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William Byrd
Person · male · United Kingdom · Lincolnshire · born 1543 · died 1623 · recording since 1954
English composer (ca. 1540-1623)
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Also known as ウィリアム・バード · Byrd · Byrd, The Great Service · William Byrd / Williams · 威廉·伯德
Timeline
125 events▣ Album 122◦ Birth 1† Death 1★ Debut release 1
1540s
1620s
1950s
· Debut release
Debut release: The 4 & 5 Part Masses
First documented Album in the MusicBrainz discography.
source: musicbrainz
1970s
1980s
1990s
· Album
Album: Mass for 4 Voices with Propers for the Feast of Saints Peter & Paul
Album
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· Album
Album: Thomas Tallis: The Lamentations of Jeremiah / William Byrd: Mass for 3 Voices
Album
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· Album
Album: Byrd: Mass for Four Voices / Mass for Five Voices / Tallis: Mass for Four Voices
Album
source: musicbrainz
· Album
Album: The Byrd Edition, Vol 1: Early Latin Church Music / Propers for Lady Mass in Advent
Album
source: musicbrainz
· Album
Album: The Byrd Edition, Vol 2: Early Latin Church Music II / Propers for Christmas Day
Album
source: musicbrainz
· Album
Album: With Lilies White: Consort Songs & Music for Viols (Ensemble Orlando Gibbons feat. alto: Gérard Lesne, viol: Wieland Kuijken)
Album
source: musicbrainz
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Album: The Byrd Edition, Vol 3: Early Latin Church Music III / Propers for the Epiphany
Album
source: musicbrainz
2000s
· Album
Album: The Byrd Edition 7: Cantiones Sacrae / 1589 Propers for Lady Mass from Christmas to Purification
Album
source: musicbrainz
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Album: The Byrd Edition 8: Cantiones Sacrae / 1589 Propers for the Purification
Album
source: musicbrainz
· Album
Album: The Byrd Edition, Vol 9: Propers for Ascension, Pentecost & Corpus Christi
Album
source: musicbrainz
2010s
2020s
Biography
English biography7,904 words · 24 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1370333053
Biography
William Byrd (; c. 1540 – 4 July 1623) was an English Renaissance composer. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native country and on the Continent. He is often considered along with John Dunstaple and Henry Purcell as one of England's most important composers of early music.
Byrd wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. He produced sacred music for Anglican services, but during the 1570s became a Roman Catholic, and wrote Catholic sacred music later in his life.
Birth and background
Richard Byrd of Ingatestone, Essex, the paternal grandfather of Thomas Byrd, most likely moved to London in the 15th century. Thereafter succeeding generations of the Byrd family are described as gentlemen.
William Byrd was born in London, the third surviving son of Thomas Byrd and his wife, Margery. No record of his birth has survived, and the year of his birth is not known for certain, but a document dated 2 October 1598, and written by William Byrd, states that he is "58 yeares or ther abouts", making the year he was born to be 1539 or 1540. Byrd's will of November 1622 provides a later date for his birth, as in it Byrd states that he was then in the "80th year of mine age". The historian Kerry McCarthy has suggested that discrepancy over these dates may have been due to the will not being kept up to date over a period of several years.
Byrd was born into a musical and relatively wealthy family. He had two older brothers, Symond and John, who became London merchants and active members of their respective livery companies. One of his four sisters, Barbara, was married to a maker of musical instruments who kept a shop; his three other sisters, Martha, Mary and Alice, were probably also married to merchants.
Youth and early career
Details of Byrd's childhood are speculative. There is no documentary evidence concerning Byrd's education or early musical training. His two brothers were choristers at St. Paul's Cathedral, and Byrd may have been a chorister there as well, although it is possible that he was a chorister with the Chapel Royal. According to Anthony Wood, Byrd was "bred up to musick under Tho. Tallis", and a reference in the Cantiones sacrae, published by Byrd and Thomas Tallis in 1575, tends to confirm that Byrd was a pupil of Tallis in the Chapel Royal. If he was—and conclusive evidence has not emerged to verify it—it seems likely that once Byrd's voice broke, the boy stayed on at the Chapel Royal as Tallis's assistant.
Byrd produced student compositions, including Sermone Blando for consort, and a "Miserere". Church music for the Catholic rite reintroduced by Mary would have been composed before her death in 1558, which occurred when Byrd was eighteen. His early compositions suggest he was taught polyphony when a student.
Lincoln
Byrd's first known professional employment was his appointment in 1563 as organist and master of the choristers at Lincoln Cathedral. Residing at what is now 6 Minster Yard Lincoln, he remained in post until 1572. His period at Lincoln was not entirely trouble-free, for on 19 November 1569 the Dean and Chapter cited him for 'certain matters alleged against him' as the result of which his salary was suspended. Since Puritanism was influential at Lincoln, it is possible that the allegations were connected with over-elaborate choral polyphony or organ playing. A second directive, dated 29 November, issued detailed instructions regarding Byrd's use of the organ in the liturgy.
On 14 September 1568, Byrd was married in the church of St Margaret-in-the-Close, Lincoln. His wife, Juliana, came from the Birley family of Lincolnshire. The baptism records mention two of their children, Christopher and Elizabeth, but the marriage produced at least seven children. Thomas Byrd, likely the second son of William Byrd, appears as the godson of Thomas Tallis in Tallis' will.
The Chapel Royal
In 1572, following the death of the composer Robert Parsons, who drowned in the Trent near Newark on 25 January of that year, Byrd obtained the post of Gentleman of the Chapel Royal, the largest choir of its kind in England. The appointment, which was for life, came with a good salary. Almost from the outset Byrd is named as 'organist', which however was not a designated post but an occupation for any Chapel Royal member capable of filling it.
In 1575 Byrd and Tallis were jointly granted a monopoly for the printing of music and ruled music paper for 21 years, one of a number of patents issued by the Crown for the printing of books, which was the first known issuing of letters patent. The two musicians used the services of the French Huguenot printer Thomas Vautrollier, who had settled in England and previously produced an edition of a collection of Lassus chansons in London (Receuil du mellange, 1570).
The two monopolists took advantage of the patent to produce a grandiose joint publication under the title Cantiones quae ab argumento sacrae vocantur. It was a collection of 34 Latin motets dedicated to the Queen herself, accompanied by elaborate prefatory matter including poems in Latin elegiacs by the schoolmaster Richard Mulcaster and the young courtier Ferdinand Heybourne (aka Richardson) who was also a pupil of Tallis. There are 17 motets each by Tallis and Byrd, one for each year of the Queen's reign.
The Cantiones were a financial failure. In 1577 Byrd and Tallis were forced to petition Queen Elizabeth for financial help, pleading that the publication had "fallen oute to oure greate losse" and that Tallis was now "verie aged". They were subsequently granted the leasehold on various lands in East Anglia and the West Country for a period of 21 years. Thomas Byrd inherited his half of the monopoly from his godfather, Tallis in 1585: although it is assumed that it was William Byrd who eventually managed it or was given ownership to continue the production of vast publications.
Catholicism
From the early 1570s onwards Byrd became increasingly involved with Catholicism, which, as the scholarship of the last half-century has demonstrated, became a major factor in his personal and creative life. As John Harley has shown, it is probable that Byrd's parental family were Protestants, though whether by deeply felt conviction or nominal conformism is not clear. Byrd himself may have held Protestant beliefs in his youth, for a recently discovered fragment of a setting of an English translation of Martin Luther's hymn "Erhalt uns, Herr, bei deinem Wort", which bears an attribution to "Birde" includes the line "From Turk and Pope defend us Lord". However, from the 1570s onwards he is found associating with known Catholics, including Lord Thomas Paget, to whom he wrote a petitionary letter on behalf of an unnamed friend in about 1573. Paget's household itself was a musical centre where "songes of Mr Byrdes and Mr Tallys were sung", implying that both composers were involved there in some way to permit the use of their music. Byrd's wife Julian was first cited for recusancy (refusing to attend Anglican services) at Harlington in Middlesex, where the family then lived, in 1577. Byrd himself appears in the recusancy lists from 1584.
His involvement with Catholicism took on a new dimension in the 1580s. Following Pope Pius V's papal bull Regnans in Excelsis, in 1570, which absolved Elizabeth's subjects from allegiance to her and effectively made her an outlaw in the eyes of the Catholic Church, Catholicism became increasingly identified with sedition in the eyes of the Tudor authorities. With the influx of missionary priests trained at the English College, Douai (now in France but then part of the Spanish Netherlands), and in Rome from the 1570s onwards, relations between the authorities and the Catholic community took a further turn for the worse. Byrd himself is found in the company of prominent Catholics. In 1583 he got into serious trouble because of his association with Paget, who was suspected of involvement in the Throckmorton Plot, and for sending money to Catholics abroad. As a result of this, Byrd's membership of the Chapel Royal was apparently suspended for a time, restrictions were placed on his movements, and his house was placed on the search list. In 1586 he attended a gathering at a country house in the company of Father Henry Garnett (later executed for complicity in the Gunpowder Plot) and the Catholic poet Robert Southwell.
Stondon Massey
In about 1594 Byrd's career entered a new phase. He was now in his early fifties, and seems to have gone into semi-retirement from the Chapel Royal. He moved with his family from Harlington to Stondon Massey, a small village near Chipping Ongar in Essex. His ownership of Stondon Place, where he lived for the rest of his life, was contested by Joanna Shelley, with whom he engaged in a legal dispute lasting about a decade and a half. The main reason for the move was apparently the proximity of Byrd's patron Sir John Petre, son of Sir William Petre. A wealthy local landowner, Petre was a discreet Catholic who maintained two local manor houses, Ingatestone Hall and Thorndon Hall, the first of which still survives in a much-altered state (the latter has been rebuilt). Petre held clandestine Mass celebrations, with music provided by his servants, which were subject to the unwelcome attention of spies and paid informers working for the Crown.
Byrd's acquaintance with the Petre family extended back at least to 1581 (as his surviving autograph letter of that year shows) and he spent two weeks at the Petre household over Christmas in 1589. He was ideally equipped to provide elaborate polyphony to adorn the music making at the Catholic country houses of the time. The ongoing adherence of Byrd and his family to Catholicism continued to cause him difficulties, though a surviving reference to a lost petition apparently written by Byrd to Robert Cecil, Earl of Salisbury sometime between 1605 and 1612 suggests that he had been allowed to practise his religion under licence during the reign of Elizabeth. Nevertheless, he regularly appeared in the quarterly local assizes and was reported to the archdeaconry court for non-attendance at the parish church. He was required to pay heavy fines for recusancy.
Later years and death
During his later years Byrd also added to his output of consort songs, a number of which were discovered by Philip Brett and Thurston Dart when Brett was a university student in the early 1960s. They probably reflect Byrd's relationship with the Norfolk landowner and music-lover Sir Edward Paston (1550–1630) who may have written some of the poems. The songs include elegies for public figures such as the Earl of Essex (1601), the Catholic matriarch and viscountess Montague Magdalen Dacre (With Lilies White, 1608) and Henry Prince of Wales (1612). Others refer to local notabilities or incidents from the Norfolk area.
Byrd remained in Stondon Massey until his death, due to heart failure, on 4 July 1623, which was noted in the Chapel Royal Check Book in a unique entry describing him as "a Father of Musick". Despite repeated citations for recusancy and persistent heavy fines, he died a rich man, having rooms at the time of his death at the London home of the Earl of Worcester.
Music
During his lifetime, Byrd published three volumes of Cantiones Sacrae (1575, co-written with Tallis; 1589; 1591), two volumes of Gradualia (1605; 1607), Psalmes, Sonets, and Songs of Sadnes and Pietie (1588), Songs of Sundrie Natures (1589), and Psalmes, Songs, and Sonnets (1611). He also composed other vocal and instrumental pieces; three Masses, music for the Fitzwilliam Virginal Book, and motets.
Early compositions
One of Byrd's earliest compositions was a collaboration with two Chapel Royal singing-men, John Sheppard and William Mundy, on a setting for four male voices of the psalm In exitu Israel for the procession to the font in Easter week. It was probably composed near the end of the reign of Queen Mary Tudor (1553–1558), who revived Sarum liturgical practices.
A few other compositions by Byrd also probably date from his teenage years. These include his setting of the Easter responsory Christus resurgens (a4) which was not published until 1605, but which as part of the Sarum liturgy could also have been composed during Mary's reign, as well as Alleluia confitemini (a3) which combines two liturgical items for Easter week. Some of the hymns and antiphons for keyboard and for consort may also date from this period, though it is also possible that the consort pieces may have been composed in Lincoln for the musical training of choirboys.
The 1560s were also important formative years for Byrd the composer. His Short Service, an unpretentious setting of items for the Anglican Matins, Communion and Evensong services, which seems to have been designed to comply with the Protestant reformers' demand for clear words and simple musical textures, may well have been composed during the Lincoln years. It is at any rate clear that Byrd was composing Anglican church music, for when he left Lincoln the Dean and Chapter continued to pay him at a reduced rate on condition that he would send the cathedral his compositions. Byrd had also taken serious strides with instrumental music. The seven In Nomine settings for consort (two a4 and five a5), at least one of the consort fantasias (Neighbour F1 a6) and a number of important keyboard works were apparently composed during the Lincoln years. The latter include the Ground in Gamut (described as "Mr Byrd's old ground") by his future pupil Thomas Tomkins, the A minor Fantasia, and probably the first of Byrd's great series of keyboard pavanes and galliards, a composition which was transcribed by Byrd from an original for five-part consort. All these show Byrd gradually emerging as a major figure on the Elizabethan musical landscape.
Some sets of keyboard variations, such as The Hunt's Up and the imperfectly preserved set on Gypsies' Round also seem to be early works. As we have seen, Byrd had begun setting Latin liturgical texts as a teenager, and he seems to have continued to do so at Lincoln. Two exceptional large-scale psalm motets, Ad Dominum cum tribularer (a8) and Domine quis habitabit (a9), are Byrd's contribution to a paraliturgical form cultivated by Robert White and Parsons. De lamentatione, another early work, is a contribution to the Elizabethan practice of setting groups of verses from the Lamentations of Jeremiah, following the format of the Tenebrae lessons sung in the Catholic rite during the last three days of Holy Week. Other contributors in this form include Tallis, White, Parsons and the elder Ferrabosco. It is likely that this practice was an expression of Elizabethan Catholic nostalgia, as a number of the texts suggest.
Cantiones sacrae (1575)
Byrd's contributions to the Cantiones are in various different styles, although his forceful musical personality is stamped on all of them. The inclusion of Laudate pueri (a6), believed by Joseph Kerman to have been originally composed as a instrumental fantasia, is one sign that Byrd had some difficulty in assembling enough material for the collection. However, Andrew Carwood speculates that Tallis' Laudate Dominum Omnes Gentes (in the Baldwin Partbooks) served as a model for Byrd's Laudate Pueri, giving Laudate Pueri a purely choral provenence. Diliges Dominum (a8), which may also originally have been untexted, is an eight-in-four retrograde canon of little musical interest. Also belonging to the more archaic stratum of motets is Libera me Domine (a5), a cantus firmus setting of the ninth responsory at Matins for the Office for the Dead, which takes its point of departure from the setting by Parsons, while Miserere mihi (a6), a setting of a Compline antiphon often used by Tudor composers for didactic cantus firmus exercises, incorporates a four-in-two canon. Tribue Domine (a6) is a large-scale sectional composition setting from a medieval collection of Meditationes which was commonly attributed to St Augustine, composed in a style which owes much to early Tudor settings of antiphons as a mosaic of full and semichoir passages. Byrd sets it in three sections, each beginning with a semichoir passage in the archaic English votive style.
Byrd's contribution to the Cantiones also includes compositions in a more forward-looking manner which point the way to his motets of the 1580s. Some of them show the influence of the motets of Ferrabosco I, a Bolognese musician who worked in the Tudor court at intervals between 1562 and 1578. Ferrabosco's motets provided direct models for Byrd's Emendemus in melius (a5), O lux beata Trinitas (a6), Domine secundum actum meum (a6) and Siderum rector (a5) as well as a more generalised paradigm for what Kerman has called Byrd's 'affective-imitative' style, a method of setting pathetic texts in extended paragraphs based on subjects employing curving lines in fluid rhythm and contrapuntal techniques which Byrd learnt from his study of Ferrabosco.
Cantiones sacrae (1589 and 1591)
Byrd's commitment to the Catholic cause found expression in his motets, of which he composed about 50 between 1575 and 1591. While the texts of the motets included by Byrd and Tallis in the 1575 Cantiones have a High Anglican doctrinal tone, scholars such as Joseph Kerman have detected a profound change of direction in the texts which Byrd set in the motets of the 1580s. In particular there is a persistent emphasis on themes such as the persecution of the chosen people (Domine praestolamur a5) the Babylonian or Egyptian captivity (Domine tu iurasti) and the long-awaited coming of deliverance (Laetentur caeli, Circumspice Jerusalem). This has led scholars from Kerman onwards to believe that Byrd was reinterpreting biblical and liturgical texts in a contemporary context and writing laments and petitions on behalf of the persecuted Catholic community, which seems to have adopted Byrd as a kind of 'house' composer. Some texts should probably be interpreted as warnings against spies (Vigilate, nescitis enim) or lying tongues (Quis est homo) or celebration of the memory of martyred priests (O quam gloriosum). Byrd's setting of the first four verses of Psalm 78 (Deus venerunt gentes) is widely believed to refer to the brutal execution of Fr Edmund Campion in 1581 an event that caused widespread revulsion on the Continent as well as in England. Finally, and perhaps most remarkably, Byrd's Quomodo cantabimus is the result of a motet exchange between Byrd and Philippe de Monte, who was director of music to Rudolf II, Holy Roman Emperor, in Prague. In 1583 De Monte sent Byrd his setting of verses 1–4 of Vulgate Psalm 136 (Super flumina Babylonis), including the pointed question "How shall we sing the Lord's song in a strange land?" Byrd replied the following year with a setting of the defiant continuation, set, like de Monte's piece, in eight parts and incorporating a three-part canon by inversion.
Thirty-seven of Byrd's motets were published in two sets of Cantiones sacrae, which appeared in 1589 and 1591. Together with two sets of English songs, discussed below, these collections, dedicated to powerful Elizabethan lords (Edward Somerset, 4th Earl of Worcester and John Lumley, 1st Baron Lumley), probably formed part of Byrd's campaign to re-establish himself in Court circles after the reverses of the 1580s. They may also reflect the fact that Byrd's fellow monopolist Tallis and his printer Thomas Vautrollier had died, thus creating a more propitious climate for publishing ventures. Since many of the motet texts of the 1589 and 1591 sets are pathetic in tone, it is not surprising that many of them continue and develop the 'affective-imitative' vein found in some motets from the 1570s, though in a more concise and concentrated form. Domine praestolamur (1589) is a good example of this style, laid out in imitative paragraphs based on subjects which characteristically emphasise the expressive minor second and minor sixth, with continuations which subsequently break off and are heard separately (another technique which Byrd had learnt from his study of Ferrabosco). Byrd evolved a special "cell" technique for setting the petitionary clauses such as miserere mei or libera nos Domine which form the focal point for a number of the texts. Particularly striking examples of these are the final section of Tribulatio proxima est (1589) and the multi-sectional Infelix ego (1591), a large-scale motet which takes its point of departure from Tribue Domine of 1575.
There are also a number of compositions which do not conform to this stylistic pattern. They include three motets which employ the old-fashioned cantus firmus technique as well as the most famous item in the 1589 collection, Ne irascaris Domine. the second part of which is closely modelled on Philip van Wilder's popular Aspice Domine. A few motets, especially in the 1591 set, abandon traditional motet style and resort to vivid word painting which reflects the growing popularity of the madrigal (Haec dies, Laudibus in sanctis, 1591). A famous passage from Thomas Morley's A Plaine and Easie Introduction to Practicall Musicke (1597) supports the view that the madrigal had superseded the motet in the favour of Catholic patrons, a fact which may explain why Byrd composed few non-liturgical motets after 1591.
Anglican church music
Byrd's staunch adherence to Catholicism did not prevent him from contributing memorably to the repertory of Anglican church music. Byrd's small output of church anthems ranges in style from relatively sober early examples (O Lord, make thy servant Elizabeth our queen (a6) and How long shall mine enemies (a5) ) to other, evidently late works such as Sing joyfully (a6) which is close in style to the English motets of Byrd's 1611 set, discussed below. Byrd also played a role in the emergence of the new verse anthem, which seems to have evolved in part from the practice of adding vocal refrains to consort songs. Byrd's four Anglican service settings range in style from the unpretentious Short Service, already discussed, to the magnificent so-called Great Service, a grandiose work which continues a tradition of opulent settings by Richard Farrant, William Mundy and Parsons. Byrd's setting is on a massive scale, requiring five-part Decani and Cantoris groupings in antiphony, block homophony and five, six and eight-part counterpoint with verse (solo) sections for added variety. This service setting, which includes an organ part, must have been sung by the Chapel Royal Choir on major liturgical occasions in the early seventeenth century, though its limited circulation suggests that many other cathedral choirs must have found it beyond them. Nevertheless, the source material shows that it was sung in York Minster as well as Durham, Worcester and Cambridge, in the early seventeenth century. The Great Service was in existence by 1606 (the last copying date entered in the so-called Baldwin Commonplace Book) and may date back as far as the 1590s; Tallis' earlier setting for the Benedictus is quoted in Byrd's own Benedictus for the Great Service. Kerry McCarthy has pointed out that the York Minster manuscript of the Great Service was copied by a vicar-choral named John Todd, apparently between 1597 and 1599, and is described as 'Mr Byrd's new sute of service for means'. This suggests the possibility that the work may have been Byrd's next compositional project after the three Mass settings.
The English song-books of 1588 and 1589
In 1588 and 1589 Byrd also published two collections of English songs. The first, Psalms, Sonnets and Songs of Sadness and Pietie (1588), contains the first madrigals published in England. It consists mainly of adapted consort songs, which Byrd, probably guided by commercial instincts, had turned into vocal part-songs by adding words to the accompanying instrumental parts and labelling the original solo voice as "the first singing part". The consort song, which was the most popular form of vernacular polyphony in England in the third quarter of the sixteenth century, was a solo song for a high voice (often sung by a boy) accompanied by a consort of four consort instruments (normally viols). As the title of Byrd's collection implies, consort songs varied widely in character. Many were settings of metrical psalms, in which the solo voice sings a melody in the manner of the numerous metrical psalm collections of the day (e.g. Sternhold and Hopkins Psalter, 1562) with each line prefigured by imitation in the accompanying instruments. Others are dramatic elegies, intended to be performed in the boy-plays which were popular in Tudor London. A popular source for song settings was Richard Edwards' The paradyse of dainty devices (1576) of which seven settings in consort song form survive.
