the Unhatched Chicks1:20B1gPictures at an Exhibition: Two Polish Jews2:06B1hPictures at an Exhibition: The Market Place at Limoges1:18B1iPictures at an Exhibition: The Catacombs3:48B1jPictures at an Exhibition: The Hut on Fowl's Legs3:17B1kPictures at an Exhibition: The Great Gate of Kiev5:17Klavierkonzert Nr. 1 b-moll op. 23
1971 · studio album
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Tracklist · 3 tracks · 35:24
A1Piano Concerto no. 1: I. Allegro non troppo e molto maestoso - Allegro con spirito21:09B1Piano Concerto no. 1: II. Andantino simplice - Prestissimo - Tempo I7:27B2Piano Concerto no. 1: III. Allegro con fuoco6:48Strauss: Death & Transfiguration / Tchaikovsky: Francesca da Rimini･Fantasia after Dante
1971 · studio album
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Tracklist · 2 tracks · 45:33
1Tod und Verklärung, op. 2422:332Francesca da Rimini, op. 3223:001971 · studio album
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Tracklist · 3 tracks · 18:17
AViolin Concerto in D, op. 35: I. Allegro moderato18:17B1Violin Concerto in D, op. 35: II. Canzonetta. AndanteB2Violin Concerto in D, op. 35: III. Finale. Allegro vivacissimo1972 · studio album
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Tracklist · 3 tracks · 36:20
A1Konzert Für Klavier Und Orchester Nr.1 B-Moll Op.23: I. Allegro Non Troppo E Molto Maestoso - Allegro Con Spirito21:15B1Konzert Für Klavier Und Orchester Nr.1 B-Moll Op.23: II. Andantino Simplice - Prestissimo7:45B2Konzert Für Klavier Und Orchester Nr.1 B-Moll Op.23: III. Allegro Con Fuoco7:20Suite no. 1 in D minor, op. 43
1972 · studio album
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Tracklist · 6 tracks · 40:30
A1Suite no. 1 in D minor, op. 43: I. Introduzione e Fuga10:55A2Suite no. 1 in D minor, op. 43: II. Divertimento6:05B1Suite no. 1 in D minor, op. 43: III. Intermezzo8:40B2Suite no. 1 in D minor, op. 43: IV. Marche Miniature2:00B3Suite no. 1 in D minor, op. 43: V. Scherzo7:30B4Suite no. 1 in D minor, op. 43: VI. Gavotte5:201972 · studio album
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Tracklist · 2 tracks
1Trio in A minor for Piano, Violin and Violoncello: I. Pezzo elegiaco (Moderato assai. Allegro giusto)2Trio in A minor for Piano, Violin and Violoncello: II. Tema con variazioni1972 · studio album
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Tracklist · 3 tracks · 35:38
1Konzert für Klavier und Orchester Nr. 2 G-dur, op. 44: I. Allegro brillante e molto vivace19:552Konzert für Klavier und Orchester Nr. 2 G-dur, op. 44: II. Andante non troppo7:513Konzert für Klavier und Orchester Nr. 2 G-dur, op. 44: III. Allegro con fuoco7:521972 · studio album
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Tracklist · 4 tracks · 45:48
A1Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio – Allegro non troppo18:16A2Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia9:00B1Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace8:16B2Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante10:16Schwanensee = Swan Lake / Dornröschen = Sleeping Beauty
1972 · studio album
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Tracklist · 13 tracks · 49:55
11. Szene3:142Valse = Waltz7:433Valse = Waltz1:394Pas D'Action8:025Danse Hongroise2:526Danse Espagnole2:257Danse Napolitane2:078Mazurka3:579Introduktion, Die Fliederfee = Introduction, The Lilac Fairy3:3310Pas D'Action5:2311Panorama2:3512Valse = Waltz4:2413Finale2:011972 · studio album
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Tracklist · 4 tracks · 40:40
A1Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto – Moderato con anima17:40A2Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzona8:40B1Symphony no. 4 in F minor, op. 36: 3. Scherzo – Allegro5:25B2Symphony no. 4 in F minor, op. 36: 4. Finale – Allegro con fuoco8:551973 · studio album
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Tracklist · 6 tracks · 57:39
1Konzert Für Violine Und Orchester D-Dur Op. 35: 1. Satz: Allegro Moderato16:552Konzert Für Violine Und Orchester D-Dur Op. 35: 2. Satz: Canzonetta. Andante6:133Konzert Für Violine Und Orchester D-Dur Op. 35: 3. Satz: Finale. Allegro Vivacissimo8:554Konzert Für Violine Und Orchester E-Moll Op. 64: 1. Satz: Allegro Molto Appassionato11:355Konzert Für Violine Und Orchester E-Moll Op. 64: 2. Satz: Andante7:386Konzert Für Violine Und Orchester E-Moll Op. 64: 3. Satz: Allegretto Non Troppo – Allegro Molto Vivace6:23Variations on a Rococo Theme / Suite No. 4, „Mozartiana“
1974 · studio album
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Tracklist · 5 tracks · 43:50
1Variations on a Rococo Theme for Cello and Orchestra17:252Suite No. 4 "Mozartiana": I. Gigue1:453Suite No. 4 "Mozartiana": II. Minuet4:054Suite No. 4 "Mozartiana": III. Preghiera5:155Suite No. 4 "Mozartiana": IV. Thème et variations15:20Ballet Suites "The Nutcracker" "The Sleeping Beauty"
1974 · studio album
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Tracklist · 8 tracks · 43:12
A1Miniatur-Ouverture3:44A2Charaktertanze12:56A8Blumenwalzer6:26B1Einleitung4:54B2Pas D'Action: Rose Adagio5:26B3Pas de Caractere: Der Gestiefelte Kater1:55B4Panorama3:20B5Walzer4:31Cellokonzert / Rokoko Variationen
1974 · studio album
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Tracklist · 4 tracks · 18:39
A1Konzert für Violoncello und Orchester a-moll op. 129: I. Nicht zu schnellA2Konzert für Violoncello und Orchester a-moll op. 129: II. LangsamA3Konzert für Violoncello und Orchester a-moll op. 129: III. Sehr lebhaftBVariationen über ein Rokoko-Thema für Violoncello und Orchester op. 3318:39Symphonies nos. 4, 5 & 6 “Pathétique”
1974 · studio album
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Tracklist · 12 tracks · 2:07:24
Disc 1A1Symphonie Nr. 4 f-moll op. 36: 1. Andante sostenuto — Moderato con anima — Moderato assai, quasi Andante — Allegro vivo18:34A2Symphonie Nr. 4 f-moll op. 36: 2. Andantino in modo di canzone9:11A3Symphonie Nr. 4 f-moll op. 36: 3. Scherzo: Pizzicato ostinato. Allegro5:47B1Symphonie Nr. 4 f-moll op. 36: 4. Finale: Allegro con fuoco7:52B2Symphonie Nr. 5 f-moll op. 64: 1. Andante — Allegro con anima14:28B3Symphonie Nr. 5 e-moll op. 64: 2. Andante cantabile, con alcuna licenza — Moderato con anima — Andante mosso — Allegro non troppo — Tempo I11:48Disc 2C1Symphonie Nr. 5 e-moll op. 64: 3. Valse: Allegro moderato5:23C2Symphonie Nr. 5 e-moll op. 64: 4. Finale: Andante maestoso — Allegro vivace — Molto vivace — Moderato assai e molto maestoso — Presto10:59C3Symphonie Nr. 6 h-moll op. 74 »Pathétique«: 1. Adagio — Allegro non troppo17:27D1Symphonie Nr. 6 h-moll op. 74 »Pathétique«: 2. Allegro con grazia8:00D2Symphonie Nr. 6 h-moll op. 74 »Pathétique«: 3. Allegro molto vivace8:17D3Symphonie Nr. 6 h-moll op. 74 »Pathétique«: 4. Adagio lamentoso9:381974 · studio album
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Tracklist · 15 tracks · 49:28
1aHumoresque en Sol majeur: allegretto scherzando2:431bSaisons: N°1 Janvier. Au coin du feu: moderato semplice, ma espressivo3:321cImpromptu en fa mineur: allegretto moderato e giocoso3:191dValse en La bémol majeur: tempo di valse3:421eNocturne en Ut dièse mineur: andante sentimentale2:031fChanson triste en sol mineur: allegro non troppo2:381gSaisons: N°12 Décembre. Noël: tempo di valse3:401hSaisons: N°11 Novembre. Course en troïka: allegro moderato2:522aSaisons: N° 6 Juin. Barcarolle: andante cantabile4:022bDoumka. Scène rustique russe en Ut mineur: andante cantabile8:252cDanse russe en La mineur: andantino – allegro molto vivace2:092dScherzo en Ré mineur: allegro vivacissimo2:592eChants sans paroles en Fa majeur: algretto grazioso e cantabile2:202fSaisons: N°8 Août. La moisson: allegro vivace2:582gSaisons: N°3 Mars. Chant de l'alouette: andantino espressivo2:06Symphony no. 6 / The Sleeping Beauty Suite
1974 · studio album
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Tracklist · 9 tracks · 1:05:25
1Symphony no. 6 In B Minor, op. 74, TH. 30: 1. Adagio - Allegro non troppo18:302Symphony no. 6 In B Minor, op. 74, TH. 30: 2. Allegro con grazia7:583Symphony no. 6 In B Minor, op. 74, TH. 30: 3. Allegro molto vivace8:404Symphony no. 6 In B Minor, op. 74, TH. 30: 4. Finale (Adagio lamentoso - Andante)9:575The Sleeping Beauty (Suite), op. 66a, TH. 234: Introduction - The Lilac Fairy4:556The Sleeping Beauty (Suite), op. 66a, TH. 234: Pas d’action: Rose Adagio5:287The Sleeping Beauty (Suite), op. 66a, TH. 234: Pas de caractère: Puss in Boots1:588The Sleeping Beauty (Suite), op. 66a, TH. 234: Panorama (Andantino)3:239The Sleeping Beauty (Suite), op. 66a, TH. 234: Valse4:36Tchaikovsky - Piano Concerto No. 1 & Concert Fantasy for Piano and Orchestra
1974 · studio album
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Tracklist · 5 tracks
A1Piano Concerto No. 1 in B-Flat Minor, Op. 23 - 1. Allegro Non TroppoA2Piano Concerto No. 1 in B-Flat Minor, Op. 23 - 2. Andantino SimpliceA3Piano Concerto No. 1 in B-Flat Minor, Op. 23 - 3. Allegro Con FuocoB1Concert Fantasy for Piano and Orchestra, Op. 56 - 1. Quasi RondoB2Concert Fantasy for Piano and Orchestra, Op. 56 - 2. ContrastesTchaikovsky - Piano Concerto No. 1 & Concert Fantasy for Piano and Orchestra
1974 · studio album
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Tracklist · 5 tracks
1Piano Concerto No. 1 in B-Flat Minor, Op. 23 - 1. Allegro Non Troppo2Piano Concerto No. 1 in B-Flat Minor, Op. 23 - 2. Andantino Simplice3Piano Concerto No. 1 in B-Flat Minor, Op. 23 - 3. Allegro Con Fuoco4Concert Fantasy for Piano and Orchestra, Op. 56 - 1. Quasi Rondo5Concert Fantasy for Piano and Orchestra, Op. 56 - 2. ContrastesTchaikovsky: 1812 Overture / Ravel: Bolero
1975 · studio album
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Tracklist · 2 tracks · 29:03
A1812 Overture, op. 4914:45BBolero14:18Tchaikovsky Symphony No. 5 In E Minor Opus 64
1975 · studio album
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Tracklist · 4 tracks · 43:20
A1Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima13:19A2Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza12:07B1Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato5:58B2Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso11:56Tchaikovsky - The Storm (Overture), Fatum, The Voyevode, Overture in F (1865 - First Recording)
1975 · studio album
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Tracklist · 4 tracks · 52:00
1The Storm, Op. 7614:502The Voyevode, Op. 7810:273Fatum, Op. 7718:534Overture in F (1865)7:501975 · studio album
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Tracklist · 4 tracks · 50:24
A1Symphony No. 5 in E minor, Op. 64: I. Andante - Allegro con anima15:20A2Symphony No. 5 in E minor, Op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima15:21B1Symphony No. 5 in E minor, Op. 64: III. Valse: Allegro moderato6:32B2Symphony No. 5 in E minor, Op. 64: IV. Finale: Andante maestoso - Allegro vivace13:111975 · studio album
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Tracklist · 2 tracks
A1Symphony No. 6 in B Minor (Pathétique), Part 1B1Symphony No. 6 in B Minor (Pathétique), Part 2Tchaikovsky: Nutcracker Suite / Grieg: Peer Gynt Suite
1975 · studio album
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Tracklist · 13 tracks
1Nutcracker Suite: Miniature Overture2Nutcracker Suite: March3Nutcracker Suite: Dance of the Sugar Plum Fairy4Nutcracker Suite: Trepak5Nutcracker Suite: Arabian Dance6Nutcracker Suite: Chinese Dance7Nutcracker Suite: Dance of the Reed Pipes8Nutcracker Suite: Waltz of the Flowers9Peer Gynt Suite: Morning, no. 1 op. 4610Peer Gynt Suite: The Death of Ase, no. 2 op. 4611Peer Gynt Suite: Anitra’s Dance, no. 3 op. 4612Peer Gynt Suite: In the Hall of the Mountain King, no. 4 op. 4613Peer Gynt Suite: Solvejg’s Song, no. 4 op. 55Ballet Suites: The Nutcracker / The Sleeping Beauty
1975 · studio album
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Tracklist · 13 tracks · 44:00
1Nutcracker Suite, op. 71a: Miniature Overture3:532Nutcracker Suite, op. 71a: March2:353Nutcracker Suite, op. 71a: Dance of the Sugar‐Plum Fairy1:414Nutcracker Suite, op. 71a: Russian Dance (Trepak)1:095Nutcracker Suite, op. 71a: Arabian Dance (Coffee)3:596Nutcracker Suite, op. 71a: Chinese Dance (Tea)1:157Nutcracker Suite, op. 71a: Dance of the Reed‐Pipes2:228Nutcracker Suite, op. 71a: Waltz Of The Flowers6:369The Sleeping Beauty, Suite, op. 66a: Introduction - The Lilac Fairy4:5710The Sleeping Beauty, Suite, op. 66a: Pas d’action: Rose Adagio5:3011The Sleeping Beauty, Suite, op. 66a: Pas de caractère: Puss in Boots1:5912The Sleeping Beauty, Suite, op. 66a: Panorama (andantino)3:2613The Sleeping Beauty, Suite, op. 66a: Valse4:38Complete Works for Violin and Orchestra
1976 · studio album
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Tracklist · 5 tracks · 51:44
1Violin Concerto in D major, op. 35: I. Allegro moderato18:392Violin Concerto in D major, op. 35: II. Canzonetta (Andante)6:503Violin Concerto in D major, op. 35: III. Allegro vivacissimo10:364Sérénade mélancolique, op. 2610:035Valse scherzo, op. 345:361976 · studio album
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Tracklist · 13 tracks · 41:22
1Miniature Overture3:112March2:283Scene and Waltz of the Snowflakes6:484Spanish Dance1:185Arabian Dance2:566Chinese Dance1:077Russian Dance1:128Dance of the Reed Pipes2:349Waltz of the Flowers6:5010Intrada4:1211Dance of the Sugar-Plum Fairy2:1212Coda1:2013Waltz Finale and Apotheosis5:141976 · studio album
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Tracklist · 4 tracks · 45:46
1Symphony No. 5 in E minor: I. Andante - Scherzo. Allegro con anima14:382Symphony No. 5 in E minor: II. Andante cantabile13:083Symphony No. 5 in E minor: III. Valse. Allegro moderato6:034Symphony No. 5 in E minor: IV. Finale. Andante maestoso - Allegro vivace - Moderato assai e molto maestoso11:571976 · studio album
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Tracklist · 24 tracks · 1:24:08
