
Photo: Julian Fox · CC BY-SA 4.0 · credits
Tobias Picker
Person · male · United States · New York City · born 1954 · recording since 1990
American composer
official homepageofficial homepagestreamingdatabasedatabasedatabase
Listen on SpotifyYouTube Music
Also known as 托拜厄斯·皮克
Timeline
1950s
1980s
1990s
· Debut release
Debut release: Symphony no. 2 / String Quartet no. 1
First documented Album in the MusicBrainz discography.
source: musicbrainz
· Album
Album: The Encantadas / Old and Lost Rivers / Romances and Interludes
Album
source: musicbrainz
· Album
Album: Violin Concerto / When Soft Voices Die / Rhapsody / Sextet no. 3 / Romance
Album
source: musicbrainz
2000s
2020s
Biography
Biography
Tobias Picker (born July 18, 1954) is an American composer and pianist, noted for his orchestral works Old and Lost Rivers, Keys To The City, and The Encantadas, as well as his operas Emmeline, Fantastic Mr. Fox, An American Tragedy and Lili Elbe, among many other works.
1954–1975: Early years, influences, and education
Picker was born in New York City on July 18, 1954, the son of painter and fashion designer Henriette Simon Picker and news-writer Julian Picker, and the cousin of film executive David V. Picker, businessman Harvey Picker, former CEO of the American Film Institute Jean Picker Firstenberg, art-patron Stanley Picker, filmmaker Jimmy Picker, and economist Kenneth Rogoff. At the age of eight, he began composing and studying the piano:
I was raised by my teachers on a diet of Bach, Mozart, Beethoven, Chopin, Schuman, and eventually Brahms, my favorite. There was always some "modern" music thrown in.... With the discovery of each new composer a new world opened up for me. It wasn't really until I discovered the music of Charles Wuorinen with whom I began studying at eighteen that I finally was exposed to Carter (with whom I later studied) and Boulez and Stravinsky and Stefan Wolpe.
Picker started composing in 1962, and, that same year, began corresponding with composer Gian Carlo Menotti, who encouraged his studies. Three years later, Picker was taken into the preparatory division of the Juilliard School of Music for instruction in piano and theory. At the age of eighteen, Picker was an improvising pianist for Martha Graham at the Martha Graham Center of Contemporary Dance, and, that same year, he enrolled at the Manhattan School of Music, where he studied with Charles Wuorinen. After graduating in 1976, he returned to the Juilliard School of Music to take instruction in composition from Elliott Carter and, afterwards, pursued graduate studies at Princeton University with Milton Babbitt.
1976–1992: Early success
In 1976, at the age of twenty-two, Picker was commissioned to compose "Sextet No. 3" by Speculum Musicae, which premiered at Alice Tully Hall. Soon after, in 1978, the premiere of Rhapsody for Violin and Piano led New Yorker critic Andrew Porter to deem Picker "a genuine creator with a fertile, unforced vein of invention". By the age of thirty, Picker had been recognized with numerous awards, including fellowships from the National Endowment of the Arts, the Joseph H. Bearns Prize (Columbia University), a Charles Ives Scholarship, and a Guggenheim Fellowship.
Picker's Symphony No. 1 premiered at the San Francisco Symphony in 1983, and, that same year, Picker was the soloist in his Piano Concerto No. 2: Keys to the City, commissioned by the city of the New York for the Brooklyn Bridge Centennial. Later that year, Picker's "The Encantadas" was premiered by the Albany Symphony Orchestra. In 1985, Picker was appointed the first composer-in-residence of the Houston Symphony where he introduced his most popular orchestral work, Old and Lost Rivers, as well as two symphonies and other concerted works. In 1988, pianist Ellen Masaki premiered his Piano Concerto No. 2: Kilauea, which was commissioned and performed by the Honolulu Symphony. In 1992, Picker was awarded the Academy of Arts and Letters Award in Music.
Since 1993: Operas, directorship, and later career
In 1993, Picker began composing his first opera, Emmeline, commissioned by the Santa Fe Opera, with a libretto by J. D. McClatchy; Emmeline premiered in 1996. In 1998, two years after the debut of Emmeline, Picker's second opera, Fantastic Mr. Fox premiered at the Los Angeles Opera. Fantastic Mr. Fox was recorded by the Boston Modern Orchestra Project and Odyssey Opera in 2019 and released on Albany Records; this album won the 2020 Grammy Award for Best Opera Recording. A consortium of The Dallas Opera, San Diego Opera, and Opéra de Montréal commissioned Picker's third opera, Thérèse Raquin, which debuted in 2001. In 2005, The Metropolitan Opera debuted Picker's fourth opera, An American Tragedy, based on the novel by Theodore Dreiser; a revised version was premiered at The Glimmerglass Festival in 2014.