Byrd's 1588 collection, which complicates the form as he inherited it from Parsons, Richard Farrant and others, reflects this tradition. The "psalms" section sets texts drawn from Sternhold's psalter of 1549 in the traditional manner, while the 'sonnets and pastorals' section employs lighter, more rapid motion with crotchet (quarter-note) pulse, and sometimes triple metre (Though Amaryllis dance in green, If women could be fair). Poetically, the set (together with other evidence) reflects Byrd's involvement with the literary circle surrounding Sir Philip Sidney, whose influence at Court was at its height in the early 1580s. Byrd set three of the songs from Sidney's sonnet sequence Astrophel and Stella, as well as poems by other members of the Sidney circle, and also included two elegies on Sidney's death in the Battle of Zutphen in 1586. But the most popular item in the set was the Lullaby (Lullay lullaby) which blends the tradition of the dramatic lament with the cradle-songs found in some early boy-plays and medieval mystery plays. It long retained its popularity. In 1602, Byrd's patron Edward Somerset, 4th Earl of Worcester, discussing Court fashions in music, predicted that "in winter lullaby, an owld song of Mr Birde, wylbee more in request as I thinke."
The Songs of Sundrie Natures (1589) contain sections in three, four, five and six parts, a format which follows the plan of many Tudor manuscript collections of household music and was probably intended to emulate the madrigal collection Musica Transalpina, which had appeared in print the previous year. Byrd's set contains compositions in a wide variety of musical styles, reflecting the variegated character of the texts which he was setting. The three-part section includes settings of metrical versions of the seven penitential psalms, in an archaic style which reflects the influence of the psalm collections. Other items from the three-part and four-part section are in a lighter vein, employing a line-by-line imitative technique and a predominant crotchet pulse (The nightingale so pleasant (a3), Is love a boy? (a4)). The five-part section includes vocal part-songs which show the influence of the "adapted consort song" style of the 1588 set but which seem to have been conceived as all-vocal part-songs. Byrd also bowed to tradition by setting two carols in the traditional form with alternating verses and burdens, (From Virgin's womb this day did spring, An earthly tree, a heavenly fruit, both a6) and even included an anthem, a setting of the Easter prose Christ rising again which also circulated in church choir manuscripts with organ accompaniment.
My Ladye Nevells Booke
The 1580s were also a productive decade for Byrd as a composer of instrumental music. On 11 September 1591 John Baldwin, a tenor lay-clerk at St George's Chapel, Windsor and later a colleague of Byrd in the Chapel Royal, completed the copying of My Ladye Nevells Booke, a collection of 42 of Byrd's keyboard pieces, which was probably produced under Byrd's supervision and includes corrections which are thought to be in the composer's hand. Byrd would almost certainly have published it if the technical means had been available to do so. The dedicatee long remained unidentified, but John Harley's researches into the heraldic design on the fly-leaf have shown that she was Lady Elizabeth Neville, the third wife of Sir Henry Neville of Billingbear House, Berkshire, who was a justice of the peace and a warden of Windsor Great Park. Under her third married name, Lady Periam, she also received the dedication of Thomas Morley's two-part canzonets of 1595. The contents show Byrd's mastery of a wide variety of keyboard forms, though liturgical compositions based on plainsong are not represented. The collection includes a series of ten pavans and galliards in the usual three-strain form with embellished repeats of each strain. (The only exception is the Ninth Pavan, which is a set of variations on the passamezzo antico bass.)
There are indications that the sequence may be a chronological one, for the First Pavan is labelled "the first that ever hee made" in the Fitzwilliam Virginal Book, and the Tenth Pavan, which is separated from the others, evidently became available at a late stage before the completion date. It is dedicated to William Petre (the son of Byrd's patron Sir John Petre, 1st Baron Petre) who was only 15 years old in 1591 and could hardly have played it if it had been composed much earlier. The collection also includes two famous pieces of programme music. The Battle, which was apparently inspired by an unidentified skirmish in Elizabeth's Irish wars, is a sequence of movements bearing titles such as "The marche to fight", "The battells be joyned" and "The Galliarde for the victorie". Although not representing Byrd at his most profound, it achieved great popularity and is of incidental interest for the information which it gives on sixteenth-century English military calls. It is followed by The Barley Break (a mock-battle follows a real one), a light-hearted piece which follows the progress of a game of "barley-break", a version of the game now known as "piggy in the middle", played by three couples with a ball. My Ladye Nevells Booke also contains two monumental Grounds, and sets of keyboard variations of variegated character, notably the huge set on Walsingham and the popular variations on Sellinger's Round, Carman's Whistle and My Lord Willoughby's Welcome Home. The fantasias and voluntaries in Nevell also cover a wide stylistic range, some being austerely contrapuntal (A voluntarie, no. 42) and others lighter and more Italianate in tone. (A Fancie no 36). Like the five-and six-part consort fantasias, they sometimes feature a gradual increase in momentum after an imitative opening paragraph.
Consort music
The period up to 1591 also saw important additions to Byrd's output of consort music, some of which have probably been lost. Two magnificent large-scale compositions are the Browning, a set of 20 variations on a popular melody (also known as "The leaves be green") which evidently originated as a celebration of the ripening of nuts in autumn, and an elaborate ground on the formula known as the Goodnight Ground. The smaller-scale fantasias (those a3 and a4) use a light-textured imitative style which owes something to Continental models, while the five and six-part fantasias employ large-scale cumulative construction and allusions to snatches of popular songs. A good example of the last type is the Fantasia a6 (No 2) which begins with a sober imitative paragraph before progressively more fragmented textures (working in a quotation from Greensleeves at one point). It even includes a complete three-strain galliard, followed by an expansive coda (for a performance on YouTube, see under 'External links' below). The single five-part fantasia, which is apparently an early work, includes a canon at the upper fourth.
Masses
Byrd now embarked on a programme to provide a cycle of liturgical music covering all the principal feasts of the Catholic Church calendar. The first stage in this undertaking comprised the three Ordinary of the Mass cycles (in four, three and five parts), which were published by Thomas East between 1592 and 1595. The editions are undated (dates can be established only by close bibliographic analysis), do not name the printer and consist of only one bifolium per partbook to aid concealment, reminders that the possession of heterodox books was still highly dangerous. All three works contain retrospective features harking back to the earlier Tudor tradition of Mass settings which had lapsed after 1558, along with others which reflect Continental influence and the liturgical practices of the foreign-trained incoming missionary priests. Mass for Four Voices, or the Four-Part Mass, which according to Joseph Kerman was probably the first to be composed, is partly modelled on John Taverner's Mean Mass, a highly regarded early Tudor setting which Byrd would probably have sung as a choirboy. Taverner's influence is particularly clear in the scale figures rising successively through a fifth, a sixth and a seventh in Byrd's setting of the Sanctus.
All three Mass cycles employ other early Tudor features, notably the mosaic of semichoir sections alternating with full sections in the four-part and five-part Masses, the use of a semichoir section to open the Gloria, Credo, and Agnus Dei, and the head-motif which links the openings of all the movements of a cycle. However, all three cycles also include Kyrie prayers, a rare feature in Sarum Rite Mass settings, which usually omitted it because of the use of tropes on festal occasions in the Sarum Rite. The Kyrie of the three-part Mass is set in a simple litany-like style, but the other Kyrie settings employ dense imitative polyphony. A special feature of the four-part and five-part Masses is Byrd's treatment of the Agnus Dei, which employ the technique which Byrd had previously applied to the petitionary clauses from the motets of the 1589 and 1591 Cantiones sacrae. The final words dona nobis pacem ("grant us peace"), which are set to chains of anguished suspensions in the Four-Part Mass and expressive block homophony in the five-part setting, almost certainly reflect the aspirations of the troubled Catholic community of the 1590s.
Gradualia
The second stage in Byrd's programme of liturgical polyphony is formed by the Gradualia, two cycles of motets containing 109 items and published in 1605 and 1607. They are dedicated to two members of the Catholic nobility, Henry Howard, 1st Earl of Northampton and Byrd's own patron Sir John Petre, who had been elevated to the peerage in 1603 under the title Lord Petre of Writtle. The appearance of these two monumental collections of Catholic polyphony reflects the hopes which the recusant community must have harboured for an easier life under the new king James I, whose mother, Mary Queen of Scots, had been a Catholic. Addressing Petre (who is known to have lent him money to advance the printing of the collection), Byrd describes the contents of the 1607 set as "blooms collected in your own garden and rightfully due to you as tithes", thus making explicit the fact that they had formed part of Catholic religious observances in the Petre household.
The greater part of the two collections consists of settings of the Proprium Missae for the major feasts of the church calendar, thus supplementing the Mass Ordinary cycles which Byrd had published in the 1590s. Normally, Byrd includes the Introit, the Gradual, the Alleluia (or Tract in Lent if needed), the Offertory and Communion. The feasts covered include the major feasts of the Virgin Mary (including the votive masses for the Virgin for the four seasons of the church year), All Saints and Corpus Christi (1605) followed by the feasts of the Temporale (Christmas, Epiphany, Easter, Ascension, Whitsun, and Feast of Saints Peter and Paul (with additional items for St Peter's Chains and the Votive Mass of the Blessed Sacrament) in 1607. The verse of the Introit is normally set as a semichoir section, returning to full choir scoring for the Gloria Patri. Similar treatment applies to the Gradual verse, which is normally attached to the opening Alleluia to form a single item. The liturgy requires repeated settings of the word "Alleluia", and Byrd provides a wide variety of different settings forming brilliantly conceived miniature fantasias which are one of the most striking features of the two sets. The Alleluia verse, together with the closing Alleluia, normally form an item in themselves, while the Offertory and the Communion are set as they stand.
In the Roman liturgy there are many texts which appear repeatedly in different liturgical contexts. To avoid having to set the same text twice, Byrd often resorted to a cross-reference or "transfer" system which allowed a single setting to be slotted into a different place in the liturgy. This practice sometimes causes confusion, partly because normally no rubrics are printed to make the required transfer clear and partly because there are some errors which complicate matters still further. A good example of the transfer system in operation is provided by the first motet from the 1605 set (Suscepimus Deus a5) in which the text used for the Introit has to be reused in a shortened form for the Gradual. Byrd provides a cadential break at the cut-off point.
The 1605 set also contains a number of miscellaneous items which fall outside the liturgical scheme of the main body of the set. As Philip Brett has pointed out, most of the items from the four- and three-part sections were taken from the Primer (the English name for the Book of hours), thus falling within the sphere of private devotions rather than public worship. These include, inter alia, settings of the four Marian antiphons from the Roman Rite, four Marian hymns set a3, a version of the Litany, the gem-like setting of the Eucharistic hymn Ave verum Corpus, and the Turbarum voces from the St John Passion, as well as a series of miscellaneous items.
In stylistic terms the motets of the Gradualia form a sharp contrast to those of the Cantiones sacrae publications. The vast majority are shorter, with the discursive imitative paragraphs of the earlier motets giving place to double phrases in which the counterpoint, though intricate and concentrated, assumes a secondary level of importance. Long imitative paragraphs are the exception, often kept for final climactic sections in the minority of extended motets. The melodic writing often breaks into quaver (eighth-note) motion, tending to undermine the minim (half-note) pulse with surface detail. Some of the more festive items, especially in the 1607 set, feature vivid madrigalesque word-painting. The Marian hymns from the 1605 Gradualia are set in a light line-by-line imitative counterpoint with crotchet pulse which recalls the three-part English songs from Songs of sundrie natures (1589). For obvious reasons, the Gradualia never achieved the popularity of Byrd's earlier works. The 1607 set omits several texts, which were evidently too sensitive for publication in the light of the renewed anti-Catholic persecution which followed the failure of the Gunpowder Plot in 1605. A contemporary account which sheds light on the circulation of the music between Catholic country houses, refers to the arrest of a young Frenchman named Charles de Ligny, who was followed from an unidentified country house by spies, apprehended, searched and found to be carrying a copy of the 1605 set. Nevertheless, Byrd felt safe enough to reissue both sets with new title pages in 1610
Psalms, songs and sonnets (1611)
Byrd's last collection of English songs was Psalms, Songs and Sonnets, published in 1611 (when Byrd was over 70) and dedicated to Francis Clifford, 4th Earl of Cumberland, who later also received the dedication of Thomas Campion's First Book of Songs in about 1613. The layout of the set broadly follows the pattern of Byrd's 1589 set, being laid out in sections for three, four, five and six parts like its predecessor and embracing an even wider miscellany of styles (perhaps reflecting the influence of another Jacobean publication, Michael East's Third Set of Books (1610)). Byrd's set includes two consort fantasias (a4 and a6) as well as eleven English motets, most of them setting prose texts from the Bible. These include some of his most famous compositions, notably Praise our Lord, all ye Gentiles (a6), This day Christ was born (a6) and Have mercy upon me (a6), which employs alternating phrases with verse and full scoring and was circulated as a church anthem. There are more carols set in verse and burden form as in the 1589 set as well as lighter three- and four-part songs in Byrd's "sonnets and pastorals" style. Some items are, however, more tinged with madrigalian influence than their counterparts in the earlier set, making clear that the short-lived madrigal vogue of the 1590s had not completely passed Byrd by. Many of the songs follow, and develop further, types already established in the 1589 collection.
Last works
Byrd also contributed eight keyboard pieces to Parthenia (winter 1612–13), a collection of 21 keyboard pieces engraved by William Hole, and containing music by Byrd, John Bull and Orlando Gibbons. It was issued in celebration of the forthcoming marriage of James I's daughter Princess Elizabeth to Frederick V, Elector Palatine, which took place on 14 February 1613. The three composers are nicely differentiated by seniority, with Byrd, Bull and Gibbons represented respectively by eight, seven and six items. Byrd's contribution includes the famous Earle of Salisbury Pavan, composed in memory of Robert Cecil, 1st Earl of Salisbury, who had died on 24 May 1612, and its two accompanying galliards. Byrd's last published compositions are four English anthems printed in Sir William Leighton's Teares or Lamentacions of a Sorrowfull Soule (1614).
Legacy
Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music. Perhaps his most impressive achievement as a composer was his ability to transform so many of the main musical forms of his day and stamp them with his own identity. Having grown up in an age in which Latin polyphony was largely confined to liturgical items for the Sarum rite, he assimilated and mastered the Continental motet form of his day, employing a highly personal synthesis of English and continental models. He virtually created the Tudor consort and keyboard fantasia, having only the most primitive models to follow. He also raised the consort song, the church anthem and the Anglican service setting to new heights. Finally, despite a general aversion to the madrigal, he succeeded in cultivating secular vocal music in an impressive variety of forms in his three sets of 1588, 1589 and 1611.
Byrd enjoyed a high reputation among English musicians. As early as 1575 Richard Mulcaster and Ferdinand Haybourne praised Byrd, together with Tallis, in poems published in the Tallis/Byrd Cantiones. Despite the financial failure of the publication, some of his other collections sold well, while Elizabethan scribes such as the Oxford academic Robert Dow, Baldwin, and a school of scribes working for the Norfolk country gentleman Sir Edward Paston copied his music extensively. Dow included Latin distichs and quotations in praise of Byrd in his manuscript collection of music, the Dow Partbooks (GB Och 984–988), while Baldwin included a long doggerel poem in his Commonplace Book (GB Lbm Roy App 24 d 2) ranking Byrd at the head of the musicians of his day:
Yet let not straingers bragg, nor they these soe commende,
For they may now geve place and sett themselves behynde,
An Englishman, by name, William BIRDE for his skill
Which I shoulde heve sett first, for soe it was my will,
Whose greater skill and knowledge dothe excelle all at this time
And far to strange countries abrode his skill dothe shyne...
In 1597 Byrd's pupil Thomas Morley dedicated his treatise A Plaine and Easie Introduction to Practicall Musicke to Byrd in flattering terms, though he may have intended to counterbalance this in the main text by some sharply satirical references to a mysterious "Master Bold". In The Compleat Gentleman (1622) Henry Peacham (1576–1643) praised Byrd in lavish terms as a composer of sacred music:
"For Motets and musick of piety and devotion, as well as for the honour of our Nation, as the merit of the man, I prefer above all our Phoenix M[aster] William Byrd, whom in that kind, I know not whether any may equall, I am sure none excel, even by the judgement of France and Italy, who are very sparing in the commendation of strangers, in regard of that conceipt they hold of themselves. His Cantiones Sacrae, as also his Gradualia, are mere Angelicall and Divine; and being of himself naturally disposed to Gravity and Piety, his vein is not so much for leight Madrigals or Canzonets, yet his Virginella and some others in his first Set, cannot be mended by the best Italian of them all."
Finally, and most intriguingly, it has been suggested that a reference to "the bird of loudest lay" in Shakespeare's mysterious allegorical poem The Phoenix and the Turtle may be to the composer. The poem as a whole has been interpreted as an elegy for the Catholic martyr St Anne Line, who was executed at Tyburn on 27 February 1601 for harbouring priests.
Byrd was an active and influential teacher. As well as Morley, his pupils included Peter Philips, Tomkins and probably Thomas Weelkes, the first two of whom were important contributors to the Elizabethan and Jacobean virginalist school. However, by the time Byrd died in 1623 the English musical landscape was undergoing profound changes. The principal virginalist composers died off in the 1620s (except for Giles Farnaby, who died in 1640, and Thomas Tomkins, who lived on until 1656) and found no real successors. Thomas Morley, Byrd's other major composing pupil, devoted himself to the cultivation of the madrigal, a form in which Byrd himself took little interest. The native tradition of Latin music which Byrd had done so much to keep alive more or less died with him, while consort music underwent a huge change of character at the hands of a brilliant new generation of professional musicians at the Jacobean and Caroline courts. The English Civil War, and the change of taste brought about by the Stuart Restoration, created a cultural hiatus which adversely affected the cultivation of Byrd's music together with that of Tudor composers in general.
In a small way, it was his Anglican church music which came closest to establishing a continuous tradition, at least in the sense that some of it continued to be performed in choral foundations after the Restoration and into the eighteenth century. Byrd's exceptionally long lifespan meant that he lived into an age in which many of the forms of vocal and instrumental music which he had made his own were beginning to lose their appeal to most musicians. Despite the efforts of eighteenth- and nineteenth-century antiquarians, the reversal of this judgement had to wait for the pioneering work of twentieth-century scholars from E. H. Fellowes onwards.
In more recent times, Joseph Kerman, Oliver Neighbour, Philip Brett, John Harley, Richard Turbet, Alan Brown, Kerry McCarthy, and others have made major contributions to increasing our understanding of Byrd's life and music. In 1999, Davitt Moroney's recording of Byrd's complete keyboard music was released on Hyperion (CDA66551/7; re-issued as CDS44461/7). This recording, which won the 2000 Gramophone Award in the Early Music category and a 2000 Jahrespreis der deutschen Schallplattenkritik, came with a 100-page essay by Moroney on Byrd's keyboard music. In 2010, The Cardinall's Musick, under the direction of Andrew Carwood, completed their recorded survey of Byrd's Latin church music. This series of thirteen recordings marks the first time that all of Byrd's Latin music has been available on disc.
In popular culture
Byrd's Cibavit eos, an introit for Corpus Christi published in the Gradualia, is sung at the beginning of Primal Fear (1996).
