William Schuman
Person · male · United States · The Bronx · born 1910 · died 1992 · recording since 1992
American composer and arts administrator (1910-1992)
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Also known as William Howard Schuman · William Howard Schumann · 威廉·舒曼
Timeline
1910s
1930s
1940s
1980s
1990s
· Debut release
Debut release: Symphony no. 10 / New England Triptych / American Festival Overture
First documented Album in the MusicBrainz discography.
source: musicbrainz
· Album
Album: Symphony no. 10 / New England Triptych / American Festival Overture
Album
source: musicbrainz
2000s
· Album
Album: Violin Concerto / New England Triptych / Variations on "America"
Album
source: musicbrainz
2010s
· Album
Album: Liebermann: Konzert für Jazzband und Symphonieorchester / Strauss: Don Juan, op. 20 / Schuman: Prayer 1943
Album
source: musicbrainz
Biography
Biography
William Howard Schuman (August 4, 1910 – February 15, 1992) was an American composer and arts administrator.
Life
Schuman was born into a Jewish family in Manhattan, New York City, son of Samuel and Rachel Schuman. He was named after the 27th U.S. president, William Howard Taft, though his family preferred to call him Bill. Schuman played the violin and banjo as a child, but his overwhelming passion was baseball. He attended Temple Shaaray Tefila as a child. While still in high school, he formed a dance band, "Billy Schuman and his Alamo Society Orchestra", that played local weddings and bar mitzvahs in which Schuman played string bass.
In 1928 he entered New York University's School of Commerce to pursue a business degree, at the same time working for an advertising agency. He also wrote popular songs with E. B. Marks Jr, a friend he had met long before at summer camp. Around that time, Schuman met lyricist Frank Loesser and wrote some forty songs with him. Loesser's first published song, "In Love with a Memory of You", credits the music to William H. Schuman.
On April 13, 1930, Schuman attended a Carnegie Hall concert of the New York Philharmonic, conducted by Arturo Toscanini. According to the Philharmonic's archives, the program included works by Brahms, Mendelssohn, Castelnuovo-Tedesco and Smetana. Of this experience, Schuman later said, "I was astounded at seeing the sea of stringed instruments, and everybody bowing together. The visual thing alone was astonishing. But the sound! I was overwhelmed. I had never heard anything like it. The very next day, I decided to become a composer."
Schuman dropped out of school and quit his part-time job to study music at the Malkin Conservatory with Max Persin and Charles Haubiel. From 1933 to 1938, he studied privately with Roy Harris. In 1935, he received a M.A. degree in music education from Teachers College at Columbia University. Harris brought Schuman to the attention of the conductor Serge Koussevitzky, who championed many of his works and conducted Schuman's Symphony No. 2 in 1939. Possibly Schuman's best known symphony, the Symphony for Strings, was commissioned by the Koussevitzky Foundation, dedicated to the memory of Natalie Koussevitzky, and was first performed under Koussevitzky on November 12, 1943.
Schuman won the inaugural Pulitzer Prize for Music in 1943 for his Cantata No. 2. A Free Song, adapted from poems by Walt Whitman. From 1935 to 1945, he taught composition at Sarah Lawrence College. In 1945, he became president of the Juilliard School, founding the Juilliard String Quartet while there. He left in 1961 to succeed John D. Rockefeller III as president of Lincoln Center, a position he held until 1969. In 1971, Schuman was awarded The Edward MacDowell Medal by The MacDowell Colony for outstanding contributions to American culture. He won a special Pulitzer Prize in 1985 citing "more than half a century of contribution to American music as composer and educational leader" and he received the National Medal of Arts in 1987.
He died at Lenox Hill Hospital in New York City at age 81, following hip surgery. Schuman was survived by his wife Frances (they married in 1936); two children, Anthony William and Andrea Frances; and one grandchild.
Music
Schuman left a substantial body of work. His "eight symphonies, numbered Three through Ten", as he himself put it (the first two were withdrawn), continue to grow in stature. His concerto for violin (1947, rev. 1959) has been hailed as among his "most powerful works ... it could almost be considered a symphony for violin and orchestra." Other works include the New England Triptych (1956, based on melodies by William Billings), the American Festival Overture (1939), the ballets Undertow (1945) and Judith (1949) (the latter written for Martha Graham), the Mail Order Madrigals (1972) to texts from the 1897 Sears Roebuck catalog, and two operas, The Mighty Casey (1953, based on Ernest Thayer's "Casey at the Bat"), which reflected his lifelong love of baseball, and A Question of Taste (1989, after a short story by Roald Dahl). He also arranged Charles Ives' organ piece Variations on "America" for orchestra in 1963, in which version it is better known. Another popular work by William Schuman is his George Washington Bridge (1950), for concert band.
