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Anton Eberl
Person · male · Austrian Empire · Vienna · born 1765 · died 1807 · recording since 2000
Austrian composer, teacher and pianist (1765-1807)
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Also known as アントン・エーベルル
Timeline
15 events▣ Album 12◦ Birth 1† Death 1★ Debut release 1
1760s
1800s
2000s
· Debut release
Debut release: Symphonies
First documented Album in the MusicBrainz discography.
source: musicbrainz
2010s
· Album
Album: Concerto for Two Pianos & Orchestra, op. 45 / Sonatas for Piano Four Hands
Album
source: musicbrainz
2020s
Biography
English biography1,938 words · 7 sectionssource: wikipedia-en · licence CC BY-SA 4.0 · revision 1309688472
Biography
Anton Franz Josef Eberl (13 June 1765 – 11 March 1807) was an Austrian composer, teacher and pianist of the Classical period. He was a student of Salieri and Mozart. He was also seen as an early friend and rival of Beethoven.
Biography
Eberl was born in Vienna, Austria in 1765, the son of a wealthy imperial official. He was a gifted pianist who gave recitals in Vienna from the age of eight. The family eventually fell into financial difficulties, so Eberl was unable to continue courses and training as a lawyer. Instead, he was then free to pursue his studies in music. Eberl may have been taught by Mozart starting around 1781, when the famous composer arrived in Vienna. Stylistic similarities with Mozart led to several of Eberl's works being mistakenly published under Mozart's name. Eberl's cantata "Bei Mozarts Grabe", completed just six days after Mozart died in December of 1791, may well represent the homage of a student to his teacher and mentor. Eberl maintained strong connections to the Mozart family, performing a Mozart piano concerto promoted by Mozart's wife Constanze in 1794, and accompanying her and her sister Aloysia Lange on a tour of Germany in the winter of 1795–96. One of Mozart's students, Josepha Auernhammer, had dedicated to her Eberl's Op. 16 Piano Sonata in C Major. On 25 March 1803 she performed one of Eberl's piano concertos, perhaps his Op. 32 in C Major, and on 2 March 1804 she performed Eberl's Piano Concerto in E flat, Op. 40. Clarinettist Anton Stadler, Mozart's friend for whom the composer wrote his clarinet quintet K. 581 and clarinet concerto K. 622, was one of the performers there for that same concert, playing on an Op. 43 Trio by Adalbert Gyrowetz. It is apparent that Eberl moved around freely within the Mozart circle.
Eberl married Maria Anna Sheffler in the spring of 1796 after returning from his tour with Constanze Mozart and Aloysia Lange. The Eberls then travelled to Saint Petersburg in Russia, where the composer worked as kapellmeister, pianist and teacher. He remained there until 1799, and established a fine reputation. The list of Saint Petersburg subscribers includes princes, princesses, counts and other important nobles. Back in Vienna, one of Eberl's subscribers was one of the most important composers at that time, Antonio Salieri, who was kapellmeister to the imperial court who in return gave Eberl advanced music lessons. About two-fifths of the Vienna subscribers were from the nobility, mostly music lovers, amateur performers, and patrons of the arts, including many writers and poets. Eberl left Russia late in 1799, and by 1800 was back in Vienna. He tried his hand composing two stage works, "Erwine von Steinheim" and "Konigen der schwarzen Inseln". Both of these, however, did not prove to be very successful. By 1802, Eberl devoted himself to composing symphonies, concertos, and chamber music. In this five year period he enjoyed particular critical acclaim. A major concert tour of Germany in the first half of 1806, was to be Eberl's last, however. Commencing in Prague, he traveled to Dresden, Berlin, Leipzig, Weimar, Gotha, Frankfurt and Mannheim. He returned to Vienna, but in early 1807 Eberl contracted scarlet fever, and he died on 11 March 1807. A lengthy obituary that appeared on the front page of the Wiener Zeitung on 18 March 1807 stated: "What he was as an artist, what richness, depth and abundance characterized his compositions – all that has been determined by the critics. But how excellent his heart, how clear his mind, how unpretentiously cultured his works were – all that can only be known by those who knew him well and who loved the person in him as they respected the artist." Another publication, the Allgemeine Musikalische Zeitung of 1 April 1807 said the following: "Though not tall, Eberl was a well-built, handsome man ... he was exceptionally good-natured and sincere and of noble morality; his manners were polished, but not affected. If he had a fault worthy of censure, then it was his excess of goodness and guilelessness, which led him always to think the best of people. ... He was an exemplary husband, an unshakable friend and a generally popular addition to any gathering; seldom has the early death of an artist been so generally deplored."