Modern editions
The Byrd Edition (gen. ed. P. Brett), Vols 1–17 (London, 1977–2004)
A. Brown (ed.), William Byrd, Keyboard Music (Musica Britannica 27–28, London, 1971)
Recordings
Free recordings of Madrigals, Latin Church Music
Free recordings of Byrd's Ave verum corpus (Archived 14 March 2016 at the Wayback Machine)
Free recordings of Mass for four voices and some Christmas motets
Motet Ave Verum Corpus as interactive hypermedia at the BinAural Collaborative Hypertext
Kunst der Fuge: William Byrd – Free MIDI files
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 48 | 96.3th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 139 | 98.8th |
| Studio albums | 128 | 99.8th |
| Awards recorded | 0 | 0th |
| Timeline events | 125 | 99.8th |
| Recording span (years) | -331 | 1.4th |
| Genres | 7 | 93th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (139 release groups · 128 studio albums)
Albums · 128
1954 · studio album
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Tracklist · 12 tracks · 50:11
A1The Four Part Mass : Kyrie4:39A2The Four Part Mass : Gloria3:52A3The Four Part Mass : Credo2:38A4The Four Part Mass : Sanctus6:37A5The Four Part Mass : Benedictus3:49A6The Four Part Mass : Agnus Dei3:11B1The Five Part Mass : Kyrie1:45B2The Five Part Mass : Gloria5:38B3The Five Part Mass : Credo10:26B4The Five Part Mass : Sanctus2:46B5The Five Part Mass : Benedictus1:39B6The Five Part Mass : Agnus Dei3:111979 · studio album
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Tracklist · 10 tracks · 40:38
A1Gaudemus omnes5:21A2Beati mundo corde3:21A3Iustorum animae3:11A4Non vos relinquam1:41A5Beata es2:55B1Visita, quaesumus Dominae3:59B2Salve, sancta Parens5:10B3Confirma hoc Deus1:46B4Senex peurum portabat2:37B5Tribulationes civitatum10:37The English Lute: Music by John Dowland & William Byrd
1979 · studio album
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Tracklist · 15 tracks · 51:21
A1The Most High and Mighty Christianus the Fourth, King of Denmark2:45A2Forlorn Hope Fancy3:39A3Sir Henry Guilforde, His Almaine1:48A4Mignarda3:14A5My Lady Hunsdons Puffe1:15A6Pavana6:56A7The Right Honorable Robert, Earl of Essex, His Galliard1:35A8A Fancy3:19B1Will Yow Walke the Woods Soe Wylde4:43B2Pavana Bray5:36B3Galiarda1:20B4Lullaby6:27B5Wolsey's Wilde1:32B6Pavane5:22B7My Lord Willoughbies Welcome Home1:50William Byrd: Cantiones sacrae (1589)
1983 · studio album
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Tracklist · 9 tracks · 50:32
1In resurrectione tua1:492Aspice Domine de sede5:063Vide Domine afflictionem9:044Domine tu iurasti3:575Vigilate5:276Domine secundum multitudinem2:597Tristitia et anxietas9:388Ne irascaris Domine8:069O quam gloriosum4:26William Byrd - The Three Masses
1984 · studio album
Mass for four Voices / Choral music (Quink Vocal Ensemble)
1985 · studio album
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Tracklist · 14 tracks · 43:40
1Mass for 4 voices: I. Kyrie2:112Mass for 4 voices: II. Gloria5:283Mass for 4 voices: III. Credo7:314Mass for 4 voices: IV. Sanctus2:215Mass for 4 voices: V. Benedictus1:156Mass for 4 voices: VI. Agnus Dei2:387Psalmes, Sonets and Songs, No. 34: Come to Me, Grief, for Ever2:018Psalmes, Sonets and Songs, No. 17: Retire, My Soul4:119The Teares or Lamentacions of a Sorrowfull Soule: Come help, O God3:1210First Book of Selected Church Musick: Prevent us, O Lord2:3911Gradualia, liber primus: Cibavit eos2:3412Gradualia, liber primus: Ave verum corpus3:4913Gradualia, liber secundus: Confirma hoc Deus1:2514Gradualia, liber primus: Justorum animae2:251986 · studio album
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Tracklist · 18 tracks · 1:58:29
Disc 11The "Nevell Cycle": I. 1st pavan & galliard in C minor, BK 296:372The "Nevell Cycle": II. 2nd pavan & galliard in G major, BK 714:393The "Nevell Cycle": III. 3rd pavan & galliard in A minor, BK 146:404The "Nevell Cycle": IV. 4th pavan & galliard in C major, BK 304:195The "Nevell Cycle": V. 5th pavan & galliard in C minor, BK316:376The "Nevell Cycle": VI. 6th pavan & galliard "Kinborough Good" in C major, BK 326:197The "Nevell Cycle": VII. 7th pavan: Canon 2 in 1 in G major, BK745:038The "Nevell Cycle": VIII. 8th pavan in A minor, BK 175:159The "Nevell Cycle": IX. 9th pavan & galliard: "Passing Measures" in G minor, BK 211:30Disc 21The "Second Cycle": I. Prelude; 10th pavan & galliard "Sir William Petre" in G minor, BK 1,37:402The "Second Cycle": II. Pavan & galliard in C major, BK 337:003The "Second Cycle": III. "Lachrymae" pavan; "Harding's" galliard in D minor, BK 54, 558:374The "Second Cycle": IV. Echo" pavan & galliard in G major, BK 1146:265The "Second Cycle": V. Prelude; "Tregian" pavan & galliard in F major, BK 115, 607:406The "Second Cycle": VI. "The Earl of Salisbury" pavan & 2 galliards in A minor, BK 155:357The "Second Cycle": VII. "Mary Brownlow" galliard in C major, BK 343:078The "Second Cycle": VIII. Galliard in D minor, BK 531:469The "Second Cycle": IX. "Quadran" pavan & galliard in G major, BK 7013:391986 · studio album
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Tracklist · 20 tracks · 52:34
1Paduana2:412Galliard1:233Coranta1:164Canzon2:545Fantasia a 55:416Fantasia a 6 (II)5:127Fantasia a 6 (I)3:088The Funerals (Pavan)3:079The Fairie-round (Galliard)1:1710The Choise (Almaine)1:0111Almayne1:1212Intrada (XII)1:4013Paduan (X)3:4814Galliard (XI)1:1015Volta (XVI)1:1616Ricercar, "Bonny Sweet Robin"2:4017Desperavi, Fancy in five parts4:0518Dovehouse Pavan4:1219Alman1:5120Pour vous Amour3:001987 · studio album
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Tracklist · 9 tracks · 52:58
1The Great Service: Venite5:182The Great Service: Te Deum9:323The Great Service: Benedictus9:234The Great Service: Creed5:295The Great Service: Magnificat9:126The Great Service: Nunc Dimittis5:207O Lord, Make Thy Servant Elizabeth2:528O God, the Proud Are Risen3:029Sing Joyfully Unto God2:50Masses / Lamentations / Motets
1987 · studio album
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Tracklist · 19 tracks · 1:36:54
Disc 11Mass for 4 Voices: I. Kyrie2:332Mass for 4 Voices: II. Gloria6:203Mass for 4 Voices: III. Credo8:424Mass for 4 Voices: IV. Sanctus – Benedictus4:355Mass for 4 Voices: V. Agnus Dei3:536Mass for 3 Voices: I. Kyrie0:467Mass for 3 Voices: II. Gloria4:508Mass for 3 Voices: III. Credo7:519Mass for 3 Voices: IV. Sanctus – Benedictus3:3110Mass for 3 Voices: V. Agnus Dei3:34Disc 21Mass for 5 Voices: I. Kyrie1:542Mass for 5 Voices: II. Gloria5:373Mass for 5 Voices: III. Credo10:424Mass for 5 Voices: IV. Sanctus – Benedictus4:375Mass for 5 Voices: V. Agnus Dei3:466De Lamentatione Hieremiae12:557Christe qui lux es et dies / Precamur a 53:108Laetentur coeli a 53:419Ave verum corpus a 43:571987 · studio album
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Tracklist · 5 tracks · 51:54
1In tempore paschali: Introit: Resurrexi / Gradual and alleluia: Hæc dies / Sequence: Victimæ paschali laudes / Offertory: Terra tremuit / Communion: Pascha nostrum18:272Regina cæli6:503In assumptione beatæ Mariæ virginis: Introit: Gaudeamus omnes / Gradual and alleluia: Propter veritatem / Offertory: Assumpta est Maria / Communion: Optimam partem16:584Ave regina cælorum4:345Salve regina5:051987 · studio album
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Tracklist · 12 tracks · 54:43
1Praise our Lord all yee Gentiles (Ps. 117)2:582Have mercy upon me, O God (Ps. 51:1-2)4:283Make ye ioy to God (Ps. 100:1-2)2:164Come to me griefe for ever – The funerall Songs of that honorable Gent. Syr Phillip Sydney, Knight4:045Christ rising again (Rom. 6:9-11; Cor. I, 15:20-22)6:016From Virgin's wombe – A Carowle for Christmas Day8:587Ye sacred Muses – Elegy on the death of Thomas Tallis3:358Turne our captivitie (Ps. 126:5-7)3:519Lulla, lullaby7:3410Who made thee, Hob – A dialogue between two shepherds1:4611Come wofull Orpheus4:0212Through Amarillis daunce in greene5:101987 · studio album
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Tracklist · 15 tracks · 1:05:02
1The Morning Service: I Venite5:262The Morning Service: II Te Deum9:123The Morning Service: III Benedictus9:144The Morning Service: IV Kyrie1:015The Morning Service: Creed5:246The Evening Service: I Introit - "Lift up your heads" (Psalm 24)5:077The Evening Service: II First Preces1:158The Evening Service: Psalm 47 "O Clap your hands"3:149The Evening Service: III Magnificat9:2610The Evening Service: IV Nunc dimittis4:3411The Evening Service: V Responses0:3612The Evening Service: Prayers2:3813The Evening Service: Collects2:2514The Evening Service: VI Anthem "O Lord, Make Thy Servant"2:4315The Evening Service: VII Anthem "Sing joyfully unto God our strength" (Psalm 81, 1-4)2:47Ave Verum Corpus: Motets and Anthems
1989 · studio album
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Tracklist · 18 tracks · 1:11:01
1Sing joyfully2:232Turn Our Captivity4:443Praise our Lord, all ye Gentiles2:354Emendemus in melius4:135Siderum Rector2:556Plorans plorabit5:157Visita, quaesumus Domine4:138Attollite portas4:209Laudibus in sanctis5:2610Gaudeamus omnes2:4511Ave verum Corpus4:1212Veni, Sancte Spiritus5:4913Christus resurgens4:1514Solve iubente Deo2:3615O magnum misterium5:4616Non vos relinquam2:0117O quam suavis4:5118Justorum animae2:42Messes (Deller Consort, Alfred Deller)
1989 · studio album
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Tracklist · 17 tracks · 1:07:09
1Messe à 3 voix: I. Kyrie0:502Messe à 3 voix: II. Gloria5:083Messe à 3 voix: III. Credo7:474Messe à 3 voix: IV. Sanctus2:165Messe à 3 voix: V. Benedictus1:026Messe à 3 voix: VI. Agnus Dei3:477Messe à 4 voix: I. Kyrie2:128Messe à 4 voix: II. Gloria5:559Messe à 4 voix: III. Credo7:3910Messe à 4 voix: IV. Sanctus, Benedictus4:0111Messe à 4 voix: V. Agnus Dei3:3612Messe à 5 voix: I. Kyrie1:3313Messe à 5 voix: II. Gloria5:0414Messe à 5 voix: III. Credo8:5115Messe à 5 voix: IV. Sanctus2:1916Messe à 5 voix: V. Benedictus1:3917Messe à 5 voix: VI. Agnus Dei3:301989 · studio album
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Tracklist · 12 tracks · 55:33
1Diliges Dominum3:202Ad Dominum cum tribularer10:533Introitus - Gaudeamus omnes5:144Kyrie1:455Gloria5:346Graduale - Timete Dominum4:437Credo10:038Offertorium - Iustorum animae2:469Sanctus2:3410Benedictus1:3311Agnus Dei3:3712Communio - Beati mundo corde3:31Pieces from ‘The Fitzwilliam Virginal Book’
1990 · studio album
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Tracklist · 13 tracks · 1:09:26
1Fantasia C5:372The Carman’s Whistle4:413Pavan and Galliard F6:084The Woods So Wild4:125Fantasia G7:126The Queen’s Alman3:167Pavan and Galliard G4:088The Bells7:189Walsingham8:2610All in a Garden Green4:2611Lavolta2:2212Pavan and Galliard g3:5013Ut re mi fa sol la7:50Mass for 4 Voices with Propers for the Feast of Saints Peter & Paul
1990 · studio album
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Tracklist · 16 tracks · 59:53
1Philippe de Monte: Super flumina Babylonia6:192Quomodo cantabimus6:083Tu es Pastor ovium2:144Quodcunque ligaveris4:045Hodie Simon Petrus3:416Introitus - Nunc scio vere5:467Kyrie2:258Gloria6:149Graduale - Constitues eos Principes2:4510Alleluia0:2811Credo8:3912Offertorium - Constitues eos Principes1:4513Sanctus2:3314Benedictus1:3015Agnus Dei3:3616Communio - Tu es Petrus1:461990 · studio album
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Tracklist · 30 tracks · 1:15:16
1This Sweet and Merry Month3:042Now Is the Gentle Season2:323Say, Gentle Nymphs2:074Die Now, My Heart3:385April Is in My Mistress' Face1:246In Ev'ry Place2:357When Phoebus First Did Daphne Love1:088Come Away, Come, Sweet Love1:399Fine Knacks for Ladies2:1310Phyllis, Farewell3:0911Down From Above Falls Jove1:3412If Love Be Blind1:4213Some Time She Would1:5514Construe My Meaning2:0615What Needeth All This Travail2:2116Adieu, Sweet Amaryllis3:0417Thus Saith My Cloris Bright1:1518Alas, What Hope of Speeding2:4819Since Robin Hood1:1920Cease, Sorrows, Now4:0621Young Cupid Hath Proclaim'd1:5122Of All the Birds That I Do Know2:0123Rest, Sweet Nymphs5:2524Take Time While Time Doth Last1:5725Fair Phyllis I Saw Sitting1:2626O Stay, Sweet Love2:5127Weep, O Mine Eyes2:4528Since Neither Tunes of Joy1:4329O Sleep, Fond Fancy3:4030Weep No More, Thou Sorry Boy5:58Mass for Five Voices With the Propers for All Saints Day
1990 · studio album
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Tracklist · 12 tracks · 52:12
1Introitus: ‘Gaudeamus omnes’ (Gradualia, 1605)4:312Mass for Five Voices: Kyrie1:343Mass for Five Voices: Gloria5:424Gradualis: ‘Timete Dominum’ (Gradualia, 1605)4:005Mass for Five Voices: Credo10:116Offertorium: ‘Justorum animae’ (Gradualia, 1605)2:507Mass for Five Voices: Sanctus / Benedictus4:148Communio: ‘Beati mundo corde’ (Gradualia, 1605)2:559Mass for Five Voices: Agnus Dei4:1210Laudibus in Sanctis5:4411Laudate pueri Dominum3:4212Laudate Dominum2:371990 · studio album
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Tracklist · 42 tracks · 1:19:06
1Suscepimus Deus2:222Iustitia0:383Magnus Dominus1:584Sicut audivimus1:145Alleluia0:406Senex puerum1:427Nunc dimittis servum tuum5:348Responsam accepit Simeon4:079Salve sancta parens1:2910Alleluia0:3111Eructavit cor meum1:5312Benedicta et venerabilis2:2713Alleluia0:4214Felix es, sacra virgo1:3015Beata es, Virgo Maria2:0116Alleluia0:5217Beata viscera1:4318Alleluia0:4019Rorate caeli1:2720Benedixisti Domine2:1121Tollite portas2:1022Ave Maria1:2323Alleluia0:4824Ecce virgo concipiet2:0725Alleluia0:3026Vultum tuum2:2227Alleluia0:4728Speciosus forma3:0429Alleluia0:3830Post partum2:5631Felix namque es1:4132Alleluia: Ave Maria1:5733Virga lesse2:2234Gaude Maria3:4135Diffusa est gratia1:3836Propter veritatem2:4237Alleluia0:3138Vultum tuum3:5539Gaudeamus omnes2:2040Assumpta est Maria1:2841Assumpta est Maria1:3542Optimam partem elegit2:501991 · studio album
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Tracklist · 10 tracks · 58:17
1My Lady Nevell's Ground, MB 575:362O Mistress Mine, MB 835:333John Come Kiss Me Now, MB 815:044Pavane and Galliard No. 1 in G minor "Passamezzo", MB 2: Pavan6:445Pavane and Galliard No. 1 in G minor "Passamezzo", MB 2: Galliard4:246Carman's Whistle, MB 364:447Walsingham, MB 88:048Hugh Aston's Ground, MB 207:509Fortune, MB 64:1610Sellinger's Round, MB 846:02Masses for 3, 4 & 5 voices / Ave verum
1991 · studio album
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Tracklist · 16 tracks · 1:17:28
1Mass for 4 Voices: I. Kyrie2:302Mass for 4 Voices: II. Gloria6:203Mass for 4 Voices: III. Credo8:424Mass for 4 Voices: IV. Sanctus – Benedictus4:355Mass for 4 Voices: V. Agnus Dei3:596Mass for 3 Voices: I. Kyrie0:477Mass for 3 Voices: II. Gloria4:508Mass for 3 Voices: III. Credo7:519Mass for 3 Voices: IV. Sanctus – Benedictus3:3110Mass for 3 Voices: V. Agnus Dei3:4211Mass for 5 Voices: I. Kyrie1:5412Mass for 5 Voices: II. Gloria5:3713Mass for 5 Voices: III. Credo10:4214Mass for 5 Voices: IV. Sanctus – Benedictus4:3715Mass for 5 Voices: V. Agnus Dei3:5416Ave verum corpus a 43:571992 · studio album
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Tracklist · 14 tracks · 1:14:30
1Mass for 3 Voices: Kyrie - Gloria5:572Mass for 3 Voices: Credo8:243Mass for 3 Voices: Sanctus - Benedictus3:254Mass for 3 Voices: Agnus Dei3:505Mass for 4 Voices: Kyrie2:346Mass for 4 Voices: Gloria6:317Mass for 4 Voices: Credo8:318Mass for 4 Voices: Sanctus - Benedictus4:339Mass for 4 Voices: Agnus Dei4:2010Mass for 5 Voices: Kyrie1:5011Mass for 5 Voices: Gloria5:3112Mass for 5 Voices: Credo10:2813Mass for 5 Voices: Sanctus - Benedictus4:1814Mass for 5 Voices: Agnus Dei4:181992 · studio album
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Tracklist · 11 tracks · 49:14
1Barafostus' Dream6:252The King's Hunt3:463Pavan & Gaillarde of Mr. Peter8:234Fantasia no. 6 in D1:195Pavane no. 16 in G5:506Walsingham-Variationen8:127Fancy no. 3 in d0:548Maske in G2:099Fantasia in D6:3410English Toy1:2711Fantasia in D4:15Mass for Four Voices / Infelix Ego / Mass for Five Voices
1992 · studio album
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Tracklist · 11 tracks · 1:05:03
1Mass for Four Voices: Kyrie2:262Mass for Four Voices: Gloria6:083Mass for Four Voices: Credo8:464Mass for Four Voices: Sanctus4:385Mass for Four Voices: Agnus Dei3:526Infelix Ego13:547Mass for Five Voices: Kyrie1:498Mass for Five Voices: Gloria5:389Mass for Five Voices: Credo9:3110Mass for Five Voices: Sanctus4:2011Mass for Five Voices: Agnus Dei4:011993 · studio album
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Tracklist · 9 tracks · 41:56
1Emendemus in Melius4:072Libera me8:323Peccantem me quotidie5:244Aspice Domine6:165Attollite portas4:576O lux beata Trinitas4:077Laudate Pueri4:078Memento Homo1:369Siderum Rector2:501993 · studio album
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Tracklist · 42 tracks · 3:12:04
Disc 11My Ladye Nevells Booke: I. My Ladye Nevells Ground5:212My Ladye Nevells Booke: II. Qui Passe: for my ladye nevell3:083My Ladye Nevells Booke: III. The Marche Before the Battell3:304My Ladye Nevells Booke: IV. The Battell10:525My Ladye Nevells Booke: V. The Galliarde for the Victorie1:526My Ladye Nevells Booke: VI. The Barleye Breake7:257My Ladye Nevells Booke: VII. A Galliards Gygge1:548My Ladye Nevells Booke: VIII. The Huntes Upp6:249My Ladye Nevells Booke: IX. Ut Re Mi Fa Sol La7:5210My Ladye Nevells Booke: X. The Firste Pavian4:1111My Ladye Nevells Booke: XI. The Galliarde to the Firste Pavian1:3512My Ladye Nevells Booke: XII. The Seconde Pavian2:1113My Ladye Nevells Booke: XIII. The Galliarde to the Seconde Pavian1:4214My Ladye Nevells Booke: XIV. The Third Pavian4:2515My Ladye Nevells Booke: XV. The Galliarde to the Third Pavian1:3416My Ladye Nevells Booke: XVI. The Fourth Pavian2:2217My Ladye Nevells Booke: XVII. The Galliarde to the Fourth Pavian1:50Disc 21My Ladye Nevells Booke: XVIII. The Fifte Pavian4:452My Ladye Nevells Booke: XIX. The Galliarde to the Fifte Pavian1:403My Ladye Nevells Booke: XX. Pavana the Sixte: Kinbrugh Goodd4:324My Ladye Nevells Booke: XXI. The Galliarde to the Sixte Pavian1:295My Ladye Nevells Booke: XXII. The Seventh Pavian4:286My Ladye Nevells Booke: XXIII. The Eighte Pavian4:307My Ladye Nevells Booke: XXIV. The Passinge Mesures: The Nynthe Pavian6:088My Ladye Nevells Booke: XXV. The Galliarde to the Nynthe Pavian4:519My Ladye Nevells Booke: XXVI. A Voluntarie: for my ladye nevell5:2110My Ladye Nevells Booke: XXVII. Will Yow Walke the Woods Soe Wylde3:1911My Ladye Nevells Booke: XXVIII. The Maidens Songe5:4112My Ladye Nevells Booke: XXIX. A Lesson of Voluntarie7:3613My Ladye Nevells Booke: XXX. The Second Grownde8:30Disc 31My Ladye Nevells Booke: XXXI. Have With Yow to Walsingame8:302My Ladye Nevells Booke: XXXII. All in a Garden Grine5:083My Ladye Nevells Booke: XXXIII. Lord Willobies Welcome Home2:314My Ladye Nevells Booke: XXXIV. The Carmans Whistle4:045My Ladye Nevells Booke: XXXV. Hugh Ashtons Grownde7:206My Ladye Nevells Booke: XXXVI. A Fancie5:007My Ladye Nevells Booke: XXXVII. Sellingers Rownde5:418My Ladye Nevells Booke: XXXVIII. Munsers Almaine6:299My Ladye Nevells Booke: XXXIX. The Tennthe Pavian: Mr. W. Peter5:3210My Ladye Nevells Booke: XL. The Galliarde to the Tennthe Pavian2:0711My Ladye Nevells Booke: XLI. A Fancie4:4812My Ladye Nevells Booke: XLII. A Voluntarie3:561993 · studio album