In 2010, Picker composed a ballet, Awakenings, for the Rambert Dance Company, inspired by the work of Oliver Sacks. That same year, he co-founded Opera San Antonio, where he served as artistic director from 2010 to 2015. In 2012, Picker was elected to a lifetime membership of the American Academy of Arts and Letters. Picker's fifth opera, Dolores Claiborne, based on the Stephen King novel of the same name, premiered at the San Francisco Opera in September 2013; soon after, in 2015, the Opera Theatre of Saint Louis mounted a new production of Emmeline, which garnered positive reviews. Picker was appointed artistic director of Tulsa Opera from 2016 to 2022. His tenure at Tulsa Opera would see the selection of Lucia Lucas as the first transgender opera singer to have a leading role on the American stage (for which she is featured in James Kicklighter's documentary film, The Sound of Identity), a baseball-themed production of Rigoletto adapted for an open-air baseball stadium to accommodate the gathering restrictions during the COVID-19 pandemic, "Greenwood Overcomes," a concert with new works by African-American composers to honor the memory of the Tulsa Race Massacre of 1921, as well as a Thaddeus Strassberger-directed production of Salome.
In 2022, Picker's opera Awakenings, based on Awakenings, Oliver Sacks's 1960's chronicle of his efforts to help the victims of an encephalitis epidemic, premiered at Opera Theatre of Saint Louis. The East Coast premiere of Awakenings was performed by Odyssey Opera in partnership with Boston Modern Orchestra Project, conducted by Gil Rose and directed by James Robinson, on February 25, 2023, at the Huntington Theater.
Picker's Lili Elbe, starring Lucia Lucas, premiered in October 2023, at Theater St. Gallen.
Instrumental music
Picker's symphonic music, including the tone poem Old and Lost Rivers, has been performed by major orchestras such as the New York Philharmonic, the Chicago Symphony Orchestra, the Cleveland Orchestra, the Philadelphia Orchestra, the BBC Philharmonic, The Munich Philharmonic, the Tonhalle Orchester Zurich, and the Vienna Radio Symphony Orchestra. His piano concerto Keys to the City (written for the Centenary of the Brooklyn Bridge) is recorded on Chandos with his cello concerto and the orchestral work And Suddenly It's Evening. Following this release, BBC Music Magazine proclaimed Picker's recent music "one of the glories of the current musical scene".
The Encantadas (for narrator and orchestra) features texts drawn from Herman Melville's descriptions of the Galápagos Islands. It was recorded on Virgin Classics by the Houston Symphony Orchestra with narration by Sir John Gielgud.
Other works include Tres sonetos de amor, settings of Neruda love poems in versions for baritone and orchestra, and voice and piano; and The Blue Hula, a work for chamber ensemble. Picker's complete orchestral catalogue includes three symphonies, four piano concertos and concertos for violin, viola, cello and oboe.
Picker has also composed numerous chamber works. In 2009, the American String Quartet commissioned and premiered his String Quartet No. 2 at Merkin Concert Hall in New York. In that same year, the pianist Ursula Oppens premiered Picker's Four Etudes for Ursula and Three Nocturnes for Ursula at Baisly Powell Elebash Recital Hall, also in New York. In 2011, Picker was featured in a Miller Theatre Composer Portrait Concert, featuring the Signal Ensemble, Sarah Rothenberg, and the Brentano String Quartet, who premiered his Piano Quintet "Live Oaks".
Operas
Emmeline (1996): The Santa Fe Opera commissioned and produced the world premiere of Picker's first opera, which was subsequently broadcast nationally on the PBS Great Performances series. The premiere recording was released on CD by Albany Records.
Fantastic Mr. Fox (1998): His second opera was an adaptation of Roald Dahl's book, commissioned and premiered by the Los Angeles Opera. Picker has written two more versions of this work: a version for chamber ensemble of seven instruments was premiered by Opera Holland Park in 2010. A version with reduced orchestration was written for the English Touring Opera, also in 2010. The Boston Modern Orchestra Project's 2019 recording won the 2020 Grammy Award for Best Opera Recording.