Style
Early in his career, Eberl's works were frequently passed off as having been composed by Mozart. Surprisingly, this elicited no protest from Mozart against the use of his name on Eberl's compositions. After Mozart's death, Eberl published in a widely read German newspaper a notice that stated, "However flattering it may be that even connoisseurs were capable of judging these works to be the products of Mozart, I can in no way allow the musical public to be left under this delusion." The worth of Eberl's compositions was widely acknowledged by contemporaries, and his works are mentioned alongside those of Joseph Haydn, Mozart, and Beethoven in contemporary concert reviews. Eberl’s Symphony in E-flat major (Opus 33), premiered at the same concert on 7 April 1805 as Beethoven's Eroica Symphony and written in the same key, received considerable praise, even as Beethoven's work was judged a difficult and problematic work. Eberl's "was extraordinarily pleasing, and really it has so much that is beautiful and powerful, handled with such genius and art, that its effect could hardly be lacking in any performance in which it were well rehearsed." After his death, however, Eberl fell into obscurity and his music was little performed.
Influence
Eberl was a very close friend of Ludwig van Beethoven, whose symphonies show traces of Eberl's influence. For example, the coda of the finale of Eberl's E-flat symphony performed at the same concert in between Beethoven's First and newly composed Third ("Eroica," in the same key of E-flat; see below) that drew high praise from a reviewer who (reflecting typical contemporary conservative criticism) thought much less of the "Eroica" (for its radical length and otherwise advanced style) ends with a descending bugle-call theme in dotted rhythm in E-flat that is more or less identical to the closing theme of the first movement of Beethoven's monumental Ninth (stated in B-flat at the end of the exposition leading into the development, and in D minor at the end of the recapitulation leading into the coda). Schubert performed pieces of Eberl at his Schubertiade.
Compositions
op 1: Piano Sonata in C Minor (1792)
op 4: Sechs deutsche Lieder for soprano and piano (1796)
op 5: Sonatine for piano in C major (1796)
op 6: Variations in D major on an andantino: Freudin saufter Herzenstriebe of Dittersdorf (1798)
op 7: 2 Sonatas for piano with 4 hands: C major and F major (1797)
op 8: 3 Trios for piano, violin, cello: 1 in E flat major, 2 in B flat major, 3 in C minor (1797)
op 9: Theme and 11 variations in A minor on the song "Ascouta Jeannette" of the comedy "The two little Savoyards" by Nicolas Dalayrac (1799)
op 10: 2 Trio Sonatas for piano, violin or clarinet, and cello ad libitum in A minor and B major (1799)
op 11: Gloria d'Imeneo, cantata for soloists, choir and orchestra (1799)
op 12: Great sonata characteristic for piano in F minor (1801)
op 13: 3 String Quartets, in E flat, D major and G minor (1801)
op 14: Sonata for piano and violin in D minor (1801)
op 15: Fantasy and rondo for piano in B flat major (1802)
op 16: Great sonata in C major (1802)
op 17: Variations on a Russian theme for cello and piano in C minor (1802)
op 18: Quartet for piano, violin, viola and cello in C major (1802)
op 19: Polonaise for piano four hands in B flat major (1803)
op 20: Sonata for piano and violin in D major (1803)
op 21: Caprice and rondo in E flat major (1803)
op 23: Sech gesänge for soprano and piano (1804)
op 24: Polonaise in D major for piano 4 hands (1804)
op 25: Quartet for violin, viola, cello and piano in G minor (1809)
op 26: Grand duet for piano and cello (or violin) in A major (1804)
op 27: Great Sonata in G minor (1805)
op 28: Fantasy for piano in D minor (1805)