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Tracklist · 15 tracks · 1:07:13
1Mass for 5 voices: I. Kyrie1:292Mass for 5 voices: II. Gloria4:553Mass for 5 voices: III. Credo8:414Mass for 5 voices: IV. Sanctus & Benedictus3:475Mass for 5 voices: V. Agnus Dei3:506Mass for 4 voices: I. Kyrie2:037Mass for 4 voices: II. Gloria5:308Mass for 4 voices: III. Credo7:329Mass for 4 voices: IV. Sanctus & Benedictus3:4010Mass for 4 voices: V. Agnus Dei3:3011Mass for 3 voices: I. Kyrie & Gloria5:1212Mass for 3 voices: II. Credo6:3713Mass for 3 voices: III. Sanctus & Benedictus2:4614Mass for 3 voices: IV. Agnus Dei3:2515Ave verum corpus4:16Thomas Tallis: The Lamentations of Jeremiah / William Byrd: Mass for 3 Voices
1993 · studio album
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Tracklist · 12 tracks · 43:55
1The Lamentations of Jeremiah: Pars I, Incipit lamentatio1:192The Lamentations of Jeremiah: Pars I, Aleph2:443The Lamentations of Jeremiah: Pars I, Beth4:564The Lamentations of Jeremiah: Pars II, De lamentatione1:335The Lamentations of Jeremiah: Pars II, Ghimel2:486The Lamentations of Jeremiah: Pars II, Daleth3:487The Lamentations of Jeremiah: Pars II, Heth5:448Mass for 3 Voices: I. Kyrie0:449Mass for 3 Voices: II. Gloria5:0510Mass for 3 Voices: III. Credo8:4111Mass for 3 Voices: IV. Sanctus / Benedictus3:1012Mass for 3 Voices: V. Agnus Dei3:23William Byrd The Complete Consort Music
1994 · studio album
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Tracklist · 23 tracks · 1:16:24
1Prelude & Ground a 55:582Christe redemptor a 42:583Sermone blando a 3 / Sermone blando a 4 no. 14:194Pavan & Galliard a 54:105Fantasia a 5 'two in one'6:106In nomine a 4 no. 12:197In nomine a 4 no. 22:498Fantasia a 3 no. 11:459Fantasia a 3 no. 21:4510Fantasia a 3 no. 31:2011Fantasia a 4 no. 12:4512Browning a 54:1513Pavan & Galliard a 64:1614In nomine a 5 no. 12:1915In nomine a 5 no. 22:3716In nomine a 5 no. 32:4717In nomine a 5 no. 42:4518In nomine a 5 no. 52:3219Fantasia a 6 no. 34:4020Christe qui lux a 4 no. 1 / no.2 / no. 35:2421Te lucis a 4 no. 2, verse 21:2122Miserere a 41:3323Fantasia a 6 no. 25:37Psalmes, Sonets & Songs (1588 – Selection)
1994 · studio album
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Tracklist · 12 tracks · 1:05:23
1O God give ear and do apply4:492O Lord, how long wilt thou forget6:033If women could be fair3:554What pleasure have great princes5:235In fields abroad4:116The match that's made5:117All as a sea3:118Susanna fair4:049Care for thy soul6:4310Lullaby8:4811Come to me, grief, for ever5:0112O that most rare breast8:041994 · studio album
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Tracklist · 11 tracks · 47:08
1Laudibus in sanctis Dominum5:532Domine, salva nos3:243Domine, non sum dignus2:394Cunctis diebus4:175Haec dicit Dominus7:426Haec dies2:397Misere mei, Deus3:498Tribulatio proxima est4:299Circumdederunt me4:5710Fac cum, servo tuo3:3011Exsurge, Domine3:49Motets and Mass for Four Voices
1994 · studio album
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Tracklist · 19 tracks · 53:37
1O ye tender babes1:482Motets: Introit: Cibavit eos3:353Motets: Gradual & Alleluja: Oculi omnium3:554Motet: Offertory: Sacerdotes Domini1:245Motet: Communion: Quotiescunque manducabitis2:106Mass for four voices: Kyrie1:477Mass for four voices: Gloria5:138Gloria tibi trinitas2:179Mass for four voices: Credo7:0910Clarifica me Pater I1:4711Motet: O sacrum convivium2:3512Clarifica me Pater II1:4613Mass for four voices: Sanctus1:5414Mass for four voices: Benedictus1:2115Clarifica me Pater III2:3816Mass for four voices: Agnus Dei3:0017In Nomine1:3718In going to my naked bed4:3419Vaine, vaine, vaine3:07Consort and Keyboard Music, Songs and Anthems
1994 · studio album
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Tracklist · 17 tracks · 1:03:29
1Pavan a 63:042Galliard a 61:593Susanna fair3:294Rejoice unto the Lord3:245John come kiss me now5:186Fantasia No. 2 a 65:227Have mercy upon me, O God3:158In Nomine No. 2 a 43:159In angel's weed2:5610Fair Britain isle5:5711Fantasia a 42:4612Triumph with pleasant melody3:3913Pavan in A minor4:0014Qui passe: for my Lady Nevell3:0715Fantasia No. 3 a 64:1116In Nomine No. 5 a 52:3317Christ rising again5:14Go From My Window: Music for the Virginal
1994 · studio album
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Tracklist · 20 tracks · 1:13:10
1Go from my Window6:482Alemande de Chapelle3:443The Italian Ground1:514Ground in A2:325Paduana Lachrymae6:156Irish Toy1:017Coranto2:368Prelude in G2:079Pavan Lord Lumley5:0910Galliard Lord Lumley3:0311My Grief1:2912Alman in D1:0713Alman in D0:5614Why Ask You2:2615Why Ask You2:5116Paduana Lachrymae5:2917Mein junges Leben hat ein End6:4918The Fifth Pavan (My Lady Nevell's Book)4:5619The Fifth Galliard (My Lady Nevell's Book)1:5620The Barley Break10:051995 · studio album
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Tracklist · 23 tracks · 1:19:00
1Pavan in F major3:212Almain in F major1:363In Nomine2:544Fantasia I2:075O Lord, Let Me Know Mine End5:356In Nomine II2:347Pavan and galliard, “Lord Strafford”: Paven and Galliard: Earl Strafford7:248Pavan4:219Galliard3:0510Behold, Thou Hast Made My Days4:0311I tremble not at noise of war1:5612Preludium In G1:4413Lincoln’s Inn Mask1:1814Galliard1:1315The Silver Swan1:2216Fantasia no. 1 a 3, “great dooble basse”: Fantasia no. 1 for the Great Double Bass4:3517Glorious and Powerful God4:4618Galliard2:0019Rejoice Unto the Lord3:2520Fantasia no. 25:2121Fair Britain Isle5:5822Qui passe for my Lady Nevell: Qui passe (for My Lady Nevell)3:0823Christ Rising Again5:14Byrd: Mass for Four Voices / Mass for Five Voices / Tallis: Mass for Four Voices
1995 · studio album
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Tracklist · 15 tracks · 1:14:05
1Mass for Four Voices: Kyrie2:262Mass for Four Voices: Gloria6:083Mass for Four Voices: Credo8:464Mass for Four Voices: Sanctus4:385Mass for Four Voices: Agnus Dei3:526Mass for Five Voices: Kyrie1:497Mass for Five Voices: Gloria5:388Mass for Five Voices: Credo9:319Mass for Five Voices: Sanctus4:2010Mass for Five Voices: Agnus Dei4:0811Mass for Four Voices: Gloria6:2512Mass for Four Voices: Credo7:1813Mass for Four Voices: Sanctus2:4714Mass for Four Voices: Benedictus2:4815Mass for Four Voices: Agnus Dei3:31La Battaglia - Music for the Battle
1996 · studio album
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Tracklist · 35 tracks · 1:08:33
1Battle Suite: I. Galliard battaglia1:552Battle Suite: II. Courant dolorosa1:463Battle Suite: III. Canzon ad imitationem Bergamascae anglicae4:384Susato Suite: I. La Mourisque1:175Susato Suite: II. Branle quatre branles1:306Susato Suite: III. Ronde1:587Susato Suite: IV. Basse danse bergeret2:308Susato Suite: V. Ronde mon amy2:329Susato Suite: VI. Pavane bataille2:4610The Battell: I. The marche before the Battell3:0511The Battell: II. The souldiers' sommons0:5512The Battell: III. The marche of footemen0:4013The Battell: IV. The marche of horsemen0:4214The Battell: V. The Trumpetts1:0315The Battell: VI. The Irish Marche0:5716The Battell: VII. The bagpipe and the drone1:2117The Battell: VIII. The flute and the droome2:1518The Battell: IX. The marche to the fighte1:5419The Battell: X. The Retraite2:0820The Battell: XI. The buriing of the dead1:4521The Battell: XII. The Morris0:4422The Battell: XIII. The souldiers' dance1:1823The Battell: XIV. The Gaillarde for the Victoire1:2424The Battell: XV. The Earle of Oxford's Marche3:0025Udite, ecco le trombe - Fantasia1:5026Biblischen Historien I: Der Streit zwischen David und Goliath: I. Das Pochen und Trotzen des Goliaths2:4527Biblischen Historien I: Der Streit zwischen David und Goliath: II. Das Zittern der Israeliten und ihr Gebet zu Gott bei dem Anblicke dieses abscheuligen Feindes3:2128Biblischen Historien I: Der Streit zwischen David und Goliath: III. Die Hertzhafftigkeit Davids, dessen Begierde dem Riesen den stoltzen Muth zu brechen un das kindliche Verlangen auff Gottes Hülffe1:1029Biblischen Historien I: Der Streit zwischen David und Goliath: IV. Die zwischen David und Goliath gewechselten Streit-Worte und der Streit selbsten darbey dem Goliath der Stein in die Stirne geschleudert und er dadurch gefället und gar getödtet wird1:2630Biblischen Historien I: V. Die Flucht der Philister ingleichen wie ihnen die Israeliten nachjagen und sie mit dem Schwerte erwürgen1:1331Biblischen Historien I: VI. Das Frolocken der Israeliten über diesem Siege1:2132Biblischen Historien I: VII. Das über dem Lobe Davids von denen Weibern Chorweise musicirte Concert1:3533Biblischen Historien I: VIII. Und endlich die allgemeine in lauten Tantzen und Springen sich äeußernde Freude1:4234Fantasia ‘Newark Siege’5:4235La Réjouissance (from the Royal Fireworks Music)2:253 Masses / Mass "The Western Wind"
1996 · studio album
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Tracklist · 26 tracks · 2:25:46
Disc 11Mass for 3 Voices: Kyrie - Gloria5:572Mass for 3 Voices: Credo8:243Mass for 3 Voices: Sanctus - Benedictus3:254Mass for 3 Voices: Agnus Dei3:505Mass for 4 Voices: Kyrie2:346Mass for 4 Voices: Gloria6:317Mass for 4 Voices: Credo8:318Mass for 4 Voices: Sanctus - Benedictus4:339Mass for 4 Voices: Agnus Dei4:2010Mass for 5 Voices: Kyrie1:5011Mass for 5 Voices: Gloria5:3112Mass for 5 Voices: Credo10:2813Mass for 5 Voices: Sanctus - Benedictus4:1814Mass for 5 Voices: Agnus Dei4:18Disc 21The Great Service: I. Magnificat10:312The Great Service: II. Nun dimittis6:013Ave verum corpus4:274Kyrie "Le Roy"3:325Mass "The Western Wind": I. Gloria6:436Mass "The Western Wind": II. Credo6:397Mass "The Western Wind": III. Sanctus4:468Mass "The Western Wind": IV. Benedictus2:379Mass "The Western Wind": V. Agnus Dei7:3410Dum transisset sabbatum7:4011Christe Jesu pastor bone3:0412Mater Christi7:42Renaissance Masterpieces, Volume I: Great Britain
1996 · studio album
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Tracklist · 19 tracks · 1:06:08
1Lamentations: De lamentatione2:022Lamentations: Heth2:433Lamentations: Teth2:384Lamentations: Jod2:445Lamentations: Jerusalem2:206The Four-Part Mass: Kyrie2:227The Four-Part Mass: Gloria6:278The Four-Part Mass: Credo8:339The Four-Part Mass: Sanctus2:3710The Four-Part Mass: Benedictus1:4211The Four-Part Mass: Agnus Dei3:4712Lamentations I: Incipit lamentatio1:2413Lamentations I: Aleph2:4514Lamentations I: Beth4:4415Lamentations II: De lamentatione1:3816Lamentations II: Ghimel2:5917Lamentations II: Daleth3:5618Lamentations II: Heth5:3819Audivi vocem de caelo5:091996 · studio album
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Tracklist · 18 tracks · 1:12:45
1Ego sum panis vivus - William Byrd2:332Mass for five voices: Introit - Cibavit eos3:563Mass for five voices: Introit - Kyrie1:354Mass for five voices: Introit - Gloria4:465Mass for five voices: Gradual - Oculi omnium4:516Mass for five voices: Sequence - Laudi Sion salvatorem6:217Mass for five voices: Sequence - Credo9:088Mass for five voices: Offertory - Sacerdotes Domini1:349Mass for five voices: Offertory - Sanctus2:1010Mass for five voices: Offertory - Benedictus1:3411Mass for five voices: Offertory - Agnus Dei4:3412Mass for five voices: Communion - Quotiescunque manducabitis3:3013Mass for five voices: Processional - Pange lingua gloriosi3:3214Ab ortu solis - William Byrd6:1615Alleluia. Cognoverunt discipuli - William Byrd4:1416O Sacrum convivium - William Byrd3:5617O Salutaris hostia - William Byrd3:4118Ave verum corpus - William Byrd4:341997 · studio album
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Tracklist · 11 tracks · 1:02:39
1Tribue Domine12:502Siderum rector3:273Domine secundum8:024Fantasia in D4:575Attolite portas5:206Miserere mihi2:297Fantasia in C5:418Aspice Domine5:569Peccantem me quotidie7:1010Salvator mundi II1:3111O lux beata Trinitas5:161997 · studio album
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Tracklist · 20 tracks · 1:13:16
1Fantazia à 6, T. 3895:572Pavan & Galliard, MB 32 "Kinbourough Good": I. Pavan4:193Pavan & Galliard, MB 32 "Kinbourough Good": II. Galliard1:254The Queen's Alman - Hugh Ashton's Ground (MB 20)4:595Pavan and galliard à 6: I. Pavan2:516Pavan and galliard à 6: II. Galliard1:157Pavane "Mille Regretz"2:428Pavan and Galliard, MB 14: I. Pavan4:249Pavan and Galliard, MB 14: II. Galliard1:1810Browning (The Leaves be Green)3:5411Pavan a 53:5612The Carman's Whistle, MB 365:1413The Irish March, MB 941:3814My Lord of Oxenfords Maske1:4315Pavan, MB 174:5216A Fancie, MB 254:5617Praeludium & Ground6:1818Pavan & Galliard, MB 60 "Ph. Tregian",: I. Pavan4:4019Pavan & Galliard, MB 60 "Ph. Tregian",: II. Galliard1:3520Belle qui tiens ma vie, MB 21 "French Corantos": I. Pavan5:20The Byrd Edition, Vol 1: Early Latin Church Music / Propers for Lady Mass in Advent
1997 · studio album
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Tracklist · 17 tracks · 1:09:34
1Domine quis habitabit8:382Omni tempore benedic Deum5:393Christe redemptor omnium4:254Sermone blando a 41:425Miserere a 41:236Ne perdas cum impiis3:527De lamentatione Jeremiae prophetae11:288Gradualia, liber primus: Propers for Lady Mass in Advent: Rorate caeli3:509Gradualia, liber primus: Propers for Lady Mass in Advent: Tollite portas / Ave Maria3:2210Gradualia, liber primus: Propers for Lady Mass in Advent: Ecce virgo1:2411Gradualia, liber primus: Propers for Lady Mass in Advent: Alma redemptoris mater4:0512Christe qui lux es a 53:5813Christe qui lux es a 41:0014Sanctus a 30:5415Audivi vocem de caelo3:4616Vide Dominum quoniam tribulor3:5017Peccavi super numerum6:18The Byrd Edition, Vol 2: Early Latin Church Music II / Propers for Christmas Day
1998 · studio album
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Tracklist · 15 tracks · 1:12:35
1Ave regina caelorum a 54:392O salutaris hostia a 62:513Alleluya, Confitemini Domino1:274In exitu Israel "Similes illis fiant"17:335Gradualia, liber secundus: Propers for the Nativity: Puer natus est nobis4:486Gradualia, liber secundus: Propers for the Nativity: Viderunt omnes fines terrae / Dies sanctificatus3:187Gradualia, liber secundus: Propers for the Nativity: Tui sunt caeli1:228Gradualia, liber secundus: Propers for the Nativity: Viderunt omnes fines terrae1:039Gradualia, liber secundus: Propers for the Nativity: Hodie Christus natus est2:1610Gradualia, liber secundus: Propers for the Nativity: O admirabile commertium3:2111Gradualia, liber secundus: Propers for the Nativity: O magnum mysterium4:5712Decantabat populus3:0413Alleluya, Laudate pueri Dominum a 31:3414Deus in adjutorium10:2015Ad Dominum cum tribularer10:02BBC Music, Volume 6, Number 10: Masses and Motets
1998 · studio album
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Tracklist · 15 tracks · 1:07:34
1Mass for Four Voices: Kyrie2:172Mass for Four Voices: Gloria5:373Mass for Four Voices: Credo7:344Mass for Four Voices: Sanctus2:145Mass for Four Voices: Benedictus1:196Mass for Four Voices: Agnus Dei3:307O nata lux de lumine2:118In jejunio et fletu5:019Ave verum corpus4:2610Suscipe quaeso domine8:4111Mass "Puer natus est nobis": Introit3:1112Mass "Puer natus est nobis": Gloria8:3113Mass "Puer natus est nobis": Sanctus3:2214Mass "Puer natus est nobis": Benedictus2:3215Mass "Puer natus est nobis": Agnus dei7:081998 · studio album
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Tracklist · 16 tracks · 1:04:48
1O Lord, Within Thy Tabernacle4:162In nomine à 5 (I)3:133Quis me statim3:044In nomine à 5 (IV)2:585With Lilies White4:576Fantasia à 56:597Wretched Albinus2:578In nomina à 5 (II)3:299Blame I Confess2:4910Prelude and Ground à 55:5911Ye Sacred Muses3:4612In nomine à 5 (V)3:1013Rejoice Unto the Lord3:2314Browning à 54:3015Fair Britain Isle6:1416In nomine à 5 (III)3:041999 · studio album
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Tracklist · 43 tracks · 2:16:20
Disc 11The King of Denmarks Galiard1:262M. Bucton his Galiard1:323The Earle of Essex Galiard1:314In Nomine in 5 parts No.52:245If women could be fair3:276Sir Henry Umptons Funerall5:437M. Nicholas Gryffith his Galiard2:048Sir John Souch his Galiard1:329Lasso vita mia, mi fa morire3:4110In Nomine in 5 parts No.22:3311Lullaby, my sweet little Baby8:2012M. John Langtons Pavan4:2513M. Henry Noell his Galiard2:0814M. Thomas Collier his Galiard1:2415In Nomine in 5 parts No.12:1216Goe nightly cares7:3517Captaine Piper his galiard1:4918M. Giles Hoby his Galiard1:3819In Nomine in 5 parts No.32:4320Ah silly soul3:1821In Nomine in 5 parts No.42:4322Mrs Nichols Almand1:2423M. George Whitehead his Almand1:3224Semper Dowland semper Dolens3:3625Ye sacred muses4:15Disc 21Pavan Lachrimae Antiquae4:172Fantasia in 6 parts No.34:413Pavan Lachrimae Antiquae Novae3:404Pavan2:335Galliard in 6 parts1:446Pavan Lachrimae Gementes3:487Browning in 5 parts4:148Pavan Lachrimae Tristes4:189Fantasia in 4 parts No.12:4510Pavan Lachrimae Coactae3:0911La Volta (Curent)1:4412Pavana Bray4:5913Pavan Lachrimae Amantis4:2714Fantasia in 3 parts No.11:4515Fantasia in 3 parts No.21:4416Fantasia in 3 parts No.31:2017Pavan Lachrimae Verae4:4218Fantasia in 6 parts No.25:35The Byrd Edition, Vol 3: Early Latin Church Music III / Propers for the Epiphany
1999 · studio album
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Tracklist · 15 tracks · 1:10:57
1Domine ante te omne desiderium4:162Circumspice Jerusalem4:173Te lucis ante terminum2:274Petrus Beatus6:405Christe qui lux es a 44:456Reges Tharsis et insulae2:427Gradualia, liber secundus: Propers for Epiphany: Introit. Ecce advenit dominator Dominus4:548Gradualia, liber secundus: Propers for Epiphany: Gradual. Surge Illuminare Jerusalem1:509Gradualia, liber secundus: Propers for Epiphany: Offertory. Reges Tharsis et insulae2:4210Gradualia, liber secundus: Propers for Epiphany: Communion. Vidimus stellam ejus in Oriente2:1211Domine Deus omnipotens8:2812Sacris solemniis7:5413Benigne fac Domine2:5514Super flumina Babylonis6:0215Quomodo cantibimus8:531999 · studio album
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Tracklist · 15 tracks · 1:12:59
1Attollite portas4:412Triumph with pleasant melody3:343O Lord, how vain6:564All in a Garden Green4:085Domine secundum actum meum7:336Truth at the first2:597Who likes to love4:438Wolsey's Wilde1:219Da mihi auxilium6:4010Farewell, false love7:0111O Mistrys Myne4:4012Miserere mihi, Domine2:1713My mind to me a kingdom is6:0214La volta1:2915Ad Dominum cum tribularer8:551999 · studio album
The Byrd Edition, Vol 4: Cantiones Sacrae 1575
1999 · studio album
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Tracklist · 15 tracks · 1:13:32
1Cantiones sacrae (1575): Emendemus in melius3:172Cantiones sacrae (1575): Libera me, Domine, et pone me6:543Cantiones sacrae (1575): Peccantem me quotidie6:364Cantiones sacrae (1575): Aspice, Domine quia facta est5:175Cantiones sacrae (1575): Attolite portas4:196Cantiones sacrae (1575): O lux beata Trinitas4:277Cantiones sacrae (1575): Laudate pueri Dominum4:178Cantiones sacrae (1575): Memento, homo2:259Cantiones sacrae (1575): Siderum rector3:0210Cantiones sacrae (1575): Da mihi auxilium5:5911Cantiones sacrae (1575): Domine, secundum actum meum6:3412Cantiones sacrae (1575): Diliges Dominum2:4713Cantiones sacrae (1575): Miserere mihi, Domine2:1514Cantiones sacrae (1575): Tribue Domine11:3115Cantiones sacrae (1575): Libera me, Domine, de morte aeterna3:522000 · studio album