Disc 11The Nutcracker: Overture3:142The Nutcracker: Act I, no. 1. The Christmas Tree3:563The Nutcracker: Act I, no. 2. March2:244The Nutcracker: Act I, no. 3. Galop and Dance of the Parents2:175The Nutcracker: Act I, no. 4. Dance Scene: The Presents of Drosselmeyer5:176The Nutcracker: Act I, no. 5. Scene: Grandfather Dance5:537The Nutcracker: Act I, no. 6. Clara and the Nutcracker6:068The Nutcracker: Act I, no. 7. The Nutcracker Battles the Army of the Mouse King: He Wins and Is Transformed into Prince Charming3:349The Nutcracker: Act I, no. 8. in the Christmas Tree3:1910The Nutcracker: Act I, no. 9. Scene and Waltz of the Snowflakes6:47Disc 21The Nutcracker: Act II, no. 10. The Magic Castle on the Mountain of Sweets4:112The Nutcracker: Act II, no. 11. Clara and Prince Charming4:563The Nutcracker: Act II, no. 12a. Character Dances: Chocolate (Spanish Dance)1:174The Nutcracker: Act II, no. 12b. Character Dances: Coffee (Arabian Dance)2:565The Nutcracker: Act II, no. 12c. Character Dances: Tea (Chinese Dance)1:066The Nutcracker: Act II, no. 12d. Character Dances: Trépak (Russian Dance)1:137The Nutcracker: Act II, no. 12e. Character Dances: Dance of the Reed Pipes2:338The Nutcracker: Act II, no. 12f. Character Dances: Polchinelle (The Clown)2:409The Nutcracker: Act II, no. 13. Waltz of the Flowers6:5110The Nutcracker: Act II, no. 14a. Pas de deux: Intrada4:1211The Nutcracker: Act II, no. 14b. Pas de deux: Variation I (Tarantella)0:4212The Nutcracker: Act II, no. 14c. Pas de deux: Variation II (Dance of the Sugar-Plum Fairy)2:1313The Nutcracker: Act II, no. 14d. Pas de deux: Coda1:2014The Nutcracker: Act II, no. 15. Final Waltz and Apotheosis5:111977 · studio album
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Tracklist · 14 tracks
Disc 11Iolanthe: Introduction2Iolanthe: Scene of Iolanthe and Marthe3Iolanthe: Iolanthe's arioso4Iolanthe: Lullaby5Iolanthe: King René's arrival - Scene of King René6Iolanthe: Scene of King René and Ibn-Hakia7Iolanthe: King René's arioso8Iolanthe: Ibn-Hakia's monologue9Iolanthe: Scene of Vaudémont and Robert10Iolanthe: Robert's ariaDisc 21Iolanthe: Vaudémont's romance2Iolanthe: Scene of Iolanthe, Vaudémont and Robert3Iolanthe: Duet of Iolanthe and Vaudémont4Iolanthe: Scene and FinaleFamily Library of Great Music - Tchaikovsky (Part 1)
1977 · studio album
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Tracklist · 4 tracks
A1Symphony No. 6 in B Minor (Pathétique), Op. 74 - 1. Adagio - Allegro ma non troppoA2Symphony No. 6 in B Minor (Pathétique), Op. 74 - 2. Allegro con graziaB1Symphony No. 6 in B Minor (Pathétique), Op. 74 - 3. Allegro molto vivaceB2Symphony No. 6 in B Minor (Pathétique), Op. 74 - 4. FinaleFamily Library of Great Music - Tchaikovsky (Part 2)
1977 · studio album
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Tracklist · 6 tracks
A1Piano Concerto No. 1 in B Flat Minor, Op. 23 - 1. AllegroA2Piano Concerto No. 1 in B Flat Minor, Op. 23 - 2. AndanteB1Piano Concerto No. 1 in B Flat Minor, Op. 23 - 3. Allegro con fuocoB2Nutcracker Suite Opus 71 A - 1. Miniature OvertureB3Nutcracker Suite Opus 71 A - 2. Characteristic DancesB4Nutcracker Suite Opus 71 A - 3. Waltz of the Flowers1977 · studio album
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Tracklist · 17 tracks · 3:20:25
Disc 11AKonzert für Klavier und Orchester nr. 1 B‐moll op. 23: I. Andante non troppo e molto maestoso – Allegro con spirito20:131B1Konzert für Klavier und Orchester nr. 1 B‐moll op. 23: II. Andante semplice – Presissimo – Tempo I14:181B2Konzert für Klavier und Orchester nr. 1 B‐moll op. 23: III. Finale (Allegro con fuoco)Disc 22AKonzert für Violine und Orchester D‐dur op. 35: I. Allegro moderato17:472B1Konzert für Violine und Orchester D‐dur op. 35: II. Canzonetta – Andante5:402B2Konzert für Violine und Orchester D‐dur op. 35: III. Finale (Allegro vivacissimo)10:47Disc 33ACapriccio italien: Andante un poco rubato – Pochissimo piu mosso – Allegro moderato – Andante presto – Allegro moderato – Presto – Prestissimo15:293B1Serenade für Streichorchester C‐dur op. 48: I. Pezzo in forma di sonatina: Andante non troppo – Allegro moderato29:333B2Serenade für Streichorchester C‐dur op. 48: II. Walzer: Moderato – Tempo di valse3B3Serenade für Streichorchester C‐dur op. 48: III. Elegie: Larghetto elegiaco3B4Serenade für Streichorchester C‐dur op. 48: IV. Finale (Tema russo): Andante – Allegro con spiritoDisc 44ADornröschen: Introduction – Die Fliederfee – Die Silberfee – Rosen‐Adagio Drei Ivans – Polonaise – Panorama allegro vivo – Moderato con moto – Allegro vivace – Walzer20:484BRomeo und Julia: Fantasie‐Ouverture20:50Disc 55A1Symphonie nr. 6 H‐moll op. 74: I. Adagio – allegro non troppo25:505A2Symphonie nr. 6 H‐moll op. 74: II. Allegro con grazia5B1Symphonie nr. 6 H‐moll op. 74: III. Allegro molto vivace19:105B2Symphonie nr. 6 H‐moll op. 74: IV. Finale (Adagio lamentoso)1977 · studio album
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Tracklist · 9 tracks
Disc 1A1Introduction & Act I, Scenes 1-5 & 6 (Part 1)B1Act I, Scene 6 (Conclusion) ; Scene 7. Finale : Decimette — Scene & Chorus — Clowns' Dance & SceneB2Entr'Acte Act II, Scene 8Disc 2C1Act II, Scenes 9 — 13D1Act II, Scene 14 — FinaleD2Entr'Acte Act III, Scenes 15,16 & 17 (Part I)Disc 3E1Act III, Scene 17 (Conclusion)E2Entr'Acte Act IV, Scenes 18 & 19 (Part 1)F1Act IV, Scene 19 (Conclusion) & Scenes 20—23 Finale1977 · studio album
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Tracklist · 45 tracks · 2:36:03
Disc 11Erster Akt: Introduction2:582Erster Akt: Nr. 1 Scene: Allegro giusto2:573Erster Akt: Nr. 2 Valse6:544Erster Akt: Nr. 3 Scene: Allegro moderato3:535Erster Akt: Nr. 4 Pas de trois, Intrada: Allegro2:456Erster Akt: Nr. 4 Pas de trois, Andante sostenuto3:147Erster Akt: Nr. 4 Pas de trois, Allegro semplice - Presto1:248Erster Akt: Nr. 4 Pas de trois, Moderato1:209Erster Akt: Nr. 4 Pas de trois, Allegro1:2510Erster Akt: Nr. 4 Pas de trois, Coda: Allegro vivace1:4011Erster Akt: Nr. 5 Pas de deux, Tempo di valse1:5212Erster Akt: Nr. 5 Pas de deux, Andante - Allegro molto piu mosso5:2813Erster Akt: Nr. 5 Pas de deux, Tempo di valse1:3614Erster Akt: Nr. 5 Pas de deux, Coda: Allegro vivace1:5615Erster Akt: Nr. 6 Pas d'action: Andantino quasi moderato - Allegro2:5316Erster Akt: Nr. 7 Sujet1:0017Erster Akt: Nr. 8 Danse de coupes: Tempo di polacca6:0918Erster Akt: Nr. 9 Finale: Andante3:1319Zweiter Akt: Nr. 10 Scene: Moderato2:5020Zweiter Akt: Nr. 11 Scene: Allegro moderato - Allegro vivo5:4121Zweiter Akt: Nr. 12 Scene Allegro3:5022Zweiter Akt: Nr. 13 danses des cygnes, Tempo di valse2:1823Zweiter Akt: Nr. 13 danses des cygnes, Moderato assai - molto piu mosso1:4324Zweiter Akt: Nr. 13 danses des cygnes, Temp di valse1:3925Zweiter Akt: Nr. 13 danses des cygnes, Allegro moderato1:2626Zweiter Akt: Nr. 13 danses des cygnes, Pas d'action: Andante - Andante non troppo - Allegro7:32Disc 21Zweiter Akt: Nr. 13 danses des cygnes, Tempo di valse1:272Zweiter Akt: Nr. 13 danses des cygnes, Coda: Allegro vivace1:373Zweiter Akt: Nr. 14 Scene Moderato2:574Dritter Akt: Nr. 15 Allegro giusto2:525Dritter Akt: Nr. 16 Danses du corps de ballet et des nins3:146Dritter Akt: Nr. 17 Scene7:087Dritter Akt: Nr. 18 Scene: Allegro - Allegro giusto1:468Dritter Akt: Nr. 19 Pas de six, a) Intrada, b) Moderato assai, c) Variation 1>:Allegro, d) Variation 2: Andante con moto, e) Variation 3: Moderato, f) Variation 4: Allegro, g) Variation 5: Moderato-Allegro semplice, h) Coda: Allegro molto vivace12:239Dritter Akt: Nr. 20 Danse homgroise3:3110Dritter Akt: Nr. 20 Danse russe4:4011Dritter Akt: Nr. 21 Danse espagnole2:5212Dritter Akt: Nr. 22 Danse napolitane2:1013Dritter Akt: Nr. 23 Mazurka3:5614Dritter Akt: Nr. 24 Scene: Allegro - Valse - Allegro vivo3:5115Vierter Akt: Nr. 25 Entr'ace: Moderato2:2616Vierter Akt: Nr. 26 Scene: Allegro non troppo2:5317Vierter Akt: Nr. 27 Danses des petits cygnes6:5918Vierter Akt: Nr. 28 Scene: Allegro agitato3:0419Vierter Akt: Nr. 29 Finale: Andante - Allegro agitato - Alla breve: Moderato e maestoso6:41Peter Tschaikowsky - Symphonie Nr. 4
1977 · studio album
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Tracklist · 4 tracks · 42:17
1Symphony no. 4 in F minor, op. 36, TH. 27: 1. Andante sostenuto – Moderato con anima – Moderato assai, quasi Andante – Allegro vivo18:492Symphony no. 4 in F minor, op. 36, TH. 27: 2. Andantino in modo di canzone9:073Symphony no. 4 in F minor, op. 36, TH. 27: 3. Scherzo (Pizzicato ostinato – Allegro)5:494Symphony no. 4 in F minor, op. 36, TH. 27: 4. Finale (Allegro con fuoco)8:32Les deux sonates pour le piano
1978 · studio album
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Tracklist · 7 tracks · 55:02
1Grande Sonate en Sol majeur, op. 37: I. Moderato e risoluto12:252Grande Sonate en Sol majeur, op. 37: II. Andante non troppo quasi moderato9:393Grande Sonate en Sol majeur, op. 37: III. Scherzo (allegro giocoso)2:464Grande Sonate en Sol majeur, op. 37: IV. Finale (allegro vivace)6:245Sonate en Ut dièse mineur, op. 80: I. Allegro con fuoco8:436Sonate en Ut dièse mineur, op. 80: II. Andante3:587Sonate en Ut dièse mineur, op. 80: III. Allegro vivo - Trio / IV. Allegro vivo - Tranquillo ma energico11:07Piano Concerto no. 1 in B‐flat minor
1978 · studio album
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Tracklist · 7 tracks
A1Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestosoA2Concerto no. 1 in B‐flat minor, op. 23: II. Andantino simpliceB1Concerto no. 1 in B‐flat minor, op. 23: III. Allegro con fuocoB2Romance in F minor, op. 5 no. 5B3Humoresque, op. 10 no. 2B4Scherzo humoristique, op. 19 no. 2B5Troika (November) From “The Seasons,” op. 37b no. 111978 · studio album
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Tracklist · 11 tracks
C1第二幕：小天鹅舞C2第二幕：大天鹅的圆舞曲C3第三幕：新娘圆舞曲C4第三幕：西班牙舞C5第三幕：拿波里舞C6第三幕：匈牙利舞D1第三幕：王子与黑天鹅的双人舞D2第三幕：黑天鹅独舞D3第四幕：王子的独舞（王子的诉说）D4第四幕：群鹅舞之二（群鹅离去）D5第四幕：终曲1978 · studio album
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Tracklist · 10 tracks
A1序幕：公主奥吉塔被恶魔化为天鹅A2第一幕：场景（城堡附近草坪上）：王子与村女的圆舞曲A3第一幕：场景（城堡附近草坪上）：四人舞A4第一幕：场景（城堡附近草坪上）：女独舞之一A5第一幕：场景（城堡附近草坪上）：男双人舞A6第一幕：场景（城堡附近草坪上）：女独舞之二B1第一幕：引子和波洛涅兹舞B2第二幕：场景（天鹅湖畔）：天鹅湖畔B3第二幕：场景（天鹅湖畔）：群鹅圆舞曲B4第二幕：场景（天鹅湖畔）：王子与白天鹅的双人舞1812 / Capriccio Italien / Cossack Dance
1979 · studio album
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Tracklist · 3 tracks · 35:24
A1"1812" Overture, op. 4915:39B1Capriccio Italien, op. 4515:19B2Cossack Dance From Mazeppa4:26Ballett‐Suiten: Dornröschen / Schwanensee / Nußknacker
1979 · studio album
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Tracklist · 19 tracks · 1:08:40
A1Dornröschen (Suite aus dem Ballett), op. 66a: I. Introduction. La Fée des lilas4:33A2Dornröschen (Suite aus dem Ballett), op. 66a: II. Adagio. Pas d’action5:43A3Dornröschen (Suite aus dem Ballett), op. 66a: III. Pas de caractère. Le Chat botté et la Chatte blanche1:41A4Dornröschen (Suite aus dem Ballett), op. 66a: IV. Panorama3:39A5Dornröschen (Suite aus dem Ballett), op. 66a: V. Valse4:33A6Der Nußknacker (Suite aus dem Ballett), op. 71a: I. Ouverture miniature3:04A7Der Nußknacker (Suite aus dem Ballett), op. 71a: II. Danses caractéristiques: a. Marche2:26A8Der Nußknacker (Suite aus dem Ballett), op. 71a: II. Danses caractéristiques: b. Danse de la Fée‐Dragée2:06A9Der Nußknacker (Suite aus dem Ballett), op. 71a: II. Danses caractéristiques: c. Danse russe Trépak1:10A10Der Nußknacker (Suite aus dem Ballett), op. 71a: II. Danses caractéristiques: d. Danse arabe3:46A11Der Nußknacker (Suite aus dem Ballett), op. 71a: II. Danses caractéristiques: e. Danse chinoise1:14A12Der Nußknacker (Suite aus dem Ballett), op. 71a: II. Danses caractéristiques: f. Danse des mirlitons2:35B1Der Nußknacker (Suite aus dem Ballett), op. 71a: III. Valse des fleurs6:45B2Der Schwanensee (Suite aus dem Ballett), op. 20a: I. Scène3:03B3Der Schwanensee (Suite aus dem Ballett), op. 20a: II. Valse6:49B4Der Schwanensee (Suite aus dem Ballett), op. 20a: III. Danse des cygnes1:27B5Der Schwanensee (Suite aus dem Ballett), op. 20a: IV. Scène6:22B6Der Schwanensee (Suite aus dem Ballett), op. 20a: V. Danse hongroise (Czardas)3:18B6Der Schwanensee (Suite aus dem Ballett), op. 20a: VI. Scène finale4:26Orchestral Suite in G Major, op. 55
1979 · studio album
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Tracklist · 4 tracks · 40:35
1Suite no. 3 in G Major, op. 55: I. Elégie. Andante molto cantabile10:302Suite no. 3 in G Major, op. 55: II. Valse mélancolique. Allegro moderato5:393Suite no. 3 in G Major, op. 55: III. Scherzo. Molto vivace4:474Suite no. 3 in G Major, op. 55: IV. Tema con variazioni. Andante con moto19:39The Nutcracker: The Complete Ballet
1979 · studio album
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Tracklist · 15 tracks
Disc 1A1The Christmas TreeA2MarchA3Childrens Dance and Entrance of ParentsA4Dance Scene - Drosselmeyer's GiftsA5Scene and Grandfather's DanceB1Scene - Clara and the NutcrackerB2Scene - The Nutcracker and the Mouse KingB3Scene - In the Pine ForestB4Waltz of the SnowflakesDisc 2C1Scene - In the Magic Castle on the Sugar MountainC2Scene - Clara and the PrinceC3Divertissement: Chocolate - Spanish Dance / Coffee - Arabian Dance / Tea - Chinese Dance / Trepak - Russian Dance / Dance of the Reed Pipe / Mother Gigogne and the ClownsD1Waltz of the FlowersD2Pas de Deux: Variation I - Tarentella / Variation II - Dance of the Sugar Plum Fairy / CodaD3Waltz Finale and ApotheosisSymphonie Nr. 5 e-Moll, op. 64
1980 · studio album
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Tracklist · 4 tracks · 46:09
A1Symphonie Nr. 5 e-Moll, op. 64: Andante - Allegro con anima15:07A2Symphonie Nr. 5 e-Moll, op. 64: Andante cantabile, con alcuna licenza - Moderato con anima13:24B1Symphonie Nr. 5 e-Moll, op. 64: Valse. Allegro moderato5:34B2Symphonie Nr. 5 e-Moll, op. 64: Finale. Andante maestoso - Allegro vivace12:041980 · studio album
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Tracklist · 10 tracks
A1Introduction to Act 2A2Waltz, Act 1A3Dance of the Four Little Swans, Act 2A4Grand Adagio, Act 2A5Hungarian Dance, Act 3B1Introduction, PrologueB2Rose Adagio, Act 1B3Puss in Boots and the White Cat, Act 3B4Panorama, Act 2B5Waltz, Act 11981 · studio album
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Tracklist · 4 tracks