op 29: Sonata for flute and piano in G minor (1804)
op 30: Amusement in E flat major (1805)
op 31: Prelude followed by VIII variations for 2 pianos in G major (1804)
op 32: Concerto for piano and orchestra in C major (1803)
op 33: Symphony in E flat major (1803)
op 34: Symphony in D minor (1804)
op 35: Sonata for piano and violin in B flat major (1805)
op 36: Grand Trio for clarinet, cello and piano in E flat major (1806)
op 37: Serenade for 4-part choir, clarinet, viola and cello (1807)
op 38: Caprice and rondo (same as op 21) (1803)
op 39: Great sonata in G minor (1806)
op 40: Concerto for piano and orchestra in E flat major (v. 1803)
op 41: Quintet for clarinet, violin, 2 violas and piano in G minor (1801)
op 42: Caprice and rondo for piano with 4 hands in D major (1803)
op 43: Great sonata in C major (1806)
op 44: Trio Pot-Pourri for piano, clarinet and cello (1803)
op 45: Concerto for 2 pianos and orchestra in B flat major (v. 1803)
op 46: Toccata for piano in C minor (1806)
op 47: Sextet for piano, violin, viola, horn and clarinet in E flat major (1796)
op 48: Quintet for piano, oboe, violin, viola and cello in C major (1805)
op 49: Sonata for piano and violin in F major (1792)
op 50: Sonata for piano and violin in B flat major (1795)
Theme, variations and pastoral Rondo for harp on the allegro of Mozart's Divertimento K 563
12 Variations on Bei Mannern, welche Liebe fühlen of the Magic Flute, for piano (Won 3)
10 Variations on Zu Steffen Sprach im Träume (attributed to Mozart) (Won 2)
12 Variations on Freudin sanfter Herzenstriebe (attributed to Mozart) (Won 4)
Trio for piano, violin, cello in C major (attributed to Mozart) (1797)
Concerto for recorder and orchestra in G major
Concerto for Piano and Orchestra in B flat major (Won 9 1793)
Symphonies in D major (Won 5), in G major (Won 6) in C major Won 7) (1783/85)
Quartet for piano and strings in G minor (1804)
Bei Mozart's Grabe, cantata for soloists, choir and orchestra (Won 8, 1791)
In questa fell oscura, arietta for voice and piano (WoO 10, 1807)
12 deutsche Tänze, 12 Menuetten for keyboard (1805)
March (1807)
Opéras
Les Bohémiens (Die Zigeuner), Komische Oper in drei Akten w.o.n. 22 (1781), verloren
Graf Balduin, Komische Oper in zwei Akten w.o.n. 20 (1785), verloren
Die Marchande des Modes, Singspiel in drei Akten w.o.n. 19 (spätestens 1787), Libretto erhalten
Die Hexe Megäre, w.o.n. 21 (1790), verloren
Pyramus und Thisbe, Melodram in einem Akt w.o.n. 23 (1794), Libretto erhalten
Der Tempel der Unsterblichkeit, Allegorischer Prolog w.o.n. 24 (1799), verloren
Die Königin der schwarzen Inseln, Zauberoper in zwei Akten w.o.n. 1 (1801)
Erwine von Steinheim, Parodie in drei Akten w.o.n. 25 (1801); Libretto erhalten
Recordings
Many of Eberl's 200 compositions are lost. His chamber music has continued to receive contemporary performance. Three of his symphonies have been recorded by Concerto Köln in 1999. Two of his piano concertos, op 32 & 40, were recorded in 2011 for CPO by Die Kölner Akademie under Michael Alexander Willens with Paolo Giacometti and Riko Fukuda as soloists. His concerto for two pianos op. 45 was recorded by the same ensemble and was released in 2018.
Discography & profile
Normalised profile
Percentiles are computed over every artist in the database, so a tier-3 artist can still sit in the 95th percentile on a single axis.
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 14 | 70.2th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 12 | 83.4th |
| Studio albums | 12 | 92.8th |
| Awards recorded | 0 | 0th |
| Timeline events | 15 | 91.2th |
| Recording span (years) | -193 | 3.5th |
| Genres | 5 | 88.3th |
Percentiles are computed at render time; missing values mean the artist has no data on that axis.