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Tracklist · 10 tracks · 52:14
1Pavan And Galliard In G, MB 72a und b5:132Fantasia In D Minor, MB 15:423Lachrymae Pavan, MB 545:144Galliard In D Minor, MB 531:505Hugh Aston's Ground, MB 208:336Prelude In C - Mistress Mary Brownlow's Galliard, MB 344:097The Quadran Pavan, MB 70a9:048The Quadran Galliard, MB 70b4:489Pavan And Galliard In C Minor, MB 31a und b6:0510Coranto In C1:36The Byrd Edition 5: The Masses
2000 · studio album
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Tracklist · 18 tracks · 1:18:28
1Fantasia in D minor5:122Mass for 4 voices: Kyrie2:043Mass for 4 voices: Gloria5:484Mass for 4 voices: Credo7:535Mass for 4 voices: Sanctus3:526Mass for 4 voices: Agnus Dei3:287Voluntary for my Lady Nevell3:018Mass for 3 voices: Kyrie0:399Mass for 3 voices: Gloria4:3410Mass for 3 voices: Credo7:0311Mass for 3 voices: Sanctus2:4912Mass for 3 voices: Agnus Dei3:0813My Ladye Nevells Booke: A Fancie on C5:4514Mass for 5 voices: Kyrie1:3115Mass for 5 voices: Gloria5:0916Mass for 5 voices: Credo9:1417Mass for 5 voices: Sanctus3:5118Mass for 5 voices: Agnus Dei3:27Konstantin Lifschitz joue Bach, Beethoven, Byrd, Schumann
2001 · studio album
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Tracklist · 36 tracks · 1:42:18
Disc 11Concerto Italien en fa majeur, BWV 971 : I. Allegro4:152Concerto Italien en fa majeur, BWV 971 : II. Andante4:403Concerto Italien en fa majeur, BWV 971 : III. Presto3:494Deux Rondos, op. 51 : n°1 en ut majeur5:165Deux Rondos, op. 51 : n°2 en sol majeur9:076Sonate pour piano n°15 en ré majeur, op. 28, "Pastorale" : I. Allegro10:297Sonate pour piano n°15 en ré majeur, op. 28, "Pastorale" : II. Andante7:098Sonate pour piano n°15 en ré majeur, op. 28, "Pastorale" : III. Scherzo2:159Sonate pour piano n°15 en ré majeur, op. 28, "Pastorale" : IV. Rondo5:33Disc 21Kyrie (extrait de la Messe à quatre voix)2:402Have with yow to Walsingame7:563The Eighte Pavian3:484Maidens Songe5:125Carnaval, op. 9 : Préambule2:206Carnaval, op. 9 : Pierrot2:017Carnaval, op. 9 : Arlequin1:028Carnaval, op. 9 : Valse noble1:439Carnaval, op. 9 : Eusebius1:4610Carnaval, op. 9 : Florestan1:0211Carnaval, op. 9 : Coquette1:2812Carnaval, op. 9 : Réplique0:4413Carnaval, op. 9 : Sphinxes0:3314Carnaval, op. 9 : Papillons0:3115Carnaval, op. 9 : A.S.C.H.-S.C.H.A. (Lettres dansantes)0:5016Carnaval, op. 9 : Chiarina1:1717Carnaval, op. 9 : Chopin1:0618Carnaval, op. 9 : Estrella0:2519Carnaval, op. 9 : Reconnaisance1:3020Carnaval, op. 9 : Pantalon et Colombine0:5721Carnaval, op. 9 : Valse allemande0:4622Carnaval, op. 9 : Intermezzo: Paganini - Valse allemande1:1023Carnaval, op. 9 : Aveu1:0124Carnaval, op. 9 : Promenade2:4125Carnaval, op. 9 : Pause0:1926Carnaval, op. 9 : Marche des "Davidsbündler" contre les Philistins3:2427Gagliarda1:332001 · studio album
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Tracklist · 17 tracks · 1:13:13
1Fantasia (In C), BK 256:192Sellinger's Round (In G), BK 845:293Hugh Ashton's Ground or Tregian's Ground (In A), BK 207:214Pavan: Ph. Tregian (In F), BK 60a5:195Galliard (In F), BK 60b1:296Walsingham (In G), BK 88:317Callino Casturame (In C), BK 351:308Prelude (In A), BK 121:039Fantasia (In A), BK 137:1110My Lady Nevell's Ground (In D), BK 575:0111The Queen's Alman (In G), BK 103:0912Alman (In G), BK 890:5413Lavolta (In G), BK 911:0614Qui Passe: For My Lady Nevell (In A), BK 194:1515The Woods So Wild (In G), BK 853:2816John Come Kiss Me Now (In G), BK 815:2017The Bells (In C), BK 385:48The Byrd Edition, Vol 6: Music for Holy Week & Easter
2001 · studio album
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Tracklist · 16 tracks · 1:16:18
1Gradualia, liber primus: Plorans plorabit5:042Gradualia, liber primus: Passio Domini nostri Jesu Christe secundum Johannem35:463Gradualia, liber primus: Adoramus te (feat. organ: Patrick Russil)1:434Gradualia, liber primus: Holy Saturday, Vespers: Alleluia / Laudate Dominum omnes gentes / Alleluia1:425Gradualia, liber primus: Holy Saturday, Vespers: Vespere autem sabbati / Magnificat / Vespere autem sabbati5:486Oratio & Ite misa est1:417Gradualia, liber secundus: Mass Propers for Easter Day: Resurrexi4:578Gradualia, liber secundus: Mass Propers for Easter Day: Haec dies / Pascha nostrum1:519Gradualia, liber secundus: Mass Propers for Easter Day: Victimae paschali laudes5:1110Gradualia, liber secundus: Mass Propers for Easter Day: Terra tremuit0:4811Gradualia, liber secundus: Mass Propers for Easter Day: Pascha nostrum1:4712Gradualia, liber primus: Haec dies1:1913Gradualia, liber primus: Angelus Domini1:1914Gradualia, liber primus: Mane vobiscum0:5015Gradualia, liber primus: Post dies octo0:5916Gradualia, liber primus: Christus resurgens5:332001 · studio album
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Tracklist · 19 tracks · 1:17:38
1Go from my window, MB 794:212O quam gloriosum est regnum, EKM 487:063The Bells, MB 385:394Miserere for keyboard No. 1, MB 661:015Miserere for keyboard No. 2, MB 671:236The Carman's Whistle, MB 364:107Pavan & Galliard in B flat major, MB 23: Pavan4:428Pavan & Galliard in B flat major, MB 23: Galliard1:479Praeludium to the Fancie in A minor, MB 120:4110Fantasia in A minor, MB 138:0011The Battell, MB 94: The Trumpetts1:2412Galliard for the Victorie, MB 951:5913Pavan & Galliard to Johnson's Delighte, MB 5: Galliard1:4914Walsingham, MB 89:2515The Seventh Pavian in G major "Canon 2 Parts in 1", MB 744:5116My Ladye Nevell's Grownde, MB 575:2017Christe qui lux, MB 1212:2218A Grounde in C major, MB 433:0219Ut, re, mi, fa, sol, la in G major, MB 648:36The Byrd Edition 7: Cantiones Sacrae / 1589 Propers for Lady Mass from Christmas to Purification
2001 · studio album
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Tracklist · 14 tracks · 1:08:18
1Cantiones Sacrae (1589): Deficit in dolore6:362Cantiones Sacrae (1589): Domine praestolamur5:513Cantiones Sacrae (1589): O Domine adjuva me3:584Cantiones Sacrae (1589): Tristitia et anxietas8:395Gradualia, liber primus: Propers for Lady Mass from Christmas to the Purification: Vultum tuum4:556Gradualia, liber primus: Propers for Lady Mass from Christmas to the Purification: Speciosus forma2:597Gradualia, liber primus: Propers for Lady Mass from Christmas to the Purification: Post partum1:548Gradualia, liber primus: Propers for Lady Mass from Christmas to the Purification: Gaude Maria2:469Gradualia, liber primus: Propers for Lady Mass from Christmas to the Purification: Felix namque es1:3310Gradualia, liber primus: Propers for Lady Mass from Christmas to the Purification: Beata viscera1:3711Cantiones Sacrae (1589): Memento Domine4:2712Cantiones Sacrae (1589): Vide Domine afflictionem6:4613Cantiones Sacrae (1589): Deus, venerunt gentes12:0614Cantiones Sacrae (1589): Domine tu jurasti4:112002 · studio album
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Tracklist · 18 tracks · 1:00:11
1Mass for 4 voices: I. Kyrie2:262Mass for 4 voices: II. Gloria5:163Mass for 4 voices: III. Credo7:034Mass for 4 voices: IV. Sanctus2:065Mass for 4 voices: V. Benedictus1:306Mass for 4 voices: VI. Agnus Dei3:367Mass for 3 Voices: I. Kyrie0:398Mass for 3 Voices: II. Gloria4:159Mass for 3 Voices: III. Credo6:3810Mass for 3 Voices: IV. Sanctus1:5311Mass for 3 Voices: V. Benedictus0:5612Mass for 3 Voices: VI. Agnus Dei3:1413Mass for 5 Voices: I. Kyrie1:3614Mass for 5 Voices: II. Gloria4:2315Mass for 5 Voices: III. Credo8:1816Mass for 5 Voices: IV. Sanctus1:5617Mass for 5 Voices: V. Benedictus1:1418Mass for 5 Voices: VI. Agnus Dei3:12The Byrd Edition 8: Cantiones Sacrae / 1589 Propers for the Purification
2002 · studio album
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Tracklist · 18 tracks · 1:10:32
1Cantiones sacrae (1589): Vigilate4:422Cantiones sacrae (1589): In resurrectione tua1:473Cantiones sacrae (1589): Aspice Domine5:534Cantiones sacrae (1589): Ne irascaris8:475Gradualia, liber primus: Propers for the Purification: Senex puerum portabat1:556Gradualia, liber primus: Propers for the Purification: Adorna thalamum3:427Gradualia, liber primus: Propers for the Purification: Suscepimus (Introit)3:428Gradualia, liber primus: Propers for the Purification: Suscepimus (Gradual)2:409Gradualia, liber primus: Propers for the Purification: Senex puerum1:4110Gradualia, liber primus: Propers for the Purification: Nunc dimittis4:2811Gradualia, liber primus: Propers for the Purification: Diffusa est gratia1:2812Gradualia, liber primus: Propers for the Purification: Responsum accepit3:0813Gradualia, liber primus: Propers for the Purification: Hodie beata Virgo2:2914Gradualia, liber primus: Propers for the Purification: Ave regina caelorum3:2315Cantiones sacrae (1589): O quam gloriosum5:1116Cantiones sacrae (1589): Tribulationes civitatum8:2717Cantiones sacrae (1589): Domine secundum multiudinem3:2618Cantiones sacrae (1589): Laetentur caeli3:432002 · studio album
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Tracklist · 28 tracks · 1:55:22
Disc 11Diliges Dominum3:202Ad Dominum cum tribularer10:533Mass for five voices with Propers from the Feast of All Saints from Gradualia ac cantiones sacrae: Introitus : Gaudeamus omnes5:144Mass for five voices with Propers from the Feast of All Saints from Gradualia ac cantiones sacrae: Kyrie1:455Mass for five voices with Propers from the Feast of All Saints from Gradualia ac cantiones sacrae: Gloria5:346Mass for five voices with Propers from the Feast of All Saints from Gradualia ac cantiones sacrae: Graduale : Timete Dominum4:437Mass for five voices with Propers from the Feast of All Saints from Gradualia ac cantiones sacrae: Credo10:038Mass for five voices with Propers from the Feast of All Saints from Gradualia ac cantiones sacrae: Offertorium : Iustorum animae2:469Mass for five voices with Propers from the Feast of All Saints from Gradualia ac cantiones sacrae: Sanctus2:3410Mass for five voices with Propers from the Feast of All Saints from Gradualia ac cantiones sacrae: Benedictus1:3311Mass for five voices with Propers from the Feast of All Saints from Gradualia ac cantiones sacrae: Angus Dei3:3712Mass for five voices with Propers from the Feast of All Saints from Gradualia ac cantiones sacrae: Communio : Beati mondo corde3:31Disc 21Super flumina Babylonis6:182Quomodo cantabimus6:083Tu es Pastor ovium2:144Quodcunque ligaveris4:045Hodie Simon Petrus3:386Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Introitus : Nunc scio vere5:467Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Kyrie2:258Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Gloria6:149Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Gradale : Constitues eos Principes2:4510Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Alleluia (from Tu es Petrus)0:2811Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Credo8:3912Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Offertorium : constitues eos Principes1:4513Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Sanctus2:3314Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Benedictus1:3015Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Agnus Dei3:3616Mass for 4 voices with Propers from the Feast of St Peter and St Paul from Gradualia 1607: Communio : Tu es Petrus1:462002 · studio album
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Tracklist · 28 tracks · 1:55:25
Disc 11Diliges Dominum3:202Ad Dominum cum tribularer10:533Mass for 5 voices: Introïtus: Gaudeamus omnes5:144Mass for 5 voices: Kyrie1:455Mass for 5 voices: Gloria5:346Mass for 5 voices: Graduale: Timete Dominum4:437Mass for 5 voices: Credo10:038Mass for 5 voices: Offertorium: Iustorum animae2:469Mass for 5 voices: Sanctus2:3410Mass for 5 voices: Benedictus1:3311Mass for 5 voices: Agnus Dei3:3712Mass for 5 voices: Communio: Beati mundo corde3:31Disc 21Super flumina Babylonis6:182Quomodo cantabimus6:083Tu es Pastor ovium2:144Quodcunque ligaveris4:045Hodie Simon Petrus3:416Mass for 4 voices: Introïtus: Nunc scio vere5:467Mass for 4 voices: Kyrie2:258Mass for 4 voices: Gloria6:149Mass for 4 voices: Graduale: Constitues eos Principes2:4510Mass for 4 voices: Alleluia (from Tu es Petrus)0:2811Mass for 4 voices: Credo8:3912Mass for 4 voices: Offertorium: Constitues eos Principes1:4513Mass for 4 voices: Sanctus2:3314Mass for 4 voices: Benedictus1:3015Mass for 4 voices: Agnus Dei3:3616Mass for 4 voices: Communio: Tu es Petrus1:462004 · studio album
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Tracklist · 17 tracks · 1:14:36
1My mind to me a kingdom is5:412Fantasia a 6 (III)4:153O Lord, how vain6:404Content is rich5:505Constant Penelope2:026Pavan a 62:117Galliard a 61:348My mistress had a little dog6:309O that most rare breast8:3210The noble famous Queen2:1111Fantasia a 4 (III)2:0812Out of the orient crystal skies3:1013O Lord, bow down thine heav'nly eyes5:2314Fantasia a 6 (II)5:2015Truth at the first2:4516O you that hear this voice6:3517He that all earthly pleasure scorns3:49The Byrd Edition, Vol 9: Propers for Ascension, Pentecost & Corpus Christi
2004 · studio album
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Tracklist · 26 tracks · 1:14:29
1Gradualia, liber secundus: Propers for Ascension: Viri Galilaei4:152Gradualia, liber secundus: Propers for Ascension: Ascendit Deus1:143Gradualia, liber secundus: Propers for Ascension: Dominus in Sina1:124Gradualia, liber secundus: Propers for Ascension: Ascendit Deus1:105Gradualia, liber secundus: Propers for Ascension: Psallite Domino1:056Gradualia, liber secundus: Propers for Ascension: Jesu nostra redemptio4:587Gradualia, liber secundus: Propers for Ascension: O Rex gloriae2:158Gradualia, liber secundus: Propers for Pentecost: Non vos relinquam orphanos1:389Gradualia, liber secundus: Propers for Pentecost: Spiritus Domini4:3110Gradualia, liber secundus: Propers for Pentecost: Emitte Spiritum tuum1:3711Gradualia, liber secundus: Propers for Pentecost: Veni Sancte Spiritus (Alleluia)1:1012Gradualia, liber secundus: Propers for Pentecost: Veni Sancte Spiritus (Sequence)4:5713Gradualia, liber secundus: Propers for Pentecost: Confirma hoc Deus1:4214Gradualia, liber secundus: Propers for Pentecost: Factus est repente2:0015Gradualia, liber secundus: Propers for Corpus Christi: O quam suavis est3:5116Gradualia, liber secundus: Propers for Corpus Christi: Ego sum panis vivus1:4917Gradualia, liber primus: Propers for Corpus Christi: Cibavit eos3:5218Gradualia, liber primus: Propers for Corpus Christi: Oculi omnium3:5419Gradualia, liber primus: Propers for Corpus Christi: Sacerdotes omnium1:1620Gradualia, liber primus: Propers for Corpus Christi: Quotiescunque manducabitis2:2821Gradualia, liber primus: Propers for Corpus Christi: O sacrum convivium2:4522Gradualia, liber primus: Devotions to the Blessed Sacrament: O salutaris hostia2:2023Gradualia, liber secundus: Devotions to the Blessed Sacrament: Ab ortu solis4:2024Gradualia, liber secundus: Devotions to the Blessed Sacrament: Cognoverunt discipuli3:2125Gradualia, liber primus: Devotions to the Blessed Sacrament: Ave verum corpus3:4726Gradualia, liber primus: Devotions to the Blessed Sacrament: Pange lingua gloriosi7:022005 · studio album
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Tracklist · 22 tracks · 1:11:57
1A Solfing Song2:242Queen's Goodnight (Prelude and Ground)5:293A Song of Mr Robert Parsons1:424In nomine II a 41:505In nomine III a 51:476De la court5:147Pavan a 52:058Missa a 4: I. Kyrie2:349In nomine II a 52:2810Missa a 4: II. Gloria5:3511In nomine I a 42:1312Missa a 48:1813In nomine I a 52:4414Missa a 4: IV. Sanctus3:4915In nomine III a 52:2616Missa a 4: IV. Agnus dei4:1617Ut re mi fa sol la4:5718Fantasia a 43:2619Pavan and Galliard a 6 in C major: Pavan2:1720Pavan and Galliard a 6 in C major: Galliard1:2921A Song called Trumpets2:0322Sur la Rousée (Fantasia a 6)2:512005 · studio album
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Tracklist · 14 tracks · 52:14
1Pavan (16a)5:162Galliard (16b)1:323Clarifica me, Pater (49)2:594Qui Passe (19)3:525Alman (89)1:426Pavan (14a)5:227Galliard (14b)1:368La Volta (91)1:189Pavan (23a)5:2910Galliard (23b)1:4211Ut re mi fa sol la (64)7:3312Ground (43)3:1313Rowland (7)2:4614Fantasia (13)7:542005 · studio album
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Tracklist · 15 tracks · 1:16:11
1O Lord, Make Thy Servant Elizabeth3:012The Great Service: Venite5:023The Great Service: Te Deum8:344The Great Service: Benedictus8:405The Great Service: Kyrie1:016The Great Service: Creed5:457Prevent Us, O Lord2:338Voluntary for My Lady Nevell4:049How Long Shall Mine Enemies?3:2310The Great Service: Magnificat9:2511The Great Service: Nunc dimittis4:5412Out of the Deep5:2613Fancy for My Lady Nevell5:3214Christ Rising Again From the Dead5:5115Sing Joyfully3:002006 · studio album
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Tracklist · 14 tracks · 58:58
1Fantasia, MB464:492The Queen’s Alman3:323In Nomine, MB95:504Pavan, MB16a4:055Galiard, MB16b1:156Three French Corantos2:087Pavana Dolorosa6:258Galiarda Dolorosa1:469Ground, MB93:3210Pescodd Time / The Hunt’s Up6:0511Lady Monteagle’s Pavan3:2312Fantasia, MB626:3513The King’s Hunt3:2014Pavan, MB23a6:13The Byrd Edition, Vol 10: Laudibus in sanctis
2006 · studio album
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Tracklist · 16 tracks · 1:09:35
1Quis est homo?6:252Tribulatio proxima est5:353Apparebit in finem2:384Propers for Lady Mass in Eastertide: Salve sancta parens4:375Propers for Lady Mass in Eastertide: Alleluia. Ave Maria...in mulieribus / Alleluia. Virga Iesse3:396Propers for Lady Mass in Eastertide: Beata es, virgo Maria2:067Propers for Lady Mass in Eastertide: Beata viscera1:568Regina coeli4:549Salve regina7:1310Fac cum servo tuo4:4711Ecce quam bonum3:4712In manus tuas, Domine2:2013Unam petii a Domino3:5614Visita quaesumus, Domine3:2515Domine, exaudi orationem meam, inclina aurem6:3316Laudibus in sanctus5:442007 · studio album
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Tracklist · 15 tracks · 1:09:57
1Prelude, MB120:552Fantasia, MB137:473Clarifica me Pater, MB482:004Clarifica me Pater, MB492:415The Queen's Alman, MB103:496Fantasia, MB255:507Fantasia, MB635:068Ground, MB864:599In Nomine, MB513:4110Lachrymae Pavan, MB547:2811Fantasia, MB465:3912Miserere, MB671:2113Ut re mi fa sol la, MB648:2214A Voluntarie, MB274:3915Ground, MB425:402007 · studio album
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Tracklist · 50 tracks · 3:44:45