A1Swan Lake: Act I: Introductory / Waltz Scene (Dusk Falls) / Dance of the GobletsA2Swan Lake: Act II: Scene of the Swans / Dances of the Swans / Pas d'action / Dances of the SwansB1Swan Lake: Act III: Scene (Fanfares) and Waltz / Spanish Dance (Bolero) / Hungarian Dance (Czardas) / Pas de deuxB2Swan Lake: Act IV: Dance of the Cygnets / Final SceneTchiakovsky: Symphony No. 5 in E minor, Op. 64
1981 · studio album
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Tracklist · 4 tracks · 47:14
1I Andante: Allegro con anima14:562II Andante cantabile, con alcuna licenza: Moderato con anima13:103III Valse: Allegro moderato6:234IV Finale: Andante maestoso: Allegro vivace12:45Rautavaara: Cantus Arcticus / Tchaikovsky: Symphony no. 2
1981 · studio album
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Tracklist · 7 tracks · 52:33
A1Cantus Arcticus, op. 61: I. The Bog7:00A2Cantus Arcticus, op. 61: II. Melancholy3:56A3Cantus Arcticus, op. 61: III. Swans Migrating6:20A4Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo10:53B1Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andante marziale - Quasi moderato8:00B2Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo5:30B3Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Moderaso assai - Allegro vivo - Presto10:54Sinfonia No. 6 In Si Minore Op. 74 "Patetica"
1981 · studio album
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Tracklist · 4 tracks · 43:33
A1Sinfonia No. 6 In Si Minore Op. 74 "Patetica": I. Adagio-Allegro Non Troppo17:28A2Sinfonia No. 6 In Si Minore Op. 74 "Patetica": II. Allegro Con Grazia7:40B1Sinfonia No. 6 In Si Minore Op. 74 "Patetica": III. Allegro Molto Vivace8:40B2Sinfonia No. 6 In Si Minore Op. 74 "Patetica": IV. Finale (Adagio Lamentoso-Andante)9:45Concerto No. 1 Per Pianoforte E Orchestra Op. 23
1981 · studio album
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Tracklist · 3 tracks
1Concerto no. 1 in si bemolle minore per pianoforte e orchestra op. 23: I. Andante non troppo e molto maestoso - allegro con spirito2Concerto no. 1 in si bemolle minore per pianoforte e orchestra op. 23: II. Andantino semplice3Concerto no. 1 in si bemolle minore per pianoforte e orchestra op. 23: III. Finale (Allegro con fuoco)1981 · studio album
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Tracklist · 9 tracks
A1Serenade in C major for Strings, op. 48: I. Pezzo in forma di sonatinaA2Serenade in C major for Strings, op. 48: II. WalzerA3Serenade in C major for Strings, op. 48: III. ElégieA4Serenade in C major for Strings, op. 48: IV. Finale (Tema Russo)B1Serenade in E major, op. 22: I. ModeratoB2Serenade in E major, op. 22: II. Scherzo di valseB3Serenade in E major, op. 22: III. Scherzo. VivaceB4Serenade in E major, op. 22: IV. LarghettoB5Serenade in E major, op. 22: V. Finale. Allegro vivace1981 · studio album
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Tracklist · 2 tracks · 49:10
A1Trio en la Mineur, Op. 50 - Pour piano, violon et violoncelle: Pezzo Elegiaco (Moderato Assai - Allegro Giusto)18:26B1Trio en la Mineur, Op. 50 - Pour piano, violon et violoncelle: Tema Con Variazioni30:44Sinfonia no. 5 in Mi min. op. 64
1981 · studio album
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Tracklist · 4 tracks
1Sinfonia no. 5 in Mi minore op. 64: Andante – Allegro con anima2Sinfonia no. 5 in Mi minore op. 64: Andante cantabile, con alcuna licenza3Sinfonia no. 5 in Mi minore op. 64: Valse – Allegro moderato4Sinfonia no. 5 in Mi minore op. 64: Finale (Andante maestoso – Allegro – Allegro vivace)1981 · studio album
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Tracklist · 4 tracks · 46:39
1Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso18:452Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia8:123Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace9:314Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso - Andante10:11Bolero / Pictures at an Exhibition
1981 · studio album
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Tracklist · 3 tracks · 53:00
A1Boléro13:50A2Marche slave8:10B1Pictures at an Exhibition31:00Concerto In Re Maggiore Per Violino E Orchestra Op. 35
1981 · studio album
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Tracklist · 3 tracks
1Concerto In Re Maggiore Per Violino E Orchestra Op. 35: I. Allegro Moderato2Concerto In Re Maggiore Per Violino E Orchestra Op. 35: II. Canzonetta (Andante)3Concerto In Re Maggiore Per Violino E Orchestra Op. 35: III. Finale (Allegro Vivacissimo)1981 · studio album
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Tracklist · 4 tracks
1Souvenir de Florence: I. Allegro con spirito2Souvenir de Florence: II. Adagio cantabile e con moto3Souvenir de Florence: III. Allegretto moderato4Souvenir de Florence: IV. Allegro vivace1981 · studio album
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Tracklist · 4 tracks · 55:06
1Manfred Symphony, op. 58: I. Lento lugubre – Moderato con moto – Andante16:162Manfred Symphony, op. 58: II. Vivace con spirito9:333Manfred Symphony, op. 58: III. Andante con moto10:234Manfred Symphony, op. 58: IV. Allegro con fuoco18:54Overture "1812" / Serenade For Strings
1981 · studio album
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Tracklist · 5 tracks · 47:56
A1Festival Overture: '1812', Op. 4916:32A2Serenade For Strings In C, Op. 48, First Movement: Pezzo In Forma Di Sonatina9:30B1Serenade For Strings In C, Op. 48, Second Movement: Walzer4:49B2Serenade For Strings In C, Op. 48, Third Movement: Elégie9:39B3Serenade For Strings In C, Op. 48, Fourth Movement: Finale7:26Les Saisons / Dumka / Chant sans paroles / Humoresque / Nocturne / Valse sentimentale
1982 · studio album
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Tracklist · 17 tracks · 57:43
1Les saisons, op. 37a: Janvier - Au coin du feu4:032Les saisons, op. 37a: Février - Carnaval2:383Les saisons, op. 37a: Mars - Chant de l'alouette2:034Les saisons, op. 37a: Avril - Perce-neige2:315Les saisons, op. 37a: Mai - Les nuits de Mai3:206Les saisons, op. 37a: Juin - Barcarolle4:147Les saisons, op. 37a: Juillet - Chant des moissonneurs1:328Les saisons, op. 37a: Août - La moisson2:569Les saisons, op. 37a: Septembre - La chasse2:2710Les saisons, op. 37a: Octobre - Chant d'automne4:3811Les saisons, op. 37a: Novembre - Course En Troïka2:4812Les saisons, op. 37a: Décembre - Noël3:4013Dumka, op. 597:4414Humoresque, op. 10, no. 22:3115Nocturne, op. 19, no. 43:2916Chant Sans Paroles, op. 2, no. 32:4417Valse Sentimentale, op. 51, no. 64:25Ouverture 1812 / Capriccio Italien / Marche Slave
1982 · studio album
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Tracklist · 3 tracks · 42:11
1Ouverture solennelle 1812, op. 49: Largo – Andante – Allegro giusto – Largo – Allegro vivace15:592Capriccio Italien, op. 45: Andante un poco rubato – Allegro moderato – Andante – Allegro moderato – Presto – Più presto – Prestissimo15:483Marche Slave, op. 31: Moderato in modo di marcia funebre10:241982 · studio album
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Tracklist · 31 tracks · 2:34:38
Disc 11Воевода, Act I. Увертюра9:212Воевода, Act I. «На море утушка купалася...» (Марья Власьевна, Прасковья Власьевна, Недвига, девушки)6:263Воевода, Act I. «Ты расскажи, как в тереме высоком...» (Марья Власьевна, Недвига, девушки)8:164Воевода, Act I. «Проходи, боярин, смело...» (Степан Бастрюков, Резвый, слуги)3:005Воевода, Act I. «Вот здесь, в саду иное дело...» (Степан Бастрюков)5:406Воевода, Act I. «Откуда ты? Мы разобрали дубовый тын...» (Марья Власьевна, Степан Бастрюков)1:577Воевода, Act I. «Дай мне потешиться свободой...» (Марья Власьевна, Степан Бастрюков, Резвый)6:468Воевода, Act I. «Пожалуй нас, - изволь присесть...» (Воевода, Шут, Влас Дюжой, Настасья, Марья Власьевна)5:199Воевода, Act I. «Ты как зашла?...» (Марья Власьевна, Настасья, Воевода, Влас Дюжой)6:3510Воевода, Act I. «Ты слышал, Резвый? Что нам делать?...» (Степан Бастрюков, Резвый, Шут, Марья Власьевна, Воевода)3:1911Воевода, Act I. «Ну, что вы, холопы, стоите без дела?...» (Воевода, Резвый, Шут, Марья Власьевна, Степан Бастрюков, Влас Дюжой, Настасья, слуги)4:5612Воевода, Act II. Вступление. Хор слуг (слуги)5:0113Воевода, Act II. «Душа горит и сердце рвется...» (Степан Бастрюков, Резвый, Слуги)5:5714Воевода, Act II. «Ты на моем дворе живешь, Роман, а глаз своих не кажешь...» (Степан Бастрюков, Роман Дубровин)4:47Disc 21Воевода, Act II. Антракт и пляска сенных девушек10:522Воевода, Act II. «Да что ж за чудо, что за диво?...» (Марья Власьевна, Недвига, девушки)2:273Воевода, Act II. «Соловушка в дубравушке так громко свищет...» (Марья Власьевна)5:314Воевода, Act II. «Государыня боярышня...» (Марья Власьевна, Олёна)5:365Воевода, Act II. «Томиться силы нет, неволя так горька...» (Марья Власьевна, Олёна)2:246Воевода, Act II. «Тише! Идут!...» (Марья Власьевна, Олёна, Недвига, девушки)4:217Воевода, Act III. «Душа живая здесь нас не услышит...» (Степан Бастрюков, Роман Дубровин)4:408Воевода, Act III. «Заныло сердце ретивое...» (Роман Дубровин, Степан Бастрюков, Марья Власьевна, Олёна)3:339Воевода, Act III. «Кажись, идут! Не они ли?...» (Марья Власьевна, Олёна, Степан Бастрюков, Роман Дубровин)4:3810Воевода, Act III. «Что же ты, Олёна, плачешь?...» (Олёна, Роман Дубровин)10:5311Воевода, Act III. «Идет с боярышней боярин Уйти бы нам с тобой...» (Олёна, Роман Дубровин)0:3712Воевода, Act III. «Темная ночка черным покровом нас укрывает...» (Марья Власьевна, Олёна, Степан Бастрюков, Роман Дубровин)2:5013Воевода, Act III. «Накрыл я вас, злодеи, воры!...» (Воевода, Марья Власьевна, Роман Дубровин, народ)1:4614Воевода, Act III. «Ты прости, прощай, мой желанный...» (Марья Власьевна, Олёна, Степан Бастрюков, Роман Дубровин, Воевода, народ)6:5215Воевода, Act III. «Держите их! Пойдем-ка в терем, Марья!...» (Воевода, Марья Власьевна, Олёна, Степан Бастрюков, Роман Дубровин, народ)1:4416Воевода, Act III. «Остановись! - Мы из Москвы пришли...» (Новый Воевода, Степан Бастрюков, Роман Дубровин, народ)2:2817Воевода, Act III. «Слава! Сердцу русскому Слава!...» (Марья Власьевна, Олёна, Степан Бастрюков, Роман Дубровин, народ)6:061982 · studio album
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Tracklist · 4 tracks · 46:46
1Symphony no. 5 in E minor, op. 64: I. Andante – Allegro14:492Symphony no. 5 in E minor, op. 64: II. Andante Cantabile13:323Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato6:094Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace12:161982 · studio album
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Tracklist · 12 tracks · 42:41
1The Seasons, op. 37b: January5:452The Seasons, op. 37b: February2:383The Seasons, op. 37b: March2:454The Seasons, op. 37b: April2:355The Seasons, op. 37b: May4:306The Seasons, op. 37b: June4:187The Seasons, op. 37b: July1:368The Seasons, op. 37b: August3:339The Seasons, op. 37b: September2:5310The Seasons, op. 37b: October4:3111The Seasons, op. 37b: November3:0512The Seasons, op. 37b: December4:321982 · studio album
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Tracklist · 18 tracks · 48:19
1Kukushka, op. 54 no. 82:132Vecher, op. 27 no. 42:523Solovei, op. 60 no. 43:194Vcherashnaya noch, op. 60 no. 12:575Net, tolko tot, kto znal, op. 6 no. 63:136Kolybelnaya pesnya, op. 16 no. 13:287Otchevo?, op. 6 no. 53:268Strashnaya minuta, op. 28 no. 63:109Den li tsarit, op. 47 no. 63:1610Vesna, op. 54 no. 92:0111Prostye slova, op. 60 no. 52:4612Mezza notte2:1513Sérénade, op. 65 no. 11:4614Déception, op. 65 no. 22:3315Poème d'octobre, op. 65 no. 42:3016Les Larmes, op. 65 no. 52:4917Zakatilos solntse, op. 73 no. 41:5718Kak nad goryacheyu zoloi, op. 25 no. 21:481982 · studio album
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Tracklist · 6 tracks · 1:07:43
1Concerto pour violon en ré mineur, op. 47: Allegro moderato16:082Concerto pour violon en ré mineur, op. 47: Adagio di molto7:553Concerto pour violon en ré mineur, op. 47: Allegro7:344Concerto pour violin en ré majeur, op. 35: Allegro moderato19:105Concerto pour violin en ré majeur, op. 35: Canzonetta (Andante)7:246Concerto pour violin en ré majeur, op. 35: Finale (Allegro vivacissimo)9:32Symphony no. 2 "Little Russian"
1982 · studio album
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Tracklist · 4 tracks · 39:30
1Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro comodo - Andante sostenuto15:462Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andante marziale, quasi moderato6:383Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro vivace4:254Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale: Moderato assai - Allegro vivo - Presto12:411982 · studio album
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Tracklist · 4 tracks · 46:45
1Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio – Allegro non troppo18:052Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia8:193Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace9:244Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso10:571982 · studio album
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Tracklist · 4 tracks · 58:22
1Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante16:232Manfred Symphony, op. 58: II. Vivace con spirito8:493Manfred Symphony, op. 58: III. Andante con moto12:064Manfred Symphony, op. 58: IV. Allegro con fuoco21:04Ravel: Boléro / Liszt: Les Préludes / Tchaikovsky: Ouverture Solonelle "1812"
1982 · studio album
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Tracklist · 3 tracks · 49:14
1Boléro17:122Les préludes, S 9716:383The Year 1812, Festival Overture in E-flat major, Op. 4915:24Tchaikovsky: 1812 Overture / Tchaikovsky: Marche Slave / Beethoven: Wellington's Victory
1982 · studio album
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Tracklist · 3 tracks · 41:25
11812 Overture, op. 4916:472Wellington's Victory, op. 9116:193Marche Slave, op. 318:19Tchaikovsky: 1812 Overture / Tchaikovsky: Marche Slave / Beethoven: Wellington's Victory
1982 · studio album
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Tracklist · 3 tracks · 41:26
11812 Overture, op. 4916:472Wellington's Victory, op. 9116:193Marche Slave, op. 318:20Nutcracker Suite / Serenade for Strings