Thérèse Raquin (1999/2000): Picker's third opera (libretto by Gene Scheer) was commissioned by a consortium of companies, including The Dallas Opera, San Diego Opera, and the Opéra de Montréal. Picker received a new commission from Opera Theatre Europe for a reduced-scale version of Thérèse Raquin, which was performed in March 2006 at the Linbury Studio of the Royal Opera House, Covent Garden. The premiere performance was recorded and released by Chandos in 2001.
An American Tragedy (2005/2006): Based on the novel by Theodore Dreiser, with a libretto by Gene Scheer, Picker's fourth opera was commissioned by the Metropolitan Opera. The world premiere took place on December 2, 2005, and featured Patricia Racette, Nathan Gunn, Susan Graham, and Dolora Zajick in principal roles. The production was directed by Francesca Zambello and conducted by James Conlon.
Dolores Claiborne (2013): The San Francisco Opera premiered Picker's fifth opera with a libretto by J. D. McClatchy, based on Stephen King's novel of the same name, in 2013.
Awakenings (2022): Picker's sixth opera, based on Awakenings by Oliver Sacks, with a libretto by Aryeh Lev Stollman, was commissioned by The Opera Theatre of Saint Louis.
Lili Elbe (2023), with a libretto by Aryeh Lev Stollman, starring Lucia Lucas as Lili Elbe, premiered in 2023 at Theater St. Gallen.
Stage works
Inspired by Awakenings by his long-time friend Oliver Sacks, Picker composed the ballet Awakenings (2010), commissioned by the Rambert Dance Company. Rambert premiered the piece in Salford, UK, in September 2010, then toured it around the UK with over 80 performances in the 2010–2011 season.
Select discography
Opera Without Words/The Encantadas (Naxos, 2020)
Fantastic Mr. Fox (BMOP Sound, 2019)
Invisible Lilacs (Tzadik Records, 2014)
Keys To The City (Wergo, 2008)
Old and Lost Rivers (Virgin Classics. 2007)
Songs and Encores (Bridge Records, 2006)
Symphony No. 2, String Quartet No. 1 (First Edition, 2004)
Keys To The City, And Suddenly It's Evening, and Cello Concerto (Chandos, 2003)
Thérèse Raquin (Chandos, 2001)
Emmeline (Albany Records, 1998)
The Encantadas (Virgin Records, 1998)
Additional recordings of the composer's music are available on Sony Classics, Virgin, Nonesuch Records, Ondine, Bridge and First Edition, among others.
Collaborators
Directors most often associated with Picker's operas are Francesca Zambello (Emmeline, An American Tragedy, Thérèse Raquin), James Robinson (Dolores Claiborne, Emmeline, Awakenings), and Lee Blakeley, as well as librettists J. D. McClatchy (Emmeline, Dolores Claiborne) and Gene Scheer (Thérèse Raquin and An American Tragedy). He collaborated with Roald Dahl's biographer, Donald Sturrock, on Fantastic Mr. Fox, and most recently Aryeh Lev Stollman on Awakenings, as well as poets Richard Howard and W. S. Merwin. Picker's conductor collaborators have included Leon Botstein, Peter Ash, James Conlon, Sergiu Comissiona, Edo de Waart, Lukas Foss, Giancarlo Guerrero, James Levine, George Manahan, Kurt Masur, Gil Rose, John Williams, Pinchas Zukerman and Christoph Eschenbach. He has also collaborated with pianists André Watts, Jeremy Denk, Peter Serkin, Emanuel Ax, and Ursula Oppens, who has championed Picker's work since 1977, as well as violist Paul Neubauer, cellists Lynn Harrell and Paul Watkins, and flutist Carol Wincenc. The sopranos Judith Bettina and Patricia Racette have been frequent collaborators. Picker has also worked with William Burden, Gerald Finley, Elizabeth Futral, Susan Graham, Nathan Gunn, Lucia Lucas, Jennifer Larmore, Diana Soviero, and Dolora Zajick.
Personal life
Picker's partner since 1980 has been Aryeh Lev Stollman. They were married on March 9, 2016, in a ceremony officiated by Supreme Court Justice Ruth Bader Ginsburg at the United States Supreme Court.