Disc 11My Ladye Nevells Booke: No. 1. My Ladye Nevells Grownde6:412My Ladye Nevells Booke: No. 2. Qui Passe: For My Ladye Nevell4:283My Ladye Nevells Booke: No. 3. The Marche Before the Battell4:364My Ladye Nevells Booke: No. 4. The Battell: The Souldiers Sommons1:265My Ladye Nevells Booke: No. 4. The Battell: The Marche of Footemen0:576My Ladye Nevells Booke: No. 4. The Battell: The Marche of Horsmen1:177My Ladye Nevells Booke: No. 4. The Battell: The Trumpetts1:118My Ladye Nevells Booke: No. 4. The Battell: The Irishe Marche1:329My Ladye Nevells Booke: No. 4. The Battell: The Bagpipe and the Drone1:1410My Ladye Nevells Booke: No. 4. The Battell: The Flute and the Droome2:0411My Ladye Nevells Booke: No. 4. The Battell: The Marche to the Fighte2:2812My Ladye Nevells Booke: No. 4. The Battell: The Retreat0:5713My Ladye Nevells Booke: No. 5. The Galliarde for the Victorie2:1514My Ladye Nevells Booke: No. 6. The Barelye Breake9:3515My Ladye Nevells Booke: No. 7. Galliards Gygge2:2016My Ladye Nevells Booke: No. 8. The Huntes Upp7:5817My Ladye Nevells Booke: No. 9. Ut Re Mi Fa Sol La8:4018My Ladye Nevells Booke: No. 10. The Firste Pavian4:4119My Ladye Nevells Booke: No. 11. The Galliarde to the Firste Pavian2:0020My Ladye Nevells Booke: No. 12. The Seconde Pavian2:4621My Ladye Nevells Booke: No. 13. The Galliarde to the Seconde Pavian2:1022My Ladye Nevells Booke: No. 14. The Third Pavian4:5123My Ladye Nevells Booke: No. 15. The Galliarde to the Third Pavian1:54Disc 21My Ladye Nevells Booke: No. 16. The Fourth Pavian2:372My Ladye Nevells Booke: No. 17. The Galliarde to the Fourth Pavian2:003My Ladye Nevells Booke: No. 18. The Fifte Pavian4:424My Ladye Nevells Booke: No. 19. The Galliarde to the Fifte Pavian1:595My Ladye Nevells Booke: No. 20. Pavana the Sixte: Kinbrugh Goodd5:016My Ladye Nevells Booke: No. 21. The Galliarde to the Sixte Pavian2:017My Ladye Nevells Booke: No. 22. The Seventh Pavian4:398My Ladye Nevells Booke: No. 23. The Eighte Pavian4:509My Ladye Nevells Booke: No. 24. The Passinge Mesures: The Nynthe Pavian7:2010My Ladye Nevells Booke: No. 25. The Galliarde to the Nynthe Pavian5:3511My Ladye Nevells Booke: No. 26. A Voluntarie: For My Ladye Nevell5:4012My Ladye Nevells Booke: No. 27. Will Yow Walke the Woods Soe Wylde4:3813My Ladye Nevells Booke: No. 28. The Maidens Songe5:4914My Ladye Nevells Booke: No. 29. A Lesson of Voluntarie9:2015My Ladye Nevells Booke: No. 30. The Second Grownde9:49Disc 31My Ladye Nevells Booke: No. 31. Have With Yow to Walsingame9:232My Ladye Nevells Booke: No. 32. All in a Garden Grine4:503My Ladye Nevells Booke: No. 33. Lord Willobies Welcome Home3:034My Ladye Nevells Booke: No. 34. The Carmans Whistle5:095My Ladye Nevells Booke: No. 35. Hughe Ashtons Grownde8:406My Ladye Nevells Booke: No. 36. A Fancie6:247My Ladye Nevells Booke: No. 37. Sellingers Rownde7:368My Ladye Nevells Booke: No. 38. Munsers Almaine8:319My Ladye Nevells Booke: No. 39. The Tennthe Pavian: Mr. W. Peter5:0610My Ladye Nevells Booke: No. 40: The Galliarde to the Tennthe Pavian2:2211My Ladye Nevells Booke: No. 41. A Fancie6:0912My Ladye Nevells Booke: No. 42. A Voluntarie3:312007 · studio album
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Tracklist · 21 tracks · 1:02:53
1Cantiones Sacrae II: No. 21. Haec Dies2:122Cantiones Sacrae II: No. 13. Miserere meI: Deus3:473Cantiones Sacrae I: No. 16. Laetentur coeli: I. Laetentur coeli1:414Cantiones Sacrae I: No. 16. Laetentur coeli: II. Orietur in diebus tuis1:315Cantiones Sacrae II: No. 4. Salve. Regina: I. Salve. Regina4:406Cantiones Sacrae II: No. 4. Salve. Regina: II. Et Jesum3:507Cantiones Sacrae II: No. 1. Laudibus in sanctis: I. Laudibus in sanctis0:598Cantiones Sacrae II: No. 1. Laudibus in sanctis: II. Magnificum Domini1:159Cantiones Sacrae II: No. 1. Laudibus in sanctis: III. Hunc arguta canant3:0610Cantiones Sacrae I: No. 12. Ne irascaris. Domine: I. Ne irascaris. Domine4:3511Cantiones Sacrae I: No. 12. Ne irascaris. Domine: II. Civitas sancti tui5:0512Cantiones Sacrae I: No. 10: In resurrectione tua1:4113Cantiones Sacrae II: No. 15. Domine. non sum dignus3:3714Cantiones Sacrae I: No. 9. Vigilate4:2115Cantiones Sacrae II: No. 15. Domine. secundum multitudinem dolorum meorum3:3116Cantiones Sacrae II: No. 20. Domine. salva nos4:2017Cantiones Sacrae II: No. 18. Cantate Domino2:1218Cantiones Sacrae II: No. 2. Quis est homo: I. Quis est homo2:2519Cantiones Sacrae II: No. 2. Quis est homo: II. Diverte a malo3:3720Cantiones Sacrae I: No. 13. O quam gloriosum est regnum: I. O quam gloriosum est regnum2:2521Cantiones Sacrae I: No. 13. O quam gloriosum est regnum: II. Benedictio. et claritas2:03Second Service & Consort Anthems
2007 · studio album
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Tracklist · 17 tracks · 1:10:54
1Arise, O Lord (Help us, O God)3:222O God, that guides the cheerful sun5:433Alack, when I look back5:394In nomine a5 (II) [instrumental]2:345Second Service (Magnificat)4:016Fantasia in D minor [organ solo]4:537Second Service (Nunc dimittis)2:138In nomine a5 (IV) [instrumental]2:529Blessed is he that fears the Lord5:1710Thou God that guid'st3:4911O Lord, make thy servant Elizabeth2:5312Fantasia in A minor [organ solo]7:1713Lord in thy wrath3:3914In nomine a5 (V) [instrumental]2:4815Have mercy upon me, O God4:0716Why do I use my paper, ink & pen?7:1317Prevent us, O Lord2:34The Tallis Scholars Sing William Byrd
2007 · studio album
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Tracklist · 30 tracks · 2:37:46
Disc 11Mass for Five Voices: Kyrie1:352Mass for Five Voices: Gloria4:563Mass for Five Voices: Credo8:424Mass for Five Voices: Sanctus & Benedictus3:475Mass for Five Voices: Agnus Dei3:316Mass for Four Voices: Kyrie1:597Mass for Four Voices: Gloria5:308Mass for Four Voices: Credo7:319Mass for Four Voices: Sanctus & Benedictus3:4310Mass for Four Voices: Agnus Dei3:2011Mass for Three Voices: Kyrie0:3512Mass for Three Voices: Gloria4:3313Mass for Three Voices: Credo6:3914Mass for Three Voices: Sanctus & Benedictus2:4815Mass for Three Voices: Agnus Dei3:1416Ave verum corpus4:1017Infelix ego12:20Disc 21Vigilate4:502Tristitia et anxietas10:063Ne irascaris, Domine8:064Prevent Us, O Lord2:485The Great Service: Venite5:166The Great Service: Te Deum9:327The Great Service: Benedictus9:238The Great Service: Creed5:289The Great Service: Magnificat9:1210The Great Service: Nunc dimittis5:2011O Lord, Make Thy Servant Elizabeth2:5212O God, the Proud Are Risen Against Me3:0113Sing Joyfully Unto God2:592008 · studio album
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Tracklist · 20 tracks · 1:18:48
1Third Tune: Why Fum'th in Fight0:562Vigilate (Cantiones sacrae I, 1589)4:163Fifth Tune: E'en Like the Hunted Hind1:044Ne irascaris Domine (Cantiones sacrae I, 1589)9:385Second Tune: Let God Arise0:516Exsurge Domine (Cantiones sacrae II, 1591)4:307Sixth Tune: Expend, O Lord1:108Infelix ego (Cantiones sacrae II)16:049Eighth Tune: God Grant With Grace1:3510Laetentur coeli (Cantiones sacrae I)3:3911First Tune: Man Blest No Doubt1:1112Quis est homo (Cantiones sacrae II)7:1313Veni creator: Come Holy Ghost0:3114Mass Propers for Pentecost: Introit: Spiritus Domini4:3215Mass Propers for Pentecost: Offertory: Confirma hoc Deus2:0816Mass Propers for Pentecost: Communion: Factus est repente1:4317Seventh Tune: Why Brag'st in Malice0:4718Tribulationes civitatum (Cantiones sacrae I)10:2719Fourth Tune: O Come in One to Praise the Lord0:5920Laudibus in sanctis (Cantiones sacrae II, 1591)5:34Three Tudor Masses - Byrd/Tallis/Tye
2008 · studio album
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Tracklist · 15 tracks · 1:16:42
1Tye: Mass "Euge bone" a 6: Gloria6:212Tye: Mass "Euge bone" a 6: Credo5:323Tye: Mass "Euge bone" a 6: Sanctus3:444Tye: Mass "Euge bone" a 6: Benedictus2:405Tye: Mass "Euge bone" a 6: Agnus Dei6:576Tallis: Mass "Puer natus est nobis" a 7: Gloria9:557Tallis: Mass "Puer natus est nobis" a 7: Sanctus4:228Tallis: Mass "Puer natus est nobis" a 7: Benedictus3:339Tallis: Mass "Puer natus est nobis" a 7: Agnus Dei8:4510Mass for five voices: Kyrie1:4811Mass for five voices: Gloria5:0912Mass for five voices: Credo9:2513Mass for five voices: Sanctus2:3514Mass for five voices: Benedictus1:3915Mass for five voices: Agnus Dei4:17The Byrd Edition, Vol 11: Hodie Simon Petrus
2009 · studio album
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Tracklist · 15 tracks · 1:07:47
1Cantiones sacrae (1591): Descendit de coelis5:332Gradualia, liber secundus: Tu es pastor ovium2:033Cantiones sacrae (1591): Miserere mei Deus3:044Cantiones sacrae (1591): Circumdederunt me4:505Gradualia, liber secundus: Quodcunque ligaveris4:166Cantiones sacrae (1591): Recordare Domine6:047Cantiones sacrae (1591): Exsurge Domine4:178Gradualia, liber primus: Laetania8:579Gradualia, liber secundus: Nunc scio vere5:2310Gradualia, liber secundus: Constitues eos Principes3:0711Gradualia, liber secundus: Tu es Petrus2:1212Cantiones sacrae (1591): Levemus corda4:4513Gradualia, liber secundus: Hodie Simon Petrus3:5314Gradualia, liber secundus: Solve iubente Deo2:4015Cantiones sacrae (1591): Haec dicit Dominus6:43The Byrd Edition, Vol 12: Assumpta est Maria
2009 · studio album
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Tracklist · 19 tracks · 1:10:28
1Gradualia, liber primus: Propers for the Assumption of the Virgin: Introit. Salve sancta parens4:552Gradualia, liber primus: Propers for the Assumption of the Virgin: Gradual. Benedicta et venerabilis2:333Gradualia, liber primus: Propers for the Assumption of the Virgin: Alleluia. Felix es, sacra Virgo1:364Gradualia, liber primus: Propers for the Assumption of the Virgin: Offertory. Beata es, Virgo Maria2:105Gradualia, liber primus: Propers for the Assumption of the Virgin: Communion. Beata viscera1:586Gradualia, liber primus: Quem terra, pontus, aethera4:387Gradualia, liber primus: Salve Regina4:308Gradualia, liber primus: O gloriosa Domine3:509Gradualia, liber primus: Propers for the Annunciation to the Virgin: Introit. Vultum tuum6:1610Gradualia, liber primus: Propers for the Annunciation to the Virgin: Gradual & Tract. Diffusa est gratia7:1011Gradualia, liber primus: Propers for the Annunciation to the Virgin: Offertory. Ave Maria1:4512Gradualia, liber primus: Propers for the Annunciation to the Virgin: Communion. Ecce virgo concipiet1:5113Gradualia, liber primus: Memento salutis auctor3:1214Gradualia, liber primus: Salve sola Dei genitrix3:1115Gradualia, liber primus: Ave maris stella7:5816Gradualia, liber primus: Propers for the Annunciation to the Virgin: Introit. Gaudeamus omnes in Domino5:2317Gradualia, liber primus: Propers for the Annunciation to the Virgin: Gradual & Alleluia. Propter veritatem et mansuetudinem4:0518Gradualia, liber primus: Propers for the Annunciation to the Virgin: Offertory. Assumpta est Maria1:3019Gradualia, liber primus: Propers for the Annunciation to the Virgin: Communion. Optimam partem elegit1:57The Byrd Edition, Vol 13: Infelix ego
2010 · studio album
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Tracklist · 15 tracks · 1:01:17
1Gradualia, liber secundus: Venite, exultemus Domino3:182Cantiones sacrae (1591): Domine, non sum dignus3:143Gradualia, liber primus: Visita quaesumus, Domine3:424Cantiones sacrae (1591): Domine, salva nos3:235Cantiones sacrae (1591): Haec dies2:296Cantiones sacrae (1591): Cunctis diebus5:447Gradualia, liber primus: Propers for the Mass of the Feast of All Saints: Introit. Gaudeamus omnes ... Sanctorum omnium4:578Gradualia, liber primus: Propers for the Mass of the Feast of All Saints: Gradual & Alleluia. Timete Dominum - Venite ad me4:349Gradualia, liber primus: Propers for the Mass of the Feast of All Saints: Offertory. Iustorum animae2:4010Gradualia, liber primus: Propers for the Mass of the Feast of All Saints: Communion. Beati mundo corde3:1211Gradualia, liber primus: Deo gratias0:5312Cantiones sacrae (1591): Afflicti pro peccatis nostris5:0613Cantiones sacrae (1591): Cantate Domino2:1814Gradualia, liber secundus: Laudate Dominum omnes gentes2:5315Cantiones sacrae (1591): Infelix ego12:54Complete Fantasias for Harpsichord
2010 · studio album
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Tracklist · 16 tracks · 1:17:27
1Fitzwilliam Virginal Book, no. 117: Praeludium1:242Musica Britannica, vol. 28, no. 62 / The Fitzwilliam Virginal Book, no. 261: Fantasia in G major, no. 29:203Musica Britannica, vol. 27, no. 12 / The Fitzwilliam Virginal Book, no. 100: Praeludium to the Fancie in A minor0:504Musica Britannica, vol. 27, no. 13 / The Fitzwilliam Virginal Book, no. 52: Fantasiain A minor8:125Musica Britannica, vol. 27, no. 24 / The Fitzwilliam Virginal Book, no. 24 / Parthenia, no. 4: Praeludium in C major1:026Musica Britannica, vol. 27, no. 25 / The Fitzwilliam Virginal Book, no. 103 / My Ladye Nevells Book, 36: Fantasia in C major6:147Musica Britannica, vol. 55, no. 55: Fantasia in G minor4:168Musica Britannica, vol. 28, no. 64 / The Fitzwilliam Virginal Book, no. 101 / My Ladye Nevells Book, 9: Ut, re, mi, fa, sol, la in G major9:229Musica Britannica, vol. 28, no. 65 / The Fitzwilliam Virginal Book, no. 102: Ut, mi, re8:0310Musica Britannica, vol. 14, no. 59: Prelude: Doric Music1:5411Musica Britannica, vol. 28, no. 46 / My Ladye Nevells Book, 41: Fantasia in D minor5:3912Musica Britannica, vol. 55, no. 3: Praeludium1:1413Musica Britannica, vol. 28, no. 58: Ut, re, mi, fa, sol, la in F major4:3314Musica Britannica, vol. 27, no. 1 / Parthenia, no. 1: Praeludium in G minor0:4115Musica Britannica, vol. 28, no. 63 / The Fitzwilliam Virginal Book, no. 8: Fantasia in G major5:0816Musica Britannica, vol. 27, no. 26 / My Ladye Nevells Book, 29: Fantasia in C major, no. 19:35Mr Tomkins: His Lessons of Worthe
2011 · studio album
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Tracklist · 11 tracks · 58:18
1Chromatic Pavan6:062Chromatic Galliard2:593Offertory12:134Robin Hood5:165Pavan Sir William Petre5:276Galliard Sir William Petre1:557Felix Namque10:268Ut, ré, mi, fa, sol, la1:069In Nomine3:5510Ground MB 403:5411Fantasia MB 115:012011 · studio album
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Tracklist · 32 tracks · 2:07:07
Disc 11Cantiones Sacrae: Salvator mundi [i]2:342Cantiones Sacrae: Absterge Domine5:263Cantiones Sacrae: In manus tuas1:464Cantiones Sacrae: Emendemus in melius2:585Cantiones Sacrae: Libera me Domine et pone7:106Cantiones Sacrae: Peccantem me quotidie6:107Cantiones Sacrae: Mihi autem nimis1:478Cantiones Sacrae: O nata lux1:359Cantiones Sacrae: O sacrum convivium3:0310Cantiones Sacrae: Aspice Domine quia facta est4:4811Cantiones Sacrae: Attolite portas4:3412Cantiones Sacrae: O lux beata Trinitas4:0313Cantiones Sacrae: Derelinquat impius3:1314Cantiones Sacrae: Dum transisset sabbatum3:5315Cantiones Sacrae: [Honor] virtus et potestas3:4716Cantiones Sacrae: [Sermone blando...] Illae dum pergunt concite4:4917Cantiones Sacrae: Laudate pueri Dominum3:5718Cantiones Sacrae: Memento homo2:3719Cantiones Sacrae: Siderum rector2:3320Cantiones Sacrae: Te lucis ante terminum [festal setting]1:59Disc 21Cantiones Sacrae: Te lucis ante terminum [ferial setting]1:342Cantiones Sacrae: Salvator mundi [ii]2:213Cantiones Sacrae: [Candidi] facti sunt Nazarei1:564Cantiones Sacrae: Da mihi auxilium6:595Cantiones Sacrae: Domine secundum actum meum7:206Cantiones Sacrae: Diliges Dominum3:027Cantiones Sacrae: In ieiunio et fletu4:108Cantiones Sacrae: Suscipe quaeso Domine / Si enim iniquitates7:119Cantiones Sacrae: Miserere mihi Domine2:2010Cantiones Sacrae: Tribue Domine / Te deprecor / Gloria patri qui creavit10:5111Cantiones Sacrae: Libera me Domine de morte3:5412Cantiones Sacrae: Miserere nostri Domine2:472011 · studio album
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Tracklist · 27 tracks · 1:19:58
1Fantasia a3 (III)1:042Browning a5 (The leaves be green)4:373Te lucis a42:204In nomine a5 (III)2:315Christe redemptor omnium a43:166In nomine a5 (IV)2:437Fantasia a4 (III)2:088Sermone Blando a32:029Fantasia a5 (‘Two parts in one in the 4th above’)6:0310Fantasia a6 (I) (A song of two basses)3:3811Fantasia a3 (I)1:4712Christe qui Lux es a4 (I)2:5013In nomine a5 (II) (‘on the sharp’)2:3214Christe qui Lux es a4 (II)2:4215In nomine a4 (II)2:3516Fantasia a6 (II)5:0817Miserere a41:3318Fantasia a4 (I)2:2219Christe qui Lux es a4 (III)1:0720In nomine a5 (V)2:5121In nomine a4 (I)2:2522Pavan and Galliard a63:5723Fantasia a6 (III) (‘to the vyolls’)4:1624Pavan and Galliard a53:5625Sermone Blando a 4 (II)2:1526Fantasia a3 (II)1:3927Prelude and Goodnight Ground a55:41Byrd & Tallis: Sacred Choral Music
2012 · studio album
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Tracklist · 11 tracks · 1:11:58
1Apparebit in finem2:442Peccantem me quotidie5:533Gaudi gloriosa Dei mater17:124O salutaris hostia (a 6)2:465Timete Dominum4:106Iustorum animae2:307Ad Dominum cum tribularer9:398Loquebantur variis linguis4:009Absterge Domine6:0210Candidi facti sunt Nazarei4:2811Infelix ego12:342012 · studio album
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Tracklist · 12 tracks · 59:08
1The Great Service: Venite5:012The Great Service: Te Deum8:353The Great Service: Benedictus8:524The Great Service: Kyrie1:125The Great Service: Creed5:076The Great Service: Magnificat8:587The Great Service: Nunc dimittis5:078Praise Our Lord, All Ye Gentiles2:469Unto the Hills Mine Eyes I Lift4:0510Make Ye Joy to God All the Earth2:2711Turn Our Captivity, O Lord4:2512This Day Christ Was Born2:33The Fitzwilliam Virginal Book, Volume 2
2012 · studio album
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Tracklist · 35 tracks · 2:28:29
Disc 11Walsingham, MB 88:372Prelude in A minor, MB 120:443Fantasia in A minor, MB 137:024Fantasia in G, MB 627:245The Carman’s Whistle, MB 365:146The Queen’s Alman, MB 103:247Tregian's Ground, MB 207:088Lady Monteagle’s Pavan, MB 753:419The Woods So Wild, MB 854:4010Lachrymae Pavan, MB 545:4711Galliard, MB 552:4212John, Come Kiss Me Now, MB 815:4413Pavan in A minor, MB 14a4:2914Galliard in A minor, MB 14b1:3815Sellinger’s Round, MB 846:33Disc 21Pavan in G minor, MB 4a2:082Galliard in G minor, MB 4b1:403The Hunt’s Up, MB 406:594Ut Re Mi Fa Sol La, MB 647:345Pavan in D minor, MB 52a4:266Galliard in D minor, MB 52b1:357The Maiden Song, MB 824:518Fantasia in C, MB 255:229Quadran Pavan, MB 70a8:2810Quadran Galliard, MB 70b4:1411All in a Garden Green, MB 563:4912Pavan in G, MB 71a2:3713Galliard in G, MB 71b1:4914Pavan in C minor, MB 29a4:2215Galliard in C minor, MB 29b1:4216Rowland, MB 72:3017Pavan in G: Canon 2 in 1, MB 744:1018Pavan in A minor, MB 99a2:2219Galliard in A minor, MB 99c1:4020Lavolta, MB 911:24Fitzwilliam Virginal Book, Vol. 1
2013 · studio album
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Tracklist · 35 tracks · 2:25:40
1Walsingham, I15:522Fantasia, CXXIX5:103Piper’s Paven, CLXXXII5:154Piper’s Galliard, CLXXXII2:155Pavana Ph.Tr., XCIII5:416Galliarda, XCIV1:597Pavana Pagget, LXXIV7:138Galiarda, LXXV2:309Praeludium, XLIII1:3810Gloria tibi trinitas, XLIV2:5911Toccata, XCV4:0012Pawles Wharfe, CXIII2:1813(Fantastic) Pavana, XXXIV6:4614(Fantastic) Galiarda, XLVIII2:3415A Grounde, CXXX7:0616Pavana, CCXCII3:0017The Leaves Bee Greene, CCLI3:3018The Bells, LXIX6:5219Goe from My Window, XLII5:2520Fantasia, VIII5:0921Coranto, CCXLII1:0022Amarilli di Julio Romano, LXXXII3:3023The Old Spagnoletta, CCLXXXIX1:0024Pavana, CCLXXXV6:5325Nowel’s Galliard, CCXLIV1:3926Barafostus’ Dreame, XVIII2:4027The King’s Hunt, LIII2:2628Muscadin, CCXCIII1:2429Fantasia, LXXXIX2:5430Barafostus’ Dreame, CXXXI6:0631In Nomine, XXXVII3:1932The King’s Hunt, CXXXV4:0133Johnson’s Medley, CCXLIII4:0034In Nomine, CXIX6:1835The Fall of the Leafe, CCLXXII1:182013 · studio album
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Tracklist · 17 tracks · 1:17:58
1Mass for Four Voices: Kyrie eleison1:552Mass for Four Voices: Gloria in excelsis Deo5:383Mass for Four Voices: Credo in unum Deum7:404Mass for Four Voices: Sanctus - Benedictus3:315Mass for Four Voices: Agnus Dei3:046A Colloquy with God3:377Missa sine nomine: Kyrie omnipotens Pater5:018Missa sine nomine: Gloria in excelsis Deo4:529Missa sine nomine: Credo in unum Deum5:1810Missa sine nomine: Sanctus - Benedictus5:4011Missa sine nomine: Agnus Dei5:1112Kyrie: Cunctipotens Genitor Deus3:4513Mass for Four Voices: Gloria in excelsis Deo4:5814Mass for Four Voices: Credo in unum Deum5:4315Mass for Four Voices: Sanctus - Benedictus5:2316Mass for Four Voices: Agnus Dei3:4117Ite missa est3:012013 · studio album