1982 · studio album
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Tracklist · 12 tracks · 51:42
1Nutcracker Suite, op. 71a: Miniature Overture; Characteristic Dances3:152Nutcracker Suite, op. 71a: March2:243Nutcracker Suite, op. 71a: Dance of the Sugar-Plum Fairy1:454Nutcracker Suite, op. 71a: Russian Dance1:105Nutcracker Suite, op. 71a: Arabian Dance (Coffee)3:576Nutcracker Suite, op. 71a: Chinese Dance (Tea)1:077Nutcracker Suite, op. 71a: Dance of the Reed-pipes2:288Nutcracker Suite, op. 71a: Waltz of the Flowers6:509Serenade for Strings in C, op. 48: Pezzo in forma di sonatina: Andante non troppo--Allegro moderato9:0010Serenade for Strings in C, op. 48: Waltz: Moderato (Tempo di valse)3:4011Serenade for Strings in C, op. 48: Elégie: Larghetto elegiaco8:5512Serenade for Strings in C, op. 48: Finale (Tema russo)--Allegro con spirito7:111982 · studio album
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Tracklist · 3 tracks · 1:00:00
1Violin Concerto in D major, op. 35: I. Allegro moderato17:492Violin Concerto in D major, op. 35: II. Canzonetta. Andante / III. Finale, Allegro vivacissimo16:363Violin Concerto in E minor, op. 64: I. Allegro molto appassionato / II. Andante / III. Allegro non troppo. Allegro molto vivace25:351982 · studio album
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Tracklist · 34 tracks
Disc 1A1УвертюраA2Действие I. № 1A3Действие I. № 2B1Действие I. № 2 (продолжение)B2Действие I. № 3B3Действие I. № 4B4Действие I. № 5B5Действие I. № 6Disc 2C1Действие I. № 7C2Действие I. № 8C3Действие I. № 9D1Действие II. № 1D2Действие II. № 2D3Действие II. № 3Disc 3EДействие II. № 4F1Действие II. № 5F2Действие II. № 6F3Действие II. № 7F4Действие II. № 8F5Действие II. № 9Disc 4G1Действие III. № 1G2Действие III. № 2G3Действие III. № 3G4Действие III. № 4G5Действие III. № 5H1Действие III. № 6H2Действие III. № 7H3Действие III. № 8H4Действие III. № 9H5Действие III. № 10H6Действие III. № 11Disc 5IУндина. Фрагменты оперыJ1Хор цветов и насекомых из оперы «Мандрагора»J2Дуэт Ромео и Джульетты1982 · studio album
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Tracklist · 9 tracks · 1:00:27
1Serenade für Streichorchester C-Dur, op. 48: I. Pezzo in forma di Sonatina. Andante non troppo - Allegro moderato9:402Serenade für Streichorchester C-Dur, op. 48: II. Valse. Moderato. Tempo di Valse4:123Serenade für Streichorchester C-Dur, op. 48: III. Elegia. Larghetto elegiaco8:144Serenade für Streichorchester C-Dur, op. 48: IV. Finale. Tema russo. Andante - Allegro con spirito7:395Serenade für Streichorchester E-Dur, op. 22: I. Moderato5:106Serenade für Streichorchester E-Dur, op. 22: II. Menuetto. Allegro con moto - Trio6:217Serenade für Streichorchester E-Dur, op. 22: III. Scherzo. Vivace5:318Serenade für Streichorchester E-Dur, op. 22: IV. Larghetto7:179Serenade für Streichorchester E-Dur, op. 22: V. Finale. Allegro vivace6:23Violinkonzert / Sérénade mélancolique
1982 · studio album
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Tracklist · 4 tracks · 41:54
1Violin Concerto in D major, op. 35: I. Allegro moderato17:502Violin Concerto in D major, op. 35: II. Canzonetta. Andante - attacca5:443Violin Concerto in D major, op. 35: III. Finale. Allegro vivacissimo10:034Sérénade mélancolique in B-flat minor, op. 268:171983 · studio album
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Tracklist · 18 tracks · 44:08
1Moy geniy, moy angel, moy drug1:272Pesn Zemfiry2:113Ne ver, moy drug, op. 6 no. 13:134Zabyt tak skoro2:325O spoy zhe tu pesnyu, op. 16 no. 42:326Unosi moyo serdtse2:227Zachem zhe ty prisnilasya, op. 28 no. 32:148To bylo ranneyu vesnoy, op. 38 no. 22:289Sred shumnovo bala, op. 38 no. 32:2410Kaby znala ya, op. 47 no. 13:5111Ya li v polye da nye travushka bila?, op. 47 no. 74:3012Moy sadik, op. 54 no. 41:5813Ne sprashivay, op. 57 no. 32:1514Pervoye svidaniye, op. 63 no. 61:2815Serenada, op. 63 no. 43:2016Rondel, op. 65 no. 61:0617My sideli s toboy, op. 73 no. 12:3618Za oknom v teni melkayet, op. 60 no. 101:41Symphony no. 6 in B minor, op. 74 "Pathetique"
1983 · studio album
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Tracklist · 4 tracks · 48:50
1Symphony no. 6 in B minor, op. 74 "Pathetique": Adagio - Allegro non troppo19:422Symphony no. 6 in B minor, op. 74 "Pathetique": Allegro con grazia8:423Symphony no. 6 in B minor, op. 74 "Pathetique": Allegro molto vivace9:184Symphony no. 6 in B minor, op. 74 "Pathetique": Finale. Adagio lamentoso - Andante11:08Symphony No. 6 in D minor “Pathétique”
1983 · studio album
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Tracklist · 4 tracks · 47:23
1Symphony no. 6 in D minor “Pathétique”: Adagio — Allegro non troppo18:552Symphony no. 6 in D minor “Pathétique”: Allegro con grazia8:113Symphony no. 6 in D minor “Pathétique”: Allegro molto vivace9:414Symphony no. 6 in D minor “Pathétique”: Finale, Adagio lamentoso — Andante10:36Pachelbel: Kanon / Tchaikovsky: Serenade in C major
1983 · studio album
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Tracklist · 7 tracks · 47:09
1Kanon6:142Nocturne for String Orchestra7:143Fantasia on “Greensleeves”4:334Serenade in C for Strings, op. 48: I. Pezzo in forma di Sonatina – Andante non troppo9:325Serenade in C for Strings, op. 48: II. Walzer Moderato. Tempo di Valse3:396Serenade in C for Strings, op. 48: III. Elegie Larghetto elegiaco8:257Serenade in C for Strings, op. 48: IV. Finale (Tema Russo) Andante‐Allegro con spirito7:32Piano Concerto no. 1 in B flat minor opus 23 / ‘Romeo and Juliet’ Fantasy Overture
1983 · studio album
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Tracklist · 4 tracks
A1Piano Concerto no.1 in B flat minor, op. 23: I. Allegro non troppo e molto maestoso. Allegro con spiritoA2Piano Concerto no.1 in B flat minor, op. 23: II. Andantino simplice. Prestissimo. Tempo IB1Piano Concerto no.1 in B flat minor, op. 23: III. Allegro con fuocoB2‘Romeo And Juliet’, Fantasy OvertureSuites: Swan Lake / The Nutcracker
1983 · studio album
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Tracklist · 14 tracks · 47:17
1Swan Lake: Scene (Act II)2:422Swan Lake: Valse (Act I)6:543Swan Lake: Dance of the Swans (Act II)1:314Swan Lake: Scene - Pas d'action (Act II)6:335Swan Lake: La Czardas (Act III)2:526Swan Lake: Scene (Act IV)4:267The Nutcracker: Miniature overture3:248The Nutcracker: March2:329The Nutcracker: Dance of the Sugar-Plum Fairy1:3910The Nutcracker: Russian Dance - Trepak1:0711The Nutcracker: Arabian Dance3:3812The Nutcracker: Chinese Dance1:0613The Nutcracker: Dance of the Mirlitons2:1614The Nutcracker: Waltz of the Flowers6:37"The Nutcracker" Suite / Symphonic Dances, op. 45
1983 · studio album
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Tracklist · 11 tracks · 53:40
1Symphonic Dances, op. 45: I. Non allegro11:262Symphonic Dances, op. 45: II. Andante con moto (Tempo di Valse)8:593Symphonic Dances, op. 45: III. Lento assai - Allegro vivace12:224The Nutcracker Suite, op. 71a: I. Ouverture miniature (Allegro giusto)3:045The Nutcracker Suite, op. 71a: II. Danses Caractéristiques: (a) Marche (Tempo di marcia viva)2:166The Nutcracker Suite, op. 71a: II. Danses Caractéristiques: (b) Danse de la Fée Dragée (Andante non troppo)2:007The Nutcracker Suite, op. 71a: II. Danses Caractéristiques: (c) Danse Russe Trépek (Molto vivace)1:048The Nutcracker Suite, op. 71a: II. Danses Caractéristiques: (d) Danse Arabe (Allegretto)3:049The Nutcracker Suite, op. 71a: II. Danses Caractéristiques: (e) Danse Chinoise (Allegro moderato)0:5610The Nutcracker Suite, op. 71a: II. Danses Caractéristiques: (f) Danse des Mirlitons (Moderato assai)2:0911The Nutcracker Suite, op. 71a: III. Valse des Fleurs (Tempo di Valse)6:201983 · studio album
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Tracklist · 6 tracks · 47:39
1Variations on a Rococo Theme, op. 3318:172Nocturne, op. 19 no. 45:033Pezzo Capriccioso, op. 627:184Legend: Christ Had a Garden, op. 54 no. 53:255Was I not a blade of grass?, op. 47 no. 75:586Andante cantabile, op. 117:381983 · studio album
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Tracklist · 4 tracks · 41:30
1Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima – Moderato assai, quasi Andante – Allegro vivo17:042Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone9:333Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato – Allegro5:534Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco9:001984 · studio album
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Tracklist · 4 tracks · 46:57
1Symphony No.6 'Pathétique': Adagio - Allegro non troppo19:142Symphony No.6 'Pathétique': Allegro con grazia8:033Symphony No.6 'Pathétique': Allegro molto vivace8:294Symphony No.6 'Pathétique': Finale. Adagio lamentoso - Andante11:111984 · studio album
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Tracklist · 6 tracks · 56:32
1Slawischer Tanz Nr. 84:462Die Moldau12:513Ungarischer Tanz Nr. 53:124Ungarischer Tanz Nr. 64:065Capriccio Italien, op. 4515:106Les Préludes16:271984 · studio album
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Tracklist · 4 tracks · 56:38
1Konzert für Klavier und Orchester Nr. 1 b-Moll, Op. 23: I. Allegro non troppo e molto maestoso22:512Konzert für Klavier und Orchester Nr. 1 b-Moll, Op. 23: II. Andantino semplice8:113Konzert für Klavier und Orchester Nr. 1 b-Moll, Op. 23: III. Allegro con fuoco7:284Konzert für Klavier und Orchester Nr. 3 Es-dur, Op. 75: Allegro brillante18:081984 · studio album
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Tracklist · 6 tracks · 56:14
1Ouverture solennelle «1812», op. 4916:482Romeo and Juliet20:393Eugene Onegin, op. 24: Polonaise4:394Eugene Onegin, op. 24: Valse6:195Eugene Onegin, op. 24: Ecossaise2:006The Oprichnik: Danses5:491984 · studio album
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Tracklist · 4 tracks · 45:28
1Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo17:472Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia7:423Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace9:084Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Adagio lamentoso10:511984 · studio album
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Tracklist · 4 tracks · 43:12
1Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima13:542Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima12:293Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato5:274Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace11:221985 · studio album
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Tracklist · 24 tracks · 1:24:53
Disc 11Overture3:152No. 1 The Christmas Tree3:463No. 2 March2:364No. 3 Children's Galop and Arrival of the Guests2:285No. 4 Dance Scene and the Arrival of Drosselmeyer5:326No. 5 Scene and Grandfather Dance5:527No. 6 Scene: The Magic Spell Begins6:138No. 7 Scene: The Battle Between the Nutcracker and the Mouse King3:129No. 8 Scene in the Pine Forrest (Journey through the Snow)3:2910No. 9 Waltz of the Snowflakes (feat. Women's Voices of the Saint Louis Symphony Chorus, Thomas Peck, Director)6:17Disc 21No. 10 Scene: The Magic Castle4:252No. 11 Scene: Clara and the Prince / No. 12 Divertissement4:273Chocolate: Spanish Dance1:084Coffee: Arabian Dance3:065Tea: Chinese Dance1:136Trepak1:067Dance of the Flutes2:038Mother Gigogne and the Clowns2:549No. 13 Waltz of the Flowers / No. 14 Pas de deux6:3910Dance of the Prince of the Sugar-Plum Fairy5:2711Variation I: Tarantella0:4812Variation II: Dance of the Sugar-Plum Fairy (feat. celesta: Barbara Liberman)2:1513Coda1:2214No. 15 Final Waltz and Apotheosis5:201812 / Slavonic March / Francesca da Rimini / Polonaise from Eugene Onegin
1985 · studio album
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Tracklist · 4 tracks · 52:20
1Ouverture solennelle 1812, Op. 4915:052March Slave, Op. 319:353Polonaise - "Eugene Onegin" (Act III), Op. 244:404Francesca da Rimini, Op. 3223:00Francesca da Rimini / Romeo & Juliet
1985 · studio album
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Tracklist · 2 tracks · 42:28
1Romeo and Juliet: fantasy overture19:342Francesca da Rimini: symphonic fantasy22:541985 · studio album
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Tracklist · 8 tracks · 54:41
1Die Moldau12:572Slawischer Tanz No. 2 e-moll, op. 465:383Dornröschen Ballettsuite, op. 66a: I. Introductio3:314Dornröschen Ballettsuite, op. 66a: II. Pas d’action5:255Dornröschen Ballettsuite, op. 66a: III. Valse4:256Dornröschen Ballettsuite, op. 66a: IV. Panorama2:337Dornröschen Ballettsuite, op. 66a: V. Finale2:068Romeo und Julia: Fantasie-Ouvertüre18:061985 · studio album
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Tracklist · 4 tracks · 41:29
1Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima17:402Symphony no. 4 in F minor, op. 36: II. Andantino in mòdo di canzona9:413Symphony no. 4 in F minor, op. 36: III. Scherzo: Pizzicato ostinato5:354Symphony no. 4 in F minor, op. 36: IV. Finale: Allegro con fuoco8:331985 · studio album
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Tracklist · 13 tracks · 49:49
1Introduction2:592Pas de Trois - I (Act I)2:133Pas de Trois - III (Act I)1:014Valse (Act I)7:125Scène (Act II)2:466Grand Pas de Deux (Act II)6:427Danse Des Cygnes (Act II)1:208Danse Espagnole (Act II)2:449Danse Napolitains (Act III)2:0910Danse Hongroise Czardas (Act III)3:1611Mazurka (Act III)3:5712Scène (Act III)3:3913Scène Finale (Act IV)9:511985 · studio album
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Tracklist · 11 tracks · 1:19:53
1Suite no. 1 in D minor, op. 43: I. Introduzione e fuga11:392Suite no. 1 in D minor, op. 43: II. Divertimento5:423Suite no. 1 in D minor, op. 43: III. Intermezzo8:554Suite no. 1 in D minor, op. 43: IV. Marche miniature2:105Suite no. 1 in D minor, op. 43: V. Scherzo7:056Suite no. 1 in D minor, op. 43: VI. Gavotte5:317Suite no. 2 in C major, op. 53: I. Jeux de sons10:258Suite no. 2 in C major, op. 53: II. Valse6:309Suite no. 2 in C major, op. 53: III. Scherzo burlesque4:4310Suite no. 2 in C major, op. 53: IV. Rêves d'enfant13:2911Suite no. 2 in C major, op. 53: V. Danse baroque3:44Francesca da Rimini / Romeo & Juliet