Television appearance
William Schuman appeared as the opening guest on the CBS game show, What's My Line? on September 30, 1962 (episode No. 632). Because of his recognizability, panel members Dorothy Kilgallen, Martin Gabel, Arlene Francis and Bennett Cerf were blindfolded. Schuman's title card identified him as "Composer and President of Lincoln Center for the Performing Arts (New York City)". Schuman displayed his wit in response to panel questions. After the panel exhausted a few categories, Kilgallen asked, "How about music?" Schuman replied, "How about it, what's the question?" When asked if he was Leonard Bernstein, Schuman replied, "I'm his friend." When asked if he was Rudolf Bing, Schuman repeated, "I'm his friend", prompting Francis to wonder who was not his friend. When asked if he had ever sung for the Metropolitan Opera, Schuman said, "Often desired to, never invited." Cerf identified him after host John Charles Daly had flipped over all the cards. Daly announced that Schuman's Eighth Symphony would be performed at Philharmonic Hall (now David Geffen Hall) the following Thursday, which date, October 4, 1962, marked the première of the work. It was recorded for Columbia Masterworks Records five days later by its performers, the New York Philharmonic conducted by Bernstein.
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 18 | 78.1th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 13 | 84th |
| Studio albums | 6 | 86.1th |
| Awards recorded | 7 | 98.2th |
| Timeline events | 14 | 90.5th |
| Recording span (years) | 0 | 9.4th |
| Genres | 4 | 84.7th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (13 release groups · 6 studio albums)
Albums · 6
Symphony no. 10 / New England Triptych / American Festival Overture
1992 · studio album
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Tracklist · 8 tracks · 1:02:14
1American Festival Overture9:242New England Triptych: I. Be glad then, America5:333New England Triptych: II. When Jesus wept6:504New England Triptych: III. Chester3:055Variations on "America" (arr. Schuman)6:456Symphony no. 10 "American Muse": I. Con fuoco5:417Symphony no. 10 "American Muse": II. Larghissimo13:208Symphony no. 10 "American Muse": III. Presto; Andantino; Leggero; Pesante; Presto possible11:361992 · studio album
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Tracklist · 8 tracks · 1:03:58
1Variations on "America"7:132New England Triptych: I. Be Glad then, America5:093New England Triptych: II. When Jesus Wept7:594New England Triptych: III. Chester3:135Symphony for Strings (Symphony No. 5): I. Molto agitato ed energico4:236Symphony for Strings (Symphony No. 5): II. Larghissimo8:277Symphony for Strings (Symphony No. 5): III. Presto5:128Judith (Choreographic Poem for Orchestra)22:22A Question of Taste / The Mighty Casey
1994 · studio album
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Tracklist · 36 tracks · 2:09:46
Disc 11The Mighty Casey: Scene I. Noon of the Big Day5:012The Mighty Casey: Scene I. Championship of the State (Watchman, Merry)3:193The Mighty Casey: Scene I. Strategy (Thatcher, Snedeker)3:504The Mighty Casey: Scene I. Peanuts, popcorn, soda, crackerjacks (Watchman, Concessionaire, Hawkers)1:375The Mighty Casey: Scene I. Dance of the Hawkers (Watchman, Charlie)2:336The Mighty Casey: Scene I. The Mighty Casey (Watchman, Chorus)5:507The Mighty Casey: Scene I. Autograph (Charlie, Chorus)1:478The Mighty Casey: Scene I. "You look so sweet today" (Watchman, Merry)2:379The Mighty Casey: Scene I. Kiss me not goodbye (Merry, Watchman)3:1410The Mighty Casey: Scene II. Last half of the Ninth (Watchman)3:3011The Mighty Casey: Scene II. "Two out" (Chorus)4:1412The Mighty Casey: Scene II. "If only Casey (Chorus, Watchman)2:4113The Mighty Casey: Scene II. A prayer (Merry)2:0214The Mighty Casey: Scene II. "Surprise" (Chorus, Watchman)4:4515The Mighty Casey: Scene II. This gladdened multitude (Watchman, Chorus)2:5216The Mighty Casey: Scene II. "You're doin' fine kid" (Catcher, Watchman)3:4217The Mighty Casey: Scene