Discography (12 release groups · 12 studio albums)
Albums · 12
2000 · studio album
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Tracklist · 10 tracks · 1:17:39
1Symphony in C major, w.o.n. 7: Allegro con brio7:472Symphony in C major, w.o.n. 7: Andante grazioso5:323Symphony in C major, w.o.n. 7: Finale: Allegro assai4:344Symphony in E-flat major, op. 33: Andante sostenuto – Allegro con fuoco e vivace11:405Symphony in E-flat major, op. 33: Andante con moto5:236Symphony in E-flat major, op. 33: Menuetto: Allegro vivace3:197Symphony in E-flat major, op. 33: Finale: Allegro assai8:438Symphony in D minor, op. 34: Andante maestoso e sostenuto – Tempo di marcia – Allegro agitato15:279Symphony in D minor, op. 34: Andante con moto6:1410Symphony in D minor, op. 34: Finale: Vivace assai9:002006 · studio album
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Tracklist · 10 tracks · 1:13:57
1Trio in E-flat major, op. 36: I. Andante maestoso – Allegro con spirito10:472Trio in E-flat major, op. 36: II. Adagio non troppo ma con espressione6:593Trio in E-flat major, op. 36: III. Scherzo. Molto vivace2:344Trio in E-flat major, op. 36: IV. Allegretto7:295Sonata in B-flat major, op. 10 no. 2: I. Allegro spirituoso10:446Sonata in B-flat major, op. 10 no. 2: II. Romance. Andante espressivo4:047Sonata in B-flat major, op. 10 no. 2: III. Rondo. Allegretto7:118Quintet in G minor, op. 41: I. Allegro con fuoco9:569Quintet in G minor, op. 41: II. Adagio ma non troppo6:4710Quintet in G minor, op. 41: III. Finale7:26Quintets, opp. 41 & 48 / Grand Trio, op. 36
2007 · studio album
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Tracklist · 10 tracks · 1:17:38
1Grand Quintetto in G minor, op. 41: I. Allegro con fuoco10:052Grand Quintetto in G minor, op. 41: II. Adagio ma non troppo7:153Grand Quintetto in G minor, op. 41: III. Finale7:314Grand Trio in E-flat major, op. 36: I. Andante maestoso – Allegro con spirito10:335Grand Trio in E-flat major, op. 36: II. Adagio non troppo, ma con espressione8:366Grand Trio in E-flat major, op. 36: III. Scherzo. Molto vivace3:087Grand Trio in E-flat major, op. 36: IV. Allegretto7:128Quintour brillant in C major, op. 48: I. Allegro vivace11:259Quintour brillant in C major, op. 48: II. Adagio non molto5:4710Quintour brillant in C major, op. 48: III. Rondo. Allegretto con moto6:062008 · studio album
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Tracklist · 19 tracks · 2:31:05
Disc 11Piano Trio in E-flat major, op. 8 no. 1: I. Allegro vivace11:232Piano Trio in E-flat major, op. 8 no. 1: II. Adagio8:003Piano Trio in E-flat major, op. 8 no. 1: III. Rondo. Vivace6:444Piano Trio in B-flat major, op. 8 no. 2: I. Allegro con brio9:575Piano Trio in B-flat major, op. 8 no. 2: II. Andante4:486Piano Trio in B-flat major, op. 8 no. 2: III. Rondo. Vivace assai8:227Piano Trio in C minor, op. 8 no. 3: I. Grave – Presto assai10:058Piano Trio in C minor, op. 8 no. 3: II. Adagio10:039Piano Trio in C minor, op. 8 no. 3: III. Allegro con passione6:42Disc 21Piano Trio in C minor, op. 10 no. 1: I. Allegro agitato9:092Piano Trio in C minor, op. 10 no. 1: II. Andante cantabile4:503Piano Trio in C minor, op. 10 no. 1: III. Vivace assai5:564Variations sur un thème russe, op. 1714:395Grande sonate pour le pianoforte, op. 39: I. Allegro appassionato5:306Grande sonate pour le pianoforte, op. 39: II. Adagio molto espressivo9:247Grande sonate pour le pianoforte, op. 39: I. Allegro agitato vivace assai7:498Piano Trio in B-flat major, op. 10 no. 2: I. Allegro spirituoso7:119Piano Trio in B-flat major, op. 10 no. 2: II. Romance. Andante espresivo4:0210Piano Trio in B-flat major, op. 10 no. 2: III. Rondo. Allegretto6:31The Complete Sonatas for Solo Piano