1985 · studio album
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Tracklist · 2 tracks · 42:43
1Romeo & Juliet, Fantasy Overture19:472Francesca da Rimini, Symphonic Fantasy22:561985 · studio album
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Tracklist · 4 tracks · 42:14
1Symphony no. 4, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro con anima18:062Symphony no. 4, op. 36: II. Andantino in modo di canozona9:543Symphony no. 4, op. 36: III. Scherzo. Pizzicato ostinato5:234Symphony no. 4, op. 36: IV. Finale. Allegro con fuoco8:511985 · studio album
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Tracklist · 20 tracks · 1:10:38
1Casse-noisette: Ouverture3:112Casse-noisette: Acte I : L'arbre de noël3:583Casse-noisette: Marche2:234Casse-noisette: Gallop et entrée des invités2:195Casse-noisette: Arrivée de Drosselmeyer5:486Casse-noisette: Danse du grand-père6:277Casse-noisette: Clara et le Casse-Noisette7:528Casse-noisette: La bataille3:269Casse-noisette: Le survol de la forêt3:5310Casse-noisette: Valse des flocons de neige6:2411Casse-noisette: Acte II : Chocolat - danse espagnole1:0612Casse-noisette: Café : Danse arabe3:0113Casse-noisette: Thé : Danse chinoise0:5814Casse-noisette: Trepak : Danse russe1:0515Casse-noisette: Danse des mirlitons2:0516Casse-noisette: Mère Gigogne et ses marionettes2:3317Casse-noisette: Valse des fleurs6:4918Casse-noisette: Danse de la Fée Dragée2:1719Casse-noisette: Valse finale3:2420Casse-noisette: Apothéose1:391985 · studio album
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Tracklist · 4 tracks · 42:58
1Symphonie no. 4 f-Moll, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo18:382Symphonie no. 4 f-Moll, op. 36: II. Andantino in modo de canzone10:073Symphonie no. 4 f-Moll, op. 36: III. Scherzo. Pizzicato ostinato - Allegro5:434Symphonie no. 4 f-Moll, op. 36: IV. Finale. Allegro con fuoco8:30Symphony 1 in G minor, op. 13 “Winter Daydreams”
1985 · studio album
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Tracklist · 4 tracks · 43:44
1Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: I. Allegro tranquillo (Dreams of a Winter Journey)11:522Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: II. Adagio cantabile ma non tanto (Land of Desolation, Land of Mists)11:323Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: III. Scherzo. Allegro scherzando giocoso7:364Symphony no. 1 in G minor, op. 13 “Winter Daydreams”: IV. Finale. Andante lugubre - Allegro maestoso12:441985 · studio album
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Tracklist · 4 tracks · 45:42
1Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso18:262Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia8:543Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace8:344Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante9:481985 · studio album
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Tracklist · 8 tracks · 1:10:50
1Suite no. 3 in G major, op. 55: I. Élégie11:422Suite no. 3 in G major, op. 55: II. Valse mélancolique6:133Suite no. 3 in G major, op. 55: III. Scherzo - Presto4:554Suite no. 3 in G major, op. 55: IV. Tema con variazioni19:325Suite no. 4 in G major, op. 61 "Mozartiana": I. Gigue2:076Suite no. 4 in G major, op. 61 "Mozartiana": II. Menuet5:387Suite no. 4 in G major, op. 61 "Mozartiana": III. Preghiera4:218Suite no. 4 in G major, op. 61 "Mozartiana": IV. Thème et variations16:221985 · studio album
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Tracklist · 4 tracks · 52:10
11812 Overture, Op. 4914:492Waltz From Swan Lake, Act 1 Op. 207:003Romeo & Juliet Fantasy Overture20:254Marche Slave, Op. 319:561985 · studio album
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Tracklist · 4 tracks · 43:51
1Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio - Allegro non troppo17:472Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia8:003Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace8:564Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale. Adagio lamentoso9:081985 · studio album
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Tracklist · 4 tracks · 48:04
1Symphonie no. 5 e-Moll, op. 64: I. Andante – Allegro con anima15:542Symphonie no. 5 e-Moll, op. 64: II. Andante cantabile, con alcuna licenza – Moderato con anima – Andante mosso – Allegro non troppo – Tempo I13:403Symphonie no. 5 e-Moll, op. 64: III. Valse. Allegro moderato6:314Symphonie no. 5 e-Moll, op. 64: IV. Finale. Andante maestoso – Allegro vivace – Molto vivace – Moderato assai e molto maestoso – Presto11:59Peter and the Wolf / Toy Symphony / Nutcracker Suite
1985 · studio album
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Tracklist · 12 tracks · 59:03
1Peter and the Wolf, op. 6727:242Toy Symphony: Allegro4:453Toy Symphony: Minuetto4:104Toy Symphony: Finale1:405Nutcracker Suite: Miniature Overture: Allegro Guisto Characteristic Dances3:096Nutcracker Suite: March2:307Nutcracker Suite: Dance of the Sugar‐Plum Fairy1:468Nutcracker Suite: Russian Dance: Trepak1:049Nutcracker Suite: Arab Dance2:5510Nutcracker Suite: Chinese Dance1:1111Nutcracker Suite: Dance of the Mirlitons2:0912Nutcracker Suite: Waltz of the Flowers6:20Nutcracker Suite / Swan Lake Suite
1985 · studio album
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Tracklist · 16 tracks · 48:34
1Nutcracker Suite, Op. 71A: Miniature Overture: Allegro Guisto3:092Nutcracker Suite, Op. 71A: March2:303Nutcracker Suite, Op. 71A: Dance of the Sugar-Plum Fairy1:464Nutcracker Suite, Op. 71A: Russian Dance: Trepak1:045Nutcracker Suite, Op. 71A: Arab Dance2:556Nutcracker Suite, Op. 71A: Chinese Dance1:117Nutcracker Suite, Op. 71A: Dance of the Mirlitons2:098Nutcracker Suite, Op. 71A: Waltz of the Flowers6:209Swan Lake Suite: Scene: Enchanted Lake2:4910Swan Lake Suite: Dance of the Swans1:3011Swan Lake Suite: Neopolitan Dance2:0912Swan Lake Suite: Scene: Pas de deux5:5413Swan Lake Suite: Waltz6:5514Swan Lake Suite: Hungarian Dance: Czardas2:2115Swan Lake Suite: Mazurka3:4516Swan Lake Suite: Wedding Dance2:07Symphony No. 6, Op. 74 "Pathétique"
1985 · studio album
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Tracklist · 4 tracks · 45:43
1Symphony No. 6, Op. 74 "Pathétique": I. Adagio - Allegro non troppo18:182Symphony No. 6, Op. 74 "Pathétique": II. Allegro con grazia8:593Symphony No. 6, Op. 74 "Pathétique": III. Allegro molto vivace8:174Symphony No. 6, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso - Andante10:09Symphony no. 2 in C Minor, Op. 17 & The Tempest, Op. 18
1985 · studio album
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Tracklist · 5 tracks · 55:42
1The Tempest, op. 1822:022Symphony No. 2 "Little Russian", op. 17: I. Andante sostenuto; Allegro vivo10:523Symphony No. 2 "Little Russian", op. 17: II. Andantino marziale, quasi moderato7:114Symphony No. 2 "Little Russian", op. 17: III. Scherzo - Allegro molto vivace5:105Symphony No. 2 "Little Russian", op. 17: IV. Finale - Moderato assai; Allegro vivo10:271985 · studio album
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Tracklist · 14 tracks · 43:40
1Piano Trio in A Minor, Op. 50: I. Pezzo elegiaco. Moderato assai - Allegro giusto17:562Piano Trio in A Minor, Op. 50: II. (a) Tema con variazioni0:593Piano Trio in A Minor, Op. 50: II. (b) Variation I0:464Piano Trio in A Minor, Op. 50: II. (c) Variation II0:335Piano Trio in A Minor, Op. 50: II. (d) Variation III0:496Piano Trio in A Minor, Op. 50: II. (e) Variation IV1:067Piano Trio in A Minor, Op. 50: II. (f) Variation V0:418Piano Trio in A Minor, Op. 50: II. (g) Variation VI2:259Piano Trio in A Minor, Op. 50: II. (h) Variation VII1:1410Piano Trio in A Minor, Op. 50: II. (i) Variation VIII2:1911Piano Trio in A Minor, Op. 50: II. (j) Variation IX3:0912Piano Trio in A Minor, Op. 50: II. (k) Variation X1:3513Piano Trio in A Minor, Op. 50: II. (l) Variation XI2:3414Piano Trio in A Minor, Op. 50: II. (m) Variation XII - Finale & coda7:34Violin Concerto / Sérénade mélancolique
1985 · studio album
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Tracklist · 3 tracks · 46:38
1Violin Concerto in D major, op. 35: I. Allegro moderato19:152Violin Concerto in D major, op. 35: II. Canzonetta (Andante) / III. Allegro vivacissimo18:063Sérénade mélancolique, op. 269:17Symphony No. 6 in B minor, Op. 74 "Pathétique"
1985 · studio album
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Tracklist · 4 tracks · 44:35
1Symphony No. 6 in B minor, Op. 74 "Pathétique": I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso17:502Symphony No. 6 in B minor, Op. 74 "Pathétique": II. Allegro con grazia8:083Symphony No. 6 in B minor, Op. 74 "Pathétique": III. Allegro molto vivace9:074Symphony No. 6 in B minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso - Andante9:301986 · studio album
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Tracklist · 4 tracks · 52:38
1Manfred Symphony, Op. 58: I. Lento Lugubre - Moderato Con Moto - Andante15:052Manfred Symphony, Op. 58: II. Vivace Con Spirito9:033Manfred Symphony, Op. 58: III. Andante Con Moto10:254Manfred Symphony, Op. 58: IV. Allegro Con Fuoco18:051986 · studio album
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Tracklist · 3 tracks · 37:43
1Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito23:202Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante semplice - Prestissimo - Tempo I7:443Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco6:391986 · studio album
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Tracklist · 6 tracks · 1:05:26
1Violin Concerto in E minor, op. 64: I. Allegro molto apassionato13:362Violin Concerto in E minor, op. 64: II. Andante7:413Violin Concerto in E minor, op. 64: III. Allegretto non troppo – allegro molto vivace7:114Violin Concerto in D major, op. 35: I. Allegro moderato18:455Violin Concerto in D major, op. 35: II. Canzonetta: Andante7:026Violin Concerto in D major, op. 35: III. Allegro vivacissimo11:111986 · studio album
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Tracklist · 7 tracks · 1:02:11
1The Bells, op. 35: I. Allegro ma non tanto. The Silver Sleigh Bells6:182The Bells, op. 35: II. Lento. The Mellow Wedding Bells10:143The Bells, op. 35: III. Presto. The Loud Alarum Bells8:184The Bells, op. 35: IV. Lento lugubre. The Mournful Iron Bells12:155Vocalise, op. 34 no. 146:516Romeo and Juliet: Duo “Do you not hear the nightingale?”13:067Festival Coronation March in D major5:09Symphonie no. 1 "Winter-Träume"
1986 · studio album
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Tracklist · 7 tracks · 1:06:08
1Symphonie no. 1 G-moll, op. 13 »Winterträume«: I. Dreams of a Winter Journey: Allegro tranquillo11:452Symphonie no. 1 G-moll, op. 13 »Winterträume«: II. Land of Desolation Land of Mists: Andante cantabile ma non tanto12:103Symphonie no. 1 G-moll, op. 13 »Winterträume«: III. Scherzo: Allegro scherzando giocoso8:014Symphonie no. 1 G-moll, op. 13 »Winterträume«: IV. Finale: Andante lugubre - Allegro moderato - Allegro maestoso - Allegro vivo12:535Eugene Onegin, op. 24: Polonaise5:066Eugene Onegin, op. 24: Waltz6:417Marche slave, op. 319:321986 · studio album
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Tracklist · 4 tracks · 44:27
1Andante - Allegro con anima14:242Andante cantabile, con alcuna licenza - Moderato con anima11:443Valse: Allegro moderato5:584Andante maestroso - Allegro vivace12:21
Other · 65
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1986 | Symphony no. 5 in E minorSearch SpotifySearch YouTube MusicTracklist · 4 tracks · 44:531Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima14:45 2Symphony no. 5 in E minor, op. 64: II. Andante cantabile11:48 3Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato5:48 4Symphony no. 5 in E minor, op. 64: IV. Andante maestoso12:32 | 1986 | ||
| 1987 | Romeo und Julia, Phantasie-Ouvertüre • Dornröschen, Ballettsuite op. 66 • Der Nußknacker, Ballettsuite op. 71a • Czárdás aus "Schwanensee" op. 20Search SpotifySearch YouTube MusicTracklist · 4 tracks · 1:00:181Romeo und Julia: Phantasie-Ouvertüre17:55 2Dornröschen, Ballettsuite op. 6618:21 3Der Nußknacker, Ballettsuite op. 71a:21:36 4Schwanensee op. 20: Czárdás2:26 | 1987 | ||
| 1989 | TchaikovskySearch SpotifySearch YouTube MusicTracklist · 3 tracks · 55:391Romeo And Juliet - Fantasy Overture (1869)20:49 2Capriccio Italien, Opus 45 (1880)16:47 31812 Overture, Opus 49 (1880)18:03 | 1989 | ||
| 1990 | Suite from the ballet “The Nutcracker” / Overture in F majorSearch SpotifySearch YouTube MusicTracklist · 10 tracks · 43:051Nutcracker Suite, op. 71a: no. 1, Ouverture miniature3:13 2Nutcracker Suite, op. 71a: no. 2a, Danses caractéristiques - Marche2:27 3Nutcracker Suite, op. 71a: no. 2b, Danses caractéristiques - Danse de la Fée-Dragée2:09 4Nutcracker Suite, op. 71a: no. 2c, Danses caractéristiques - Danse russe. Trépak.1:06 5Nutcracker Suite, op. 71a: no. 2d, Danses caractéristiques - Danse arabe. Café4:15 6Nutcracker Suite, op. 71a: no. 2e, Danses caractéristiques - Danse chinoise. Thé1:17 7Nutcracker Suite, op. 71a: no. 2f, Danses caractéristiques - Danse des mirlitons2:33 8Nutcracker Suite, op. 71a: no. 3, Pas de deux6:01 9Nutcracker Suite, op. 71a: no. 4, Valse des fleurs6:51 10Overture in F major13:13 | 1990 | ||
| 1990 | Liturgie des Heiligen Johannes ChrysostomusSearch SpotifySearch YouTube MusicTracklist · 15 tracks · 1:08:091Liturgie des Heiligen Johannes Chrysostomus: Einganglobpreis - Große Litanei5:27 2Liturgie des Heiligen Johannes Chrysostomus: Kleine Litanei - Zweite Antiphon - Kleine Litanei4:34 3Liturgie des Heiligen Johannes Chrysostomus: Kleiner Einzug - Troparia "Gospodi..." - Trisagion "Svjatyi Boze"3:32 4Liturgie des Heiligen Johannes Chrysostomus: Prokimenon - Alleluia - Evangelium1:09 5Liturgie des Heiligen Johannes Chrysostomus: Dringende Bittgebete für die Gläubigen - Bittgebet für die Katechumenen - Entlassung der Katechumenen - Bittgebete für die Gläubigen8:51 6Liturgie des Heiligen Johannes Chrysostomus: Cherubikon - Großer Einzug7:25 7Liturgie des Heiligen Johannes Chrysostomus: Litanie zur Opferung - Friedenskuß3:43 8Liturgie des Heiligen Johannes Chrysostomus: Das Credo4:05 9Liturgie des Heiligen Johannes Chrysostomus: Eucharistisches Opfergebet (Präfation) - Sanctus3:16 10Liturgie des Heiligen Johannes Chrysostomus: Die Heilige Wandlung4:03 11Liturgie des Heiligen Johannes Chrysostomus: Die Epiklese - Hymnus zu Ehren der Gottes-mutter4:46 12Liturgie des Heiligen Johannes Chrysostomus: Bittgebete4:02 13Liturgie des Heiligen Johannes Chrysostomus: Vater unser - Die Elevation3:35 14Liturgie des Heiligen Johannes Chrysostomus: Kommunionlied2:09 15Liturgie des Heiligen Johannes Chrysostomus: Die Heilige Kommunion der Gläubigen - Ûbertragung der heiligen Gestalten zur Prothesis - Danksagung - Schlußgebet - Segen - Entlassung7:32 | 1990 | ||