II. Rhubarb: 'Ya blind (Chorus)0:3718The Mighty Casey: Scene II. I'm fed to the teeth (Manager)1:3719The Mighty Casey: Scene II. A strike's a strike (Umpire, Chorus)3:0520The Mighty Casey: Scene II. The Rhubarb Dance (Watchman, Umpire, Chorus)3:5721The Mighty Casey: Scene II. "Hist'ry hangs on a slender thread" (Chorus, Snedeker)3:3722The Mighty Casey: Scene II. "Oh, somewhere" (Watchman)5:3623The Mighty Casey: Scene III. Twilight of the big day3:28Disc 21A Question of Taste: Prelude1:042A Question of Taste: "No, no, the knives go on the right" (Mrs. Hudson, Louise)7:173A Question of Taste: "Your Father expects this" (Louise, Tom)5:444A Question of Taste: "I'm not a man to your Father's taste" (Tom, Louise, Mrs. Schofield)2:125A Question of Taste: "Our wealth is our love" (Tom, Louise)6:086A Question of Taste: "There's been a small accident, I fear" (Mrs. Schofield, Pratt)3:527A Question of Taste: "No meal can be called complete" (Mrs. Schofield, Pratt, Schofield)3:208A Question of Taste: "Here now! You'll never name this one" (Schofield, Pratt)9:069A Question of Taste: "An interesting little wine" (Pratt, Schofield)7:3410A Question of Taste: "Is that your final answer? "(Schofield, Pratt)2:3211A Question of Taste: "I believe these glasses are yours, sir" (Mrs. Hudson)1:2112A Question of Taste: "Our chance now at last" (Tom, Louise, Schofield, Mrs. Schofield, Mrs. Hudson)2:1613A Question of Taste: "This wine glass tonight will bubble and sing" (Tom, Louise, Schofield, Mrs. Schofield, Mrs. Hudson)1:49Violin Concerto / New England Triptych / Variations on "America"
2001 · studio album
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Tracklist · 6 tracks · 57:06
1Violin Concerto: I. Allegro risoluto15:472Violin Concerto: II. Introduzione17:333New England Triptych: I. Be Glad then America5:554New England Triptych: II. When Jesus Wept7:125New England Triptych: III. Chester3:206Variations on "America"7:19Symphonies nos. 4 and 9 / Orchestra Song / Circus Overture
2005 · studio album
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Tracklist · 8 tracks · 1:03:22
1Symphony no. 4: ♩ = 728:422Symphony no. 4: Tenderly, simply8:043Symphony no. 4: ♩ = 1448:054Orchestra Song3:005Circus Overture7:516Symphony no. 9: Anteludium7:457Symphony no. 9: Offertorium10:108Symphony no. 9: Postludium9:452016 · studio album
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Tracklist · 3 tracks · 47:48
1Concerto for Jazz Band & Orchestra17:182Don Juan, op. 20, TrV 15615:513Prayer in Time of War14:39
Album · 7
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1998 | Credendum • Four Squares of Philadelphia • Symphony No. 4, Opus 51Search SpotifySearch YouTube MusicTracklist · 9 tracks · 1:08:031Credendum (Article of Faith)17:24 2Four Squares Of Philadelphia: Prologue - Washington Square: Early Morning7:51 3Four Squares Of Philadelphia: Rittenhouse Square: Afternoon4:07 4Four Squares Of Philadelphia: Logan Square At Dusk7:38 5Four Squares Of Philadelphia: Franklin Square At Night: Epilogue7:15 6Symphony No. 4, Op. 51: I. Adagio; Allegro7:33 7Symphony No. 4, Op. 51: II. Andante5:44 8Symphony No. 4, Op. 51: III. Allegretto4:15 9Symphony No. 4, Op. 51: IV. Presto6:16 | Compilation | 1998 | |
| 2005 | Symphonies nos. 7 and 10Search SpotifySearch YouTube MusicTracklist · 7 tracks · 1:00:471Symphony no. 7: Largo assai -10:58 2Symphony no. 7: Vigoroso -2:52 3Symphony no. 7: Cantabile intensamente -9:14 4Symphony no. 7: Scherzando brioso5:59 5Symphony no. 10 "American Muse": Con fuoco5:57 6Symphony no. 10 "American Muse": Larghissimo13:27 7Symphony no. 10 "American Muse": Presto - Andantino - Leggiero - Pesante - Presto possible12:20 | Compilation | 18 October 2005 | |
| 2006 | Symphonies Nos. 3 and 5Search SpotifySearch YouTube MusicTracklist · 6 tracks · 1:07:431Symphony no. 3: Passacaglia and Fugue12:23 2Symphony no. 3: Chorale and Toccata15:09 3Symphony no. 5: Molto agitato ed energico4:21 4Symphony no. 5: Larghissimo8:26 5Symphony no. 5: Presto5:09 6Judith, Choreographic Poem for Orchestra22:15 | Compilation | 12 December 2006 | |