Picker has Tourette syndrome. He has mentioned that there are "tourettic" elements in his music. Picker appeared in a BBC Horizon television documentary, titled Mad But Glad, exploring a link between Tourette's syndrome and creativity, and has been involved in mentoring programs for children with Tourette's. Picker has tics which he says disappear when he is composing, playing the piano, or conducting. He has said, "I live my life controlled by Tourette's...but I use music to control it. I have harnessed its energy—I play with it, manipulate it, trick it, mimic it, taunt it, explore it, exploit it, in every possible way." Sacks wrote of the inspiration he took from Picker's music in the preface to his book, The Island of the Colorblind, saying he "owe[d] a special debt to Tobias Picker's version of The Encantadas", and that "whenever, in the writing, memory failed me, listening to the piece operated as a sort of Proustian mnemonic, transporting me back to the Marianas and the Carolines".
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 9 | 54.3th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 6 | 79.7th |
| Studio albums | 5 | 84.6th |
| Awards recorded | 2 | 92.6th |
| Timeline events | 9 | 85.5th |
| Recording span (years) | 30 | 66.1th |
| Genres | 2 | 74th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (6 release groups · 5 studio albums)
Albums · 5
Symphony no. 2 / String Quartet no. 1
1990 · studio album
Search SpotifySearch YouTube Music
Tracklist · 16 tracks · 50:09
1Symphony no. 2 "Aussöhnung": Prelude1:542Symphony no. 2 "Aussöhnung": Movement 14:213Symphony no. 2 "Aussöhnung": Movement 21:474Symphony no. 2 "Aussöhnung": Movement 34:285Symphony no. 2 "Aussöhnung": Movement 42:166Symphony no. 2 "Aussöhnung": Movement 52:027Symphony no. 2 "Aussöhnung": Movement 64:218Symphony no. 2 "Aussöhnung": Movement 75:189Symphony no. 2 "Aussöhnung": Postlude2:2610String Quartet no. 1 "New Memories": Movement 11:4611String Quartet no. 1 "New Memories": Movement 25:1112String Quartet no. 1 "New Memories": Movement 30:5713String Quartet no. 1 "New Memories": Movement 44:3514String Quartet no. 1 "New Memories": Movement 54:3015String Quartet no. 1 "New Memories": Movement 63:1716String Quartet no. 1 "New Memories": Coda1:00The Encantadas / Old and Lost Rivers / Romances and Interludes
1991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 14 tracks · 1:10:08
1Old and Lost Rivers (for orchestra)6:352The Encantadas: I. Dream4:493The Encantadas: II. Desolation2:464The Encantadas: III. Delusion3:465The Encantadas: IV. Diversity10:396The Encantadas: V. Din2:507The Encantadas: VI. Dawn5:308Romances and Interludes: I. Prelude2:449Romances and Interludes: II. Romance I. Nicht schnell5:0010Romances and Interludes: III. Interlude I2:4911Romances and Interludes: IV. Romance II. Einfach, innig4:5212Romances and Interludes: V. Interlude II4:3813Romances and Interludes: VI. Romance III5:5214Old and Lost Rivers (for solo piano)7:18Violin Concerto / When Soft Voices Die / Rhapsody / Sextet no. 3 / Romance
1991 · studio album
Search SpotifySearch YouTube Music
Tracklist · 10 tracks · 1:12:02
1Violin Concerto: I. ♩ = 1087:142Violin Concerto: II. ♩ = 66-727:233Violin Concerto: III. Interlude1:114Violin Concerto: IV. ♩ = 927:515When Soft Voices Die14:006Rhapsody12:097Sextet no. 3: I. Maestoso, con licenza (♩ = 88)3:078Sextet no. 3: II. 𝅗𝅥 = 405:159Sextet no. 3: III. ♩ = 1084:2010Romance9:322002 · studio album
Search SpotifySearch YouTube Music
Tracklist · 43 tracks · 1:49:18