| 1991 | The Nutcracker Ballet Suite / Romeo & Juliet / Swan Lake Ballet SuiteSearch SpotifySearch YouTube MusicTracklist · 16 tracks · 1:07:421The Nutcracker Ballet Suite: Ouverture3:14 2The Nutcracker Ballet Suite: Marche2:44 3The Nutcracker Ballet Suite: Danse de la Fée Dragée2:06 4The Nutcracker Ballet Suite: Danse russe. Trépak1:12 5The Nutcracker Ballet Suite: Danse arabe3:36 6The Nutcracker Ballet Suite: Danse chinoise1:22 7The Nutcracker Ballet Suite: Danse des mirlitons2:37 8The Nutcracker Ballet Suite: Valse des fleurs7:03 9Romeo & Juliet: Fantasy Ouverture18:06 10Swan Lake Ballet Suite: I. Szene3:09 11Swan Lake Ballet Suite: Danse du cygne1:36 12Swan Lake Ballet Suite: Danse Hongroise2:48 13Swan Lake Ballet Suite: Danse Espagnole2:20 14Swan Lake Ballet Suite: Danse Napolitaine2:04 15Swan Lake Ballet Suite: Mazurka3:46 16Symphony no. 6 "Pathétique" in B minor op. 749:59 | Compilation | 1991 | |
| 1991 | P. Tchaikovsky: Quartets nos. 1, 2Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:07:011Quartet No.1 in D major, Op. 11. 1. Moderato e semplice10:16 2Quartet No.1 in D major, Op. 11. 2. Andante cantabile7:15 3Quartet No.1 in D major, Op. 11. 3. Scherzo. Allegro non tanto e con fuoco3:45 4Quartet No.1 in D major, Op. 11. 4. Allegro giusto8:38 5Quartet No.2 in F major, Op. 22. 1. Adagio. Moderato assai12:35 6Quartet No.2 in F major, Op. 22. 2. Scherzo. Allegro giusto5:20 7Quartet No.2 in F major, Op. 22. 3. Andante ma non tanto13:15 8Quartet No.2 in F major, Op. 22. 4. Finale. Allegro con moto5:57 | 1991 | ||
| 1992 | Symphony no. 6 “Pathétique” / Romeo & JulietSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:06:291Symphony no. 6 “Pathétique”: I. Adagio - Allegro non troppo19:12 2Symphony no. 6 “Pathétique”: II. Allegro con grazia7:46 3Symphony no. 6 “Pathétique”: III. Allegro molto vivace8:36 4Symphony no. 6 “Pathétique”: IV. Finale: Adagio lamentoso10:22 5Romeo and Juliet20:33 | 1992 | ||
| 1992 | Symphonie No.6 Pathetique & Ouverture SolennelleSearch SpotifySearch YouTube MusicTracklist · 6 tracks · 1:03:511Symphonie no. 6 op 74 Pathethique Adagio-Allegro Non troppo17:51 2Symphonie no. 6 op 74 Pathethique Allegro Con Grazia8:04 3Symphonie no. 6 op 74 Pathethique Allegro Molto Vivace9:00 4Symphonie no. 6 op 74 Pathethique Finale: Adagio lamentoso9:18 5Barcarolle op 37 no. 6 "Juin" tiré des "Saisons"4:06 6Ouverture Solennelle "1812" op. 4915:32 | 1992 | ||
| 1992 | Der NußknackerSearch SpotifySearch YouTube MusicTracklist · 27 tracks · 52:381Ouvertüre3:21 2Es war der...1:47 3Marsch2:23 4Dicht am Buam...1:26 5Der Nußknacker2:36 6Ach, rief Marie...1:00 7Abschied der Gäste2:15 8Es war sehr spät...0:51 9Nacht1:10 10Ein Kichern...1:38 11Die Schlacht2:52 12Der Nußknacker0:50 13Tanz der Zuckerfee2:14 14In ihrem Traum...2:22 15Chinesischer Tanz1:10 16Wir befinden uns...1:30 17Spanischer Tanz1:11 18Nun drängte der...1:34 19Russischer Tanz1:07 20Die Stadt aber...2:20 21Tanz der Rohrflöten2:15 22Die Tore des Schlosses...1:21 23Arabischer Tanz3:35 24Prr Puff...1:11 25Mutter Cigogne und die Pulcinellen0:58 26Das war Marie...0:45 27Blumenwalzer6:56 | Audiobook | 1992 | |
| 1993 | Piotr I. Tschaikowsky: Sleeping Beauty / Overture “Romeo and Julia” / Alexander Borodin: Polovtsian Dances from “Prince Igor”Search SpotifySearch YouTube MusicTracklist · 7 tracks · 50:071Sleeping Beauty - Ballet Suite op. 66a: 1. Introduction - La fée des Lilas3:32 2Sleeping Beauty - Ballet Suite op. 66a: 2. Pas d’action5:24 3Sleeping Beauty - Ballet Suite op. 66a: 3. Pas de caractère2:35 4Sleeping Beauty - Ballet Suite op. 66a: 4. Panorama4:24 5Sleeping Beauty - Ballet Suite op. 66a: 5. Apotheose2:08 6Fantasy Overture “Romeo and Julia”18:14 7Polovtsian Dances From “Prince Igor”13:50 | 1993 | ||
| 1993 | Piano Concerto No. 1 / Violin ConcertoSearch SpotifySearch YouTube MusicTracklist · 6 tracks · 1:09:151Piano concerto no. 1 in B flat major: I. Allegro non troppo e molto maestoso21:41 2Piano concerto no. 1 in B flat major: II. Andantino semplice7:49 3Piano concerto no. 1 in B flat major: III. Allegro con fuoco7:05 4Violin concerto in D major: I. Allegro moderato17:08 5Violin concerto in D major: II. Canzonetta: Andante6:19 6Violin concerto in D major: III. Finale: Allegro vivacissimo9:13 | Compilation | 1993 | |
| 1993 | Evgenij OneginSearch SpotifySearch YouTube MusicTracklist · 23 tracks · 2:16:34Disc 1 1Evgenij Onegin, Atto I, Quadro I: Introduzione2:41 2Evgenij Onegin, Atto I, Quadro I: Duetto e Quartetto4:46 3Evgenij Onegin, Atto I, Quadro I: Coro e Danza dei Contadini5:35 4Evgenij Onegin, Atto I, Quadro I: Scena e Arioso di Olga3:32 5Evgenij Onegin, Atto I, Quadro I: Scena3:07 6Evgenij Onegin, Atto I, Quadro I: Scena d Quartetto3:36 7Evgenij Onegin, Atto I, Quadro I: Scena d Arioso di Lenskij5:15 8Evgenij Onegin, Atto I, Quadro I: Scena finale2:30 9Evgenij Onegin, Atto I, Quadro II: Introduzione e Scena con Njanja7:27 10Evgenij Onegin, Atto I, Quadro II: Scena della lettera11:41 11Evgenij Onegin, Atto I, Quadro II: Scena e Duetto5:41 12Evgenij Onegin, Atto I, Quadro III: Coro delle Contadine2:58 13Evgenij Onegin, Atto I, Quadro III: Scena e Aria di Onegin7:38 Disc 21Evgenij Onegin, Atto II, Quadro I: Intermezzo e Valzer, Scena con Coro8:40 2Evgenij Onegin, Atto II, Quadro I: Scena e Couplets di Triquet5:57 3Evgenij Onegin, Atto II, Quadro I: Mazurka e Scena4:54 4Evgenij Onegin, Atto II, Quadro I: Finale4:20 5Evgenij Onegin, Atto II, Quadro II: Introduzione, Scena e Aria di Lenskij8:06 6Evgenij Onegin, Atto II, Quadro II: Scena del Duello5:22 7Evgenij Onegin, Atto III, Quadro I: Polonaise4:24 8Evgenij Onegin, Atto III, Quadro I: Scena e Aria di Onegin12:22 9Evgenij Onegin, Atto III, Quadro I: Scena e Aria del Principe Gremin3:44 10Evgenij Onegin, Atto III, Quadro II: Finale12:18 | 1993 | ||
| 1993 | The Tchaikovsky Edition: Vol. 2 Orchestral WorksSearch SpotifySearch YouTube MusicTracklist · 21 tracks · 4:24:11Disc 1 4Fatum, op. 7715:18 2The Tempest, op. 1819:30 1Hamlet, op. 6717:12 2The Voyevoda, op. 7810:34 Disc 21Francesca da Rimini, op. 3223:57 2Marche Slave, op. 3110:44 3Capriccio Italien, op. 4514:52 41812 Overture, op. 4916:22 Disc 35Suite no. 3 in G major, op. 55: I. Elégie: Andantino molto cantabile - Andante10:12 6Suite no. 3 in G major, op. 55: II. Valse mélancolique: Allegro moderato5:42 7Suite no. 3 in G major, op. 55: III. Scherzo: Presto4:37 8Suite no. 3 in G major, op. 55: IV. Tema con variazioni: Andante con moto20:48 5Serenade for Strings in C, op. 48: I. Pezzo in forma di sonatina. Andante non troppo – Allegro moderato9:16 6Serenade for Strings in C, op. 48: II. Waltzer. Moderato, tempo di valse3:38 7Serenade for Strings in C, op. 48: III. Élegie. Larghetto elegiaco9:57 8Serenade for Strings in C, op. 48: IV. Finale (tema russo). Andante – Allegro con spirito7:37 Disc 41Manfred Symphony, op. 58: 1. Lento lugubre - Moderato con moto16:07 2Manfred Symphony, op. 58: 2. Vivace con spirito9:13 3Manfred Symphony, op. 58: 3. Andante con moto11:20 4Manfred Symphony, op. 58: 4. Allegro con fuoco19:06 5Elegie for Strings8:09 | 1 August 1993 | ||
| 1994 | Musica per tutti, volume 9: Sleeping Beauty / The Nutcracker / Swan LakeSearch SpotifySearch YouTube MusicTracklist · 18 tracks · 1:07:411The Sleeping Beauty — ballet, op. 66a: 1. Introduction4:17 2The Sleeping Beauty — ballet, op. 66a: 2. Adagio. Pas d’action5:27 3The Sleeping Beauty — ballet, op. 66a: 4. Panorama2:36 4The Sleeping Beauty — ballet, op. 66a: 5. Waltz4:48 5The Nutcracker — ballet suite, op. 71a: Miniature Overture3:12 6The Nutcracker — ballet suite, op. 71a: March2:23 7The Nutcracker — ballet suite, op. 71a: Dance of the Sugar Plum Fairy1:46 8The Nutcracker — ballet suite, op. 71a: Trepak (Russian Dance)1:09 9The Nutcracker — ballet suite, op. 71a: Arab Dance2:56 10The Nutcracker — ballet suite, op. 71a: Chinese Dance1:18 11The Nutcracker — ballet suite, op. 71a: Dance of the Reeds2:29 12The Nutcracker — ballet suite, op. 71a: Waltz of the Flowers7:51 13Swan Lake — ballet, op. 20: Act II. No. 10 Scène3:20 14Swan Lake — ballet, op. 20: Act I. No. 2 Waltz7:48 15Swan Lake — ballet, op. 20: Act II. No. 13 Dance of the Swans: IV. Allegro moderato1:34 16Swan Lake — ballet, op. 20: Act II. No. 13 Dance of the Swans: V. Pas d’action6:57 17Swan Lake — ballet, op. 20: Act III. No. 20 Danse hongroise (Czárdás)3:12 18Swan Lake — ballet, op. 20: Act IV. No. 28 Scène4:38 | Compilation | 1994 | |
| 1994 | Tchaikovsky: Serenade / Arensky: Variations / Suk: SerenadeSearch SpotifySearch YouTube MusicTracklist · 17 tracks · 1:10:261Serenade in C major: 1st Movement: Pezzo in forma di Sonatina (Andante non troppo-Allegro moderato)10:36 2Serenade in C major: 2nd Movement: Walzer (Moderato, Tempo di Valse)3:55 3Serenade in C major: 3rd Movement: (Larghetto elegiaco)8:49 4Serenade in C major: 4th Movement: Finale (Tema Russo) (Andante-Allegro con spirito)7:51 5Variations on a Theme of Tchaikovsky: Thême1:18 6Variations on a Theme of Tchaikovsky: Variation I1:40 7Variations on a Theme of Tchaikovsky: Variation II1:08 8Variations on a Theme of Tchaikovsky: Variation III1:12 9Variations on a Theme of Tchaikovsky: Variation IV1:27 10Variations on a Theme of Tchaikovsky: Variation V1:57 11Variations on a Theme of Tchaikovsky: Variation VI1:23 12Variations on a Theme of Tchaikovsky: Variation VII1:17 13Variations on a Theme of Tchaikovsky: Coda1:35 14Serenade in E flat major: 1st Movement: Andante con moto - Piu mosso5:56 15Serenade in E flat major: 2nd Movement: Allegro ma non troppo e grazioso5:29 16Serenade in E flat major: 3rd Movement: Adagio8:01 17Serenade in E flat major: 4th Movement: Allegro giocoso, ma non troppo presto6:52 | 1994 | ||
| 1995 | Swan Lake / Nutcracker (Radio Bratislava Symphony Orchestra feat. conductor Kazushi Ono)Search SpotifySearch YouTube MusicTracklist · 17 tracks · 58:561Swan Lake, op. 20: Opening Scene2:34 2Swan Lake, op. 20: in A-flat7:22 3Swan Lake, op. 20: Dances of the Cygnets1:36 4Swan Lake, op. 20: Scene - Swantheme6:36 5Swan Lake, op. 20: Dance Hongroise (Czardas)3:13 6Swan Lake, op. 20: Spanish Dance2:35 7Swan Lake, op. 20: Neapolitan Dance2:19 8Swan Lake, op. 20: Mazurka4:25 9The Nutcracker, Suite from the Ballet, op. 71a: Miniature Overture3:39 10The Nutcracker, Suite from the Ballet, op. 71a: March2:25 11The Nutcracker, Suite from the Ballet, op. 71a: Dance of the Sugar Plum Fairy1:56 12The Nutcracker, Suite from the Ballet, op. 71a: Russian Dance Trepak1:14 13The Nutcracker, Suite from the Ballet, op. 71a: Arabian Dance3:41 14The Nutcracker, Suite from the Ballet, op. 71a: Chinese Dance1:12 15The Nutcracker, Suite from the Ballet, op. 71a: Dance of the Reed Flutes2:23 16The Nutcracker, Suite from the Ballet, op. 71a: Waltz of the Flowers7:15 17from the Opera Eugen Onegin4:31 | 1995 | ||
| 1995 | 1812 Overture / Piano Concerto no. 1 / Romeo and Juliet Fantasy OvertureSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:08:1611812 Overture, op. 49: With Bells and Cannons15:40 2Piano Concerto no. 1 in B‐flat minor, op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito20:16 3Piano Concerto no. 1 in B‐flat minor, op. 23: II. Andantino semplice7:08 4Piano Concerto no. 1 in B‐flat minor, op. 23: III. Allegro con fuoco7:07 5Romeo and Juliet: Fantasy Overture18:05 | Compilation | 1995 | |
| 1996 | Piano Concerto Nr. 1 / Capriccio ItalienSearch SpotifySearch YouTube MusicTracklist · 4 tracks · 49:521Concerto for Piano and Orchestra no. 1 in B minor, op. 23: I. Allegro non troppo e molto maestoso20:11 2Concerto for Piano and Orchestra no. 1 in B minor, op. 23: II. Andante semplice7:03 3Concerto for Piano and Orchestra no. 1 in B minor, op. 23: III. Allegro con fuoco6:58 4Capriccio Italian, op. 45: Andante un poco rubato, pochissimo più mosso, Allegro moderato, Andante presto, Allegro moderato, Presto, Prestissimo15:40 | 1996 | ||
| 1997 | Tchaikovsky: Ouverture Romeo e Giulietta / Dvorak: Sinfonia n° 9Search SpotifySearch YouTube MusicTracklist · 5 tracks · 1:04:061Ouverture Romeo e Giulietta21:05 2Sinfonia n° 9 in mi minore “Dal Nuovo Mondo”: Adagio - Allegro molto10:07 3Sinfonia n° 9 in mi minore “Dal Nuovo Mondo”: Largo12:26 4Sinfonia n° 9 in mi minore “Dal Nuovo Mondo”: Molto vivace8:06 5Sinfonia n° 9 in mi minore “Dal Nuovo Mondo”: Allegro con fuoco12:22 | 1997 | ||
| 1998 | Peter Iljitsch TchaikovskySearch SpotifySearch YouTube MusicTracklist · 11 tracks · 1:12:161Piano Concerto no.1 in B-flat minor: I. Allegro9:01 2Serenade for Strings: Waltz3:48 3Violin Concerto: II. Andante7:02 4Sleeping Beauty: Waltz4:17 5Capriccio Italien, op. 4515:11 6Swan Lake: Waltz6:54 7Eugen Onegin: Polonaise4:47 8The Nutcracker: Waltz of the Flowers6:41 9Orchestral Suite no.4 "Mozartiana": III. Preghiera (Ave Verum)3:49 10Swan Lake: Dance of the Swans1:35 11Symphony no. 6 in B minor "Pathétique": III. Molto Vivace9:11 | 1998 | ||
| 1999 | The Greatest Classical Hits of TchaikovskySearch SpotifySearch YouTube MusicTracklist · 9 tracks · 1:00:161Nutcracker, ballet, Op. 71 (Overture)3:20 2Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions) (Excerpt)2:12 3The Sleeping Beauty, ballet, Op. 66 (Waltz)4:39 4Slavonic March, for orchestra, Op. 319:11 5The Swan Lake, ballet, Op. 20 (Waltz)7:11 6Symphony No. 5 in E minor, Op. 64 (3. Waltz)6:13 7Symphony No. 6 in B minor ("Pathétique"), Op. 74 (3. March)9:12 8Nutcracker, ballet, Op. 71 (Waltz of the Flowers)7:04 91812 -- Festival Overture, for orchestra in E flat major, Op. 4911:14 | Compilation | 23 February 1999 | |