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Tracklist · 14 tracks · 1:14:32
1Ave verum corpus4:082Salvator mundi (I)3:203Mass for five voices: Kyrie eleison1:354Mass for five voices: Gloria in excelsis deo5:295Nolo mortem peccatoris3:136O clap your hands together5:337Mass for five voices: Credo9:558Portia mea6:539Christe qui lux es et dies (IV)6:2310Almighty and everlasting god2:1711Mass for five voices: Sanctus & Benedictus4:2912In ieiunia et fletu4:3813Mass for five voices: Agnus dei3:4614O splender gloriae12:53The Three Masses / Ave verum corpus
2014 · studio album
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Tracklist · 19 tracks · 1:11:28
1Mass for Five Voices: Kyrie1:452Mass for Five Voices: Gloria5:083Mass for Five Voices: Credo9:164Mass for Five Voices: Sanctus2:265Mass for Five Voices: Benedictus1:346Mass for Five Voices: Agnus Dei3:427Mass for Four Voices: Kyrie2:148Mass for Four Voices: Gloria5:569Mass for Four Voices: Credo7:4610Mass for Four Voices: Sanctus2:2211Mass for Four Voices: Benedictus1:2812Mass for Four Voices: Agnus Dei3:3613Mass for Three Voices: Kyrie0:4114Mass for Three Voices: Gloria4:4515Mass for Three Voices: Credo7:3116Mass for Three Voices: Sanctus1:5517Mass for Three Voices: Benedictus1:0518Mass for Three Voices: Agnus Dei3:3519Ave verum corpus4:43Infelix ego: Mass for 5 Voices - Motets
2014 · studio album
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Tracklist · 12 tracks · 49:20
1Emendemus in melius3:422Infelix ego12:363Ave Maria2:564Peccantem me quotidie3:555Mass for 5 Voices: Kyrie1:156Mass for 5 Voices: Gloria4:367Mass for 5 Voices: Credo7:158Mass for 5 Voices: Sanctus1:599Mass for 5 Voices: Benedictus1:1410Mass for 5 Voices: Agnus Dei2:5911Christe qui lux es3:1512Miserere mei3:38In the Midst of Life: Music from the Baldwin Partbooks I
2015 · studio album
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Tracklist · 10 tracks · 1:08:18
1Circumdederunt me dolores mortis5:042Libera me Domine7:293Audivi vocem de cælo4:154Sive vigilem3:315Peccantem me quotidie6:086Quemadmodum6:307Nunc dimittis3:148Sive vigilem6:149Credo quod redemptor meus vivit2:4410Media vita23:09Ostafew: Requiem for Humanity / Byrd: Mass for Four Voices
2015 · studio album
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Tracklist · 17 tracks · 1:01:30
1Requiem for Humanity: Requiem & Kyrie5:242Requiem for Humanity: Dies Irae3:493Requiem for Humanity: Contemplation4:584Requiem for Humanity: Funeral Blues (poet W.H.Auden)2:525Requiem for Humanity: May God Remember (Jewish Memorial Service)2:516Requiem for Humanity: Sanctus1:447Requiem for Humanity: The Everlasting Voices (poet W.B.Yeats)3:048Requiem for Humanity: Faith (lyrics Mahatma Gandhi)3:529Requiem for Humanity: Agnus Dei3:3210Requiem for Humanity: Lux Aeterna4:0111Requiem for Humanity: Death is not an End (Daoism Zhuangzi, 24)4:0412Mass for Four Voices: Kyrie2:1913Mass for Four Voices: Gloria5:0114Mass for Four Voices: Credo7:0715Mass for Four Voices: Sanctus2:4216Mass for Four Voices: Benedictus1:2217Mass for Four Voices: Agnus Dei2:48Byrd: Mass in 5 Parts; Magnificat & Nunc Dimittis
2015 · studio album
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Tracklist · 8 tracks · 47:25
1Mass For Five Voices : Byrd: Mass For Five Voices - Kyrie1:512Mass For Five Voices : Byrd: Mass For Five Voices - Gloria5:313Mass For Five Voices : Byrd: Mass For Five Voices - Credo10:284Mass For Five Voices : Byrd: Mass For Five Voices - Sanctus - Benedictus4:185Mass For Five Voices : Byrd: Mass For Five Voices - Agnus Dei4:116The Great Service : Byrd: The Great Service - Magnificat10:317The Great Service : Byrd: The Great Service - Nunc dimittis6:068Byrd: Ave verum corpus4:292016 · studio album
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Tracklist · 13 tracks · 1:11:11
1Prelude and Ground à 525:432In nomine à 5 no. 43:163Fantasia à 4 no. 12:444Browning à 54:495Fantasia à 4 no. 22:256In nomine à 5 no. 22:207Fantasia à 6 no. 34:198Pavan & Galliard à 64:239Fantasia à 3 no. 22:1510Fantasia à 55:4811In nomine à 4 no. 1 – In nomine à 4 no. 24:2512Christe redemptor à 42:5113Fantasia à 6 no. 25:532017 · studio album
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Tracklist · 23 tracks · 1:03:52
1Johnson’s Jewell1:542A Pavan to Delight4:283Galliard to Delight1:324Ward’s Repose3:595As It Fell on a Holly Eve2:026Heigh Ho Holiday1:107Fantasy1:498Pavan Bray4:269The Shoemaker’s Wife2:3010Pavan3:4111Galliard to the Pavan Before1:3212Fantasy4:4213Mr Dowland’s Midnight3:1314Mad Dog1:5615My Selfe3:0616Day’s End Pavan3:5817Passion2:1318Carman’s Whistle3:0019Mr Holborn's Last Will and Testament5:0020Muy Linda1:3121Prelude1:2122The Fairy Round2:2723Fare Thee Well2:222017 · studio album
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Tracklist · 17 tracks · 1:07:06
1O Lord, make thy servant, Elizabeth our Queen2:502Hymn of St Columba2:073Nunc dimittis6:374Jubilate Deo2:215Ave verum corpus3:536Laudibus in sanctis5:027Hymn to St Peter5:438Praise our Lord all ye gentiles2:329Antiphon5:5810The Queen’s Alman3:2611Missa Brevis: Kyrie1:5212Missa Brevis: Gloria2:3913Missa Brevis: Sanctus1:3414Missa Brevis: Benedictus1:5415Missa Brevis: Agnus Dei2:2116Quomodo cantabimus8:0717Te Deum in C8:102018 · studio album
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Tracklist · 19 tracks · 56:02
1Rorate cœli4:152Vigilate4:363Hodie beata Virgo Maria2:344Alleluia. Senex puerum portabat1:385Ne irascaris, Domine3:356Civitas sancti tui3:587Terra tremuit0:538Hæc dies2:339Tollite portas1:5510Alleluia. Ascendit Deus. Dominus in Sina2:2311Fantus est repente1:4512Non vos relinquam orphanos1:3413O lux beata Trinitas4:3214Laudibus in sanctis5:3615Ave verum corpus3:4216Sacerdotes Domini1:1217Iustorum animæ2:4418O quam gloriosum5:0019Ave Maria1:372018 · studio album
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Tracklist · 14 tracks · 1:01:55
1Prelude, MB120:502Fantasia, MB138:323Prelude, MB10:454Ground, MB93:415Ground, MB432:446Pavan and Galliard, MB16: I. Pavan4:197Pavan and Galliard, MB16: II. Galliard1:218Ut, re, mi, fa, sol, la, MB647:329Ut, mi, re, MB655:4210Fantasia, MB627:4911Lachrymae Pavan, MB545:0612Prelude, MB241:0713Fantasia, MB256:0614The Bells, MB386:212018 · studio album
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Tracklist · 19 tracks · 1:17:44
1Barafostus Dreame5:172Can She Excuse My Wrongs?2:053Pavin, “M. Orlando Gibbons”4:164The Woods so Wild4:105Fantasia4:486The Nynth Pavian and Galliarde, the Passinge Mesures: Pavian6:167The Nynth Pavian and Galliarde, the Passinge Mesures: Galliarde3:458Nobodyes Gigge2:129Chromatic (“Queen Elizabeth’s”) Pavan and Galliard: Pavan5:2210Chromatic (“Queen Elizabeth’s”) Pavan and Galliard: Galliard2:4311Ut, re, mi, fa, sol, la6:3012The Scottish Gigg2:2113Pavana5:3414Wooddy-Cock5:4615Tell Mee, Daphne1:3716Why Aske You?2:1417Fantasia, “Mr. Dr. Bull”6:0018The Leaves Bee Greene3:2619Variations on the Romanesca3:222019 · studio album
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Tracklist · 18 tracks · 1:27:44
1Sentence: I Will Goe to My Father0:182The Great Service: I. Venite4:273Lesson: And David Spake the Words7:374The Great Service: II. Te Deum9:045Lesson: And Paul Earnestly Beholding the Councell6:466The Great Service: III. Benedictus9:027Prayer and Thankesgiving for the Happy Deliverance of His Majestie3:508O God, the Proud Are Risen Against Me2:449The Great Service: IV. Creed5:1010Fantasia, BK 628:2411Sentence: I Exhort You Therefore0:2812Sing Joyfully2:2513Lesson: After the Death of Moses4:3414The Great Service: V. Magnificat8:3115Lesson: Let Every Soule Be Subject Unto the Higher Powers3:2416The Great Service: VI. Nunc dimittis5:2617Collect: Almighty God and Heavenly Father1:4118Exalt Thyself, O God3:53Singing in Secret: Clandestine Catholic Music by William Byrd
2020 · studio album
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Tracklist · 14 tracks
1Miserere mei Deus2Gaudeamus omnes3Mass for Four Voices: Kyrie4Mass for Four Voices: Gloria5Timete Dominum6Mass for Four Voices: Credo7Ave Maria8Laetentur caeli9Mass for Four Voices: Sanctus & Benedictus10Justorum animae11Mass for Four Voices: Agnus Dei12Deo gratias13Beati mundo corde14Infelix egoThe Fitzwilliam Virginal Book, Volume 7
2020 · studio album
Bach, Byrd, Gibbons + Contemporary Music
2020 · studio album
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Tracklist · 16 tracks · 56:51
1Musical Offering: Ricercar à 3 voci, BWV 10796:112Prayer Bell Sketch4:553The Lord’s Prayer2:404Pavan, FVB 2543:495Galiard, FVB 2551:236Piece After Byrd8:497In Memory of My Two Cats1:468China Gates4:429Pavan, MB 18 “Lord Salisbury”2:5410Galliard, MB 19 “Lord Salisbury”1:5311Zodiacs2:0412Diary VI: I. Prism1:5313Diary VI: II. Swishing1:2614Diary VI: III. Reflection1:5315Diary VI: IV. Echo1:5216Musical Offering: Ricercar à 6 voci, BWV 10798:41Byrd 1588: Psalmes, Sonets & Songs of Sadnes and Pietie
2021 · studio album
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Tracklist · 35 tracks · 2:37:09
Disc 11O God Give Ear3:502Mine Eyes With Fervency of Sprite3:483My Soul Oppressed With Care and Grief2:234O Lord, How Long Wilt Thou Forget3:485O Lord Who in Thy Sacred Tent4:006O You That Hear This Voice6:157Ambitious Love2:298Although the Heathen Poets1:109My Mind to Me a Kingdom Is6:0310Farwell False Love6:1811If Women Could Be Fair3:4412Who Likes to Love5:3913La Verginella2:4214Lullaby, My Sweet Little Baby15:3115All as a Sea2:0916Prostrate, o Lord, I Lie2:1117Come to Me Grief Forever6:52Disc 21Even From the Depth1:492Blessed Is He That Fears the Lord3:523How Shall a Young Man Prone to Ill2:244Help Lord, for Wasted Are Those Men4:565Lord in Thy Wrath Reprove Me Not4:056Though Amaryllis Dance in Green5:537Constant Penelope2:318I Joy Not in No Earthly Bliss3:409As I Beheld I Saw a Herdman Wild5:0010Where Fancy Fond5:2011What Pleasure Have Great Princes4:4812In Fields Abroad5:4013The Match That’s Made5:0514Why Do I Use My Paper Ink and Pen?7:1215Care for Thy Soul1:4916Susanna Fair3:3417If That a Sinner’s Sighs2:0218O That Most Rare Breast8:37The Visionaries of Piano Music
2021 · studio album
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Tracklist · 33 tracks · 2:15:04
1Prelude (Parthenia 1; MB 27/1)0:402Pavan “Sir William Petre” (Parthenia 2; MB 27/3a)4:423Galliard (Parthenia 3; MB 27/3b)2:324The Battle (Nevell 4; MB 28/94): The Flute and the Drum1:485The Woods so Wild - 14 Variations (Fitzwilliam 67; MB 28/85)3:376The Maiden's Song - 8 Variations (Fitzwilliam 126; Nevell 28; MB 28/82)5:327John Come Kiss Me Now - 16 Variations (Fitzwilliam 10; MB 28/81)5:228Fantasia (Fitzwilliam 108)3:589Fantastic Pavan (Fitzwilliam 34; MB 19/86a)4:4210Fantastic Galliard (Fitzwilliam 35; MB 19/86b)1:3711Canons 51 - 48 - 39 - 7 - 15 - 114 (ÖNB Mus. Hs. 17771)3:4012Prelude "Laet ons met herten reijne" (MB 14/56; BL Add. MS 23623 f. 65)1:0213Carol "Laet ons met herten reijne" (MB 14/56; BL Add. MS 23623 f. 65)2:0414Les Buffons - 15 Variations (MB 19/101; BL Add. MS 23623 f. 22)3:2015Walsingham - 30 Variations (Fitzwilliam 1; MB 19/85)13:1316Pavan “The Earl of Salisbury” (Parthenia 6; MB 27/15a)2:0317Galliard (Parthenia 7; MB 27/15b)1:1718Second Galliard “Mris Marye Brownlo” (Parthenia 8; MB 27/15c)3:3619The Bells (Fitzwilliam 69; MB 27/38)6:0820Queen Elizabeth’s (Chromatic) Pavan (MB 19/87a)4:3421My Grief (Fitzwilliam 190; MB 19/139)1:5522O Mistress Mine - 6 Variations (Fitzwilliam 66; MB 28/83)4:2823The Second Ground - 16 Variations (Nevell 30; MB 27/42)7:0824Prelude (Fitzwilliam 43)1:4425Melancholy Pavan (MB 19/67a)4:1326The Earl of Oxford’s March (Fitzwilliam 259; Nevell 3; MB 28/93)3:1127Ut, re, mi, fa, sol, la - Fantasia (Fitzwilliam 101; Nevell 9; MB 28/64)6:3128Ut, mi, re - Fantasia (Fitzwilliam 102; MB 28/65)4:5429Canons 68 - 78 - 79 - 65 - 3 - 53 (ÖNB Mus. Hs. 17771)3:2830Walsingham - 22 Variations (Fitzwilliam 68; Nevell 31; MB 27/8)8:5131Sellinger's Round - 9 Variations (Fitzwilliam 64; Nevell 37; MB 28/84)4:1932Fantasia on a Fugue of Sweelinck (MB 14/4; BL Add. MS 23623 f. 52)3:5333Telluris ingens conditor: Nos. 1, 2, 3, 6, 7 (MB 14/47; BL Add. Ms 23623 f. 170)5:022021 · studio album
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Tracklist · 17 tracks · 1:11:28
1Out of the Orient Crystal Skies3:382Pavan2:013As it Fell on Holie Eve1:014From Virgin’s Womb – Rejoice, Rejoice6:505The Cradle2:556Lullabie1:337Lullaby12:408Fantazy no. 1 a 4 “For Ye Great Dooble Bass”4:419An Earthly Tree – Cast off All Doubtful Care6:1910Attendite4:3511Upon my Lap, my Sovereign Sits7:1512To Shorten Winter’s Sadnesse2:3413Fantazy no. 2 a 4 “For Ye Great Dooble Bass”4:5614Sweet Was the Song the Virgin Sang2:1115The New-Yeares Gift1:2116Heigh Ho Holiday1:0017O God that Guides the Cheerful Sun5:582022 · studio album
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Tracklist · 13 tracks · 57:00
1The Earl of Oxford’s March4:002Sellinger’s Round6:383The Queen’s Alman3:354Alman, MB 28/891:335Pavan, MB 27/31a4:386Galliard, MB 27/31b1:407The Second Ground, MB 27/429:058The Irish March1:569Prelude, MB 27/120:4810Fantasia, MB 27/137:5611Wilson’s Wild1:4212The Carman’s Whistle4:5913Tregian’s Ground8:302022 · studio album
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Tracklist · 11 tracks · 48:34
1Robin, FVB 152:092Loth to Depart, FVB 2303:393Fantasia, FVB 2083:534Gloria tibi trinitas, FVB 443:515Fantasia, FVB 8411:106Fantasia, MB 61:357Prelude, MB 30:598Fantasia, MB 84:419A Ground, MB 405:1610Miserere, FVB 1773:2111Fantasia, FVB 2618:00Psalmes, Songs and Sonnets (1611)
2022 · studio album
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Tracklist · 32 tracks · 1:29:55
Disc 11The Eagle's Force2:252Of Flattering Speech1:473In Winter Cold1:194Whereat an Ant1:355Who Looks May Leap2:026Sing Ye to Our Lord a New Song1:597I Have Been Young, but Now Am Old1:308In Crystal Towers3:309This Sweet and Merry Month of May3:1410Let Not the Sluggish Sleep2:3111A Feigned Friend3:1212Awake Mine Eyes2:2213Come Jolly Swains2:1914What Is Life, or Worldly Pleasure2:2615Fantasia (in 4 Parts)2:3416Come Let Us Rejoice Unto Our Lord1:5417Retire My Soul, Consider Thine Estate3:4418Arise Lord Into Thy Rest2:3419Come Woeful Orpheus4:04Disc 21Sing We Merrily Unto God1:452Blow Up the Trumpet2:173Crowned With Flowers2:364Wedded to Will Is Witless2:255Make Ye Joy to God2:236Have Mercy upon Me, O God4:257Fantasia (in 6 Parts)4:288This Day Christ Was Born2:359O God That Guides the Cheerful Sun6:0510Praise Our Lord All Ye Gentiles3:2011Turn Our Captivity, O Lord4:4112Ah Silly Soul3:0913How Vain the Toils2:45Pavans & Galliards, Variations & Grounds
2022 · studio album
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Tracklist · 40 tracks · 2:43:33
Disc 11Pavan in C minor, MB 29a5:072Galliard in C minor, MB 29b1:293Pavan in G, MB 71a2:324Galliard in G, MB 71b1:245Pavan in A minor, MB 14a4:156Galliard in A minor, MB 14b1:297Pavan in C, MB 30a2:238Galliard in C, MB 30b1:239Pavan in C minor, MB 31a5:0910Galliard in C minor, MB 31b1:1811Pavan in C, MB 32a4:1112Galliard in C, MB 32b1:2313Sellinger’s round, MB 845:1914Hornpipe, MB 395:4415O Mistress mine, MB 835:3716John, come kiss me now, MB 814:3817Calino casturarme, MB 352:1418Pavan, Canon 2 in 1, MB 744:1419Pavan in A minor, MB 174:4520Passamezzo Pavan, MB 2a5:3521Passamezzo Galliard, MB 2b4:1222Rowland, or Lord Willoughby’s welcome home, MB 72:30Disc 21Qui passe, for my Lady Nevell, MB 194:152Hugh Ashton’s Ground or Tregian’s Ground, MB 208:293My Lady Nevell’s Ground, MB 575:204Pavan, Sir William Petre, MB 3a5:325Galliard, Sir William Petre, MB 3b2:016Galliard, Mistress Mary Brownlow, MB 342:337Pavan, The Earl of Salisbury, MB 15a1:328Galliard, The Earl of Salisbury, MB 15b0:569Second Galliard, The Earl of Salisbury, MB 15c2:1810Go from my window now, MB 793:1311Ground, MB 428:2712The Woods so wild, MB 854:4313Walsingham, MB 86:3914The Bells, MB 385:2915Quadran Pavan, MB 70a8:5216Quadran Galliard, MB 70b3:5517The Carman’s whistle, MB 363:5718Fantasia in A, MB 138:31The Golden Renaissance: William Byrd
2023 · studio album
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Tracklist · 25 tracks · 1:08:34
1Retire My Soul4:262Introit: Gaudeamus omnes: I. Gaudeamus omnes2:333Introit: Gaudeamus omnes: II. Gloria1:044Introit: Gaudeamus omnes: III. Gaudeamus omnes2:075Mass for Four Voices - I. Kyrie2:256Mass for Four Voices - IIa. Gloria2:157Mass for Four Voices - IIb. Domine Deus3:598Gradual and Alleluia: I. Propter veritatem2:499Gradual and Alleluia: II. Assumpta est Maria1:2310Mass for Four Voices - IIIa. Credo2:2011Mass for Four Voices - IIIb. Qui propter nos homines3:2012Mass for Four Voices - IIIc. Et in Spiritum Sanctum1:1213Mass for Four Voices - IIId. Et unam, sanctam1:4014Offertory: Assumpta est Maria1:2715Mass for Four Voices - IVa. Sanctus1:4116Mass for Four Voices - IVb. Pleni sunt Caeli1:0217Mass for Four Voices - IVc. Benedictus1:5418Offertory: Optimam partem elegit2:4019Mass for Four Voices - V. Agnus Dei4:0320Turn Our Captivity, O Lord4:2021Praise Our Lord, all Ye Gentiles3:0122Laudate Dominum omnes gentes3:0723Tribue, Domine - I. Tribue Domine4:0124Tribue, Domine - II. Te deprecor4:0725Tribue, Domine - III. Gloria5:38Byrd - Music for the Virginalls
2023 · studio album
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Tracklist · 55 tracks · 3:57:35
Disc 11My Ladye Nevels Grownde, Bk 575:212The Firste Pavian, Bk 29A6:213The Galliarde to the Firste Pavian, Bk 29B1:484The Seconde Pavian, Bk 71A3:305The Galliarde to the Seconde Pavian, Bk 71B1:406The Queenes Alman, Bk 103:437The Carmans Whistle, Bk 364:298The Third Pavian, Bk 14A6:109The Galliarde to the Third Pavian, Bk 14B1:3410The Fourth Pavian, Bk 30A3:1411The Galliarde to the Fourth Pavian, Bk 30B1:3012All in a Garden Green, Bk 564:3113A Galliards Gygge, Bk 181:4714The Fifte Pavian, Bk 31A5:5515The Galliarde to the Fifte Pavian, Bk 31B1:3516O Mistris Myne, Bk 835:4117Pavana the Sixte: Kinbrugh Goodd, Bk 32A6:0718The Galliarde to the Sixte Pavian, Bk 32B1:49193 French Corantos, Bk 212:3620The Seventh Pavian "Canon. Two Parts in One", Bk 744:4621The Maidens Songe, Bk 825:30Disc 21Fortune, Bk 64:382A Fancie, Bk 255:173The Eighte Pavian, Bk 175:374Galliard, Bk 531:375The Galliarde for the Victorie, Bk 951:296Wolseys Wilde, Bk 371:207The Passinge Mesures: The Nynthe Pavian "Passamezzo Pavan", Bk 2A7:108The Galliarde to the Nynthe Pavian "Galiardas Passamezzo", Bk 2B4:279A Fancie, Bk 466:2610The Huntes Upp "Pescodd Time", Bk 407:1711The Tennthe Pavian: Mr. W. Peter, Bk 3A6:1012The Galliarde to the Tennthe Pavian, Bk 3B1:5813The Woods so Wilde, Bk 854:5314Pavana "Bray", Bk 59A5:5715Galiarda, Bk 59B1:4116Pavana, Bk 4A2:5317Galliarda, Bk 4B1:3418Hugh Astons Grownde "Tregians Ground", Bk 208:36Disc 31Sellingers Rownde, Bk 846:462Pavan, Bk 16A6:123A Galliard, Bk 16B1:284Have with Yow to Walsingame, Bk 88:265Pavana, Bk 52A5:466Galiarda, Bk 52B1:287Qui Passe: For My Ladye Nevell, Bk 194:118John Come Kisse Me Now, Bk 815:559A Pavion, Bk 23A6:1510The Galliard, Bk 23B1:3011Pavana "Tr. Ph.", Bk 60A5:3512Galiarda, Bk 60B1:5413Praeludium / Fantasia, Bk 12 - Bk 138:4514Rowland, Bk 73:0515The Quadran Pavan, Bk 70A7:4216Galiard to the Quadran Pavan, Bk 70B4:002023 · studio album