Disc 11Thérèse Raquin: Act I, Scene I. Introduction1:182Thérèse Raquin: Act I, Scene I. “Thérèse. Thérèse. Thérèse” (Madame)2:313Thérèse Raquin: Act I, Scene I. “Thérèse needs a change of scenery” (Camille)3:544Thérèse Raquin: Act I, Scene I. “Like a ghost he stood before us” (Laurent)0:595Thérèse Raquin: Act I, Scene I. “She watched me painting along the Seine” (Laurent)5:476Thérèse Raquin: Act I, Scene I. “Be careful! Madame Raquin will hear us” (Laurent)2:237Thérèse Raquin: Act I, Scene I. “When we were little children” (Thérèse)4:238Thérèse Raquin: Act I, Scene II. “Thank-you, thank-you, Suzanne” (Madame)3:009Thérèse Raquin: Act I, Scene II. “I remember” (Suzanne, Madame)2:3310Thérèse Raquin: Act I, Scene II. “Good evening, Madame Raquin” (Olivier)0:5011Thérèse Raquin: Act I, Scene II. “Good evening. Good evening” (Grivet)1:1612Thérèse Raquin: Act I, Scene II. “At half past five” (Grivet)1:3213Thérèse Raquin: Act I, Scene II. “Once there was a servant girl” (Olivier)3:1614Thérèse Raquin: Act I, Scene II. “We’ll recall when years have passed” (Madame)4:0615Thérèse Raquin: Act I, Scene II. “Let the game begin!” (All)1:1816Thérèse Raquin: Act I, Scene III. “We must have walked three hours or more” (Camile)2:5917Thérèse Raquin: Act I, Scene III. “You were with me” (Thérèse)6:3818Thérèse Raquin: Act I, Scene III. “Come on, wake up” (Camille)3:07Disc 21Thérèse Raquin: Act II, Scene I. Introduction0:552Thérèse Raquin: Act II, Scene I. “Olivier! Monsieur Grivet!” (Laurent)1:323Thérèse Raquin: Act II, Scene I. “Poor Thérèse” (Laurent)3:464Thérèse Raquin: Act II, Scene I. Interlude1:195Thérèse Raquin: Act II, Scene II. “No! No! Drowning…” (Thérèse)1:006Thérèse Raquin: Act II, Scene II. “Am I dreaming?” (Thérèse)3:587Thérèse Raquin: Act II, Scene II. Interlude1:188Thérèse Raquin: Act II, Scene III. “My dear! Monsieur Grivet!” (Suzanne)2:109Thérèse Raquin: Act II, Scene III. “Good night” (Olivier, Grivet)1:3110Thérèse Raquin: Act II, Scene IV. “You should not have bought so many flowers” (Thérèse)1:3911Thérèse Raquin: Act II, Scene IV. “The white dove sat in the corner of the ark” (Thérèse)4:4812Thérèse Raquin: Act II, Scene V. Introduction0:4013Thérèse Raquin: Act II, Scene V. “Roses remind me of Vernon” (Laurent)1:0014Thérèse Raquin: Act II, Scene V. “My poor angel” (Laurent)2:2415Thérèse Raquin: Act II, Scene V. “You shall drive me mad!” (Laurent)3:1316Thérèse Raquin: Act II, Scene V. “You saw him at the morgue” (Thérèse)2:1417Thérèse Raquin: Act II, Scene VI. “Betrayed. Betrayed by those we loved” (Camille’s ghost)5:0218Thérèse Raquin: Act II, Scene VI. “Camille! Camille!” (Madame)2:2219Thérèse Raquin: Act II, Scene VI. “She’ll never make it through the night!” (Laurent)1:4520Thérèse Raquin: Act II, Scene VII. “Five months… five months….” (Laurent)2:3921Thérèse Raquin: Act II, Scene VII. “What is she doing?” (Olivier)3:2922Thérèse Raquin: Act II, Scene VIII. “You can never forgive me” (Thérèse)1:3723Thérèse Raquin: Act II, Scene VIII. “Get off your knees” (Laurent)2:0224Thérèse Raquin: Act II, Scene VIII. “Never forgive me” (Thérèse)3:3525Thérèse Raquin: Act II, Scene VIII. “It is too much not to be punished” (Thérèse)1:30Opera Without Words / The Encantadas
2020 · studio album
Search SpotifySearch YouTube Music
Tracklist · 11 tracks · 57:55
1The Encantadas: I. Dream4:392The Encantadas: II. Desolation2:473The Encantadas: III. Delusion3:324The Encantadas: IV. Diversity10:195The Encantadas: V. Din3:276The Encantadas: VI. Dawn5:307Opera Without Words: Scene 1: The Beloved5:128Opera Without Words: Scene 2: The Minstrel5:039Opera Without Words: Scene 3: The Idol6:4410Opera Without Words: Scene 4: The Gladiator4:0211Opera Without Words: Scene 5: The Farewell6:40
Album · 1