| 2000 | Christmas Favorites: Highlights from Handel's "The Messiah" and Tchaikovsky's "The Nutcracker"Search SpotifySearch YouTube MusicTracklist · 19 tracks · 1:02:511Messiah: Hallelujah4:12 2Messiah: Every Valley Shall Be Exalted3:25 3Messiah: O Thou Tellest Good Tidings to Zion5:32 4Messiah: How Beautiful Are the Feet2:43 5Messiah: Why Do the Nations2:21 6Messiah: For Unto Us a Child Is Born2:54 7Messiah: Comfort Ye My People3:27 8Messiah: We Trusted in God2:21 9Messiah: I Know That My Redeemer Liveth4:48 10Messiah: The Trumpet Shall Sound3:49 11Messiah: Amen2:47 12The Nutcracker Suite: Miniature Overture3:20 13The Nutcracker Suite: March2:49 14The Nutcracker Suite: Dance of the Sugar Plum Fairy2:11 15The Nutcracker Suite: Russian Dance1:16 16The Nutcracker Suite: Arabian Dance3:42 17The Nutcracker Suite: Chinese Dance1:27 18The Nutcracker Suite: Dance of the Reed Flutes2:41 19The Nutcracker Suite: Waltz of the Flowers7:06 | 2000 | ||
| 2000 | Quartets in D, op. 11 and F, op. 22 / Quartet Movement in B flatSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 1:15:431String Quartet no. 1 in D, op. 11: I. Moderato e simplice11:31 2String Quartet no. 1 in D, op. 11: II. Andante cantabile6:53 3String Quartet no. 1 in D, op. 11: III. Scherzo: Allegro non tanto4:12 4String Quartet no. 1 in D, op. 11: IV. Finale: Allegro giusto6:54 5String Quartet no. 2 in F, op. 22: I. Adagio - Moderato assai11:47 6String Quartet no. 2 in F, op. 22: II. Scherzo: Allegro giusto5:10 7String Quartet no. 2 in F, op. 22: III. Andante ma non tanto11:56 8String Quartet no. 2 in F, op. 22: IV. Finale: Allegro con moto5:45 9Quartet Movement in B-flat: Adagio misterioso - Allegro con moto - Adagio misterioso11:35 | 2000 | ||
| 2005 | 1812 Overture, Romeo and Juliet etc. (Philharmonia Orchestra feat. conductor: Randall Behr, tenor: Plácido Domingo)Search SpotifySearch YouTube MusicTracklist · 5 tracks · 1:06:051Romeo and Juliet: Fantasy Overture22:07 2Net, tolko tot, kto nzal (None but the lonely heart, Op. 6 No. 63:19 3Capriccio Italien, Op. 4516:35 4Eugene Onegin, Op. 24: Lensky's Aria6:17 5'1812' - Ceremonial Overture, Op. 4917:47 | Compilation | 2005 | |
| 2008 | The Seasons / Piano Sonata in C‐sharp minorSearch SpotifySearch YouTube MusicTracklist · 16 tracks · 1:11:351The Seasons, op. 37b: I. January: By the Fireside6:09 2The Seasons, op. 37b: II. February: Carnival2:56 3The Seasons, op. 37b: III. March: Song of the Lark2:44 4The Seasons, op. 37b: IV. April: Snowdrop2:31 5The Seasons, op. 37b: V. May: May nights4:41 6The Seasons, op. 37b: VI. June: Barcarolle4:56 7The Seasons, op. 37b: VII. July: Song of the Reaper1:42 8The Seasons, op. 37b: VIII. August: The Harvest3:11 9The Seasons, op. 37b: IX. September: The Hunt2:47 10The Seasons, op. 37b: X. October: Autumn Song5:02 11The Seasons, op. 37b: XI. November: Troika3:04 12The Seasons, op. 37b: XII. December: Christmas4:33 13Sonata in C-sharp minor, op. 80: I. Allegro con fuoco9:41 14Sonata in C-sharp minor, op. 80: II. Andante5:19 15Sonata in C-sharp minor, op. 80: III. Schervo: allegro vivo5:52 16Sonata in C-sharp minor, op. 80: IV. Allegro vivo6:27 | 2008 | ||
| 2009 | The NutcrackerSearch SpotifySearch YouTube MusicTracklist · 24 tracks · 1:27:211Overture: Allegro Giusto3:01 2Scene: Allegro Non Troppo, Piu Moderato, Allegro Vivace3:51 3March: Tempo Di Marcia Viva2:14 4Petit Galop: Presto - Andante - Allegro2:21 5Scene Dansante: Andante5:27 6Scene Et Danse Du Grand-Pere: Andante6:57 7Scene: Depart Des Invites, La Nuit: Allegro Semplice5:51 8Scene - La Bataille: Allegro Vivo3:22 9Scene: La Foret De Sapins I'hiver - Allegro Vivo3:56 10Valse Des Flocons De Neige Avec Choeur: Tempo Di Valse, Ma Con Moto - Presto7:48 11Scene: Andante4:55 12Scene: Andante Con Moto4:31 13Le Chocolat: Danse Espagnole - Allegro Brillante1:07 14Le Cafe: Danse Arabe - Comodo3:12 15Le The: Danse Chinoise - Allegro Moderato1:11 16Danse Russe: Tempo Di Trepak - Molto Vivace1:09 17Danse Des Mirlitons - Andantino2:21 18Le Mere Gigogne Et Les Polichinelles: Allegro Giocoso - Andante - Allegro Vivo2:57 19Valse Des Fleurs - Tempo Di Valse; No. 14 Pax De Deux:6:58 20La Fee Dragee Et Le Prince Orgeat: Andante Maestoso4:48 21Variation I: Pour Le Danseur - Tempo Di Tarantella0:42 22Danse De La Fee Dragee: Andante Ma Non Troppo - Presto1:59 23Coda - Vivace Assai1:20 24Valse Et Apotheose: Tempo Di Valse - Molto Meno5:23 | 2009 | ||
| 2015 | Symphony no. 6 ‘Pathétique’Search SpotifySearch YouTube MusicTracklist · 4 tracks · 47:371Symphony no. 6 in B minor, op. 74, TH 30 “Pathétique”: I. Adagio – Allegro non troppo18:54 2Symphony no. 6 in B minor, op. 74, TH 30 “Pathétique”: II. Allegro con grazia8:40 3Symphony no. 6 in B minor, op. 74, TH 30 “Pathétique”: III. Allegro molto vivace9:21 4Symphony no. 6 in B minor, op. 74, TH 30 “Pathétique”: IV. Adagio lamentoso10:42 | Compilation | 1 June 2015 | |
| 2023 | Tchaïkovsky Complete SymphoniesSearch SpotifySearch YouTube MusicTracklist · 29 tracks · 5:10:40Disc 1 1Symphony no. 1 in G minor, op. 13, TH 24 “Winter Daydreams”: I. Allegro Tranquillo11:34 2Symphony no. 1 in G minor, op. 13, TH 24 “Winter Daydreams”: II. Adagio Cantabile Ma Non Troppo9:56 3Symphony no. 1 in G minor, op. 13, TH 24 “Winter Daydreams”: III. Scherzo. Allegro Scherzando7:32 4Symphony no. 1 in G minor, op. 13, TH 24 “Winter Daydreams”: IV. Finale. Andante Lugubre. Allegro Moderato12:04 5Symphony no. 2 in C minor, op. 17, “Little Russian”: I. Andante Sostenuto. Allegro Commodo11:24 6Symphony no. 2 in C minor, op. 17, “Little Russian”: II. Andantino Marziale, Quasi Moderato9:20 7Symphony no. 2 in C minor, op. 17, “Little Russian”: III. Scherzo. Allegro Molto Vivace5:21 8Symphony no. 2 in C minor, op. 17, “Little Russian”: IV. Moderato Assai. Allegro Vivo11:28 Disc 21Symphony no. 3 in D, op. 29, “Polish”: I. Moderato AssaI.: Allegro Brillante13:24 2Symphony no. 3 In D, op. 29, “Polish”: II. Allegro Moderato E Semplice6:55 3Symphony no. 3 In D, op. 29, “Polish”: III. Andante Elegiaco10:40 4Symphony no. 3 In D, op. 29, “Polish”: IV. Scherzo5:26 5Symphony no. 3 In D, op. 29, “Polish”: V. Allegro Con Fuoco11:34 Disc 31Symphony no. 4 In F minor op. 36: I. Andante Sostenuto. Moderato Con Anima17:45 2Symphony no. 4 In F minor op. 36: II. Andantino In Modo Di Canzona9:23 3Symphony no. 4 In F minor op. 36: Iii. Scherzo Allegro5:16 4Symphony no. 4 In F minor op. 36: IV. Finale Allegro Con Fuoco8:53 Disc 41Symphony no. 5 In E minor op. 64: I. Andante: Allegro Con Anima14:06 2Symphony no. 5 In E minor op. 64: II. Andante Cantabile, Con Alcuna Licenza14:20 3Symphony no. 5 In E minor op. 64: III. Valse. Allegro Moderato5:19 4Symphony no. 5 In E minor op. 64: IV. Finale. Andante Maestoso: Allegro Vivace12:44 Disc 51Symphony no. 6 In B minor op. 74 `Pathetique`: I. Adagio. Allegro Non Troppo18:16 2Symphony no. 6 In B minor op. 74 `Pathetique`: II. Allegro Con Grazia7:15 3Symphony no. 6 In B minor op. 74 `Pathetique`: III. Allegro Molto Vivace8:20 4Symphony no. 6 In B minor op. 74 `Pathetique`: IV. Finale Adagio Lamentoso12:24 Disc 61Symphony "Manfred" op. 58: I. Lento lugubre16:38 2Symphony "Manfred" op. 58: II. Vivace con spirito10:04 3Symphony "Manfred" op. 58: III. Andante con moto11:34 4Symphony "Manfred" op. 58: IV. Allegro con fuoco11:45 | Compilation | 2023 | |
| 2023 | Symphony no. 6 “Pathétique” / HamletSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:02:091Symphony no. 6 in B minor, op. 74 “Pathétique”: I. Adagio – Allegro non troppo18:12 2Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia8:14 3Symphony no. 6 in B minor, op. 74 “Pathétique”: III. Allegro molto vivace9:09 4Symphony no. 6 in B minor, op. 74 “Pathétique”: IV. Finale: Adagio lamentoso9:02 5Hamlet: Fantasy Overture after Shakespeare, op. 67a17:32 | 2023 | ||
| 2023 | Nussknacker Suite / DornröschenSearch SpotifySearch YouTube MusicTracklist · 13 tracks · 56:521Nußknacker‐Suite, op. 71a: Ouverture miniature / Danses caractéristiques3:35 2Nußknacker‐Suite, op. 71a: March2:14 3Nußknacker‐Suite, op. 71a: Danse de la Fée‐Dragée (Tanz der Zuckerfee)1:44 4Nußknacker‐Suite, op. 71a: Danse russe. Trepak (Russischer Tanz)1:13 5Nußknacker‐Suite, op. 71a: Danse arabe (Arabischer Tanz)3:36 6Nußknacker‐Suite, op. 71a: Danse chinoise (Chinesischer Tanz)1:16 7Nußknacker‐Suite, op. 71a: Danse de Mirlitons (Tanz der Rohrflöten)2:33 8Nußknacker‐Suite, op. 71a: Valse des fleurs (Blumenwalzer)7:01 9Dornröschen, Suite op. 66a: Introduction. La fée des lilas / Die Flieder Fee / The Lilac Fairy4:12 10Dornröschen, Suite op. 66a: Pas d’action11:46 11Dornröschen, Suite op. 66a: Panorama4:34 12Dornröschen, Suite op. 66a: Valse10:23 13Dornröschen, Suite op. 66a: Finale2:45 | 19 May 2023 | ||
| 2025 | Le Poème De L'Extase / Romeo Und JuliaSearch SpotifySearch YouTube MusicTracklist · 2 tracks · 39:47ALe Poème de L'Extase op. 5419:28 BRomeo und Julia20:19 | 7 February 2025 | ||
| 2026 | Symphony no. 1 "Winter Dreams" in G minorSearch SpotifySearch YouTube MusicTracklist · 4 tracks · 42:261Symphony no. 1 in G minor, op. 13 "Winter Dreams": I. Allegro tranquillo11:55 2Symphony no. 1 in G minor, op. 13 "Winter Dreams": II. Adagio cantabile10:55 3Symphony no. 1 in G minor, op. 13 "Winter Dreams": III. Scherzo7:29 4Symphony no. 1 in G minor, op. 13 "Winter Dreams": IV. Finale12:07 | 28 August 2026 | ||
| — | Ballet-Suites & Piano Concerto & Violin ConcertoSearch SpotifySearch YouTube MusicTracklist · 6 tracks · 1:09:421Piano Concerto No. 1 in B-flat minor, Op. 23: I. Allegro non troppo20:15 2Piano Concerto No. 1 in B-flat minor, Op. 23: II. Andantino7:07 3Piano Concerto No. 1 in B-flat minor, Op. 23: III. Allegro con fuoco7:05 4Violin Concerto in D major, Op. 35: I. Allegro moderato18:27 5Violin Concerto in D major, Op. 35: II. Canzonetta. Andante6:45 6Violin Concerto in D major, Op. 35: III. Allegro vivacissimo10:03 | — | ||
| — | Romeo and Juliet / HamletSearch SpotifySearch YouTube MusicTracklist · 2 tracks1Roméo et Juliette: ouverture fantaisie 2Hamlet: ouverture fantaisie | — | ||
| — | Once Upon a Ballet: Highlights from Tchaikovsky's BalletsSearch SpotifySearch YouTube MusicTracklist · 31 tracks · 2:09:13Disc 1 1Nutcracker, op. 71: Overture3:07 2Nutcracker, op. 71: March2:26 3Nutcracker, op. 71: Waltz of the Snowdrops6:17 4Nutcracker, op. 71: Spanish Dance1:12 5Nutcracker, op. 71: Arab Dance3:18 6Nutcracker, op. 71: Chinese Dance1:15 7Nutcracker, op. 71: Russian Dance1:10 8Nutcracker, op. 71: Dance of the Reed Pipes2:28 9Nutcracker, op. 71: Mother Gigogne2:58 10Nutcracker, op. 71: Waltz of the Flowers7:13 11The Swan Lake, op. 20: Introduction3:00 12The Swan Lake, op. 20: Waltz5:56 13The Swan Lake, op. 20: Pas de Deux10:06 14The Swan Lake, op. 20: Dance of the little swans1:28 15The Swan Lake, op. 20: Scene2:48 16The Swan Lake, op. 20: Hungarian Dance3:24 17The Swan Lake, op. 20: Spanish Dance2:41 18The Swan Lake, op. 20: Neapolitan Dance1:44 19The Swan Lake, op. 20: Mazurka4:07 20The Swan Lake, op. 20: Scene4:19 21The Swan Lake, op. 20: Finale4:43 Disc 21The Sleeping Beauty, op. 66: Introduction3:14 2The Sleeping Beauty, op. 66: March4:45 3The Sleeping Beauty, op. 66: Dancing Scene4:38 4The Sleeping Beauty, op. 66: Pas de Six11:22 5The Sleeping Beauty, op. 66: Waltz4:55 6The Sleeping Beauty, op. 66: Entr'acte and Scene2:51 7The Sleeping Beauty, op. 66: Scene5:34 8The Sleeping Beauty, op. 66: Pas d'Action6:24 9The Sleeping Beauty, op. 66: Pas des Quatre3:27 10The Sleeping Beauty, op. 66: Finale6:23 | — | ||
| — | Sinfonia nº 2 "Pequeña Rusia"Search SpotifySearch YouTube MusicTracklist · 4 tracks · 34:521Andante Sosenuto. Allegro Vivo10:41 2Andantino Marziale Quasi Moderato7:51 3Scherzo. Allegro Molto Vivace5:51 4Finale. Moderato Assai / Allegro Vivo / Presto10:29 | — | ||
| — | The NutcrackerSearch SpotifySearch YouTube MusicTracklist · 16 tracks · 56:311Nutcracker Suite - Overture miniature3:21 2Nutcracker Suite - Marche2:48 3Nutcracker Suite - Danse de la Fee-Dragee2:09 4Nutcracker Suite - Danse rusee Trepak1:16 5Nutcracker Suite - Danse arabe3:41 6Nutcracker Suite - Danse chinoise1:24 7Nutcracker Suite - Danse des Mirlitons2:40 8Nutcracker Suite - Valse de fleurs7:14 9Swan Lake Suite - 1. Scene3:15 10Swan Lake Suite - Valse7:43 11Swan Lake Suite - Valse1:40 12Swan Lake Suite - Pas d'action8:03 13Swan Lake Suite - Danse hongroise2:52 14Swan Lake Suite - Dande espagnole2:25 15Swan Lake Suite - Danse napolitaine2:08 16Swan Lake Suite - Mazurka3:52 | — | ||
| — | 1812 Overture / Piano Concerto in B minorSearch SpotifySearch YouTube MusicTracklist · 4 tracks1Piano Concerto in B minor: I. Allegro non troppo e molto maestoso - Allegro con spirito 2Piano Concerto in B minor: II. Andantino semplice - Presto - Tempo I 3Piano Concerto in B minor: III. Allegro con fuoco 4Overture 1812 op. 49 | Compilation | — | |
| — | Classical CollectionSearch SpotifySearch YouTube MusicTracklist · 2 tracks · 46:311Swan Lake Suite25:13 2Nut Cracker Suite21:18 | — | ||
| — | TuTTiSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:02:491Romeo & Julia Fantasie-ouverture20:33 2Zwanenmeer: Pas de Deux tweede akte7:23 3Pianoconcert Nr. 1 in bes mineur, Op. 23: I. Allegro non troppo e molto maestoso20:59 4Pianoconcert Nr. 1 in bes mineur, Op. 23: II. Andantino simplice6:55 5Pianoconcert Nr. 1 in bes mineur, Op. 23: III. Allegro con fuoco6:59 | — | ||
| — | Symphonie no. 5Search SpotifySearch YouTube MusicTracklist · 4 tracks · 46:041Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima15:28 2Symphony no. 5 in E minor, op. 64: II. Andante cantabile con alcuna licenza13:12 3Symphony no. 5 in E minor, op. 64: III. Valse. Allegro moderato5:58 4Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso - Allegro vivace11:26 | — | ||
| — | Sinfonia n. 6, Op. 74 "Patetica" in si minoreSearch SpotifySearch YouTube MusicTracklist · 4 tracks · 48:031Sinfonia n. 6, Op. 74 "Patetica" in si minore: Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assa mosso19:17 2Sinfonia n. 6, Op. 74 "Patetica" in si minore: Allegro con grazia9:03 3Sinfonia n. 6, Op. 74 "Patetica" in si minore: Allegro molto vivace8:38 4Sinfonia n. 6, Op. 74 "Patetica" in si minore: Finale. Adagio lamentoso - Andante11:05 | — | ||