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Tracklist · 14 tracks · 1:13:08
1Arise Lord into Thy Rest2:202O doux regard2:293Ne irascaris, Domine3:594Civitas sancti tui4:405O suavitas et dulcedo5:086Arise Lord into Thy Rest5:477Tristitia et anxietas9:068Tristitia et anxietas9:229Turn Our Captivity4:2010Ego flos campi3:4911Turn Our Captivity5:4712Super flumina Babylonis5:1213Quomodo cantabimus?7:0614Vigilate4:03Byrd 1589: Songs of sundrie natures
2023 · studio album
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Tracklist · 34 tracks · 2:02:33
Disc 11Lord in Thy Rage Rebuke Me Not2:152Right Blessed are They2:193Lord in They Wrath Correct Me Not2:064O God Which Art Most Merciful2:265Lord Hear My Prayer Instantly1:376From Depth of Sin2:047Attend Mine Humble Prayer Lord2:488Susanna Fair2:389The Nightingale2:1810When Younglings First3:3211Upon a Summer’s Day3:0812The Greedy Hawk1:4313Is Love a Boy?5:0714Wounded I Am7:1615From Citheron the Warlike Boy is Fled6:5516O Lord My God3:1417While That the Sun1:49Disc 21Weeping Full Sore6:102Penelope That Longed For the Sight3:223Compel the Hawk3:094See Those Sweet Eyes3:455When I was Otherwise4:006When First by Force2:227I Thought Love Had Been a Boy1:068O Dear Life3:449From Virgin’s Womb9:3910Of Gold all Burnished4:4811Behold How Good3:2912An Earthly Tree a Heavenly Fruit7:2813Who Made Thee Hob1:2914And Think Ye Nymphs1:5015If In Thine Heart2:5416Unto the Hills Mine Eyes I Lift4:0917Christ Rising Again5:542023 · studio album
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Tracklist · 29 tracks · 1:06:27
1Ave verum corpus4:282Afflicti pro peccatis nostris: Afflicti pro peccatis nostris3:283Afflicti pro peccatis nostris: Ut eruas nos a malis1:414Mass for Five Voices: Kyrie1:275Mass for Five Voices: Gloria: Gloria in excelsis Deo1:556Mass for Five Voices: Gloria: Domine Deus, Agnus Dei3:087Tristitia et anxietas: Tristitia et anxietas6:238Tristitia et anxietas: Sed tu Domine3:589Mass for Five Voices: Credo: Credo in unum Deum2:2310Mass for Five Voices: Credo: Qui propter nos homines3:2111Mass for Five Voices: Credo: Et in Spiritum Sanctum3:3412Ave Maria: Ave Maria, gratia plena1:0813Ave Maria: Alleluia0:4814Mass for Five Voices: Sanctus: Sanctus1:1015Mass for Five Voices: Sanctus: Pleni sunt caeli1:0316Mass for Five Voices: Benedictus1:2917Circumdederunt me4:5518Mass for Five Voices: Agnus Dei: Agnus Dei I & II1:4419Mass for Five Voices: Agnus Dei: Agnus Dei III1:3120Emendemus in melius: Emendemus in melius2:2021Emendemus in melius: Adiuva nos Deus1:4622De lamentatione Jeremiae prophetae, “Lamentations”: De lamentatione Jeremiae prophetae2:0423De lamentatione Jeremiae prophetae, “Lamentations”: Heth0:4824De lamentatione Jeremiae prophetae, “Lamentations”: Cogitavit Dominus1:4125De lamentatione Jeremiae prophetae, “Lamentations”: Teth1:1326De lamentatione Jeremiae prophetae, “Lamentations”: Defixae sunt in terra portae eius1:3627De lamentatione Jeremiae prophetae, “Lamentations”: Jod0:5228De lamentatione Jeremiae prophetae, “Lamentations”: Sederunt in terra1:5929De lamentatione Jeremiae prophetae, “Lamentations”: Jerusalem, Jerusalem2:342023 · studio album
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Tracklist · 19 tracks · 1:14:32
1Thou Poets’ Friend2:052In nomine à 42:443Wretched Albinus2:264Fantasia à 6 no. 25:135With Lilies White4:506Fantasia à 5: Browning “The Leaves be Greene”4:017This Sweet and Merry Month of May2:518O Lord, Make Thy Servant, Elizabeth2:219All as a Sea3:2110Fantasia à 5: Two Parts in One in the Fourth Above5:1611Come to Me, Grief, for Ever5:4812Sellenger’s Round4:4313Blessed Is He That Fears the Lord5:3614Why Do I Use My Paper, Ink and Pen?7:2115Fantasia à 6 no. 13:2416Ah Silly Soul2:4917Rejoice unto the Lord3:1918Fantasia à 4 no. 12:4919Ye Sacred Muses3:352023 · studio album
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Tracklist · 42 tracks · 3:21:33
1My Ladye Nevels Grownde, MB575:402Qui Passe for my Ladye Nevell, MB193:443The Marche before the Battell, MB933:534The Battell, MB9412:145The Galliarde for the Victorie, MB951:546The Barelye Breake, MB928:067A Galliards Gygge, MB182:028The Huntes Upp, MB416:479Ut Re Mi Fa Sol La, MB647:5810The Firste Pavian, MB294:2211The Galliarde to the same1:4212The II Pavian, MB712:3713The Galliarde to the same1:5614The III Pavian, MB144:5015The Galliarde to the same1:3416The IIII Pavian, MB302:4917The Galliarde1:4418The V Pavian, MB315:1019The Galliarde1:4520Pavana the VI: Kinbrugh Goodd, MB324:3921The Galliard1:4422The Seventh Pavian, MB744:1723The Eighte Pavian, MB175:0224The Passinge Mesures Pavan, MB26:0725The Galliarde4:3926A Voluntarie for my Ladye Nevell, MB614:5827Will yow walke the woodes soe Wylde, MB854:0728The Maidens Song, MB825:2029A Lesson of Voluntarie, MB267:3030The Seconde Grownde, MB428:3331Have with Yow to Walsingame, MB88:3532All in a Garden Grine, MB563:5633Lord Willobies Welcome Home, MB72:3734The Carmans Whistle, MB365:2035Hughe Ashstons Ground, MB207:2436A Fancie, MB255:3937Sellingers Rownde, MB847:0038Munsers Almaine, MB887:1539The Tenthe Pavian, Mr W Peter, MB35:1640The Galliard2:0341A Fancie, MB465:1242A Voluntarie, MB273:332023 · studio album
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Tracklist · 13 tracks · 1:06:04
1Voluntary in C major, H 11, MB 269:032Fantasia in A minor, H 4, MB 138:123Miserere, MB 661:074Miserere, MB 671:095Fantasia in C major, H 8, MB 256:266Verse, H 12, MB 282:077Fantasia in G major, H 7, MB 635:488Gloria tibi Trinitas, MB 502:099Fantasia in G major, H 6, MB 629:2610Ut re mi fa sol la in G major, H 13, MB 648:4211Voluntary in A minor/C major, H 10, MB 273:4112O quam gloriosum est regnum, EKM 48: Prima pars4:3513O quam gloriosum est regnum, EKM 48: Secunda pars3:392024 · studio album
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Tracklist · 27 tracks · 1:50:53
Disc 11Prelude in G Minor, BK10:482Fantasia in G Major, BK635:193Christe, qui lux (Es et dies), BK1211:044Fantasia, MBLV55 (Byrd arr. Thomas Tomkins)3:295In nominee, BK51 (Parsons set by Byrd)3:256Ut re mi, BK656:517Gloria tibi trinitas, BK502:068A Ground, BK9 (2)4:099Prelude & Fantasia in a Minor, BK12&138:4510The Queens Alman, BK103:3311Voluntary for my Lady Nevell, BK615:0012Pavan Lachrymae, BK54 (Dowland arr. Byrd)6:1413Fantasia in G Major, BK628:31Disc 214Fantasia a Lesson in Voluntaire in C Major, BK267:5615Miserere, BK661:0416Miserere, BK671:1217Ut, re, mi, fa, sol, la, BK58 (2)3:2818Ut, re, mi, fa, sol, la, BK648:1419A Verse of Two Parts, BK281:4120A Fancie in D Minor, BK465:3221Salvator Mundi, BK681:4122Salvator Mundi, BK691:4523A Voluntarie in C Major, BK275:2324Clarifica me, BK472:0425Clarifica me, BK481:5926Clarifica me, BK492:2727Prelude and Fantasia in C Major, BK24&257:13The Great Service & English Anthems
2024 · studio album
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Tracklist · 17 tracks · 1:17:17
1The Great Service: I. Venite5:182The Great Service: II. Te Deum9:373The Great Service: III. Benedictus9:114The Great Service: IV. Kyrie1:045The Great Service: V. Creed5:276The Great Service: VI. Magnificat9:467The Great Service: VII. Nunc dimittis5:138Clarifica me pater I1:589O God the Proud are Risen Against Me2:4710Out of the Deep4:4111O God Whom our Offences4:0312Clarifica me pater II1:5513Arise O Lord Why Sleepest Thou?3:3514How Long Shall Mine Enemies3:1515Exalt Thyself, O God4:0716Clarifica me pater III2:3617O Lord Make Thy Servant Charles2:44— · studio album
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Tracklist · 15 tracks · 1:00:27
1Prelude and Voluntary3:182Rejoice unto the Lord4:133Fantasia a3 in C2:014Fantasia a3 in C0:575Ut re mi fa sol la6:286Fantasia a4 in G2:487Delight is dead4:118Farewell, false love5:309Fantasia a4 in D1:4710Prelude6:0711Who made thee, Hob, forsake the plow?3:4712My mistress had a little dog6:1113The Maiden's Songe4:5014Browning (The leaves bee greene)5:0815Ye sacred muses3:11— · studio album
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Tracklist · 9 tracks · 49:33
1Cantiones Cacrae: In resurrectione tua1:492Cantiones Cacrae: Aspice Domine de sede4:563Cantiones Cacrae: Vide Domine afflictionem9:004Cantiones Cacrae: Domine tu iurasti3:455Cantiones Cacrae: Vigilate5:166Cantiones Cacrae: Domine secundum multitudinem2:527Cantiones Cacrae: Tristitia et anxietas9:348Cantiones Cacrae: Ne irascaris Domine7:589Cantiones Cacrae: O quam gloriosum4:23Mass For Three Voices With The Propers For The Nativity
— · studio album
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Tracklist · 14 tracks · 51:51
1Introitus: Puer Natus Est Nobis5:152Kyrie: (Mass For Three Voices)0:413Gloria: (Mass For Three Voices)4:494Gradualis: Viderunt Omnes Fines Terrae; Dies Sanctificatus3:195Credo: (Mass For Three Voices)7:316Offertorium: Tui Sunt Coeli1:207Sanctus; Benedictus: (Mass For Three Voices)2:478Communio: Viderunt Omnes Fines Terrae1:169Agnus Dei: (Mass For Three Voices)3:4010Antiphon: Hodie Christus Natus Est2:1811Hymn: Christe Redemptor Omnium3:5512Antiphon: O Admirabile Commertium4:3113Hymn: A Solis Ortus Cardine4:4014Response: O Magnum Misterium5:49Messe zu fünf Stimmen / Motetten
— · studio album
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Tracklist · 13 tracks
A1KyrieA2GloriaA3CredoA4SanctusA5BenedictusA6Agnus DeiB1Misere meiB2Ne irascaris DomineB3Civitas sancti tuiB4Laetentur CoeliB5Ave MariaB6Alleluia. Cognoverunt discipuliB7Christe qui lux es et dies— · studio album
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Tracklist · 20 tracks · 1:13:16
1Fantazia à 6, T. 3895:572Pavan & Galliard, MB 32 "Kinbourough Good": I. Pavan4:193Pavan & Galliard, MB 32 "Kinbourough Good": II. Galliard1:254The Queen's Alman - Hugh Ashton's Ground (MB 20)4:595Pavan and galliard à 6: I. Pavan2:516Pavan and galliard à 6: II. Galliard1:157Pavane "Mille Regretz"2:428Pavan and Galliard, MB 14: I. Pavan4:249Pavan and Galliard, MB 14: II. Galliard1:1810Browning (The Leaves be Green)3:5411Pavan a 53:5612The Carman's Whistle, MB 365:1413The Irish March, MB 941:3814My Lord of Oxenfords Maske1:4315Pavan, MB 174:5216A Fancie, MB 254:5617Praeludium & Ground6:1818Pavan & Galliard, MB 60 "Ph. Tregian",: I. Pavan4:4019Pavan & Galliard, MB 60 "Ph. Tregian",: II. Galliard1:3520Belle qui tiens ma vie, MB 21 "French Corantos": I. Pavan5:20
Album · 10
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| 1965 | Julian Bream In ConcertSearch SpotifySearch YouTube MusicTracklist · 17 tracksA1Introduction A2Captain Piper's Galliard A3Queen Elizabeth's Galliard A4Sir John Langton's Pavan A5Tarleton's Resurrection A6Lady Clifton's Spirit A7Introduction A8Pavana Bray A9Galliard A10Pavan A11My Lord Willoughby's Welcome Home B1Wilt Thou, Unkind, Thus Reave Me? B2Sorrow, Stay B3The Lowest Trees Have Tops B4Time's Eldest Son, Old Age B5In Darkness Let Me Dwell B6Say, Love, If Ever Thou Didst Find | Live | 1965 | |
| 1993 | William Byrd: Commemorating the 450th Anniversary of His BirthSearch SpotifySearch YouTube MusicTracklist · 26 tracks · 2:11:17Disc 1 1The Great Service: Venite5:18 2The Great Service: Te Deum9:31 3The Great Service: Benedictus9:23 4The Great Service: Creed5:27 5The Great Service: Magnificat9:12 6The Great Service: Nunc Dimittis5:10 7O Lord, Make Thy Servant Elizabeth2:52 8O God, The Proud Are Risen3:00 9Sing Joyfully Unto God2:50 Disc 21Mass For Five Voices: Kyrie1:29 2Mass For Five Voices: Gloria4:55 3Mass For Five Voices: Credo8:41 4Mass For Five Voices: Sanctus & Benedictus3:48 5Mass For Five Voices: Agnus Dei3:24 6Mass For Four Voices: Kyrie2:03 7Mass For Four Voices: Gloria5:30 8Mass For Four Voices: Credo7:32 9Mass For Four Voices: Sanctus & Benedictus3:40 10Mass For Four Voices: Agnus Dei3:15 11Mass For Three Voices: Kyrie0:36 12Mass For Three Voices: Gloria4:34 13Mass For Three Voices: Credo6:37 14Mass For Three Voices: Sanctus & Benedictus2:46 15Mass For Three Voices: Agnus Dei3:09 16Ave Verum Corpus4:17 17Infelix ego12:18 | Compilation | 1993 | |
| 1995 | Masters of English Church MusicSearch SpotifySearch YouTube MusicTracklist · 36 tracks · 2:23:30Disc 1 1Sing Joyfully2:18 2Turn our captivity4:38 3Praise our Lord, all ye Gentil2:28 4Emendemus in melius4:08 5Siderum Rector2:50 6Plorans plorabit5:10 7Visita, quaesumus Domine4:08 8Attollite portas4:16 9Laudibus in sanctis5:20 10Gaudeamus omnes2:40 11Ave verum Corpus4:05 12Veni, Sancte Spiritus5:45 13Christus resurgens4:10 14Solve iubente Deo2:30 15O magnum misterium5:42 16Non vos relinquam1:55 17O quam suavis4:48 18Justorum animae2:35 Disc 21Magnificat in G4:08 2Magnificat (from the Gloucester Service)6:34 3Magnificat in B-flat3:34 4Nunc Dimittis in B-flat3:12 5O for a closer walk3:23 6Like as the hart5:32 7The fear of the Lord5:26 8I heard a voice from heaven4:59 9Requiem: 1. Salvator mundi1:55 10Requiem: 2. Psalm 232:20 11Requiem: 3. Requiem aeternam (1)3:20 12Requiem: 4. Psalm 1212:24 13Requiem: 5. Requiem aeternam (2)3:41 14Requiem: 6. I heard a voice from heaven4:27 15When Mary thro' the garden went3:32 16Long, long ago4:50 17Te Deum in C7:26 18All my hope on God is founded3:21 | Compilation | 1995 | |
| 1995 | Three Tudor MassesSearch SpotifySearch YouTube MusicTracklist · 15 tracks · 1:16:431Mass “Euge bone” a 6: I. Gloria6:22 2Mass “Euge bone” a 6: II. Credo5:29 3Mass “Euge bone” a 6: III. Sanctus3:45 4Mass “Euge bone” a 6: IV. Benedictus2:41 5Mass “Euge bone” a 6: V. Agnus Dei6:57 6Mass “Puer natus est nobis” a 7: I. Gloria9:55 7Mass “Puer natus est nobis” a 7: II. Sanctus4:22 8Mass “Puer natus est nobis” a 7: III. Benedictus3:33 9Mass “Puer natus est nobis” a 7: IV. Agnus Dei8:46 10Mass for 5 Voices: I. Kyrie eleison1:46 11Mass for 5 Voices: II. Gloria in excelsis5:10 12Mass for 5 Voices: III. Credo in unum Deum9:26 13Mass for 5 Voices: IV. Sanctus2:35 14Mass for 5 Voices: V. Benedictus1:40 15Mass for 5 Voices: VI. Agnus Dei4:16 | Compilation | 1995 | |
| 1998 | The Caged ByrdSearch SpotifySearch YouTube MusicTracklist · 15 tracks · 1:18:151Vigilate3:48 2Crowned with flow'rs and lilies5:12 3Pavan "Sir William Petre"4:12 4O quam gloriosum est regnum3:46 5Rejoice unto the Lord4:48 6Deus, venerunt gentes12:58 7Rowland "Lord Willoughby's welcome home", MB 72:05 8Why do I use my paper, inke and penne?6:52 9Super flumina Babylonis5:06 10Quomodo cantabimus6:02 11Walsingham, MB 88:24 12The noble famous Queen "While Phoebus Used to Dwell"1:46 13Domine, tu iurasti4:53 14The Queen's Alman, MB 103:28 15Laudibus in sanctis4:55 | Compilation | 1998 | |
| 2000 | Choral MusicSearch SpotifySearch YouTube MusicTracklist · 17 tracks · 1:13:141Mass for Four Voices: I. Kyrie2:15 2Mass for Four Voices: II. Gloria5:58 3Mass for Four Voices: III. Credo8:07 4Mass for Four Voices: IV. Sanctus2:32 5Mass for Four Voices: V. Benedictus1:33 6Mass for Four Voices: VI. Agnus Dei4:14 7Mass for Five Voices: I. Kyrie1:35 8Mass for Five Voices: II. Gloria4:50 9Mass for Five Voices: III. Credo9:12 10Mass for Five Voices: IV. Sanctus2:31 11Mass for Five Voices: V. Benedictus1:30 12Mass for Five Voices: VI. Agnus Dei4:18 13Missa Salve Intemerata Virgo: I. Gloria5:39 14Missa Salve Intemerata Virgo: II. Credo6:50 15Missa Salve Intemerata Virgo: III. Sanctus3:36 16Missa Salve Intemerata Virgo: IV. Benedictus2:45 17Missa Salve Intemerata Virgo: V. Agnus Dei5:49 | Compilation | 10 October 2000 | |
| 2015 | English MusicSearch SpotifySearch YouTube Music | Compilation | 2015 | |
| 2019 | Musiques au temps de Byrd, Gibbons et DowlandSearch SpotifySearch YouTube MusicTracklist · 23 tracks · 1:19:321The Silver Swan2:01 2Fantasia a 6 n°42:42 3Can she excuse my wrongs ?2:25 4Go from my window4:52 5Say, love, if ever thou didst find1:22 6Toy made at Poole Court1:34 7Sorrow, stay3:52 8Fancy2:15 9In darkness let me dwell4:18 10Fantasia a 6 n°33:31 11Barafostus' dream5:10 12What if I never speede1:50 13I saw my lady weepe5:34 14Pavana Ploravit5:44 15The lowest trees have tops2:15 16Behold a wonder here2:40 17Me, me and none but me2:55 18Messe à quatre voix I2:14 19Messe à quatre voix II5:58 20Messe à quatre voix III8:07 21Messe à quatre voix IV2:33 22Messe à quatre voix V1:33 23Messe à quatre voix VI4:07 | Compilation | May 2019 | |
| — | Renaissance MasterpiecesSearch SpotifySearch YouTube MusicTracklist · 9 tracks · 1:15:101Magnificat & Nunc Dimittis13:46 2Te Deum10:46 3Te Deum11:35 4Western Wind Mass: Gloria6:59 5Western Wind Mass: Credo7:19 6Western Wind Mass: Sanctus-Benedictus7:35 7Western Wind Mass: Agnus Dei7:27 8Laudibus in Sanctis Dominum5:53 9Miserere Miei3:50 | Compilation | — | |
| — | Some Glories of Elizabethan MusicSearch SpotifySearch YouTube MusicTracklist · 14 tracks · 55:331It Was a Lover and His Lass2:25 2Greensleeves5:29 3Weep, Weep Mine Eyes4:45 4His Toye & Tower Hill1:58 5The Lamentations of Jeremiah the Prophet (Part 1)9:36 6Mass in Four Parts - Agnus Dei4:15 7As Vestas Was From Latmos Hill Descending3:25 8My Lord Willowbye’s Welcome Home1:24 9I Saw My Lady Weep4:10 10Heigh-Ho Holiday1:08 11Sweet Honey Sucking Bee4:29 12Regina Galliard and Myself4:41 13When David Heard That Absalom Was Slain (Full Anthem)5:15 14Sing Joyfully (Full Anthem)2:33 | Compilation | — |
Other · 1
| Cover | Year | Title | Notes | First release |
|---|---|---|---|---|
| — | Music Of The 16th And 17th Centuries Volume 7: Music For Voice And ViolsSearch SpotifySearch YouTube MusicTracklist · 12 tracks · 37:571Prélude And Fantasia (À 5)6:05 2La Virginella2:19 3My Sweet Little Darling1:21 4Fantasia (À 3)4:25 5What Pleasure Have Great Princes3:32 6Though Amaryllis Dance In Green2:25 7In Nomine (À 5)2:44 8Blessed Is He That Fears The Lord1:47 9O Lord, How Long Wilt Thou Forget1:46 10Fantasia (À 6)6:16 11The Man Is Blest That God Doth Fear2:00 12Why Do I Use My Paper, Ink And Pen3:17 | — |
Stats & PK
Percentile within all 23,672 published artists.Put William Byrd head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 48 | 96.3th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 139 | 98.8th |
| Studio albums | 128 | 99.8th |
| Awards recorded | 0 | 0th |
| Timeline events | 125 | 99.8th |
| Recording span (years) | -331 | 1.4th |
| Genres | 7 | 93th |
Awards & honours
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:William_Byrd.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/d1cf7a39-f268-45e8-bbc0-6cea5c0272cfdiscography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/d1cf7a39-f268-45e8-bbc0-6cea5c0272cfcore—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q208375genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q208375seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/William_Byrdbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/William_Byrd
Why this artist is in the database
- List of composers by name
Tier rule: historic figure (48 language versions, career ended)
Image: Gerard van der Guch, d'après une peinture de Nicola Francesco Haym du British Museum · Public domain · Wikimedia Commons
Wikidata: Q208375 · MusicBrainz: d1cf7a39-f268-45e8-bbc0-6cea5c0272cf
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