2008 · studio album
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Tracklist · 23 tracks · 2:53:24
Disc 11Sonata in C minor, op. 1: I. Adagio – Allegro con moto10:472Sonata in C minor, op. 1: II. Andante espressivo5:473Sonata in C minor, op. 1: III. Finale. Allegro molto5:224Toccata in C minor, op. 464:155Grand Sonata charactéristique, op. 12: I. Grave maestoso – Allegro agitato9:596Grand Sonata charactéristique, op. 12: II. Andantino2:497Grand Sonata charactéristique, op. 12: III. Finale. Allegro assai7:348Grand Sonata in C major, op. 16: I. Allegro con fuoco8:119Grand Sonata in C major, op. 16: II. Andantino3:4410Grand Sonata in C major, op. 16: III. Rondo. Allegretto un poco vivace6:07Disc 21Grand Sonata in G minor, op. 27: I. Allegro appassionato e vivace assai9:362Grand Sonata in G minor, op. 27: II. Andante con espressione10:433Grand Sonata in G minor, op. 27: III. Finale. Presto assai7:144Grand Sonata in G minor, op. 39: I. Allegro appassionato8:525Grand Sonata in G minor, op. 39: II. Adagio molto expressivo10:356Grand Sonata in G minor, op. 39: III. Allegro agitato vivace assai10:45Disc 31Grand Sonata in C major, op. 43: I. Andante molto – Allegro con spirito14:022Grand Sonata in C major, op. 43: II. Intermezzo. Andante2:433Grand Sonata in C major, op. 43: III. Rondo. Vivace5:044Fantasie in D minor, op. 2819:265Sonatina in C major, op. 5: I. Allegro4:496Sonatina in C major, op. 5: II. Andante1:597Sonatina in C major, op. 5: III. Rondo. Allegretto3:012011 · studio album
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Tracklist · 8 tracks · 1:09:15
1Trio in B-flat major, op. 8 no. 2: I. Allegro con brio10:302Trio in B-flat major, op. 8 no. 2: II. Andante7:403Trio in B-flat major, op. 8 no. 2: III. Rondo, vivace assai8:104Potpourri en trio in E-flat major, op. 4411:575Grand Sextetto in E-flat major, op. 47: I. Adagio – Allegro vivace12:126Grand Sextetto in E-flat major, op. 47: II. Andante molto7:147Grand Sextetto in E-flat major, op. 47: III. Menuetto, vivace – Trio3:208Grand Sextetto in E-flat major, op. 47: IV. Rondo, vivace assai8:12Piano Concertos, op. 32 & op. 40
2012 · studio album
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Tracklist · 6 tracks · 1:02:01
1Piano Concerto in E-flat major, op. 40: I. Allegro13:082Piano Concerto in E-flat major, op. 40: II. Andante6:183Piano Concerto in E-flat major, op. 40: III. Rondo. Vivace8:034Piano Concerto in C major, op. 32: I. Allegro vivace14:095Piano Concerto in C major, op. 32: II. Adagio ma non troppo, più tosto andante10:206Piano Concerto in C major, op. 32: III. Rondo. Vivace assai10:03Piano Sonata, op. 27 / Variations
2014 · studio album
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Tracklist · 27 tracks · 53:07