| — | Choruses a cappellaSearch SpotifySearch YouTube MusicTracklist · 12 tracksI1To Sleep I2Morning Song I3Evening I4The Pure Bridge Flame of Truth I5Hymn' in Honour of Cyril and Mefodi I6The Golden Cloud Had Slept II1The Nightingale II2Blessed Is He Who Smiles II3A Legend II4'Tis Not the Cuckoo II5Without Time Nor Season II6The Merry Voice Grew Silent | — | ||
| — | Piano Concerto / Violin Concerto / MélodieSearch SpotifySearch YouTube MusicTracklist · 7 tracks · 1:13:281Concerto for Piano and Orchestra No. 1 in B-flat minor, Op. 23: I. Allegro non troppo e molto maestoso21:13 2Concerto for Piano and Orchestra No. 1 in B-flat minor, Op. 23: II. Andantino semplice6:56 3Concerto for Piano and Orchestra No. 1 in B-flat minor, Op. 23: III. Allegro con fuoco7:11 4Concerto for Violin and Orchestra in D major, Op. 35: I. Allegro moderato18:20 5Concerto for Violin and Orchestra in D major, Op. 35: II. Canzonetta. Andante6:27 6Concerto for Violin and Orchestra in D major, Op. 35: III. Finale. Allegro vivacissimo9:49 7Mélodie, Op. 42 No. 33:32 | — | ||
| — | Sinfonia n. 4 Op. 36 in fa minoreSearch SpotifySearch YouTube MusicTracklist · 4 tracks · 45:081Sinfonia n. 4 op. 36 in fa minore: I. Andante sostenuto - Moderato con anima19:42 2Sinfonia n. 4 op. 36 in fa minore: II. Andantino in modo di canzona10:27 3Sinfonia n. 4 op. 36 in fa minore: III. Scherzo. Pizzicato ostinato - Allegro6:04 4Sinfonia n. 4 op. 36 in fa minore: IV. Finale: Allegro con fuoco8:55 | — | ||
| — | The Masterpieces - The Classical CollectioSearch SpotifySearch YouTube MusicTracklist · 14 tracks · 7:15:211Allegor non troppo e molto maestro (Piano concerto no 1 in B flat minor)2:41:19 2Adantino semplice. Prestissimo (Piano concerto no 1 in B flat minor)7:03 3Allegro con fuoco (Piano concerto no 1 in B flat minor)6:57 4Miniature overture (Nutcracker Suite)3:15 5March (Nutcracker Suite)21:57 6Dance of the sugar plum fairy (Nutcracker Suite)16:52 7Russian dance (Nutcracker Suite)1:12 8Arabian dance (Nutcracker Suite)29:00 9Chinese dance (Nutcracker Suite)10:52 10Dance of the reed pipes (Nutcracker Suite)20:54 11Waltz of the flowers (Nutcracker Suite)56:29 12Scene (Swan lake)25:28 13Waltz (Swan lake)1:01:23 14Dance of the swans (Swan lake)12:40 | — | ||
| — | Concerto n° 1 pour piano / Capriccio italienSearch SpotifySearch YouTube MusicTracklist · 4 tracksA1Concerto pour piano et orchestre n° 1 en si bémol mineur: I. Allegro non troppo A2Concerto pour piano et orchestre n° 1 en si bémol mineur: II. Andantino semplice B1Concerto pour piano et orchestre n° 1 en si bémol mineur: III. Allegro con fuoco B2Capriccio italien | — | ||
| — | The Nutcracker SuiteSearch SpotifySearch YouTube MusicTracklist · 17 tracks · 55:021Swan Lake-Waltz from Act I4:39 2Swan Lake-Scene from Act II3:07 3Swan Lake-Dance of the Little Swans from Act II1:43 4Swan Lake-Pas d'action (Andante from Act II)5:12 5Swan Lake-Mazurka from Act III3:32 6Sleeping Beauty-Introduction3:32 7Sleeping Beauty-Pas d'action5:24 8Sleeping Beauty-Pas de caracteres-Puss In Boots2:35 9Sleeping Beauty-Waltz from Act II4:24 10Sleeping Beauty-Apotheose2:11 11The Nutcracker-Miniature Overture2:30 12The Nutcracker-Dance of the Sugar Plum Fairy1:48 13The Nutcracker-Trepak (Russian Dance)1:08 14The Nutcracker-Arabian Dance3:15 15The Nutcracker-Chinese Dance1:08 16The Nutcracker-Dance of the Mirlitons (reed flutes)2:33 17The Nutcracker-Waltz of the Flowers6:21 | — | ||
| — | Piano Concerto no. 1 in B-flat major, op. 23 / Capriccio ItalienSearch SpotifySearch YouTube MusicTracklist · 4 tracks · 50:341Piano Concerto no. 1 in B-flat major, op. 23: I. Allegro non troppo e molto maestoso20:11 2Piano Concerto no. 1 in B-flat major, op. 23: II. Andantino semplice7:31 3Piano Concerto no. 1 in B-flat major, op. 23: III. Allegro con fuoco6:52 4Capriccio Italien16:00 | — | ||
| — | The Nutcracker (Highlights from the Ballet)Search SpotifySearch YouTube MusicTracklist · 14 tracks · 48:45A1Casse-Noisette: Ouverture miniature3:22 A2Casse-Noisette: Acte I, 1ᵉʳ tableau: Décoration de l'arbre de Noël3:46 A3Casse-Noisette: Acte I, 1ᵉʳ tableau: Marche2:25 A4Casse-Noisette: Acte I, 2ᵉ tableau: Valse des flocons de neige6:22 A5Casse-Noisette: Acte II: Confiturembourg – Arrivée de Clara et du Casse-Noisette8:12 B1aCasse-Noisette: Acte II: Divertissement: a) le Chocolat (danse espagnole)1:07 B1bCasse-Noisette: Acte II: Divertissement: b) le Café (danse arabe)3:06 B1cCasse-Noisette: Acte II: Divertissement: c) le Thé (danse chinoise)1:04 B1dCasse-Noisette: Acte II: Divertissement: d) le Trépak (danse russe)1:03 B1eCasse-Noisette: Acte II: Divertissement: e) Danse des Mirlitons2:17 B1fCasse-Noisette: Acte II: Divertissement: f) La Mère Gicogne et les Polichinelles2:39 B2Casse-Noisette: Acte II: Valse des Fleurs6:26 B3Casse-Noisette: Acte II: Danse de la Fée Dragée2:02 B4Casse-Noisette: Acte II: Valse finale et Apothéose4:54 | — | ||
| — | Piano Concerto No.2 en sol M/Fantaisie de ConcertSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:15:391Piano Concerto no. 2 in G major, op. 44: Allegro brillante21:20 2Piano Concerto no. 2 in G major, op. 44: Andante non troppo16:22 3Piano Concerto no. 2 in G major, op. 44: Allegro con fuoco7:58 4Concert Fantasia in G major, op. 56: Quasi Rondo: Andante mosso15:32 5Concert Fantasia in G major, op. 56: Contrastes: Andante cantabile - Molto vivace14:27 | — | ||
| — | Symphony No.6 'Pathetique', Capriccio Italien (Georgian Festival Orchestra, Jahni Mardjani) [Sony]Search SpotifySearch YouTube MusicTracklist · 5 tracks · 1:02:531Symphony No. 6 "Pathétique": I. Adagio ‒ Allegro non troppo18:55 2Symphony No. 6 "Pathétique": II. Allegro con grazia7:36 3Symphony No. 6 "Pathétique": III. Allegro molto vivace8:29 4Symphony No. 6 "Pathétique": IV. Finale. Adagio lamentoso ‒ Andante10:32 5Capriccio Italien, op. 4517:21 | — | ||
| — | Year 1812 - Slavonic March - MoscowSearch SpotifySearch YouTube MusicTracklist · 8 tracks · 45:461Ouverture 181213:50 2Marche Slave9:40 3"Moscou", Cantate: I. Chœur3:20 4"Moscou" Cantate: II. Arioso2:18 5"Moscou" Cantate: III. Chœur1:45 6"Moscou" Cantate: IV. Monologue5:20 7"Moscou" Cantate: V. Arioso3:43 8"Moscou" Cantate: VI. Final5:50 | — | ||
| — | OverturesSearch SpotifySearch YouTube MusicTracklist · 3 tracks · 49:551Romeo and Juliet Fantasy Overture18:14 21812 Overture, Op. 4915:39 3Capriccio Italien, Op. 4516:02 | — | ||
| — | The Great Nutcracker and Other Famous BalletsSearch SpotifySearch YouTube MusicTracklist · 3 tracks · 1:05:571"The Nutcracker" Ballet Suite, Op. 71a21:43 2"Swan Lake" Ballet Suite, Op. 2026:19 3"The Sleeping Beauty" Ballet Suite, Op. 6617:55 | — | ||
| — | Symphony No. 5 • Serenade for StringsSearch SpotifySearch YouTube MusicTracklist · 8 tracks · 1:09:211Symphony No. 5 in E minor, Op. 64: I. Andante; Allegro con anima15:12 2Symphony No. 5 in E minor, Op. 64: II. Andante cantabile con alcuna licenza; Moderato con anima; Andante mosso; Allegro non troppo; Tempo I13:36 3Symphony No. 5 in E minor, Op. 64: III. Valse: Allegro moderato6:04 4Symphony No. 5 in E minor, Op. 64: IV. Finale: Andante maestoso; Allegro vivace; Molto vivace; Moderato assai e molto maestoso; Presto12:42 5Serenade for String Orchestra in C major, Op. 48: I. Pezzo in forma di sonatina: Andante non troppo; Allegro moderato5:46 6Serenade for String Orchestra in C major, Op. 48: II. Valse: Moderato; Tempo di valse3:43 7Serenade for String Orchestra in C major, Op. 48: III. Elegie: Larghetto elegiaco8:01 8Serenade for String Orchestra in C major, Op. 48: IV. Finale (Tema russo): Andante; Allegro con spirito4:17 | Compilation | — | |
| — | Lo Schiaccianoci, op. 71Search SpotifySearch YouTube MusicTracklist · 19 tracks · 56:421Overture3:11 2Atto primo - I L'albero di Natale3:59 3Atto primo - II Marcia2:27 4Atto primo - VII Clara e lo Schiaccianoci7:53 5Atto primo - VIII La battaglia3:27 6Atto primo - IX Nell'albero di Natale3:59 7Atto secondo - XII Divertissment - Cioccolato (danza spagnola)1:06 8Atto secondo - XII Divertissment - Caffè (danza araba)3:01 9Atto secondo - XII Divertissment - Tè (danza cinese)0:58 10Atto secondo - XII Divertissment - Trépak (Danza spagnola)1:06 11Atto secondo - XII Divertissment - Danza degli zufoli2:04 12Atto secondo - XII Divertissment - Pulcinella (il clown)2:35 13Atto secondo - XIII Valzer dei fiori6:49 14Atto secondo - XIV Pas de deux - Intrada4:47 15Atto secondo - XIV Pas de deux - I Variazione (Tarantella)0:42 16Atto secondo - XIV Pas de deux - II Variazione (Danza della Fata Confetto)2:17 17Atto secondo - XIV Pas de deux - Coda1:17 18Atto secondo - XV Valzer finale3:25 19Apoteosi1:39 | — | ||
| — | Symphony no. 1 in G minor, op. 13 / 1812-Overture, op. 49Search SpotifySearch YouTube MusicTracklist · 5 tracks · 1:03:481Symphony no. 1 in G Minor, op. 13 “Winter Dreams” ; 1. Allegro Tranquillo12:34 2Symphony no. 1 in G Minor, op. 13 “Winter Dreams” ; 2. Adagio Cantabile Ma Non Tanto13:46 3Symphony no. 1 in G minor, op. 13 “Winter Dreams” ; 3. Scherzo. Allegro Scherzando Giocoso8:25 4Symphony no. 1 in G minor, op. 13 “Winter Dreams” ; 4. Finale. Andante Lugubre - Allegro Maestoso13:07 51812-Overture, op. 4915:56 | — | ||
| — | Dance of the Reed FlutesSearch SpotifySearch YouTube MusicTracklist · 7 tracks · 23:401The Nutcracker - Dance of the Reed Flutes2:41 2The Nutcracker - Waltz of the Flowers7:31 3The Nutcracker - Dance of the Sugar Plum Fairy2:26 4Swan Lake - Finale2:27 5Swan Lake - Dance of the Little Swans1:32 6Swan Lake - Neapolitan Dance2:05 7Sleeping Beauty - Waltz4:58 | — | ||
| — | Serenade für Streicher / Symphonie No. 4Search SpotifySearch YouTube MusicTracklist · 8 tracks · 1:09:331Serenade für Streicher, Op. 48: I. Pezzo in forma di sonata9:24 2Serenade für Streicher, Op. 48: II. Valse4:03 3Serenade für Streicher, Op. 48: III. Elegie6:43 4Serenade für Streicher, Op. 48: IV. Finale. Tema Russo8:15 5Symphonie No. 4 f-Moll, Op. 36: I. Andante sostenuto17:51 6Symphonie No. 4 f-Moll, Op. 36: II. Andantino in modo di canzona9:27 7Symphonie No. 4 f-Moll, Op. 36: III. Scherzo. Pizzicato ostinato5:51 8Symphonie No. 4 f-Moll, Op. 36: IV. Finale. Allegro con fuoco7:59 | — | ||
| — | Complete Works for Piano and OrchestraSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:13:271Piano Concerto No. 2 in G major, Op. 44: I. Allegro brillante21:56 2Piano Concerto No. 2 in G major, Op. 44: II. Andante non troppo15:33 3Piano Concerto No. 2 in G major, Op. 44: III. Allegro con fuoco7:31 4Concert Fantasy, Op. 56 for piano and orchestra: 1 Quasi Rondo. Andante mosso14:54 5Concert Fantasy, Op. 56 for piano and orchestra: 2 Contrastes. Andante cantabile13:33 | — | ||
| — | Peter TschaikowskySearch SpotifySearch YouTube MusicTracklist · 1 track · 16:001Ouverture 181216:00 | — | ||
| — | Tchaikovsky: Swan Lake; The Sleeping Beauty; The NutcrackerSearch SpotifySearch YouTube MusicTracklist · 23 tracks · 1:12:051Scène (Act II)2:43 2Valse (Act I)6:54 3Danse des cygnes (Act II)1:32 4Scène (Act II)6:34 5Czárdás - Hungarian dance (Act III)2:54 6Finale (Act IV)4:27 7Introduction (Prologue)3:27 8Candide1:08 9Canari qui chante0:39 10Violente1:08 11The Lilac Fairy1:05 12Pas d'action: Adagio (Act I)6:37 13Pas de caractère (Act III):Puss-in-Boots and the White Cat2:10 14Panorama: Andantino (Act II)3:16 15Valse: Allegro (Act I)4:58 16I Ouverture miniature II Danse charactèristiques3:26 17Marche (Act I)2:33 18Dance of the Sugar-Plum Fairy (Act II)1:41 19Trépak - Russian dance (Act II)1:09 20Arab dance (Act II)3:39 21Chinese dance (Act II)1:07 22Dance of the reed pipes (Act II)2:18 23III Waltz of the flowers (Act II)6:40 | — | ||
| — | The Essential TchaikovskySearch SpotifySearch YouTube MusicTracklist · 12 tracks · 1:13:471Russian Dance (Nutcracker Ballet)1:12 2Main Theme2:58 3Waltz5:23 4Dance of the Reed Flutes2:43 5Waltz of the Flowers3:26 6March2:28 71812 Overture15:27 8Piano Concerto No. 1 in B-flat minor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito14:07 9Piano Concerto No. 1 in B-flat minor, Op. 23: II. Andantino semplice – Prestissimo7:03 10Piano Concerto No. 1 in B-flat minor, Op. 23: III. Allegro con fuoco7:27 11Marche Slave9:53 12Dance of the Little Swans (Swan Lake Ballet)1:40 | — |
Stats & PK
Percentile within all 23,672 published artists.Put Pyotr Ilyich Tchaikovsky head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 192 | 99.9th |
| Spotify monthly listeners | 6,315,969 | 3.8th |
| Release groups in DB | 268 | 99.7th |
| Studio albums | 203 | 99.9th |
| Awards recorded | 2 | 92.6th |
| Timeline events | 203 | 99.9th |
| Recording span (years) | -52 | 6.4th |
| Genres | 15 | 98.8th |
Awards & honours
| Year | Award | Category | Result |
|---|---|---|---|
| — | Order of St. Vladimir | won | |
| — | Order of St. Vladimir, 4th class | won |
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Portr%C3%A4t_des_Komponisten_Pjotr_I._Tschaikowski_%281840-1893%29.jpgpopularity—kworb.net · no licence published · retrieved 11 October 2026
https://kworb.net/spotify/listeners.htmlaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/9ddd7abc-9e1b-471d-8031-583bc6bc8be9discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/9ddd7abc-9e1b-471d-8031-583bc6bc8be9core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q7315genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q7315seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Pyotr_Ilyich_Tchaikovskybiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Pyotr_Ilyich_Tchaikovskybiography—wikipedia-ru · CC BY-SA 4.0 · retrieved 10 October 2026
https://ru.wikipedia.org/wiki/%D0%A7%D0%B0%D0%B9%D0%BA%D0%BE%D0%B2%D1%81%D0%BA%D0%B8%D0%B9%2C_%D0%9F%D1%91%D1%82%D1%80_%D0%98%D0%BB%D1%8C%D0%B8%D1%87
Why this artist is in the database
- Spotify monthly listeners (kworb.net) — rank #2331 · 6,315,969
Pyotr Ilyich Tchaikovsky
- List of composers by name
Tier rule: global reach (192 language versions)
Image: Nikolai Kuznetsov · Public domain · Wikimedia Commons
Wikidata: Q7315 · MusicBrainz: 9ddd7abc-9e1b-471d-8031-583bc6bc8be9
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