| 2009 | Symphony no. 6 / Prayer in a Time of War / New England TriptychSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:00:481Symphony no. 629:12 2Prayer in a Time of War15:35 3New England Triptych: I. Be Glad Then, America5:04 4New England Triptych: II. When Jesus Wept7:53 5New England Triptych: III. Chester3:04 | Compilation | 17 November 2009 | |
| 2010 | The Symphonies (And Selected Orchestral Works)Search SpotifySearch YouTube MusicTracklist · 31 tracks · 5:17:41Disc 1 1Symphony no. 4: ♩ = 728:42 2Symphony no. 4: Tenderly, simply8:04 3Symphony no. 4: ♩ = 1448:05 4Orchestra Song3:00 5Circus Overture7:51 6Symphony no. 9: Anteludium7:45 7Symphony no. 9: Offertorium10:10 8Symphony no. 9: Postludium9:45 Disc 21Symphony no. 7: Largo assai -10:58 2Symphony no. 7: Vigoroso -2:52 3Symphony no. 7: Cantabile intensamente -9:14 4Symphony no. 7: Scherzando brioso5:59 5Symphony no. 10 "American Muse": Con fuoco5:57 6Symphony no. 10 "American Muse": Larghissimo13:27 7Symphony no. 10 "American Muse": Presto - Andantino - Leggiero - Pesante - Presto possible12:20 Disc 31Symphony no. 3: Passacaglia and Fugue12:23 2Symphony no. 3: Chorale and Toccata15:09 3Symphony no. 5: Molto agitato ed energico4:21 4Symphony no. 5: Larghissimo8:26 5Symphony no. 5: Presto5:09 6Judith, Choreographic Poem for Orchestra22:15 Disc 41Symphony no. 8: I. Lento sostenuto - Pressante vigoroso - Lento11:07 2Symphony no. 8: II. Largo11:51 3Symphony no. 8: III. Presto9:32 4Night Journey25:27 5Variations on "America"7:04 Disc 51Symphony no. 629:12 2Prayer in a Time of War15:35 3New England Triptych: I. Be Glad Then, America5:04 4New England Triptych: II. When Jesus Wept7:53 5New England Triptych: III. Chester3:04 | Compilation | 2010 | |
| 2010 | Symphony no. 8 / Night Journey / Variations on AmericaSearch SpotifySearch YouTube MusicTracklist · 5 tracks · 1:05:011Symphony no. 8: I. Lento sostenuto - Pressante vigoroso - Lento11:07 2Symphony no. 8: II. Largo11:51 3Symphony no. 8: III. Presto9:32 4Night Journey25:27 5Variations on "America"7:04 | Compilation | 23 February 2010 | |
| 2018 | William Schuman: The Witch of EndorSearch SpotifySearch YouTube MusicTracklist · 7 tracks · 1:21:381Judith, Choreographic Poem (1949)21:20 2Night Journey (1947)20:34 3The Witch of Endor (1965): Part I6:39 4The Witch of Endor (1965): Part II8:09 5The Witch of Endor (1965): Part III8:00 6The Witch of Endor (1965): Part IV8:21 7The Witch of Endor (1965): Part V8:35 | Soundtrack | 18 December 2018 |
Stats & PK
Percentile within all 23,672 published artists.Put William Schuman head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 18 | 78.1th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 13 | 84th |
| Studio albums | 6 | 86.1th |
| Awards recorded | 7 | 98.2th |
| Timeline events | 14 | 90.5th |
| Recording span (years) | 0 | 9.4th |
| Genres | 4 | 84.7th |
Awards & honours
| Year | Award | Category | Result |
|---|---|---|---|
| 1939 | Guggenheim Fellowship | won | |
| 1943 | Arts and Letters Award in Music | won | |
| 1943 | Pulitzer Prize for Music | won | |
| 1985 | Pulitzer Prize Special Citations and Awards | won | |
| 1989 | Kennedy Center Honors | won | |
| — | Handel Medallion | won | |
| — | National Medal of Arts | won |
Where this record comes from
aliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/63450091-fa4a-4d41-9c27-064fba0ae7a6discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/63450091-fa4a-4d41-9c27-064fba0ae7a6core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q503225genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q503225seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/William_Schumanbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/William_Schuman
Why this artist is in the database
- List of composers by name
Tier rule: curated genre/region list
Image: no portrait (not displayed: the licence credit is missing)
Wikidata: Q503225 · MusicBrainz: 63450091-fa4a-4d41-9c27-064fba0ae7a6
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