1Grande Sonate, op. 27: I. Allegro appassionato e vivace assai10:382Grande Sonate, op. 27: II. Andante con espressione7:403Grande Sonate, op. 27: III. Finale. Presto assai7:594Zwölf Variationen über die Ariette »Freundin sanfter Herzenstriebe«: Thema. Andantino0:435Zwölf Variationen über die Ariette »Freundin sanfter Herzenstriebe«: Variation 10:396Zwölf Variationen über die Ariette »Freundin sanfter Herzenstriebe«: Variation 20:427Zwölf Variationen über die Ariette »Freundin sanfter Herzenstriebe«: Variation 30:428Zwölf Variationen über die Ariette »Freundin sanfter Herzenstriebe«: Variation 40:349Zwölf Variationen über die Ariette »Freundin sanfter Herzenstriebe«: Variation 50:4210Zwölf Variationen über die Ariette »Freundin sanfter Herzenstriebe«: Variation 61:3111Zwölf Variationen über die Ariette »Freundin sanfter Herzenstriebe«: Variation 70:4012Zwölf Variationen über die Ariette »Freundin sanfter Herzenstriebe«: Variation 81:2813Zwölf Variationen über die Ariette »Freundin sanfter Herzenstriebe«: Variation 90:4214Zwölf Variationen über die Ariette »Freundin sanfter Herzenstriebe«: Variation 101:2515Zwölf Variationen über die Ariette »Freundin sanfter Herzenstriebe«: Variation 111:5516Zwölf Variationen über die Ariette »Freundin sanfter Herzenstriebe«: Variation 121:1017Zehn Variationen über »Zu Steffen sprach im Traume«: Thema. Andante1:2018Zehn Variationen über »Zu Steffen sprach im Traume«: Variation 11:0319Zehn Variationen über »Zu Steffen sprach im Traume«: Variation 21:0520Zehn Variationen über »Zu Steffen sprach im Traume«: Variation 30:5721Zehn Variationen über »Zu Steffen sprach im Traume«: Variation 40:5922Zehn Variationen über »Zu Steffen sprach im Traume«: Variation 51:0223Zehn Variationen über »Zu Steffen sprach im Traume«: Variation 60:5724Zehn Variationen über »Zu Steffen sprach im Traume«: Variation 71:5425Zehn Variationen über »Zu Steffen sprach im Traume«: Variation 81:0526Zehn Variationen über »Zu Steffen sprach im Traume«: Variation 91:0827Zehn Variationen über »Zu Steffen sprach im Traume«: Variation 102:27Three Sonatas for Piano and Violin
2018 · studio album
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Tracklist · 9 tracks · 1:14:51
1Sonata for Piano and Violin in B-flat major, op. 35: I. Allegro con fuoco10:212Sonata for Piano and Violin in B-flat major, op. 35: II. Adagio più tosto andante7:233Sonata for Piano and Violin in B-flat major, op. 35: III. Rondo. Vivace assai7:294Sonata for Piano and Violin in F major, op. 49: I. Adagio – Allegro9:145Sonata for Piano and Violin in F major, op. 49: II. Adagio5:136Sonata for Piano and Violin in F major, op. 49: III. Rondo. Presto7:207Sonata for Piano and Violin in B-flat major, op. 50: I. Andante molto – Allegro11:458Sonata for Piano and Violin in B-flat major, op. 50: II. Adagio7:419Sonata for Piano and Violin in B-flat major, op. 50: III. Rondo. Vivace8:25Concerto for Two Pianos & Orchestra, op. 45 / Sonatas for Piano Four Hands
2018 · studio album
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Tracklist · 9 tracks · 58:19
1Concerto for Two Pianos & Orchestra, op. 45: I. Allegro14:462Concerto for Two Pianos & Orchestra, op. 45: II. Marche – Trio – Marche4:013Concerto for Two Pianos & Orchestra, op. 45: III. Intermezzo. Andante – Rondo. Vivace assai8:184Sonata for Piano Four Hands, op. 7 no. 1: I. Adagio – Allegro5:405Sonata for Piano Four Hands, op. 7 no. 1: II. Andantino1:526Sonata for Piano Four Hands, op. 7 no. 1: III. Rondo. Vivace4:477Sonata for Piano Four Hands, op. 7 no. 2: I. Allegro6:488Sonata for Piano Four Hands, op. 7 no. 2: II. Andante4:459Sonata for Piano Four Hands, op. 7 no. 2: III. Rondo. Vivace7:222019 · studio album
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Tracklist · 24 tracks · 2:35:05