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 2019 | Fantastic Mr. FoxSearch SpotifySearch YouTube MusicTracklist · 16 tracks · 1:22:38Disc 1 1Fantastic Mr. Fox: Act I, Scene I: Dawn in the Valley8:59 2Fantastic Mr. Fox: Act I, Scene II: The Foxhole7:51 3Fantastic Mr. Fox: Act I, Scene III: Entrance to the Foxhole2:57 4Fantastic Mr. Fox: Act I, Scene IV: The Foxhole Interior3:21 5Fantastic Mr. Fox: Entracte2:37 6Fantastic Mr. Fox: Act II, Scene I: The Foxhole7:40 7Fantastic Mr. Fox: Act II, Scene II: The Farmyards of Boggis, Bunce, and Bean4:51 8Fantastic Mr. Fox: Act II, Scene III: The Foxhole6:05 9Fantastic Mr. Fox: Act II, Scene IV: Outside the Foxhole4:27 Disc 21Fantastic Mr. Fox: Act III, Scene I: The Devastated Den5:10 2Fantastic Mr. Fox: Act III, Scene II: An Obscure Corner of the Forest4:50 3Fantastic Mr. Fox: Act III, Scene III: A Glade Near the Devastated Den0:54 4Fantastic Mr. Fox: Act III, Scene IV: The Farmyards of Boggis, Bunce, and Bean8:45 5Fantastic Mr. Fox: Act III, Scene V: The Farmyards1:41 6Fantastic Mr. Fox: Act III, Scene VI: The New Foxhole8:47 7Fantastic Mr. Fox: Act III, Scene VII: The Devastated Den3:43 | Live | 4 June 2019 |
Stats & PK
Percentile within all 23,672 published artists.Put Tobias Picker head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 9 | 54.3th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 6 | 79.7th |
| Studio albums | 5 | 84.6th |
| Awards recorded | 2 | 92.6th |
| Timeline events | 9 | 85.5th |
| Recording span (years) | 30 | 66.1th |
| Genres | 2 | 74th |
Awards & honours
| Year | Award | Category | Result |
|---|---|---|---|
| 1981 | Guggenheim Fellowship | won | |
| 1992 | Arts and Letters Award in Music | won |
Where this record comes from
portrait—Wikimedia Commons · CC BY-SA 4.0 · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Tobias_Picker_Portrait.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/a347300b-3506-4718-a8ce-b7dfc00b39b1discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/a347300b-3506-4718-a8ce-b7dfc00b39b1core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q323154genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q323154seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Tobias_Pickerbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Tobias_Picker
Why this artist is in the database
- List of composers by name
Tier rule: curated genre/region list
Image: Julian Fox · CC BY-SA 4.0 · Wikimedia Commons
Wikidata: Q323154 · MusicBrainz: a347300b-3506-4718-a8ce-b7dfc00b39b1
Similar artists
Browse every Tier 3 artist →Ranked from this record's own data: shared genre tags (rarer tags weigh more), era, home country and comparable fame. Every card lists the signals that placed it — no editorial picks.

George Whitefield Chadwick
United States · Person
symphony · opera
2 shared genre tags · debut 1988, 2 years apart · from United States
17 wikis

David Diamond
United States · Person
symphony · opera
2 shared genre tags · debut 1990, same year · from United States
20 wikis

Jaroslav Krček
Czech Republic · Person
symphony · opera
2 shared genre tags · debut 1989, 1 year apart
9 wikis

Sadao Bekku
Japan · Person
symphony · opera
2 shared genre tags · debut 1993, 3 years apart
10 wikis
Rutland Boughton
United Kingdom · Person
symphony · opera
2 shared genre tags · debut 1987, 3 years apart
13 wikis

Joseph Holbrooke
United Kingdom · Person
symphony · opera
2 shared genre tags · debut 1993, 3 years apart
14 wikis

Ilkka Kuusisto
Finland · Person
symphony · opera
2 shared genre tags · debut 1993, 3 years apart
15 wikis

Félicien-César David
France · Person
symphony · opera
2 shared genre tags · debut 1991, 1 year apart
16 wikis