1Sonata, op. 1 in C minor: Adagio2:432Sonata, op. 1 in C minor: Allegro con moto8:413Sonata, op. 1 in C minor: Andante espressivo5:564Sonata, op. 1 in C minor: Finale – Allegro molto5:035Sonata, op. 5 in C: Allegro5:446Sonata, op. 5 in C: Andante2:027Sonata, op. 5 in C: Rondo – Allegretto2:128Grand Sonata Charactéristique, op. 12 in F minor: Grave maestoso1:529Grand Sonata Charactéristique, op. 12 in F minor: Allegro agitato8:1710Grand Sonata Charactéristique, op. 12 in F minor: Andantino2:2511Grand Sonata Charactéristique, op. 12 in F minor: Finale – Allegro assai8:2212Grand Sonata, op. 43 in C: Introduzione – Andante molto1:5813Grand Sonata, op. 43 in C: Allegro con spirito11:4514Grand Sonata, op. 43 in C: Intermezzo – Andantino2:4315Grand Sonata, op. 43 in C: Rondo vivace5:5116Grand Sonata, op. 27 in G minor: Allegro appassionato e vivace assai11:5717Grand Sonata, op. 27 in G minor: Andante con espressione8:5418Grand Sonata, op. 27 in G minor: Finale – Presto assai8:0419Grand Sonata, op. 16 in C: Allegro con fuoco9:0020Grand Sonata, op. 16 in C: Andantino4:0121Grand Sonata, op. 16 in C: Rondo – Allegretto un poco vivace6:2222Grand Sonata, op. 39 in G minor: Allegro appassionato9:3923Grand Sonata, op. 39 in G minor: Adagio molto espressivo9:5024Grand Sonata, op. 39 in G minor: Allegro agitato vivace assai11:442021 · studio album
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Tracklist · 11 tracks · 1:12:41
1Piano Sonatina in C, op. 5: I. Allegro4:472Piano Sonatina in C, op. 5: II. Andante1:453Piano Sonatina in C, op. 5: III. Rondo Allegretto2:124Grand Sonata in G minor, op. 27: I. Allegro appassionato e vivace assai10:145Grand Sonata in G minor, op. 27: II. Andante con espressione7:546Grand Sonata in G minor, op. 27: III. Finale, presto assai7:41712 Variations in E-flat on “Bei Männern welche Liebe fühlen” from the Opera “Die Zauberflöte”13:578Grand Sonata in C, op. 43: I. Introduzione, Andante molto – Allegro con spirito13:209Grand Sonata in C, op. 43: II. Intermezzo, Andantino2:1110Grand Sonata in C, op. 43: III. Rondo vivace4:2711Piano Sonata in C minor, op. 1: II. Andante espressivo4:13
Stats & PK
Percentile within all 23,672 published artists.Put Anton Eberl head-to-head →
| Metric | Value | Percentile |
|---|---|---|
| Wikipedia language versions | 14 | 70.2th |
| Spotify monthly listeners | — | no data |
| Release groups in DB | 12 | 83.4th |
| Studio albums | 12 | 92.8th |
| Awards recorded | 0 | 0th |
| Timeline events | 15 | 91.2th |
| Recording span (years) | -193 | 3.5th |
| Genres | 5 | 88.3th |
Awards & honours
Where this record comes from
portrait—Wikimedia Commons · Public domain · retrieved 11 October 2026
https://commons.wikimedia.org/wiki/File:Anton_Eberl.jpgaliases/urls—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/0e96453f-bd0b-45bd-b674-ce863c5dfe08discography—musicbrainz · CC0 · retrieved 10 October 2026
https://musicbrainz.org/artist/0e96453f-bd0b-45bd-b674-ce863c5dfe08core—wikidata · CC0 · retrieved 10 October 2026
https://www.wikidata.org/wiki/Q589090genre—wikidata · CC0 · retrieved 11 October 2026
https://www.wikidata.org/wiki/Q589090seed-list—wikipedia · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Anton_Eberlbiography—wikipedia-en · CC BY-SA 4.0 · retrieved 10 October 2026
https://en.wikipedia.org/wiki/Anton_Eberl
Why this artist is in the database
- List of composers by name
Tier rule: curated genre/region list
Image: Rahl after Tagemann · Public domain · Wikimedia Commons
Wikidata: Q589090 · MusicBrainz: 0e96453f-bd0b-45bd-b674-ce863c5dfe08
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